Originally in G#m, I play in Am capo 3
Intro
| Am7 | G | Am7 | G |
Vox on the 5 of the chord on “must”
| Am7 | |
| You m | ust understand though the touch of your hand |
| G | |
| Makes my pu | lse react |
| Am7 | |
| That it’s | only the thrill of boy meeting girl |
| G | |
| Opposit | es attract |
| F | G | F | G | |
| It’s | physi | cal, only l | ogic | al |
| F | G | |
| You must t | ry to ignore that it m | eans more than that, oh oh oh |
| C | G | F | G |
| What’s l | ove got to | do, got to | do with it |
| C | G | F | G |
| What’s l | ove but a se | cond hand e | motion |
| C | G | F | G |
| What’s l | ove got to d | o, got to do | with it |
| C | G | F | G |
| Who needs a h | eart when a he | art can be br | oken |
| Am7 | |
| It m | ay seem to you that I’m acting confused |
| G | |
| When you’re c | lose to me |
| Am7 | |
| If I | tend to look dazed, I read it some place |
| G | |
| I’ve got | cause to be |
| F | G | |
| There’s a n | ame for | it |
| F | G | |
| There’s a p | hrase that f | its |
| F | G | |
| But what | ever the reason you | do it for me, oh oh oh |
| C | G | F | G |
| What’s | love got to | do, got to | do with it |
| C | G | F | G |
| What’s | love but a s | econd hand em | otion |
| C | G | F | G |
| What’s l | ove got to d | o, got to do | with it |
| C | G | F | G |
| Who needs a h | eart when a he | art can be br | oken |
Solo
| D | A | G | A |
| x3 |
| D | A | G |
| Cadd9 | D |
| I’ve been taking on a | new direction |
| Cadd9 | D |
| But I have to s | ay |
| A# | C |
| I’ve been thinking about my | own protection |
You are strongly discouraged from doing the “oh oh oh” here
| Am7 | D | |
| It s | cares me to feel this way | , oh oh oh |
| D | A | G | A |
| What’s lo | ve got to d | o, got to d | o with it |
| D | A | G | A |
| What’s lo | ve but a se | cond-hand e | motion |
| D | A | G | A |
| What’s lo | ve got to d | o, got to d | o with it |
| D | A | G | A |
| Who needs a hea | rt when a h | eart can be broken |
| D | A | G | A |
| What’s lo | ve got to d | o, got to d | o with it |
| D | A | G | A |
| What’s lo | ve but a | sweet old-fashioned | notion |
| D | A | G | A |
| What’s lo | ve got to d | o, got to d | o with it |
| D | A | G | A |
| Who needs a hea | rt when a h | eart can be br | oken |
| D | A | G | A |
| What’s lo | ve got to d | o, got to d | o with it |
| D | A | G | A |
| What’s lo | ve but a | second-hand e | motion |
| D | A | G | A |
| What’s lo | ve got to d | o, got to d | o with it |
| D | A | G | A |
| Who needs a hea | rt when a h | eart can be br | oken |