Dan’s Big Awesome Acoustic Songbook: Songs from TV and Movies

Aerosmith - Dream On (Last Action Hero)

Originally in Fm, I play in Em.

EmBm7Cmaj7AmM6x 2

“Time” is on the 1 of the key in the recording, easier to stay on the 5.

EmEvery Bm7time that I Cmaj7look in the AmM6mirror

EmAll these Bm7lines on Cmaj7my face getting AmM6clearer

EmBm7The past is Cmaj7gone AmM6

EmIt went Bm7by, Cmaj7like dusk to AmM6dawn

EmIsn’t that the Bm7way

Original goes up to the 5 of the key here, best for me to go to 1

Cmaj7Everybody’s got their Ddues in life to B7pay

EmYeah, I know Dnobody knows

CWhere it comes and Dwhere it goes

EmI know it’s Deverybody’s sin

CYou got to lose to Dknow how to win

EmBm7Cmaj7AmM6x 2

EmHalf my Bm7life’s in Cmaj7books’ written AmM6pages

EmLive and Bm7learn from Cmaj7fools and from AmM6sages

EmBm7You know it’s Cmaj7true AmM6

EmAll the Bm7things Cmaj7come back to Dyou

EmSing with me, Dsing for the year

CSing for the laughter, Dsing for the tear

EmSing with me, if it’s Djust for today

CMaybe tomorrow, the Dgood lord will take you awB7ay, yeah

AmDream on B7dream on Cmaj7dream on

DDream until the dream come Emtrue

AmDream on B7dream on Cmaj7dream on

DDream until the dream come Emtrue

AmDream on B7dream on

Cmaj7Dream on Ddream on

AmDream on B7dream on

Cmaj7Dream on Dah B7ah

Aerosmith - I Don't Want to Miss a Thing (Armegeddon)

Originally in D, I play in A

Highest note that matters is the 5

Intro, loosely, or just skip this

B/F#G#m7Bsus4Bsus4x 2

Vox on 2 2 3 5 6 on “i could stay awake”, up to the higher 3 on “hear”

I could Astay awake E/G#just to hear you F#m7breathin’

Watch you Dsmile while you are C#msleepin’, while you’re Bm7far away and dreamin’

I could Aspend my life E/G#in this sweet surrF#m7ender

I could Dstay lost in this A/C#moment, forBm7ever

Every moment C#m7spent with Dmaj7you is a moment I Esus4treasure

AI don’t want to E/G#close my eyes

Bm7I don’t want to fall asleep ‘cause I’d Dmiss you baby

And I don’t want to Emiss a thAing

‘Cause even when I E/G#dream of you

Bm7The sweetest dream would never do, I’d still Dmiss you baby

Hang the last chord in this line

And I dDon’t want to Emiss a thAing E/G#Bm7

Lyin’ cAlose to you feelinE/G#g your heart beatF#m7ing

And I’m woDnderin’ what you’re A/C#dreaming

Wonderin’ Bm7if it’s me you’re seein’

Then I kAiss your eyes and E/G#thank God we’re toF#m7gether

I just want to C#m7stay with Dmaj7you in this moment forEsus4ever, forever and ever

AI don’t want to E/G#close my eyes

Bm7I don’t want to fall asleep ‘cause I’d Dmiss you baby

And I don’t want to Emiss a thAing

‘Cause even when I E/G#dream of you

Bm7The sweetest dream would never do, I’d still Dmiss you baby

And I dDon’t want to Emiss a thAing

Bridge

I don’t want to Gmiss one smile, I don’t want to D/F#miss one kiss

I just want to Fbe with you right here with you, C/Ejust like this

I just want to Ghold you close, feel your heart so D/F#close to mine

And just Am7stay here in this moment, for all the Esus4rest of time

Yeah, yeah, yeaaaah

AI don’t want to E/G#close my eyes

Bm7I don’t want to fall asleep ‘cause I’d Dmiss you baby

And I don’t want to Emiss a thAing

‘Cause even when I E/G#dream of you

Bm7The sweetest dream would never do, I’d still Dmiss you baby

And I dDon’t want to Emiss a thAing

AI don’t want to E/G#close my eyes

Bm7I don’t want to fall asleep ‘cause I’d Dmiss you baby

One-off minor chord

And I dDon’t want to Emiss a thF#ming

‘Cause even when I E/G#dream of you

Bm7The sweetest dream would never do, I’d still Dmiss you baby

And I dDon’t want to Emiss a thAing

Andrew Gold - Thank You For Being a Friend (The Golden Girls)

Originally in Bb, I play in A

AThank you for being a friend

D/ATraveled down the road and back again

Your E/Aheart is true, you’re a pal and a confiAdant

AI’m not ashamed to say

D/AI hope it always will stay this way

My E/Ahat is off, won’t you stand up and take a Abow

F#mAnd if you threw a A7/Eparty

InDmaj7vited everyone you C#7knew

Well, F#m/Eyou would A7see

The biggest Bm7gift would be from F#mme

And the Dcard D/C#atD/Btached D/Awould Esay

Thank you for being a Afriend

Thank you for being a D/Afriend

Thank you for being a E/Afriend

Thank you for being a Afriend

AA/G#→AA/G#A/F#A/E

DD/C#→DD/C#D/BD/A

AIf it’s a car you lack

D/AI’d surely buy you a Cadillac

WhatE/Aever you need any time of the day or Anight

AI’m not ashamed to say

D/AI hope it always will stay this way

My E/Ahat is off, won’t you stand up and take a Abow

F#mAnd when we both get A7/Eolder

With Dmaj7walking canes and hair of C#7gray

F#m/EHave no A7fear

Even Bm7though it’s hardly F#mhere

I will Dstand D/C#real D/Bclose D/Aand Esay

Thank you for being a Afriend (I wanna thank you)

Thank you for being a D/Afriend (I wanna thank you)

Thank you for being a E/Afriend (I wanna thank you)

Thank you for being a Afriend (I wanna thank you)

Let me tell you ‘bout a Afriend (I wanna thank you)

Thank you for being a D/Afriend (I wanna thank you)

Thank you for being a E/Afriend (I wanna thank you)

Thank you for being a Afriend (I wanna thank you)

Vox on “die” are on the root of the chord

AA/DAnd A/Ewhen we Em6/Gdie and float aF#mway

Into the Fmaj7night, the milky A/Eway

You’ll hear me Em6/Gcall as we asF#mcend

I’ll say your Fmaj7name, then once aA/Egain

No instruments...

Thank you for being a...

Instruments back in...

AA/G#→AA/G#A/F#A/E

DD/C#→DD/C#D/BD/A

This time with baa baa baa baa

AA/G#→AA/G#A/F#A/E

DD/C#→DD/C#D/BD/A

Thank you for being a Afriend (I wanna thank you)

Thank you for being a D/Afriend (I wanna thank you)

Thank you for being a E/Afriend (I wanna thank you)

Thank you for being a Afriend

People tell me about a Afriend (I wanna thank you)

Thank you for being a D/Afriend (I wanna thank you)

Thank you for being a E/Afriend (I wanna thank you)

Thank you for being a Afriend

AThank you right now for being a friend

I wanna D/Atell you ‘bout now and I’ll tell you again

I wanna E/Athank you, thank you, thank you for being a Afriend

AA/G#→ AA/G#A/F#A/E

DD/C#→ DD/C#D/BD/A

Annie - Tomorrow (Annie)

Originally in E, I play in A.

All the big “tomorrows” at the end are on the 6.

Esus4

Vox on 3 4 5 1 on “sun’ll come out”

The Asun’ll come out Amaj7tomorrow

Dmaj7Bet your bottom C#m7dollar

That toF#mmorrowF#m/E, there’ll be Dmaj7sun E

Just Athinkin’ about Amaj7tomorrow

Dmaj7Clears away the C#m7cobwebs

And the F#msorrowF#m/Etill there’s Dmaj7none E

When I’m stuck with a Amday

That’s C/Ggray and Flonely G

I just stick out my Cchin

And Cmaj7grin, and E7sussay

EOh

The Asun’ll come out Amaj7tomorrow

Dmaj7So you got to C#m7hang on

Till toF#mmorrowF#m/E, come what Dminmay E7susE7

TomoArrow, toAmaj7morrow

I A7love ya toDmorrow Dm

You’re Aonly a E7susday

E7A waAy

Ritard

E7TomoArrow, toAmaj7morrow

I A7love ya toDmorrow Dm

You’re Aonly a E7susdaaaay

E7Aaa waaaaAy DmA

Ben E. King - Stand by Me (Stand by Me)

Originally in A, I play in C capo 4.

Highest note is the 1 (darlin’, DARlin’)

Start with single notes or octaves

Cadd9Am7Fmaj7GCadd9

Vox in on the 6 on “night”

When the Cadd9night has come

Am7And the land is dark

And the moFmaj7on is the onGly light we’ll seeCadd9

No, I Cadd9won’t be afraid

No, I Am7won’t be afraid

Just as loFmaj7ng as you standG, stand by meCadd9

Start to fade the chords in

So, darling, darling, Cadd9stand by me

Oh, Am7stand by me

Oh, Fmaj7stand,Gstand by me

Cadd9Stand by me

If the Cadd9sky that we look upon

Am7Should tumble and fall

Or the moFmaj7untain should Gcrumble to the Cadd9sea

I won’t Cadd9cry, I won’t cry

No, I Am7won’t shed a tear

Just as loFmaj7ng as you standG, stand by meCadd9

So, darling, darling, Cadd9stand by me

Oh, Am7stand by me

Oh, Fmaj7stand,Gstand by me

Cadd9Stand by me

Whenever you’re in trouble won’t you Cadd9stand by me

Oh, Am7stand by me

Oh, Fmaj7stand,Gstand by me

Cadd9Stand by me

Bette Midler - The Rose (The Rose)

Originally in C, I play in G

Intro

Some say lGove, it is a rD/F#iver

That dCrowns the tenDder rGeed

Some say love, it is a rD/F#azor

That lCeaves your soDul to blGeed

Some say lBmove, it is a hEmunger

An endCless aching nD7sus4eed D

I say lGove, it is a flDower and

YCou its onDly seGed

It’s the heGart afraid of breaDking

That nCever leaDrns to daGnce

It’s the drGeam afraid of wakDing

That Cnever takDes the chaGnce

It’s the Bmone who won’t be tEmaken

Who caCn not seem to gD7sus4ive

And the Gsoul afraid of dyDing

That nCever leDarns to liGve

When the nGight has been too loDnely

And the rCoad has bDeen too loGng

And you thGink that love is Donly

For the lCucky anDd the strGong

Just rBmemember in the wEminter

Far beneCath the bitter D7sus4snow

Lies the sGeed that with the sDun’s love

In the spCring becoDmes the roGse

Betty Everett - The Shoop Shoop Song (It's In Hiss Kiss) (Mermaids)

Originally in D, Cher in C, I play in G

Vox easier if you leave out the “oh no”’s

Vox on the 1 of the first chord

DDoes he love me?

CI wanna know

DHow can I tell if he loves me so?

(Is it iAm7n his eyDes?) Oh Am7no you’ll be D7deceived

(Is it iAm7n his eyDes?) Oh Am7no he’ll make beD7lieve

With shoop shoop...

If you wGanna knoEmw if Che loves you Dso it’s in his kissG

(CThat’s where it is Doh yea)

(Or is iAm7t in hisD7face?) Oh Am7no that’s just his D7charm

(In his Am7warm embD7race?) Oh Am7no that’s just his D7arms

With shoop shoop...

If you wGanna knoEmw if Che loves you Dso it’s in his kissG

(CThat’s where it is D) Oh it’s in his Gkiss

(CThat’s where it is G)

With bom bom bom...

BKiss him and squeeze him tight

This line starts on the high 1 of the chord and

ends on the low 1 of the chord

EmAnd find out what you wanna know

AIf it’s love if it really is

D7It’s there in his kiss

(How ‘bout tAm7he way hD7e acts?) Oh Am7no that’s not the D7way

And you’Am7re not lD7istening to Am7all I D7say

With shoop shoop...

If you wGanna knoEmw if Che loves you Dso it’s in his kissG

(CThat’s where it is D) Oh it’s in his Gkiss

(CThat’s where it is D)

Solo

Am7DAm7D

GG/DGG/D

Am7DAm7D

Hard stop

With bom bom bom...

BKiss him and squeeze him tight

EmAnd find out what you wanna know

AIf it’s love if it really is

D7It’s there in his kiss

(How ‘bout tAm7he way hD7e acts?) Oh Am7no that’s not the D7way

And you’Am7re not lD7istening to Am7all I D7say

With shoop shoop...

If you wGanna knoEmw if Che loves you Dso it’s in his kissG

C(That’s where it Dis) Oh it’s in his Gkiss

C(That’s where it Dis)

Repeat to fade

Bill Medley and Jennifer Warnes - I've Had the Time of My Life (Dirty Dancing)

Originally in E, which works for a duet, otherwise I play in A

Bill, rubato

Now AI’ve F#m7had the time of my Glife

No, I never felt like this beAfore

Yes I F#m7swear it’s the Gtruth

And I owe it all to you A

Jennifer, rubato

‘Cause AI’ve, F#m7had, the time of my Glife

And I owe it all to Ayou

At tempo

Bill

I’ve been G/Awaiting for so long

Now I’ve finally found someone

To stand by Ame

Jennifer

We saw the G/Awriting on the wall

As we felt this magical fantaAsy

Both

Now with G/Apassion in our eyes

There’s no way we could disguise it secretAly

So we G/Atake each other’s hand

‘Cause we seem to understand

The urgenAcy, just remember

Jennifer

DYou’re the one thing

Bill

CI can’t get enough of

Jennifer

DSo I’ll tell you something

Both

EThis could be love because

AI F#m7had the time of my Glife

No, I never felt this way beAfore

Yes I F#m7swear it’s the Gtruth

And I owe it all to you A

AAHey G/Ababy A

Jennifer

With my G/Abody and soul

I want you more than you’ll ever Aknow

Bill

So we’ll G/Ajust let it go

Don’t be afraid to lose contArol

Jennifer

Yes I G/Aknow what’s on your mind

When you say, stay with me toAnight

Just remember

Bill

DYou’re the one thing

Jennifer

CI can’t get enough of

Bill

DSo I’ll tell you something

Both

EThis could be love because

AI F#m7had the time of my Glife

No, I never felt this way beAfore

Yes I F#m7swear it’s the Gtruth

And I owe it all to you

‘Cause AI F#m7had the time of my Glife

And I searched through every open dAoor

Till IF#m7found the Gtruth

And I owe it all to you A

Original repeats the chorus rubato, then at tempo to fade

Bill Withers - Lean on Me (Lean on Me)

Originally in C, I play in A capo 2

ADAE→A

ASometimes in our Dlives

We all have Apain we all have AsorrEow

ABut if we are Dwise

We know that Athere’s always tomEorrAow

Let an extra measure hang here on the IV

Lean on Ame, when you’re not Dstrong

And I’ll be your Afriend

I’ll help you Acarry Eon

AFor it won’t be Dlong

Till I’m gonna Aneed

Somebody to Elean Aon

APlease swallow your Dpride

If I have Athings you need to AborrEow

AFor no one can Dfill those of your Aneeds

That you won’t Elet Ashow

Let an extra measure hang here on the IV

You just Acall on me DbroAther, when Eyou need a handA

We all need somebody to Elean Aon

I just Amight have a DprobAlem that Eyou’d underAstand

We all need somebody to Elean Aon

Let an extra measure hang here on the IV

Lean on Ame, when you’re not Dstrong

And I’ll be your Afriend

I’ll help you carry Eon

AFor it won’t be Dlong

Till I’m gonna Aneed

Somebody to Elean Aon

AIf there is a Dload you have to Abear

That you can’t AcarEry

AI’m right up the Droad

I’ll share your Aload

If you just Ecall Ame

E6Call Ame (if you need a friend)

E6Call Ame (call me)

E6Call Ame (if you need a friend)

E6Call Ame (if you ever need a friend)

E6Call Ame (call me)

E6Call Ame

E6Call Ame (if you need a friend)

Bob Dylan - Knockin' on Heaven's Door (Days of Thunder)

Chords are a combination of the Dylan and GnR versions

GDAm7

GDC

GMama, Dtake this badge from Amme Am7

GI can’t Duse it anyCmore

GIt’s gettin’ Ddark, too dark to Amsee Am7

GFeels like I’m Dknockin’ on heaven’s Cdoor

GKnock, knock, Dknockin’ on heaven’s Cdoor

GKnock, knock, Dknockin’ on heaven’s Amdoor

GKnock, knock, Dknockin’ on heaven’s Cdoor C7

GKnock, knock, Dknockin’ on heaven’s Cdoor

GMama, Dput my guns in the Amground Am7

GI can’t Dshoot them anyCmore

GThat long black Dcloud is comin’ Amdown Am7

GI feel like I’m Dknockin’ on heaven’s Cdoor

Let this chorus repeat as appropriate; usually if I’m

doing call and response, I use just I’s, no vi’s.

GKnock, knock, Dknockin’ on heaven’s Cdoor

GKnock, knock, Dknockin’ on heaven’s Amdoor

GKnock, knock, Dknockin’ on heaven’s Cdoor C7

GKnock, knock, Dknockin’ on heaven’s Cdoor

COoohhhh... oh oh Gyea

BoDeans - Closer to Free (Party of Five)

Originally in G, I play in E. It’s not very high, but the vox are on the 5 for the entire song, which wears me out in G.

Intro

EAadd9BAadd9

EAadd9Yeah BAadd9

EEverybody Aadd9wants to lBive, like they Aadd9wanna live

And Eeverybody Aadd9wants to lBove, like they Aadd9wanna love

EEverybody Aadd9wants to Bbe, Aadd9closer to Efree

EAadd9BYeah, Aadd9yeah yeah

EEverybody Aadd9wants resBpect, just a Aadd9little bit

And Eeverybody Aadd9needs a Bchance, once in a Aadd9while

EEverybody Aadd9wants to Bbe, Aadd9closer to Efree

EAadd9BYeah, Aadd9yeah yeah

Bridge

F#mEverybody Bone

F#mEverybody Btwo

F#mEverybody Bfree

EEverybody Aadd9needs to Btouch, you know Aadd9now and then

And Eeverybody Aadd9wants a Bgood, good Aadd9friend

EEverybody Aadd9wants to Bbe, Aadd9closer to Efree

EAadd9BAadd9Alright

Harmonica solo

EAadd9BAadd9

Bridge

I said F#meverybody Bone

F#mEverybody Btwo

F#mEverybody Bfree

EEverybody Aadd9wants to lBive, like they Aadd9wanna live

And Eeverybody Aadd9wants to Blove, like they Aadd9wanna love

EEverybody Aadd9wants to Bbe, Aadd9closer to Efree

EAadd9BYeah Aadd9closer to Efree

EAadd9BAadd9Closer to Efree

EAadd9BYeah, Aadd9yeah yeah E

BoJack Horseman - Kyle and the Kids (BoJack Horseman)

Originally in C, I play in A

AD/A

AKyle E/G#and the F#mkids F#m7/E

Bm7Kyle’s a dad and ECharlotte’s married to him

AAnd they’ve E/G#got some F#mkids F#m7/E

Vox on 7 5 of the chord on “Penny”

There’s Bm7Penny, she’s going to C#m7high school

She’s got a Dbrother, her D#dimbrother’s name is ETrip

They’re the perfect family

Key change

A#Kyle F/Aand the Gmkids Gm7/F

He Cm7loves his wife and there’s Fnothing you can A#do

A#Kyle F/Aand the Gmkids Gm7/F

Oh no, it’s gonna Cm7be alright, Fbe alright oh A#no

Bonnie Tyler - Holding Out For a Hero (Footloose)

Originally in Am, I play in Am capo 5, or possibly in Em

Highest note is the 5 (in the bridge)

I play just once through the intro, play the first

verse slow and rubato, and hit it hard on the first chorus.

AmAm7/GFmaj7EaugE

x2, second time with “do do do”

Vox on the 5

AmWhere have all the good men gone and Gwhere are all the gods?

FWhere’s the street-wise Hercules to Eaugfight the rising Eodds?

AmIsn’t there a white knight uEmpon a fiery steed?

DmLate at night I toss and turn and I drEaugeam of what I nEeed

I need a Amhero, I’m holding out for a Emhero till the end of the night

He’s Fgotta be strong and he’s gotta be fast

And he’s Cgotta be fresh from the fGight

I need a Amhero, I’m holding out for a Emhero till the morning light

He’s Fgotta be sure, and it’s gotta be soon

And he’s Cgotta be larger than Glife

Larger than Amlife

AmDo do do do

Am7/GDo do do do

Fmaj7Do do do do

EaugAaah Eaaah

AmSomewhere after midnight in my Gwildest fantasy

FSomewhere just beyond my reach there’s Eaugsomeone reaching back for Eme

AmRacing on the thunder and riEmsing with the heat

The “yeah” is an extra measure in this line

DmIt’s gonna take a superman to Eaugsweep me off my Efeet, yeah!

I need a Amhero, I’m holding out for a Emhero till the end of the night

He’s Fgotta be strong and he’s gotta be fast

And he’s Cgotta be fresh from the fGight

I need a Amhero, I’m holding out for a Emhero till the morning light

And he’s Fgotta be sure, and it’s gotta be soon

Empty measure after this line

And he’s Cgotta be larger than Glife

I need a Amhero

I’m holding out for a Emhero till the end of the night

Bridge

AmAmAmAm

F/ADm/ABm7b5/AAm

AmUp where the mountains meet the heavens above

FOut where the lightning splits the sea

DmI could swear there is Esomeone somewhere Amwatching me

AmThrough the wind and the chill and the rain

FAnd the storm and the flood

DmI can feel his approachElike the fire in my Amblood

Ebdim7Like the fire in my blood, like the fire in my blood

Like the fire in my blood, like the fire in my Eaugblood, Eaah

I need a Amhero, I’m holding out for a Emhero till the end of the night

He’s Fgotta be strong and he’s gotta be fast

And he’s Cgotta be fresh from the fGight

I need a Amhero, I’m holding out for a Emhero till the morning light

He’s Fgotta be sure, and it’s gotta be soon

And he’s Cgotta be larger than Glife

I need a Amhero, I’m holding out for a Emhero till the end of the night

FCG

Boyz II Men - End of the Road (Boomerang)

Am7b5 as 5x554x

Originally in Eb, I play in A

Vox start on the 5

AWe belong togetherAsus4A

C#m/F#And you know I’m F#m7right

DWhy do you C#m7play with my heart

Why Bm7do you play with my E7sus4mind?

ASaid we’d be foreverAsus4A

C#m/F#Said it’d never F#m7die

DHow could you C#m7love me and leave me

And Bm7never say E7sus4good-bye?

When I F#mcan’t sleep at night without F#m/Fholding you tight

Girl A/Eeach time I try I just D#m7b5break down and cry

Dmaj7Pain in my head, oh, I’d C#m7rather be dead

Bm7Spinning around and E7sus4around

Although we’ve Acome to the Bm7/Aend oA/C#f the rE/F#oad

Still I cF#m7an’t lC#m7et gDadd9o

It’s unA/C#natural, you beBm7long to me

I beE7sus4long to you

AGirl I know you really love me

C#m7/F#You just don’t reaF#m7lize

DYou’ve never C#m7been there before

It’s Bm7only your first E7sus4time

AMaybe I’ll forgive youAsus4A

C#m/F#Maybe you’ll F#m7try

DWe should be C#m7happy together

ForBm7ever you and E7sus4I

Will you F#mlove me again like you F#m/Floved me before

A/EThis time I want you to D#m7b5love me much more

Dmaj7This time instead, just C#m7come to my bed

And Bm7baby just don’t let me E7sus4go

Although we’ve Acome to the Bm7/Aend oA/C#f the rE/F#oad

Still I cF#m7an’t lC#m7et gDadd9o

It’s unA/C#natural, you beBm7long to me

I beE7sus4long to you

Spoken, over verse chords... probably skip to “maybe I’ll forgive”

Girl, I’m here for you

All those times at night when you just hurt me

And just ran out with that other fellow

Baby I knew about it, I just didn’t care

You just don’t understand how much I love you, do you?

I’m here for you

Next verse starts here, overlapping with spoken text

I’m not out to go out there and cheat all night

Just like you did baby, but that’s all right

Heh, I love you anyway, and I’m still going to be here for you till by dying day baby

Right now, I’m just in so much pain, baby, ‘cause you just won’t come back to me, will you?

Just come back to me!!!

AGirl I know you really love me

C#m7/F#You just don’t reaF#m7lize

DYou’ve never C#m7been there before

It’s Bm7only your first E7sus4time

AMaybe I’ll forgive you

C#m/F#Maybe you’ll F#m7try

DWe should be C#m7happy together

ForBm7ever you and E7sus4I

F#mLonely (yes baby my heart is lonely)

F#m/FLonely (my heart hurts, yes, I feel pain too)

A/ELonely, D#m7b5no (baby, please)

Dmaj7This time instead, just C#m7come to my bed

And Bm7baby just don’t let me E7sus4go

Although we’ve Acome to the Bm7/Aend oA/C#f the rE/F#oad

Still I cF#m7an’t lC#m7et gDadd9o

It’s unA/C#natural, you beBm7long to me

I beE7sus4long to you

Sparse

Although we’ve Acome to the Bm7/Aend oA/C#f the rE/F#oad

Still I cF#m7an’t lC#m7et gDadd9o

It’s unA/C#natural, you beBm7long to me

I beE7sus4long to you

Bryan Adams - Everything I Do (Robin Hood, Prince of Thieves)

Originally in Db, I play in G

Intro

GD/GC/GD/G

GLook into my eyes, D/Gyou’ll see

C/GWhat you mean to D/Gme

Search your Gheart, search your D/Gsoul

And when you fC/Gind me there you’ll Gsearch no Dmore

Last chord in this line is back to the ii in the original

Don’t Am7tell me it’s not worth Gtryin’ Dfor

You can’t Am7tell me it’s not worth Gdyin’ Dfor

You know it’s G/Dtrue

Everything I Ddo, I do it Gfor you

GLook into your heart, D/Gyou will find

Not a typo, the /1’s from the last verse actually don’t happen this time

There’s Cnothin’ there to Dhide

Take me as I Gam, take my D/Glife

I would Cgive it all, I would GsacriDfice

Don’t Am7tell me it’s not worth Gfightin’ Dfor

I can’t Am7help it, there’s nothing GI want Dmore

...and the /5 doesn’t happen this time either.

You know it’s Gtrue

Everything I Ddo, I do it for Gyou, oh yea

There’s Fno love, like A#your love

And no Fother, could give Cmore love

There’s Gnowhere, unless Dyou’re there

All the Atime, all the Dway

Solo

Cmaj7Cmaj7GGLook into your heart babe

Cmaj7Cmaj7GG

This time the line actually ends in the V

Oh, you can’t Am7tell me it’s not worth tryin’ Dfor

I can’t Am7help it, there’s nothin’ I want Dmore

CYeah, I would Gfight for you, I’d Dlie for you

Walk the Cwire for you, yea I’d Cmdie for you

You know it’s G/Dtrue

Everything I Ddo, ohCC6I do it Gfor you

Buffalo Springfield - For What It's Worth (Forrest Gump)

Originally in E, I play in E capo 3.

Also I throw in a few A6’s instead of Asus2’s.

And play about 1.5x as fast as the original.

EAsus2EAsus2

EThere’s somethin’ happenin’ Asus2here

What it Eis ain’t exactly Asus2clear

There’s a Eman with a gun over Asus2there

A-tellin’ Eme I’ve got to bewareAsus2

I think it’s time we Estop

Children, Dwhat’s that sound?

AEverybody look what’s Cgoin’ downE

EAsus2EAsus2

EThere’s battle lines bein’ Asus2drawn

Nobody’s Eright if everybody’s Asus2wrong

EYoung people speakin’ their Asus2minds

A-gettin’ Eso much resistance Asus2from behind

I think it’s time we Estop

Hey, Dwhat’s that sound?

AEverybody look what’s Cgoin’ downE

EAsus2EAsus2

EWhat a field day for the Asus2heatG

EA thousand people in the Asus2streetG

Singin’ Esongs and a-carryin’ Asus2signs

EMostly sayin’ hooray for our Asus2side

I think it’s time we Estop

Hey, Dwhat’s that sound?

AEverybody look what’s Cgoin’ downE

EAsus2EAsus2

EParanoia strikes Asus2deep

Into your Elife it will Asus2creep

EIt starts when you’re always Asus2afraid

Step out of Eline, the men come and Asus2take you away

You better Estop, hey, Dwhat’s that sound?

