| E |
| (Riff Raff) It’s as | tounding |
| D | A | E |
| Madness | takes its t | oll |
(Magenta) Ahh...
| E |
| (Riff Raff) But listen | closely |
| F# |
| (Magenta) Not for very much l | onger |
| D | A | E |
| (Riff Raff) I | ’ve got to | keep cont | rol |
| E | F# |
| I re | member doing the Time | Warp |
| D | A | E |
| Drinking | those moments w | hen |
| E |
| The blackness would | hit me |
| F# |
| (Riff Raff & Magenta) And the void would be | calling |
| C | G | D | A | E |
| (Guests) L | et’s | do the | Time W | arp aga | in |
| C | G | D | A | E |
| Let’s | do the T | ime W | arp ag | ain |
| B |
| (Narrator) It’s just a jump to the lef | t |
| E |
| (Guests) And then a step to the r | i-i-i-i-ight |
| B |
| (Narrator) With your hand on your hip | s |
| E |
| (Guests) You bring your knees in t | ight |
| A |
| But it’s the pelvic t | hrust |
| E |
| They really drive you in | sa-a-a-a-a-ne |
| C | G | D | A | E |
| Let’s | do the T | ime W | arp ag | ain |
| C | G | D | A | E |
| Let’s | do the T | ime W | arp ag | ain |
| E |
| (Magenta) It’s so d | reamy |
| F# |
| With voyeuristic int | ention |
| D | A | E |
| Well secl | uded | I see | all |
| E |
| (Riff Raff) | With a bit of a mind flip |
| F# |
| (Magenta) You’re into a time | slip |
| D | A | E |
| (Riff Raff) And | nothing | can ever be the s | ame |
| E |
| (Magenta) You’re spaced out on sensa | tion |
| F# |
| (Riff Raff) Like you’re under sed | ation |
| C | G | D | A | E |
| (Guests) | Let’s | do the T | ime | Warp a | gain |
| C | G | D | A | E |
| Let’s | do the T | ime W | arp ag | ain |
| E |
| (Columbia) Well, I was w | alking down the street |
| E | E |
| When a | snake of a guy gave me an | evil wink |
| A | A |
| He s | hook me up, he took me | by surprise |
| E | E |
| He had a | pick-up truck and the | devil’s eyes |
| B | A |
| He s | tared at me, and I f | elt a change |
| E | E |
| Time meant nothing, | never would again |
| C | G | D | A | E |
| (Guests) L | et’s | do the T | ime | Warp ag | ain |
| C | G | D | A | E |
| Let’s | do the T | ime W | arp aga | in |
| B |
| (Narrator) It’s just a jump to the lef | t |
| E |
| (Guests) And then a step to the ri | -i-i-i-ight |
| B |
| (Narrator) With your hands on your hip | s |
| E |
| (Guests) You bring you knees in t | ight |
| A |
| But it’s the pelvic t | hrust |
| E |
| That really drives you in | sa-a-a-a-a-ne |
| C | G | D | A | E |
| Let’s | do the T | ime W | arp ag | ain |
| C | G | D | A | E |
| Let’s | do the T | ime W | arp a | gain |
(Columbia) Ah! Oh! Oh! Yeoooww
| C | G | D | A | E |
| (Guests) L | et’s d | o the T | ime W | arp a | gain |
| C | G | D | A | E |
| L | et’s | do the T | ime W | arp ag | ain |
| B |
| (Narrator) It’s just a jump to the lef | t |
| E |
| (Guests) And then a step to the ri | -i-i-i-ight |
| B |
| (Narrator) With your hands on your hip | s |
| E |
| (Guests) You bring you knees in t | ight |
| A |
| But it’s the pelvic t | hrust |
| E |
| That really drives you in | sa-a-a-a-a-ne |
| C | G | D | A | E |
| (Guests) L | et’s d | o the T | ime W | arp a | gain |
| C | G | D | A | E |
| L | et’s | do the T | ime W | arp ag | ain |