Barrett Strong - Money (1959)
Originally in Fm, Beatles in Em, I play in Em
All the i’s can also be I7#9’s, the riff has both a m3 and a M3
Em→ A7x8
B7A7Em→ A7Em→ B7
EmThe best things in life are free A7
EmBut you can give ‘em to the birds and bees
I need A7money (that’s what I want)
That’s what I Emwant A7(that’s wEmhat I waA7nt)
That’s what I B7wa-a-a-a-a-aA7nt
That’s Emwhat I want (that’s wA7hat I wEmant) B7
EmYour love give me such a thrill A7
EmBut your love don’t pay my bills
I need A7money (that’s what I want)
That’s what I Emwant A7(that’s wEmhat I waA7nt)
That’s what I B7wa-a-a-a-a-aA7nt
That’s Emwhat I want (that’s wA7hat I wEmant) B7
Em→ A7x8
B7A7Em→ A7Em→ B7
EmMoney don’t get everything it’s true A7
EmWhat it don’t get I can’t use
I need A7money (that’s what I want)
That’s what I Emwant A7(that’s wEmhat I waA7nt)
That’s what I B7wa-a-a-a-a-aA7nt
That’s Emwhat I want (that’s wA7hat I wEmant) B7
With IV’s, just not writing them all out here
EmMoney, (that’s what I want), lots of money (that’s what I want)
Whole lot of A7money, (that’s what I want), uh-Emhuh A7(that’s what I Emwant)
Oh B7oh oh oh, oh A7oh, Emyeah, (that’s A7what I Emwant) B7
Give me Emmoney, (that’s what I want), lots of money, (that’s what I want)
Oh, that mean A7green, yeah, that’s right, baby, that’s what I Emmean A7Em
Oh B7oh oh oh, A7oh oh, Emyeah, (that’s A7what I Emwant)B7
Barry Mann - Who Put the Bomp (in the Bomp, Bomp, Bomp) (1961)
Originally in B, I play in A
Originally changes key, I skip the key change
Vox on the root of the chord on “like”
I’d Elike to thank the Aguy, who wrote the F#msong
That made my Dbaby fall in Elove with me
One measure just drums
Swept chords in the chorus
AWho put the bomp
In the F#mbomp bah bomp bah bomp?
DWho put the ram
In the Erama lama ding dong?
AWho put the bop
In the F#mbop shoo bop shoo bop?
DWho put the dip
In the Edip da dip da dip?
AWho was that C#7man? I’d Dlike to shake his B/D#hand
He Amade my F#mbaby Dfall in Elove with Ame (EYeah!)
Full strum in the verse
AWhen my baby F#mheard Dbomp bah bah bomp
Bah Ebomp bah bomp bomp
AEvery word went F#mright into her Dheart E
And Awhen she heard them F#msinging
DRama lama lama lama B/D#lama ding dong
AShe F#msaid we’d Dnever Ehave to Apart Eso
AWho put the bomp
In the F#mbomp bah bomp bah bomp?
DWho put the ram
In the Erama lama ding dong?
AWho put the bop
In the F#mbop shoo bop shoo bop?
DWho put the dip
In the Edip da dip da dip?
AWho was that C#7man? I’d Dlike to shake his B/D#hand
He Amade my F#mbaby Dfall in Elove with Ame, Eyeah
Each Atime that we’re F#malone Dboogity boogity boogity
Boogity Eboogity boogity shoop
ASets my baby’s F#mheart all a Dglow E
And Aevery time we F#mdance to Ddip da dip da dip
C/D#Dip da dip da dip
AShe F#malways Dsays she Eloves me Aso Eso
AWho put the bomp
In the F#mbomp bah bomp bah bomp?
DWho put the ram
In the Erama lama ding dong?
AWho put the bop
In the F#mbop shoo bop shoo bop?
DWho put the dip
In the Edip da dip da dip?
AWho was that D7man? I’d Dlike to shake his C/Ehand
He Amade my F#mbaby Dfall in Elove with Ame (EYeah!)
Spoken
ADarlin’, F#mbomp bah bah Dbomp, bah Ebomp bah bomp bomp
AAnd my honey, F#mrama lama ding Ddong, Eforever
And when I Asay, dip da dip, F#mda dip, da dip, Ddip dip
You Eknow I mean it from the
ABottom of my F#mboogity, boogity, Dboogity, boogity Eshoop
Fade on verse chords, with bomps and da-dips
AF#mDE
Ben E. King - Stand by Me (1961)
Originally in A, I play in C capo 4.
Highest note is the 1 (darlin’, DARlin’)
Start with single notes or octaves
Cadd9Am7Fmaj7GCadd9
Vox in on the 6 on “night”
When the Cadd9night has come
Am7And the land is dark
And the moFmaj7on is the onGly light we’ll seeCadd9
No, I Cadd9won’t be afraid
No, I Am7won’t be afraid
Just as loFmaj7ng as you standG, stand by meCadd9
Start to fade the chords in
So, darling, darling, Cadd9stand by me
Oh, Am7stand by me
Oh, Fmaj7stand,Gstand by me
Cadd9Stand by me
If the Cadd9sky that we look upon
Am7Should tumble and fall
Or the moFmaj7untain should Gcrumble to the Cadd9sea
I won’t Cadd9cry, I won’t cry
No, I Am7won’t shed a tear
Just as loFmaj7ng as you standG, stand by meCadd9
So, darling, darling, Cadd9stand by me
Oh, Am7stand by me
Oh, Fmaj7stand,Gstand by me
Cadd9Stand by me
Whenever you’re in trouble won’t you Cadd9stand by me
Oh, Am7stand by me
Oh, Fmaj7stand,Gstand by me
Cadd9Stand by me
Betty Everett - The Shoop Shoop Song (It's In Hiss Kiss) (1964)
Originally in D, Cher in C, I play in G
Vox easier if you leave out the “oh no”’s
Vox on the 1 of the first chord
DDoes he love me?
CI wanna know
DHow can I tell if he loves me so?
(Is it iAm7n his eyDes?) Oh Am7no you’ll be D7deceived
(Is it iAm7n his eyDes?) Oh Am7no he’ll make beD7lieve
With shoop shoop...
If you wGanna knoEmw if Che loves you Dso it’s in his kissG
(CThat’s where it is Doh yea)
(Or is iAm7t in hisD7face?) Oh Am7no that’s just his D7charm
(In his Am7warm embD7race?) Oh Am7no that’s just his D7arms
With shoop shoop...
If you wGanna knoEmw if Che loves you Dso it’s in his kissG
(CThat’s where it is D) Oh it’s in his Gkiss
(CThat’s where it is G)
With bom bom bom...
BKiss him and squeeze him tight
This line starts on the high 1 of the chord and
ends on the low 1 of the chord
EmAnd find out what you wanna know
AIf it’s love if it really is
D7It’s there in his kiss
(How ‘bout tAm7he way hD7e acts?) Oh Am7no that’s not the D7way
And you’Am7re not lD7istening to Am7all I D7say
With shoop shoop...
If you wGanna knoEmw if Che loves you Dso it’s in his kissG
(CThat’s where it is D) Oh it’s in his Gkiss
(CThat’s where it is D)
Solo
Am7DAm7D
GG/DGG/D
Am7DAm7D
Hard stop
G
With bom bom bom...
BKiss him and squeeze him tight
EmAnd find out what you wanna know
AIf it’s love if it really is
D7It’s there in his kiss
(How ‘bout tAm7he way hD7e acts?) Oh Am7no that’s not the D7way
And you’Am7re not lD7istening to Am7all I D7say
With shoop shoop...
If you wGanna knoEmw if Che loves you Dso it’s in his kissG
C(That’s where it Dis) Oh it’s in his Gkiss
C(That’s where it Dis)
Repeat to fade
Bill Haley and His Comets - Rock Around the Clock (1955)
Originally in A, I play in E capo 2
With hard stops
Vox start on the 1
EOne, two, three o’clock, four o’clock, rock
EFive, six, seven o’clock, eight o’clock, rock
ENine, ten, eleven o’clock, twelve o’clock, rock
We’re gonna B7rock around the clock tonight
Put your Eglad rags on and join me, hon
We’ll have some fun when the E7clock strikes one
We’re gonna A7rock around the clock tonight
We’re gonna rEock, rock, rock, ‘til the broad daylight
We’re gonna B7rock, gonna rock, around the clock tonEight
No hard stops this tieme
When the Eclock strikes two, three and four
If the band slows down we’ll E7yell for more
We’re gonna A7rock around the clock tonight
We’re gonna rEock, rock, rock, ‘til the broad daylight
We’re gonna B7rock, gonna rock, around the clock tonEight
Solo on verse chords
When the Echimes ring five, six and seven
We’ll be right in E7seventh heaven
We’re gonna A7rock around the clock tonight
We’re gonna rEock, rock, rock, ‘til the broad daylight
We’re gonna B7rock, gonna rock, around the clock tonEight
When it’s Eeight, nine, ten, eleven too
I’ll be goin’ strong and E7so will you
We’re gonna A7rock around the clock tonight
We’re gonna rEock, rock, rock, ‘til the broad daylight
We’re gonna B7rock, gonna rock, around the clock tonEight
Solo on verse chords
When the Eclock strikes twelve, we’ll cool off then
Start a rockin’ round the E7clock again
We’re gonna A7rock around the clock tonight
We’re gonna rEock, rock, rock, ‘til the broad daylight
We’re gonna B7rock, gonna rock, around the clock tonEight
E→ E7→ E6→ E(b6)→ B
B→ E
Bob Dylan - Blowin' in the Wind (1963)
Dylan in D, PPM in F, I play in C capo 2
Lyrics and chords follow PPM version
Intro
FGCAmFGCC
CHow many Froads must a Cman walk down
BefCore they Fcall him a Gman?
CHow many Fseas must a Cwhite dove Amsail
BeCfore she Fsleeps in the Gsand?
CHow many Ftimes must the Ccannonballs fly
BeCfore they’re forFever Gbanned?
The aFnswer my fGriend is bClowin’ in the Amwind
The aFnswer is Gblowin’ in the Cwind
CHow many Fyears must a Cmountain exist
BefCore it is Fwashed to the Gsea?
CHow many Fyears can some Cpeople exAmist
BefCore they’re Fallowed to be Gfree?
CHow many Ftimes can a Cman turn his Chead
And preCtend that he jFust doesn’t Gsee?
The aFnswer my fGriend is bClowin’ in the Amwind
The aFnswer is Gblowin’ in the Cwind
CHow many Ftimes must a Cman look Cup
BefCore he can Fsee the Gsky?
CHow many Fears must Cone man Amhave
BefCore he can Fhear people Gcry?
CHow many Fdeaths will it Ctake till he Cknows
That tCoo many Fpeople have Gdied?
The aFnswer my fGriend is bClowin’ in the Amwind
The aFnswer is Gblowin’ in the Cwind
FGCAm
The aFnswer is Gblowin’ in the Cwind
Bob Dylan - Don't Think Twice, It's Alright (1962)
Originally in C capo 4, I play in C capo 5.
CCGGAmAm/G
FF/EC/GC/GGG
CC
It Cain’t no use to sGit and wonder Amwhy, babe
FIt don’t matter, anyhoCwG
And it Cain’t no use to sGit and wonder whAmy, babe
D7If you don’t know by noGw
When your rooCster crows at the bC7reak of dawn
FLook out your window and I’D7ll be gone
CYou’re the reaGson I’m trAmav’lin’ on F
CDon’t think twGice, it’s all righCt
It Cain’t no use in tuGrnin’ on your ligAmht, babe
FThat light I never knoweCd G
And it Cain’t no use in tGurnin’ on your lAmight, babe
D7I’m on the dark side of the rGoad
Still I Cwish there was somethin’ you would C7do or say
To tFry and make me change my mD7ind and stay
CWe never dGid too much taAmlkin’ anFyway
CDon’t think twGice, it’s all rCight
It Cain’t no use in caGllin’ out my naAmme, babe
FLike you never did befoCre G
And it aCin’t no use in cGallin’ out my nAmame, babe
D7I can’t hear you anymoreG
I’m a-thCinkin’ and a-wond’rin’ all C7the way down the road
I oFnce loved a woman, a chD7ild I’m told
I gCave her my heGart but she waAmnted my sFoul
CDon’t think twGice, it’s all rCight
And I’m Cwalking down that Glong lonesome Amroad babe
FWhere I’m bound, I can’t tCell G
But gooCdbye is tGoo good a wAmord, babe
D7So I’ll just say fare thee wellG
CI ain’t sayin’ you treated C7me unkind
You coFuld have done better but D7I don’t mind
CYou just Gkinda wasted Ammy precious Ftime
But doCn’t think twGice, it’s alCright
Outro
CCGGAmAm/G
FF/EC/GC/GGG
CC
Bob Dylan - If You Gotta Go (1964)
Originally in F#, Flying Burrito Brothers in E
Dylan version does I→IV throughout the verse,
I follow the Burrito Brothers arrangement that
doesn’t do this until the chorus.
I also mix the lyrics from different versions here.
Intro
E
Listen to mEe baby
I’ve come to make you see
I want to be with you, girl
Hard stop on “you”
If Eyou want to be with me
But if you got to Ego AE
That’s all Eright AE
But if you got to Ago, go Enow
Or eBlse you got to stay all nEight
It ain’t that I’m queEstionin’ you
To take part in any kind’a quiz
It’s just that I ain’t got no watch
An’ you keep Easkin’ me what time it is
But if you got to Ego AE
That’s all Eright AE
But if you got to Ago, go Enow
Or eBlse you got to stay all nEight
EI am just a poor boy lookin’ to connect
And I certainly don’t want you thinkin’
That EI haven’t got any respect
But if you got to Ego AE
That’s all Eright AE
But if you got to Ago, go Enow
Or eBlse you got to stay all nEight
EIt ain’t that I’m wantin’
Anything you never gave before
It’s just that I’ll be sleepin’ soon
It’ll be too daErk for you to find the door
But if you got to Ego AE
That’s all Eright AE
But if you got to Ago, go Enow
Or eBlse you got to stay all nEight
Said if you got to Ego AE
That’s all Eright AE
But if you got to Ago, go Enow
Or eBlse you got to stay all nEight
Bob Dylan - Like a Rolling Stone (1965)
CFmaj7/Cx 4
COnce upon a time you Dm7dressed so fine
You Emthrew the bums a dime Fin your prime, Gdidn’t you?
CPeople’d call, say Dm7beware doll
You’re Embound to fall, you thought Fthey were all Ga kiddin’ you
FYou used to Glaugh about
FEverybody that was Ghangin’ out
FNow you dEmon’t Dm7talk so loudC
FNow you dEmon’t Dm7seem so proudC
AboutDm7having to be scroungingFfor your next Gmeal
How does it feelCFG
How does it feelCFG
To be without a homeCFG
Like a complete unknownCFG
Like a rolling stoneCFG
CFGGG
Aww, You’veCgone to the Dm7finest school all righEmt, Miss Lonely
But you Fknow you only used to get Gjuiced in it
NoCbody’s ever taught you Dm7how to live out on the Emstreet
And now you’re Fgonna have to get Gused to it
FYou said you’d neveGr compromise
FWith the mystery tramp, but now you Grealize
FHe’s not Emselling anyDm7alibisC
FAs you stare into the Emvacuum Dm7of his eyeCs
And Dm7say do you want to Fmake a Gdeal?
How does it feelCFG
How does it feelCFG
To be on your ownCFG
With no direction homeCFG
A complete unknownCFG
Like a rolling stoneCFG
CFGGG
Aww, youCnever turned aDm7round to see the frownsEm
On the jugglers and the Fclowns when they all did Gtricks for you
You Cnever understood that it Dm7ain’t no good
You Emshouldn’t let other Fpeople get your Gkicks for you
FYou used to ride on the chrome horse with your Gdiplomat
FWho carried on his shoulder a GSiamese cat
FAin’t it hardEmwhen you disDm7cover thaCt
FHe really Emwasn’t Dm7where it’s aCt
AfterDm7he took from you everythingFhe could Gsteal
How does it feelCFG
How does it feelCFG
To have you on your ownCFG
With no direction homeCFG
Like a complete unknownCFG
Like a rolling stoneCFG
CFGGG
Aww, pCrincess on the steeple and aDm7ll the pretty people
They’re all Emdrinkin’, tFhinkin’ that they Ggot it made
CExchanging all pDm7recious gifts
But you’d bEmetter take your dFiamond ring, Gyou’d better pawn it babe
FYou used to be Gso amused
FAt Napoleon in rags Gand the language that he used
FGo to him now, he Emcalls you, you Dm7can’t refuse C
FWhen you ain’t got Emnothing, you got Dm7nothing to losCe
Dm7You’re invisible now, you got no secrets Fto concGeal
How does it feelCFG
Aw, how does it feelCFG
To be on your ownCFG
With no direction homeCFG
Like a complete unknownCFG
Like a rolling stoneCFG
Bob Dylan - The Times They Are A-Changin' (1964)
ComeGgather ‘roundEmpeople
WherAmever youGroam
And adGmit that theEmwaters
ACround you haveDgrown
And acGcept it thatEmsoon
You’ll beCdrenched to the Gbone
If your Gtime to Amyou is worthDsavin’
Then youDbetter startD/Cswimmin’
Or you’llG/Bsink like a Dstone
For theGtimesCthey are a-DchanGgin’
Come Gwriters and Emcritics
Who propheAmsize with yourGpen
AndGkeep your eyesEmwide
The chanceCwon’t come aDgain
AndGdon’t speak tooEmsoon
For the Cwheel’s still inGspin
And there’sGno tellin’Amwho that it’s Dnamin’
For Dthe loserD/Cnow
Will beG/Blater toDwin
For theGtimesCthey are a-DchanGgin’
Come Gsenators,Emcongressmen
AmPlease heed theGcall
Don’tGstand in theEmdoorway
Don’tCblock up theDhall
ForGhe that getsEmhurt
Will beChe who hasGstalled
There’s aGbattle Amoutside
And it’s Dragin’
It’llDsoon shake yourD/Cwindows
AndG/Brattle yourDwalls
For theGtimesCthey are a-DchanGgin’
ComeGmothers andEmfathers
AmThroughout theGland
And Gdon’t critiEmcize
What you Ccan’t underDstand
Your Gsons and your Emdaughters
Are beCyond your comGmand
Your Gold road is Amrapidly Dagin’
Please get Dout of the D/Cnew one
If you G/Bcan’t lend your Dhand
For the Gtimes Cthey are a-DchanGgin’
The Gline it isEmdrawn
The Amcurse it is Gcast
The Gslow one Emnow
Will Clater be Dfast
As the Gpresent Emnow
Will Clater be Gpast
The Gorder is AmrapidlyDfadin’
Cool ending from the Eddie Vedder cover...
And theDfirst oneD/Cnow
WillG/Blater beDlast
Please getDout of theD/Cnew one
If youG/Bcan’t lend yourDhand
It’llDsoon shake yourD/Cwindows
AndG/Brattle yourDwalls
For Dthe loserD/Cnow
Will beG/Blater toDwin
Then youDbetter startD/Cswimmin’
Or you’llG/Bsink like a Dstone
For theGtimesCthey are a-DchanGgin’
Bob Marley - One Love (1965)
Originally around Bb, I play in G
GDCGDG
GOne love, Done heart
CLet’s get toGgether and Dfeel all Gright
Hear the children crying (Gone love)
Hear the children crying (Done heart)
Sayin’ give Cthanks and praise to the Glord and I will Dfeel alGright
Sayin’ Clet’s get toGgether and Dfeel alGright
Whoa, whoa, whoa, whoa
GLet them all Empass all their, Cdirty reGmarks (one love)
GThere is one Emquestion I’d Creally Dlove to Gask (one heart)
GIs there a Emplace, for the Chopeless Gsinner
Who has Ghurt all manEmkind just to Csave hDis Gown
Believe me
GOne love, (what about a-one-oh) Done heart (what about)
CLet’s get toGgether and Dfeel all Gright
As it was in the beginning (Gone love)
So shall it be in the end (Done heart)
Alright, give Cthanks and praise to the Glord and I will Dfeel alGright
CLet’s a-get toGgether and Dfeel alGright
One more thing
GLet’s get toEmgether to Cfight this holy armaGgeddon (one love)
GSo when the Emman comes there will Cbe Dno, no Gdoom (one song)
GHave pity on tEmhose whose Cchances grow Gthinner
GThere ain’t nEmo hiding Cplace from the Dfather of creGation
Saying Gone love (what about a-one-oh), Done light
CLet’s get toGgether and Dfeel alGright
GI’m pleading to mankind (one love)
Oh, lord (Done heart), whoa
Give Cthanks and praise to the Glord and I will Dfeel alGright
CLet’s get toGgether and Dfeel alGright
Give Cthanks and praise to the Glord and I will Dfeel alGright
Bobby Darin - Beyond the Sea (1959)
FDm7GmC7x2
SomeFwhere Dm7GmbeC7yond the
FSea Dm7someGmwhere C7waiting for
FMe A7Dm7my C7lover
FStands on Dm7golden Bbsands D7Gm
And C7watches the Fships Dm7that go
GSailG7ing CC7
SomeFwhere Dm7GmbeC7yond the
FSea Dm7she’s Gmthere C7watching for
FMe A7Dm7C7If I could
FFly like Dm7birds on Bbhigh D7Gm
Then C7straight to her Farms Dm7I’d go
The F at the end of this line is just two beats,
then two beats on the E7.
SGm7ail C7ing FE7
It’s Afar F#mBmbeE7yond a
G7 at the end of this line is just a hit on 4
AStar F#mit’s Bmnear E7beyond the AmoonAG7
I kCnow AmDm7beG7yond a
CDoubtAm, my Dm7heart G7will Clead me Amthere soonC7/GC7
We’ll Fmeet Dm7GmbeyC7ond the
FShore, Dm7we’ll Gmkiss C7just as
BeFfore A7Dm7C7happy we’ll
FBe beyDm7ond the Bbsea D7Gm
And C7never a Fgain, Dm7I’ll go
G7SailC7iFng
Solo over first verse chords, or just hit a II somewhere (G in F)
I kCnow AmDm7beG7yond a
CDoubtAm, my Dm7heart G7will Clead me Amthere soonC7/GC7
We’ll Fmeet, I Dm7know we’ll Gmmeet, beyC7ond the
FShore, Dm7we’ll Gmkiss C7just as
BeFfore A7Dm7C7happy we’ll
FBe beyDm7ond the Bbsea D7Gm
And C7never a Fgain, Dm7I’ll go
G7SailC7iFng
FDm7GmC7No more sailing
FDm7GmC7So long sailing
FDm7GmC7Bye bye sailing
F
Bobby Darin - Dream Lover (1960)
Originally around C, I play in A
I play straight-8ths, almost punk
AF#mAF#m
AEvery night I hope and pray, a F#mdream lover will come my way
AA girl to hold in my arms, and F#mknow the magic of her charms
Because I Awant a E7girl to Acall my Down
I want a Adream F#mlover so Bm7I don’t have to E7dream aAloneE
ADream lover, where are you, F#mwith a love, oh, so true
AAnd a hand that I can hold, to F#mfeel you near as I grow old
Because I Awant a E7girl to Acall my Down
I want a Adream F#mlover so Bm7I don’t have to E7dream aAloneE
DSomeday, I don’t know how, AI hope she’ll hear my plea
B7Some way, I don’t know how, E7she’ll bring her love to me
ADream lover, until then, F#mI’ll go to sleep and dream again
AThat’s the only thing to do, F#mtill all my lover’s dreams come true
Because I Awant a E7girl to Acall my Down
I want a Adream F#mlover so Bm7I don’t have to E7dream aAloneA#
Key change up a half-step
A#Dream lover, until then, GmI’ll go to sleep and dream again
A#That’s the only thing to do, Gmtill all my lover’s dreams come true
Because I A#want a F7girl to A#call my D#own
I want a A#dream Gmlover so Cm7I don’t have to F7dream aA#lone
GmPlease don’t make me A#dream alone
GmI beg you don’t make me A#dream alone
GmNo, I don’t wanna A#dream alone
Bobby Darin - Mack the Knife (1959)
Vox start on the 6
Bobby darin in Bb, I play in Bb
Bb
Oh, the Bb6shark, babe, has such Cmteeth, dear
And it F7shows them pearly Bb6white
Just a Bb/Djackknife Dbdimhas old MacCmHeath, babe
And he keeps it out of sight Bb6
You know when that Bb6shark bites with his Cmteeth, babe
Scarlet F7billows start to Bb6spread
Fancy Bb/Dgloves, though Dbdimwears old MacCmHeath, babe
So there’s never, never a trace of Bb6red
B
On a Bsidewalk, ooh sunny Dbmmornin uh-huh
Lies a Gb7body just B6oozin’ life
Some, someone’s B/Ebsneakin’ Ddim‘round a Dbmcorner
Could that someone be old Mack the B6Knife?