AEverybody look what’s Cgoin’

You better Estop, hey, Dwhat’s that sound?

AEverybody look what’s Cgoin’

You better Estop, hey, Dwhat’s that sound?

AEverybody look what’s Cgoin’ Edown

Carly Simon - Nobody Does It Better (The Spy Who Loved Me)

Originally in F, I play in A capo 1

Highest important note is the 4 (“half as good”)

Me First and the Gimme Gimmes (in E) use the obvious

root chords in most cases, except that A/B becomes B, and

C#7b9 becomes C#m

In my key:

F#7b9 = 2x2323

Intro

AAdim7→ G#dim7AA7

Vox on the b5 of the chord (!!)

DNobody doeDms it beAtter A7

DMakes me feel saDmd for the Arest A7

DNobody Dm6does it C#7#5half as F#m7good as you

Bm7D/EBaby you’re the Abest Adim7→ G#dim7

AI wasn’t loA/C#oking, Dbut somehow you foDmund me

AI tried to A/C#hide from your lB9ove lA#9ight

ABut like heaven abA/C#ove me

DThe spy who loDmved me

Is C#7keeping F#7b9all my Bm7secrets saE7sus4fe tonAight A7

And Dnobody doeDms it bAetter A7

DThough sometimes I wDmish somAeone could A7

DNobody Dm6does it C#7#5quite the F#m7way you do

Bm7Why’d you D/Ehave to be so Agood

AThe way that you A/C#hold me, Dwhenever you hDmold me

AThere’s some kind of A/C#magic insB9ide A#9you

AThat keeps me from A/C#running

DBut just keep it cDmoming

HowC#7‘d you F#7b9learn to Bm7do the tE7sus4hings you Ado? A7

And Dnobody doeDms it beAtter Asus4

DMakes me feel so saDmd fAor the rest

DNobody Dm6does it C#7#5half as F#m7good as you

Bm7BaA/C#by, baby

Dmaj7→ D#7b9Darlin’ E7you’re the Abest A/C#

DFBaby Gyou’re the Abest A/C#

DFDarlin’ Gyou’re the Abest A/C#

DFBaby Gyou’re the Abest

Cheap Trick - I Want You To Want Me (10 Things I Hate About You)

Originally in A, I play in G, and I don’t go up on “cryin’” in the chorus

Intro

GGGG

FCGG

I wGant you to want me D/F#

I nEmeed you to need me Em7/D

I’d lCove you to love me G/B

I’m bGeggin’ you to beg me D/F#

I wEmant you to want me Em7/D

I nCeed you to need me G/B

I’d lGove you to love me D/F#

I’d sEmhine up my old brown shAoes

I’d pFut on a brand new shGirt

I’d Emget home early from wAork

If you’d sFay Fmthat you lEmove me

DGidn’t I, didn’t I, didn’t I see you crDyin’

Remember not to go up on “cryin’” if you’re in G

Oh, dEmidn’t I, didn’t I, didn’t I see you crCyin’

FGeelin’ all alone without a friend you know you feel like dDyin’

Oh, dEmidn’t I, didn’t I, didn’t I see you crCyin’

I wGant you to want me D/F#

I nEmeed you to need me Em7/D

I’d lCove you to love me G/B

I’m bGeggin’ you to beg me D/F#

I’d sEmhine up my old brown shAoes

I’d pFut on a brand new shGirt

I’d Emget home early from wAork

If you’d sFay Fmthat you lEmove me

DGidn’t I, didn’t I, didn’t I see you crDyin’

Oh, dEmidn’t I, didn’t I, didn’t I see you crCyin’

FGeelin’ all alone without a friend you know you feel like dDyin’

Oh, dEmidn’t I, didn’t I, didn’t I see you crCyin’

Solo

GDEmC

GFeelin’ all alone without a friend you know you feel like Ddyin’

Oh, dEmidn’t I, didn’t I, didn’t I see you crCyin’

Solo

GDEmC

I wGant you to want me D/F#

I nEmeed you to need me Em7/D

I’d lCove you to love me G/B

I’m bGeggin’ you to beg me D/F#

Instruments out, chords implied

I Gwant you to want me D/F#

I Emwant you to want me Em7/D

I Gwant you to want me F

Repeat intro

GGGG

FCGG

Chuck Berry - Johnny B. Goode (Back to the Future)

Originally in Bb, I play in E capo 3

Intro

EEAEBAE

Deep Edown in Louisiana, close to New Orleans

Way bEack up in the woods among the evergreens

There Astood a log cabin made of earth and wood

Where Elived a country boy named Johnny B. Goode

Who Bnever ever learned to read or write so well

But he could Eplay a guitar just like a ringin’ a bell

Go! EGo! Go, Johnny, go! Go!

Go, Johnny, go! GAo! Go, Johnny, go!

EGo! Go, Johnny, go!

BGo! Johnny B. GEoode

He used to cEarry his guitar in a gunny sack

Go sEit beneath the tree by the railroad track

Old enAgineers would see him sittin’ in the shade

SEtrummin’ with the rhythm that the drivers made

When Bpeople passed him by they would stop and say

Oh, mEy but that little country boy could play

Go! EGo! Go, Johnny, go! Go!

Go, Johnny, go! GAo! Go, Johnny, go!

EGo! Go, Johnny, go!

BGo! Johnny B. GEoode

Solo

Solo on verse chords, with hard stops

EEAEBEx2

His mEother told him, someday you will be a man

And Eyou will be the leader of a big ol’ band

MAany people comin’ from miles around

Will hEear you play your music when the sun go down

MaybBe someday your name’ll be in lights

Sayin’ JoEhnny B. Goode tonight

Go! EGo! Go, Johnny, go! Go!

Go, Johnny, go! GAo! Go, Johnny, go!

EGo! Go, Johnny, go!

BGo! Johnny B. GEoode

Def Leppard - Two Steps Behind (Last Action Hero)

ADGDx2

Walk awAay Dif you wGant toD

It’s okAay Dif you nGeed toD

You can Arun, but Dyou can never Ehide D

From the Ashadow that’s Dcreepin’ up beEside yDou

TheF#mre’s a magic runnin’ through youDr soul

But yGou can’t have it allE

(Whatever you do) I’lAl be twoDsteps behiEnd you

(Where Dever you go) andAI’ll be Dthere to reEmind youD

That it Aonly takes a Dminute of your Eprecious tGime

To turn aDround, I’ll be two steps behind

ADGDx2

Take the tiAme Dto think abGout it D

Just walk the lAine, you knDow you just can’t fGight it D

Take a look aroAund, you’ll sDee what you can fEindD

Like the fiAre that’s buDrnin’ up inEside meD

TheF#mre’s a magic runnin’ through youDr soul

But yGou can’t have it allE

(Whatever you do) I’lAl be twoDsteps behiEnd you

(Where Dever you go) andAI’ll be Dthere to reEmind youD

That it Aonly takes a Dminute of your Eprecious tGime

To turn aDround, I’ll be two steps behind

Solo on verse

TheF#mre’s a magic runnin’ through youDr soul

But yGou can’t have it allE

(Whatever you do) I’lAl be twoDsteps behiEnd you

(Where Dever you go) andAI’ll be Dthere to reEmind youD

That it Aonly takes a Dminute of your Eprecious tGime

To turn aDround, I’ll be two steps behind

Outro

ADGDx2

Deniece Williams - Let's Hear it for the Boy (Footloose)

Originally in C# , I play in C capo 2 (down an octave)

Intro

CAmFF→ F/Gx 4

My bCaby, he dAmon’t talk sFweet

He aFin’t got mF/Guch to Csay AmFG

But he Cloves me, loves me, Amloves me

I Fknow that he F/Gloves me anyCway AmFG

And Cmaybe he Amdon’t dress Ffine

But FI don’t rF/Geally Cmind AmFG

Cause Bbevery time he pulls me near, CI just wanna cDheer

GLet’s Dhear it for the G/Bboy

CLet’s gG/Aive the boy a Dhand G/BCG/A

Let’s Dhear it for my G/Bbaby

CYou know you G/Agotta understandDG/BCG/A

Vox on the m7 of the chord on “maybe”, which will feel low

Em7Maybe he’s no Romeo, but F#m7he’s my loving one-man show

GWhoa, Cwhoa, G/Bwhoa, A7suswhoa

Let’s hear it for the bDoy

Simplifying some wonky synth-horn parts here

DG/BF

CAmFF→ F/Gx 2

My Cbaby may Amnot be Frich

He’s Fwatching eF/Gvery Cdime AmFG

But he Cloves me, loves me, Amloves me

We Falways have a F/Greal good Ctime AmFG

And Cmaybe he Amsings off-Fkey

But Fthat’s all F/Gright by Cme AmFG

Cause Bbwhat he does, he does so well, Cmakes me want to yDell

GLet’s Dhear it for the G/Bboy

CLet’s gG/Aive the boy a Dhand G/BCG/A

Let’s Dhear it for my G/Bbaby

CYou know you G/Agotta understandDG/BCG/A

Em7Maybe he’s no Romeo, but F#m7he’s my loving one-man show

GWhoa, Cwhoa, G/Bwhoa, A7suswhoa

Let’s hear it for the bDoy

DG/BF

CAmFF→ F/Gx 2

Disney - Do You Want to Build a Snowman (Frozen)

Originally in Eb, I play in G

Intro

Gsus2Gx4

Elsa?

Vox on the 1 on “do”

Do you want to build a snGowman?

Come on let’s go and D/F#play

I never see you C/Eanymore, come out the dEmoor

It’s like you’ve gone Dm9away G/B

We used to be best Cbuddies, and nGadd9/Bow we’re not

I Bsus4wish you would tB7ell me wEmhy → D/F#→ G/B→ A

Do you want to build a Am7snowman?

It doesn’t have to be a Cm6/D#Snowman

Go away, Anna, okay, bGsus2ye

Gsus2Gx4

D#G/DD#G/D

Gsus2GGsus2GCCD#D

Do you wanna build a sGnowman?

Or ride our bike around the D/F#halls

I think some company is ovC/Eerdue, I’ve started taEmlking to

The pictures on the wDm9alls (hang in thG/Bere, Joan)

It gets a little loCnely, all these Gadd9/Bempty rooms

Just Bsus4watching the hB7ours tick bEmy A(tick-tock, tick-tock)

Very loose approximation of the chords

Elsa is sad because she can’t take the gloves off

D#→ G/Dx8

Everyone happily hugs before they leave for their trip

Gsus2GGsus2Gx2

They get on a boat

CmCmGm7D7

The big storm comes

CmCmGm7Dm

Fade to black

D#D#D

Elsa?

Please, I know you’re Gin there

People are asking where you’D/F#ve been

They say have courage, and I’m tC/Erying to, I’m right out Emhere for you

Just let me inEm/BA/C#Bm

We only have each oCther, it’s just Gadd9/Byou and me

Bsus4What are we gB7onna Emdo? A

Do you wanna build a snGowman? C/G

Disney - DuckTales Theme (DuckTales)

Originally in E, I play in D

Intro, with octaves

These bVII/1’s are IV/1’s in the original

DLife is like a D7hurricane C/Dhere Din DC/DuckbDurg

DRace cars, lasers, D7aeroplanes, C/Git’s Ga C/Gduck bGlur

EmYou might solve a A7mystery Em7or rewrite hA7istory

Give a whole measure to the 7#9, i.e. the same duration

as the other chords

DDuck tales, oo-oo D7#9

BbEvery day they’re Cout there making

DDuck tales, oo-oo D7#9

BbTales of derring-Cdo, bad and good lDuck tales, oo-oo

DWhen it seems they’re D7headed for the C/DfinDal cC/DurtaDin

DBold deduction nD7ever fails, C/Gthat’s fGor C/GcertaiGn

EmThe worst of mA7esses Em7become succA7esses

DDuck tales, oo-oo D7#9

BbEvery day they’re Cout there making

DDuck tales, oo-oo D7#9

BbTales of derring-Cdo, bad and good lDuck tales, oo-oo

Em7D-d-d-danger, D/F#watch behind you

Em9/GThere’s a stranger D/F#out to find you

Key change

EWhat to do, just grab on to some

EDuck tales, oo-oo E7#9

CEvery day they’re Dout there making

EDuck tales, oo-oo E7#9

CTales of derring-Ddo, bad and good lEuck tales, oo-oo E7#9

Not Cpony tails or cD11otton tails but EDuck tales, oo-oo

Disney - Gummi Bears Theme (Gummi Bears)

Originally starts in Bb, I play in F (which starts really low)

Highest note you really need is the 7 in the first key

Play a little faster than you think it is. This all fits in 2 minutes.

Vox start on the 3... that’s the *low* 3, you will regret it a *lot* if you start on the high 3.

FDashing and Amdaring, couBbrageous and Fcaring

BbFaithful and Ffriendly with Bbstories to Cshare

FAll through the Amforest they Bbsing out in Fchorus

BbMarching aFlong as their Bbsong fills the Cair

FGummi BBbears

GmBouncing Chere and there and FeverywhDmere

GmHigh adCventure that’s beFyond compBbare

GmThey are the CGummi FBears

FMagic and Ammystery are Bbpart of their Fhistory

ABblong with the Fsecret of Bbgummiberry Cjuice

Their Glegend is Bmgrowing they Ctake pride in Gknowing

They’ll Cfight for what’s Gright in whatCever they Ddo

GGummi CBears

AmBouncing Dhere and there and GeverywhEmere

AmHigh adDventure that’s beGyond compCare

AmThey are the DGummi GBears C

AmThey are the DGummi GBears

Skipping sax interlude here...

Slow piano...

ADashing and Dbmdaring, couDrageous and Acaring

DFaithful and Afriendly with Dstories to Eshare

AAll through the Dbmforest they Dsing out in Achorus

DMarching aAlong as their Dsong fills the Eair

Back to tempo

AGummi DBears

BmBouncing Ehere and there and AeverywhGbmere

BmHigh adEventure that’s beAyond compDare

BmThey are the EGummi ABears

ADBmEOooh...

AGummi DBears

BmWhen a Efriend’s in danger Athey’ll be Gbmthere

BmLives and Elegends that we Aall can shDare

BmThey are the EGummi ABears D

BmThey are the EGummi ABears

Disney - Kiss The Girl (The Little Mermaid)

Originally in C, I play in D capo 1

DThere you see her, sitting there across the way

GShe don’t got a lot to say but there’s something aDbout her

And you Adon’t know why but you’re dying to try

You wanna Dkiss the girl

DYes, you want her, look at her, you know you do

GPossible she want you too, there is one way to Dask her

It don’t Atake a word, not a single word

Go on and Dkiss the girl

DShalalalala Gmy oh my looks like the

DBoy too shy ain’t gonna Akiss the girl

DShalalalala Gain’t that sad it’s such a

AShame, too bad, you’re gonna Dmiss the girl

You know, I feel really bad not knowing your name...

Maybe I can guess. Is it, uh Mildred?

Okay, no. How about Diana? Rachel?

Ariel. Her name’s Ariel...

Ariel? Ariel? Oh. That’s kind of pretty. Okay, Ariel...

DNow’s your moment, floating in a blue lagoon

GBoy, you better do it soon, no time will be Dbetter

She don’t Asay a word and she won’t say a word

Until you Dkiss the girl

DShalalalala Gmy oh my looks like the

DBoy too shy ain’t gonna Akiss the girl

DShalalalala Gain’t that sad it’s such a

AShame, too bad, you’re gonna Dmiss the girl

DShalalalala Gdon’t be scared, you got the

DMoves prepared go on and Akiss the girl

DShalalalala Gdon’t stop now don’t try to Ahide it how

You wanna Dkiss the girl

DShalalalala Gfloat along, and listen

DTo this song, this song say Akiss the girl

DShalalalala Gmusic play, do what the Amusic say

You gotta Dkiss the girl

DKiss the girl, you gotta

DKiss the girl, go on and

DKiss the girl

Disney - Let it Go (Frozen)

Originally in Ab, I play capo 3, and sing the verse *above*

the original, so I can drop down for the pre-chorus and

chorus.

Start quiet, barely strumming

EmCDAmsus4Am

EmCDAsus4A

Vox on the 5 (B)

The Emsnow glows white on the Cadd9mountain tonight

Not a Dfootprint to be seAmen

A Emkingdom of isoCadd9lation, and it Dlooks like I’m the queeAn

On “howling”, only go up to the 1 of the chord, not the 5

EmThe wind is Chowling like this sDwirling storm iAmsus4nsideAm

EmCouldn’t keep it in, heaDven knows I’ve triedA

Start to fade strumming in

Vox down to the 5 of the chord (A if the chord is D)

DDon’t let them in, don’t let them seeC

Be the good girl you always have to beD

Conceal, don’t feel, don’t let them Cknow

Well now they Cknow

Let it gGo, let it Dgo

Can’t Emhold it back any mCore

GLet it go, let it Dgo

Turn Emaway and slam the dCoor

GI don’t careD

What they’re Emgoing to saCy

Let the Bmstorm rage Bbon

The Ccold never bothered me anyway

EmIt’s funny how some distCance

Makes Deverything seem smAmall

Start going down here, to the 5 of the chord on “fears”,

down to the 5 of the chord on “get”

And the Emfears that once conDtrolled me

Can’t Aget to me at all

DIt’s time to see what I can doC

To test the limits and break thrDough

No right, no wrong, no rules for Cme

I’m Cfree

GLet it go, let iDt go

EmI am one with the wind and skyC

GLet it go, let iDt go

EmYou’ll never see me Ccry

GHere I staDnd

And Emhere I Cstay

Let the Bmstorm rage Bbon

Bridge

CMy power flurries through the air into the ground

My soul is spiraling in frozen fractals all around

DAnd one thought crystallizes like an icy blast

EI’m never Cgoing back

DThe past is in tAmhe past C

Let it gGo, let it goD

EmWhen I’ll rise like the break ofCdawn

Let it Ggo, let it Dgo

That Emperfect girl is gonCe

GHere I staDnd in the Emlight of dCay Cm

BmLet the storm rage Bbon

CThe cold never bothered me anyway

Disney - Love is an Open Door (Frozen)

I’m still torn on whether it’s a G7 or Gm7 on “before”,

and an Am7 or A7 on “any more”.

F == female, M == male, B == both

Intro, bass and drums

DDsus4/F#D/GAsus4

F: OK, can I just say something crazy?

M: I love crazy

F: All my lDife has been a serDsus4/F#ies of doD/Gors in my fAsus4ace

F: And then Dsuddenly I bump iDsus4/F#nto youEm7Asus4

M: I was thinking the same thing!

M: ‘Cause like DI’ve been searching mDsus4/F#y whole life

M: To fiD/Gnd my own pAsus4lace

F: And maybe Dit’s the party Dsus4/F#talking

F: Or the Em7chocolate Asus4fondue

F: But with Bmyou

M: But with you I found Dmy place

F: I see your D9face

B: And it’s nEothin’ like I’ve ever known G7before

B: Love is an open DdooD/F#rEGm

B: Love is an open Ddoor

F: With D/F#you, M: with you

F: With youE, M: with you

B: GmLove is an open Ddoor

DDsus4/F#D/GAsus4

M: I mean its cErazy (F: what?), we fEsus4/G#inish each others’

F: SaE/Andwiches

M: That’s what Bsus4I was gonna say!

F: I’ve never Emet someone

B: Who Esus4/G#thinks so much like F#m7me Bsus4

B: Jinx! Jinx again!

B: Our Emental synchroniEsus4/G#zation can

B: E/AHave but one eBsus4xplanation

M: EYou (F: and I) M: wereEsus4/G#(F: just) B: meant to F#m7be Bsus4

F: Say gC#moodbye, M: say goodbye

B: To the Epain of the past E9

B: F#We don’t have to feel it any mA7ore

B: Love is an open EdooE/G#rF#Am

Life can be so mEuch more

F: With E/G#you, M: with you

F: With youF#, M: with you

B: AmLove is an open

B: EDoor Esus4/G#E/ABsus4

M: Can I say something crazy? Will you marry me?

F: Can I say something even crazier? Yes!

Disney - Part of Your World (The Little Mermaid)

Originally in F, I play in the G below that.

Highest note is the 5

Slow, ringing strums

CD11x2

Vox start on the 5 of the first chord

CLook at this stuff, D11isn’t it neat?

CWouldn’t you think my colD11lection’s complete?

Vox stay on A

Bm7Wouldn’t you think I’m the Em7girl

The girl who has A/C#everything? A/B

CLook at this trove, D11treasures untold

CHow many wonders can D11one cavern hold?

Bm7Lookin’ around here you’d Em7think

Sure, she’s got A/C#everything A/B

I’ve got Cmaj7gadgets and gizmos aBm7plenty

I’ve got Em7whozits and whatzits gaAlore

You want Cmaj7thingamabobs? I got Bm7twenty

But who Em7cares? No big Adeal

Let this chord hang a while

I want D11more

Enter way up-tempo, straight 8ths

GI wanna be where the Bm7people are

CI wanna see, wanna D11see ‘em dancin’

Em7Walkin’ around on those

Bm7Whad’ya call ‘em? CFeet D11

GFlippin’ your fins you don’t Bm7get too far

CLegs are required for D11jumpin’, dancin’

Em7Strollin’ along down a

Bm7What’s that word again? D11Street

Up where they Gwalk, up where they G7run

Up where they Cstay all day in the Cmsun

Wanderin’ Gfree, wish I could Dbe

Part of that Cadd9world G

Vox stay on G

What would I Cgive, if I could D11live

Out of these Bm7waters? Em7

What would I Cpay to spend a D11day

Warm on the Bm7sand? Em7

Betcha on Cland they underD11stand

Bet they don’tB7reprimand their Em7daughters

Bright young Awomen sick a’ A7sus4swimmin’

Ready to Fstand D

Key change, vox stay on the root of the new chord.

This key change is not in the original.

And Aready to know what the C#m7people know

DAsk my questions and Eget some answers

AWhat’s a fire and C#m7why does it

What’s the word... Dburn? E

When’s it my Aturn? Wouldn’t I A7love?

Love to exDplore that shore aDmbove?

Out of the Asea, wish I could Ebe

Part of that F#mworld B

Out of the Asea, wish I could be E

Part of that Dworld AGA

Disney - The Bare Necessities (The Jungle Book)

Originally in C, I play in D capo 2

Vox start on the low 1 of the chord

ALook for the Dbare necesD7sities

The Gsimple bare necessities

ForgDet about your B7worries and your E7strife A7

I mean the Dbare necesD7sities

Old GMother Nature’s rG7ecipes

That Dbring the G7bare necE7essitA7ies of lDife GD

Wherever I A7wander, wherever I Droam

I couldn’t be A7fonder of my big Dhome D7

The bees are Gbuzzin’ in the treeGm6

To make some Dhoney just for mE7e

Vox on 5 1 1 1 of the chord on “you look under”

When Bmyou look under the B7rocks and plants

And E7take a glance at the fB7ancy ants

Then Dmaybe try a few B7

The bare neEm7cessities of A7life will come to Dyou Bm

Em7They’ll A7sus4come to Dyou G7D

ALook for the Dbare necesD7sities

The Gsimple bare necessities

ForgDet about your B7worries and your E7strife A7

I mean the

DBare necesD7sities

That’s wGhy a bear can G7rest at ease

With D7just the G7bare necE7essitA7ies of lDife GD

Now when you pick a A7pawpaw, or a prickly pDear

And you prick a A7raw paw, well next time bewDare D7

Don’t pick the Gprickly pear by the Gm6paw

When you pick a Dpear try to use the cE7law

But Bmyou don’t need to B7use the claw

When E7you pick a pear of the bB7ig pawpaw

Have DI given you a B7clue?

The bare neEm7cessities of A7life will come to Dyou Bm

Em7They’ll A7sus4come to Dyou G7D

ALook for the Dbare necesD7sities

The Gsimple bare necessities

ForgDet about your B7worries and your E7strife A7

I mean the

DBare necesD7sities

That’s wGhy a bear can G7rest at ease

With D7just the G7bare necE7essitA7ies of lDife GD

Disney - Under the Sea (The Little Mermaid)

Originally in Bb, I play in A capo 3.

AAEAx2

Vox enter on I

AThe seaweed is Ealways Agreener

AIn somebody Eelse’s Alake

AYou dream about Egoing Aup there

ABut that is a Ebig Amistake

Vox up to I

DJust look at the Aworld around you

ERight here on the Aocean floor

DSuch wonderful Athings surround you

EWhat more is you Alookin’ for?

Under the Dsea, Aunder the Esea A

Darling it’s Dbetter down where it’s Ewetter

Take it from Ame

Up on the Dshore they work all Eday

Out in the F#msun they slave aBway

While we Ddevotin’ full time to Efloatin’

Under the Asea

AAEAx2

ADown here all the Efish is Ahappy

AAs off through the Ewaves they Aroll

AThe fish on the Eland ain’t Ahappy

AThey sad ‘cause they Ein the Abowl

DBut fish in the Abowl is lucky

EThey in for a Aworser fate

DOne day when the Aboss get hungry

EGuess who’s gon’ be Aon the plate

Under the Dsea, Aunder the Esea A

Nobody Dbeat us fry us and Eeat us

In fricasAsee

We what the Dland folks loves to Ecook

Note that “off the hook” is a *triple* entendre here!

Under the F#msea we off the Bhook

We got no Dtroubles life is the Ebubbles

Under the Asea

Under the Dsea, Aunder the Esea A

Since life is Dsweet here

We got the Ebeat here naturalAly

Even the Dsturgeon an’ the Eray

They get the F#murge ‘n’ start to Bplay

We got the Dspirit

You got to Ehear it under the Asea

The Enewt play the flute, the Acarp play the harp

The Eplaice play the bass, and Athey soundin’ sharp

The Dbass play the brass, the Achub play the tub

The Efluke is the duke of Asoul (Yeah)

The Eray he can play, the Aling’s on the strings

The Etrout rockin’ out, the Ablackfish she sings

The Dsmelt and the sprat, they Aknow where it’s at

An’ Eoh that blowfish Ablow

Instrumental chorus, skip if no soloist

Under the Dsea, Aunder the Esea A

When the sarDdine begin the Ebeguine

It’s music to Ame

What do they Dgot? A lot of Esand

We got a F#mhot crustacean Bband

Each little Dclam here know how to Ejam here

Under the Asea

Each little Dslug here cuttin’ a Erug here

Under the Asea

Each little Dsnail here know how to Ewail here

That’s why it’s F#mhotter under the Bwater

Ya we in Dluck here down in the Emuck here

Under the Asea

AAEAx2

Disney - When Will My Life Begin (Tangled)

Originally in E, I play in G, in which case play the

intro chords as just V I (ignore the roots and sus)

Dadd4G/Dx 3

Dadd4Seven A.M., the usual morning G/Dlineup

Dadd4Start on the chores and sweep till the floor’s all G/Dclean

D#Polish and wax, do laundry, and mop and A#shine up

Sweep aDgain, D/Cand by G/Bthen

It’s like Aseven fifD7teen, and so I’ll

“Read a book” is 3 5 6 of the key

GRead a Cbook or maybe Am7two or Gthree

“few new paintings” on 3 6(up) 6(down) 2 of the key

I’ll add a Em7few new A7paintings to my Cadd9galleGry

“tar and knit” on 3 1 6 of the key

I’ll play guiEm7tar and A7knit and cook

And Cba B7sica Em7lly just wonder

A9When will my lD7sus4ife beGgin

Dadd4G/Dx 2

Dadd4Then after lunch it’s puzzles and darts and G/Dbaking

Dadd4Paper mache, a bit of ballet and G/Dchess

D#Pottery and ventriloquy, candle A#making, then I’ll

DStretch, D/Cmaybe Gsus/Bsketch

Take a Aclimb, sew a D7dress, and I’ll

Re-Gread the Cbooks if I have Am7time to Gspare

I’ll paint the Em7walls some A7more

I’m sure there’s Cadd9room someGwhere

And then I’ll Em7brush and A7brush

And brush and Cbrush B7my Em7hair

Stuck in the A7same place I’ve Cal B7ways Em7been

And I’ll keep Am7won’dring and G/Bwon’dring

And Cwon’dring and Bm7won’E7dring

A9When will my D7sus4life beGgin?

