Originally in Fm, I play in F#m, down an octave
Probably make all the 7#9’s just minor, including the intro
Intro
| F#7#9 |
When the riff kicks in
| E | F#7#9 |
| → | x4 |
Vox on 5 5 3 of the minor key on “say I don’t”
| F#m | |
| If I | say I don’t need anyone |
| F#m/A | |
| And | say these things to you ‘cause |
| E |
| I can turn on anyone |
| F#m | |
| Just | like I’ve turned on you I’ve got a |
| B |
| Tongue like a razor, a sweet switchblade knife |
| C# | |
| And | I can do you favors |
| E | |
| But then y | ou’ll do whatever I like |
| F#m | E | |
| Here I | am, and you’re a rocket | queen |
| A | |
| I might | be a little young |
| B | F#m | |
| But | honey I ain’t | naive |
| F#m | E | |
| Here I | am, and you’re a rocket | queen, oh yeah |
| A | |
| I might | be too much |
| B | F#m | |
| But | honey you’re a bit ob | scene |
| F#7#9 | E | F |
| → | → |
| E | F#7#9 |
| → | x4 |
| F#m | |
| I’ve seen | everything imaginable |
| F#m/A |
| Pass before these eyes |
| E | |
| I’ve had | everything that’s tangible |
| F#m |
| Honey you’d be surprised |
| B | B | |
| I’m a | sexual innuendo in this | burned out paradise |
| C# | |
| If you | turn me on to anything |
| E | |
| You better | turn me on tonight |
| F#m | E | |
| Here I | am, and you’re a rocket | queen |
| A | |
| I might | be a little young |
| B | F#m | |
| But | honey I ain’t | naive |
| F# | E | |
| Here I | am, and you’re a rocket | queen, oh yeah |
| A | |
| I might | be too much |
| B | F#m | |
| But | honey you’re a bit ob | scene |
| F#7#9 | E | F |
| → | → |
Solo
| E | F#7#9 |
| → | x8 |
| A | A | B | B |
| C# | C# | C# | C# |
| F#m | E | |
| Here I | am, and you’re a rocket | queen |
| A | |
| I might | be a little young |
| B | F#m | |
| But | honey I ain’t | naive |
| F# | E | |
| Here I | am, and you’re a rocket | queen, oh yeah |
| A | |
| I might | be too much |
| B | F#m | |
| But | honey you’re a bit ob | scene |
| F#7#9 | E | F |
| → | → |
| F# | F# |
| E | E | B | C#m | C#m | E | E | A | B | B |
| → | → | → | → |
| E | E | B | C#m | C#m | E | E | A | B | B |
| → | → | → | → |
| E | E | B | C#m | C#m | E | E | A | B | B |
| → | → | → | → |
| E | E | B | C#m | C#m | E | E | A | B | B |
| → | → | → | → |
| E | B | C#m |
| I see y | ou st | anding |
| E | A | B |
| Standing | on your o | wn |
| E | B | C#m | E |
| It’s | such a l | onely place for | you |
| A | B | |
| For you t | o | be |
| E | B | C#m |
| If you n | eed a s | houlder |
| E | A | B |
| Or if you n | eed a f | riend |
| E | B | C#m |
| I’ll | be here st | anding |
| E | A | B | |
| Until | the bit | ter e | nd |
| E | B | C#m |
| No one n | eeds the s | orrow |
| E | A | B |
| No one | needs the | pain |
| E | B | C#m |
| I h | ate to s | ee you |
| E | A | B | |
| Walking o | ut there, | out in the | rain |
| E | B | C#m |
| So d | on’t chas | tise me |
| E | A | B |
| Or think I, | I | mean you harm |
| E | B | C#m |
| Of | those that | take you |
| E | A | B | |
| Leave you str | ung out, | much too f | ar |
| E | |
| Baby, y | eah |
| E | E | B | C#m |
| → | → |
| C#m | E | E | A | B | B |
| → | → | Whoa oh oh oh oh oh oh oh |
| E | E | B | C#m |
| → | → |
| C#m | E | E | A | B | B |
| → | → | No no no no no no no |
| E |