C
There’s a C6tugboat down by the Dmriver, don’t you know
Where a G7cement bag, just a’C6droopin’ on down
Oh, that cemC/Eent is Ebdimjust it’s there for the Dmweight, dear
Five’ll get you ten old Macky’s back in C6town
Db6
Now d’ja Db6hear ‘bout Louie EbmMiller? He disapAb7peared, babe
After drawin’ out all his Db6hard earned cash
And now MacDb/FHeath spend Edimjust like a saEbmilor
Could it be our boy’s done somethin’ Db6rash?
D
Jenny D6Diver, yeah, yeah, Sukey EmTawdry
Ooh Miss A7Lotte Lenya, and old D6Lucy Brown
Oh the D/Gbline forms, Fdimon the Emright, babe
Now that Macky’s back in D6town
Eb
I said, Jenny Eb6Diver, Sukey FmTawdry
Look out Miss Lotte Bb7Lenya and old Eb6Lucy Brown
Last chord in this line is not a typo, this line
lands on the ii in every other verse, but on the
V in this verse.
Oh that Eb/Gline forms Gbdimon the Bbright, babe
Now, that Fm7MacBbky’s Fm7BbFm7BbBb
Back in Ebtown Db7EbDb7EbDb7
EbLook out, old Macky is back Eb7#9
Bobby Day - Rockin' Robin (1958)
Originally in G, I play in E capo 1
ETweedily deedily dee, F#mtweedily Bdeedily dee
ETweedily deedily dee, F#mtweedily Bdeedily dee
ETweedily deedily dee, F#mtweedily Bdeedily dee
ETweet, tweet, tweet tweet
Vox on the b7 on “rocks”
He E7rocks in the treetops all day long
Hoppin’ and a-boppin’ and a-singin’ his song
All the little birds on J-Bird Street
Love to hear the robin go tweet, tweet, tweet
Rockin’ A7robin (tweet, tweet, tweet)
Rock, rock, rockin’ E7robin (tweet, tweedlee-dee)
B7Go rockin’ robin, cause we’re Areally gonna rock toEnight
E7Every little swallow, every chickadee
Every little bird in the tall oak tree
The wise old owl, the big black crow
Flappin’ their wings singin’ go bird, go
Rockin’ A7robin (tweet, tweet, tweet)
Rock, rock, rockin’ E7robin (tweet, tweedlee-dee)
B7Go rockin’ robin, cause we’re Areally gonna rock toEnight, oh
Solo
E7E7E7E7
A7A7E7E7
B7A7E7E7
Bridge
Vox on the 1 of the chord on “pretty”
A Apretty little raven at the bird man stand
ETaught him how to do the bop and it was grand
He Astarted goin’ steady and bless my soul
He ouBt-bopped the buzzard and the oriole
He E7rocks in the treetops all day long
Hoppin’ and a-boppin’ and a-singin’ his song
All the little birds on J-Bird Street
Love to hear the robin go tweet, tweet, tweet
Rockin’ A7robin (tweet, tweet, tweet)
Rock, rock, rockin’ E7robin (tweet, tweedlee-dee)
B7Go rockin’ robin, cause we’re Areally gonna rock toEnight
Well the Apretty little raven at the bird man stand
ETaught him how to do the bop and it was grand
He Astarted goin’ steady and bless my soul
He ouBt-bopped the buzzard and the oriole
He E7rocks in the treetops all day long
Hoppin’ and a-boppin’ and a-singin’ his song
All the little birds on J-Bird Street
Love to hear the robin go tweet, tweet, tweet
Rockin’ A7robin (tweet, tweet, tweet)
Rock, rock, rockin’ E7robin (tweet, tweedlee-dee)
B7Go rockin’ robin, cause we’re Areally gonna rock toEnight
ETweedily deedily dee, F#mtweedily Bdeedily dee
ETweedily deedily dee, F#mtweedily Bdeedily dee
ETweedily deedily dee, F#mtweedily Bdeedily dee
ETweet, tweet, tweet tweet
Bobby Helms - Jingle Bell Rock (1957)
Originally in D, I play in A capo 3 (better for voice) or D (better for guitar)
Highest note that matters is the 2 (“what a *bright* time”)
Intro
AAmaj7A6A7E7
Vox on the 1 on “jingle”
AJingle bell, Amaj7jingle bell, A6jingle bell Amaj7rock
A6Jingle bells A#dim7swing and Bm7jingle bells E7ring
Bm7Snowing and E7blowing up Bm7bushels of fE7un
Bm7Now the jingle hop E7has begun
AJingle bell, Amaj7jingle bell, A6jingle bell Amaj7rock
A6Jingle bells A#dim7chime in Bm7jingle bell E7time
Bm7Dancing and E7prancing in Bm7Jingle Bell E7Square
Bm7In the E7frosty aAir A7
What a Dbright time, it’s the D#dim7right time
To Arock the night awA7ay
JA#dim7ingle Bbell time is a sB7well time
Hard stop on the V
ETo go gliding in a one-horse sleigh
AGiddy-up Amaj7jingle horse, A6pick up your fAmaj7eet
A6Jingle around tGm7b5he F#7clock
DMix and a-mingle in the Dmjingling feet
B7That’s the E7jingle bell Arock
AJingle bell, Amaj7jingle bell, A6jingle bell Amaj7rock
A6Jingle bell A#dim7chime in Bm7jingle bell tE7ime
Bm7Dancing and E7prancing in Bm7Jingle Bell SE7quare
Bm7In the E7frosty Aair A7
What a Dbright time, it’s the D#dim7right time
To Arock the night awA7ay
JA#dim7ingle Bbell time is a sB7well time
ETo go gliding in a one-horse sleigh
AGiddy-up Amaj7jingle horse, A6pick up your fAmaj7eet
A6Jingle around tGm7b5he F#7clock
DMix and a-mingle in the Dmjingling feet
Bm7That’s the E7jingle bell
Bm7That’s the E7jingle bell
Bm7That’s the E7jingle bell Arock
D6/9
Bobby Vee - Take Good Care of My Baby (1964)
Originally in F, I play in E capo 1
High risk of being boring, do everything after the intro as a fast swing
Vox on the 5
EMy tears are C#mfallin’
‘Cause you’ve Ataken her aBway
And Ethough it really Eaughurts me so
Vox up to the 3 of the chord
There’s Asomething that I’ve gotta Bsay
ETake good C#mcare of my AbaBby
EPlease don’t C#mever make her AblueB
EJust tell her E7that you love her
AMake sure you’re Amthinking of her
EIn everyC#mthing you say and Ado B
ETake good C#mcare of my AbaBby
ENow don’t you C#mever make her AcryB
EJust let your E7love surround her
APaint a rainbow Amall around her
EDon’t let her Asee a Bcloudy Esky
Vox on the 1 of the chord on “once”
F#m7Once upon a Btime, that Elittle girl was C#m7mine
F#m7If I’d been Btrue, I Eknow she’d C#m7never F#m7be with Byou, so...
ETake good C#mcare of my AbaBby
EBe just as C#mkind as you can Abe B
EAnd if you E7should discover
AThat you don’t Amreally love her
EJust send my C#mbaby back Ahome Bto Eme
Key change up a half-step
EEEE
CCCC
FTake good Dmcare of my A#baCby
FBe just as Dmkind as you can A#beC
FAnd if you F7should discover
A#That you don’t A#mreally love her
FJust send my Dmbaby back A#home Cto Fme
FDmA#C
FTake good Dmcare of my A#baCby
Repeat to fade
Boris Pickett - The Monster Mash (1962)
I was Gworking in the lab late one night
When my Emeyes beheld an eerie sight
For my Cmonster from his slab began to rise
And Dsuddenly to my surprise
He did the Gmash, he did the monster mash
The monster Emmash, it was a graveyard smash
He did the Cmash, it caught on in a flash
He did the Dmash, he did the monster mash
From my Glaboratory in the castle East
To the Emmaster bedroom where the vampires feast
The Cghouls all came from their humble abodes
To Dcatch a jolt from my electrodes
They did the Gmash, they did the monster mash
The monster Emmash, it was a graveyard smash
They did the Cmash, it caught on in a flash
They did the Dmash, they did the monster mash
Bridge
The Czombies were having fun, the paDrty had just begun
Hard stop on “Drac”
The Cguests included Wolf Man, DDracula and his son
The Gscene was rockin’, all were digging the sounds
EmIgor on chains, backed by his baying hounds
The CCoffin-Bangers were about to arrive
With their Dvocal group, The Crypt-Kicker Five
They played the Gmash, they played the monster mash
The monster Emmash, it was a graveyard smash
They played the Cmash, it caught on in a flash
They played the Dmash, they played the monster mash
GOut from his coffin, Drac’s voice did ring
EmSeems he was troubled by just one thing
COpened the lid and shook his fist
Hard stop on the V
And said, D“Whatever happened to my Transylvanian Twist?”
It’s now the Gmash, it’s now the monster mash
The monster Emmash, and it’s a graveyard smash
It’s now the Cmash, it’s caught on in a flash
It’s now the Dmash, it’s now the monster mash
Now Geverything’s cool, Drac’s a part of the band
And my Emmonster mash is the hit of the land
For Cyou, the living, this mash was meant too
Hard stop on “get”
When you Dget to my door, tell them Boris sent you
Then you can Gmash, then you can monster mash
The monster Emmash, and do my graveyard smash
Then you can Cmash, you’ll catch on in a flash
Then you can Dmash, then you can monster mash
Brenda Lee - Rocking around the Christmas Tree (1959)
Originally in G#, I play in D
Highest note that matters is the 2 (“*deck* the halls”)
Intro, one measure per chord (changes twice as often as the verse
DBmGA
Vox on 5 5 5 1 on “rockin’ around”
DRockin’ around the Christmas tree, at the A7Christmas party hop
Em7Mistletoe A7hung where Em7you can A7see, every Em7couple A7tries to Dstop
DRockin’ around the Christmas tree, let the A7Christmas spirit ring
Em7Later we’ll A7have some Em7pumpkin A7pie, and we’ll Em7do some A7caroDling
Vox on 3 b3 3 b3 of the chord on “you will get a”
GYou will get a sentimental F#mfeeling, when you hear
Hard stop on “deck”
BmVoices Bmmaj7singing lBm7et’s be jolly, dE7eck the halls with bA7oughs of holly
DRockin’ around the Christmas tree, have a A7happy holiday
Em7Everyone A7dancing Em7merriA7ly, in the Em7new old-A7fashioned Dway
Sax solo on verse chords
DDA7A7Em7A7EmA7EmA7DD
DDA7A7Em7A7EmA7EmA7DD
GYou will get a sentimental F#mfeeling, when you hear
BmVoices Bmmaj7singing lBm7et’s be jolly, dE7eck the halls with bA7oughs of holly
DRockin’ around the Christmas tree, have a A7happy holiday
Em7Everyone A7dancing Em7merriA7ly, in the
New A7old A#dim7fash A7/Bioned D6way
D6BmG→ AD
Buddy Holly - Everyday (1958)
D
DEveryday, Git’s a gettin’ A7closer
DGoin’ faster Gthan a roller A7coaster
DLove like yours will Gsurely A7come my Dway, Ghey, Dhey, A7hey
DEveryday, Git’s a gettin’ A7faster
DEveryone says Ggo ahead and A7ask her
DLove like yours will Gsurely A7come my Dway, Ghey, Dhey, A7hey
EvGeryday seems a little longer
EvCery way, love’s a little stronger
CFome what may, do you ever long for
TBbrue love from Ame?A7
DEveryday, Git’s a gettin’ A7closer
DGoin’ faster Gthan a roller A7coaster
DLove like yours will Gsurely A7come my Dway, Ghey, Dhey, A7hey
DEveryday, Git’s a gettin’ A7faster
DEveryone says Ggo ahead and A7ask her
DLove like yours will Gsurely A7come my Dway, Ghey, Dhey, A7hey
EvGeryday seems a little longer
EvCery way, love’s a little stronger
CFome what may, do you ever long for
TBbrue love from Ame?A7
DEveryday, Git’s a gettin’ A7closer
DGoin’ faster Gthan a roller A7coaster
DLove like yours will Gsurely A7come my Dway, Ghey, Dhey, A7hey
DLove like yours will Gsurely A7come my Dway
Buddy Holly - It's So Easy (1958)
Buddy Holly in A, Linda Rondstadt in E, I play in A
AIt’s so Eeasy to Dfall in Elove
AIt’s so Deasy to Efall in Alove
AEDE
ADEA
APeople tEell me Dlove’s for Efools
So hAere I Dgo breaking Eall of the Arules
It seems so Deasy
Oh-oh-oh, so doggone Aeasy
Mmm-mmm-hmm, it seems so Deasy
Where yBou’re concerned my hEeart has learned
AIt’s so Eeasy to Dfall in Elove
AIt’s so Deasy to Efall in Alove
AEDE
ADEA
Solo on chorus chords
DDAA
DDBE
AIt’s so Eeasy to Dfall in Elove
AIt’s so Deasy to Efall in Alove
ALook inEto your Dheart and Esee
AWhat your Dlove book has sEet apart for meA
It seems so Deasy
Oh-oh-oh, so doggone Aeasy
Mmm-mmm-hmm, it seems so Deasy
Where yBou’re concerned my hEeart has learned
AIt’s so Eeasy to Dfall in Elove
AIt’s so Deasy to Efall in Alove
AEDE
ADEA
Well it’s so Deasy
Mmm-mmm-hmm, so doggone Aeasy
Mmm-mmm-hmm, it seems so Deasy
Well where yBou’re concerned my hEeart has learned
AIt’s so Eeasy to Dfall in Elove
AIt’s so Deasy to Efall in Alove
Buddy Holly - Peggy Sue (1958)
ADAE7
ADAE7
AIf you knew DPeggy Sue
AThen you’d Dknow why AI feel blue
About DPeggy, my Peggy ASue DA
Oh well, I E7love you gal
Yes I Dlove you, Peggy ASue DAE7
APeggy Sue, DPeggy Sue
AOh how Dmy heart Ayearns for you
Oh DPeggy, my Peggy ASue DA
Oh well, I E7love you gal
Yes I Dlove you, Peggy ASue DAE7
APeggy Sue, Peggy Sue
FPretty, pretty, pretty, pretty APeggy Sue
Oh PegDgy, my Peggy ASue DA
Oh well, I E7love you gal
And I Dneed you, Peggy ASue DAE7
Usually skip solo, but it looks like a verse...
ADADA
DADA
E7DADAE7
AI love you DPeggy Sue Awith a Dlove so Arare and true
Oh DPeggy, my Peggy ASue DA
Oh well, I E7love you gal
Yes I Dwant you, Peggy ASue DAE7
APeggy Sue, Peggy Sue
FPretty, pretty, pretty, pretty APeggy Sue
Oh PegDgy, my Peggy ASue DA
Oh well, I E7love you gal
And I Dneed you, Peggy ASue DAE7
AI love you DPeggy Sue Awith a Dlove so Arare and true
Oh DPeggy, my Peggy ASue DA
Oh well, I E7love you gal
Yes I Dwant you, Peggy ASue DA
Oh well, I E7love you gal
And I Dneed you, Peggy ASue DA
Buddy Holly - That'll Be The Day (1957)
Starts with a little riff in A blues (I usually make it A major) into an E7
Well, Dthat’ll be the day, when you say goodbye
Yes, Athat’ll be the day, when you make me cry
You Dsay you’re gonna leave, you know it’s a lie
Hard stop on “that’ll”
‘Cause Athat’ll be the day E7when I Adie
Well, you Dgive me all your loving and your Aturtle doving
DAll your hugs and kisses and your Amoney too
Well, Dyou know you love me baby, Auntil you tell me, maybe
BThat some day, well E7I’ll be blue
Well, Dthat’ll be the day, when you say goodbye
Yes, Athat’ll be the day, when you make me cry
You Dsay you’re gonna leave, you know it’s a lie
‘Cause Athat’ll be the day E7when I Adie
Well, Dwhen Cupid shot his dart Ahe shot it at your heart
DSo if we ever part and AI leave you
DYou sit and hold me and you Atell me boldly
BThat some day, well E7I’ll be blue
Well, Dthat’ll be the day, when you say goodbye
Yes, Athat’ll be the day, when you make me cry
You Dsay you’re gonna leave, you know it’s a lie
‘Cause Athat’ll be the day E7when I Adie
Well, Dthat’ll be the day, woo hoo
AThat’ll be the day, woo hoo
DThat’ll be the day, woo hoo
AThat’ll be the day A9
Chubby Checker - Let's Twist Again (1961)
Originally in Eb, I play in A, vox mostly on the 3
Spoken, with drums
Come on everybody, clap your hands
Awww, you’re looking good
I’m gonna sing my song and it won´t take long
We’re gonna do the twist and it goes like this
Come on let’s tAwist again like we did last sF#mummer
Yeah, let’s Dtwist again like we did last Eyear
Do you reAmember when things were really F#mhummin’
Yeah, let’s Dtwist again, Etwistin’ time is Ahere
ArouDnd and round and up and down we gAo again
Oh Dbaby, make me know you love me Eso, and then
TAwist again like we did last sF#mummer
Come on, Dtwist again Elike we did last Ayear, twist!
Solo
AF#mDE
Spoken
Who’s that flyin’ up thereA? Is it a bird? NooF#mo!
Is it a plane? DNooo! EIs it the twister? AYeah!
Oh, tAwist again like we did last sF#mummer
Come on, let’s Dtwist again like we did last Eyear
Do you reAmember when things were really F#mhummin’
Come on, let’s Dtwist again, Etwistin’ time is Ahere
ArouDnd and round and up and down we gAo again
Oh Dbaby, make me know you love me Eso, and then
Come on, tAwist again like we did last sF#mummer
Girl, let’s Dtwist again Elike we did last Ayear
Come on, Dtwist again Etwistin’ time is Ahere
Bop-bAop
Chubby Checker - The Twist (1960)
Originally in E, I play in A
Lots of time on the 3
Intro, with hard stop
E7D7AA
Come on bAaby let’s do the twist
Come on Dbaby let’s do the Atwist
Take me by my little E7hand Dand go like Athis
Ee-aw tAwist, baby, twist
Ooh, ooh, Dyeah just like Athis
Come on little E7miss Dand do the Atwist
My daddy is Asleepin’ and mama ain’t around
Yeah daddy’s just Dsleepin’ and mama ain’t aAround
We’re gonna twisty twisty E7twisty D
‘Til we turn the house Adown
Come on and tAwist, yeah, baby twist
Ooh, ooh, Dyeah just like Athis
Come on little E7miss Dand do the Atwist, ee-yeah
Solo
ADAE7DA
Yeah you should Asee my little sis
You should sDee my, my little Asis
She really knows how to E7rock D
She knows how to Atwist
Come on and tAwist, yeah, baby twist
Ooh, ooh, Dyeah just like Athis
Come on little E7miss Dand do the Atwist
AYeah, that’s all now
YDeah Atwist on now
E7Twist DA
Chuck Berry - Johnny B. Goode (1958)
Originally in Bb, I play in E capo 3
Intro
EEAEBAE
Deep Edown in Louisiana, close to New Orleans
Way bEack up in the woods among the evergreens
There Astood a log cabin made of earth and wood
Where Elived a country boy named Johnny B. Goode
Who Bnever ever learned to read or write so well
But he could Eplay a guitar just like a ringin’ a bell
Go! EGo! Go, Johnny, go! Go!
Go, Johnny, go! GAo! Go, Johnny, go!
EGo! Go, Johnny, go!
BGo! Johnny B. GEoode
He used to cEarry his guitar in a gunny sack
Go sEit beneath the tree by the railroad track
Old enAgineers would see him sittin’ in the shade
SEtrummin’ with the rhythm that the drivers made
When Bpeople passed him by they would stop and say
Oh, mEy but that little country boy could play
Go! EGo! Go, Johnny, go! Go!
Go, Johnny, go! GAo! Go, Johnny, go!
EGo! Go, Johnny, go!
BGo! Johnny B. GEoode
Solo
Solo on verse chords, with hard stops
EEAEBEx2
His mEother told him, someday you will be a man
And Eyou will be the leader of a big ol’ band
MAany people comin’ from miles around
Will hEear you play your music when the sun go down
MaybBe someday your name’ll be in lights
Sayin’ JoEhnny B. Goode tonight
Go! EGo! Go, Johnny, go! Go!
Go, Johnny, go! GAo! Go, Johnny, go!
EGo! Go, Johnny, go!
BGo! Johnny B. GEoode
Chuck Berry - Memphis, Tennessee (1959)
E
Long B7distance information, give me Memphis, Tennessee
Help me find a party that tried to get in touch with me
She Ecould not leave a number but I know who placed the call
‘Cause my B7uncle took a message and he wrote it on the Ewall
E
B7Help me, information, get in touch with my Marie
She’s the only one who’d call me here from Memphis, Tennessee
Her Ehome is on the south side, high upon a ridge
B7Just a half a mile from the Mississippi Ebridge
B6A6B6A6B6A6EEx2
B7Help me, information, more than that I cannot add
Only that I miss her and all the fun we had
But Ewe were pulled apart because her mom did not agree
And B7tore apart our happy home in Memphis, TennesEsee
Last B7time I saw Marie she’s wavin’ me goodbye
With “hurry-home” drops on her cheek that trickled from her eye
MaErie is only six years old, information please
B7Try to put me through to her in Memphis, TennesEsee
B6A6B6A6B6A6EEx2
Chuck Berry - No Particular Place to Go (1964)
Originally in G, I play in E
Intro
Baug
Vox on the 1 on “riding”
Riding along in my automoEbile
My baby beside me at the Ewheel
I stole a kiss at the turn of a Amile
My curiosity running Ewild
Crusin’ and playin’ the raBdio
With no particular place to Ego
Riding along in my automoEbile
I’s anxious to tell her the way I Efeel
So I told her softly and sincAere
And she leaned and whispered in my Eear
Cuddlin’ more and drivin’ Bslow
With no particular place to Ego
Solo
EEEE
AAEE
BAEE
No particular place to Ego
So we parked way out on the kokomEo
The night was young and the moon was Agold
So we both decided to take a Estroll
Can you image the way I Bfelt
I couldn’t unfasten her safety Ebelt
Riding along in my calaEboose
Still trying to get her belt a-Eloose
All the way home I held a Agrudge
For the safety belt that wouldn’t Ebudge
Crusin’ and playin’ the raBdio
With no particular place to Ego
Solo
EEEE
AAEE
BAEE
EEEE
AAEE
BAEE
F→ E
Chuck Berry - Roll Over Beethoven (1956)
Beatles in D, Chuck Berry around D, Rolling Stones in C, I play in A capo 2
Lyrics here follow the Beatles version
Intro
AAAA
DDAA
DEAE
I’m gonna wArite a little letter
Gonna Dmail it to my local D.AJ.
It’s a Drocking little record
I want my jockey to Aplay
Roll Dover Beethoven
Gotta Ehear it again toAday
You know my Atemperature’s rising
And the Djukebox blows a fuseA
My hDeart beating rhythm
And my soul keeps a-singin’ the bAlues
Roll Dover Beethoven
And Etell Tchaikovsky the Anews
I got the Arocking pneumonia
I Dneed a shot of rhythm and Ablues, whooo
I think I Dcaught it off the writer
Sittin’ down by the rhythm revieAws
Roll Dover Beethoven
We’re Erockin’ in two by Atwo
Well if you Afeel it and like it, well get your lover and
AReel and rock it, roll it over and
DMove on up just, trifle further
And-a Areel and rock it, roll it over
Roll Dover Beethoven
A Erocking in two by Atwo, whooo
Solo
ADAA
DDAA
DEAA
Well eAarly in the morning
I’m a Dgiving you the warning
Don’t you Astep on my blue suede shoes
DHey diddle diddle, I’ll play my fiddle
AAin’t got nothing to lose
Roll Dover Beethoven
And Etell Tchaikovsky the newsA
You know she Awinks like a glow worm
DDance like a spinning Atop
She’s got a Dcrazy partner
Oughta see ‘em reel an Arock
As long as Dshe got a dime
The Emusic will never Astop E
Roll over BeetAhoven
Roll over Beethoven
Roll over BeetDhoven
Roll over BeetAhoven
Roll over BeetE7hoven
Dig to these rhythm and Ablues
A9
Chuck Berry - Run Rudolph Run (1958)
Originally in C, I play in E capo 3
EA9EE7
Vox on the 5 of the key (2 of the chord)
AOut of all the reindeers you know you’re the masterEmind
BRun, run Rudolph, Randolph ain’t too far beEhind
Vox on the 5 of the key (now also the 5 of the chord)
ERun, run Rudolph, ASanta’s got to make it to Etown
ASanta make him hurry, tell him he can take the freeway Edown
BRun, run Rudolph ‘cause I’m reelin’ like a merry-go-Eround
Vox on the 3
ESaid Santa to a boy child, Awhat have you been longing Efor?