And toGmorrow C/Gnight Glights will aC/Gppear

GJust like they C/Gdo on my Gbirthday each Am7year

Em7What is it A7like out D7sus4there where they Gglow?G7

CNow that I’m G/Bolder mother Cmight just let me Dsus4go

Disney - You've Got a Friend in Me (Toy Story)

Originally in Eb, I play in C capo 3

CE7/BAmAb7

C/GCdim7→ G7

CGaugC9Gaug

CYou’ve got a Gaugfriend in Cme C9

FYou’ve got a F#dim7friend in C/Gme C9

FWhen the C/Eroad looks E7rough aAmhead

And you’re Fmiles and C/Emiles from your E7nice warm Ambed

FYou F#dim7just remC/Gember E/G#what your F7old E7pal Amsaid

For yoD7u’ve got a G7friend in Cme A7

Yeah, D7you’ve got a G7friend in Cme

CE7/BAmAb7

C/GCdim7→ G7

CYou’ve got a Gaugfriend in Cme C9

FYou’ve got a F#dim7friend in C/Gme C9

FYou got C/Etroubles, E7and I got ‘em Amtoo

FThere isn’t C/Eanything I E7wouldn’t Amdo for you

FIf we stick toC/Egether we can E7see it Amthrough

‘Cause yoD7u’ve got a G7friend in Cme A7

YoD7u’ve got a G7friend in Cme C7

FSome other folks might be a Blittle bit smarter than I am

CBigger and Baugstronger Ctoo, maybe

BBut none of C#m7them will Ddim7ever B7/D#love you the Emway I A7do

It’s Dm7me and G7you, boy

CAnd as the Gaugyears go Cby C9

Our Ffriendship will F#dim7never C/Gdie C9

Short rubato on “destiny”

FYou’re going to F#dim7see it’s our C/GdeE7/G#stiAmny

D7You’ve got a G7friend in me CA7

D7You’ve got a G7friend in Cme

CE7/BAmAb7

C/GCdim7→ G7

Dolly Parton - 9 to 5 (9 to 5)

Originally in D, I play in A capo 1 or 2

Highest note is the 5 (“crazy if you let it”,

but *mostly* the highest note is the 3

Intro, with chromatic walks up to the root

Vox on 1 3 5 6 1

ATumble outta bed and I stumble to the kitchen

Vox on 1 3 5 6 1 of the chord

DPour myself a cup of ambition

Vox stay on the 1 of the chord on “yawn”

AAnd yawn n’ stretch n’ and try to come to Elife

AJump in the shower and the blood starts pumpin’

DOut on the streets the traffic starts jumpin’

With Afolks like me on the Ejob from 9 to A5

Vox on the 7

Workin’ D79 to 5, what a way to make a livin’

Barely A7gettin’ by, it’s all takin’ and no givin’

They just D7use your mind, and they never give you credit

It’s B7enough to drive you E7crazy if you let it

D79 to 5, for service and devotion

You would A7think that I would deserve a fair promotion

Want to D7move ahead but the boss won’t seem to let me

I B7swear sometimes that man is E7out to get me

They Alet you dream just to watch ‘em shatter

You’re Djust a step on the boss man’s ladder

But Ayou got dreams he’ll never take aEway

AIn the same boat with a lot of your friends

DWaitin’ for the day your ship’ll come in

And the Atide’s gonna turn an’ it’s Eall gonna roll your Away

Workin’ D79 to 5, what a way to make a livin’

Barely A7gettin’ by, it’s all takin’ and no givin’

They just D7use your mind, and they never give you credit

It’s B7enough to drive you E7crazy if you let it

D79 to 5, for service and devotion

You would A7think that I would deserve a fair promotion

Want to D7move ahead but the boss won’t seem to let me

I B7swear sometimes that man is E7out to get me

Repeat to fade

Double Naught Spies - Fortune Teller (UFC Fight Night)

Originally in Fm, I play in Em

Intro

Em→ G→ CGx 8

Vox on the 5 on “time”

EmTime, GCa question of tiEmme GC

While you deciEmde my dGestinCy think I’ll jump in the poEmol GCG

EmTruth, GCwhatever the truEmth GC

Just look in your Emtarot Gcards, they Calways say Gsomething cAool G→ A

And CI know wAhat she Gwants from me

A Cwick of Amagic Gmystery

To Emplay up D#augto her G/Dmystic fC#m7b5antasCy

My fortune tGeller, Emmy fortune Gteller Em

Hard stop after this line

CMay be wrong but AI don’t care G

Em→ G→ CGx 2

EmDream, GCit’s all just a Emdream GC

To the extrEmeme I Gclose my Ceyes like a bureaucraEmt GCG

EmLove, GCthe cover of lEmove GC

As pure as a Emdove who GdisappeaCrs from a Gmagic haAt

A Ccrystal Aball has lots to Gsay

It’s CpositivAe as GChristmas day

It Emtells me D#augshe sees G/Dblue and C#m7b5skies of grCay

My fortune tGeller, Emmy fortune Gteller Em

CMay be wrong but AI don’t care

TGeller, Emmy fortune Gteller Em

GTries to keep me Emunaware

Solo on chorus chords

GEmGEm

CAGEm

GEmGEm

CAG

Em→ G→ CGx 2

EmDream, GCit’s all just a Emdream GC

To the extrEmeme I Gclose my Ceyes like a bureaucraEmt GCG

Oh Emlove, GCthe cover of lEmove GC

As pure as a Emdove who GdisappeaCrs from a Gmagic haAt → G/B→ C

My fortune tGeller, Emmy fortune Gteller Em

CMay be wrong but AI don’t care

TGeller, Emmy fortune Gteller Em

GTries to keep me Emunaware

GEmI just don’t caGre Em

CAG

My fortune tGeller tells me yeEmah, oh

CAG/B→ C

Elton John - Saturday Night's Alright For Fighting (Hockey Night in Canada)

C/GGC/GGC/GG

Bb/FFBb/FFBb/FF

C/GGC/GGC/GG

Bb/FFBb/FFBb/FF

Vox mostly on the 4

It’s Ggetting late have you seen my mates

Ma Ftell me when the boys get here

It’s Cseven o’clock and I want to rock

Want to Gget a belly full of beer

My Gold man’s drunker than a barrel full of monkeys

And my Fold lady she don’t care

My Csister looks cute in her braces and boots

A Ghandful of grease in her hair

This D5 is really hiding a Dm

Vox up to the 4 of the chord

CDon’t give us none of your aggravation

We Bbhad it with your discipline

‘Cause FSaturday night’s alright for fighting

CGet a little action in

CGet about as oiled as a diesel train

BbGonna set this dance alight

‘Cause FSaturday night’s the night I like

CSaturday night’s alright

Alright alGright, Eboooh Dm7oooh Coooh

Original really does G Dm G here, I prefer to repeat

one pass on the intro

C/GGC/GGC/GG

Bb/FFBb/FFBb/FF

Well they’re Gpacked pretty tight in here tonight

I’m Flooking for a dolly who’ll see me right

I may Cuse a little muscle to get what I need

I may Gsink a little drink and shout out “She’s with me!”

A Gcouple of the sounds that I really like

Are the Fsounds of a switchblade and a motorbike

I’m a Cjuvenile product of the working class

Whose Gbest friend floats in the bottom of a glass

D5Ooooh

CDon’t give us none of your aggravation

We Bbhad it with your discipline

‘Cause FSaturday night’s alright for fighting

CGet a little action in

CGet about as oiled as a diesel train

BbGonna set this dance alight

‘Cause FSaturday night’s the night I like

CSaturday night’s alright

Alright alGright, Eboooh Dm7oooh Coooh

Instrumental on chorus chords with suspensions

CBbFC

D5Ooooh

CDon’t give us none of your aggravation

We Bbhad it with your discipline

‘Cause FSaturday night’s alright for fighting

CGet a little action in

CGet about as oiled as a diesel train

BbGonna set this dance alight

‘Cause FSaturday night’s the night I like

CSaturday night’s alright

Alright alGright, Eboooh Dm7oooh Coooh

CBbFC

CSaturday, Saturday, Saturday

BbSaturday, Saturday, Saturday

FSaturday, Saturday

Saturday Cnight’s alright

Repeat to fade

Elvis Presley - Return to Sender (Castaway)

Originally in Eb, I play in D

DReturn to Bmsender

EmReturn to A7sender

DI gave a letter to the Bmpostman

EmHe put it in his A7sack

DBright and early next Bmmorning

Hard stop no “back”

He Embrought my A7letter Dback (she wrote upon it)

GReturn to A7sender, Gaddress unA7known

GNo such A7number, Dno such D7zone

GWe had a A7quarrel, Ga lover’s A7spat

E7I write I’m sorry but my letter keeps coming A7back

DSo when I dropped it in the Bmmailbox

EmAnd sent it special A7D

DBright and early next Bmmorning

It Emcame right A7back to Dme (she wrote upon it)

GReturn to A7sender,Gaddress unA7known

GNo such A7person, Dno such D7zone

Bridge

Vox on the 5 of the chord

GThis time I’m gonna take it myself

And Dput it right in her hand

Vox in the same place, now the b7 of the chord

And E7if it comes back the very next day

A7Then I’ll understand (the writing on it)

GReturn to A7sender, Gaddress unA7known

GNo such A7number, Dno such D7zone

Aaah, Greturn to A7sender

GReturn to A7sender

Eric Clapton - It's in the Way That You Use It (The Color of Money)

Originally in E, I play in D

Vox on the 1

It’s in the Dway that you Guse it Bm→ A

It Dcomes and it Ggoes Bm→ A

It’s in the Dway that you Guse it Bm→ A

DBoy don’t you Gknow Bm→ A

And if you Dlie you will Glose it Bm→ A

DFeelings will Gshow Bm→ A

So don’t you Dever aGbuse it Bm→ A

DDon’t let it Ggo Bm→ A

DNobody’s Gright until Bmsomebody’s Awrong

DNobody’s Gweak until Bmsomebody’s Astrong

DNo one get Glucky ‘til Bmluck comes aAlong

DNobody’s Glonely ‘til Bmsomebody’s Agone

It’s in the Dway that you Guse it Bm→ A

It Dcomes and it Ggoes Bm→ A

It’s in the Dway that you Guse it Bm→ A

DBoy don’t you Gknow Bm→ A

Solo

DGBm→ A

It’s in the Dway that you Guse it Bm→ A

It Dcomes and it Ggoes Bm→ A

It’s in the Dway that you Guse it Bm→ A

DBoy don’t you Gknow Bm→ A

And if you Dlie you will Glose it Bm→ A

DFeelings will Gshow Bm→ A

So don’t you Dever aGbuse it Bm→ A

DDon’t let it Ggo Bm→ A

DI’ve seen Gdark skies, Bmnever like Athis

DWalked on some Gthin ice, Bmnever like Athis

DI’ve told you Gwhite lies, Bmnever like Athis

DLooked into Gtrue eyes, Bmnever like Athis

The original changes key up a whole step here, I’m leaving that out

It’s in the Dway that you Guse it Bm→ A

DBoy don’t you Gknow Bm→ A

So don’t you Dever aGbuse it Bm→ A

Man, Ddon’t let it Ggo Bm→ A

Five Man Electrical Band - Signs (Last Action Hero)

Originally in D, I play in A

AAD/A→ A

And the Gsign said, D/F#long-haired, freaky people A/Eneed not apDply

So AI tucked my hair up Eunder my hat and I Dwent in to ask him Ewhy

F#mHe said you look like a fine, upstanding young Dman, I think you’ll do

So, I Atook off my hat and said, imEagine that, huh, Dme workin’ for Eyou, whoa

ASign, sign, Geverywhere a Dsign

ABlocking out the scenery, Dbreaking my mind

ADo this, don’t do Ethat, can’t you read the Gsign?

And the Gsign said anybody D/F#caught trespassing A/Ewould be shot on Dsight

So, I Ajumped on the fence and I Eyelled at the house, hey, Dwhat gives you the Eright

To F#mput up a fence to keep me out or to Dkeep mother nature in

If AGod was here, he’d Etell you to your face, Dman, you’re some kinda Esinner

ASign, sign, Geverywhere a Dsign

ABlocking out the scenery, Dbreaking my mind

ADo this, don’t do Ethat, can’t you read the Gsign?

AAD/A→ A

Now, Ehey you, mister, can’t you read?

You’ve Dgot to have a shirt and Atie to get a seat

You can’t even watch, no, Eyou can’t eat

DYou ain’t supposed to Abe Ahere

Let ring

And the Gsign said, you D/F#got to have a membership A/Ecard to get insDide, huh

Solo on chorus chords, or just...

AAD/A→ A

Let ring

And the Gsign said D/F#everybody welcome, come A/Ein, kneel down and Dpray

But when they Apassed around the plate at the Eend of it all

I Ddidn’t have a penny to Epay

So I F#mgot me a pen and a paper and I Dmade up my own little sign

I said Athank you, lord, for Ethinkin’ ‘bout me, I’m Dalive and doin’ Efine

ASign, sign, Geverywhere a Dsign

ABlocking out the scenery, Dbreaking my mind

ADo this, don’t do Ethat, can’t you read the Gsign?

ASign, sign, Geverywhere a Dsign

ABlocking out the scenery, Dbreaking my mind

ADo this, don’t do Ethat, can’t you read the Gsign?

Grease - Freddy My Love (Grease)

Originally in Db, I play in E

Get the vox ready for “flipped over that gray cashmere sweater”,

and also think hard about how serious you are about the melody in

the bridge. It’s rhythmically simple, but melodically wild. Plan

on a class-II train wreck in the bridge.

B7B6B+B7

Vox start on the 1

EFreddy my Emaj7love, I miss you Amore than words can B7say

Vox on the 7 of the chord on “touch”, down to the 3 of the chord on “way”

EFreddy my Emaj7love, please keep in C#7sus4touch while you’re aC#7way

F#m7Hearing from F#m7b5you can make the B7day so much better

G#mGetting a G#m7b5/Dsouvenir or C#7sus4maybe a C#7letter

Vox up to the 3 of the chord on “flipped”, which is awkward,

then on the 5 on “gray”, which is not awkward.

Hard stop on “sweater”

F#m7I really Am/Dflipped over the E/Bgray cashmere Asweater

Freddy my Elove, Freddy my Emaj7love, Freddy my Alove, Freddy my B7love

EFreddy you Emaj7know, your absence Amakes me feel so B7blue

EThat’s okay Emaj7though, your presents C#7sus4make me think of C#7you

F#m7My ma will F#m7b5have a heart atB7tack when she catches

G#mThose pedal G#m7b5/Dpushers with the C#7sus4black leather C#7patches

F#m7Oh how I Am/Dwish I had a E/Bjacket that Amatches

Freddy my Elove, Freddy my Emaj7love, Freddy my Alove, Freddy my E7love

Vox on 3 1 of the first chord (“keep your”), then

1 5 of the second (“from me”).

That sets the tone, although this bridge is super-complicated to sing. Just hit

the high 3 of the chord on “mind” at the end and it will be OK.

Don’t Akeep your letters B7from me, I G#mthrill to every Eline

Your Am7spelling’s kinda B7crummy, but Emhoney so is Emmine

I F#m7b5treasure every B7+5giftiB7e, the Emring is really A7nifty

You Dmaj7say it cost you C#m7fifty, so you’re F#m7thrifty, I don’t B7mind

Woah, oh, oh, Eoh, Freddy you Emaj7see, you’ll hold me Ain your arms someB7day

EAnd I will Emaj7be wearing your C#7sus4lacy lingeC#7rie

F#m7Thinking aF#m7b5bout it, my heart’s B7pounding already

G#mKnowing when G#m7b5/Dyou come home, we’re C#7sus4bound to go C#7steady

F#m7And throw your Am/Dservice pay aE/Bround like conAfetti

Freddy my Elove, Freddy my Emaj7love, Freddy my Alove, Freddy my B7love

EFreddy my Emaj7love, Freddy my Alove, Freddy my B7love

Fade

Grease - Summer Nights (Grease)

DGAGAGx 2

M: DSummer lGovin’, Ahad me a bGlast AG

F: DSummer lGovin’, Ahappened so Gfast AG

M: DI met a Ggirl Acrazy for Bme

F: EMet a bAoy, Ecute as can Abe

Both: DSummer dGays, Adriftin’ aBway to

AEmh those sAummer nDights

Men: Oh, Awell-a Gwell-a Awell-a

Men: DTell me Gmore, tell me Emore, did you Aget very far?

Women: DTell me Gmore, tell me Emore, like, does Ahe have a car?

All: Doo-Ddoo ah ah doo-Gdoo doo-Adoo doo Gdoo Adoo Gdoo

M: DShe swam Gby me, Ashe got a cGramp AG

F: DHe ran Gby me, Agot my suit Gdamp AG

M: DI saved her lGife, Ashe nearly dBrowned

F: EHe showed Aoff, Esplashing arAound

Both: DSummer sGun, Asomething beBgun but

EmOh those Asummer Dnights

Both: Oh, Awell-a Gwell-a Awell-a

Women: DTell me Gmore, tell me Emore, was it Alove at first sight

Men: DTell me Gmore, tell me Emore, did she Aput up a fight

All: Doo-Ddoo ah ah doo-Gdoo doo-Adoo doo Gdoo Adoo Gdoo

M: DTook her Gbowling Ain the arGcade AG

F: DWe went sGtrolling, Adrank lemonGade

M: DWe made oGut, Aunder the dBock

F: EWe stayed Aout, Etill ten o’cAlock

Both: DSummer fGling Adon’t mean a tBhing but

EmAh those sAummer nBbights

Men: EbTell me Abmore, tell me Fmore, but you Bbdon’t gotta brag

Women: EbTell me Abmore, tell me Fmore, ‘cause he Bbsounds like a drag

All: EbShoo bop bop Abshoo be bop Bbshoo bop bop Abshoo bop bop

All: EbShoo bop bop Abshoo be bop Bbshoo bop bop Abyeah

F: EbHe got fAbriendly, Bbholding my Abhand

M: EbWell she got fAbriendly, Bbdown in the Absand

F: EbHe was Absweet, Bbjust turned eigChteen

M: FShe was Bbgood, you Fknow what IBbmean

Both: EbSummer Abheat, Bbboy and girl Cmeet, but

FmOh those sBbummer nBights

Women: ETell me Amore, tell me F#more, how much Bdough did he spend?

Hard stop on “friend”

Men: ETell me Amore, tell me F#more, could she geBt me a Efriend?

Let ring

Slow, let ring

F: DIt’s turned Gcolder, Athat’s where itGends AG

M: DSo I told heGr, Awe’d still be fGriends AG

F: DThen we Gmade Aour true love Bvow

M: E7Wonder A7what E7she’s doin’ A7now

Both: DSummer Gdreams, Aripped at the Bseams, but

The Ddim is implied by the harmony, but there’s no root

Ah Emthose Asummer DdimniDghts

All: DTell me mGore, tell me Dmore ohhhDGD

Herman's Hermits - I'm Into Something Good (The Naked Gun)

Originally in C, I play in G

GCx 4

GWoke up this Cmorning Gfeeling Cfine

GThere’s something Cspecial Gon my mind

CLast night I met a new girl in the neighborGhood, whoa yeah

DSomething tells me CI’m into something Ggood

(Something Ctells me GI’m into Csomething)

GShe’s the kind of Cgirl who’s Gnot too Cshy

GAnd I can Ctell I’m Gher kind of guy

CShe danced close to me like I hoped she Gwould

(She danced with me like I hoped she would)

DSomething tells me CI’m into something Ggood

(Something Ctells me GI’m into Csomething)

Bridge

Vox on the 7 of the chord

DWe only danced for a minute or two

But then she Gstuck close to Cme the Gwhole night through

DCan I be falling in love?

AShe’s everything I’ve been A7dreaming Dof

She’s everything I’ve been A7dreaming Dof

GI walked her Chome and she Gheld my Chand

I kGnew it couldn’t Cbe just a Gone-night stand

So CI asked to see her next week and she told me I Gcould

(I asked to see her and she told me I could)

DSomething tells me CI’m into something Ggood

(Something Ctells me GI’m into Csomething)

(GSomething Ctells me GI’m into Csomething)

Two extra measures of IV

CAhhhh C

Pseudo-solo

GGCD

GI walked her Chome and she Gheld my Chand

I kGnew it couldn’t Cbe just a Gone-night stand

So ICasked to see her next week and she told me I Gcould

(I asked to see her and she told me I could)

DSomething tells me CI’m into something Ggood

(Something Ctells me GI’m into Csomething)

DSomething tells me CI’m into something Ggood

(Something Ctells me GI’m into Csomething)

To something Dgood, oh Cyeah, something Ggood

(Something Ctells me GI’m into Csomething)

To something Dgood, oh Cyeah, something Ggood

Huey Lewis - The Power of Love (Back to the Future)

Originally in Cm, I play in Am. The “feel the power-ER”

at the end still goes up to an A, so best to do something

else there.

D→AA/C#DEx3

Am7DAm7DG→D

The Am7power of love is a Dcurious thing

Am7Make a one man weep, make anDother man sing

Am7Change a hawk to a Dlittle white dove

Am7More than a feeling Dthat’s the Gpower Dof Am7love

Am7DG→D

Am7Tougher than diamonds, Drich like cream

Am7Stronger and harder than a Dbad girl’s dream

Am7Make a bad one good make a Dwrong one right

Am7Power of love that keep you Dhome at night

The IV at the end of each line is just a quick passing chord

AYou don’t need A/C#money, Ddon’t take Efame D→

ADon’t need no A/C#credit card toDride thisEtrain D→

It’s Astrong and it’s A/C#sudden and it’s Dcruel someEtimes

But it Gmight just Dsave your Elife

EThat’s the power of Am7love

Am7DThat’s the power of Am7love DG→ D

Am7First time you feel it, it Dmight make you sad

Am7Next time you feel it it Dmight make you mad

But Am7you’ll be glad baby Dwhen you’ve found

Am7That’s the power makes the Dworld go’round

AYou don’t need A/C#money, Ddon’t take Efame D→

ADon’t need no A/C#credit card toDride thisEtrain D→

It’s Astrong and it’s A/C#sudden and it’s Dcruel someEtimes

But it Gmight just Dsave your Elife

CThey say that E7all in love is Am7fair

Yeah, but D9you don’t care

FBut you’ll know C/Ewhat to do

Fmaj7When it gets C/Ehold of you

FAnd with a littleEhelp from above

EYou feel the power of lAm7ove

DYou feel the power of lAm7ove

DCan you feel it?

Am7HmmmDAm7D

Solo if appropriate on verse chords

ADon’t take A/C#money, Ddon’t take Efame D

ADon’t need no A/C#credit card toDride thisEtrain D

ATougher than A/C#diamonds and Dstronger than Esteel D

AYou won’t A/C#feel nothin’Dtill you feeEl D

AYou feel the poA/C#wer,Djust feel the poEwer of love D

AThat’s the poA/C#wer,Dthat’s the poEwer of love D

AA/C#DYou feel the Epower of love D

AA/C#DFeel the Epower of loAoooA/C#oooDveE

GDE

Irene Cara - What a Feeling (Flashdance)

Originally in Bb, I play in D

Intro, rubato

DAEmBm

Still rubato

DFirst, when there’s notAhing but a sEmlow glowing dBmream

That your fGear seems to hDide deep insCide your mAind

All alonDe I have crieAd silent teaEmrs full of prBmide

In a worlGd made of steDel, made of stCone

Band enters

CAsus4

Well DI hear the mAusic, close my eEmyes, feel the rhyBmthm

Wrap arounGd, take a holDd of my heaCrt → Asus4

What a fBmeeling AG

ABein’s belBmievin’ AG

AI can’t haDve it Emall, now I’m dancD/F#in’ fGor my lAsus4ife

Take your passBmion AG

And mAake it hBmappeAn G

PiActures cDome aliEm7ve, you can daD/F#nce right tGhrough your lAsus4ife

DAEmBmGDCAsus4

Now DI hear the mAusic, close my eyEmes, I am rhyBmthm

In a flaGsh it takes holDd of my heCart → Asus4

What a fBmeeling AG

ABein’s belBmievin’ AG

I can’t haDve it Emall, now I’m dancD/F#in’ fGor my lAsus4ife

Take your passBmion AG

And mAake it hBmappeAn G

PiActures cDome aliEm7ve, now I’m daD/F#ncing tGhrough my lAsus4ife

Silly bridge, best to skip this... those are *really*

What a Cfeeling ACA

Staccato

What a fBmeeling AG(I am music now)

ABein’s belBmievin’ AG(I am rhythm now)

APictures cDome aliEm7ve, you can daD/F#nce right tGhrough your lAsus4ife

What a fBmeeling AG(I can really have it all)

WAhat a fBmeeling AG(it just came about with a call)

WAhat a fBmeeling AG(I can really have it all)

WAhat a fBmeeling AG(it just came about with a call)

Jackie DeShannon - Put a Little Love In Your Heart (Scrooged)

Originally in D, I play in G

GThink of your fellow man, lend him a helping hand

CPut a little love in your Gheart

GYou see it’s getting late, oh please don’t hesitate

CPut a little love in your Gheart

And the Gworld will be a bAmetter Dplace

For Dyou and me, you just wait and see

GAnother day goes by, still the children cry

CPut a little love in your Gheart

GIf you want the world to know, we won’t let hatred grow

CPut a little love in your Gheart

And the Gworld will be a bAmetter Dplace

Ah the Gworld will be a bAmetter Dplace

For Dyou and me, you just wait and see

Wait and D#see...

G#Take a good look around, and if you’re looking down

C#Put a little love in your G#heart

G#I hope when you decide kindness will be your guide

C#Put a little love in your G#heart

And the G#world will be a bA#metter D#place

For D#you and me, you just wait and see, people now

C#Put a little love in your G#heart

Repeat to fade

Jackson Browne - Running on Empty (Forrest Gump)

Originally in A, I play in G

Downstrokes and straight 8ths in the verse, leave room to open up in the chorus

Intro

C/GGx 2

EmEm

C/GLooking out at the Groad rushing under my wheelsC/GG

C/GLooking back at the Gyears gone by like so C/Gmany summer fieldsG

C/GIn sixty-five I was Gseventeen and C/Grunning up 101G

C/GI don’t know where I’m G/Brunning now, I’m just Drunning on

Running C/Gon, running on Gempty

Running C/Gon, running Gblind

Running C/Gon, running into the Gsun

But I’m running beEmhind

C/GGotta do what you Gcan just to keep your loveC/Galive G

C/GTrying not to confGuse it with what you C/Gdo to surGvive

C/GIn sixty-nine I was tGwenty-one and I C/Gcalled the road my Gown

C/GI don’t know when that G/Broad turned onto the Droad I’m on

Running C/Gon, running on Gempty

Running C/Gon, running Gblind

Running C/Gon, running into the Gsun

But I’m running beEmhind

Solo if appropriate on verse chords, else just a couple IV→I’s

C/GGx 4

C/GG/BD

EmEveryone I C/Gknow, Deverywhere I Ggo

EmPeople need some Dreason to Cbelieve

I don’t know about Ganyone but me

EmIf it takes all Cnight, Dthat’ll be all Gright

CIf I can get you to Dsmile before I C/Gleave G/BAm7GAm7G/B

C/GLooking out at the Groad rushing under my C/Gwheels G

C/GI don’t know how to Gtell you all just how C/Gcrazy this life Gfeels

C/GI look around for the Gfriends that I used to C/Gturn to to pull me Gthrough

C/GLooking into their G/Beyes I see them Drunning too

Running C/Gon, running on Gempty

Running C/Gon, running Gblind

Running C/Gon, running into the Gsun

But I’m running beEmhind

C/GHoney you really Gtempt me

You know the C/Gway you look so Gkind

C/GI’d love to stick arDound but I’m running beC/Ghind G/BAm7GAm7G/B

C/GYou know I don’t even Dknow what I’m hoping to C/Gfind G/BAm7GAm7G/B

C/GRunning into the Dsun but I’m running beC/Ghind G/BAm7G

Joan Jett - Bad Reputation (10 Things I Hate About You)

Originally in B (then C#), I play in D (then E)

Highest note that matters is the 2 of the first key

Intro

Vox on the 1 on “I don’t”

DI don’t give a damn about my reputation

You’re lDiving in the past, it’s a new generation

A Ggirl can do what she Awants to do

And Gthat’s what I’m Dgonna Ado

And I Ddon’t give a damn about my bad reputation DGAD

Oh noDGAD

Not meDGAD

And DI don’t give a damn about my reputation

I nDever said I wanted to improve my station

And I’m Gonly doing good when I’m Ahaving fun

And I Gdon’t have to Dplease no Aone

And I Ddon’t give a damn about my bad reputation DGAD

Oh noDGAD

Not meDGAD

WhoaDGAD

Not meDGAD

Key change

EI don’t give a damn about my reputation

I’ve nEever been afraid of any deviation

And I Adon’t really care, Bif I’m strange

AI ain’t Egonna Bchange

And I’m Enever gonna care about my bad reputation EABE

Whoa noEABE

Not meEABE

Whoa noEABE

Not meEABE

Pedal, boysE

Solo

And EI don’t give a damn about my reputation

The wEorld’s in trouble, there’s no communication

And Aeveryone can say what they Bwant to say

It Anever gets Ebetter anyBway

So Ewhy should I care about a bad reputation, EABanyEway

Oh noEABE

Not meEABE

Wow noEABE

Not meEABE

EI don’t give a damn about my bad reputation

You’re lEiving in the past, it’s a new generation

And I Aonly feel good when I Bgot no pain

And Athat’s how I’m Egonna Bstay

And I Edon’t give a damn about my bad reputation EABE

Oh noEABE

Not meEABE

Wow noEABE

Not meEABE

EABNot Eme

John Parr - St. Elmo's Fire (St. Elmo's Fire)

Originally in F#, I play in D

Highest note is the 3 of the original key

Intro

DDG/DA

DDDD

DGrowin’ up, F#myou don’t see the wGriting on the Dwall F#mG

DPassin’ by, F#mmovin’ straight ahGead, you knew it Dall

But maybe Bmsometime if you Gfeel the pain

You’ll find you’re Bmall alone, everyGthing has chanAged

DPlay the game, F#myou know you can’t Gquit until it’s Dwon F#mG

DSoldier on, F#monly you can Gdo what must be dDone

You know in sBmome way you’re a Glot like me

You’re just a Bmprisoner and you’re Gtryin’ to break fAree

BI can see the new horizon, Esus2underneath the F#blazin’ sky

BI’ll be where the eagle’s flying Esus2higher and F#higher

BGonna be your man in motion, Esus2all I need is a F#pair of wheels

BTake me where my future’s lyin’, Esus2St. Elmo’s F#fire

GOoh, ooh, ooh, F#7/Aooh

DBurning up, F#mdon’t know just how Gfar that I can Dgo F#mG

DSoon be home, F#monly just a Gfew miles down the Droad F#mG

I can Bmmake it, I Gknow I can

You broke the Bmboy in me, but you Gwon’t break the Aman

BI can see the new horizon, Esus2underneath the F#blazin’ sky

BI’ll be where the eagle’s flying Esus2higher and F#higher

BGonna be your man in motion, Esus2all I need is a F#pair of wheels

BTake me where my future’s lyin’, Esus2St. Elmo’s F#fire

BI can climb the highest mountain, Esus2cross theF#wildest sea

BI can feel St. Elmo’s fire bEsus2urnin’ in F#me

GBurnin’ in F#7/Ame

DDG/DA

Vox on the 5

DJust once in his life, Ga man has his tAime

Vox on the 1

DAnd my time is now, Gand I’m coming aAlive

BI can hear the music playin’, Esus2I can see the F#banners fly

BFeel like a man again, I’ll Esus2hold my head F#high

BGonna be your man in motion, Esus2all I need is a F#pair of wheels

BTake me where the future’s lyin’, Esus2St. Elmo’s F#fire

BI can see the new horizon, Esus2underneath the F#blazin’ sky

BI’ll be where the eagle’s flying Esus2higher and F#higher

BGonna be your man in motion, Esus2all I need is a F#pair of wheels

BTake me where my future’s lyin’, Esus2St. Elmo’s F#fire

BI can climb the highest mountain, Esus2cross the F#wildest sea

BI can feel St. Elmo’s fire Esus2burnin’ in F#me

GBurnin’ in me F#7/A

Johnny Mathis - Without Us (Family Ties)

I play the intro roughly as follows, leaving the

second line on the m(7, not 9) to make the transition

easier. Also not hitting the high string on that

last chord will make the transition sound smoother.

E|-1-1-1--3-/5-3-|
B|-1-1-1--3-/5-3-|
G|-2-3-2--3----3-|
D|-3-3-3--3----3-|
A|-3-3-3--x----x-|
E|-1-1-1--1----1-|

FFsus4FGm7/FGm9/FGm7/Fx2

I Fbet we been tAm/Eogether for a Dm7million years

And I Am7bet we’ll be toA7gether for a G9sus4million more G9

Oh, it’s Bbm6/Dblike I started breathing on the F/Cnight we kissed

And I A7sus4can’t remember Awhat I ever C/Ddid before D7

What would we Gmaj7do baby, without Bm7us?

Stay on the same note (the 5 of the current key) for this “do”

that you were on for the first “do”, then go down to the 1 on “baBY”

What would we Cmaj9do baby, without A7us?

And there Am7ain’t no nothin’ Cm9we can’t love each Bm7other throughE9

What would we A7sus4do babyA7, without Cmaj7us? Bm7Am7

C/DSha la la G/D

That’s the end of the Family Ties version...

Gm6/C is easier as a C7 on guitar

A/C#Gm6/C

If it’s Fabsolutely Am/Eperfect, the last Dm7puzzle piece

And it Am7all just comes tA7ogether like we G9sus4had it plG9anned

Ooh, it’s Bbm6/Dblike we share a secret we could F/Cnever tell

‘Cause A7sus4no one else but Ayou and me could C/Dunderstand D7

What would we Gmaj7do baby, without Bm7us?

What would we Cmaj9do baby, without A7us?

And there Am7ain’t no nothin’ Cm9we can’t love each Bm7other throughE9

What would we A7sus4do babyA7, without Cmaj7us? Bm7Am7

C/DSha la la G/D

I end here, it’s about to get funky and weird and not-Family-Ties-y.

A/C#A/C#Cmaj7Bm7Am7B7

Em7You’ve got my number A7and I know you know it

C/DAnd I’m stickin’ with you till the Gend F#7B7

Em7Ooh, I’m in trouble A7if I ever lost you

C/DI’d spend my whole life Am7looking for G/Byou aCmaj7gain B7

Em7You’ve got my number, A7you’ve got my number

C/DYou’ve got my number Cmaj7Bm7Am7

C/DWhat would we Gmaj7do baby, without Bm7us?

What would we Cmaj9do baby, without A7us?

And there Am7ain’t no nothin’ Cm9we can’t love each Bm7other throughE9

What would we A7sus4do babyA7, without Cmaj7us? Bm7Am7

Original fades here on “you’ve got my number” as above

C/DSha la la Gadd9

Johnny Nash - I Can See Clearly Now (Cool Runnings)

Originally in D, I play in A. I play D/G/A with

open A and E strings (e.g. x05430).

Highest note is the 5, but it spends a lot of

time on the 3 and 4.

Vox on the 1 on “I”

AI can see cDlearly now the rAain is gone

AI can see aDll obstacles Ein my way

AGone are the dDark clouds that Ahad me blind

It’s gonna be a bGright, brDight, sunshiny dAay

Gonna be a bGright, brDight, sunshiny dAay

AI think I can mDake it now the pAain is gone

AAll of the Dbad feelings have Edisappeared

AHere is that raDinbow I’ve been Apraying for

It’s gonna be a bGright, brDight, sunshiny dAay

CLook all around, there’s nothing but Gblue skies

CLook straight ahead, there’s C/Enothing but E/Bblue skies

G#m7DG#m7DGF#mE

AI can see cDlearly now the rAain is gone

AI can see aDll obstacles Ein my way

AGone are the dDark clouds that Ahad me blind

It’s gonna be a bGright, brDight, sunshiny dAay

Jon Bon Jovi - Blaze of Glory (Young Guns II)

Originally in Dm, I play in Am, highest note that matters is the 5 of the minor key (on “tell me that I’m wanted”)

Intro

Vox on the 1

I wAmake up in the morning

And I rGaise my weary head

I’ve got an Dold coat for a pillow

And the AmEarth was last night’s bed

Vox up to the 1 of the chord on “don’t”

I Cdon’t know where I’m going

Only Ggod knows where I’ve been

I’m a Ddevil on the run, a six gun lover

A Amcandle in the wind, yeah

When you’re Ambrought into this world

They Gsay you’re born with sin

Well at Dleast they gave me something

I didn’t have to Amsteal or have to win

This time the vox go up to the 3 of the chord

Well they Ctell me that I’m wanted

Yeah, GI’m a wanted man

I’m a Dcolt in your stable, I’m what Cain was to Abel

Mister Amcatch me if you can

I’m going Ddown in a blaze of Aglory

Take me Dnow but know the Atruth

I’m going Dout in a blaze of Aglory

And lord I Gnever drew first, but I drew first blood

I’m Dno one’s son, call me young gAmun

You Amask about my conscience

And I Goffer you my soul

You ask if I’ll Dgrow to be a wise man

Well I aAmsk if I’ll grow old

You Cask me if I’ve known love

And what it’s like to Gsing songs in the rain

Well, I’ve Dseen love come, I’ve seen it shot down

I’ve Amseen it die in vain

Shot Ddown in a blaze of Aglory

Take me Dnow but know the Atruth

‘Cause I’m going Ddown in a blaze of Aglory

Lord I nGever drew first, but I drew first blood

I’m the Ddevil’s son, call me young gAmun

Solo

DADA

DAGD

Each Amnight I go to bed

I pray the Glord my soul to keep

No I ain’t Dlooking for forgiveness

But befAmore I’m six foot deep

Lord, CI got to ask a favor

And I Ghope you’ll understand

‘Cause I’ve Dlived life to the fullest

Let this Amboy die like a man

DStaring down a bullet

Let ring, wait for the ‘80s drum fill...

Let me Ammake my final stand

Shot Ddown in a blaze of Aglory

Take me Dnow but know the Atruth

I’m going Dout in a blaze of Aglory

Lord I Gnever drew first, but I drew first blood

And I’m Dno one’s son

Call me young Agun G

I’m a young Dgun A

Young Agun G, young Dgun Am

Kenny Loggins - Danger Zone (Top Gun)

Originally in Ebm, I play in Am

AmAmGAm

AmRevvin’ up your engine

Listen to her howlin’ roar

Metal under tension

Beggin’ you to touch and go

GHighway to the Amdanger zone

GRight into the Fdanger zone

AmHeadin’ into twilight

Spreadin’ out her wings tonight

She got you jumpin’ off the deck

And shovin’ into overdrive

GHighway to the Amdanger zone

I’ll take you

FRight inGto the Fdanger zone

They never Dsay hello to you until you get it on the

CRed line overload

You never Fknow what you can do until you get it up as

GHigh as you can go

Solo

AmAmFF

AmAmGAm

AmOut along the edge

Is always where I burn to be

The further on the edge

The hotter the intensity

GHighway to the Amdanger zone

I’m gonna take you

GRight into the Amdanger zone

FHighway to the Ddanger zone

GRight into the Amdanger zone

Riff here for a bit

GHighway to the Amdanger zone

I’m gonna take you

GRight into the Amdanger zone

FHighway to the Ddanger zone

GRight into the Amdanger zone

GHighway to the Amdanger zone

I’m gonna take you

GRight into the Amdanger zone

FHighway to the Ddanger zone

GRight into the Amdanger zone

Kenny Loggins - Footloose (Footloose)

Originally in A, I play in E capo 3

Intro, sliding up from G, mix in a couple C’s

Vox on the 6 on “been”

EBeen working so hard AE

EI’m punching my card AE

EEight hours for what? AE

EOh, tell me what I got

AI’ve got this feeling

That time’s just holding me Edown

Optional little riff on the b3 here

EEEG→ F#→ E

AI’ll hit the ceiling A#dim7

Vox around the 6 of the key on “town”

Or else I’ll tear up this Btown B/C#B/DB/D#

Now I gotta cut Eloose

AFootEloose, Akick off the Sunday Eshoes

Please, ALouEise, Apull me off of my Eknees

Jack, Aget Eback, Acome on before we Ecrack

Lose Ayour Eblues, Deverybody Acut footEloose

Rpt intro, sliding up from G, mix in a couple C’s

EYou’re playing so cool AE

Obeying every rule AE

Deep way down in your heart AE

You’re burning, yearning for some...

ASomebody to tell you

That life ain’t passing you by E

No space for the b3 riff this time

AI’m trying to tell you

Vox on the 6 of the key on “it will if”

A#dim7It will if you don’t even Btry, B/C#B/Dyou’ll get B/D#by

If you’d only cut Eloose

AFootEloose, Akick off the Sunday Eshoes

Ooh-whee, AMaErie, Ashake it, shake it for Eme

Whoah, AMiElo Acome on, come on let’s Ego

Lose Ayour Eblues, Deverybody Acut footEloose

Hard stops with muted chords

1 5 6 b7 6 on “oh oh oh oh oh”, I do this down an octave

EOh-a-oh-oh-oh (got to footloose)

Oh-a-oh-oh-oh (got to footloose)

Vox on the 1 on “you”

EYou got to turn me around

EAnd put your feet on the ground

Gotta take the hold of all BB/C#B/DB/D#

I’m turning Eloose, AfootEloose, Akick off the Sunday Eshoes

Please, ALouEise, Apull me off of my Eknees

Jack, Aget Eback, Acome on before we Ecrack

Lose Ayour Eblues, Deverybody Acut footEloose

ELoose AfootEloose, Akick off the Sunday Eshoes

Please, ALouEise, Apull me off of my Eknees

Jack, Aget Eback, Acome on before we Ecrack

Lose Ayour Eblues, Deverybody Acut footEloose

DEverybody cut footEloose

Labelle - Lady Marmalade (Moulin Rouge!)

Originally in Gm, I play in Am capo 2

Am7D11x2

Vox on the 5

Am7Hey sista, go sista, sD11oul sista, go sista

Am7Hey sista, go sista, sD11oul sista

He Am7met Marmalade down in oD11ld New Orleans

Am7Struttin’ her stuff on the D11street

She said Dm7hello, hey Joe, you wanna Em7give it a go?

Vox on the 3 of the chord

Am7Gitchi, gitchi, ya-ya, dD11a-da

GAm7itchi, gitchi, ya-ya heD11re

Am7Mocha chocolata, yD11a-ya

Hang on “creole”, vox on 7 6 7 1 of the chord on “creole lady”

Em7Creole lady MarmaAm7lade

Vox only up to the 3, even though you’ll feel like you

want to go up to the 5.

Am7Voulez-vous coucher avec mD11oi, ce soir?

VAm7oulez-vous coucher aveD11c moi?

He Am7stayed in her boudoir while D11she freshened up

Am7That boy drank all that magnD11olia wine, on her

Dm7Black satin sheets, is wEm7here he started to freak

Am7Gitchi, gitchi, ya-ya, dD11a-da

GAm7itchi, gitchi, ya-ya heD11re

Am7Mocha chocolata, yD11a-ya

Em7Creole lady MarmaAm7lade

Am7Voulez-vous coucher avec mD11oi, ce soir?

VAm7oulez-vous coucher aveD11c moi?

Am7D11x2

EHey, hey, hey...

Am7Seeing her skin feeling D11silky smoothe

CAm7olor of cafe au laD11it

Made the Dm7savage beast inside Em7roar until it cried

EMore, more, more

Am7Now he’s at home doing D11nine to five

Am7Living his brave life of lD11ies

But when he Dm7turns off to sleep, old Em7memories keep

EMore, more, more

Am7Gitchi, gitchi, ya-ya, dD11a-da

GAm7itchi, gitchi, ya-ya heD11re

Am7Mocha chocolata, yD11a-ya

Em7Creole lady MarmaAm7lade

Am7Voulez-vous coucher avec mD11oi, ce soir?

VAm7oulez vous coucher aveD11c moi?

Am7Voulez-vous coucher avec mD11oi, ce soir?

Em7Creole lady MarmaAm7lade

Lazlo Bane - Superman (Scrubs Theme) (Scrubs)

Originally in F#, I play in D capo 4.

DDmaj7G6A

ODut the door just in time,Ghead down the 405

GDot to meet the new boss by 8amG

TDhe phone rings in the carG, the wife is working hard

SDhe’s running late tonight agaGin

Well, I Emknow what I’ve been Atold

You’ve got to Emwork to feed Athe soul

But BmI can’t do this Bm/Aall on Bm/Abmy E7own

No GI know, IA‘m no superman

DDmaj7G6AI’m no superman

DDmaj7G6A

DYou’ve got your love online, Gyou think you’re doing fine

DBut you’re just plugged into the waGll

DAnd that deck of tarot cards, Gwon’t get you very far

DThere ain’t no hand to break your faGll

Well, I Emknow what I’ve beenAtold

You gotta Emknow just when toAfold

But BmI can’t do this Bm/Aall on Bm/Abmy E7own

No GI know, IA‘m no superman

DDmaj7G6AI’m no superman

DDmaj7G6A

Solo

EmEmAA

EmEmBmBm/ABm/AbE

GGAA

Let chords ring for the first line of this verse

YDou’ve crossed the finish line, Gwon the race but lost your mind

WDas it worth it after alGl?

IDneed you here with me, G‘cause love is all we need

JDust take a hold of the Ghand that breaks the fall

Well, I Emknow what I’ve been Atold

Gotta break Emfree to break the Amold

But BmI can’t do this Bm/Aall on Bm/Abmy E7own

No BmI can’t do this Bm/Aall on Bm/Abmy E7own

Hold “know” and “I’m no” for a full measure“, hard stop before ”superman“

GI knoooooow, that IA‘m no superman

DDmaj7G6AI’m no superman

Vox on 3 1 on “someday”

SomDeday Dmaj7we’ll be toG6gether A

SomDeday Dmaj7G6A

SomDeday Dmaj7we’ll be togetG6her A

SomDeday Dmaj7G6

IA‘m no superman

Leonard Cohen - Hallelujah (Shrek)

Leonard Cohen in C, John Cale in C, Jeff Buckley in C#, I play in G capo 3

Intro

GEmx2

I’ve Gheard there was a seEmcret chord

That GDavid played, and it plEmeased the lord

But Cyou don’t really Dcare for music, dGo you? D

It Ggoes like this the Cfourth, the Dfifth

The Emminor fall, the Cmajor lift

The Dbaffled king comB7posing HalleEmlujah

HalleClujah, HalleEmlujah, HalleClujah, HalleGlu-Du-Gjah D

Your Gfaith was strong, but you Emneeded proof

You Gsaw her bathing Emon the roof

Her Cbeauty and the Dmoonlight overGthrew youD

She Gtied you to a Ckitchen Dchair

She Embroke your throne, and she Ccut your hair

And Dfrom your lips she B7drew the HalleEmlujah

HalleClujah, HalleEmlujah, HalleClujah, HalleGlu-Du-Gjah D

GMaybe I’ve been hEmere before

I kGnow this room and I’ve wEmalked this floor

I uCsed to live aDlone before I kneGw you D

I’ve sGeen your flag on the mCarble aDrch

And lEmove is not a vCictory march

Cale plays a iii instead of a III here

It’s a Dcold and it’s a bB7roken HallelEmujah

HalleClujah, HalleEmlujah, HalleClujah, HalleGlu-Du-Gjah D

There wGas a time you lEmet me know

What’s rGeally going oEmn below

But nCow you never sDhow it to me, dGo you? D

And I Gremember when I mCoved in yDou

And the hEmoly dove she was mCoving too

And eDvery breath we dB7rew was HalleluEmjah

HalleClujah, HalleEmlujah, HalleClujah, HalleGlu-Du-Gjah D

Well, mGaybe there’s a gEmod above

But aGll I’ve ever lEmearned from love

Is hCow to shoot somebDody who outdGrew you D

But it’s nGot a crime that you’re heCre toniDght

It’s nEmot some pilgrim who’s sCeen the light

It’s a Dcold and it’s a bB7roken HallelEmujah

HalleClujah, HalleEmlujah, HalleClujah, HalleEmlujah

HalleClujah, HalleGlu-Du-Gjah D

Other verses included in some versions... you have to stop at some point,

so I usually leave these out.

You Gsay I took the Emname in vain

GI don’t even Emknow the name

But Cif I did, well Dreally, what’s it Gto ya?D

There’s a Gblaze of light in Cevery Dword

It Emdoesn’t matter Cwhich you heard

The Dholy or the B7broken HalleEmlujah

HalleClujah, HalleEmlujah, HalleClujah, HalleGlu-Du-GjahD

I Gdid my best, it Emwasn’t much

I Gcouldn’t feel, so I Emtried to touch

I’ve Ctold the truth, I Ddidn’t come to fool yGaD

And Geven though it Call went Dwrong

I’ll Emstand before the CLord of Song

With Dnothing on my B7tongue but HalleEmlujah

HalleClujah, HalleEmlujah, HalleClujah, HalleGlu-Du-GjahD

Linda Ronstadt and James Ingram - Somewhere Out There (An American Tail)

Intro

CCmaj7/EFmaj7F/G

CC/EFFadd9

Dm7G/FEm7Am7

CSomeC/Ewhere Fmaj7out F/Gthere beCneath the C/Epale moonlFight

Dm7SomeG/Fone’s thinking Em7of Am7me and Dm7lovC/Eing Fme toGsusnight G

CSomeCmaj7/Ewhere Fmaj7out F/Gthere Csomeone’s C/Esaying a Fprayer

That Dm7we’ll G/Ffind one anEm7oAm7ther in that Dm7big C/EsomeF/Gwhere out Cthere

Vox on the 3 of the chord on “even”

And Feven though I G/Fknow how very Ffar apart we G/Fare

It Fhelps to think we G/Fmight be wishing Fon the same bright G/Fstar

And Abwhen the night wind Bb/Abstarts to sing a Ablonesome lullaBb/Abby

This is the only line that doesn’t really work in the original key for a male voice,

so go *down* on sleeping, and it will work out.

It Abhelps to think we’re Bb/Absleeping underneath the same big Gsky

CSomeCmaj7/Ewhere Fmaj7out F/Gthere if Clove can C/Esee us Fthrough

Dm7Then G/Fwe’ll be toEm7geAm7ther somewhere Fout there

Out Gwhere dreams come Ctrue

CD/CCD/CC/BbBbmaj7C/BbD/E

Solo

AC#m7A/DD/E

AA/C#DD

Bm7Dmaj7C#mF#m7

Bm7→ C#m→ D/EA

And Feven though I G/Fknow how very Ffar apart we G/Fare

It Fhelps to think we G/Fmight be wishing Fon the same bright G/Fstar

And Abwhen the night wind Bb/Abstarts to sing a Ablonesome lullaBb/Abby

It Abhelps to think we’re Bb/Absleeping underneath the same big Gsky

CSomeCmaj7/Ewhere Fmaj7out F/Gthere if Clove can C/Esee us Fthrough (can see us throught)

Dm7Then G/Fwe’ll be toEm7geAm7ther somewhere Fout there

Rubato

Out Gwhere dreams come Ctrue

CCmaj7/EFmaj7F/GCadd9

Lindsey Buckingham - Holiday Road (Vacation)

Originally in F, I play in A capo 2, highest note that matters is the 4

Intro

AI found out long ago

It’s a long way down the holiday road

Holiday Droh oh oh Eoh oh oh C#moh oh oh F#moad

Holiday Droh oh oh Eoh oh oh Aoad

AJack be nimble, Jack be quick

Take a ride on the West Coast kick

Holiday Droh oh oh Eoh oh oh C#moh oh oh F#moad

Holiday Droh oh oh Eoh oh oh Aoad

Holiday Droh oh oh Eoh oh oh C#moh oh oh F#moad

Holiday Droh oh oh Eoh oh oh Aoad

AI found out long ago

It’s a long way down the holiday road

Holiday Droh oh oh Eoh oh oh C#moh oh oh F#moad

Holiday Droh oh oh Eoh oh oh Aoad

Holiday Droh oh oh Eoh oh oh C#moh oh oh F#moad

Holiday Droh oh oh Eoh oh oh Aoad

Lisa Loeb - Stay (Reality Bites)

Originally in C#, I play in G

Intro

Gadd9Em7Am7→ Bm7→ Cadd9

Gadd9You say Em7I only hear what I want to Am7Bm7Cadd9

Gadd9And you say Em7I talk so all the time, Am7so Bm7Cadd9

Am7And I thought wGhat I felt was simple

Am7And I thought tGhat I don’t belong

Am7And now tGhat I am leaving

Am7Now I know tGhat I did something wrong cause I Cadd9missed you

CmYeah, yeah, I mAm7issed you GAm7G

Gadd9And you say Em7I only hear what I want to, I dAm7on’t listen hard

Bm7Don’t pay attention to the Cadd9distance that you’re running to Ganyone, anywhere

I Am7don’t undersBm7tand if you really care

I’m Cadd9only hearing negative, no, no, no Cadd9

So I, Am7I turned the radio oGn, I turned the radio Am7up, and this woman wGas singing my song

Am7Lover’s in love aGnd the other’s run away

Am7Lover is crying cGause the other won’t stay

Am7Some of us hover and we Gweep for the other who was

Am7Dying since the day tGhey were born, well

Well, Am7this is not that, GI think that I’m throwing but I’Am7m thrown G

And I Am7thought I’d live forever but now I’m not so sure

You try to Cadd9tell me that I’m clever but that won’t take me anyhow

Am7Or anywhere Bm7with yoCadd9u

Am7And you said that IGwas naive

And Am7I thought that IGwas strong, oh

Am7I thought, hey I cGan leave, I can leave

Oh, Am7but now I know tGhat I was wrong cause I Cadd9missed you

CmYeah, IAm7missed Gyou Am7G

You said you Am7caught me cause you want me and one day you’ll let me go

You try to Cadd9give away a keeper or keep me cause you know

You’re just so Am7scared to Bm7lose Cadd9

And you say, Gadd9Em7stay Am7Bm7Cadd9

Gadd9And you say Em7I only hear what I want to Am7BmCadd9

Madonna - Crazy for You (Vision Quest)

Originally in E, I play in G

Intro

Gsus2Gsus2Csus2Dsus4

The last chord in this pattern is really a slide from bIII/4 → IV/5, but I think it sounds silly on guitar

Gsus2Gsus2Csus2C/D

Gsus2Swaying room as the mCsus2usic Dsus4starts

Gsus2Strangers making the Csus2most of the Dsus4dark

Gsus2Two by two their Csus2bodies Dsus4become Gsus2one Csus2C/D

Gsus2I see you through the Csus2smoky Dsus4air

Gsus2Can’t you feel the Csus2weight of my Dsus4stare

Gsus2You’re so close but Csus2still a wB/D#orld aEmway Em→ D/E→ Em

What I’m A#/Cdying to say, iC/Ds that I’m

CGsus2razy for you

Gsus2/BTouch me once and you’ll Em7know it’s true

F6/GI never wanted anyCmaj9one like this

It’s Gsus2/Ball brand new, you’ll Am7feel it in my kiss C/D

I’m crazy for yGsus2ou

Gsus2Gsus2Csus2Dsus4

Crazy for Gsus2you Gsus2Csus2C/D

Gsus2Trying hard to contCsus2rol my Dsus4heart

Gsus2I walk over to Csus2where you Dsus4are

Gsus2Eye to eye we neCsus2ed no wDsus4ords at all Gsus2Csus2C/D

Gsus2Slowly now we beCsus2gin to Dsus4move

Gsus2Every breath I’m deeper Csus2into Dsus4you

Gsus2Soon we two are Csus2standing B/D#still in Emtime Em→ D/E→ Em

If you A#/Cread my mind, yC/Dou’ll see I’m

CGsus2razy for you

Gsus2/BTouch me once and you’ll Em7know it’s true

F6/GI never wanted anyCmaj9one like this

It’s Gsus2/Ball brand new, you’ll Am7feel it in my kiss

You’ll Em7feel it in my kC/Diss because

I’m cG/Drazy for you

C6Touch me oB7nce and you’ll Em7know it’s true

F6/GI never wanted anyCmaj9one like this

It’s Gsus2/Ball brand new, you’ll Am7feel it in my kiss C/D

I’m crazy for yGsus2ou

Gsus2Gsus2Csus2Dsus4Crazy for you

Gsus2Gsus2Csus2C/D

Gsus2Gsus2It’s all brand new, Csus2I’m Dsus4crazy for you

Gsus2Gsus2And you know it’s true, Csus2I’m crazy Dsus4crazy for you

Gsus2Gsus2It’s all brand new, Csus2I’m Dsus4crazy for you

Gsus2Gsus2And you know it’s true, Csus2yeah, I’m C/Dcrazy for yooooooooooou

Gsus2Gsus2Csus2Dsus4Crazy for you, baby

Gsus2Gsus2Csus2Dsus4I’m crazy for you

Gsus2

Madonna - Into the Groove (Desperately Seeking Susan)

Originally in Cm, I play in Em

EmEmD→ CAnd you can dDance

EmEmD→ CFor inspiraDtion

EmEmD→ CCome on D

EmEmD→ CI’m waiting D

Vox on the 5 on “get”

EmGet into thDe grCoove, boy you’ve gDot to

PrEmove your love tDo mCe, Dyeah

EmGet up on yoDur feeCt, yeah, step tDo a

BEmeat, boy, what will iDt beCD

EmMusic can be sDuch a rCmaj7evelation D

EmDancing around you feDel the sweCmaj7et sensatDion

EmWe might be lovers, iDf the rCmaj7hythm’s right D

EmI hope this feeling nDever endCmaj7s tonight D

EmOnly when I’m dancing cDan I feCmaj7el this free D

EmAt night I lock the doDors, where nCmaj7o one else can see D

EmI’m tired of dancing heDre all byCmaj7myself D

EmTonight I wanna dancDe with somCmaj7eone else D

EmGet into thDe grCoove, boy you’ve gDot to

PrEmove your love tDo mCe, Dyeah

EmGet up on yoDur feeCt, yeah, step tDo the

BEmeat, boy, what will iDt beCD

Gonna get to knEmow you Din a speCcial way

This dDoesn’t haEmppen to Dme eveCry day D

EmDon’t try to hide it, loDve wears noCdisguise D

EmI see the fire bDurning iCn your eyes D

EmOnly when I’m dancing cDan I feCmaj7el this free D

EmAt night I lock the doDors, where nCmaj7o one else can see D

EmI’m tired of dancing heDre all byCmaj7myself D

EmTonight I wanna dancDe with somCmaj7eone else D

EmGet into thDe grCoove, boy you’ve gDot to

PrEmove your love tDo mCe, Dyeah

EmGet up on yoDur feeCt, yeah, step tDo the

BEmeat, boy, what will iDt beCD

LDive out your faCmaj7ntasy here with mDe, just let the musCmaj7ic set you freDe

Touch my Cmaj7body, and move in Dtime, now I knCmaj7ow you’re mine

DNow I knCmaj7ow you’re mine

You’ve got to...