AAll I want for Christmas is a rock and roll electric guiEtar
And then aBway went Rudolph a-whizzin’ like a shooting Estar
ERun, run Rudolph, ASanta went to make it to Etown
ASanta make him hurry, tell him he can take the freeway Edown
BRun, run Rudolph, reelin’ like a merry-go-Eround
12-bar-ish Solo
EAEBEB7
ERun, run Rudolph, ASanta’s got to make it to Etown
ASanta make him hurry, tell him he can take the freeway Edown
BRun, run Rudolph, I’m reelin’ like a merry-go-Eround
Said ESanta to a girl child Awhat would please you most to Eget?
A Alittle baby doll that can cry, sleep, drink and Ewet
And then aBway went Rudolph whizzin’ like a Sabre JEet
ERun, run Rudolph, ASanta’s got to make it to Etown
ASanta make him hurry, tell him he can take the freeway Edown
BRun, run Rudolph, I’m reelin’ like a merry-go-roEund
E7
Danny and the Juniors - At The Hop (1958)
Originally in G, I play in E capo 3
Play fast, swung, with 6ths, except possibly let the intro be rubato
Intro (probably rubato, unless someone can really sing this well)
E
EBah-bah-bah-bah, C#mbah-bah-bah-bah
ABah-bah-bah-bah, Bbah-bah-bah-bah, at the Ehop
Now fast, with 6ths
Well, you can Erock it you can roll it
You can stomp and you can stroll it at the hop
When the Arecord starts spinnin’
You calypso and you chicken at the Ehop
Do the Bdance sensations that are Asweepin’ the nation at the Ehop
ELet’s go to the hop
Let’s go to the hop (oh baby)
ALet’s go to the hop (oh baby)
ELet’s go to the hop
BCome Aon, Elet’s go to the hop
Well, you can Eswing it you can groove it
You can really start to move it at the hop
Where the Ajockey is the smoothest
And the music is the coolest at the Ehop
All the Bcats and chicks can Aget their kicks at the Ehop, let’s go!
ELet’s go to the hop
Let’s go to the hop (oh baby)
ALet’s go to the hop (oh baby)
ELet’s go to the hop
BCome Aon, Elet’s go to the hop, let’s go!
Solo on verse chords
This time, vox on the 3 in the original
Well, you can Erock it you can roll it
Do the stomp and you can stroll it at the hop
When the Arecord starts spinnin’
You calypso and you chicken at the Ehop
Do the Bdance sensations that are Asweepin’ the nation at the Ehop, you...
Can Eswing it you can groove it
You can really start to move it at the hop
Where the Ajockey is the smoothest
And the music is the coolest at the Ehop
All the Bcats and chicks can Aget their kicks at the Ehop, let’s go!
ELet’s go to the hop
Let’s go to the hop (oh baby)
ALet’s go to the hop (oh baby)
ELet’s go to the hop
BCome Aon, Elet’s go to the hop
EBah-bah-bah-bah, C#mbah-bah-bah-bah
ABah-bah-bah-bah, Bbah-bah-bah-bah, at the Ehop
Darlene Love - Christmas (Baby Please Come Home) (1963)
U2 in G#, I play in E capo 1
Highest note is the the 1 (“baaaaby please come home”
Intro
EG#mAB
EThe snow’s coming down, G#mI’m watching it fall
ALots of people around, Bbaby please come home
EThe church bells in town, G#mthey’re ringing a song
AWhat a happy sound, Bbaby please come home
Let ring
EThey’re singing deck the halls
G#mBut it’s not like Christmas at all
AI remember when you were here
BAnd all the fun we had last year
EPretty lights on the tree, G#mI’m watching them shine
AYou should be here with me, Bbaby please come home
Solo
EG#mABaby please come home, Bbaby please come home
Let ring
EThey’re singing deck the halls
G#mBut it’s not like Christmas at all
AI remember when you were here
BAnd all the fun we had last year
EIf there was a way, G#mI’d hold back these tears
ABut it’s Christmas day, Bbaby please come home
EOh G#mAbaby please come home, Bbaby please come home
EBaby please come home, G#moh oh
ABaby please come home, Bbaby please come home
E
Dave Dudley - Six Days on the road (1963)
Lyrics here follow the Mudcrutch version
Mudcrutch in A, Dave Dudley in G, George Thorogood in G, I play in A
Intro
ADA→ E→ A
Vox on the 3
Well I Apulled out of Pittsburgh Erolling down that Eastern seaAboard
I got my diesel wound up, she’s running like she never did beEfore
There’s a Dspeed zone ahead aElright
But I Adon’t see a cop in Dsight
Six Adays on the road and I’m gonna Esee my baby toAnight
I got Aten forward gears and a Esweet Georgia overAdrive
I’m takin’ little white pills, my eyes are open Ewide
Well I jDust passed a Jimmy and a EWhite
I been Apassing everything in Dsight
Six Adays on the road and I’m gonna Esee my baby toAnight
Well it Aseems like a month since I Ekissed my baby goodAbye
Could have a lotta women, I’m not like some other Eguys
I could Dfind one to hold me Etight
But I could Anever believe it’s Dright
Six Adays on the road and I’m Egonna see my baby toAnight
Here we go
Solo on verse chords
AEAA
AAEE
DEAD
AEAA
Well the AI.C.C. is Echeckin’ on down the Aline
I’m a little overweight and my log book’s way beEhind
But Dnothing bothers me tonEight
I could Adodge them scales alDright
Six Adays on the road and I’m Egonna see my baby toAnight
Solo on verse chords
AEAA
AAEE
DEAD
AEAA
Well my Arig’s a little old but Ethat don’t mean she’s Aslow
There’s a flame from her stack and that smoke blowin’ black as Ecoal
Well my Dhome town is coming in Esight
And if you Athink I’m happy you’re Dright
Six Adays on the road and I’m Egonna see my baby toAnight
Six Adays on the road and I’m Egonna see my baby toAnight
Six Adays on the road and I’m Egonna see my baby toAnight
A
Dave Edmunds - I Hear You Knocking (1955)
Originally in E, I play in A capo 3. Highest note is the 3 (“I hear”).
BDAE7
Vox on the low 3 on “went”
You Awent away and left me long time ago
ANow you’re knocking on the door
Vox on the high 3 on “hear”
I hear you Dknocking
But you can’t come Ain
I hear you Dknocking
Go back where you E7been
I Abegged you not to go but you said goodbye
ANow you’re telling me all your lies
I hear you Dknocking
But you can’t come Ain
I hear you Dknocking
Go back where you E7been, oh yeah
Solo
AAOoo, hoooh, come on ramp it up
DDFats Domino
ASmiley Lewis A
BChuck Berry, DHuey Smith, oh, E7let’s do it Eaug
You Abetter get back to your used to be
‘Cause Ayour kind of love ain’t good for me
I hear you Dknocking
But you can’t come Ain
I hear you Dknocking
Go back where you E7been
I Atold you way back in ‘52
That AI would never go with you
I hear you Dknocking
But you can’t come Ain
I hear you Bknocking D
Go back where you E7been Eaug
Outro
AAAA
DDAA
Dion - Runaround Sue (1961)
Originally in D, I play in A capo 2
Highest note is the 4.
Quiet, let ring
AHere’s my story it’s sad but true
F#mIt’s about a girl that I once knew
DShe took my love then ran around
EWith every single guy in town
Pick it up
These are really background “hey” over lead “whoa”
AHey, hey, whoa
F#mHey, hey, whoa
DHey, hey, whoa
Hard stop on the last “whoa” (every time)
EHey, hey, whoa
Not a typo, he definitely says “yem”
AYem, I should have known it from the very start
F#mThis girl’d leave me with a broken heart
DAw listen people what I’m telling you
Hard stop on the 1 (every time)
EAh keep away from Runaround Sue, yeah
AI miss ‘em lips and the smile from her face
F#mThe touch of her hand and this girl’s warm embrace
DSo if you don’t want to cry like I do
EAh, keep away from Runaround Sue
AHey, hey, whoa
F#mHey, hey, whoa
DHey, hey, whoa
EHey, hey, whoa
DShe likes to travel around
She’ll Alove you, then she’ll put you down
Now pDeople let me put you wise
Hard stop on “Sue” (both times)
Ah, ESue goes out with other guys
Here’s the Amoral and the story from the guy who knows
F#mI’ve been in love and my love still grows
ADsk any fool that she ever knew
They’ll say Ekeep away from Runaround Sue
AHey
F#mYea, keep away from this girl
DI don’t know what she’ll do
EKeep away from Sue
DShe likes to travel around
She’ll Alove you, then she’ll put you down
Now pDeople let me put you wise
Ah Eshe goes out with other guys
Here’s the Amoral and the story from that guy who knows
F#mI’ve been in love and my love still grows
DAsk any fool that she ever knew
No hard stop this time
They’ll say Eah, keep away from Runaround Sue
Fade on...
AYea
F#mStay away from that girl
DDon’t you know what she’ll do now
EWhoa...
Dion - The Wanderer (1961)
Originally in D, I play in D or C. If in C, I use 8x555x fingering
so I can (a) be less folk-y and (b) work the 6ths in.
Swung, with 6ths if practical
D
Oh well DI’m the type of guy who will never settle down
Where pretty girls are, well you know that I’m around
I Gkiss ‘em and I love ‘em ‘cause to me they’re all the same
I Dhug ‘em and I squeeze ‘em, they don’t even know my name
They call me the Awanderer, yeah the Gwanderer
I roam aDround around around around A
Oh well there’s DFlo on my left arm and there’s Mary on my right
And Janie is the girl well that I’ll be with tonight
And Gwhen she asks me which one I love the best
I Dtear open my shirt and I show her Rosie on my chest
‘Cause I’m a Awanderer, yeah a Gwanderer
I roam aDround around around around
Oh well I Aroam from town to town
I go through life without a care
And I’m as happy as a clown
Hang on “two fists”
With my B7two fists of iron, but I’m Egoing nowhere
Oh, DI’m the type of guy that likes to roam around
I’m never in one place, I roam from town to town
And Gwhen I find myself fallin’ for some girl
Yeah, I Dhop right into that car of mine, I drive around the world
Yeah I’m a Awanderer, yeah the Gwanderer
I roam aDround around around around A
Solo on verse chords
Oh, DI’m the type of guy that likes to roam around
I’m never in one place, I roam from town to town
And Gwhen I find myself fallin’ for some girl
I Dhop right into that car of mine, drive around the world
Cause I’m a Awanderer, yeah a Gwanderer
I roam aDround around around around around
Yeah I’m a Awanderer, they call me a Gwanderer
I roam aDround around around around around
Yeah I’m a Awanderer, they call me a Gwanderer
I roam aDround around around around around A7DD9
Dion and the Belmonts - A Teenager in Love (1959)
Originally in C#, I play in C capo 1
CAmFGx2
CEach time we Amhave a quarrel
FIt almost Gbreaks my heart
C‘Cause I am Amso afraid Fthat we will Ghave to part
CEach night I Amask the Fstars up aGbove
CWhy must I Ambe a teenFager in Glove?
COne day I Amfeel so happy
FNext day I Gfeel so sad
CI guess I’ll Amlearn to take Fthe good Gwith the bad
‘Cause Ceach night I Amask the Fstars up aGbove
CWhy must I Ambe a teenFager in Glove?
FI cried a Gtear Ffor nobody but Gyou
FI’ll be a Glonely one if Fyou should say we’re Gthrough
CWell if you want to Ammake me cry
FThat won’t be so Ghard to do
CIf you should Amsay goodbye
FI’d still go on Gloving you
CEach night I Amask the Fstars up aGbove
CWhy must I Ambe a teenFager in Glove?
FI cried a Gtear Ffor nobody but Gyou
FI’ll be a Glonely one if Fyou should say we’re Gthrough
CWell if you want to Ammake me cry
FThat won’t be so Ghard to do
CAnd if you should Amsay goodbye
FI’d still go on Gloving you
CEach night I Amask the Fstars up Gabove
CWhy must I Ambe a teenFager in Glove?
CWhy must I Ambe a teenFager in Glove?
CWhy must I Ambe a teenFager in Glove?
Dusty Springfield - I Only Want to Be with You (1964)
Originally in G, I play in A
Intro
ADEEx2
Vox on the 3 on “don’t”
I Adon’t know what it is that makes me F#mlove you so
I Aonly know I never want to F#mlet you go
Cause Dyou started Esomething, oh Bmcan’t you Esee
That Aever since we met you’ve had a F#mhold on me
It Dhappens to be Etrue, I Bmonly wanna Ebe with Ayou D→ E
It Adoesn’t matter where you go or F#mwhat you do
I Awant to spend each moment of the F#mday with you
Now Dlook what has Ehappened with Bmjust one Ekiss
I Anever knew that I could be in F#mlove like this
It’s Dcrazy but it’s Etrue, I Bmonly wanna Ebe with Ayou D→ A
Bridge
Vox on 3 2 of the chord on “you stopped”
FYou stopped and smiled at me, Aasked if I Dcare to Adance
EI fell into your open arms, and F#m7I didn’t sB7tand a Echance, now listen honey
AI just wanna be beside you F#meverywhere
As Along as we’re together honey F#mI don’t care
Cause Dyou started Esomething, oh Bmcan’t you Esee
That Aever since we met you’ve had a F#mhold on me
No Dmatter what you Edo, I Bmonly wanna Ebe with Ayou D→ E
Solo on verse chords
AF#mAF#m
DEBmE
AAF#mF#m
DEBmEA
Bridge
FYou stopped and smiled at me, Aasked if I Dcare to Adance
EI fell into your open arms, and F#m7I didn’t sB7tand a Echance, now hear me tell you
AI just wanna be beside you F#meverywhere
As Along as we’re together honey F#mI don’t care
Cause Dyou started Esomething, oh Bmcan’t you Esee
That Aever since we met you’ve had a F#mhold on me
No Dmatter what you Edo, I Bmonly wanna Ebe with Ayou D→ A
I said no Dmatter, no matter what you Edo, I Bmonly wanna Ebe with Ayou D→ A
Eddie Cochran - Summertime Blues (1958)
With half-step slides
E
E→ AB→ Ex2
I’m a-gEonna raise a fuss, I’m a-gonna raise a holler E→ AB→ E
About a-Eworkin’ all summer, just to try to earn a dollar E→ AB→ E
Every Atime I call my baby, try to get a date
Hard stop on “boss”
My bossEsays “no dice son, you gotta work late”
SomeAtimes I wonder what I’m a-gonna do
Hard stop on “ain’t”
But there Eain’t no cure for the summertime blues
With half-step slides
E
E→ AB→ Ex2
Well my Emom ‘n poppa told me “son, you gotta make some money” E→ AB→ E
If you Ewanna use the car to go a-ridin’ next Sunday E→ AB→ E
Well I Adidn’t go to to work, told the boss I was sick
Hard stop on “can’t”
“Now you Ecan’t use the car ‘cause you didn’t work a lick“
SomeAtimes I wonder what I’m a-gonna do
Hard stop on “ain’t”
But there Eain’t no cure for the summertime blues
With half-step slides
E
E→ AB→ Ex2
I’m gonna Etake two weeks, gonna have a fine vacation E→ AB→ E
I’m gonna Etake my problem to the United Nations E→ AB→ E
Well I Acalled my Congressman and he said, quote
Hard stop on “like”
“I’d Elike to help you son, but you’re too young to vote“
SomeAtimes I wonder what I’m a-gonna do
Hard stop on “ain’t”
But there Eain’t no cure for the summertime blues
With half-step slides
E
E→ AB→ Ex4
Elvis Presley - All Shook Up (1957)
Originally in Bb, I play in A
Well Abless my soul, what’s wrong with me?
I’m itching like a man on a fuzzy tree
My friends say I’m actin’ wild as a bug
I’m in love, I’m all shook up
Uh huh Dhuh, uh hEuh, yeahA, yeah, yeah
Well my Ahands are shaky and my knees are weak
I can’t seem to stand on my own two feet
Who do you thank when you have such luck?
I’m in love, I’m all shook up
Uh huh Dhuh, uh hEuh, yeahA, yeah, yeah
Bridge
Well Dplease don’t ask me what’s on my mind
I’m a Alittle mixed up, but I feel fine
When DI’m near the girl that I love best
Hard stop on “heart”
Vox on the 5 of the chord on “heart”, 1 of the chord on “scares”
My Eheart beats so it scares me to death
She Atouched my hand what a chill I got
Her lips are like a volcano that’s hot
I’m proud to say that she’s my buttercup
I’m in love, I’m all shook up
Uh huh Dhuh, uh hEuh, yeahA, yeah, yeah
Bridge
My Dtongue gets tied when I try to speak
My Ainsides shake like a leaf on a tree
There’s Donly one cure for this body of mine
That’s to Ehave that girl that I love so fine
She Atouched my hand what a chill I got
Her lips are like a volcano that’s hot
I’m proud to say that she’s my buttercup
I’m in love, I’m all shook up
Uh huh Dhuh, uh hEuh, yeahA, yeah, yeah
Uh huh Dhuh, uh hEuh, yeahA, yeah, yeah
I’m Aall shook up
Elvis Presley - Don't Be Cruel (1956)
D
You kDnow I can be found, Dsitting home all alone
If yGou can’t come around, at Dleast please telephone
A-don’t be Emcruel Ato a heart that’s Dtrue
DBaby, if I made you mad, for Dsomething I might have said
PGlease, let’s forget my past, the fDuture looks bright ahead
A-don’t be Emcruel Ato a heart that’s Dtrue D7
I don’t wGant no other Alove, Gbaby it’s just Ayou I’m thinking Dof
DDon’t stop thinking of me, a-don’t mDake me feel this way
Come on Gover here and love me, you Dknow what I want you to say
A-don’t be Emcruel Ato a heart that’s Dtrue D7
Why Gshould we be aApart, I Greally love you Ababy, cross my Dheart
Let’s wDalk up to the preacher, and lDet us say I do
ThGen you’ll know you’ll have me, and I’ll Dknow that I’ll have you
A-don’t be Emcruel Ato a heart that’s Dtrue D7
Hard stop after this line
I don’t wGant no other Alove, Gbaby it’s just Ayou I’m thinking Dof
A-don’t be cEmruel tAo a heart that’s tDrue
Don’t be Emcruel Ato a heart that’s Dtrue D7
I don’t wGant no other Alove, Gbaby it’s just Ayou I’m thinking Dof
D6
Elvis Presley - Fever (1960)
Often played in Am, I play in Em capo 3.
Note the vocals ride mostly on IV in this key, i.e. the A in Em.
Crazy chromatic key changes are also common, but I skip that when
doing it acoustic. This is fun to do with just bass and vox, in
which I case I go up a half-step after every chorus.