EmGet into thDe grCoove, boy you’ve gDot to

PrEmove your love tDo mCe, Dyeah

EmGet up on yoDur feeCt, yeah, step tDo the

BEmeat, boy, what will iDt beCD

Melody up to the 4 (not a typo, the 4)

EmGet into thDe grCoove, boy you’ve gDot to

PrEmove your love tDo mCe, Dyeah

EmGet up on yoDur feeCt, yeah, step tDo the

BEmeat, boy, what will iDt beCD

EmGet into thDe grCoove, boy you’ve gDot to

PrEmove your love tDo mCe, Dyeah

EmGet up on yoDur feeCt, yeah, step tDo the

BEmeat, boy, what will iDt beCD

Madonna - This Used to Be My Playground (A League of Their Own)

Originally in Em, I play in C#m

Intro

C#mB/C#C#mB/C#

Amaj7G#m7C#9sus4C#

C#mB/C#C#mB/C#

Amaj7G#m7F#m11F#m11

Vox on 5 7 7 on “this used to”

Amaj7This used to be my playground

G#7sus4This used to be my C#mchildhood dream

F#m7sus4This used to be the Bplace I B/Aran to

G#mWhenever I C#mwas in need

F#m7sus4Of a friend B

B/AWhy did it G#7have to end, and why do they always say

Amaj7Don’t look backG#7

Keep your C#mhead held high

Don’t C#m7/Bask them why because

Amaj7Life is shortG#7

And beC#mfore you know

You’re C#m7/Bfeeling old

And your Amaj7heart is G#7breaking

Don’t hold on to the F#m7sus4past

Well G#7that’s too much to C#mask

C#mB/C#C#mB/C#

Amaj7This used to be my playground

G#m7This used to be my C#mchildhood dream

F#m7sus4This used to be the Bplace I B/Aran to

G#mWhenever I C#mwas in need

F#m7sus4Of a friend B

B/AWhy did it G#7have to end, and why do they always say

Amaj7Live and learG#7n

Well the yC#mears they flew

And we nevC#m7/Ber knew

We were Amaj7foolish theG#7n

We would nC#mever tire

And that litC#m7/Btle fire

Is Amaj7still aliG#7ve in me

It will never go aF#m7sus4way

Can’t say goodG#7bye to yesterC#mday

C#mB/C#C#mB/C#

String solo on verse chords

Amaj7Amaj7G#7sus4C#m

F#m7sus4F#m7sus4BB/A

G#mG#mC#mC#m

Amaj7This used to be my playground

G#m7This used to be my C#mchildhood dream

F#m7sus4This used to be the Bplace I B/Aran to

G#mWhenever I C#mwas in need

F#m7sus4Of a friend B

B/AWhy did it G#7have to end, and why do they always say

Amaj7No regretG#7s

But I C#mwish that you

Were C#m7/Bhere with me, well then

Amaj7There’s hope yeG#7t

I can C#msee your face

In our C#m7/Bsecret place

You’re not Amaj7just a G#7memory

Say goodbye to yester F#m7sus4day

Those are G#7words I’ll never C#msay

C#mB/C#C#mB/C#

Amaj7This used to be our playground

G#m7This used to be our C#mpride and joy

F#7sus4This used to be the Bplace we B/Aran to

G#mThat no one in the C#mworld could dare destroy

Amaj7This used to be our playground

G#m7This used to be our C#mchildhood dream

F#m7sus4This used to be the Bplace we B/Aran to

G#mThe best things in C#mlife are always

Amaj7Free, wishing you were G#7here with me

Malvina Reynolds - Little Boxes (Weeds Theme) (Weeds)

Originally in F, I play in C capo 1

Highest note is the 3

Intro, rubato

CAmF→ Em→ Dm→ C

At tempo

Vox on 5 6 3 1 on “little boxes”

Little boCxes on the hillside, little boFxes made of ticCky-tacky

Vox stay on the 5 on “boxes”

Little Cboxes on the G7hillside, little Cboxes all the G7same

There’s a Cpink one, and a green one, and a Fblue one, and a yCellow one

And they’re Call made out of G7ticky-tacky, and they Call look G7just the sCame

And the Cpeople in the houses, all Fwent to the univeCrsity

Where Cthey were put in G7boxes, and they Ccame out all the G7same

And there’s Cdoctors, and lawyers, and Fbusiness exeCcutives

And they’re Call made out of G7ticky-tacky, and they Call look G7just the Csame

And they Call play on the golf course, and Fdrink their martiCnis dry

And they Call have pretty G7children, and the Cchildren go to G7school

And the Cchildren go to summer camp, and Fthen to the univeCrsity

Where Cthey are put in G7boxes, and they Ccome out G7all the sCame

And the Cboys go into business, and Fmarry and raise a fCamily

In Cboxes made of G7ticky-tacky, and they Call look just the G7same

There’s a Cpink one, and a green one, and a Fblue one, and a yCellow one

Slow and hold...

And they’re Call made out of G7ticky-tacky, and they Call look G7just the Csame

Back at tempo

CAmF→ Em→ Dm→ C

Martha and the Vandellas - Dancing in the Street (One Crazy Summer)

Vandellas around Eb, Bowie and Jagger in B, I play in A

Intro

G/A→ Ax4

G/ACallin’ Aout aG/Around the Aworld

Are you G/Aready for a Abrand new G/AbeatA

G/ASummer’s Ahere and the G/Atime is Aright

For G/Adancin’ Ain the G/Astreet

They’re Adancin’ in ChiG/Acago AG/A

Down in G/ANew OrlAeans

G/AIn ANew York G/ACityA

G/AAll we Aneed is mDusic, sweet music

DThere’ll be music everywhere

There’ll be G/Aswingin’, Aswayin’ and G/Arecords Aplaying’

G/ADancin’ Ain the G/Astreet, Aoh

C#7It doesn’t matter what you wear

Just as F#mlong as you are there

Mamas and the Papas (and Bowie/Jagger) use a II instead of a ii here... that’s a good idea!

So come on, Bmevery guy grab a girl

D/EEverywhere arEound the world

There’ll be G/Adancing A

G/AThey’re dancing Ain the stG/Areet AG/AA

This is G/Aan inviAtation acG/Aross the Anation

A G/Achance for Afolks to G/Ameet A

There’ll be G/Alaughter, Asinging and G/Amusic sAwinging

G/ADancing Ain the stG/Areet

PhilaAdelphia, G/AP.A. AG/A

BaltiAmore and D.G/AC. now A

G/ACan’t forAget the Motor G/ACity A

G/AAll we Aneed is mDusic, sweet music

DThere’ll be music everywhere

There’ll be G/Aswingin’, Aswayin’ and G/Arecords Aplaying’

G/ADancin’ Ain the G/Astreet, Aoh

C#7It doesn’t matter what you wear

Just as F#mlong as you are there

So come on, Bmevery guy grab a girl

D/EEverywhere arEound the world

They’re G/Adancing A

G/AThey’re dancing Ain the stG/Areet (dancing iAn the street)

G/AWay down Ain L. G/AA., evAerydaG/Ay (dancing)

They’re dancing Ain the stG/Areet (dancin’ Ain the street)

G/ALet’s form a Abig long G/Aline (Aget in G/Atime)

Were dancing Ain the stG/Areet (dancing Ain the street)

G/AAcross the Aocean G/Ablue (dancing Ain the street)

They’re dancing Ain the stG/Areet, yeah (dancing Ain the street)

Misc - California Christmas Time (Crazy Ex-Girlfriend)

Originally in B, I play in D

Intro

Rebecca

Well, you can Dtake your F#snow and Bmshove it

This is our EmChristmas D/F#and we Alove it

It’s a Dhundred degF#rees, this elf is GVietnamese

That’s the Dway that California Adoes it

Josh

Even our DSanta F#has a Bmsuntan

He’s Emalso an D/F#unemployed Astuntman

Rebecca

Is he Deven aF#wake?

Santa

Yeah, I’m Gjust really baked

Josh

If Dhe can be Santa Claus, Aanyone can

Rebecca and Josh

GCalifornia AChristmas time

It’s F#mjust a Golden BState of mind

EmChet’s nuts roasting Ain the bright sunAmlight D

Rebecca

Put on some pants, Chet

Rebecca and Josh

And Gwhat would Christmas Abe without

Historically F#mlow mountain snow causing Bstaggering drought

Josh

But Ghey, this eggnog Afro-yo’s super F#mtight

Rebecca

Super Btight

‘Cause Emthis is California

Hang on “we”

And Awe do Christmas Dright

Misc

California ChristmasG/DtiGm/Dme

Darryl

Don we Dnow our F#surf apBmparel

And we have our Emown kind of D/F#Christmas ACarol

Paula

It’s this Dchick named F#Carol

She does Ghenna tattoos

Darryl

Carol’s Afifty, but no judgment

She’s still finding herself

All

We’re all finding ourselves

Key change

Greg

Okay, there Eis no G#easy C#manswer

Heather

For our F#mhigh rates E/G#of skin Bcancer

Misc

It Etook my dad’s G#life

Misc

And it Akilled my wife

All

BHang ten, Rudolph and Prancer

ACalifornia BChristmas time

We G#mgather ‘round and sing C#songs by Sublime

And F#mall our local Breggae bands are Bmwhite E

The Akids get lots of toys on BChristmas morn

‘Cause G#mdaddy makes big bucks diC#recting porn

They Amay have gonorrhea

Rebecca

But at Bleast it’s not frostG#mbite

All

It’s not frostC#bite

‘Cause F#mthis is California

And Bwe do Christmas Eright

California Christmas A/Etime

CaliAm/Efornia Christmas Etime

California Christmas A/Etime

CaliAm/Efornia Christmas Etime

California Christmas E/Atime

CaliAm/Efornia Christmas Etime

Rebecca

California Christmas Atime

Calif...

Misc - Charles in Charge Theme (Charles in Charge)

Originally in Bb, I play in G

Intro (quick changes)

D→ Em→ D/F#

GThe new boy in the Emneighborhood

C6Lives downstairs and it’s Dunderstood

GHe’s there just to Emtake good care of C6me

Like he’s Done of the family

GCharles in Ccharge

Of our Gdays and our Dnights

GCharles in Ccharge

Of our Gwrongs and our Drights

And I see, CI Gwant

AmCharles in Dcharge of E/Bme

In the previous chorus, vox were on 5 1 on “chares in charge”,

this time they’re on 1 6. So you’re jumping up from the 5 of

the new key (on “me”) to the 1 (on “Charles”)

ECharles in Acharge

Of our Edays and our Bnights

ECharles in Acharge

Of our Ewrongs and our Brights

Vox down to the 1 on “see”, then down to the 6

of the key (3 of th chord) on “I”

And I Esee, AI Ewant, AI Ewant

F#mCharles... in B7charge... of Eme

Misc - Cheers Theme (Cheers)

Originally in Bb, I play in G.

Highest note before the key change is the 6,

and I skip the key change.

GD/GGD/G

GMaking your way in the Dworld today takes

GEverything you’ve Dgot

GTaking a break from Dall your worries

GSure would help a Dlot

Bm7b5/FWouldn’t you lE7ike to get aAmway Dsus4

GAll those nights when you’ve Dgot no lights

The Gcheck is in the Dmail

GAnd your little Dangel hung the

GCat up by its Dtail

Bm7b5/FAnd your third fiaE7nce didn’t sAmhow

Dsus4Sometimes you wanna go

GWhere ev’ryFbody knows your Cname D→ Em7→ D/F#

GAnd they’re Falways glad you Ccame D→ Em7→ D/F#

Em7You wanna be where Cyou can see

Our Bmtroubles are all the Csame

Em7You wanna be where Cev’rybody Dknows your Gname

GD/GGD/G

GRoll out of bed, Mr. DCoffee’s dead

The Gmorning’s looking Dbright

GAnd your shrink ran oDff to Europe

And Gdidn’t even Dwrite

Bm7b5/FAnd your husband wE7ants to be a gAmirl

Dsus4Be glad there’s one place in the world

GWhere ev’ryFbody knows your Cname D→ Em7→ D/F#

GAnd they’re Falways glad you Ccame D→ Em7→ D/F#

Em7You wanna go where Cpeople know

BmPeople are all the Csame

Em7You wanna go where Cev’rybody Dknows your Gname D/G

This is a good place to end

Solo

GFCD→ Em7→ D/F#

D#→ Fm7→ D#/G

Fade on

G#Where ev’ryF#body knows your C#name D#→ Fm7→ D#/G

G#And they’re F#always glad you C#came D#→ Fm7→ D#/G

G#Where ev’ryF#body knows your C#name D#→ Fm7→ D#/G

G#And they’re F#always glad you C#came D#→ Fm7→ D#/G

G#Where ev’ryF#body knows your C#name D#→ Fm7→ D#/G

G#And they’re F#always glad you C#came D#→ Fm7→ D#/G

Misc - Commercial Medley (My Childhood)

Doublemint song

Originally in D, I play in D capo 3

https://www.youtube.com/watch?v=F6JnDMpjwN8&ab_channel=TheClassicSports

DDouble double Ayour refrGeshment G→ A

DDouble double Ayour enjGoymeAnt

Oh Dno single gAum double-freGshens your mouth like

DDoublemint, ADoublemint Dgum

So Fdouble double yCour refrBbeshment Bb→ C

FDouble double Cyour deliBbghtmCent

Oh nFo single gCum double-freBbshens your mouth like

FDouble-fresh, dCouble-good, cFome on and doBbuble it

FDoublemint, DCoublemint gFum

There’s no single gum like it!

Subway footlong song

https://www.youtube.com/watch?v=MJF3mknSTlo&ab_channel=CommercialsinUSA

CFive, five dollar, five dollar footFmlong

GIt’s c-c-catching on, at FmsubCway

Kit-Kat song

Originally in E, I play in A capo 2

https://www.youtube.com/watch?v=0nkcVz1mad0&ab_channel=udhoop

EOne, two, a-one two three four!

5 5 6 1 on “gimme a break”

EGimme a break, gimme a break

Break me off a piece of that Kit-Kat Bar

Gimme a break, gimme a break

Break me off a piece of that Kit-Kat Bar

Vox on the 5

You can kAeep it to yourself but it wouldn’t be fair

‘Cause that Bchocolate crispy taste is loved eGverywhere

EGimme a break, gimme a break

Break me off a piece of that Kit-Kat Bar

EEA→ E

Stuck on Band-Aid

https://www.youtube.com/watch?v=OiSLoLGcAmo&ab_channel=KaiRivera

I am sFtuck on BDmand-Aid brand ‘cause BBband-Aid’s sCtuck on mFe

I am sFtuck on BDmand-Aid brand ‘cause BGand-Aid’s stuck on mCe

‘Cause they hDmold on tight no mCatter what on fBbingers, toes, and knEbees

I am stFuck on BDmand-Aid brand ‘cause BBband-Aid hCelps heal mFe

Toys R Us Song

https://www.youtube.com/watch?v=PJ0fBbutkgA&ab_channel=FM1156

Originally in C#, I play in C capo 1

I don’t Cwanna grow up

I’m a DToys R Us kid

They got a Gmillion toys at Toys R Us that CI can play Awith A7

I don’t wDanna grow up

I’m a EToys R Us kid

They got the Abest for so much less, it’ll rDeally flip your lid

From Gbikes to Atrains to F#mvideo Bmgames

It’s the Gbiggest toy sAtore there iF#ms (gee wB7hiz!)

I don’t Gwanna grow uAp ‘cause baby Dif A/C#I Bmdid

I Gcouldn’t be a TAoys R Us kDid

A/C#More gDames, mA/C#ore tD/Aoys, F#moh bB7oy!

I Gwanna be a TAoys R Us kDid

The best part of waking up

https://www.youtube.com/watch?v=-SnnbrXaAvY&ab_channel=ewjxn

Originally in B, I play in G capo 4

Rubato

It’s G/Btough getting out of bed Cadd9

To G/Bface all the chores aCadd9head

Till that Bm7aroma comes through when the Cadd9Folger’s starts to bD/F#rew

The Am7best Dpart of G/Bwaking Cadd9up is Folger’s in your Gcup

Spoken

Folger’s is mAm7ountain-grown coffee, and the rich aroma G/Bof

Mountain-grown beans makes Cadd9Folger’s Done coffee mEade with the morning in mind

At tempo

Now Athing’s are feeling right

You see the mDsus2orning in a whole new light

There’s hard wA/C#ork to be done

Another Dsus2day yet to be wEon

The Dbest pEart of wA/C#aking uDp is Folger’s iEn your cAup

Meow Mix song

https://www.youtube.com/watch?v=LTunhRVyREU&ab_channel=SabedMako

CMeow meow meow meow

Meow meow meow meow

Meow meow meow meow Gmeow meow meow meow

GMeow meow meow meow

Meow meow meow meow

Meow meow meow meow Cmeow meow meow meow

FMeow meow meow

CMeow meow AMEOW meow

D7Meow meow Edim7meow meow Fdim7meow meow F#dim7meow

Hang at the end of this line

Dm7Meow meow meow G9

C9Meow

Nationwide song (A)

https://www.youtube.com/watch?v=2hmxOg0rB9Q&ab_channel=Abridged

Originally in E, I play in A

EA→ AmE

Vox on the 2

Emaj7One day Amaj7your little guy’s beEmaj7hind the wheel Amaj7

Emaj7It’s okay, Amaj7your mom side will Emaj7find a way to B6deal

Emaj7You built tAmaj7his business up fromEmaj7the ground Amaj7

Emaj7Soon your Amaj7retired side will Emaj7pass it on F#down

C#m7Every Amaj7day brings something new

C#m7So much to look Amaj7forward to

ENationwide is Aon your Eside

Nationwide song (B)

https://www.youtube.com/watch?v=sdBOsLuUh8Q&ab_channel=Tu%E1%BB%87AnhL%C3%BD

Originally in E, I play in A

EA→ AmE

Vox on the 5

EYou got a side Athat wants more space

G#m7‘Cause every day Astarts like a race

EYou got a side Athat loves that style

But to G#m7fit in those shoes Agonna take a while

EToday life’s got you running

Am7Tomorrow big things are coming

Asus2That’s why ENationwide is Aon Amyour Eside

Be all that you can be Army commercial

https://www.youtube.com/watch?v=E_OCDJIT344&ab_channel=Royce

AmG→ F→ D

Vox on the 5

AmYou’re reaching deep inside you

For tFmaj7hings you’ve never known

Dm7It’s been tough, rough goin’

But you hEaven’t gone alone Am→ Am/GG

Spoken over chords that don’t really matter

FWe do more before 9am than Gmost people do all day

Vox on the 5 of the chord

CBe Gall that you can Ambe (hey first sergeant, Egood morning!)

You can Amdo it Fin the GArCmy

Sometimes you feel like a nut song

https://www.youtube.com/watch?v=HdwVw4KZ_Bc&ab_channel=JackTaylor

Originally starts in C, I play in C capo 2

Let ring, Jailhouse-Rock-style

Vox on 3 5 on “sometimes”

B→ CSometimes you feel a nut

C#→ DSometimes you don’t

At tempo

Vox on the 3 of the chord

GAlmond Joy’s got nuts, CMounds don’t

CAlmond Joy’s got real milk chocolate, Dcoconut and munchy nuts too

GMounds got deep dark chocolate and cChewy coconut ooAoh

DSometimes you feel a nut, Esometimes you don’t

AAlmond Joy’s got nuts, DMounds don’t

Because Asometimes you feel a nut, Asometimes you dDon’t

Misc - Crazy Ex Girlfriend Theme (Crazy Ex-Girlfriend)

Originally in B, I play in G

V implied, vox on the 5 of the key

I was...

GWorking hard at a DNew York job

Making Gdough but it made me Dblue

GOne day I was Dcrying a lot

And Dso I decided to Gmove G#to

Asus2West Covina, California

Brand new pals and new career

It Fhappens to be where Josh lives

Vox on 3 2 3 2 5 of the key on “that’s not why I’m here”

But that’s not why I’m Dhere

She’s the Ccrazy ex-girlfriend

Spoken

What? No, I’m not

She’s the Gcrazy ex-girlfriend

Spoken

That’s a sexist term

She’s the Ccrazy ex-girlfriend

Spoken

Can you guys just stop singing for a second?

D6She’s so broken inEaugside

Spoken

The situation’s a lot more nuanced than that

Em7C-R-A-Z-Y

Spoken

OK, we get it

GCrazy ex-AmgirlGfriend

Misc - Facts of Life Theme (The Facts of Life)

Originally in F, I play in A

AD/AA

You Atake the good, you F#mtake the bad

You Dtake ‘em both and Ethere you have

The Dfacts of life G/D→ D

The Efacts of life A/E→ E

There’s a Atime you gotta F#mgo and show

You’re Dgrowin’ now ya Eknow about

The Dfacts of life G/D→ D

The Efacts of life A/E→ E

When the Dworld never Eseems

To be AliE/G#ving D/F#up to your Edreams

And Dsuddenly you’re findin’ out

The Efacts of life are all about DyouG/D→ D

You AD/AA

When there’s Asomeone that you F#mcare about

It Dreally isn’t Efair they’re out to

DSlow you up G/D→ D

When you’re Egrowing up A/E→ E

When you Alet ‘em flirt and F#mthen you hurt

A Dwaitin’ ‘cause your Edate is late

For Dshowing up G/D→ D

Then you’re Egrowin’ up A/E→ E

When it’s Dmore than just the birds and the Ebees

You need AsomeE/G#one D/F#telling you Eplease

There’s Donly one conclusion

There will Ealways be confusion over Dyou G/D→ D

You AD/AA

You D

Bridge that no one has ever heard

DIt takes a F#m7lot to get ‘em Bm7right

A/C#When you’re Dlearning the facts of Alife

AD/AA

Original goes up a half-step, I’m not doing that

You’ll avAoid a lot of F#mdamage

And enjDoy the fun of Emanaging

The Dfacts of life G/D→ D

They shed a Elot of light A/E→ E

If you Ahear ‘em from your F#mbrother

Better Dclear ‘em with your Emother

Better Dget ‘em right G/D→ D

Call her Elate at night A/E→ E

You got the Dfuture in the palm of your haEnd

All you Agotta do to E/G#get you through is D/F#understand E

You Dthink you’d rather do without

You’ll Enever muddle through without the Dtruth G/D→ D

The facts of life are all about Ayou

Oh learning the facts of life DF

Oh they’re all about Ayou

They’re all about yDou, about Fyou

Repeat to fade

Misc - Family Guy Theme (Family Guy)

Intro

Vox on the 5 on “seems”

It Fseems today, that G7all you see

Is Gm7violence in C9movies, and Fsex on T.F7V.

But Bbwhere are those Bdim7good old Ffashioned D7values

Hard stop on the first chord

G7On which we used to relC7y Faug/A

BbLucky there’s a Bdim7family Fguy Dm7

Gm7Lucky there’s a C9man who, Fpositively D7can do

Gm7All the things that A7make us, lDm7augh and cry

Can just play V9 for all of these

C7He’s C7b9a fC9amilC7y guFy Bb→ C7→ F

Misc - Free Credit Report Car Song (Commercial)

Well I was Gshopping for a new car which one’s me?

A Dcool convertible or an SUV?

GToo bad I didn’t know my credit was whack

Hard stop on “driving”

‘Cause now I’m Ddriving off the lot in a used sub-compact

GF-R-E-E that spells free

DCredit report dot com baby

GSaw their ads on my TV

DThought about going but was too lazy

Now insGtead of looking fine and rolling phat

Hard stop on “sticking”

My legs are Dsticking to the vinyl and my posse’s getting laughed at

GF-R-E-E that spells free

DCredit report dot Gcom baby

...and there’s just a bit of C as we fade to “offer valid blah blah”...

Misc - Free Credit Report Pirate Song (Commercial)

They Gsay a man should always dress for the G/Bjob he Cwants

So Dwhy am I dressed up like a pirate in this restauGrant?

It’s Gall because some hacker stole my iG/BdentiCty

Now I’m Din here every evening serving chowder and iced Gtea

Shoulda gone to

GFree credit report G/Bdot Ccom

I Dcoulda seen this coming at me like an atom Gbomb

They Gmonitor your credit and send you e-G/Bmail aClerts

So that Dyou don’t end up selling fish to tourists in t-Gshirts

Misc - Full House Theme (Full House)

Originally in E, I play in A capo 2

Intro

ADAD7

Vox on the b7

AWhat ever happened to prediDctability?

The Amilk man, the paper boy, eDvening T.V.

Vox somewhere around the b3 or 3

When Adid I get to living here? SomebDody tell me please

TF#mhis whole world’s confC#musing me

DClouds as mean as you Eever seen

And a F#mbird who knows your tune

And that lDittle voice Bminside you whisperin’

DKid don’t sell your dEreams so soon

AEverywC#m7here you F#mlook E

There’s a Dheart (there’s a heart), a hDand to hold onEto

AEverywC#m7here you F#mlook E

There’s a Dface, of somebDody who nEeeds you

AEveyC#m7where you F#mlook E

When you’re Dlost out there and you’re C#mall alone

A F#mlight is C#/Fwaiting to A/Ecarry you Dhome

EEverywhere you look

ADEverywhere you look

ADDoo-bee-doo-bop-ba-dow

Misc - Getting Rid of Britta (Community)

Intro

FBbI’m just gonna, I’m gonna Ctake this time and speak from the heart

FI just wanna lay down how I feel, Bbthis is for you C

FSayin’ goodbye to Britta was the Bbhardest thing to Cdo

But when sFomeone’s a B and a liar, there ain’t Bbnothing left to Cwoo

FI’m gettin’ rid of Britta (she’s gotta go)

BbI’m gettin’ rid of the CB (she’s a no good B)

FI’m gettn’ rid of Britta

BbI’m gettn’ rid of the CB (she’s a GDB)

FTake it Pierce, what, what, wBbhat, Chell yes

FBbC

FI didn’t know when I saw her blond hair that she could eBbver be that way C

So tFiny and small, she seemed to have it all but she Bbmade me say B, Chey, that ain’t cool

FI’m gettin’ rid of Britta

BbI’m gettin’ rid of the CB (she’s a no good B)

FI’m gettn’ rid of Britta (she’s gotta go)

BbI’m gettn’ rid of the CB (she’s a GDB)

FCome on, Bbone more time for me Pierce C

FBbSay it ain’t so C

FIt isn’t like I would ever hit her

BbBut I would sell it to the Chighest bidder

FShe bummed me out, she bruised my soul

She lBbied to my heart, she Cleft me less than Fwhole

FI’m gettin’ rid of Britta

BbI’m gettin’ rid of the CB (she’s a no good B)

FI’m gettn’ rid of Britta (it’s not healthy man)

BbI’m gettn’ rid of the CB (she’s a GDB)

FFBbC

FBritta’s a B, Bbnot a CC

FBritta’s a B, BbI’m just speaking the truth here C

FBritta’s a B BbC

Misc - Gilligan's Island Theme (Gilligan's Island)

Originally starts in Dm, I play in Bm capo 3

Just Bmsit right back and you’ll Ahear tale, a Bmtale of a fateful Atrip

That Bmstarted from this Atropic port, aGboard this Atiny Bmship

The mCmate was a mighty A#sailin’ man, the Cmskipper brave and A#sure

Five Cmpassengers set A#sail that day for a G#three A#hour Cmtour

A G#three A#hour Cmtour

Pause for lightning sounds...