EmNever know how much I love you
DNever know how B7much I Emcare
EmWhen you put your arms around me
I get a B7fever that’s so hard to Embear
You give me fever, EmCwhen you kiss me
DFever when you hold me Emtight
EmFever, Cin the morning
B7Fever all through the Emnight
EmSun lights up the daytime
DMoon lights B7up the Emnight
EmI light up when you call my name
And you B7know I’m gonna treat you Emright
You give me fever, EmCwhen you kiss me
DFever when you hold me Emtight
EmFever, Cin the morning
B7Fever all through the Emnight
EmEv’rybody’s got the fever
DThat is something B7you all Emknow
EmFever isn’t such a new thing
B7Fever started long aEmgo
EmRomeo loved Juliet
DJuliet she B7felt the Emsame
EmWhen he put his arms around her, he said
B7Julie, baby, you’re my Emflame
Thou givest fever, EmCwhen we kisseth
DFever when thy flaming Emyouth
EmFever CI’m afire
B7Fever, yea I burn forEmsooth
EmCaptain Smith and Pocahantas
DHad a very B7mad afEmfair
EmWhen her Daddy tried to kill him, she said
B7“Daddy-o don’t you Emdare.“
EmHe gives me fever, Cwith his kisses
DFever when he holds me Emtight
EmFever, CI’m his missus
Oh B7daddy won’t you treat him Emright
EmNow you’ve listened to my story
DHere’s a point that B7I have Emmade
EmChicks were born to give you fever
Be it B7Fahrenheit or CentiEmgrade
EmThey give you fever, Cwhen you kiss them
DFever if you live and Emlearn
EmFever, Ctill you sizzle
B7What a lovely way to Emburn
B7What a lovely way to Emburn
B7What a lovely way to Emburn
Elvis Presley - Heartbreak Hotel (1956)
Starts a cappella on the high 1, chord hits after the end of each line
Well, Esince my baby left me
Well I Efound a new place to dwell
Goes up to something like the b3 on “end”, but this is likely to train wreck, so just descend on the pentatonic minor
Well it’s Edown at the end of lonely street
At Eheartbreak hotel, well I’ve been
A7I’ve been so lonely baby, well, I’m so lonely
B7I’m so lonely, I could Edie
AlthEough it’s always crowded
You sEtill can find some room
For bEroken-hearted lovers
To Ecry away their gloom
A7They’ve been so lonely baby
They’ll make you so lonely
Oh B7they’re be so lonely they could Edie
Now, the bEell hop’s tears keep flowin
And the dEesk clerk’s dressed in black
Well they bEeen so long on lonely street
They Enever, they never look back
A7And they’re so lonely baby
Well they’re so lonely
B7Well they’re so lonely they could Edie
Well, iEf your baby leaves you
And you gEot a tale to tell
Well, just taEke a walk down lonely street
To Eheartbreak hotel, where you will be
AYou’ll be so lonely, where you’ll be lonely
B7You’ll be so lonely you could Edie
Solo on verse and chorus chords
EEABE
AlthEough it’s always crowded
You sEtill can find some room
For bEroken-hearted lovers
To Ecry away their gloom
A7They’ve been so lonely baby
They’ll make you so lonely
Oh B7They’re be so lonely they could Edie
F9→ E9
Elvis Presley - Hound Dog (1956)
Originally in C, I play in A capo 1
You ain’t nothin’ but a hAound dog, cryin’ all the time
You ain’t nothin’ but a Dhound dog, cryin’ all the Atime
Well, you ain’t Enever caught a rabbit
And you Dain’t no friend of Amine
Well they said you was Ahigh-classed, well, that was just a lie
Yeah they said you was Dhigh-classed, well, that was just a Alie
Yeah, you ain’t Enever caught a rabbit
And you Dain’t no friend of Amine
You ain’t nothin’ but a hAound dog, cryin’ all the time
You ain’t nothin’ but a Dhound dog, cryin’ all the Atime
Well, you ain’t Enever caught a rabbit
And you Dain’t no friend of Amine
Solo
AAAA
DDAA
EDAA
Well they said you was Ahigh-classed, well, that was just a lie
Yeah they said you was Dhigh-classed, well, that was just a Alie
Well, you ain’t Enever caught a rabbit
And you Dain’t no friend of Amine
More solo
AAAA
DDAA
EDAA
When they said you was Ahigh classed
Well they said you was Ahigh-classed, well, that was just a lie
You know they said you was Dhigh-classed, well, that was just a Alie
Well, you ain’t Enever caught a rabbit
And you Dain’t no friend of Amine
You ain’t nothin’ but a hAound dog, cryin’ all the time
You ain’t nothin’ but a Dhound dog, cryin’ all the Atime
Hard stop on “rabbit”
Well, you ain’t Enever caught a rabbit
IV is implied
You Dain’t no friend of Amine A#9→ A9
Elvis Presley - Jailhouse Rock (1957)
Originally in Eb, I play in Db
C→ Dbx2
Vox in on the minor 3
CThe Dbwarden threw a party in the county jail
CPrisDbon band was there and they began to wail
CThe bandDbwas jumpin’ and the joint began to swing
You CshouDblda heard thosed kocked out jail birds sing
Let’s Gb7rock, everybody let’s Dbrock
EveryAb7body in the whole cell Gb7block
Was Dbdancin’ to the jail-house rock
CSpidDber Murphy played the tenor saxophone
CLittDble Joe was blowin’ on the slide trombone
CThe Dbdrummer boy from Illinois went crash, boom, bang
CThe Dbwhole rhythm section was a purple gang
Let’s Gb7rock, everybody let’s Dbrock
EveryAb7body in the whole cell Gb7block
Was Dbdancin’ to the jail-house rock
CNumbDber forty seven said to number three
CYou’Dbre the cutest jailbird I ever did see
CI suDbre would be delighted with your company
CComeDbon and do the jailhouse rock with me
Let’s Gb7rock, everybody let’s Dbrock
EveryAb7body in the whole cell Gb7block
Was Dbdancin’ to the jail-house rock
Solo on chorus chords
Gb7DbAb7GbDb
CThe Dbsad sack was a-sittin’ on a block of stone
CWay Dbover in the corner weeping all alone
CThe Dbwarden said hey, buddy, don’t you be no square
CIf yDbou can’t find a partner use a wooden chair
Let’s Gb7rock, everybody let’s Dbrock
EveryAb7body in the whole cell Gb7block
Was Dbdancin’ to the jail-house rock
CShifDbty Henry said to Bugs for heaven’s sakes
CNo oDbne’s lookin’ now’s our chance to make a break
CBugsDby turned to Shifty and he said nix, nix
CI waDbnna stick around a while and get my kicks
Let’s Gb7rock, everybody let’s Dbrock
EveryAb7body in the whole cell Gb7block
Was Dbdancin’ to the jail-house rock
Elvis Presley - Love Me Tender (1956)
DLove me tender, E7love me sweet, A7never let me go D
DYou have made my E7life complete, A7and I love you so D
DLove me F#7tender, Bmlove me D7true, Gall my Gmdreams fulDfill
DFor my B7darling E7I love you, A7and I always Dwill
DLove me tender, E7love me long, A7take me to your Dheart
DFor it’s there that E7I belong, A7and we’ll never Dpart
DLove me F#7tender, Bmlove me D7true, Gall my Gmdreams fulDfill
DFor my B7darling E7I love you, A7and I always Dwill
DLove me tender, E7love me dear, A7tell me you are Dmine
DI’ll be yours through E7all the years, A7til the end of Dtime
Elvis Presley - Return to Sender (1962)
Originally in Eb, I play in D
DReturn to Bmsender
EmReturn to A7sender
DI gave a letter to the Bmpostman
EmHe put it in his A7sack
DBright and early next Bmmorning
Hard stop no “back”
He Embrought my A7letter Dback (she wrote upon it)
GReturn to A7sender, Gaddress unA7known
GNo such A7number, Dno such D7zone
GWe had a A7quarrel, Ga lover’s A7spat
E7I write I’m sorry but my letter keeps coming A7back
DSo when I dropped it in the Bmmailbox
EmAnd sent it special A7D
DBright and early next Bmmorning
It Emcame right A7back to Dme (she wrote upon it)
GReturn to A7sender,Gaddress unA7known
GNo such A7person, Dno such D7zone
Bridge
Vox on the 5 of the chord
GThis time I’m gonna take it myself
And Dput it right in her hand
Vox in the same place, now the b7 of the chord
And E7if it comes back the very next day
A7Then I’ll understand (the writing on it)
GReturn to A7sender, Gaddress unA7known
GNo such A7number, Dno such D7zone
Aaah, Greturn to A7sender
GReturn to A7sender
GReturn to A7sender
D9
Fats Domino - Ain't That a Shame (1955)
Fats Domino in B, McCartney in E, Cheap Trick in B
I play in A capo 2
You made, Ame cry, when you said goodbye
Ain’t that a Dshame, my tears fell like Arain
Ain’t that a Dshame, you’re the one to Eblame
You broke, Amy heart, when you said we’ll part
Ain’t that a Dshame, my tears fell like Arain
Ain’t that a Dshame, you’re the one to Eblame
Oh well A, goodbye, although, I’ll cry
Ain’t that a Dshame, my tears fell like Arain
Ain’t that a Dshame, you’re the one to Eblame
Solo on verse chords
AADADE
You made, Ame cry, when you said goodbye
Ain’t that a Dshame, my tears fell like Arain
Ain’t that a Dshame, you’re the one to Eblame
Oh well A, goodbye, although, I’ll cry
Ain’t that a Dshame, my tears fell like Arain
Ain’t that a Dshame, you’re the one to Ablame
A→ A/C#→ D→ Ebdim7→ E→ A
Fats Domino - Blueberry Hill (1956)
Fats Domino in B, I play in D
Intro
DGD
Vox on the 1 on “I”
I found my tGhrill
On Blueberry DHill
On Blueberry A7Hill
When I found Dyou G/DD
The moon stood Gstill
On Blueberry DHill
And lingered unA7til
Not a typo! It’s a IV in the first verse, and a iv here
My dream came trueDGmD
Vox on 5 2 3 4 5 of the key on “the wind in the will”
The V6 here is more like a I/7 in the original, which is awesome, but I couldn’t make that work on guitar
The A6wind in the Dwillow played
GLove’s sA6weet melodDy D7
But C#7all of the voF#mws you mC#7ade F#m
Vocally easier to hard stop on the last chord on this line
Were C#7never to F#be A7
Though we’re apGart
You’re part of me Dstill
For you were my A7thrill
On Blueberry HilDl GmD
The A6wind in the Dwillow played
GLove’s A6sweet melodDy D7
But C#7all of the voF#mws you mC#7ade F#m
Were C#7only to F#be A7
Though we’re aGpart
You’re part of me Dstill
For you were my A7thrill
On Blueberry HDill GmD
Frank Sinatra - Fly Me To The Moon (1964)
The Am→A7 transition is pretty optional.
Play G7’s as barre.
Am7
Am7Fly me to the Dm7moon
And let me pG7lay among the Cmaj7stars
Fmaj7Let me see what sBm7b5pring is like
On JE7upiter andAm7Mars A7
In oDm7ther words,G7hold my hEm7and A7
In Dm7other words,G7baby Cmaj7kiss me E7
Am7Fill my heart with sDm7ong
And let me G7sing for ever mCmaj7ore
Fmaj7You are all I loBm7b5ng for
All I E7worship and aAm7dore A7
In oDm7ther words,G7please be Em7true A7
In Dm7other words,G7I love Cyou E7
Am7Fill my heart with sDm7ong
And let me G7sing for ever mCmaj7ore
Fmaj7You are all I loBm7b5ng for
All I E7worship and aAm7dore A7
In Dm7other words,G7please be Em7b5true A7
In oDm7ther words
In oFm7ther words
I love Cyou Fdim7C
Frankie Valli and the Four Seasons - December, 1963 (Oh What a Night) (1963)
Originally in C#, I play in G
GGG/BC
CCG/DD
GGG/BC
CCG/DD
Oh, what a nGight G/BC
CLate DecG/Dember, bDack in ‘Gsixty-tG/Bhree C
CWhat a vG/Dery Dspecial Gtime for G/Bme C
As CI remG/Dember, wDhat a Gnight G/B
CCG/DD
Oh, what a nGight G/BC
You kCnow, I dG/Didn’t eDven kGnow her nG/Bame C
But ICwas nG/Dever Dgonna Gbe the sameG/BC
CWhat a laG/Ddy, Dwhat a Gnight G/B
CCG/DD
Oh, Am7I
I gCot a funny feeling when she Emwalked in the Droom
And, Am7I
As CI recall, it ended much Dtoo soon G/D→ D
Oh, what a nGight G/BC
CHypnoG/Dtising, DmesmerGising meG/BC
CShe was eG/DverythDing I Gdreamed she’d G/Bbe C
CSweet suG/Drrender, Dwhat a Gnight G/B
CCG/DD
Funky horn bridge
EmAx 2
Am7I felt a rush like a Bm7rolling bolt of thunder
CSpinning my head around and Dtaking my body under
Oh, what a nGight G/BC
CCG/DD
GGG/BC
CCG/DD
Oh, Am7I
I gCot a funny feeling when she Emwalked in the Droom
And, Am7I
As CI recall, it ended much too sDoon G/D→ D
Oh, what a nGight G/BC
CWhy’d it G/Dtake so lDong to Gsee the lG/Bight? C
CSeemed so G/Dwrong, but nDow it Gseems so rG/Bight C
CWhat a laG/Ddy, Dwhat a niGght G/B
CCG/DD
Funky horn bridge
EmAx 2
Am7I felt a rush like a Bm7rolling bolt of thunder
CSpinning my head around and Dtaking my body under
Oh, what a nGight G/BC
CCG/DD
Oh, what a nGight G/BC
CCG/DD
Gary Lewis and the Playboys - Count Me In (1965)
Originally in F, I play in D capo 2
DFBbAaugx2
DIf you need someone to count on, F#mcount me Ain
DSomeone you can rely on, F#mthrough thick and D7thin
GWhen you start to count the ones that Emyou might ever doubt
DIf you think of Fcounting me, Bbcount me Aaugout
DWhen you count the ones that want you, F#mcount me Atoo
DAnd if I’m not first on your lisF#mt, count me D7blue
GJust be sure you count on me and Emwhen the countin’s through
DCount me Fmadly, Ain love with Dyou
With triplets on the V
DDF#mAx2
DIf you need someone to count on, F#mwhen you’re Adown
DAnd all your other friends you’ve lF#most, can’t be D7found
GJust be sure you count on me Emwhen you’re down and out
DCount me in through Fthick and thin, or Bbit don’t Aaugcount
DWhen you count the ones that want you, F#mcount me Atoo
DAnd if I’m not first on your lisF#mt, count me D7blue
GJust be sure you count on me and Emwhen the countin’s through
DCount me Fmadly, Ain love with Dyou
DDF#mAx4
D
Gerry and the Pacemakers - How Do You Do It (1963)
Originally in A, I play in G
Intro
GEmAmD
GCGF→ F#
GHow Emdo you Amdo what you Ddo to me?
GI Emwish I Amknew D
If I Gknew how you Emdo it to Amme
I’d Ddo it to Gyou CGF→ F#
GHow Emdo you Amdo what you dDo to me?
GI’m Emfeeling Amblue D
Wish I Gknew how you Emdo it to Amme
But I Dhaven’t a Gclue CGF→ GF→ G
Vox on the 3 of the minor chord on “give”
You Amgive me a Dfeeling in my Gheart Em7
Vox on the 5 4 of the minor chord on “arrow”
Like an Amarrow, Dpassin’ Gthrough it F→ GF→ G
SupAmpose that you Dthink you’re very Gsmart Em
Vox up to the 5 of the chord on “won’t”, then the 3 of the chord on “how”
But Awon’t you tell me Dhow do you do it?
ADC→ DC→ D
GHow Emdo you Amdo what you Ddo to me?
GIf I Emonly Amknew D
Then perhGaps you’d Emfall for Amme like I Dfell for Gyou CGD
Solo on verse chords
You Amgive me a Dfeeling in my Gheart Em7
Like an Amarrow, Dpassin’ Gthrough it F→ GF→ G
SupAmpose that you Dthink you’re very Gsmart Em
But Awon’t you tell me Dhow do you do it?
ADC→ DC→ D
GHow Emdo you Amdo what you Ddo to me?
GIf I Emonly Amknew D
Then perhGaps you’ll Emfall for Amme like I Dfell for Eyou A7
When I Ddo it to Gyou CGF→ GF→ G
Hamilton, Joe Frank, and Reynolds - Don't Pull Your Love (1960)
Intro
G→ G/B→ Dx4
Don’t pull your Glove out on me, D/F#baby
If you Emdo then I think that Dmaybe I’ll
Just Clay me down
Bm7Cry for a hundred Am7years D
Don’t pull your Glove out on me, D/F#honey
Take my Emheart, my soul, my Dmoney
But don’t Cleave me dAm7rownin’ in my Gtears D/F#
You say you’re Emgonna leave A7
Gonna take that Dbig white bird Bm7
Gonna fly right Emout of here A7
Without a Dsingle word Bm7
But you know you’ll Embreak my heart A7
When I watch you Dclose A/C#that Bm7door
‘Cause I Gknow that I won’t A7see you anyDmore
D→ D/F#→ A
D→ D/F#→ A
Don’t pull your Glove out on me, D/F#baby
If you Emdo then I think that Dmaybe I’ll
Just Clay me down
Bm7Cry for a hundred Am7years D
Don’t pull your Glove out on me, D/F#honey
Take my Emheart, my soul, my Dmoney
But don’t Cleave me dAm7rownin’ in my Gtears D/F#
Haven’t I been Emgood to A7you?
What about that Dbrand new ring? Bm7
Doesn’t that mean Emlove to you? A7
Doesn’t that mean Danything? Bm7
If I threw aEmway my pride A7
And I got down Don A/C#my Bm7knees
GWould you make me A7beg you pretty Dplease?
D→ D/F#→ A
D→ D/F#→ A
Don’t pull your Glove out on me, D/F#baby
If you Emdo then I think that Dmaybe I’ll
Just Clay me down
Bm7Cry for a hundred Am7years D
Don’t pull your Glove out on me, D/F#honey
Take my Emheart, my soul, my Dmoney
But don’t Cleave me dAm7rownin’ in my Gtears
Bridge
Vox on the 1 of the chord on “there’s
AmThere’s so much I wanna do
Am/GI’ve got love enough for two
But IFmaj7‘ll never use it, girl, if I don’t have Am11you
Don’t pull your Glove out on me, D/F#baby
If you Emdo then I think that Dmaybe I’ll
Just Clay me down
Bm7Cry for a hundred Am7years D
Don’t pull your Glove out on me, D/F#honey
Take my Emheart, my soul, my Dmoney
But don’t Cleave me dAm7rownin’ in my Gtears D6
Don’t pull your Glove out on me, D/F#baby
If you Emdo then I think that Dmaybe I’ll
Just Clay me down
Bm7Cry for a hundred Am7years D
Don’t pull your Glove out on me, D/F#honey
Take my Emheart, my soul, my Dmoney
But don’t Cleave me dAm7rownin’ in my Gtears
Harry Belafonte - Jump in the Line (1961)
Originally in F, I play in E. Lots of 1.
Intro
EBx8
Vox on the 5
ShEake, shake, shake, Senora, shake your body lBine
Shake, shake, shake, Senora, shake it all the tEime
Vox up to the 1
Work, work, work, Senora, work your body lBine
Work, work, work, Senora, work it all the tEime
With hard stops
EMy girl’s name is SenAora
I Etell you friends, I aBdore her
And Ewhen she dances, oh bArother
She’s a hEurricane in all kBinds of weather
JEump in de line, Brock your body in tEime, OK, BI believe you
JEump in de line, Brock your body in tEime, OK, BI believe you
JEump in de line, Brock your body in tEime, OK, BI believe you
JEump in de line, Brock your body in tEime, whoa B
ShEake, shake, shake, Senora, shake your body lBine, whoa
Shake, shake, shake, Senora, shake it all the tEime
Work, work, work, Senora, work your body liBne
Work, work, work, Senora, work it all the tEime
YEou can talk about Acha cha
TEango, waltz, or de Brumba
SenEora’s dance has no tAitle
You jEump in the saddle, hold oBn to de bridle
JEump in de line, Brock your body in tEime, OK, BI believe you
JEump in de line, Brock your body in tEime, rock your bBody, child
JEump in de line, Brock your body in tEime, somebodBy, help me
JEump in de line, Brock your body in tEime, whoa B
ShEake, shake, shake, Senora, shake your body lBine
Shake, shake, shake, Senora, shake it all the tEime, whoa
Work, work, work, Senora, work your body lBine, yep
Work, work, work, Senora, work it all the tEime
SenoEra, she’s a sensAation
The rEeason for aviBation
And fEellas, you got to wAatch it
When she wEind up she bottom, she gBo like a rocket
JEump in de line, Brock your body in tEime, OK, BI believe you
JEump in de line, Brock your body in tEime, hBoist those skirts a little higher
JEump in de line, Brock your body in tEime, up the Bchimney
JEump in de line, Brock your body in tEime, wBhoa
Brass solo
EBx8
Pause a measure after this line
ShEake, shake, shake, Senora
BShake your body line
...and another measure after this line
BWork, work, work, Senora
Work it all the Etime
...and here
EDance, dance, dance, Senora
BDance it all the time
...and here
BWork, work, work, Senora
BWork it all the Etime
SenEora dances CaAlypso
LEeft to right is de tBempo
And wEhen she gets the senAsation
She go Eup in the air, come dBown in slow motion
JEump in de line, Brock your body in tEime, OK, BI believe you
JEump in de line, Brock your body in tEime, Bsomebody help me
JEump in de line, Brock your body in tEime, OK, BI believe you
JEump in de line, Brock your body in tEime, OK, BI believe you
JEump in de line, Brock your body in tEime
ShEake, shake, shake, Senora, shake your body lBine
Shake, shake, shake, Senora, shake it all the tEime, whoa
Hard stop on “nora”
Work, work, work, SenEora
Herman's Hermits - I'm Into Something Good (1964)
Originally in C, I play in G
GCx 4
GWoke up this Cmorning Gfeeling Cfine
GThere’s something Cspecial Gon my mind
CLast night I met a new girl in the neighborGhood, whoa yeah
DSomething tells me CI’m into something Ggood
(Something Ctells me GI’m into Csomething)
GShe’s the kind of Cgirl who’s Gnot too Cshy
GAnd I can Ctell I’m Gher kind of guy
CShe danced close to me like I hoped she Gwould
(She danced with me like I hoped she would)
DSomething tells me CI’m into something Ggood
(Something Ctells me GI’m into Csomething)
Bridge
Vox on the 7 of the chord
DWe only danced for a minute or two
But then she Gstuck close to Cme the Gwhole night through
DCan I be falling in love?
AShe’s everything I’ve been A7dreaming Dof
She’s everything I’ve been A7dreaming Dof
GI walked her Chome and she Gheld my Chand
I kGnew it couldn’t Cbe just a Gone-night stand
So CI asked to see her next week and she told me I Gcould
(I asked to see her and she told me I could)
DSomething tells me CI’m into something Ggood
(Something Ctells me GI’m into Csomething)
(GSomething Ctells me GI’m into Csomething)
Two extra measures of IV
CAhhhh C
Pseudo-solo
GGCD
GI walked her Chome and she Gheld my Chand
I kGnew it couldn’t Cbe just a Gone-night stand
So ICasked to see her next week and she told me I Gcould
(I asked to see her and she told me I could)
DSomething tells me CI’m into something Ggood
(Something Ctells me GI’m into Csomething)
DSomething tells me CI’m into something Ggood
(Something Ctells me GI’m into Csomething)
To something Dgood, oh Cyeah, something Ggood
(Something Ctells me GI’m into Csomething)
To something Dgood, oh Cyeah, something Ggood
Herman's Hermits - Mrs. Brown You've Got a Lovely Daughter (1965)
Muted, uke-like feel in the verse, open up in the chorus
CEmDm7G7x2
CMrs. EmBrown you’ve Dm7got a G7lovely Cdaughter EmDm7G7
CGirls as Emsharp as Dm7her are G7somethin’ Crare EmDm7G7
AmBut it’s Csad, Amshe doesn’t Clove me now
AmShe’s made it Cclear enough it ain’t no good to G7pine
CShe wants Emto reDm7turn those G7things I Cbought her EmDm7G7
CTell her Emshe can Dm7keep them G7just the Csame EmDm7G7
AmThings have Cchanged, Amshe doesn’t Clove me now
AmShe’s made it Cclear enough it ain’t no good to G7pine Bb
Vox on the root (Eb), up a half step from “pine”
EbWalkin’ aGmbout, Abeven in a Bbcrowd, well
GbYou’ll pick her Bbmout, Bbmakes a bloke feel Gso proud
CIf she Emfinds that Dm7I’ve been G7‘round to Csee you EmDm7G7
CTell her Emthat I’m Dm7well and G7feelin’ Cfine EmDm7G7
AmDon’t let Con, Amdon’t say she’s Cbroke my heart
AmI’d go down Con my knees but it’s no good to G7pine Bb
EbWalkin’ aGmbout, Abeven in a Bbcrowd, well
GbYou’ll pick her Bbmout, Bbmakes a bloke feel Gso proud
CIf she Emfinds that Dm7I’ve been G7‘round to Csee you EmDm7G7
CTell her Emthat I’m Dm7well and G7feelin’ Cfine EmDm7G7
AmDon’t let Con, Amdon’t say she’s Cbroke my heart
AmI’d go down Con my knees but it’s no good to G7pine
CMrs. EmBrown you’ve Dm7got a G7lovely Cdaughter EmDm7G7
CMrs. EmBrown you’ve Dm7got a G7lovely Cdaughter EmDm7G7
C6
Jay and the Americans - Come a Little Bit Closer (1963)
Originally in Eb, I play in A capo 3
Vox on 1 2 3 3 3 3 on “in a little cafe”
In a Alittle cafe just the Dother side of the Aborder
She was just sitting there giving me Dlooks that made my mouth Awater
So I Dstarted walking her way, she belonged to bad man Jose
Hard stop at the end of the line
And I Eknew, yes I knew I should leave when I heard her Asay, aDy, Eay
The IV is implied here
DCome a little bit Acloser
You’re Dmy kind of Eman, so big and so Dstrong
Come a little bit Acloser
DI’m all aElone, and the night is so long ADED
So we Astarted to dance, in my Darms she felt so inAviting
That I just couldn’t resist just Done little kiss, so exAciting
Then I Dheard the guitar player say, “Vamoose, Jose’s on his way”
And I Eknew, yes I knew I should run, but I heard her Asay, aDy, Eay
DCome a little bit Acloser
You’re Dmy kind of Eman, so big and so Dstrong
Come a little bit Acloser
DI’m all aElone, and the night is so long ADED
Solo
AADEx 4
A bit quiet
Then the Amusic stopped, when I Dlooked the cafe was Aempty
Then I heard Jose say “an, you Dknow you’re in trouble Aplenty“
So I Ddropped my drink from my hand and through the window I ran
And as EI rode away I could hear her say to AJosDeE
DCome a little bit Acloser
You’re Dmy kind of Eman, so big and so Dstrong
Come a little bit Acloser
DI’m all aElone, and the night is so long ADED
With ad libs
AADEx 4
Jerry Lee Lewis - Great Balls of Fire (1957)
Originally in C, I play in A capo 2
Hard stops throughout this verse
AYou shake my nerves and you rattle my brain
D7Too much love drives a man insane
E7You broke my will, D7but what a thrill
AGoodness, gracious, great balls of fire
Band enters
AI laughed at love, for I thought it was funny
D7You came along and moved me honey
E7I changed my mind, D7this love is fine
AGoodness, gracious, great balls of fire
D7Kiss me baby, woooooo, Ait feels good
D7Hold me baby
Well, E7I want to love you like a lover should
E7You’re fine, so kind
E7Got to tell this world that you’re mine mine mine mine
AI chew my nails and then I twiddle my thumbs
D7I’m real nervous but it sure is fun
E7C’mon baby, D7you drive me crazy
AGoodness, gracious, great balls of fire
Solo
ADE→ DAx2
D7Kiss me baby, woooooo, Ait feels good
D7Hold me baby
Well, E7I want to love you like a lover should
E7You’re fine, so kind
E7Got to tell this world that you’re mine mine mine mine
AI chew my nails and then I twiddle my thumbs
D7I’m real nervous but it sure is fun
E7C’mon baby, D7you drive me crazy
AGoodness, gracious, great balls of fire
A
Johnny Cash - I Walk the Line (1956)
Originally starts in Bb, I play the first chord as A capo 3
Intro
ADAEB7E
Vox on the 5 of the chord on “close”
I keep a Bclose watch on this heart of Emine
I keep my Beyes wide open all the Etime
I keep the Aends out for the tie that Ebinds
Because you’re Bmine, I walk the Eline
AAAA
Vox on the 5 of the chord again, but now we’re a fourth lower
I find it Every, very easy to be Atrue
I find mysEelf, alone when each day’s Athrough
Yes, I’ll adDmit that I’m a fool for yAou
Because you’re Emine, I walk the Aline
DDDD
As sure as nAight is dark and day is Dlight
I keep you Aon my mind both day and Dnight
And happinGess I’ve known proves that it’s Dright
Because you’re Amine, I walk the Dline
A
You’ve got a Eway to keep me on your Aside
You give me Ecause for love that I can’t hAide
For you I kDnow I’d even try to turn the Atide
Because you’re Emine, I walk the Aline
E
I keep a Bclose watch on this heart of Emine
I keep my Beyes wide open all the Etime
I keep the Aends out for the tie that Ebinds
Because you’re Bmine, I walk the Eline
E
Johnny Cash - Ring of Fire (1963)
Intro
GC→ G
G/BC→ G
GLove, is a bCurning tGhing
And it mGakes a Dfiery Gring
GBound, by wCild desiGres
GI fell into a rDing of fGire
DI fell into a bCurning ring of Gfire
I went Ddown, down, down, and the Cflames went Ghigher
And it Gburns, burns, burns, the Cring of Gfire
The Dring of fGire
GC→ G
G/BC→ G
GC→ G
G/BC→ G
DI fell into a bCurning ring of Gfire
I went Ddown, down, down, and the Cflames went Ghigher
And it Gburns, burns, burns, the Cring of Gfire
The Dring of fGire
The Gtaste of Clove is swGeet
When Ghearts like oDurs Gmeet
GI fell for you Clike a cGhild
GOh, but the firDe went wGild
DI fell into a bCurning ring of Gfire
I went Ddown, down, down, and the Cflames went Ghigher
And it Gburns, burns, burns, the Cring of Gfire
The Dring of fGire
DI fell into a bCurning ring of Gfire
I went Ddown, down, down, and the Cflames went Ghigher
And it Gburns, burns, burns, the Cring of Gfire
The Dring of fGire
And it Gburns, burns, burns, the Cring of Gfire
The Dring of fGire
The Dring of fGire
The Dring of fGire
Lesley Gore - It's My Party (1963)
Originally in A, I play in A capo 2
AE→ D→ AE
AIt’s my party and I’ll Aaugcry if I want to
DCry if I want to, Dmcry if I want to
AYou F#mwould cry Bmtoo if it Ehappened to Ayou
AE→ D→ AE
Way down to the 5 of the chord on “gone”
ANobody knows where my CJohnny has gone
But AJudy left the same Dtime
FWhy was he Aholding her hand
Vox on the 1 of the chord on “he’s”, 6 on “posed”
When B7he’s supposed to be Emine
AIt’s my party and I’ll Aaugcry if I want to
DCry if I want to, Dmcry if I want to
AYou F#mwould cry Bmtoo if it Ehappened to Ayou
AE→ D→ AE
APlay all my records keep Cdancing all night
But Aleave me alone for a wDhile
FTill Johnny’s Adancing with me
I’ve B7got no reason to Esmile
AIt’s my party and I’ll Aaugcry if I want to
DCry if I want to, Dmcry if I want to
AYou F#mwould cry Bmtoo if it Ehappened to Ayou
AE→ D→ AE
Solo on chorus chords if appropriate
AJudy and Johnny just Cwalked through the door
ALike a queen with her Dking
FOh what a Abirthday surprise
B7Judy’s wearing his Ering
AIt’s my party and I’ll Aaugcry if I want to
Hanging stop on the second “cry”
DCry if I want to, Dmcry if I want to
AYou F#mwould cry Bmtoo if it Ehappened to
AYou F#mwould cry Bmtoo if it Ehappened to
AYou F#mwould cry Bmtoo if it Ehappened to Ayou
AE→ D→ A
Little Eva - The Locomotion (1962)
Originally around Eb, I play in E (down an octave) (obviously)
Intro
E
Vox on the 1
EEverybody’s doing a C#mbrand new dance, now
Vox on the 5
ECome on, baby, C#mdo the locomotion
I Eknow you’ll get to like it if you C#mgive it a chance now
ECome on, baby, C#mdo the locomotion
Vox on 1 2 1 2 of the chord (4 6 4 6 of the key) on “little baby”
My Alittle baby sister can F#mdo it with ease
It’s Aeasier than learning your F#ABC’s
Vox on 6 5 on “come on”
So, Ecome on, come on, Bdo the locomotion with Eme
Vox on the 6 on “swing”
EYou gotta swing your hips, now, Acome on, baby
Jump Eup, jump back, well I Bthink you’ve got the knack, whoa, oh
ENow that you can do it C#mlet’s make a chain now
ECome on, baby, C#mdo the locomotion
A Echug-a-chug-a motion like a C#mrailroad train, now
ECome on, baby, C#mdo the locomotion
ADo it nice and easy now, F#mdon’t lose control
A lAittle bit of rhythm, and a F#lot of soul
ECome on, come on, Bdo the locomotion with Eme
Sax solo
EAEB
Yeah, yeah, yeah, yeah
EMove around the floor in a C#mlocomotion
ECome on, baby, C#mdo the locomotion
EDo it holding hands, if C#myou get the notion
ECome on, baby, C#mdo the locomotion
There’s Anever been a dance that’s so F#measy to do
It Aeven makes you happy when you’re F#feeling blue
So, Ecome on, come on, Bdo the locomotion with Eme
E(Come on) You gotta swing your hips, now, (do the locomotion)
A(Come on) That’s right
You’re doin’ fEine (come on, do the locomotion)
Come on, Ababy (come on, do the locomotion) mmmm, mmm, mmm
Jump Eup, jump back (come on, do the locomotion)
You’re lookin’ Agood (come on, do the locomotion) mmm, mmm, mmm
Little Richard - Tutti Frutti (1955)
Originally in F, I play in A capo 2, most of the melody is on the 3
Intro, vox on the 1
Wa bop a lu mop a lop bom bom
Tutti Afrutti, oh rooty
Tutti Afrutti, oh rooty
Tutti Dfrutti, oh rooty
Tutti Afrutti, oh rooty
Tutti Efrutti, oh Drooty
Hard stop on “wa”
Ah wAa bop a lu mop a lop bom bom
I got a Agirl named Sue
She knows just what to do
I’ve got a Dgirl named Sue
She Aknows just what to do
Hard stops on the next two lines
She Arock me to the east, she Arock me to the west
But Ashe’s the girl that I love best
Tutti Afrutti, oh rooty
Tutti Afrutti, oh rooty, wooooh
Tutti Dfrutti, oh rooty
Tutti Afrutti, oh rooty
Tutti Efrutti, oh Drooty
Ah wAa bop a lu mop a lop bom bom
I gAot a girl named Daisy
She Aalmost drive me crazy
Got a Dgirl named Daisy
She Aalmost drive me crazy
She Aknows how to love me, Ayes, indeed
ABoy, you don’t know what she do to me
Tutti Afrutti, oh rooty
Tutti Afrutti, oh rooty, wooooh
Tutti Dfrutti, oh rooty
Tutti Afrutti, oh rooty
Tutti Efrutti, oh Drooty
Not exactly a hard stop, percussion plays through
AWa bop a lu mop, ow
Solo
AAAA
DDAA
ED#AA
Aaaah, tutti Afrutti, oh rooty
Tutti Afrutti, oh rooty, wooooh
Tutti Dfrutti, oh rooty
Tutti Afrutti, oh rooty
Tutti Efrutti, oh Drooty
Ah wAa bop a lu mop a lop bom bom
I gAot a girl named Daisy
She Aalmost drive me crazy
Got a Dgirl named Daisy
She Aalmost drive me crazy
She Aknows how to love me, Ayes, indeed
ABoy, you don’t know what she do to me
Tutti Afrutti, oh rooty
Tutti Afrutti, oh rooty, wooooh
Tutti Dfrutti, oh rooty
Tutti Afrutti, oh rooty
Tutti Efrutti, oh Drooty
Not exactly a hard stop, percussion plays through
Ah wAa bop a lu mop a lop bam boom
Lloyd Price - Stagger Lee (1958)
Lloyd Price in Eb, I play in A capo 1
Rubato
Vox on 2 2 1 on “night was clear”, 6 6 5 3 of the key on “moon was yellow”
The Anight was clear, and the F#mmoon was yellow
The I on “down” is implied, and very short
And the Dleaves came tumblin’ doAwn E7
At tempo, vox on the 3
I was Astandin’ on the A7corner
When I Dheard my bulldog bark
He was Abarkin’ at the two men
Who were E7gamblin’ in the Adark E7
It was AStagger Lee, and A7Billy
Two Dmen who gambled late
Stagger ALee threw a seven
Billy E7swore that he threw Aeight E7
Stagger ALee, told A7Billy
I can’t Dlet you go with that
You have Awon all my money
And my E7brand-new Stetson Ahat E7
Stagger ALee, went home
And he Dgot his forty-four
He said, I’m Agoin’ to the barroom
Just to E7pay that debt I Aowe
GE7o on, Stagger Lee
Solo on verse chords
AA7DAE7AE7
Stagger ALee went to the A7barroom
And he Dstood across the barroom door
He said, now Anobody move
And he E7pulled his fourty-fouAr E7
Stagger ALee, cried A7Billy
Oh, Dplease don’t take my life
I got Athree little children
And a E7very sickly Awife E7
Stagger ALee shot A7Billy
Oh, he Dshot that poor boy so bad
Till the Abullet came through Billy
And it E7broke the bartender’s Aglass
LE7ook out, Stag
Solo on verse chords, with ad libs on “go Stagger Lee”
AA7DAE7AE7
Malvina Reynolds - Little Boxes (Weeds Theme) (1962)
Originally in F, I play in C capo 1
Highest note is the 3
Intro, rubato
CAmF→ Em→ Dm→ C
At tempo
C
Vox on 5 6 3 1 on “little boxes”
Little boCxes on the hillside, little boFxes made of ticCky-tacky
Vox stay on the 5 on “boxes”
Little Cboxes on the G7hillside, little Cboxes all the G7same
There’s a Cpink one, and a green one, and a Fblue one, and a yCellow one
And they’re Call made out of G7ticky-tacky, and they Call look G7just the sCame
C
And the Cpeople in the houses, all Fwent to the univeCrsity
Where Cthey were put in G7boxes, and they Ccame out all the G7same
And there’s Cdoctors, and lawyers, and Fbusiness exeCcutives
And they’re Call made out of G7ticky-tacky, and they Call look G7just the Csame
C
And they Call play on the golf course, and Fdrink their martiCnis dry
And they Call have pretty G7children, and the Cchildren go to G7school
And the Cchildren go to summer camp, and Fthen to the univeCrsity
Where Cthey are put in G7boxes, and they Ccome out G7all the sCame
C
And the Cboys go into business, and Fmarry and raise a fCamily
In Cboxes made of G7ticky-tacky, and they Call look just the G7same
There’s a Cpink one, and a green one, and a Fblue one, and a yCellow one
Slow and hold...
And they’re Call made out of G7ticky-tacky, and they Call look G7just the Csame
Back at tempo
CAmF→ Em→ Dm→ C
Martha and the Vandellas - Dancing in the Street (1964)
Vandellas around Eb, Bowie and Jagger in B, I play in A
Intro
G/A→ Ax4
G/ACallin’ Aout aG/Around the Aworld
Are you G/Aready for a Abrand new G/AbeatA
G/ASummer’s Ahere and the G/Atime is Aright
For G/Adancin’ Ain the G/Astreet
They’re Adancin’ in ChiG/Acago AG/A
Down in G/ANew OrlAeans
G/AIn ANew York G/ACityA
G/AAll we Aneed is mDusic, sweet music
DThere’ll be music everywhere
There’ll be G/Aswingin’, Aswayin’ and G/Arecords Aplaying’
G/ADancin’ Ain the G/Astreet, Aoh
C#7It doesn’t matter what you wear
Just as F#mlong as you are there
Mamas and the Papas (and Bowie/Jagger) use a II instead of a ii here... that’s a good idea!
So come on, Bmevery guy grab a girl
D/EEverywhere arEound the world
There’ll be G/Adancing A
G/AThey’re dancing Ain the stG/Areet AG/AA
This is G/Aan inviAtation acG/Aross the Anation
A G/Achance for Afolks to G/Ameet A
There’ll be G/Alaughter, Asinging and G/Amusic sAwinging
G/ADancing Ain the stG/Areet
PhilaAdelphia, G/AP.A. AG/A
BaltiAmore and D.G/AC. now A
G/ACan’t forAget the Motor G/ACity A
G/AAll we Aneed is mDusic, sweet music
DThere’ll be music everywhere
There’ll be G/Aswingin’, Aswayin’ and G/Arecords Aplaying’
G/ADancin’ Ain the G/Astreet, Aoh
C#7It doesn’t matter what you wear
Just as F#mlong as you are there
So come on, Bmevery guy grab a girl
D/EEverywhere arEound the world
They’re G/Adancing A
G/AThey’re dancing Ain the stG/Areet (dancing iAn the street)
G/AWay down Ain L. G/AA., evAerydaG/Ay (dancing)
They’re dancing Ain the stG/Areet (dancin’ Ain the street)
G/ALet’s form a Abig long G/Aline (Aget in G/Atime)
Were dancing Ain the stG/Areet (dancing Ain the street)
G/AAcross the Aocean G/Ablue (dancing Ain the street)
They’re dancing Ain the stG/Areet, yeah (dancing Ain the street)
Mary Wells - My Guy (1964)
Originally in Bb, I play in E
Highest note that matters is the 1 (“*tellin’* you from the start”)
Intro
EEEA6→ B6
With some maj6 and maj7
Vox on the 5 on “nothing”, 5 1 on “my guy”
ENothing you can say can tear me away from my guy
ENothing you could do ‘cause I’m stuck like glue, to mG#7y guy
Vox down to the 1 of the chord on “stick”
I’m F#msticking to my Bguy, like a F#mstamp to a Bletter
Hard stop after “we”
Like F#mbirds of Bfeather we, F#mstick together
I’m Etellin’ you from the C#m7start, I F#m7can’t be torn apB7art from mEy guy A6→ B6
ENothing you could do could make me untrue, to my guy
ENothing you could buy could make me tell a lie, to G#7my guy
I F#mgave my Bguy my, F#mword of Bhonor
F#mTo be Bfaithful, F#mand I’m gonna
You Ebest be belC#m7ieving I woF#m7n’t be deceiB7ving mEy guy A6→ B6
Bridge
As a F#mmatter of opBinion, I tF#mhink he’s tBops
F#mMy opinion Bis, he’s the Ecream of the crop
As a C#mmatter of G#mtaste, to C#mbe exaG#mct
F#7He’s my ideal, as a B7matter of fact
No Emuscle bound man could take my hand, from my guy
No Ehandsome face could ever take the place of G#7my guy
He F#mmay not Bbe a F#mmovie Bstar
But when it F#mcomes to being Bhappy, F#mwe are
There’s not a Eman todC#m7ay, who could F#m7take me awaBy from myEguy A6→ B6
Repeat intro
EEEA6→ B6
No Emuscle bound man could take my hand, from my guy
No Ehandsome face could ever take the place of G#7my guy
He F#mmay not Bbe a F#mmovie Bstar
But when it F#mcomes to being Bhappy, F#mwe are
There’s not a Eman todC#m7ay, who could F#m7take me awaBy from myEguy
A6What’cha B6say
There’s not a Eman todEay, who can F#m7take me awaBy from myEguy
A6Tell me mB6ore
There’s not a Eman todEay, who can F#m7take me awaBy from myEguy
Maurice Williams - Stay (1960)
Maurice Williams in Bb, Four Seasons in Bb, Hollies in A (and insanely fast), Jackson Browne in G
I play in G
There is a separate entry for the Jackson Browne version
GEmCD
GStay, EmCjust a Dlittle bit
GLonger EmCD
GPlease, Emplease, please, Cplease, Dtell me that you’re
GGoing to EmCD
Now your Gdaddy don’t Emmind CD
And you Gmommy don’t Emmind CD
If we Ghave another danceEm, yCeah just a oDne more
Hang this chord
EmOne more time
Oh, won’t you Gstay, EmCjust a Dlittle bit
GLonger, EmCplease Dlet me
GHear, EmCyou Dsay you wiGll
Cmaj7Say yAm7ou wiGll
B7Won’t you place your sweet lips to mEmi-i-i-i-i-i-i-ine
Hard stops on the V’s
AWon’t you say you love me, DDall of the time
GStay, EmCjust a Dlittle bit
GLonger EmCD
GPlease, Emplease, please, Cplease, Dtell me you’re
GGoing to, EmCcome on, come oDn, come on and
GStay, EmCcome on, come oDn, come on
GStay, EmCcome on, come oDn, come on
GStay
Mickey and Sylvia - Love is Strange (1956)
Originally in C, I play in G if I’m alone, duet in C
Intro
GGCDx3
G
Sylvia on 5 3 on “love”, Mickey on 1 5
GLove (hmm mCm)
Love is Gstrange (yeah Cyeah)
Lot of Gpeople (hmm mCm)
Take for a Ggame CD
Once you Gget it (hmm mCm)
You never wanna Gquit (no Cno)
After you’ve Ghad it (yeah Cyeah)
You’re in an awful Gfix CD
Many Gpeople (hmm mCm)
Don’t underGstand (no Cno)
They think Gloving (yeah Cyeah)
Is money in the Ghand CD
Your sweet Gloving (hmm mCm)
Is better than a Gkiss (yeah Cyeah)
When you Gleave me (hmm mCm)
Sweet kisses I Gmiss CD
Solo
GGCDx3
G
GGCDx3
G
Spoken
GSylvia? CYes, MDickey
GHow do you call your lover boy? CCome here Dlover boy
GAnd if he doesn’t answer? COh loDver boy
GAnd if he still doesn’t answer? CI simply Dsay
GBaby, Coh Gbaby C
Hard stop on “one”
My sweet Gbaby, Cyou’re the Gone
GBaby (hmm mCm), oh baGby (yeah yeCah)
Hard stop on “one”
My sweet Gbaby (hmm mCm), you’re the onGe
GGCDx3
G
Misc - Gilligan's Island Theme (1964)
Originally starts in Dm, I play in Bm capo 3
Just Bmsit right back and you’ll Ahear tale, a Bmtale of a fateful Atrip
That Bmstarted from this Atropic port, aGboard this Atiny Bmship
The mCmate was a mighty A#sailin’ man, the Cmskipper brave and A#sure
Five Cmpassengers set A#sail that day for a G#three A#hour Cmtour
A G#three A#hour Cmtour
Pause for lightning sounds...
The C#mweather started Bgetting rough, the C#mtiny ship was Btossed
If C#mnot for the courage of the Bfearless crew, the AMinnow Bwould be C#mlost
The AMinnow Bwould be C#mlost
The Dmship set ground on the Cshore of this unchDmarted desert Cisle
With DmGilligan, the Cskipper too, the Dmmillionaire and his Cwife
In early seasons, this just said “the movie star, and the rest”
The Dmmovie Cstar, the Dmprofessor and CMary Ann, Dmhere on CGilligan’s Dmisle
This was the outro in most seasons
Now, Bmthis is a tale of our Acastaways, they’re Bmhere for a long, long Atime
They’ll Bmhave to make the Abest of things, Git’s an Auphill Bmclimb
The Cmfirst mate and his A#skipper too will Cmdo their very A#best
To Cmmake the others A#comfortable in the G#tropic A#island Cmnest
No C#mphones, no lights, no Bmotorcars, not a C#msingle luxBury
Like C#mRobinson Cah-rBu-soe, it’s pArimitive Bas can C#mbe
So Dmjoin us here each Cweek my friend, you’re Dmsure to get a Csmile
From Dmseven stranded Ccastaways, Ahere on Gilligan’s Dmisle
Neil Sedaka - Breaking Up Is Hard to Do (1962)
Originally in B, I play in D capo 3
Do do do
DDown dooby Bmdoo down Gdown, Acomma comma
DDown dooby Bmdoo down Gdown, Acomma comma
DDown dooby Bmdoo down Gdown
ABreaking up is Dhard Gto Ddo
Don’t take your DlovBme aGway from Ame
DDon’t you Bmleave my heart in GmiseAry
DIf you D/C#go then BmI’ll be blue
Vox on the 2 of the chord on “breaking”
‘Cause Ebreaking up is hard to Ado
Re-mem-ber DwheBmn you Gheld me Atight
DAnd you Bmkissed me Gall through the Anight
DThink of D/C#all that Bmwe’ve been through
And Ebreaking up is Ahard to Ddo
Vox stay on the 1 for “they say”, and on “break”,
it goes to the b3
They say that breaking Dmup G7is Dmhard to G7do
CNow I Cmaj7know I C6know that it’s Cmaj7true
CmDon’t F7say that Cmthis is the F7end
InA#stead of breaking up I wish that
A7We were making up again
I beg of DyouBm
GDon’t say goodAbye
DCan’t we Bmgive our love aGnother Atry?
DCome on D/C#baby, let’s Bmstart anew
‘Cause Ebreaking up is Ahard to Ddo
Girls sing the first and third lines this time
They say that breaking Dmup G7is Dmhard to G7do
CNow I Cmaj7know I C6know that it’s Cmaj7true
CmDon’t F7say that Cmthis is the F7end
InA#stead of breaking up I wish that
A7We were making up again
I beg of DyouBm
GDon’t say goodAbye
DCan’t we Bmgive our love aGnother Atry?