The C#mweather started Bgetting rough, the C#mtiny ship was Btossed

If C#mnot for the courage of the Bfearless crew, the AMinnow Bwould be C#mlost

The AMinnow Bwould be C#mlost

The Dmship set ground on the Cshore of this unchDmarted desert Cisle

With DmGilligan, the Cskipper too, the Dmmillionaire and his Cwife

In early seasons, this just said “the movie star, and the rest”

The Dmmovie Cstar, the Dmprofessor and CMary Ann, Dmhere on CGilligan’s Dmisle

This was the outro in most seasons

Now, Bmthis is a tale of our Acastaways, they’re Bmhere for a long, long Atime

They’ll Bmhave to make the Abest of things, Git’s an Auphill Bmclimb

The Cmfirst mate and his A#skipper too will Cmdo their very A#best

To Cmmake the others A#comfortable in the G#tropic A#island Cmnest

No C#mphones, no lights, no Bmotorcars, not a C#msingle luxBury

Like C#mRobinson Cah-rBu-soe, it’s pArimitive Bas can C#mbe

So Dmjoin us here each Cweek my friend, you’re Dmsure to get a Csmile

From Dmseven stranded Ccastaways, Ahere on Gilligan’s Dmisle

Misc - Greatest American Hero Theme (The Greatest American Hero)

Originally in D, I play in A, vox up to the 5

There are lots of good reasons to quit after the second

chorus, skipping the bridge and the key change.

Arrangement of the intro chords in A

E|-------4-5-0-2-0-|
B|-9-10--5-5-2-3-0-|
G|-9-9---4-6-2-2-1-|
D|-9-11--0-0-2-0-2-|
A|-0-0-------0-0-2-|
E|-----------0-0-0-|

E/AAE/AA

E/DA/DE/DA/D

A/ED/EEE

Vox on the 3, which will feel really low in A

ALook at what’s Dhappened to Eme-Ae

AI can’t beD/Alieve it myE/Aself A

B/C#Suddenly C#m7I’m up on F#m7top of Ethe Dworld

It Bm7shoulda been somebody else D/EED/EE

BeAlieve it or A/C#not I’m walkiDng on aiD/F#r

I never tAhought I could fA/C#eel so freeDD/E

AFlying aA/C#way on a wDing and a D#m7b5prayer

Bm7Who C#m7could it Cm6be-Bm7ee?

BeD/Elieve it or not it’s Ejust E/Ame

Repeat intro

E/AAE/AA

E/DA/DE/DA/D

A/ED/EE

AJust like the lDight of a Enew Aday

It Ahit me from D/Aout of the E/Ablue A

B/C#Breaking me Cm7out of the sF#m7pell I Ewas Din

Making Bm7all of my wishes come true D/EED/EE

BeAlieve it or A/C#not I’m walkiDng on aiD/F#r

I never tAhought I could fA/C#eel so freeDD/E

AFlying aA/C#way on a wDing and a D#m7b5prayer

Bm7Who C#m7could it Cm6be-Bm7ee?

End on the intro riff here if you’re not going to do the bridge

BeD/Elieve it or not it’s Ejust Fme

Bridge

This is too good to be Cmaj7true

Look at A#maj7me, falling for you D/EED/EE

Each “believe it or not” lasts as long as it does in the

other chorus, so the chord changes are slower

BeAlieve it or A/C#not, beDlieve it or D/F#not

D/EED/EEF#

Key change to E

BeBlieve it or B/D#not I’m walkiEng on aiE/G#r

I never tBhought I could fB/D#eel so freeE-eeF#

BFlying aB/D#way on a wEing and a pFm7b5rayer

C#m7Who cD#m7ould it beDm7ee? E/A

E/F#Believe it or not it’s F#just mBe

Repeat to fade

Misc - Growing Pains Theme (Growing Pains)

Originally in Bb, I play in G

DShow me that Gsmile aCadd9gain

DDon’t waste aGnother Cadd9minute on your cryiDn’

D/F#We’re nowhere Gnear the Cadd9end

G/BThe Cbest is ready to beEgin, oooh

As Along as we got each other

F#mWe got the world spinnin’ right in our hands

Baby Dmaj7you and me, we gotta be

The Eluckiest dreamers who never quit dreamin’

As Along as we keep on givin’

F#mWe can take anything that comes our way

Baby, Dmaj7rain or shine, all the time

Esus4We got each Eother Esus4sharing the Elaughter and

G/DLove DC/GGG/DDA

Misc - Happy Days Theme (Happy Days)

Originally in F, I play in D

Vox start on 1-2-3-5-6-7-6

DSunday, Monday, Bmhappy days

EmTuesday, Wednesday, Ahappy days

F#Thursday, Friday, Bmhappy days

The Gweekend coAmes, my cyGcle huAms

AReady to race to A7you

DThese days are Bmall Ghappy and Afree

DThese days are Bmours, Gshare them with Ame

DGoodbye gray sky, hello blue

There’s Gnothing can hold me when I hold you

EFeels so right it can’t be wrong

A7Rockin’ and rollin’ all week long

This is an instrumental in the theme, I do a second chorus

DThese days are Bmall Ghappy and Afree

DThese days are Bmours, Gshare them with Ame

DSunday, Monday, Bmhappy days

EmTuesday, Wednesday, Ahappy days

F#Thursday, Friday, Bmhappy days

GSaturAday, Gwhat a dAay

AGroovin’ all week with A7you

DThese days are Bmall Gshare them with Ame

DThese days are Bmours, Ghappy and Afree

DThese happy dBmays are yours and Gmine

These happy Adays are yours and Gmy happy Ddays

Misc - Happy Peanuts Soar (Snickers Commercial) (Commercial)

Can I help you *enjoy* that Snickers?

GHappy peanuts soG/F#ar over Emchocolate-covered mouEm7ntaintops and

GWaterfalls of G/F#caraCmel

Prancing Gnougat in the G/F#meadow sings a Emsong of satisDfaction to the Gworld

The last G is not played but is implied by the awesome vocal harmony.

Misc - Laverne and Shirley Theme (Laverne and Shirley)

Originally in F, I play an octave down in G

Skip this unless you’re feeling goofy

One, two, three, four, five, six, seven, eight

Schlemiel! Schlimazel! Hasenpfeffer Incorporated

I strum a slow V7 here, vox on the 3 of the chord

D7We’re gonna do it!

GGive us any Bchance we’ll take it

EmRead us any Crule we’ll break it

G/DWe’re gonna Emmake our dreams come D/F#true

D7Doin’ it our way

GNothin’s gonna Bturn us back now

EmStraight ahead and Con the track now

G/DWe’re gonna Emmake our dreams come D/F#true

B7Doin’ it our way

Em7There is nothing Awe won’t try

Dmaj7Never heard the word impossible

Cmaj7This time there’s Fmaj7no stopping Gus

D7We’re gonna do it

GOn your mark get Bset and go now

EmGot a dream and Cwe just know now

G/DWe’re gonna Emmake that dream come D/F#true

And we’ll do it Gour way, yes Em7our way

CMake all our dreams come Dtrue

And we’ll do it Gour way, yes Em7our way

CMake all our dreams come Dsus4true

For me and Cyou G

Misc - Ode to the Wingman (Commercial)

Dsus2This chick’s rockin’ your bro’ on the dance floor...

Dsus2But she’s towing an Ganchor

Dsus2A junior invGestment banker

BmWho’s talkin’ ‘bout herAself and not much F#11more, oh

GSo buy her a beer,Dit’s the reason you’re Ahere, mighty wingman

BmYou’re takin’ oneDfor the Ateam

So your Bmbuddy can Alive the Gdream

F#Wingman GD

Misc - Over the Rainbow (hybrid) (The Wizard of Oz)

This is a hybrid of the modern and traditional arrangements, and my personal preference.

It’s basically the traditional verse with the modern chorus.

Vox start on the 1.

Vocal note: lull(e)a (e)by (a)hi (c)hi. I find the first ‘e’ (v)

easy to find, but my instinct is to move right up. The ‘by’ is

the same note.

CCFmaj7Fmaj7

CSomeAmwhere Em7over the rainC7bow Fway G7up Chigh

FThere’s Fma Cland that I A7heard of

D7Once in a G7lullaAmby Fooh

CSomeAmwhere Em7over the rainC7bow Fskies G7are Cblue

FAnd Fmthe Cdreams that you A7dare to

D7Dream really G7do come Ctrue

SomeCday I’ll wish upon a star

And Gwake up where the clouds are far beAmhind me F

Where Ctroubles melt like lemon drops

AGway above the chimney tops that’s Amwhere you’ll Ffind me

CSomeAmwhere Em7over the rainC7bow FblueG7birds Cfly

FBirds Fmfly Cover the A7rainbow

D7Why, tell me G7why can’t AmI? Fooh

SomeCday I’ll wish upon a star

And Gwake up where the clouds are far beAmhind me F

Where Ctroubles melt like lemon drops

AGway above the chimney tops that’s Amwhere you’ll Ffind me

CSomeAmwhere Em7over the rainC7bow FblueG7birds Cfly

FBirds Fmfly Cover the A7rainbow

D7Why, tell me G7why can’t AmI... I... Fooh

If Chappy little bluebirds fly

BeGyond the rainbow why oh why can’t Fmaj7I?

Misc - Over the Rainbow (Israel K) (The Wizard of Oz)

This is the modern version, generally played to a reggae beat,

though I’ve used the traditional lyrics arrangement.

Vox start on the 1.

Intro, with the first part changing twice as fast as the part with ooh

CEm7AmF

CEm7AmFFF

COoChEm7Em7FooFhCC

FOoFhE7E7AmoohAmFF

CSomewhere Em7over the rainbow Fway up Chigh

FThere’s a Cland that I heard of Gonce in a lullaAmby Fooh

CSomewhere Em7over the rainbow Fskies are Cblue

FAnd the Cdreams that you dare to Gdream

Really do come AmtrueF

SomeCday I’ll wish upon a star

GWake up where the clouds are far beAmhind Fme

Where Ctroubles melt like lemon drops

AGway above the chimney tops that’s Amwhere you’ll Ffind me

CSomewhere Em7over the rainbow Fbluebirds Cfly

FBirds fly Cover the rainbow Gwhy

Tell me why can’t AmI? FWhy?

SomeCday I’ll wish upon a star

GWake up where the clouds are far beAmhind Fme

Where Ctroubles melt like lemon drops

GHigh above the chimney tops is Amwhere you’ll Ffind me

CSomewhere Em7over the rainbow Fbluebirds Cfly

If Fbirds fly Cover the rainbow Gwhy

Oh why can’t AmI? FWhy?

COoChEm7Em7FooFhCC

FOoFhE7E7AmoohAmFF

Misc - Over the Rainbow (Wizard of Oz) (The Wizard of Oz)

Originally in Ab, I play in C

Vox start on the 1

C6C6Dm7G7

CSomeAmwhere EmovEm(#7)er the Em7rainC9bow

FWay G7up Em7high CEm7F#7

FThere’s Fm6/Bba Cland that I A7(b9)heard of

D7Once in a Dm/GlullG7aCby Dm→ Fm/Bb

CSomeAmwhere EmovEm(#7)er the Em7rainC9bow

FSkies G7are Em7blue CEm7F#7

FAnd Fm6/Bbthe Cdreams that you A7(b9)dare to D7dream

Really Dm/Gdo G7come Ctrue

Vox on 3 5 3 5 3 on “day I’ll wish upon”

SomeCday I’ll wish upon a star, and Dm7/Gwake up

Where the clouds are far beChind me G→ F/G→ Em/G→ G7

Where Ctroubles melt like lemon drops

AAdimway above the chimney tops that’s

Em7Where Adimyou’ll Dm7find G7me

CSomeAmwhere EmovEm(#7)er the Em7rainC9bow

FBlue G7birds Em7fly CEm7F#7

FBirds Fm6/Bbfly Cover the A7(b9)rainbow D7why

Then oh Dm/Gwhy G7can’t CI?

If Chappy little bluebirds fly beDm/Gyond the rainbow

Dm7Why Emoh Fwhy G7can’t CI?

Misc - Perfect Strangers Theme (Perfect Strangers)

Originally in C, I play in A

This song is wildly orchestrated (it was the 80’s; elementary school

plays were wildly orchestrated), so this is a guitar arrangement more

than a transcription. Chords that are only weakly implied are in

parentheses.

AAD/AD/A

Vox on 5 1 on “sometimes”

ASometimes the world looks perfect

DNothing to rearrange

ASometimes you just A/C#get a feeling like you

DNeed some kind of changeD/E

DNo matter what the C#m7odds are this time

F#mNothing’s gonna Aadd9stand in my way

This Dflame in my heart like a long lost friend gives

EEvery dark street a light at the end DE

AStanding A/C#tall on the Dwings of my Edreams

ARise and A/C#fall on the Dwings of my Edreams

C#7Rain and thunder

F#mWind and F#m/Ehaze I’m

D#m7b5Bound for better days

It’s Amy life and F#m7my dream

DNothing’s gonna stop me Bm7now

It’s Amy life and F#m7my dream

DNothing’s gonna A/C#stop me Bm7now

AAD/AD/AA

Misc - Saved by the Bell Theme (Saved by the Bell)

I start with a ringing I9 to find the key

Vox on the b7 of the chord

When I D7wake up in the morning and the alarm gives out a warning

I don’t Athink I’ll ever make it on time

By the D7time I grab my books and I give myself a look

I’m at the Fcorner just in time to see the E7bus fly by

On “saved by the be-e-ell”, vox are 4 2 1 1 b7 5 of the key

Getting that b7 in there is important, you’ll want to hit the 6

GIt’s DalEright ‘cause I’m saved by the Abell

If the D7teacher pops a test I know I’m in a mess

And my Adog ate all my homework last night

Riding D7low in my chair, she won’t know that I’m there

If I can Fhand it in tomorrow it’ll E7be all right

GIt’s DalEright ‘cause I’m saved by the Abell

Solo on verse chords

GIt’s DalEright ‘cause I’m saved by the

GIt’s DalEright ‘cause I’m saved by the Abell

Misc - Strawberry Shortcake Berry Bitty Theme (Strawberry Shortcake's Berry Bitty Adventures)

vox on the 5 (B in E)

EStrawberry BShortcake

She’s a Eberry bitty girl

With berry F#mbig possibilities

And Afruit-filled fun

Is the Bsecret to her recipes

She C#mmay be small

No Btask is too tall

She’ll Abe your best bud

Just Bgive her a call

EStrawberry, F#mStrawberry

AStrawberry BShortcake

ENo task is F#mtoo tall

For DStrawberry ShortEcake

The other voice at the end says...

She’s a berry bitty girl

With big possibilities

She may be small but

Misc - The Hogan Family Theme (The Hogan Family Theme)

Originally in Bb, I play in D

Highest note that matters is the #1 (yeee-eee-eears)

Intro

DDDG/A

Vox on the 1 of the chord on “life”, the 7 of the chord on “sweet”, this will feel low in D

BmLife is such a Bm7/Asweet insanity

Em7The more you leGmaj7arn, the less you know

BmIn the heart of Bm7/Aevery family

Em7There’s a love that G/Astarts by letting gBo

Gmaj7Step by step and A7/Gday by day

F#m7Reaching out aBm7long the way

Gmaj7Hand in hand, we A7/Gface our fears

TogF#7ether through the yBm7eaCrs

We get cGloser, through hF#dim7appiness and tEm7ears

And iG7n our hearts we sCmaj7hare

The lBm7aughter and the sEm7adness

A spG7ecial kind of mCmaj7adness

TogeF#/C#ther through the yF#ears

BmLife is such a Bm7/Asweet insanity

Em7It’s nice to Gmaj7know your friends are near

BmIn the heart of Bm7/Aevery family

Em7There’s a love that’s G/Awaiting there for you

Through the yeDars

DDDG/AD

Misc - Theme to It's the Garry Shandling Show (It's the Garry Shandling Show)

Intro

FThis is the theme to Garry’s Show, the theme to Garry’s show

C7Garry called me up and asked if I would write his theme song

FI’m almost halfway finished, how do you like it so far

CHow do you like the theme to Garry’s Fshow

FThis is the theme to Garry’s Show, the opening theme to Garry’s show

C7This is the music that you hear as you watch the credits

FWe’re almost to the part of where I start to whistle

C7Then we’ll watch “It’s Garry Shandling’s FShow“

With whistling

FFC7This was the theme to Garry Shandling’s Fshow

Misc - Three's Company Theme (Three's Company)

Intro

F7C7

Come and knock on our doFor

We’ve been waiting for yAm7ou D9

Where the kisses are hG7ers and heG#dim7rs and hGm7is

Three’s cC7ompany tFoo F→ Edim7→ F

Come and dance on on our flFoor

Take a step that is nAm7ew D9

We’ve a loveable spG7ace that neG#dim7eds your faGm7ce

Three’s coC7mpany tFoo F→ Edim7→ F

You’ll see that lBm7ife is a bE7b9all again, lAm7aughter is caD7b9lling for yGm7ou C7

Down at our reBb6/Cndezvous

Three is company tFoo

Misc - Who's The Boss Theme (Who's The Boss)

Season 1-2 in C, season 3+ in D. I play in D and skip the high part on “at the end was you”.

Intro

DA/DG/DA/Dx 4

There’s a Dtime for lAove and a G/Dtime for Dliving

You tGmaj7ake a F#m7chance and Em7face the A7sus4wind

An oDpen Aroad and a G/Droad that’s Dhidden

A Gmaj7brand new F#m7life arEm7ound the A7sus4bend

Cmaj9There were times

I lG/Aost a dream or two

Cmaj9Found the trail

If playing in D, don’t go up here

And aG/At the end was yAou

There’s a pDath you tAake and a G/Dpath not Dtaken

The cGmaj7hoice is F#m7up to Em7you my A7sus4friend

DNights are Along but you G/Dmight aDwaken

To a bGmaj7rand new F#m7life

Gmaj7Brand new F#m7life

A Gmaj7brand new F#m7life aroEm7und tA7he Dbend

DA/DG/DA/Dx2

Gmaj7F#m7Em7D

Oingo Boingo - Dead Man's Party (Back to School)

Originally in Ebm, I play in Em, capo 4, so Abm

A lot of loose timing between lines, just bopping around on Em and D

EmI’m all dressed up with Dnowhere to Emgo

EmWalkin’ with a dead man Dover my Emshoulder

I skip the repeats of each verse...

EmDEm

EmWaiting for an inviDtation to arEmrive

EmGoin’ to a party where Dno one’s still aEmlive

EmD

EmI was struck by lighting Asus2

EmWalkin’ down the street Asus2

EmI was hit by Gsomething last night Din my Emsleep

EmIt’s a dead man’s party Asus2

EmWho could ask for more Asus2

EmEverybody’s Gcomin’, leave your Dbody at the Emdoor

Leave your Abody and soul Bat Dthe Emdoor

CDon’t run away it’s Donly Emme

CDon’t be afraid of Dwhat you Emcan’t see

CDon’t run away it’s Donly Emme

CDon’t be afraid of Dwhat you Emcan’tDEmsee

EmEmDEmx 4

Solo is basically over Em

EmGot my best suit Dand my Emtie

EmShiny silver dollar on Deither Emeye

I Emhear the chauffeur comin’ Dto my Emdoor

EmSays there’s room for maybe Djust one Emmore

EmI was struck by lighting Asus2

EmWalkin’ down the street Asus2

EmI was hit by Gsomething last night Din my Emsleep

EmIt’s a dead man’s party Asus2

EmWho could ask for more Asus2

EmEverybody’s Gcomin’, leave your Dbody at the Emdoor

Leave your Abody and soul Bat Dthe Emdoor

CDon’t run away it’s Donly Emme

CDon’t be afraid of Dwhat you Emcan’t see

CDon’t run away it’s Donly Emme

CDon’t be afraid of Dwhat you Emcan’t DEmsee

It’s Donly Emme

Peter Cetera - Glory of Love (The Karate Kid Part II)

Originally in C, I play in E capo 2. This arrangement avoids the

key change, more for guitar than for vocal reasons.

EEA/C#Dx2

ETonight it’s very clear Bas we’re both lying here

EThere’s so mAany things I wE/Bant to sBay

EI will always loA/C#ve you

DI would never lGeave you alonCe D/CCD/C

ESometimes I just forget sBay things I might regret

EIt breaks my heA/C#art to see you cE/BryinBg

EI don’t want to lA/C#ose you

DI could never mGake it aloCne D/CCD→ Dsus2

EI am a mAan who would fE/G#ight for your hBsus4onor B

EI’ll be the A/C#hero you’re F#m7dreaming ofB

C#m7We’ll live forF#m7ever knowingE/G#togetherG#/C

That we C#mdid it F#m7all for the gBlory of lEove

EEA/C#D

EYou keep me standing tall, Byou help me through it all

E/G#I’m always stroAng when you’re bE/Beside Bme

EI have always neeA/C#ded you

DI could never mGake it aloCne D/CCD→ Dsus2

EI am a mAan who would fE/G#ight for your hBsus4onor B

EI’ll be the A/C#hero you been F#m7dreaming ofB

C#m7We’ll live forF#m7ever knowingE/G#togetherG#/C

That we C#mdid it F#m7all for the gBlory of lEove

AmJust like a knight in Cshining armor

DFrom a D/F#long time aGgo

AmJust in time I will Csave the day

Em7Take you Gto my cAmastle far awDay

DGCD

Bsus4Bsus4

EI am a mAan who would fE/G#ight for your hBsus4onor B

EI’ll be the A/C#hero you been F#m7dreaming ofB

We’re C#m7gonna live forF#m7ever kE/G#nowing togG#/Cether

That we C#mdid it F#m7all for the gBsus4lory Bof Elove

EAE/G#B

EAF#m7B

C#m7We’ll live forF#m7ever E/G#knowing togG#/Cether

That we C#mdid it F#m7all for the gBsus4lory of lC#move

Fade on...

C#mWe dAid it aBll for C#mlove

Phil Collins - Against All Odds (Against All Odds)

Originally in Bbm (in the verse), I play in Em

Highest note is the 5

Minimalist fingerpicking in the verse, start strumming

in the chorus.

Am7Asus2Dsus4Dsus4

Am7Asus2DD

Vox on the 1 of the chord, which will feel really low in Am

Em7sus4How can I just Em7let you F#mwalk away

Just let you lGadd9eave without a tAm11race Am7

When I stCadd9and here Ctaking D/Cevery breath with

Bm7You, oooh Emoooh

You’re the Am7only one who reAm/Gally knew me at Dsus4all D

Em7sus4How can you just Em7walk aF#mway from me

When all Gadd9I can do is watch you lAm11eave Am7

Cause we’ve shCadd9ared the Claughter D/Cand the pain

And eBm7ven shared the tEmears

You’re the Am7only one who really Am/Gknew me at Dsus4all D

So take a look at me G/Dnow

Well there’s just an A/Dempty space

And there’s nothing lEm7eft here to remiCnd me

Just the Am7memory of your fDsus4ace

Oh take a look at me G/Dnow

Well there’s just an A/Dempty space

And you coming Em7back to me is agaCinst the odds

The sus4 takes twice as long to resolve as you think

And that’s Am7what I’ve got to faDsus4ce Dsus4DD

Drums enter

I Em7sus4wish I could just Em7make you F#mturn around

TGadd9urn around and see me cAm11ry Am7

There’s so Cadd9much I Cneed to D/Csay to you

So Bm7many reasons Emwhy

You’re the Am7only one who really Am/Gknew me at Dsus4all D

So take a look at me G/Dnow

Well there’s just an A/Dempty space

And there’s nothing lEm7eft here to remiCnd me

Just the Am7memory of your fDsus4ace

Now take a look at me G/Dnow

Cause there’s just an A/Dempty space

But to Em7wait for you, is aCll I can do

And that’s Am7what I’ve got to faDsus4ce

Take a good look at me G/Dnow

Cause I’ll still be A/Dstanding here

And you coming Em7back to me is agaCinst all odds

It’s the Am7chance I’ve got to taDsus4ke Dsus4DD

Am7Asus2Dsus4Dsus4

Am7Asus2D

Take a look at me Am7now C/GD/F#C/ED/F#

Ray Parker Jr. - Ghostbusters (Ghostbusters)

Originally in B, I play in A

Intro, with chromatic noises on b7→7

AFED#DCAb

AAGDx6

AAGDGhostAbusters GD

If there’s Asomething strange GDin your Aneighborhood GD

AWho you gonna call? GDGhostAbusters GD

If there’s Asomething weird, GDand it Adon’t look good GD

AWho you gonna call? GDGhostAbusters GD

I ignore the decending bass if I’m on guitar, and

play the 7#9 the whole time. I find it easier to sing

if I hard stop on “I”.

A7#9A7#9/GD7/F#D7I ain’t afraid of no ghost

AAGDx4

If you’re Aseeing things GDrunning Athrough your head GD

AWho can you call? GDGhostAbusters GD

An inAvisible man GDsleeping Ain your bed GD

AWho you gonna call? GDGhostAbusters GD

A7#9A7#9/GD7/F#D7I ain’t afraid of no ghost

AAGDx2

AWho you gonna call? GDGhostAbusters GD

If you’re aAll alone, GDpick Aup the phone GD

And Acall GDGhostAbusters GD

AGI ain’t afraid of Ano Aghost

AGI hear it likes Athe Agirls

AGI ain’t afraid of Ano Aghost

Yea’s on C B A F# if you’re in A

AGYea yea Dyea yea

AAGDx2

AWho you gonna call? GDGhostAbustersGD

Vox on the b3

AIf you have a Gdose Dof a Afreaky Gghost, Dbaby

AYou better call GDGhostAbusters GD

Bridge almost all over the V

Let me tell you something, bustin’ makes me feel good

A7#9A7#9/GD7/F#D7I ain’t afraid of no ghost

AAGD

Vox on the 4 and b3 on “don’t get”

ADon’t get caught Galone oh, Dno AGDGhostAbustersGD

When it Acomes through your Gdoor D

AUnless you just want some Gmore D

I Athink you’d better call GDGhostAbusters GD

AWho you gonna call? GDGhostAbustersGD

AThink you better call GDGhostAbustersGD

AWho you gonna call? GDGhostAbustersGD(I can’t hear you)

AWho you gonna call? GDGhostAbustersGD(Louder)

AWho can you call? GDGhostAbustersGD

To fade

Roxette - It Must Have Been Love (Pretty Woman)

Originally in C, with a key change to F, I play in C capo 3 with no key change.

Intro

It mCust have been love, but it’s Fover now

Lay a whCisper on my pillow, leave the Fwinter on the Gground

I wake up Clonely, this air of Fsilence in the bDmedroom and all aGround

Touch me Amnow, I close my Ceyes and dream Faway G

It must have been lCove, but it’s over nFow

It must have been gDmood, but I Amlost it somehGow

It must have been lCove but it’s over nFow

From the moment we tDmouched, till the Amtime had run oGut

Make beClieving we’re together, that I’m Fsheltered by your hGeart

But in and Coutside I’ve turned to Fwater, like a Dmteardrop in your pGalm

And it’s a Amhard winter’s Cday, I dream Faway G

It must have been lCove, but it’s over nFow

It was all that I wDmanted, now I’m lAmiving withGout

Vox on the 1 of the chord on “now”

It must have been lCove but it’s over nGmow

Vox stay on the 1 of the previous chord (5 of the new chord)

It’s where the Cwater flows, it’s where the Bbwind blows

Skipping a solo here

BbG

It must have been lCove, but it’s over nFow

It must have been gDmood, but I Amlost it somehGow

It must have been lCove but it’s over nFow

From the moment we Dmtouched, till the Amtime had run Gout

Yeah, it must have been lCove, but it’s over nFow

It was all that I wDmanted, now I’m Amliving withGout

It must have been lCove, but it’s over nGmow

It’s where the Cwater flows, it’s where the Bbwind blows

WhoaChoa (it must have been love)

(But it’s Fover now) (but it’s over nDmow) NooAmooooFow

WhoaChoa (it must have been love)

(But it’s Fover now) (but it’s over nDmow) NooAmooooFow

Sam and Dave - Soul Man (Soul Man)

Originally in G, I play in D

DCFG→ A

DD→ Em→ Dx 4

Not writing out all those I→ii→I’s, but they keep going in all the verses

Coming Dto you on a Ddusty road

DGood loving, I got a Dtruck load

And Dwhen you get it, huh, you gDot you something

So dDon’t worry ‘cause DI’m coming

I’m a Dsoul man, CI’m a Dsoul man

I’m a sDoul man, CI’m a Dsoul man G(and that ain’t Aall )

Got Dwhat I got the Dhard way

And I’ll Dmake it better each and eDvery day

DSo, honey Ddon’t you fret, hah

‘Cause Dyou ain’t seen Dnothing yet

I’m a Dsoul man, Coh lord, I’m a Dsoul man, play it Steve

I’m a sDoul man, Chah, I’m a Dsoul man, GAoh

I was Dbrought up on a Dside street

DLearned how to love beDfore I could eat

I was Deducated from Dgood stock

When DI start loving, oh DI can’t stop

I’m a Dsoul man, CI’m a Dsoul man

I’m a sDoul man, Cyeah, I’m a Dsoul man, GAlook

Well, A#grab a rope and I’ll Fpull you in

GGive you hope and bG/Ae your only boyfriend G#/A#yeah

D#C#F#G#I’m A#talking about a

D#Soul man

Sam Cooke - Cupid (Innerspace)

Originally in G, I play in E

I like to strum the chorus but play the verse in a reggae style

EC#mEC#m

ECupid, C#mdraw back your bow

EAnd let, Ayour arrow go

EStraight to my B7lover’s heart for Eme, noB7body but me

ECupid, C#mplease hear my cry

EAnd let Ayour arrow fly

EStraight to my B7lover’s heart for Ame E

Now, EI don’t mean to bother you, but B7I’m in distress

There’s B7danger of me losin’ all of Emy happiness

EFor I love a girl who doesn’t Aknow I exist

AAnd B7this you can Efix, so

ECupid, C#mdraw back your bow

EAnd let, Ayour arrow go

EStraight to my B7lover’s heart for Eme, noB7body but me

ECupid, C#mplease hear my cry

EAnd let Ayour arrow fly

EStraight to my B7lover’s heart for Ame E

Now, Ecupid, if your arrow make her B7love strong for me

I B7promise I will love her until Eeternity

I Eknow, between the two of us, her Aheart we can steal

AHelp B7me if you Ewill, so

ECupid, C#mdraw back your bow

EAnd let Ayour arrow go

EStraight to my B7lover’s heart for Eme, noB7body but me

ECupid, C#mplease hear my cry

EAnd let Ayour arrow fly

EStraight to my B7lover’s heart for Ame E

ECupid, don’t you C#mhear me

ECalling I C#mneed you

ECupid C#mE

Sam Cooke - Twistin' the Night Away (Innerspace)

Originally in A, I play in G, or D capo 3/4

Highest note is the 6, but there’s a lot of 6

Vox start on the 6 on “let”

GLet me tell you ‘bout a place, Emsomewhere up a New York way

CWhere the people are so gay, Dtwistin’ the night away

GHere they have a lot of fun, Emputtin’ trouble on the run

CMan, you find the old and young, Dtwistin’ the night aGway

They’re Gtwistin’, twistin’, everybody’s feelin’ great

They’re Ctwistin’, twistin’, they’re Dtwistin’ the night aGway

GHere’s a man in evenin’ clothes, Emhow he got here, I don’t know, but

CMan, you oughta see him go, Dtwistin’ the night away

GHe’s dancin’ with the chick in slacks, Emshe’s a-movin’ up and back

COh man, there ain’t nothin’ like Dtwistin’ the night aGway

They’re Gtwistin’, twistin’, everybody’s feelin’ great

They’re Ctwistin’, twistin’, they’re Dtwistin’ the night, Glet’s twist a lot

Lean Gup, lean Emback, lean Cup, lean Dback

WaGtusi, now Emfly, now Ctwist

They’re Dtwistin’ the night aGway

GHere’s a fella in blue jeans, Emdancin’ with a older queen

CWho’s dolled up in a diamond rings and Dtwistin’ the night away

GMan, you oughta see her go, Emtwistin’ to the rock and roll

CHere you find the young and old Dtwistin’ the night aGway

They’re Gtwistin’, twistin’ man, everybody’s feelin’ great

They’re Ctwistin’, twistin’, they’re Dtwistin’ the night, Gone more time

They’re Gtwistin’, twistin’ man, everybody’s feelin’ great

They’re Ctwistin’, twistin’, they’re Dtwistin’ the night aGway

Simon and Garfunkel - A Hazy Shade of Winter (Less Than Zero)

S&G in Dm, Bangles in Fm, I play in Am capo 3

Intro

AmGFE

AmTime, time, time, see what’s beGcome of me

Up to the 1 of the chord on “looked”

While IFlooked around

For my possibEm7ilities

I was so Ghard to please

But look aAmround, leaves are Gbrown

And the Fsky is a hE7azy shade of wAminter

Hear the salvation Garmy band

FDown by the riverside, it’s bound to be a better ride

Than Em7what you’ve got planned

Carry your Gcup in your hand

And look aAmround you, leaves are Gbrown now

And the Fsky is a hE7azy shade of wAminter

Hang on to your Ghopes, my friend

FThat’s an easy thing to say, but if your hopes should pass away

Then Em7simply pretend

That you can Gbuild them again

Look arAmound, grass is Ghigh

The fields are Fripe, it’s the E7springtime of my Amlife

AmFAh, seasons change with the Cscenery

The V here is in the Bangles version, not in th S&G version

Weaving time in a Gtapestry E7

Won’t you stop and reAmmember me

GAt any convenient time

FFunny how my memory slips while looking over manuscripts

Of uEm7npublished rhyme

Drinking my Gvodka and lime

I look Amaround, leaves are Gbrown now

And the Fsky is a hE7azy shade of wAminter

Look aGround, leaves are Fbrown

There’s a E7patch of snow on the Amground

Look aGround, leaves are Fbrown

There’s a E7patch of snow on the Amground

Look aGround, leaves are Fbrown

There’s a E7patch of snow on the Amground

Simon and Garfunkel - Mrs. Robinson (The Graduate)

Originally in G capo 2, so really in A.

If there’s a high harmony, I play in G.

Vox start on the 7 and (high) 9 of the chord

(D and F# if the chord is an E7)

E7Dee de de de de de de de de de de de de de

Vox start on the 1 and 3 of the chord

(A and C# if the chord is an A7)

A7Doo do do do do do do do do

DDe de de de

GDe de de de

CDe de G/Bde de

AmDe

E7D

And here’s to Gyou Mrs. EmRobinson

GJesus loves you Emmore than you will Cknow, wo wo woD

God bless you Gplease Mrs. EmRobinson

GHeaven holds a Emplace for those who Cpray

Hey hey Am7hey, hey hey E7hey

Extra two beats after this line... fun fact: S&G left those

extra beats out when they played live.

E7We’d like to know a little bit about you for our files

We’d Alike to help you learn to help yourself

DLook around you Gall you see are Csympathetic Ameyes

E7Stroll around the grounds unDtil you feel at home

And here’s to Gyou Mrs. EmRobinson

GJesus loves you Emmore than you will Cknow, wo wo woD

God bless you Gplease Mrs. EmRobinson

GHeaven holds a Emplace for those who Cpray

Hey hey Am7hey, hey hey E7hey

E7Hide it in a hiding place where no one ever goes

APut it in your pantry with your cupcakes

DIt’s a little Gsecret just the CRobinsons’ aAmffair

E7Most of all you’ve got to Dhide it from the kids

DKoo koo ka Gchoo Mrs. EmRobinson

GJesus loves you Emmore than you will Cknow, wo wo woD

DGod bless you Gplease Mrs. EmRobinson

GHeaven holds a Emplace for those who Cpray

Hey hey Am7hey, hey hey E7hey

E7Sitting on a sofa on a Sunday afternoon

AGoing to the candidates’ debate

DLaugh about it Gshout about it Cwhen you’ve got to Amchoose

E7Any way you look at it you Dlose

Where have you Ggone Joe DiEmMaggio

A Gnation turns its Emlonely eyes to Cyou, woo woo woo D

What’s that you Gsay Mrs. EmRobinson

GJoltin’ Joe has Emleft and gone Caway

Hey hey Am7hey, hey hey E7hey

Simple Minds - Don't You (Forget About Me) (The Breakfast Club)

If I’m not feeling up to the E on the initial “hey”, I’ll do a B instead.

I prefer to keep it in the original key so I can go up an octave on “rain keeps falling”.

DEmHey, hey, hey ,hey

DEmOoCooDhhh...

DEm

DEmCD

EWon’t you comeDsee about me?

AI’ll be alone, Ddancing you know it baby

ETell me your Dtroubles and doubts

AGiving me everything Dinside and out and

ELove’s strange so Dreal in the dark

AThink of the tender things Dthat we were working on

ESlow change Dmay pull us apart

AWhen the light gets Dinto your heart, baby

EDon’t you Dforget about Ame

DDon’t don’t don’t don’t

EDon’t you Dforget about Ame

Vox on 3 5 of the chord on “will you”

CWill you stand above me?

GLook my way, never love me

DRain keeps falling, rain keeps falling

ADown, down, down

CWill you recognize me?

GCall my name or walk on by

DRain keeps falling, rain keeps falling

ADown, down, down, down

DEmHey, hey, hey ,hey

DEmOoCooDhhh...

DEm

DEmCD

EDon’t you try to Dpretend

AIt’s my feeling Dwe’ll win in the end

EI won’t harm you orDtouch your defenses

AVanity and Dsecurity

EDon’t you forget Dabout me

AI’ll be alone, Ddancing you know it baby

EGoing to Dtake you apart

AI’ll put us back together Dat heart, baby

EDon’t you Dforget about Ame

DDon’t don’t don’t don’t

EDon’t you Dforget about Ame D

As you walk on Eby D

Will you call my Aname? D

As you walk on Eby D

Will you call my Aname? D

When you walk aEway

Super-quiet part...

EDAD

Or will you walk Eaway? DAD

Will you walk on Eby? DAD

EWill you all my Dname? AD

I say

ELa la la...DAD

Starship - Nothing's Gonna Stop Us Now (Mannequin)

Originally in F#, I play in G.

GEm7CDsus4→ Dx2

Vox on the 4

GLooking in your eyes I Emsee a paradise

This Cworld that I’ve found

Is too Dgood to be true

GStanding here beside you

EmWant so much to give you

This Clove in my heart that I’m Dfeeling for you

GLet ‘em say we’re crazy, EmI don’t care about that

CPut your hand in my hand baby Ddon’t ever look back

GLet the world around us Emjust fall apart

CBaby we can make it if we’re Fheart to heart D

And we can Gbuild this dream together

EmStanding strong forever

CNothing’s gonna stop us Dnow

And if this Gworld runs out of lovers

EmWe’ll still have each other

Hang the last chord

CNothing’s gonna stop us, Dnothing’s gonna stop us FnowD

GI’m so glad I found you

EmI’m not gonna lose you

CWhatever it takes I will Dstay here with you

GTake you to the good times

EmSee you through the bad times

CWhatever it takes is what I’m Dgonna do

GLet ‘em say we’re crazy, Emwhat do they know?

CPut your arms around me baby Ddon’t ever let go

GLet the world around us Emjust fall apart

CBaby we can make it if we’re Fheart to heart D

And we can Gbuild this dream together

EmStanding strong forever

CNothing’s gonna stop us Dnow

And if this Gworld runs out of lovers

EmWe’ll still have each other

No “now” at the end of this line

CNothing’s gonna stop us, Dnothing’s gonna stop us

GOoh, Bmall that I need is Cyou

AmAll that I ever Gneed

And Bmall that I want to Cdo

Original changes a half-step here, I do a whole step for playability

Is Amhold you forever, for Cever and ever, Dhey!

Solo on verse chords, up a half-step

AF#m7DEx2

And we can Abuild this dream together

F#mStanding strong forever

DNothing’s gonna stop us Enow

And if this Aworld runs out of lovers

F#mWe’ll still have each other

DNothing’s gonna stop us, Enothing’s gonna stop us

GNow A

Stealers Wheel - Stuck in the Middle With You (Reservoir Dogs)

Originally in D, I play in A capo 3

In A, play all the I’s as I7’s

Intro

AA7x 2

Well I Adon’t know why I came here tonight

I got the fAeeling that something ain’t right

I’m so D7scared in case I fall off my chair

And I’m Awondering how I’ll get down the stairs

Vox on the 4 of the chord on “clowns”

EClowns to the left of me

GJokers to the Dright, here I aAm

AStuck in the middle with you

Yes I’m Astuck in the middle with you

And I’m Awondering what it is I should do

It’s so D7hard to keep this smile from my face

Losing conAtrol, yeah, I’m all over the place

EClowns to the left of me

GJokers to the Dright, here I aAm

AStuck in the middle with you

Bridge

Well you D7started out with nothing

And you’re proud that you’re a self-made man A

And your D7friends, they all come crawlin’, slap you on the back and say

APlease... Em7please...

ATrying to make some sense of it all

ABut I can see that it makes no sense at all

Is it D7cool to go to sleep on the floor?

‘Cause I don’t Athink that I can take anymore

EClowns to the left of me

GJokers to the Dright, here I aAm

AStuck in the middle with you

Solo if appropriate on a verse and chorus

Bridge

Yea you D7started out with nothing

And you’re proud that you’re a self-made man A

And your D7friends, they all come crawlin’, slap you on the back and say

APlease... Em7please...

Yeah I Adon’t know why I came here tonight

I got the fAeeling that something ain’t right

I’m so D7scared in case I fall off my chair

And I’m Awondering how I’ll get down the stairs

EClowns to the left of me

GJokers to the Dright, here I aAm

AStuck in the middle with you

Yes I’m Astuck in the middle with you

AStuck in the middle with you

Here I am Astuck in the middle with you

Sweet - Ballroom Blitz (Wayne's World)

Prep note: decide what you’re going to do

for vox in the chorus (see below).

I play the riff as:

E 0221xx

A/E 0422xx

Asus4/E 0522xx

Then A/E, E

8 measures drums

Are you ready Steve? Uh huh

Andy? Yeah

Mick? OK

Alright fellas, let’s go!

Riff x 4

Vox on the 6 (F# if the chord is A)

Well Ait’s been getting so hard

Living with the things you do to Eme

Riff x 2

My Adreams are getting so strange

I’d like to tell you everything I Esee

Riff x 2

I write E, but it’s close to NC

EOh I see a man at the back as a matter of fact

His eyes are as red as the sun

And a girl in the corner let no one ignore her ‘cause

Hard stop on “she”

She thinks she’s the passionate one

EOh yeah, it was like

F#Lightning, everybody was Afrightening

And the music was Csoothing and they all started Egrooving

These yeah’s are basically on the 1

EYeah, yeah, yeah, yeah, yeah

There’s basically no chance of me singing this at pitch,

so I either drop an octave, or descend on F# E D# E.

Great if someone else can sing the real melody an octave

down.

And the F#man at the back said Aeveryone attack

And it Bturned into a ballroom Eblitz

And the F#girl in the corner said Aboy I wanna warn you

And it Bturned into a ballroom Eblitz

D5BallD#5room E5blitz

Riff x 4, first two w/o drums

I’m Areaching out for something

Touching nothing’s all I ever Edo

Riff x 2

I Asoftly call you over

When you appear there’s nothing left of Eyou

Riff x 2

ENow the man at the back is ready to crack

As he raises his hands to the sky

And the girl in the corner is everyone’s mourner

She could kill you with a wink of her eye

EOh yeah, it was F#electric, so frightfully Ahectic

And the band started Cleaping ‘cause they all stopped Ebreathing

EYeah, yeah, yeah, yeah, yeah

And the F#man at the back said Aeveryone attack

And it Bturned into a ballroom Eblitz

And the F#girl in the corner said Aboy I wanna warn you

And it Bturned into a ballroom Eblitz

D5BallD#5room E5blitz

Bass breakdown and solo more or less on D D# E

EOh yeah

It was like F#lightning, everybody was Afrightening

And the music was Csoothing and they all started Egrooving

EYeah, yeah, yeah, yeah, yeah

And the F#man at the back said Aeveryone attack

And it Bturned into a ballroom Eblitz

And the F#girl in the corner said Aboy I wanna warn you

And it Bturned into a ballroom Eblitz

D5BallD#5room E5blitz

EIt’s, it’s a ballroom blitzD

EYeah, it’s a ballroom blitz

Repeat riff a few times

The 88 - At Least It Was Here (Community Theme) (Community)

Originally in A, I play in E

EE6E7E6

Vox on the 5 on “hands”

Give me your Ehands, show me the E6door

I cannot E7stand, to wait anymoE6re

Somebody Esaid, be what you’ll E6be

We could be E7old and cold and dead on the sea

The TV version drops the II at the end of this line (i.e., shortens the phrase)

ABut I love you E/G#more than words can Bsay F#/A#

The TV version also adds the IV → I

AI can’t count the E/G#reasons I should Estay A/E→ E

Give me some Erope, tie me to E6dream

Give me the E7hope, to run out of E6steam

Somebody Esaid, it could be E6here

We could be E7roped up, tied up, dead in a year

AI can’t count the E/G#reasons I should Bstay F#/A#

AOne by one they E/G#all just fade aEway

Bridge

I’m tired of the Dwait and see’s A

I’m tired of that Epart of me

That makes up a Dperfect lie A

To keep us betwEeen

But hours turn Dinto days A

So watch what you Ethrow away E/D#

And be here to Drecognize A/C#

There’s anBother way

EE6E7E6x2

Give me some Erope, tie me to E6dream

Give me the E7hope, to run out of E6steam

Somebody Esaid, it could be E6here

We could be E7roped up, tied up, dead in a year

ABut I love you E/G#more than words can Bsay F#/A#

AI can’t count the E/G#reasons I should Bstay F#/A#

AOne by one they E/G#all just fade aBway F#/A#

ABut I love you E/G#more than words can Esay

EE6E7E6x2

The Beach Boys - Fun, Fun, Fun (One Crazy Summer)

Originally in Eb, I play in D

Standard 12-bar, straight 8ths with 6ths

DDGDAGDA

Vox on the 6 on “got”

Well, she Dgot her daddy’s car and she cruised

Through the hamburger Gstand now

Seems she forDgot all about the library

Like she told her old Aman now

And with her rDadio blastin’ goes cruisin’

Just as fast as she Gcan now

And she’ll have, Dfun, fun, A/C#fun till her Gdaddy

Takes the AT-Bird aDway GD/F#A/E

DWell, the girls can’t stand her cause she

Walks, looks, and drives like an Gace now (you walk like an ace)

She makes the DIndy 500 look like a Roman

Chariot A7race now (you look like an ace)

A lotta Dguys try to catch her but she leads ‘em

On a wild goose Gchase now (you drive like an ice)

And she’ll have, Dfun, fun, A/C#fun till her Gdaddy

Takes the AT-Bird aDway GD/F#A/E

Solo

ADAEA

Well, you Dknew all along that your dad was gettin’

Wise to Gyou now (you shouldn’t a’ lied)

And since he Dtook your set of keys you’ve been thinkin’

That your fun is all A7through now (you shouldn’t a’ lied)

But you can Dcome along with me cause we got a lotta

Things to Gdo now (you shouldn’t a’ lied)

And we’ll have Dfun, fun, A/C#fun now that Gdaddy

Took the AT-Bird aDway GD/F#A/E

And we’ll have, Dfun, fun, A/C#fun now that Gdaddy

Took the AT-Bird aDway GD/F#A/E

WeAeeeee... D

The Beach Boys - Sloop John B (Forrest Gump)

Vox enter on the third (B)

We Gcome on the sloop John B

My grandfather and me

Around Nassau town we do Droam

Drinking all Gnight

Got into a Cfight Am7

Well I Gfeel so broke up

DI wanna go Ghome

So Ghoist up the John B’s sail

See how the mainsail sets

Call for the captain ashore, let me go Dhome

Let me go Ghome I wanna go Chome, yeah Am7yeah

Well I Gfeel so broke up DI wanna go Ghome

The Gfirst mate he got drunk

And broke in the captain’s trunk

The constable had to come and take him Daway

Sheriff John GStone

Why don’t you leave me Calone, yeah Am7yeah

Well I Gfeel so broke up

DI wanna go Ghome

So Ghoist up the John B’s sail

See how the mainsail sets

Call for the captain ashore, let me go Dhome

Let me go Ghome I wanna go Chome, yeah Am7yeah

Well I Gfeel so broke up DI wanna go Ghome

The Gpoor cook he caught the fits

And threw away all my grits

And then he took and he ate up all of my Dcorn

Let me go Ghome I wanna go Chome, yeah Am7yeah

This Gis the worst trip DI’ve ever been Gon

So Ghoist up the John B’s sail

See how the mainsail sets

Call for the captain ashore, let me go Dhome

Let me go Ghome I wanna go Chome, yeah Am7yeah

Well I Gfeel so broke up DI wanna go Ghome

The Beatles - Twist and Shout (Ferris Bueller's Day Off)

Originally in D, I play in A

ADEx2

Well shake it up bAaby now (shDake it up bEaby)

Twist and shAout (twDist and shEout)

Come on, come on, come on, come on, bAaby now (cDome on bEaby)

Come on and work it on oAut (wDork it on oEut!)

Well work it on oAut (wDork it on oEut)

You know you look so goAod (lDook so gEood)

You know you got me gAoin’ now (gDot me gEoin’)

Just like I knew you woAuld (like I kDnew you wEould)

Well shake it up bAaby now (shDake it up bEaby)

Twist and shAout (twDist and shEout)

Come on, come on, come on, come on, bAaby now (cDome on bEaby)

Come on and work it on oAut (wDork it on oEut)

You know you twist it little gAirl, (twDist little gEirl)

You know you twist so fAine (twDist so fEine)

Come on and twist a little clAoser now (twDist a little cEloser)

And let me know that you’re mAine (let me kDnow you’re mEine, ooh!)

ADEEx4

EAhh ahh aE7hh ahh ahh yeah!

BAaby now (shDake it up bEaby)

Twist and shAout (twDist and shEout)

Come on, come on, come on, come on, bAaby now (cDome on bEaby)

Come on and work it on oAut (wDork it on oEut, ooh!)

You know you twist it little Agirl (tDwist little giErl)

You know you twist so fAine (twDist so fEine)

Come on and twist a little clAoser now (twDist little clEoser)

And let me know that you’re mAine (let me kDnow you’re mEine ooh!)

Well shake it shake it shake it bAaby now (sDhake it up bEaby)

EAhh ahh aE7hh ahh

EFF#GG#AA9

The Blues Brothers - Everybody Needs Somebody to Love (The Blues Brothers)

Blue Brothers in C, Solomon Burke in Eb, I play in A

Spoken sections follow the movie, not the soundtrack

Intro, chords repeat over spoken intro

ADGDx4

Spoken

We’re so glad to see so many of you lovely people here tonight

We would especially like to welcome all the representatives of Illinois’s law enforcement community

Who have chosen to join us here in the Palace Hotel ballroom at this time

We certainly hope you all enjoy the show, and remember people

That no matter who you are and what you do to live, thrive, and survive

There are still some things that make us all the same

You, me, them, everybody, everybody

AEvDeryGbodDy AneedsDsomebGodyD

AEvDeryGbodDy AneedsDsomebGodyDto

ALove, DGDsomeone to Alove DGD

SwDeetheart to mAiss DGD

SDugar to kiAss DGD

I need Ayou, Dyou, Gyou D

I need Ayou, Dyou, Gyou, in the morDning

ADGWhen my soDul’s on fire

ADGD

Vox on the 5 of the chord

F#mSometimes I feel

DI feel a little sad inside

F#mWhen my baby mistreats me

I neEver, never, never have a place to hide

Solo, chords change half as often

I need youADADADAD

ADADADAD

F#mSometimes I feel

DI feel a little sad inside

F#mWhen my baby mistreats me

I neEver, never, never have a place to hide

I need Ayou, Dyou, Gyou D

I need Ayou

Spoken, percussion only

You know people, when you do find that special somebody

You gotta hold that man, hold that women

Love him, please him, squeeze her, please her

Signify your feelings with every gentle caress

Because it’s so important to have that special somebody

To hold, to kiss, to miss, to squeeze and please

AEvDeryGbodDy AneedsDsomebGodyD

AEvDeryGbodDy AneedsDsomebGodyDto love

AEvDeryGbodDy AneedsDsomebGodyD

AEvDeryGbodDy AneedsDsomebGodyDto

ALove, DGDsomeone to Alove DGD

SwDeetheart to mAiss DGD

SDugar to kiAss DGD

I need Ayou, Dyou, Gyou D

The Brady Bunch - Keep On (The Brady Bunch)

Originally in D, I play in A

Intro

EEE7E7

FAlying down the highway in a Dmakeshift Model T.AA.

Woo, yDeah, woo

It’s a bAeautiful morning

And it’s gDonna be a beautiful E7day

The wAheels are humming

And the A7guitar’s strumming

And the Dradio is blasting

And Fgood sounds are coming

As we’re fAlying down the highway

In a E7makeshift Model T.AA.

We’re gonna kAeep on, keep on, keep on, keep on

DDancing all through the Anight

We’re gonna kAeep on, keep on, keep on doing it E7right

We’re gonna kAeep on, keep on, kA7eep on movin’

Gonna kDeep on, keep on, kFeep on groovin’

KAeep on singing and E7dancing all through the Anight

YAou can hear the music coming twDenty-six miles aAway

Woo, yDeah, woo

SmAiling is happy

And hDappy is here to E7stay

SAhifting on down, coming A7into town

DWaving at the kids all Fhanging around

ACruising down the bay in a E7makeshift model T.AA.

We’re gonna kAeep on, keep on, keep on, keep on

DDancing all through the Anight

We’re gonna kAeep on, keep on, keep on doing it E7right

We’re gonna kAeep on, keep on, kA7eep on movin’

Gonna kDeep on, keep on, kFeep on groovin’

KAeep on singing and E7dancing all through the Anight

EEE7E7

We’re gonna kAeep on, keep on, keep on, keep on

DDancing all through the Anight

We’re gonna kAeep on, keep on, keep on doing it E7right

We’re gonna kAeep on, keep on, kA7eep on movin’

Gonna kDeep on, keep on, kFeep on groovin’

KAeep on singing and E7dancing all through the Anight

The Eagles - In the City (The Warriors)

Originally in A, I play in D

Highest note is the I (“nowhere else in *sight*”

D→ GD→ AD→ GD→ A

The second half of each phrase changes on downbeats during the verse

D→ GSomewhere out on thDat hoArizon

D→ GOut beyond the nDeon Alights

D→ GI know there must be soDmething Abetter

D→ GBut there’s Anowhere else in Dsight

D→ GIt’s survival iDn the Acity

D→ GWhen you live from dDay to Aday

D→ GCity streets don’t hDave much Apity

D→ GWhen you’re A/Gdown that’s where you’ll Dstay G/D

In the A/Dcity, ah G/Dah

DG/DIn the A/Dcity, ah G/Dah

Solo

DC→ GD→ AD→ GD→ A

D→ GD→ A

D→ GI was born here iDn the Acity

D→ GWith my back agDainst the Awall

D→ GNothing grows and life ain’t vDery Apretty

D→ GAnd no one’s there to cA/Gatch you when you Dfall

D→ GSomewhere out on tDhat horAizon

D→ GFar away from the nDeon Asky

D→ GI know there must be sDomething Abetter

D→ GAnd I can’t sAtay another Dnight G/D

In the A/Dcity, ah G/Dah

DG/DIn the A/Dcity, ah G/Dah

DG/DIn the A/Dcity G/D

The Foundations - Build Me Up Buttercup (There's Something About Mary)

Originally in C, I play in G.

GBCDx2

Vox on 1 6 5 of the key (4 2 1 of the chord)

on “why do you”.

DWhy do you buGild me up BButtercup, baby

Just to lCet me down and mDess me around

And then woGrst of all you Bnever call, baby

When you sCay you will but DI love you still

I need yGou more than aG7/Fnyone, darling

You kC/Enow that I have from the Cm/D#start

So bGuild me up bDuttercup, don’t break my Cheart

The first chord here is just one beat

I’ll be oGver at tDen, you told me Ftime and Cagain

But you’re lGate, I wait arCound and then

I rGun to the dDoor, I can’t tFake any Cmore

It’s not yGou, you let me dCown again

CHey, C/Bhey, Amhey!