DCome on D/C#baby, let’s Bmstart anew
‘Cause Ebreaking up is Ahard to Ddo
Fade
DDown dooby Bmdoo down Gdown, Acomma comma
DDown dooby Bmdoo down Gdown, Acomma comma
DDown dooby Bmdoo down Gdown
Nina Simone - Feeling Good (1965)
Nina Simone in Gm, Michael Bublé in Ebm, I play in Em and drop all the gymnastic at the end
I follow the Michael Bublé arrangement, except that I don’t do the key change
Let ring, rubato
EmBirds flying Em7/Dhigh Cmaj7you know how I feEm/Bel B7
EmSun in the skEm7/Dy Cmaj7you know how I fEm/Beel B7
EmReeds driftin’ on bEm7/Dy C#m7b5you know how I Cmaj7feel
Chords ring after each line
It’s a new dawn Cmaj7
It’s a new day Am11
It’s a new life F#m7b5
B7For me
And I’m feeling good
At tempo
EmEm7/DCmaj7I’m B7
EmFeeling good Em7/DCmaj7B7
EmFish in the Em7/Dsea Cmaj7you know how I feelB7
EmRiver running Em7/Dfree Cmaj7you know how I feelB7
EmBlossom oEm7/Dn the tree C#m7b5you know how I feCmaj7el
It’s a nEm/Bew dawn
It’s a nAm7ew day
It’s a nAm7/Gew life F#m7b5
Hard stop on the V#5
For me AmB7#5
Not what you think happens here... James Bond chords, not the descending pattern from the first verse
And I’m fEmeeling good Em(#5)Em6Em(#5)
EmDragonfly oEm7/Dut in the sun
Cmaj7You know what I meB7an, don’t you know
EmButterflies aEm7/Dll havin’ fun
Cmaj7You know what I mB7ean
EmSleep in Em7/Dpeace when day is done C#m7b5
That’s what I meCmaj7an
Faster chord changes here
And this oEmld world Em/D
Is a nAm7/Cew world Am7/E
And a bAm7/Gold world F#m7b5
For Emme Em7/DCmaj7B7
The Michael Bublé version changes key up a whole step here
EmStars Em7/Dwhen you shine, Cmaj7you know how I feB7el
EmScent of the Em7/Dpine, Cmaj7you know how I feB7el
EmOh freedom is Em7/Dmine and I knC#m7b5ow how I feCmaj7el
It’s a nEmew dawn
It’s a nEm7/Dew day
It’s a nC#m7b5ew life Cmaj7
It’s a nEmew dawn
It’s a nEm7/Dew day
It’s a nC#m7b5ew life Cmaj7
It’s a nEmew dawn
It’s a nEm7/Dew day
It’s a nC#m7b5ew life Cmaj7
For mCmaj7e B7#5
And I’m feeling
EmGood Em7/DCmaj7B7
Em
Patsy Cline - Crazy (1962)
Originally in Bb, I play in E
EEA6A6Amaj7G#m7F#m7B7
Vox on 3 5 on “crazy”, 1 3 5 1 b7 of the chord on “crazy for feeling”
Play the bVII in the same voicing as you’re going to play the VI
ECrazy, EDI’m C#7crazy for feeling F#mso lonely F#mM7F#m7
Vox on 9 3 of the chord on “crazy”, which starts where “lonely” was
1 3 5 4 (up an octave) 9 of the chord on “crazy for feeling”
I’m Bcrazy, crazy for Gdim7feeling so Eblue Fdim7F#m7B7
EI knew EDyou’d lC#7ove me as long as you F#mwanted F#mM7F#m7
Vox on 9 3 of the chord on “someday”, 7 of the chord on “somebody”
And then Bsomeday you’d leave me for sB7omebody Enew F#m7Gdim7G#dim7
Vox on 5 3 of the chord on “worry”
AWorry, why do I let myself Eworry? Fdim7
Vox on “wond’ring” the same as “worry”
F#7Wond’ring what in the world did I Bdo? B7
ECrazy EDfor C#7thinking that my love F#mcould hold you F#mM7F#m7
I’m Amaj7crazy for G#m7trying and F#m7crazy for Fdim7crying
And I’m F#m7crazy for B7loving you EB9
Originally changes key here up a half-step, I just repeat
ECrazy EDfor C#7thinking that my love F#mcould hold you F#mM7F#m7
I’m Amaj7crazy for G#m7trying and F#m7crazy for Fdim7crying
And I’m F#m7crazy for B7loving you E
Paul Simon - Kathy's Song (1964)
Originally in G tuned down to F#, I play in G
Intro
GGGC/Gx4
GI hear the C/Gdrizzle of the Grain
AmLike a Am/GmemoCry iG/Bt Bm/F#falls
GSoft and Bm/F#warm contGinuCing
AmTapping Asus2/Gon my Droof and Gwalls
GC/Gx4
GAnd from the C/Gshelter of my Gmind
AmThrough the Am/Gwindow Cof mG/By Bm/F#eyes
I Ggaze beBm/F#yond the Grain-drenched Cstreets
Not a typo, this line is shorter than it is in all the other verses, and the vi/5 is gone
To EAmngland, Dwhere my hGeart lies
GC/Gx4
D11D11
GC/Gx4
GMy mind’s disC/Gtracted and diffuGsed
AmMy thoughts are mAm/Gany Cmiles G/BaBm/F#way
They lGie with Bm/F#you when Gyou’re aCsleep
And kAmiss you Asus2/Gwhen you Dstart your Gday
GC/Gx4
And a sGong I was C/Gwriting is left unGdone
AmI don’t know Am/Gwhy I Cspend mG/By Bm/F#time
GWriting Bm/F#songs I Gcan’t beClieve
With wAmords that Asus2/Gtear and Dstrain to Grhyme
GC/Gx4
D11D11
GC/Gx4
GAnd so you C/Gsee, I have come to Gdoubt
AmAll that Am/GI once Cheld aG/Bs Bm/F#true
GI stand aBm/F#lone withGout beCliefs
The oAmnly Asus2/Gtruth I Dknow is Gyou
GC/Gx4
GAnd as I C/Gwatch the drops of Grain
AmWeave their Am/Gweary Cpaths aG/Bnd Bm/F#die
I Gknow that Bm/F#I am Glike the Crain
AmThere but fAsus2/Gor the grace of Dyou go GI
GC/Gx4
Optionally play an instrumental verse
G
Peter, Paul, and Mary - If I Had a Hammer (1962)
Originally in A, I play in D, highest note is the 1
DF#mGAx2
If I had a DhaF#mmmerGA
I’d hammer in the DmoF#mrninGg A
I’d hammer in the DevF#meninGg
All over this Aland
I’d hammer out Ddanger
I’d hammer out a Bmwarning
I’d hammer out Glove beDtween
GMy brothers and my DsistersGD
AAll over this lDanF#md GA
DOoh F#mGA
If I had a Dbell F#mGA
I’d ring it in the DmoF#mrninGg A
I’d ring it in the DevF#meninGg
All over this Aland
I’d ring out Ddanger
I’d ring out a Bmwarning
I’d ring out Glove beDtween
GMy brothers and my DsistersGD
AAll over this lDanF#md GA
DOoh F#mGA
If I had a Dsong F#mGA
I’d sing it in the DmoF#mrninGg Amorning
I’d sing it in the DevF#meninGg
All over this Aland
I’d sing out Ddanger
I’d sing out a Bmwarning
I’d sing out Glove beDtween
GMy brothers and my DsistersGD
AAll over this lDanF#md GA
DOoh F#mGA
Well I’ve got a DhaF#mmmerGA
And I’ve got a Dbell F#mGA
And I’ve got a Dsong F#mto Gsing
All over this Aland
It’s a hammer of Djustice
It’s a bell of Bmfreedom
It’s a song about Glove beDtween
GMy brothers and my DsistersGD
AAll over this lDanF#md G
It’s the Ahammer of Djustice
It’s a bell of Bmfreedom
It’s a song about Glove beDtween
GMy brothers and my DsistersGD
All over this BmlanAd D
Peter, Paul, and Mary - Puff, the Magic Dragon (1963)
GGBm7Bm7CCGG
CCGEmADGD
GPuff the magic Bm7dragon lCived by the Gsea
And Cfrolicked in the Gautumn Emmist
In a Aland called HonaDlee
GLittle Jackie Bm7Paper Cloved that rascal GPuff
And Cbrought him strings and Gsealing Emwax
And Aother Dfancy Gstuff DOh
TogetGher they would Bm7travel on boaCt with billowed Gsail
CJackie kept a lookoutGEmperched on APuff’s gigantic tailD
GNoble kings and Bm7princes would Cbow whene’er they cameG
CPirate ships would Glower their Emflags
When APuff roared outDhis Gname D
GPuff the magic Bm7dragon lCived by the Gsea
And Cfrolicked in the Gautumn Emmist
In a Aland called HonaDlee
GPuff the magic Bm7dragon lCived by the Gsea
And Cfrolicked in the Gautumn Emmistn
In a Aland called DHonaGlee D
A draGgon lives forBm7ever, but Cnot so little boysG
CPainted wings and Ggiant’s Emrings make Away for other Dtoys
GOne grey night it Bm7happened, Jackie CPaper came no moreG
And PufCf that mighty Gdragon, Emhe ceaAsed his Dfearless GroarD
His heaGd was bent in Bm7sorrow, greCen scales fell like rainG
CPuff no longer Gwent to Emplay alAong the cherry Dlane
WithGout his lifelong Bm7friend, PCuff could not be braveG
So, PufCf that mighty Gdragon
EmSadly Aslipped inDto his Gcave, butD
GPuff the magic Bm7dragon lCives by the Gsea
And Cfrolicks in the Gautumn Emmist
In a Aland called HonaDlee
GPuff the magic Bm7dragon lCives by the Gsea
And Cfrolicks in the Gautumn Emmist
In a Aland called DHonaGlee
Peter, Paul, and Mary - This Land is Your Land (1962)
PPM play this in A, I play in G capo 1
G
This land is Cyour land, this land is Gmy land
From CalifD7ornia to the New York Gisland
From the redwood fCorests to the Gulf Stream GwatEmers
D7This land was made for you and Gme
As I was Cwalking that ribbon of Ghighway
I saw abD7ove me, that endless Gskyway
I saw belCow me, the golden GvalleyEm
D7This land was made for you and Gme
This land is Cyour land, this land is Gmy land
From CalifD7ornia to the New York Gisland
From the redwood fCorests to the Gulf Stream GwatEmers
D7This land was made for you and Gme
I roamed and Crambled, and followed my Gfootsteps
Through the sparkling D7sands of her diamond Gdeserts
And all arCound me this voice kept GsayingEm
D7This land was made for you and Gme
This land is Cyour land, this land is Gmy land
From CalifD7ornia to the New York Gisland
From the redwood fCorests to the Gulf Stream GwatEmers
D7This land was made for you and Gme
As the sun was Cshining, and I was Gstrolling
Through the wheat fields D7waving and the dust clouds Grolling
I could feel inD7side me and see all arGound meEm
D7This land was made for you and Gme
This land is Cyour land, this land is Gmy land
From CalifD7ornia to the New York Gisland
From the redwood fCorests to the Gulf Stream GwatEmers
D7This land was made for you and Gme
Peter, Paul, and Mary - Where Have All the Flowers Gone (1962)
Originally in Bb, I play in C
Intro
CAmCAm
CWhere have all the fAmlowers gone?
FLong time Gpassing
CWhere have all the fAmlowers gone?
Dm7Long time agGo
CWhere have all the fAmlowers gone?
FYoung girls have picked them Gevery one
FOh, when will tChey ever learn?
FOh, when will tGhey ever Clearn?
CAm
CWhere have all the yAmoung girls gone?
FLong time Gpassing
CWhere have all the yAmoung girls gone?
Dm7Long time Gago
CWhere have all the yAmoung girls gone?
FGone for husbands Gevery one
FOh, when will tChey ever learn?
FOh, when will tChey ever lCearn?
CAm
CWhere have all the husAmbands gone?
FLong time Gpassing
CWhere have all the Amhusbands gone?
Dm7Long time Gago
CWhere have all the husAmbands men gone?
FGone for soldiers Gevery one
FOh, when will tChey ever learn?
FOh, when will tChey ever lCearn?
CAm
CWhere have all the Amsoldiers gone?
FLong time Gpassing
CWhere have all the Amsoldiers gone?
Dm7Long time Gago
CWhere have all the Amsoldiers gone?
FGone to graveyards Gevery one
FOh, when will tChey ever learn?
FOh, when will tChey ever lCearn?
Not a typo, there’s no I → vi before this verse
CWhere have all the Amgraveyards gone?
FLong time Gpassing
CWhere have all the Amgraveyards gone?
Dm7Long time Gago
CWhere have all the Amgraveyards gone?
FGone to flowers Gevery one
FOh, when will tChey ever learn?
FOh, when will tChey ever lCearn?
CAm
CWhere have all the fAmlowers gone?
FLong time Gpassing
CWhere have all the fAmlowers gone?
Dm7Long time agGo
CWhere have all the fAmlowers gone?
FYoung girls have picked them Gevery one
FOh, when will tChey ever learn?
FOh, when will tGhey ever Clearn?
CAmC
Petula Clark - Downtown (1964)
AAD/AE/Ax2
In A, play this E/A in open position
AWhen you’re aE/Alone
And life is D/Amaking you E/Alonely
In A, play the C#m with open B and E
You can Aalways C#m7go DdowntEown
AWhen you’ve got E/Aworries
All the D/Anoise and the E/Ahurry
Seems to Ahelp, I C#m7know, DdownEtown
Just Alisten to the music of the F#mtraffic in the city
ALinger on the sidewalk where the F#mneon signs are pretty
C#m7How can you lose?
Chords follow vocal rhythm
DDThe E/Dlights Dare E/Dmuch DbrighE/Dter Dthere
E/DYou Dcan forF#mget all your Btroubles, forget all your cares and go
ADownAmaj7town, Bm7/Ethings’ll be great when you’re
ADownAmaj7town, Bm7/Eno finer place for sure
Hang on “everything”
ADownAmaj7town, Bm7/Eeverything’s waiting for you
AG/AAG/A
ADownG/Atown AG/A
ADon’t hang aE/Around
And let your D/Aproblems surE/Around you
There are Amovie C#m7shows DdownEtown
AMaybe you E/Aknow
Some little D/Aplaces to E/Ago to
Where they Anever C#m7close DdownEtown
Just Alisten to the rhythm of a F#mgentle bossanova
AYou’ll be dancing with ‘em too F#mbefore the night is over
C#m7Happy again
DDThe E/Dlights Dare E/Dmuch DbrighE/Dter Dthere
E/DYou Dcan forF#mget all your Btroubles, forget all your cares and go
ADownAmaj7town, Bm7/Ewhere all the lights are bright
ADownAmaj7town, Bm7/Ewaiting for you tonight
ADownAmaj7town, Bm7/Eyou’re gonna be alright now
AG/AAG/A
ADownG/Atown AG/A
Possible solo on verse chords, in the youtube arrangement I’m following
this sounds great without a lead guitar.
And Ayou may find somebody kind to F#mhelp and understand you
ASomeone who is just like you and F#mneeds a gentle hand to
C#m7Guide them along
DDSo E/DmayDbe E/DI’ll Dsee E/Dyou Dthere
E/DWe Dcan forF#mget all our Btroubles, forget all your cares and go
ADownAmaj7town, Bm7/Ethings’ll be great when you’re
ADownAmaj7town, Bm7/Edon’t wait a minute more
ADownAmaj7town, Bm7/Eeverything’s waiting for you
AG/AAG/A
ADownG/Atown AG/A
Ray Charles - Hit the Road Jack (1961)
Originally in Abm, I play in Em capo 2
More faithful version of the chords
Em6Em/DC7B9
More practical version of the chords, mix and match to taste
EmDCB7
Hit the Emroad DJack and Cdon’t you come B7back
No mEmore, no mDore, no mCore, no mB7ore
Hit the Emroad DJack and Cdon’t you come B7back no Emmore D(CWhat you sB7ay?)
Hit the Emroad DJack and Cdon’t you come B7back
No mEmore, no mDore, no mCore, no mB7ore
Hit the Emroad DJack and Cdon’t you come B7back no Emmore DCB7
Oh Emwoman, oh Dwoman, don’t Ctreat me so B7mean
You’re the Emmeanest old Dwoman that I’ve Cever B7seen
I Emguess if Dyou say Cso B7
Ah then I’ll Emhave to pack my Dthings and Cgo (That’s B7right)
Hit the Emroad DJack and Cdon’t you come B7back
No mEmore, no mDore, no mCore, no mB7ore
Hit the Emroad DJack and Cdon’t you come B7back no Emmore D(CWhat you sB7ay?)
Hit the Emroad DJack and Cdon’t you come B7back
No mEmore, no mDore, no mCore, no mB7ore
Hit the Emroad DJack and Cdon’t you come B7back no Emmore DCB7
Now bEmaby, listen baDby, don’t ya tCreat me this-a B7way
For I’Emll be Dback on my feCet some daB7y
(Don’t cEmare if you Ddo ‘cause it’s CunderstB7ood
You ain’t Emgot no monDey you juCst ain’t no gB7ood
Well, I gEmuess if yDou say Cso B7
Ah then I’d hEmave to pack my Dthings and Cgo (That’s B7right)
Hit the Emroad DJack and Cdon’t you come B7back
No mEmore, no mDore, no mCore, no mB7ore
Hit the Emroad DJack and Cdon’t you come B7back no Emmore D(CWhat you sB7ay?)
Hit the Emroad DJack and Cdon’t you come B7back
No mEmore, no mDore, no mCore, no mB7ore
Hit the Emroad DJack and Cdon’t you come B7back no Emmore DCB7
With “Don’t you come back no more”
You must be joking
What you trying to do to me?
Can’t we talk it over?
I thought we had a better understanding
Aw, baby don’t be so chilly
You don’t wanna see me cry
Oh, baby please, it isn’t fair
And Cdon’t you come B7back no Emmore DCB7
Ricky Nelson - Hello Mary Lou (1961)
Intro
A
HelAlo Mary Lou, Dgoodbye heart
Sweet AMary Lou I’m so in love with Eyou
I Aknew Mary Lou, C#7we’d never F#mpart
So helB7lo Mary ELou, goodbye Aheart
She Apassed me by one sunny day
DFlashed those big brown eyes my way
And oAoh I wanted you forever Emore
Now AI’m not one that gets around
DSwear my feet stuck to the ground
And Athough I never dEid meet you beAfore
I said Ahello Mary Lou, Dgoodbye heart
Sweet AMary Lou I’m so in love with Eyou
I Aknew Mary Lou, C#7we’d never F#mpart
So helB7lo Mary ELou, goodbye Aheart
I Asaw your lips I heard your voice
BeDlieve me I just had no choice
Wild hAorses couldn’t make me stay aEway
I Athought about a moonlit night
DArms around you good and tight
That’s Aall I had to Esee for me to Asay
Hey hey Ahello Mary Lou, Dgoodbye heart
Sweet AMary Lou I’m so in love with Eyou
I Aknew Mary Lou, C#7we’d never F#mpart
So helB7lo Mary ELou, goodbye Aheart
So helB7lo Mary ELou, goodbye Aheart
Yes helB7lo Mary ELou, goodbye Aheart DA→ E→ A
Ricky Nelson - Travelin' Man (1961)
DBmx2
I’m a Dtravelin’ man, I’ve Bmmade a lot of stops
DAll over the Bmworld
Yes, of course you can tack a iv at the end of this line
And in Devery pD7ort I Gown the heart
Of at Dleast one Alovely Dgirl A7
I’ve a Dpretty Senorita, Bmwaiting for me
DDown in old MexiBmco
If you’re Dever in AlaD7ska, Gstop and see
My Dcute little AEskiDmo D7
Oh, my Gsweet Fraulein down in F#mBerlin town
GMakes my heart start to Dyearn
And my GChina doll down in F#mold Hong Kong
EWaits for my reA7turn
Pretty DPolynesian baby Bmover the sea
DI remember the Bmnight
When we Dwalked in the sD7ands ofGWaikiki
And I hDeld you Aoh so Dtight A7
Solo on verse chords
DBmDBm
DD7GG
DADD7
Oh, my Gsweet Fraulein down in F#mBerlin town
GMakes my heart start to Dyearn
And my GChina doll down in F#mold Hong Kong
EWaits for my reA7turn
Pretty DPolynesian baby Bmover the sea
DI remember the Bmnight
When we Dwalked in the sD7ands ofGWaikiki
And I hDeld you Aoh so Dtight A7
DLord, I’m a Bmtravelin’ man
DYes, I’m a Bmtravelin’ man
DYes, I’m a Bmtravelin’ man
DLord, I’m a Bmtravelin’ man
DMmmm, Bmmmmm
DAD
Ritchie Valens - Come On Let's Go (1958)
Originally in A, I play in G
Intro
GC→ Dx3
Hard stop
G
Well come on let’s Ggo, let’s go, let’s Cgo little Ddarlin’
GNow tell me Cthat you’ll never Dleave me
GCome on, come onClet’s Dgo Gagain, again, and Cagain D
Well, now Gswing me, swing me, swing me Call the way Ddown there
GCome on let’s Cgo little Ddarlin’
GLet’s go, let’s gCo agDain once Gmore CG
Well, CI love you Gso yeah, Dand I’ll never Glet you go
CCome on Gbaby so
Hard stop
DOh pretty baby I love you so, let’s
GGo let’s go let’s Cgo little Dsweetheart
GNow that we can Calways be Dtogether
GCome on, come Con let’s gDo agaGin CG
Solo
GC→ Dx3
G
CCGGCCDD
CI love you Gso yeah, Dand I’ll never Glet you go
CCome on Gbaby so
DOh pretty baby I love you so
Let’s gGo let’s go let’s gCo little dDarlin’
GWe’ll dance a Cwee bit lDonger
GCome on, come Con let’s Dgo agGain again and Cagain and Dagain
AgGain again and Cagain and Dagain
AgGain again and Cagain and Dagain
G
Ritchie Valens - Donna (1958)
Originally in F, I play in C capo 2
COh Donna, Foh GDonna
COh Donna, Foh GDonna
CI had girl, FDonna was her Gname
CSince she left me, I’ve Fnever been the Gsame
‘Cause I Clove my girl, FDonna Gwhere can you Cbe?
FWhere can you Gbe?
CNow that you’re gone, I’m Fleft all Galone
CAll by myself, to Fwander and Groam
Vox on the 1 this time on “be”
‘Cause I Clove my girl, FDonna Gwhere can you Cbe?
FWhere can you Cbe? C7
Vox on the 3 of the chord on “darling”
Well darlFing now that you’re gone I don’t kCnow what I’ll do
Oh Ftime had all my love, for Gyou
CI had girl, FDonna was herGname
CSince she left me, I’ve Fnever been the Gsame
‘Cause I Clove my girl, FDonna Gwhere can you Cbe?
FWhere can you Gbe?
COh Donna, Foh GDonna
COh Donna, Foh GDonna
C6
Ritchie Valens - We Belong Together (1958)
FDmGmC
Vox on the 5
You’re Fmine DmGm
And we beClong toFgether DmGm
Yes we beClong toFgether DmGm
For eCternFity DmGmC
You’re Fmine DmGm
Your lips beloCng to Fme DmGm
Yes they beClong to Fonly me DmGm
For eteCrnityFBbFF7
Vox on the 3 of the chord
You’re Bbmine, my Bbmbaby
And Fyou’ll always be
I Bbswear by everythBbming I own
You’ll G7always, always be Cmine
You’re Fmine DmGm
And we beClong toFgether DmGm
Yes we beClong toFgether DmGm
For eCternitFy BbF
Roy Orbison - Oh Pretty Woman (1964)
Originally in A, I play in E capo 1
Intro
B
Pretty Ewoman, walking C#mdown the street
Pretty Ewoman, the kind I’d C#mlike to meet
Pretty Awoman, I don’t beBlieve you, you’re not the truth
No one could look as good as you
B7Mercy
Pretty Ewoman, won’t you C#mpardon me
Pretty Ewoman, I couldn’t C#mhelp but see
Pretty Awoman
That you look Blovely as can be
Are you lonely just like me?
B7Rrrowrr
AmPretty woman, Dstop a while
GPretty woman, Emtalk a while
AmPretty woman Dgive your smile to Gme
AmPretty woman, Dyeah yeah yeah
GPretty woman Emlook my way
AmPretty woman Dsay you’ll stay with Gme E
Down to the 1 of the chord on “need”
‘Cause I C#mneed you, AI’ll treat you Bright
ECome with me C#mbaby, Abe mine toBnight B7
Pretty Ewoman, don’t C#mwalk on by
Pretty Ewoman, don’t C#mmake me cry
Pretty Awoman, don’t Bwalk away, B7hey
OBK, if that’s the way it must be, OK
I guess I’ll go on home, it’s late
There’ll be tomorrow night, but wait
What do I see?
Is she walking back to me?
Yes, she’s walking back to me
Oh, oh, pretty Ewoman
Sam Cooke - Another Saturday Night (1964)
Originally in A, I play in E capo 1
Another ESaturday night and I Aain’t got nobody
EI got some money ‘cause I jBust got paid
Now Ehow I wish I had sAomeone to talk to
BI’m in Aawful Eway, get this
EI got in town a Bmonth ago
I Eseen a lotta girls since Athen
If I could Emeet ‘em I could get ‘em but as Ayet I haven’t met ‘em
That’s Bwhy I’m in the Ashape I’m Ein
Here another ESaturday night and I Aain’t got nobody
EI got some money ‘cause I Bjust got paid
Now Ehow I wish I had Asomeone to talk to
BI’m in Aawful Eway
Now, Eanother fella Btold me he had a Esister who looked just Afine
Instead of Ebeing my deliverance, she hAad a strange resemblance
To a Bcat named AFrankenEstein
Here another ESaturday night and I Aain’t got nobody
EI got some money ‘cause I Bjust got paid
Now Ehow I wish I had Asome chick to talk to
BI’m in Aawful Eway, yeah
Solo on verse chords, with spoken verse...
Here it is another weekend, and I ain’t got nobody
Man if I was back home, I’d be swingin’, two chicks on my arm
Aw, yeah, listen to me, uh
EIt’s hard on a Bfella, when hEe don’t know his way aAround
If I don’t Efind me a honey to hAelp me spend my money
I’m Bgonna have to Ablow this Etown
Here it’s another ESaturday night and I Aain’t got nobody
EI got some money ‘cause I Bjust got paid
Now Ehow I wish I had Asome chick to talk to
BI’m in Aawful, Eeverybody sing
Another ESaturday night and I Aain’t got nobody
EI got some money ‘cause I Bjust got paid
Now Ehow I wish I had Asomeone to talk to
BI’m in Aawful, Eone more time
Another ESaturday night and I Aain’t got nobody
EI got some money ‘cause I Bjust got paid
Now Ehow I wish I had Asome chick to talk to
BI’m in Aawful, Eway
Sam Cooke - Cupid (1961)
Originally in G, I play in E
I like to strum the chorus but play the verse in a reggae style
EC#mEC#m
ECupid, C#mdraw back your bow
EAnd let, Ayour arrow go
EStraight to my B7lover’s heart for Eme, noB7body but me
ECupid, C#mplease hear my cry
EAnd let Ayour arrow fly
EStraight to my B7lover’s heart for Ame E
Now, EI don’t mean to bother you, but B7I’m in distress
There’s B7danger of me losin’ all of Emy happiness
EFor I love a girl who doesn’t Aknow I exist
AAnd B7this you can Efix, so
ECupid, C#mdraw back your bow
EAnd let, Ayour arrow go
EStraight to my B7lover’s heart for Eme, noB7body but me
ECupid, C#mplease hear my cry
EAnd let Ayour arrow fly
EStraight to my B7lover’s heart for Ame E
Now, Ecupid, if your arrow make her B7love strong for me
I B7promise I will love her until Eeternity
I Eknow, between the two of us, her Aheart we can steal
AHelp B7me if you Ewill, so
ECupid, C#mdraw back your bow
EAnd let Ayour arrow go
EStraight to my B7lover’s heart for Eme, noB7body but me
ECupid, C#mplease hear my cry
EAnd let Ayour arrow fly
EStraight to my B7lover’s heart for Ame E
ECupid, don’t you C#mhear me
ECalling I C#mneed you
ECupid C#mE
Sam Cooke - Having a Party (1962)
Originally in Bb, I play in G, highest note is the 6
Intro
GG
GWe’re havin’ a party, Emdancing to the music
GPlayed by the D.J., Emon the radio
GThe Coke’s are in the icebox, Empopcorn’s on the table
GMe and my Cbaby, we’re out here on the Gfloor
So Gmister, mister D.J., Emkeep those, records playin’
‘Cause I’m-a-Ghavin’, such a Cgood time, Ddancin’ with my Gbaby
GEverybody’s swingin’, EmSally’s doing that Twist now
GIf you take requests I’ve, Emgot a few for you
GPlay that song called “Soul Twist”, Emplay that one called “I Know”
GDon’t forget “The CMashed Potatoes“, no other songs will dGo
Let me tell you Gmister, mister D.J., Emkeep those, records playin’
‘Cause I’m-a-Ghavin’, such a Cgood time, Ddancin’ with my Gbaby
Havin’ a Gparty, everybody’s Emswingin’, oh we’re
Dancin’ to the Gmusic, yeah, on the radiEmo, oh we’re
Havin’ a Gparty, man, everybody’s Emswingin’
We’re dancin’ to the Gmusic, yeah C, on the radiCo, tell ‘em one more tGime we are
Havin’ a Gparty, Gyeah and, everybody’s Emswingin’, oh we’re
Dancin’ to the Gmusic, yeah, on the radiEmo, Emtell you we’re
Havin’ a Gparty
Sam Cooke - Twistin' the Night Away (1962)
Originally in A, I play in G, or D capo 3/4
Highest note is the 6, but there’s a lot of 6
Vox start on the 6 on “let”
GLet me tell you ‘bout a place, Emsomewhere up a New York way
CWhere the people are so gay, Dtwistin’ the night away
GHere they have a lot of fun, Emputtin’ trouble on the run
CMan, you find the old and young, Dtwistin’ the night aGway
They’re Gtwistin’, twistin’, everybody’s feelin’ great
They’re Ctwistin’, twistin’, they’re Dtwistin’ the night aGway
GHere’s a man in evenin’ clothes, Emhow he got here, I don’t know, but
CMan, you oughta see him go, Dtwistin’ the night away
GHe’s dancin’ with the chick in slacks, Emshe’s a-movin’ up and back
COh man, there ain’t nothin’ like Dtwistin’ the night aGway
They’re Gtwistin’, twistin’, everybody’s feelin’ great
They’re Ctwistin’, twistin’, they’re Dtwistin’ the night, Glet’s twist a lot
Lean Gup, lean Emback, lean Cup, lean Dback
WaGtusi, now Emfly, now Ctwist
They’re Dtwistin’ the night aGway
GHere’s a fella in blue jeans, Emdancin’ with a older queen
CWho’s dolled up in a diamond rings and Dtwistin’ the night away
GMan, you oughta see her go, Emtwistin’ to the rock and roll
CHere you find the young and old Dtwistin’ the night aGway
They’re Gtwistin’, twistin’ man, everybody’s feelin’ great
They’re Ctwistin’, twistin’, they’re Dtwistin’ the night, Gone more time
They’re Gtwistin’, twistin’ man, everybody’s feelin’ great
They’re Ctwistin’, twistin’, they’re Dtwistin’ the night aGway
Smokey Robinson and the Miracles - The Tracks of My Tears (1965)
Smokey Robinson in G, Linda Ronstadt in A, I play in D capo 2
Intro
DGEm7ADGGDx2
Vox on 3 5 6 of the kye on “people say”
PDeople sGay I’m the Glife of the pAarty
In D or E, don’t go down on “joke or two”
‘CaDuse I tell a jGoke or two GD
Although I mDight be lGaughing lGoud and hAearty
DDeep insGide I’m bluGe D
The first IV in each line is a ii in the Linda Ronstadt version
So take a gDood lGook at my fGace A
You’ll see my sDmile lGooks out of pGlace A
If you look clDoser, it’s eGasy to trGace A
The tracks of my teDars GGD
I need yGou (need yDou), need yGou (need yDou)
DSince you lGeft me if you sGee me with anAother girl
DSeeming like I’m hGaving fun G→ D
Although she mDay be cGute, she’s just a sGubstituteA
Because, Dyou’re the pGermanent one G→ D
So take a gDood lGook at my fGace A
Oh, you’ll see my sDmile lGooks out of pGlace A
Look a little bit clDoser, it’s eGasy to trGace A
Oh, the tracks of my teDars GGD
I need yGou (need yDou), need yGou (need yDou)
Random 1-measure hard stop on the I
D
Bridge
GDHey hey hGey yeahD
OutsGiiiDide, I’m masquerGadingD
InsGide, Dmy hope is fGadingD
Just a Gclown ooh yDeah, since you pGut me dDown
Triplets, all on the vi in the Linda Ronstadt version
My sDmile iA/C#s mBmy
DMake uA/C#p BmI
DWear A/C#since Bmmy
DBreak A/C#up Bmwith yAou
Baby take a gDood lGook at my fGace A
Oh, you’ll see my sDmile lGooks out of pGlace A
Yeah just looks clDoser, it’s eGasy to trGace A
Oh, the tracks of my teDars GGD
Baby baby baby take a gDood lGook at my fGace A
Yeah, you’ll see my sDmile lGooks out of pGlace A
Look a little bit clDoser, it’s eGasy to trGace A
Oh, the tracks of my teDars GGD
B a gDood lGook at my fAace
You’ll see my sDmile lGooks out of plAace
If you look clDoser, it’s eGasy to trAace
The trAacks of my teDarsGD
Sonny and Cher - I Got You Babe (1965)
Originally in F, I play E capo 1 or open
Highest note is the 3, on “always around”
EA/Ex2
They sEay we’re young and A/Ewe don’t know
We wEon’t find out untA/EiDl we Bgrow
Well, EI don’t know if A/Eall that’s true
Cause Eyou got me and baA/Eby DI got Byou
EBabe, A/EI got Eyou babe, A/EI got Eyou babe A/E
They Esay our love won’t A/Epay the rent
BefEore it’s earned our A/Emoney’s Dall been Bspent
I Eguess that’s so, we don’t A/Ehave a pot
But at Eleast I’m sure of A/Eall the Dthings we BgotB7
Hard stop after this line
EBabe, A/EI got Eyou babe, A/EI got Eyou babe A/E
I got F#mflowers in the Bspring
I got yF#mou to wear my Bring
And when I’m Esad, you’re a A/Eclown
And if I get A/Escared, you’re always BaroundC
Key change
So, Flet them say your A#/Fhair’s too long
Cause FI don’t care, with A#/Fyou I D#can’t go Cwrong
Then Fput your little A#/Fhand in mine
There aFin’t no hill or A#/Fmountain D#we can’t Cclimb
FBabe, A#/FI got Fyou babe, A#/FI got Fyou babe A#/F
FI got you to A#/Fhold my hand
FI got you to Cunderstand
FI got you to A#/Fwalk with me
FI got you to Ctalk with me
FI got you to A#/Fkiss goodnight
FI got you to Chold me tight
FI got you, I A#/Fwon’t let go
FI got you to Clove me so
FA#/FFC
Pause...
I A#7gooooot you Fbabe A#/F
I got Fyou babe A#/F
Repeat to fade
The Angels - My Boyfriend's Back (1963)
Originally around D, I play in D, and go down an octave on the chorus
If it’s just one voice, skip the “back” at the end of every line
Spoken
He went away, and you hung around
And bothered me every night
And when I wouldn’t go out with you
You said things that weren’t very nice
Vox on 1 5 on “boyfriend’s”
My Dboyfriend’s back and you’re gonna be in trouble
GHey-la, hey-Ala, my boyfriend’s Dback
When you sDee him comin’, better cut out on the double
GHey-la, hey-Ala, my boyfriend’s Dback
DYou been spreading lies that I was untrue
GHey-la, hey-Ala, my boyfriend’s Dback
So lDook out now ‘cause he’s comin’ after you
GHey-la, hey-Ala, my boyfriend’s Dback
The line I hear as the melody is on the 5
DHey, he Gknows what you been tryin’
DAnd, he Gknows that you been lyin’
DHe’s been gone for such a long time
GHey-la, hey-Ala, my boyfriend’s Dback
DNow he’s back and things’ll be fine
GHey-la, hey-Ala, my boyfriend’s Dback
You’re gDonna be sorry you were ever born
GHey-la, hey-Ala, my boyfriend’s Dback
‘Cause he’s kDinda big and he’s awful strong
GHey-la, hey-Ala, my boyfriend’s Dback
DHey, he Gknows I wasn’t cheatin’
DNow you’re Ggonna get a beatin’
Bridge
GWhat made you think he’d believe all your lies?
Wah-Dooh, wah-ooh
You’re a bGig man now but he’ll cut you down to size
Wah-Dooh
EWait and sAe
My Dboyfriend’s back, he’s gonna save my reputation
GHey-la, hey-Ala, my boyfriend’s Dback
If IDwere you, I’d take a permanent vacation
GHey-la, hey-Ala, my boyfriend’s Dback
DYeh, my Gboyfriend’s bAack, oh look out now
DMy Gboyfriend’s baAck
Well, DI can see him comin’ so you Gbetter get a-rAunnin’ all rDight now
The Animals - The House of the Rising Sun (1964)
Originally in Am, starts on the low A, then goes to the middle A, then the high A
I play in Em and start on the middle E, and only goes as high as the high(er) E
Vox cover lots and lots of 1
EmGACEmB7EmB7
Vox on the low 1 in the original
There Emis a Ghouse in ANew Orleans C
Vox up one octave here in the original, but I don’t jump here
They Emcall the GRising B7Sun
Vox up one more octave to the high 1 in the original, I jump one octave here
And it’s Embeen the Gruin of Amany a poor boyC
And EmGod I B7know I’m Emone
EmGACEmB7EmB7
My Emmother Gwas a Atailor C
She Emsewed my Gnew blueB7jeans
My Emfather Gwas a Agamblin’ Cman
EmDown in B7New OrEmleans
EmGACEmB7EmB7
Now the Emonly Gthing a Agambler Cneeds
Is a Emsuitcase Gand B7trunk
And the Emonly Gtime Ahe’s satisCfied
Is Emwhen he’s B7on a Emdrunk
EmGACEmB7EmB7
Solo on verse chords
Starts on the low octave...
Oh EmmotheGr tell your Achildren C
...then jumps up here
Not to Emdo what GI have B7done
EmSpend your Glives in Asin and miseCry
In the Emhouse of the B7rising Emsun
EmGACEmB7EmB7
Well, I got oEmne foot oGn the Aplatform C
The Emother foot Gon the B7train
I’m Emgoin’ Gback to ANew Orleans C
To Emwear that B7ball and Emchain
EmGACEmB7EmB7
Well, there Emis a Ghouse in ANew Orleans C
They Emcall the Grising B7sun
And it’s Embeen the Gruin of Amany a poor Cboy
And EmGod I B7know I’m Emone
EmGAC
EmB7EmB7EmB7Em
The Beach Boys - Barbara Ann (1965)
Originally in F#, I play in E capo 2
A capella, but chord is I, first line just one voice
Ba-ba-ba-ba-Barbara Ann
Ba-ba-ba-ba-Barbara Ann
Backing vox still do ba-ba-ba
Barbara EAnn, take my hAand, Barbara EAnn
Hard stop on each chord
You got me Brockin’ and a-rollin’
ARockin’ and a-reelin’
Barbara EAnn, Ba-ba-ba-Barbara Ann
A capella, but chord is I
Went to a dance lookin’ for romance
Saw Barbara Ann, so I thought I’d take a chance
This chorus starts on the IV
Barbara AAnn, take my Ehand
You got me Brockin’ and a-rollin’
ARockin’ and a-reelin’
Barbara EAnn, Ba-ba-ba-Barbara Ann
A capella, but chord is I, first line just one voice
Ba-ba-ba-ba-Barbara Ann
Ba-ba-ba-ba-Barbara Ann
Barbara EAnn, take my Ahand, Barbara EAnn
You got me Brockin’ and a-rollin’
ARockin’ and a-reelin’, Barbara EAnn
Ba-ba-ba-Barbara Ann
Solo on verse chords if appropriate
A capella, but chord is I, lyrics are very approximate
Tried Peggy Sue, tried Betty Lou
Tried Peggy Sue, but I knew she wouldn’t do
Barbara AAnn, Barbara EAnn
You got me Brockin’ and a-rollin’
ARockin’ and a-reelin’, Barbara EAnn
Ba-ba-ba-Barbara Ann
A capella, but chord is I, first line just one voice
Ba-ba-ba-ba-Barbara Ann
Ba-ba-ba-ba-Barbara Ann
Barbara EAnn, take my Ahand, Barbara EAnn
You got me Brockin’ and a-rollin’
ARockin’ and a-reelin’, Barbara EAnn
Ba-ba-ba-Barbara Ann
EBarbara Ann, Barbara Ann
EBarbara Ann, Barbara Ann
ABarbara Ann, Barbara Ann
EBarbara Ann, Barbara Ann
You got me Brockin’ and a-rollin’
ARockin’ and a-reelin’, Barbara EAnn
The Beach Boys - Be True to Your School (1963)
Originally in A, I play in G capo 2
When Gsome loud braggart tries to Emput me down
And says his Amschool is great C/D
I tell him Dright away
Now Gwhat’s the matter buddy, ain’t you Emheard of my school
It’s number Amone in the state, Dah C/Dah aAmh aDh
So be true to your Gschool now
Just like you would with your B7girl or guy
Be true to your Emschool now
And let your colors C7fly A
Be true to your Amschool, C/Drah rah, Drah rah
I got a Gletterman sweater with a Emletter in front
I got for Amfootball and track
C/DI’m proud to Dwear it now
When GI cruise around the other Emparts of the town
I got my Amdecal in back
So be true to your Gschool now
Just like you would with your B7girl or guy
Be true to your Emschool now
And let your colors C7fly A
Be true to your Amschool, C/Drah rah, Drah rah
Solo on chorus chords
GB7EmC7→ A
AmAhh, C/Drah, Drah rah
On GFriday we’ll be jacked up on the Emfootball game
And I’ll be Amready to fight
C/DWe’re gonna Dsmash ‘em now
My Ggirl will be working on her Empom-poms now
And she’ll be Amyelling tonight
So be true to your Gschool now
Just like you would with your B7girl or guy
Be true to your Emschool now
And let your colors C7fly A
Be true to your Amschool, C/Drah rah, Drah rah
GRah rah rah rah sis boom ba
B7Rah rah rah rah sis boom ba
EmRah rah rah rah sis boom ba
C7→ ADG
The Beach Boys - California Girls (1965)
Intro, specifically the first riff x 4, then
----------------------| -----9---7------------| -----9---8---9-8------| -9---9--99--9----9-11-| ----------------------| ----------------------| ----------------------| -----7---5------------| -----7---6---7-6---6--| -7---7--77--7----7----| ----------------------| ----------------------|
the second riff x 1
E/BBE/BB
E/BBE/BB
E/AB/AE/AB/A
E/AB/AE/AB/A
D/AAD/AA
Well, Beast coast girls are hip, I really B9dig those styles they wear
And the sEouthern girls with the way they talk
They knock me F#out when I’m down there
The mBidwest farmers’ daughters really mB9ake you feel alright
And the nEorthern girls with the way they kiss
They keep their F#boyfriends warm at night
Easiest melody line for me to follow starts F# G# B on “wish they all”
I Bwish they all could C#m7be California
I Awish they all could Bm7be California
I Gwish they all could Am7be California Bgirls
The BWest coast has the sunshine, and the B9girls all get so tanned
I dig a EFrench bikini on Hawaiian Island dolls
By a F#palm tree in the sand
I bBeen all around this great big world and I’ve sB9een all kinds of girls
Yea but EI couldn’t wait to get back in the states
Back to the F#cutest girls in the world
I Bwish they all could C#m7be California
I Awish they all could Bm7be California
I Gwish they all could Am7be California Bgirls
Two-measure breakdown to high keys only
BF#
I Bwish they all could be California
I C#m7wish they all could be California
I Bwish they all could be California
I C#m7wish they all could be California
Repeat to fade
The Beach Boys - Don't Worry Baby (1964)
Originally in E, I play in G
Intro
GG/BCC/Dx 2
GWell it’s been building up inside of me for
COh, I don’t know Dhow long
GI don’t know why, but I keep thinkin’
CSomethin’s bound to Dgo wrong
Am7But she looks iD7n my eyes
Bm7And makes me rE7ealize
When she Asays (don’t worry baby)
Don’t worry bBm7aby (don’t worry E7baby)
Everything will turn Aout all right (don’t worry baby)
Don’t worry bBm7aby (don’t worry E7baby)
D7sus4Ooh, oD7oh
GI guess I should’ve kept my mouth shut when I
CStarted to brag aDbout my car
GBut I can’t back down now because I
CPushed the other Dguys too far
Am7She makes me cD7ome alive
Bm7And makes me wE7anna drive
When she Asays (don’t worry baby)
Don’t worry bBm7aby (don’t worry E7baby)
Everything will turn Aout all right (don’t worry baby)
Don’t worry bBm7aby (don’t worry E7baby)
D7sus4Ooh, oD7oh
GG/BCC/D
GShe told me, baby when you race today just
CTake along my lDove with you
GAnd if you knew how much I love you baby
CNothing could go wrDong with you
Am7Oh what she dD7oes to me
Bm7When she makes lE7ove to me
And she Asays (don’t worry baby)
Don’t worry bBm7aby (don’t worry E7baby)
Everything will turn Aout all right (don’t worry baby)
Don’t worry bBm7aby (don’t worry E7baby)
D7sus4Ooh, oD7oh
The Beach Boys - Fun, Fun, Fun (1964)
Originally in Eb, I play in D
Standard 12-bar, straight 8ths with 6ths
DDGDAGDA
Vox on the 6 on “got”
Well, she Dgot her daddy’s car and she cruised
Through the hamburger Gstand now
Seems she forDgot all about the library
Like she told her old Aman now
And with her rDadio blastin’ goes cruisin’
Just as fast as she Gcan now
And she’ll have, Dfun, fun, A/C#fun till her Gdaddy
Takes the AT-Bird aDway GD/F#A/E
DWell, the girls can’t stand her cause she
Walks, looks, and drives like an Gace now (you walk like an ace)
She makes the DIndy 500 look like a Roman
Chariot A7race now (you look like an ace)
A lotta Dguys try to catch her but she leads ‘em
On a wild goose Gchase now (you drive like an ice)
And she’ll have, Dfun, fun, A/C#fun till her Gdaddy
Takes the AT-Bird aDway GD/F#A/E
Solo
ADAEA
Well, you Dknew all along that your dad was gettin’
Wise to Gyou now (you shouldn’t a’ lied)
And since he Dtook your set of keys you’ve been thinkin’
That your fun is all A7through now (you shouldn’t a’ lied)
But you can Dcome along with me cause we got a lotta
Things to Gdo now (you shouldn’t a’ lied)
And we’ll have Dfun, fun, A/C#fun now that Gdaddy
Took the AT-Bird aDway GD/F#A/E
And we’ll have, Dfun, fun, A/C#fun now that Gdaddy
Took the AT-Bird aDway GD/F#A/E
WeAeeeee... D
WeAeeeee... D
The Beach Boys - Help Me Rhonda (1965)
Originally in C#, I play in G
Highest note is the 6
G
Well Gsince she put me down I’ve been Cout doin’ in my Ghead
Come Gin late at night and in the Cmornin’ I just lay in Gbed
Well, EmRhonda you look so fine
And I Cknow it wouldn’t take much A7time
For you to Ghelp me Rhonda
Am7Help me get her out of my Gheart
GG/F#GG/AGG/F#G
Over the V: 5 3 2 2...
Over the I: 3 2 1 1...
Over the IV: 6 5 4 4...
Over the vi: 5 4 3 3...
End: 4 4 3 3 2...
DHelp me Rhonda, help, help me Rhonda
GHelp me Rhonda, help, help me Rhonda
DHelp me Rhonda, help, help me Rhonda
GHelp me Rhonda, help, help me Rhonda
CHelp me Rhonda, help, help me Rhonda
EmHelp me Rhonda, Em7/Dhelp, help me Rhonda
AmHelp me Rhonda, Dyeah
Get her out of my Gheart
She was Ggonna be my wife
And CI was gonna be her Gman
But she Glet another guy come Cbetween us
And it ruined our Gplan
Well, EmRhonda you caught my eye
I can Cgive you lots of reasons A7why
You gotta Ghelp me Rhonda
Am7Help me get her out of my Gheart
GG/F#GG/AGG/F#G
DHelp me Rhonda, help, help me Rhonda
GHelp me Rhonda, help, help me Rhonda
DHelp me Rhonda, help, help me Rhonda
GHelp me Rhonda, help, help me Rhonda
CHelp me Rhonda, help, help me Rhonda
EmHelp me Rhonda, Em7/Dhelp, help me Rhonda
Note VII→I xition
AmHelp me Rhonda, Dyeah
Get her out of my heF#art G
DHelp me Rhonda, help, help me Rhonda
GHelp me Rhonda, help, help me Rhonda
DHelp me Rhonda, help, help me Rhonda
GHelp me Rhonda, help, help me Rhonda
CHelp me Rhonda, help, help me Rhonda
EmHelp me Rhonda, Em7/Dhelp, help me Rhonda
AmHelp me Rhonda, Dyeah
Get her out of my Gheart
The Beach Boys - I Get Around (1964)
Originally starts in G (with the verse in A)
I play in E capo 1 (with the verse in F# capo 1)
Mostly a cappella, hit on the first chord
ERound, round, get around, C#7I get around
Yeah, gF#met around round round, DI get aroBund
Band enters
I get arEound (get around, round, round, I get around)
From town to tC#7own (get around, round, round, I get around)
I’m a real cool hF#mead (get around, round, round, I get around)
I’m makin’ real good bDread (get around, round, round, BI get around)
I’m gettin’ bF#ugged drivin’ Bup and down the sF#ame old sBtrip
I gotta fF#ind a new pBlace where the kF#ids are Bhip
Little riff for one measure
E
My bF#uddies and Bme are gettin’ F#real well kBnown
Yeah, the F#bad guys kBnow us and they lF#eave us aBlone
I get arEound (get around, round, round, I get around)
From town to tC#7own (get around, round, round, I get around)
I’m a real cool hF#mead (get around, round, round, I get around)
I’m makin’ real good bDread (get around, round, round, BI get around)
I get arC#7ound, round, get around, round, wahoF#oo
F#Wah, wahBooo, wah, wahF#ooo, wah, wahC#ooo Dooo
Key change
We Galways take my Ccar ‘cause it’s nGever been Cbeat
And we’ve Gnever missed Cyet with the gGirls we Cmeet
F
None of the Gguys go sCteady ‘cause it wGouldn’t be rCight
To leave your Gbest girl Chome now on GSaturday nCight
I get arFound (get around, round, round, I get around)
From town to tD7own (get around, round, round, I get around)
I’m a real cool Gmhead (get around, round, round, I get around)
I’m makin’ real good bD#read (get around, round, round,CI get around)
I get aD7round, round, ooh ooh ooh ooh, Cooh ooh ooh ooh
FRound, round, get around, D7I get around
Yeah, gGmet around round round, ID#get arouCnd
Ooooh get arFound (get around, round, round, I get around)
OoooD7ooo (get around, round, round, I get around)
OoooGmooo (get around, round, round, I get around)
OoooD#ooo (get around, round, round, CI get around)
Repeat to fade
The Beach Boys - In My Room (1963)
Originally in B, I play in E
Intro
EC#m7F#m7B
Vox on the 1
ThEere’s a world where I can go
And tell my sDecrets tEo C#m7
In my rooF#m7ooDooBooom
In my rEoom (iDn my rEoom)
EIn this world I lock out all my
Worries aDnd my feEars C#m7
In my rooF#m7ooDooBooom
In my rEoom (iDn my rEoom)
C#mDo my dreaming Band my scheming
C#mLie BaC#mwake Band Epray
C#mDo my crying Band my sighing
F#m7Laugh at yesterdaAadd9y B
ENow it’s dark and I’m alone, but
I won’t bDe afrEaid C#m7
In my rooF#m7ooDooBooom
In my rEoom (iDn my rEoom)
DIn my Eroom
DIn my Eroom
DIn my Eroom
The Beach Boys - Little Deuce Coupe (1963)
Originally in G#, I play in E capo 3
Probably skip this first chorus, and just noodle a bit on the I (swung w/6ths}
Vox on the 1
ELittle deuce coupe, you don’t know what I got
(Little deuce coupe, you don’t know what I got)
Vox on 3 5 on “I’m not”
Well IE‘m not braggin’ babe so don’t put me down
But I’ve got the fastest set of wheels in town
When Asomething comes up to me he don’t even try
‘Cause if I Ehad a set of wings man I know she could fly
She’s my Blittle deuce F#mcoupe,Byou don’t F#mknow what I Egot
(Little deuce coupe, you don’t know what I got)
Just a lEittle deuce coupe with a flat head mill
But she’ll walk a Thunderbird like shes’ standin’ still
Shes Aported and relieved and she’s stroked and bored
She’ll do a Ehundred and forty in the top-end floor
She’s my Blittle deuce F#mcoupe,Byou don’t F#mknow what I Egot
(Little deuce coupe, you don’t know what I got)
She’s got a Acompetition clutch with the four on the floor
And she Epurrs like a kitten till the lake pipes roar
And Aif that ain’t enough to make you flip your lid
There’s F#one more thing, I got the Bpink slip daddy
And Ecomin’ off the line when the light turns green
Well she blows ‘em outta the water like you never seen
I get Apushed out of shape and it’s hard to steer
When EI get rubber in all four gears
She’s my Blittle deuce F#mcoupe,Byou don’t F#mknow what I Egot
(Little deuce coupe, you don’t know what I got)
She’s my Blittle deuce F#mcoupe,Byou don’t F#mknow what I Egot
(Little deuce coupe, you don’t know what I got)
The Beach Boys - Surfer Girl (1963)
Originally in D, I play in G
Intro, with “ah”
GBmEmBmCAmD
Vox on 5 3 on “little”
LGittle sEmurfer, lCittle oDne
Gmaj7Make my hG7eart come aCll unCm6done
GDo you lEmove me, Cdo you sDurfer gGirl
(Surfer gEmirl, my lCittle surfer gDirl)
GI have Emwatched you Con the Dshore
Gmaj7Standing G7by the Cocean’s Cm6roar
GDo you lEmove me, Cdo you sDurfer gGirl
Surfer Cmaj7girl, surfer gGirl, ooh
Vox on 3 5 of the chord on “we could”
CWe could rDide Gmaj7the surf togEmether
He clearly says “go”, although I’m about 95% sure he was supposed to say “grow”
CWhile our lDove would gGo G7
CIn my wDoody Gmaj7I would tEmake you
The original changes key up a half-step on “oh”
EAverywhere I Dgo, oh
GSo I Emsay from Cme to Dyou
Gmaj7I will mG7ake your dCreams come Cm6true
Hanging stop at the end of this line
GDo you lEmove me Cdo you sDurfer
GGirl, surfer gEmirl, my Cmaj7little surfer gDirl
GGirl, surfer gEmirl, my Cmaj7little surfer gDirl
The Beach Boys - Surfin' Safari (1962)
Originally in A, I play in A
Vox enter on the fifth of the first chord
ELet’s go surfin’ now, Deverybody’s learning how
BCome on and safari with Eme, come on and safari with me
AEarly in the morning well be Dstartin’ out
Some Ehoneys will be coming aAlong
Were Aloading up our Woody with our Dboards inside
And Eheadin’ out singing our Asong
ACome on baby wait and see
Yes I’m gonna take you surfin’ with me
DCome along baby wait and see
Yes AI’m gonna take you surfin’ with me
ELet’s go surfin’ now, Deverybody’s learning how
BCome on and safari with Eme, come on and safari with Ame
At AHuntington and Malibu they’reDshooting the pier
At ERincon they’re walking the Anose
We’re Agoing on safari to the Dislands this year
So if Eyou’re coming get ready toAgo
ACome on baby wait and see
Yes I’m gonna take you surfin’ with me
DCome along baby wait and see
Yes AI’m gonna take you surfin’ with me
ELet’s go surfin’ now, Deverybody’s learning how
BCome on and safari with Eme, come on and safari with me
AThey’re anglin’ in Laguna in DCerro Azul
They’re Ekicking out in Dohini Atoo
I tell you Asurfin’s mighty wild it’s getting Dbigger every day
From EHawaii to the shores of PeAru
ACome on baby wait and see
Yes I’m gonna take you surfin’ with me
DCome along baby wait and see
Yes AI’m gonna take you surfin’ with me
ELet’s go surfin’ now, Deverybody’s learning how
BCome on and safari with Eme, come on and safari with me
With Ame (Surfin’ safari)
With Ame (Surfin’ safari)
With Ame (Surfin’ safari)
With Ame (Surfin’ safari)
With Ame (Surfin’ safari)
The Beach Boys - Surfin' USA (1963)
Originally in Eb, I play in Eb but read in E
E7
If everybody had an B7ocean across the U.S.EA.