Vox on the third of the chord on “baby baby”

Baby, baby, tDry to find

DHey, D/Chey, Bmhey!

BmA little time, and IE‘ll make you happy E/D

CI’ll be home

I’ll be A7beside the phone waiting for Dyou-oo-hoo, you-oo-hoo

DWhy do you buGild me up BButtercup, baby

Just to lCet me down and mDess me around

And then woGrst of all you Bnever call, baby

When you sCay you will but DI love you still

I need yGou more than aG7/Fnyone, darlin’g

You kC/Enow that I have from the Cm/D#start

So bGuild me up BDuttercup, don’t break my Cheart

The first chord here is just one beat

To yGou I’m a tDoy but I coFuld be the bCoy you aGdore

If you’d just lCet me know

GAlthough you’re untDrue, I’m attrFacted to yCou all the mGore

Why do you trCreat me so?

CHey, C/Bhey, Amhey!

Baby, baby, tDry to find

DHey, D/Chey, Bmhey!

BmA little time, and IE‘ll make you happy

CI’ll be home

I’ll be beA7side the phone waiting for Dyou-oo-hoo, you-oo-hoo

DWhy do you buGild me up BButtercup, baby

Just to lCet me down and mDess me around

And then woGrst of all you Bnever call, baby

When you sCay you will but DI love you still

I need yGou more than aG7/Fnyone, darlin’

You kC/Enow that I have from the Cm/D#start

Watch for the key change coming up here...

So bGuild me up BDuttercup, don’t break my Eheart

Fades out here, I do a quiet live fade...

I need yAou more than aA7/Gnyone, darlin’

You kD/F#now that I have from the Dm/Fstart

So bAuild me up BEuttercup, don’t break my Dheart

The Four Seasons - Walk Like a Man (Walk Like a Man)

Originally in Bb, I play in E capo 2

EAEA

The first “weee” is on the 2 7 of the chord (5 3 of the key)

EOoo Aweee ooo Eooo Aooo Eweee, Awalk, Ewalk, Awalk

EOoo Aweee ooo Eooo Aooo Ewalk Alike a EmaBn

EOh, how you F#m7tried to Ecut me down to F#m7size

ETellin’ dirty F#m7lies to my Efriends F#m7

But Emy own F#m7father said Egive her up, don’t F#m7bother

Hard stop on “end”

The Eworld isn’t F#m7comin’ to an Eend

He said...

AWalk like a Dman, Atalk like a Dman

AWalk like a C#mman my BmsonE

ANo woman’s Dworth Acrawlin’ on the Dearth

So Awalk like a C#mman, my DsoBn

EOoo Aweee ooo Eooo Aooo Eweee, Awalk, Ewalk, Awalk

EOoo Aweee ooo Eooo Aooo Ewalk Alike a EmaBn

EBye-aye F#m7baby, I Edon’t-a mean F#m7maybe

EGonna get aloF#m7ng someEhow F#m7

ESoon you’ll be F#m7cryin’ on Eaccount of all your F#m7lyin’

Oh Eyeah, just F#m7look who’s laughin’ Enow

I’m gonnna...

AWalk like a Dman, Afast as I Dcan

AWalk like a C#mman from BmyouE

AI’ll tell the Dworld forgAet about it, Dgirl

And Awalk like a C#mman from DyoBu

EOoo Aweee ooo Eooo Aooo Eweee, Awalk, Ewalk, Awalk

EOoo Aweee ooo Eooo Aooo Ewalk Alike a EmaBn

The Monkees - I'm a Believer (Shrek)

Start with a little semblance of the organ riff, e.g.:

D------3-3--5p3--3-
A--3h5----------5--

GI thought love was Donly true in Gfairy tales

GMeant for someone Delse but not for Gme

CLove was out to Gget me

CThat’s the way it Gseemed

Hard stop on the V7

CDisappointment Ghaunted all my Ddreams D7

Then I saw her faceGC/GGnow I’m a believer C/GG

Not a tGrace C/GGof doubt in my mind C/GG

Hang a half-beat after “love”

I’m in lGove CI’m a beGliever I couldn’t Fleave her if I Dtried D7

GI thought love was Dmore or less a Ggivin’ thing

GSeems the more I Dgave the less I Ggot

CWhat’s the use in Gtryin’?

CAll you get is Gpain

CWhen I needed Gsunshine I got Drain D7

Aw then I saw her faceGC/GGnow I’m a believer C/GG

Not a tGrace C/GGof doubt in my mind C/GG

I’m in lGove CI’m a beGliever I couldn’t Fleave her if I Dtried D7

Instrumental

GF→ D

GDGD

GF→ D

GDGG

CLove was out to Gget me

CThat’s the way it Gseemed

CDisappointment Ghaunted all my Ddreams D7

Aw then I saw her faceGC/GGnow I’m a believer C/GG

Not a tGrace C/GGof doubt in my mind C/GG

I’m in lGove CI’m a beGliever I couldn’t Fleave her if I Dtried D7

Outro, drop an octave

Yes I saw her fGace C/GGnow I’m a beGliever C/GG

Not a tGrace C/GGof doubt in my mind C/GG

This ending comes from the Smashmouth arrangement

Said I’m a Gbeliever yeah Fyeah yeah Gyeah yeah Fyeah Gyeah

Hang on the last “yeah”

Yes FI’m a Gbeliever yeah Fyeah yeah Gyeah yeah Fyeah Gyeah

The Penguins - Earth Angel (Back to the Future)

Penguins in G#

Back to the Future (Marvin Berry) in F

I play in G

GEmCDx2

Vox start on the 3 on “Earth”

Earth Gangel, EarthEmangel Cwill you be Dmine

GMy darling Emdear Clove you all the Dtime

GI’m just a Emfool Ca fool in lDove with

GYou EmAmD

EarthGangel, EartEmh angel Cthe one I aDdore

GLove you forEmever and Cever Dmore

GI’m just a Emfool, a Cfool in Dlove with

GYou C6GG7

I Cfell for Cmyou Gand I knew the

CVision of your love loveliGness

I Chope and I pray Gthat some day

I’ll be the visiAon of your hap-happiDness oh

EarthGangel, EarthEmangel Cplease be Dmine

GMy darling Emdear Clove you all the Dtime

GI’m just a Emfool, Ca fool in Dlove with

GYou C6GG7

Total shift of the downbeat in the melody...

CI fell for Cmyou Gand I knew

CThe vision of your love loveliGness

CI hope and pray Gthat some day that

AI’ll be the vision of your happinDess oh

EarthGangel, EarthEmangel Cplease be Dmine

GMy darling Emdear C6love you all the Dtime

Hold on IV and V here...

GI’m just a Emfool, Ca fool in Dlove with

Ringing harmony

GYou

The Rembrandts - I'll Be There For You (Friends Theme) (Friends)

Originally in A, I play it in G. But it sounds better on

guitar in A, so if a high singer is around...

GSo no one told you life was gonna be this Fway

GYour job’s a joke you’re broke your love life’s D.OBm.A

FIt’s like you’re Calways stuck in Gsecond gear

Well it Fhasn’t been your Cday, your week your

DMonth or even your year

GI’ll be Cthere for Dyou when the rain starts to fall

GI’ll be Cthere for Dyou like I’ve been there before

GI’ll be Cthere for Dyou ‘cause you’re there for me Ftoo

GYou’re still at bed at 10, and work began atF8

GYou burned your breakfast so far things are going grBmeat

FYour mother Cwarned you there’d be Gdays like these

But she Fdidn’t tell you Cwhen the world has

DBrought you down to your knees

GI’ll be Cthere for Dyou when the rain starts to fall

GI’ll be Cthere for Dyou like I’ve been there before

GI’ll be Cthere for Dyou ‘cause you’re there for me Ftoo

CNo one could ever know me, Cno one could ever see me

EmSeems you’re the only one who knowsEmwhat it’s like to be me

AmSomeone to face the day with, Am/Gmake it through all the mess with

FSomeone I’ll Calways laugh with

DEven at my Cworst I’m Dbest with Emyou

Solo, with “yeah”s

EmCD

GCD

I usually skip this if there’s no solo...

EmCD

GCD

FIt’s like you’re Calways stuck in Gsecond gear

Well it Fhasn’t been your Cday, your week your

DMonth or even your year

Hold “year” a little longer than usual

GI’ll be Cthere for Dyou when the rain starts to fall

GI’ll be Cthere for Dyou like I’ve been there before

GI’ll be Cthere for Dyou ‘cause you’re there for me Ftoo

The Righteous Brothers - Unchained Melody (Ghost)

Originally in C, I play in G and still drop a lot of the high stuff

GOh, my Emlove, my Cdarling, I’ve Dhungered for yourGtouch

A Emlong, lonely Dtime

And Gtime goesEmby so Cslowly and Dtime can do soGmuch

Are Emyou still Dmine?

IGneed your love, DEmI Bmneed your love

God Cspeed your love Dto Gme G7

CLonely rivers Dflow to the Csea, to the A#sea

CTo the open Darms of the Gsea, yeah

CLonely rivers Dsigh, wait for Cme, wait for A#me

CI’ll be coming Dhome, wait Gfor me

GOh, my Emlove, my Cdarling, I’ve Dhungered, hungered for yourGtouch

A Emlong, lonely Dtime

And Gtime goesEmby so Cslowly and Dtime can do soGmuch

Are Emyou still Dmine?

IGneed your love, DEmI Bmneed your love

God Cspeed your love Dto Gme

GEmCG

The Rocky Horror Picture Show - The Time Warp (The Rocky Horror Picture Show)

Originally in A, I play in E.

Everything works except the “step to the right”,

which is a G#, so I drop an octave.

Intro, straight 8ths

(Riff Raff) It’s asEtounding

Time is fF#leeting

DMadness Atakes its tEoll

(Magenta) Ahh...

Low octave, almost spoken

(Riff Raff) But listen Eclosely

(Magenta) Not for very much lF#onger

(Riff Raff) ID‘ve got to Akeep contErol

Up to the high octave on the I

I reEmember doing the TimeF#Warp

DDrinking Athose moments wEhen

The blackness would Ehit me

(Riff Raff & Magenta) And the void would be F#calling

Vox up to the 3 of the chord on “let’s”

(Guests) LCet’s Gdo the DTime WAarp agaEin

Hard stop after this line

CLet’s Gdo the TDime WAarp agEain

Out rubato, come back in on “left”

(Narrator) It’s just a jump to the lefBt

Hard stop after this line, but stay in time

Either drop an octave, or work around E

(Guests) And then a step to the rEi-i-i-i-ight

(Narrator) With your hand on your hipBs

(Guests) You bring your knees in tEight

But it’s the pelvic tAhrust

They really drive you inEsa-a-a-a-a-ne

CLet’s Gdo the TDime WAarp agEain

(Magenta) It’s so dEreamy

Oh, fantasy F#free me

So you can’t Dsee me A

No not at aEll

In another diEmension

With voyeuristic intF#ention

Well seclDuded AI see Eall

(Riff Raff) EWith a bit of a mind flip

(Magenta) You’re into a timeF#slip

(Riff Raff) And Dnothing Acan ever be the sEame

(Magenta) You’re spaced out on sensaEtion

Up to the high octave

(Riff Raff) Like you’re under sedF#ation

(Guests) CLet’s Gdo the TDime AWarp aEgain

CLet’s Gdo the TDime WAarp agEain

(Columbia) Well, I was wEalking down the street

Just a-Ehaving a think

When a Esnake of a guy gave me an Eevil wink

He sAhook me up, he took me Aby surprise

He had a Epick-up truck and the Edevil’s eyes

He sBtared at me, and I fAelt a change

ETime meant nothing, Enever would again

(Guests) LCet’s Gdo the TDime AWarp agEain

CLet’s Gdo the TDime WAarp agaEin

(Narrator) It’s just a jump to the lefBt

(Guests) And then a step to the riE-i-i-i-ight

(Narrator) With your hands on your hipBs

(Guests) You bring you knees in tEight

But it’s the pelvic tAhrust

That really drives you inEsa-a-a-a-a-ne

CLet’s Gdo the TDime WAarp agEain

CLet’s Gdo the TDime WAarp aEgain

Tapdancing breakdown on verse chords, hits only on chord changes

EF#DAE

EF#

(Columbia) Ah! Oh! Oh! Yeoooww

(Guests) LCet’s dGo the TDime WAarp aEgain

LCet’s Gdo the TDime WAarp agEain

(Narrator) It’s just a jump to the lefBt

(Guests) And then a step to the riE-i-i-i-ight

(Narrator) With your hands on your hipBs

(Guests) You bring you knees in tEight

But it’s the pelvic tAhrust

That really drives you inEsa-a-a-a-a-ne

(Guests) LCet’s dGo the TDime WAarp aEgain

LCet’s Gdo the TDime WAarp agEain

The Rolling Stones - Sympathy for the Devil (Interview with the Vampire)

Strum and let ring

EPlease allow me to introDduce myself

I’m a Aman of wealth and Etaste

EI’ve been around for a Dlong, long year

AStole many a man’s soul and Efaith

Strum a little heavier

EAnd I was ‘round when DJesus Christ

Had his Amoment of doubt and Epain

Made damn sure that DPilate

Washed his Ahands and sealed his Efate

BPleased to meet you, hope you guess my Ename

But what’s Bpuzzling you is the nature of my Egame

Come in full-blast now

EI stuck around St. DPetersburg

When I Asaw it was a time for a Echange

Killed the Czar and his Dministers

AnasAtasia screamed in Evain

I Erode a tank, held a Dgeneral’s rank

When the ABlitzkrieg raged and the Ebodies stank

BPleased to meet you, hope you guess my Ename

But what’s Bpuzzling you is the nature of my Egame

I Ewatched with glee while your Dkings and queens

Fought for Aten decades for the EGods they made

I Eshouted out “Who killed the DKennedys?“

When Aafter all it was Eyou and me

ELet me please introDduce myself

I’m a Aman of wealth and Etaste

And I laid traps for Dtroubadours

Who get Akilled before they reached BomEbay

BPleased to meet you, hope you guess my Ename

But what’s Bpuzzling you is the nature of my Egame

Solo on verse chords if appropriate...

BPleased to meet you, hope you guess my Ename

But what’s Bconfusing you is the nature of my Egame

Just as Eevery cop is a Dcriminal

And Aall the sinners Esaints

As Eheads is tails just call me DLucifer

‘Cause I’m in Aneed of some reEstraint

ESo if you meet me have some Dcourtesy

Have some Asympathy, and some Etaste

Use all your well-learned polDitesse

Or I’ll Alay your soul to Ewaste, aw yeah

BPleased to meet you hope you guess my Ename

But what’s Bpuzzling you is the nature of my Egame, get down

Fade on verse chords...

Woo hoo, aww yeah, get on down

Mmm ba ba bom bom ba ba

Tell me baby, what’s my name

Tell me honey, baby guess my name

Tell me baby, what’s my name

The White Stripes - We're Going to Be Friends (Curious George)

White Stripes in G, Jack Johnson in D, I play in D

DFall is here, hear the yell

DBack to school, ring the bell

GBrand new shoes, walking blues

DClimb the fence, books and pens

AI can tell that Gwe are gonna be Dfriends

DWalk with me, Suzy Lee

DThrough the park and by the tree

GWe will rest upon the ground

And Dlook at all the bugs we’ve found

ASafely walk to Gschool without a sDound

DHere we are, no one else

We Dwalked to school all by ourselves

GThere’s dirt on our uniforms

From Dchasing all the ants and worms

AWe clean up and Gnow it’s time to lDearn

DNumbers, letters, learn to spell

DNouns and books, and show and tell

At Gplaytime we will throw the ball

DBack to class, through the hall

ATeacher marks our Gheight against the wDall

The Ateacher marks our Gheight against the wDall

Bridge, vox on the 1 of the chord (go down if you’re in D, up if you’re in G}

GAnd we don’t notice any tDime pass

GWe don’t notice anytDhing

WEe sit side by side in every class

GTeacher thinks that I sound funny

ABut she likes the way you sing

ToDnight I’ll dream while I’m in bed

When Dsilly thoughts go through my head

AbGout the bugs and alphabet

And Dwhen I wake tomorrow I’ll bet

That Ayou and I will Gwalk together aDgain

AI can tell that Gwe are gonna be Dfriends

Yes AI can tell that Gwe are gonna be D6friends

The Wonders - That Thing You Do (That Thing You Do)

Originally in E, I play in A capo 3

Highest note is the 3 (a passing note on the 4)

ADm

Vox on the 5 on “you”

AYou Ddoin’ that Ething you

ADo Dbreakin’ my Eheart

InF#mto a million Bpieces

BmLike you always Dmdo-o-o-Eo

And Ayou Ddon’t mean Eto be

ACruel, you Dnever Eeven

F#mKnew about the Bheartache

GI’ve been goin’ Ethrough

Well I F#mtry and try to Bforget you girl

But it’s Ajust so A7hard to Ddo Dm

AEvery time you Dmdo that thing you Ado E

AI know Dall the Egames you

APlay, and I’m Dgonna Efind a

F#mWay to let you Bknow that

BmYou’ll be mine someDmday E

‘Cause Awe could be Dhappy Ecan’t you

ASee, if you’d Donly Elet me

F#mBe the one to Bhold you

And Gkeep you here with Eme

‘Cause I F#mtry and try to Bforget you girl

But it’s Ajust so A7hard to Ddo Dm

AEvery time you Dmdo that thing you Ado

Vox on the 5 of the first chord here

DI don’t ask a lot girl

But I F#mknow one thing’s for sure

It’s the Blove I haven’t got, girl

And I Ejust can’t take it Fanymore E

Solo on verse chords

‘Cause Awe could be Dhappy Ecan’t you

ASee, if you’d Donly Elet me

F#mBe the one to Bhold you

And Gkeep you here with Eme

‘Cause it F#mhurts me so just to Bsee you go

AAround with A7someone Dnew Dm

And if AI know you you’re Dmdoin’ that thing

AEvery day just Dmdoin’ that thing

AI can’t take you Edoin’ that thing you Ddo DmAmaj7

Waylon Jennings - Dukes of Hazzard Theme (Dukes of Hazzard)

Originally in F, I play in E capo 1

Intro

B7E

Just’a good ol’ Eboys

Never meanin’ no Aharm

Beats Eall you never saw

Been in B7trouble with the law

Since the B7day they was Eborn

Straightenin’ the Ecurves

Flattenin’ the Ahills

SEomeday the mountain might B7get ‘em

But the law never Ewill

Makin’ their B7way

The only way they know B7how

That’s just a little bit B7more

Than the B7law will allEow

Just’a good ol’ Eboys

Wouldn’t change if they Acould

FEightin’ the system like

B7Two modern day Robin EHoods

Wicked - Defying Gravity (Wicked)

Originally in C#, Glee in D, I play in D

Play straight 8ths, fairly fast

Every A is Asus4 → A

DGsus2x2

DSomething has Gsus2changed within me

DSomething is Gsus2not the same

DI’m through with Gsus2playing by the

D/F#Rules of someone elCsus2se’s game

Csus2Too late for seDcond-guessing

Csus2Too late to go backDto sleep

Go up a whole-step on “trust”, instead of down

Em7It’s time to trusD/F#t my instincts

D/GClose my eyes and leapAsus4

It’s time to tryBmdefyGing gravAity

I think I’ll tryBmdefyiGng gravAity

Kiss me goodBmbye, I’m defyiGng gravAity

And you won’t bring me Ddown

DGsus2x2

DI’m through aGsus2ccepting limits

D‘Cause someone sGsus2ays they’re so

DSome things I cGsus2annot change

But tD/F#ill I try, I’ll nCsus2ever know

Csus2Too long I’ve beeDn afraid of

Csus2Losing love I gDuess I’ve lost

Em7Well, if that’s lD/F#ove

It comes at D/Gmuch too high aAsus4cost

I’d sooner buyBmdefyGing gravAity

Kiss me goodbyeBm, I’m defyinGg graviAty

I think I’ll tryBmdefyiGng gravAity

And you won’t bring me downCsus2

I’d sooner buyBmdefyGing gravAity

Kiss me goodbyeBm, I’m defyinGg graviAty

I think I’ll tryBmdefyiGng gravAity

And you won’t bring me downCsus2

Bring me Ddown

Willy Wonka - Pure Imagination (Willy Wonka and the Chocolate Factory)

Originally in C#, I play in A capo 4

Spoken over something resembling the notes 6 b6 6

Hold your breath, make a wish, count to three

Come with Bm7me, and you’ll E6be

In a Amaj7world of pure imagination

Take a lookBm7, and you’ll E6see

Into Amaj7your imagination

We’ll beBm7gin, with a E6spin

Traveling inAmaj7the Bm7world of my creC#m7ation

WhGm/Cat we’ll seeBm7, will deE6fy

ExplaC#maj7nation

Dmaj7If you want to view pC#m7aradise

Bm7Simply look aE6round and viewAmaj7it

D#m7b5Anything you waG#7nt to, dC#m7o it

F#9Want to change the world?

There’s D/Anothing Bbm7b5to iB9t

There is Bm7no life I E6know

To comAmaj7pare with Bm7pure imaginaC#m7tion

LGm/Civing therBm7e, you’ll be frE6ee

If you C#maj7truly E7wish to beAmaj7

Dmaj7If you want to view pC#m7aradise

Bm7Simply look aE6round and viewAmaj7it

D#m7b5Anything you waG#7nt to, dC#m7o it

F#9Want to change the world?

There’s D/Anothing Bbm7b5to iB9t

There is Bm7no life I E6know

To comAmaj7pare with Bm7pure imaginaC#m7tion

LGm/Civing therBm7e, you’ll be frE6ee

If you C#maj7truly E7wish to beAmaj7

Zooey Deschanel - Hey Girl (short) (New Girl)

Originally in C, I play in C capo 3 (Eb)

CHey girlA, Fwhatcha Gdoin’?

CHey girlA, Fwhere you Ggoin’?

FWho’s that girl?

FmWho’s that girl?

It’s CJess!

Zooey Deschanel - Hey Girl (New Girl)

Originally in C, I play in C capo 3 (Eb)

FFm

Vox on 1 3 5 on “don’t let the”

CDon’t let the sunshine Ffall from the Gsky

CJust find the sunshine Din your own Geyes

FYou’re a Fmlollipop, no Csecond prize

DAn apple somewhere in someG7body’s eyes

CHey Agirl,Fwhatcha Gdoin’?

CHey Agirl,Fwhere you Ggoin’?

CShot in the armC7, a twinkly eye

FShe could have fell fell Fmout of the sky

CShe could have C7fell right Dout of the sky

FWho’s that girl? (Who’s that girl?)

FmWho’s that girl? (Who’s that girl?)

CDon’t let the moonshine Fcry up the Gnight

CSet from your shadow, Dand make it Gbright

FYou’re a Fmlollipop, no Csecond prize

DAn apple somewhere in someG7body’s eyes

CHey Agirl,Fwhatcha Gdoin’?

CHey Agirl,Fwhere you Ggoin’?

CYou get down, C7and make a frown

FShe’s gonna turn, turn, Fmturn it around

CShe’s gonna C7turn, turn, Dturn it around

FWho’s that girl? (Who’s that girl?)

FmWho’s that girl? (Who’s that girl?)

Solo

CCCCFFmGG

CCCCDDGG

FFFmFmCCCC

DDDDG7G7G7G7

CHey Agirl,Fwhatcha Gdoin’?

CHey Agirl,Fwhere you Ggoin’?

CYou get down, C7and make a frown

FShe’s gonna turn, turn, Fmturn it around

CShe’s gonna turn, turn, Dturn it around

FWho’s that girl? (Who’s that girl?)

FmWho’s that girl? (Who’s that girl?)

It’s CJess!

Table of Contents

Aerosmith - Dream On (Last Action Hero)

Aerosmith - I Don't Want to Miss a Thing (Armegeddon)

Andrew Gold - Thank You For Being a Friend (The Golden Girls)

Annie - Tomorrow (Annie)

Ben E. King - Stand by Me (Stand by Me)

Bette Midler - The Rose (The Rose)

Betty Everett - The Shoop Shoop Song (It's In Hiss Kiss) (Mermaids)

Bill Medley and Jennifer Warnes - I've Had the Time of My Life (Dirty Dancing)

Bill Withers - Lean on Me (Lean on Me)

Bob Dylan - Knockin' on Heaven's Door (Days of Thunder)

BoDeans - Closer to Free (Party of Five)

BoJack Horseman - Kyle and the Kids (BoJack Horseman)

Bonnie Tyler - Holding Out For a Hero (Footloose)

Boyz II Men - End of the Road (Boomerang)

Bryan Adams - Everything I Do (Robin Hood, Prince of Thieves)

Buffalo Springfield - For What It's Worth (Forrest Gump)

Carly Simon - Nobody Does It Better (The Spy Who Loved Me)

Cheap Trick - I Want You To Want Me (10 Things I Hate About You)

Chuck Berry - Johnny B. Goode (Back to the Future)

Def Leppard - Two Steps Behind (Last Action Hero)

Deniece Williams - Let's Hear it for the Boy (Footloose)

Disney - Do You Want to Build a Snowman (Frozen)

Disney - DuckTales Theme (DuckTales)

Disney - Gummi Bears Theme (Gummi Bears)

Disney - Kiss The Girl (The Little Mermaid)

Disney - Let it Go (Frozen)

Disney - Love is an Open Door (Frozen)

Disney - Part of Your World (The Little Mermaid)

Disney - The Bare Necessities (The Jungle Book)

Disney - Under the Sea (The Little Mermaid)

Disney - When Will My Life Begin (Tangled)

Disney - You've Got a Friend in Me (Toy Story)

Dolly Parton - 9 to 5 (9 to 5)

Double Naught Spies - Fortune Teller (UFC Fight Night)

Elton John - Saturday Night's Alright For Fighting (Hockey Night in Canada)

Elvis Presley - Return to Sender (Castaway)

Eric Clapton - It's in the Way That You Use It (The Color of Money)

Five Man Electrical Band - Signs (Last Action Hero)

Grease - Freddy My Love (Grease)

Grease - Summer Nights (Grease)

Herman's Hermits - I'm Into Something Good (The Naked Gun)

Huey Lewis - The Power of Love (Back to the Future)

Irene Cara - What a Feeling (Flashdance)

Jackie DeShannon - Put a Little Love In Your Heart (Scrooged)

Jackson Browne - Running on Empty (Forrest Gump)

Joan Jett - Bad Reputation (10 Things I Hate About You)

John Parr - St. Elmo's Fire (St. Elmo's Fire)

Johnny Mathis - Without Us (Family Ties)

Johnny Nash - I Can See Clearly Now (Cool Runnings)

Jon Bon Jovi - Blaze of Glory (Young Guns II)

Kenny Loggins - Danger Zone (Top Gun)

Kenny Loggins - Footloose (Footloose)

Labelle - Lady Marmalade (Moulin Rouge!)

Lazlo Bane - Superman (Scrubs Theme) (Scrubs)

Leonard Cohen - Hallelujah (Shrek)

Linda Ronstadt and James Ingram - Somewhere Out There (An American Tail)

Lindsey Buckingham - Holiday Road (Vacation)

Lisa Loeb - Stay (Reality Bites)

Madonna - Crazy for You (Vision Quest)

Madonna - Into the Groove (Desperately Seeking Susan)

Madonna - This Used to Be My Playground (A League of Their Own)

Malvina Reynolds - Little Boxes (Weeds Theme) (Weeds)

Martha and the Vandellas - Dancing in the Street (One Crazy Summer)

Misc - California Christmas Time (Crazy Ex-Girlfriend)

Misc - Charles in Charge Theme (Charles in Charge)

Misc - Cheers Theme (Cheers)

Misc - Commercial Medley (My Childhood)

Misc - Crazy Ex Girlfriend Theme (Crazy Ex-Girlfriend)

Misc - Facts of Life Theme (The Facts of Life)

Misc - Family Guy Theme (Family Guy)

Misc - Free Credit Report Car Song (Commercial)

Misc - Free Credit Report Pirate Song (Commercial)

Misc - Full House Theme (Full House)

Misc - Getting Rid of Britta (Community)

Misc - Gilligan's Island Theme (Gilligan's Island)

Misc - Greatest American Hero Theme (The Greatest American Hero)

Misc - Growing Pains Theme (Growing Pains)

Misc - Happy Days Theme (Happy Days)

Misc - Happy Peanuts Soar (Snickers Commercial) (Commercial)