Then everybody’d be B7surfin like Californ-i-Ea
You’d see em wearin’ their Abaggies, Huarachi sandals Etoo
A bushy bushy blonde B7hairdo, surfin’ U.SE.A.
EYou’ll catch em surfin’ at B7Del Mar, Ventura County Eline
Santa Cruz and B7Trestles, Australia’s NarabinEe
All over ManAhattan, and down Doheny Eway
Everybody’s gone B7surfin’, Asurfin’ U.S.EA.
EWe’ll all be plannin’ out a B7route, we’re gonna take real Esoon
We’re waxin’ down our B7surfboards, we can’t wait for EJune
We’ll all be gone for the Asummer, we’re on safari to Estay
Tell the teacher we’re B7surfin’, surfin U.S.EA.
EAt Haggerty’s and B7Swami’s, Pacific PaliEsades
San Onofre and B7Sunset, Redondo Beach, L.EA.
All over La AJolla, and Waimea EBay
Everybody’s gone B7surfin’, Asurfin’ U.S.EA.
Solo if appropriate
BEBE
AE
Everybody’s gone B7surfin’, Asurfin’ U.S.EA.
Everybody’s gone B7surfin’, Asurfin’ U.S.EA.
The Beatles - A Hard Day's Night (1964)
Originally in G, I play in D capo 1 or 2
Cadd9
It’s been a hDard dGadd9ay’s nDight
And I’ve been wCorking like a dDog
It’s been a hard dGadd9ay’s nDight
I should be slCeeping like a lDog
But when I gGet home to you
I find the thAings that you do
Will make me fDeel G7alrDight
You know I wDork Gadd9all dDay
To get you mConey to buy you thDings
And it’s worth it just to hGadd9ear you sDay
You’re gonna gCive me everythDing
So why on GEarth should I moan
‘Cause when I gAet you alone
You know I fDeel G7okaDy
When I’m hF#mome, Bmeverything seems to be rF#might
When I’m hDome, fBmeeling you holding me tGight, tAight, yeah
It’s been a hDard dGadd9ay’s nDight
And I’ve been wCorking like a dDog
It’s been a hard dGadd9ay’s nDight
I should be slCeeping like a lDog
But when I gGet home to you
I find the thAings that you do
Will make me fDeel G7alrDight
Solo on verse chords
DGadd9DDCDx2
So why on GEarth should I moan
‘Cause when I Aget you alone
You know I fDeel G7okaDy
When I’m hF#mome, Bmeverything seems to be rF#might
When I’m hDome, fBmeeling you holding me tGight, tAight, yeah
It’s been a hDard dGadd9ay’s nDight
And I’ve been wCorking like a dDog
It’s been a hard dGadd9ay’s nDight
I should be slCeeping like a lDog
But when I gGet home to you
I find the thAings that you do
Will make me fDeel G7alrDight
You know I fDeel G7all rDight
You know I fDeel aGadd9lrCadd9ight
The Beatles - All I've Got To Do (1963)
Eaugadd7add9 is a name I made up for:
x76575
Eaugadd7add9
Whenever C#mI want you aEround, yeah
All I gotta C#mdo, is F#mcall you on the phone
And you’ll come running home
AmYeah that’s all I Egotta do
And when C#mI, I wanna Ekiss you yeah
All I gotta C#mdo is F#mwhisper in your ear
The words you want to hear
And AmI’ll be kissing Eyou
And the same goes for Ame, whenever you want me at all
I’ll be C#mhere, yes I will, whenever you call
You Ajust gotta call on Eme, C#myeah
You Ajust gotta call on Eme
Whenever C#mI want you aEround, yeah
All I gotta C#mdo, is F#mcall you on the phone
And you’ll come running home
AmYeah that’s all I Egotta do
And the same goes for Ame, whenever you want me at all
I’ll be C#mhere, yes I will, whenever you call
You Ajust gotta call on Eme, C#myeah
You Ajust gotta call on Eme, oooh
You Ajust gotta call on Eme
Hm-mC#mm-m-m-m-m m-m-m-m Em C#m
The Beatles - All My Loving (1963)
Originally in F#m, I play in Em
Close your Emeyes and I’ll A7kiss you
ToDmorrow I’ll Bmmiss you
ReGmember I’ll aEmlways be Ctrue A7
And then Emwhile I’m A7away I’ll write Dhome every Bmday
And I’ll Gsend all my A7loving to Dyou
I’ll Empretend that I’m A7kissing
The Dlips I am Bmmissing
And Ghope that my Emdreams will come Ctrue A7
And then Emwhile I’m aA7way I’ll write Dhome every Bmday
And I’ll Gsend all my A7loving to Dyou
All my Bmloving, Bm/A#I will send to Dyou
All my Bmloving, Bm/A#darling I’ll be Dtrue
Close your Emeyes and I’ll A7kiss you
ToDmorrow I’ll Bmmiss you
ReGmember I’ll aEmlways be Ctrue A7
And then Emwhile I’m A7away I’ll write Dhome every Bmday
And I’ll Gsend all my A7loving to Dyou
Solo
GGDDEmADD
All my Bmloving, Bm/A#I will send to Dyou
All my Bmloving, Bm/A#darling I’ll be Dtrue
All my Bmloving, Bm/A#all my Dloving
All my Bmloving, Bm/A#I will send to Dyou
The Beatles - And I Love Her (1964)
Originally in C#m, I play in Bm
EmEmD6D6
Vox on the 4 of the key (the 1 of the first chord)
on “I”, and the 2 (of the 2nd chord and the key) on
“all”. You may feel like going to the 1 of the key
there, but it’s the 2.
EmI give her Bmall my love
EmThat’s all I Bmdo
EmAnd if you Bmsaw my love
GYou’d love her Atoo
I D6love her
EmShe gives me Bmeverything
EmAnd tenderBmly
EmThe kiss my Bmlover brings
GShe brings to Ame
And I D6love her
BmA love like Aours, Bmcould never F#mdie
BmAs long as F#mI have you near meAA7
EmBright are the Bmstars that shine
EmDark is the Bmsky
EmI know this Bmlove of mine
GWill never Adie
And I D6love her
Originally changes key here up a half-step, I skip that
Solo, skip if appropriate
EmBmEmBmEmEm
GADD
EmBright are the Bmstars that shine
EmDark is the Bmsky
EmI know this Bmlove of mine
GWill never Adie
And I D6love her
EmEmDD
EmEmB
The Beatles - Any Time At All (1964)
Originally in Bm, I play in Am, highest note that matters is the 7
Vox on the 5
Any time at Amall C
Any time at aGll
Any time at Amall
All you’ve got to do is cFall
And IG7‘ll be thereC
CIf you need someEm/Bbody to love
AmJust look into my eyesFm/G#
C/GI’ll be there to mGake you feel right C
CIf you’re feeling sEm/Borry and sad
AmI’d really sympathize Fm/G#
DC/Gon’t you be sad, just cGall me tonCight
Any time at Amall C
Any time at aGll
Any time at Amall
All you’ve got to do is cFall
And IG7‘ll be thereC
CIf the sun has fEm/Baded away
IAm‘ll try to make it shineFm/G#
C/GThere is nothing I Gwon’t do C
CIf you need a sEm/Bhoulder to cry on
AmI hope it will be mine Fm/G#
C/GCall me tonight and IG‘ll come to Cyou
Any time at Amall C
Any time at aGll
Any time at Amall
All you’ve got to do is cFall
And IG7‘ll be thereC
Piano Solo
GG7G7GG7
FG7FG7Csus4C
Any time at Amall C
Any time at aGll
Any time at Amall
All you’ve got to do is cFall
And IG7‘ll be thereC
Any time at Amall
All you’ve got to do is cFall
And IG7‘ll be thereC
The Beatles - Ask Me Why (1962)
I prefer to sing the line that starts on a very comfortable G# (in E)
EI F#m7love G#m7you F#m7
‘Cause you tell me things I wEant to know
AEnd F#m7it’s G#m7true F#m7
That it really only gEoes to show G#7that I know
That C#mI, I, I, I would neAver ever ever be F#m7blueB7
NEow F#m7you’re G#m7mine F#m7
My happiness near maEkes me cry
AEnd F#m7in G#m7time F#m7
You’ll understand the reEason why G#7that I cry
It’s C#mnot because I’m sad
But you’re the oAnly love that I’ve ever hEadE+
Bridge
I can’t bAelieve B7it’s happened to EmeE+
I can’t coAnceiveB7of any more miEseryB7
AEsk F#m7me G#m7why I’ll say I F#m7love you
And I’m aG#m7lways thinking of yAouE
EI F#m7love G#m7you F#m7
‘Cause you tell me things I wEant to know
AEnd F#m7it’s G#m7true F#m7
That it really only gEoes to show G#7that I know
That C#mI, I, I, I would neAver ever ever be F#m7blueB7
AEsk F#m7me G#m7why I’ll say I F#m7love you
And I’m aG#m7lways thinking of yAouE
Bridge
I can’t bAelieve B7it’s happened to EmeE+
I can’t coAnceiveB7of any more miEseryB7
AEsk F#m7me G#m7why I’ll say I F#m7love you
And I’m aG#m7lways thinking of yAouE
AYouE
AYouG#m7
The Beatles - Baby It's You (1963)
GSha la la la la la Emla
GSha la la la la la Emla
GSha la la la la la Emla
Sha la la la Cla
CIt’s not the way you smile
That touched my heGart
CIt’s not the way you kiss
That tears me apGart
But Emhow many many many nights go by
AmI sit alone at home and I cry over yGou
What can I Emdo?
CCan’t help mysDelf (hard stop)
‘Cause baby it’s yGou Em
Baby it’s yGou Em
CYou should hear what they say about yGou
CThey say they say you never never ever been tGrue
Wo ho Emit doesn’t matter what they say
AmI know I’m gonna love you any old way
What can I Gdo then it’s tEmrue
CDon’t want noDbody nobody (hard stop)
Cause baby it’s yGou Em
Baby it’s yGou Em
Solo
CDGGx2
Wo ho Emit doesn’t matter what they say
AmI know I’m gonna love you any old way
What can I Gdo then it’s tEmrue
CDon’t want nobody noDbody
‘Cause baby it’s yGou Em
Baby it’s yGou Em
The Beatles - Baby's In Black (1964)
AOh dear E7what can I do?
D7Baby’s in black and I’mE7feeling blue tell me
AOh Dwhat can I dAo?E
AShe thinks of him and A7so she dresses in
DBlack and though he’ll never come
ABack E7she’s dressed in Ablack
AOh dear E7what can I do?
D7Baby’s in black and I’mE7feeling blue tell me
AOh Dwhat can I dAo?E
AI think of her but A7she thinks only of
DHim and though it’s only a
AWhim E7she thinks of Ahim
Bridge
F#m7Oh how B7long will it take
DTill she E7sees the mistake she has Amade?
Dear wE7hat can I do?
D7Baby’s in black and I’m E7feeling blue tell me
AOh Dwhat can I Ado? E
Solo, I usually skip this and the subsequent bridge
AED7E7ADA
Bridge
F#m7Oh how B7long will it take
DTill she E7sees the mistake she has Amade?
Dear wE7hat can I do?
D7Baby’s in black and I’m E7feeling blue tell me
AOh Dwhat can I Ado? E
Quietly, let ring
AShe thinks of him and A7so she dresses in
DBlack and though he’ll never come
ABack E7she’s dressed in Ablack
AOh dear E7what can I do?
D7Baby’s in black and I’mE7feeling blue tell me
AOh D7what can I dAo?
Tell me Aoh D7what can I dAo?
The Beatles - Can't Buy Me Love (1964)
Originally in C, I play in A.
I do the opening chorus super slow, then break into a
syncopated triplet beat.
The first vocal note is the root (C in C),
so the first ‘love’ is the 5 above that (G in C), i.e.
the third of the opening minor chord.
Can’t buy mC#me loF#mve, C#moh, loF#mve
Oh, can’t buy mBm7e loEve, oh, oh
I’ll A7buy you a diamond ring my friend if it makes you feel all right
I’ll D7get you anything my friend if it A7makes you feel all right
‘Cause E7I don’t care too D7much for money, for money can’t buy me loveA7
I’ll A7give you all I’ve got to give if it makes you love me too
I D7may not have a lot to give but what I’ve A7got I’ll give to you
‘Cause E7I don’t care too D7much for money, for money can’t buy me loveA7
Can’t buy me C#mlove, F#moh, eA7verybody tells me so
Can’t buy me C#mlove, F#moh, Bm7no, no, no, Eno
A7Say you don’t need no diamond rings and I’ll be satisfied
D7Tell me that you want the kind of things that A7money just can’t buy
‘Cause E7I don’t care too D7much for money, for money can’t buy me loveA7
Solo, 1-4-5 in C, skip if unaccompanied
Can’t buy me C#mlove, F#moh, eA7verybody tells me so
Can’t buy me C#mlove, F#moh, Bm7no, no, no, Eno
A7Say you don’t need no diamond rings and I’ll be satisfied
D7Tell me that you want the kind of things that A7money just can’t buy
‘Cause E7I don’t care too D7much for money, for money can’t buy me loveA7
Can’t buy me lC#mo-oF#mve, lC#mo-oF#mve, can’t buy me lBm7oveEA7
The Beatles - Day Tripper (1965)
Originally in E, I play in A
Intro
A7
Vox on the 3 on “got”
A7Got a good reason, for taking the easy way out
D7Got a good reason, for A7taking the easy way out now
She was a Bday tripper, a one way ticket yeah
It took me Dso C#long to find F#out, but I found Eout
A7
A7She’s a big teaser, she took me half the way there
D7She’s a big teaser, A7she took me half the way there now
She was a Bday tripper, a one way ticket, yeah
It took me Dso C#long to find F#out, but I found Eout
The solo is a quirky length, three measures before the “ah”, three measures with“
EEE
EAh EE
A7
A7Tried to please her, but she only played one night stands
D7Tried to please her, but A7she only played one night stands now
She was a Bday tripper, Sunday driver, yeah
It took me Dso C#long to find F#out, but I found Eout
A7
A7Day tripper, day tripper yeah
The Beatles - Do You Want to Know a Secret (1963)
YoEmu’ll never know how much I reAmally lEmove you
YoGu’ll never know how much I reFally caB7re
LiEsten G#m7Gm7F#m7
Do you wB7ant to know a seEcret G#m7Gm7F#m7
Do you pB7romise not to tEell? G#m7WooGm7oohF#m7Cooh
ClEoser G#m7Gm7F#m7
Let me wB7hisper in your eEar G#m7Gm7F#m7
Say the wB7ords you long to hAearB7
I’m in love with C#myou, oF#m7ooooB6oo
LiEsten (G#m7Doo Gm7dah F#m7doo)
Do you wB7ant to know a seEcret (G#m7Doo Gm7dah F#m7doo)
Do you pB7romise not to tEell? G#m7WooGm7oohF#m7Cooh
ClEoser (G#m7Doo Gm7dah F#m7doo)
Let me wB7hisper in your eEar (G#m7Doo Gm7dah F#m7doo)
Say the wB7ords you long to hAearB7
I’m in love with C#myou, oF#m7oooooB6oo
Bridge
IA‘ve know the sF#m7ecret for the C#mweek or Bmtwo
NAobody kF#m7nows C#mjust we BmtwoF#m7B6
LiEsten (G#m7Doo Gm7dah F#m7doo)
Do you wB7ant to know a seEcret (G#m7Doo Gm7dah F#m7doo)
Do you pB7romise not to tEell? G#m7WooGm7oohF#m7Cooh
ClEoser (G#m7Doo Gm7dah F#m7doo)
Let me wB7hisper in your eEar (G#m7Doo Gm7dah F#m7doo)
Say the wB7ords you long to hAear B7
I’m in love with C#myou oF#m7oooooB6o C#m
Ooooo ooooo oF#m7oooo oB6oooo oC#moooo
Ooooo ooooo oF#m7oooo oB6oooo oC#moooo
Ooooo ooooo oF#m7oooo oB6oooo oC#moooo
The Beatles - Drive My Car (1965)
The G13’s are all G7 in the original
DG13DG13DG13A7
Vox are on C→B and G→G
DAsked a girl what she G13wanted to be
DShe said baby, G13can’t you see
DI wanna be famous, a G13star on the screen
Vox are on C and F... over A7!
Playing A13 makes it easier to find that C
But A7you can do something in between
Melody on F#.A.F#.D.F#.D.F
Harmony on D.F#.D.B.B.B.B or B.D.B.G.B.G.B
BmBaby you can drive my Gcar
BmYes I’m gonna be a Gstar
BmBaby you can drive my Ecar
And A7maybe I’ll Dlove youGA7
DI told a girl that my G13prospects were good
DAnd she said baby, it’s G13understood
DWorking for peanuts is G13all very fine
But A7I can show you a better time
BmBaby you can drive my Gcar
BmYes I’m gonna be a Gstar
BmBaby you can drive my Ecar
D→G→A7 is twice as fast here as in the previous chorus
And A7maybe I’ll Dlove youGA7
A7Beep beep’m beep beep yeah
Solo:
DGDGDGA7
Probably skip this whole chorus when acoustic
BmBaby you can drive my Gcar
BmYes I’m gonna be a Gstar
BmBaby you can drive my Ecar
And A7maybe I’ll Dlove youGA7
DI told a girl I can G13start right away
DAnd she said listen babe I got G13something to say
DI got no car and it’s G13breaking my heart
But A7I’ve found a driver and that’s a start
BmBaby you can drive my Gcar
BmYes I’m gonna be a Gstar
BmBaby you can drive my Ecar
And A7baby I Dlove youGA7
XBeep beep’m beep beep yeahD
G13Beep beep’m beep beep yeahD
G13Beep beep’m beep beep yeahD
G13Beep beep’m beep beep yeahD
The Beatles - Eight Days A Week (1964)
Originally in D, I play in G capo 1.
When not in the original key, I find the intro works
best arpeggiated slowly, rather than strummed.
The rest I like in a mid-tempo reggae beat.
Gadd9AC6Gadd9
GOoh I need your lA7ove babe
CGuess you know it’s trGue
GHope you need my lA7ove babe
CJust like I need yGou
EmHold me, lCove me
EmHold me, lA7ove me
GAin’t got nothin’ but lA7ove babe
CEight days a wGeek
GLove you every dA7ay girl
CAlways on my mGind
GOne thing I can sA7ay girl
CLove you all the tGime
EmHold me, lCove me
EmHold me, lA7ove me
GAin’t got nothin’ but lA7ove babe
CEight days a wGeek
DEight days a week
I lEmove you
A7Eight days a week
Is nCot enough to sD7how I care
GOoh I need your lA7ove babe
CGuess you know it’s trGue
GHope you need my lA7ove babe
CJust like I need yGou
EmHold me, lCove me
EmHold me, lA7ove me
GAin’t got nothin’ but lA7ove babe
CEight days a wGeek
DEight days a week
I lEmove you
A7Eight days a week
Is nCot enough to sD7how I care
GLove you every dA7ay girl
CAlways on my mGind
GOne thing I can sA7ay girl
CLove you all the tGime
EmHold me, lCove me
EmHold me, lA7ove me
GAin’t got nothin’ but lA7ove babe
CEight days a wGeek
CEight days a wGeek
CEight days a wGeek
Gadd9AC6Gadd9
The Beatles - From Me To You (1963)
Originally in C, I play in G capo 3.
Play on the fast side.
If there’sGanything that youEmwant
If there’s Ganything I can D7do
Just Ccall on me and I’ll Emsend it along
With Glove from mD7e to yoGu Em
I’ve got Geverything that you Emwant
Like a Gheart that’s oh so D7true
Just Ccall on me and I’ll Emsend it along
With Glove from mD7e to yoGu G7
I got Dm7arms that long to Ghold you
And Ckeep you by my Cside
I got A7lips that long to A7kiss you
And Dkeep you D+satisfied
If there’s Ganything that you Emwant
If there’s Ganything I can D7do
Just Ccall on me and I’ll Emsend it along
With Glove D7from me Gto you Em
GEmFrom me
GD7To you
Just Ccall on me and I’ll Emsend it along
With Glove from mD7e to yoGu G7
I got Dm7arms that long to Ghold you
And Ckeep you by my Cside
I got A7lips that long to A7kiss you
And Dkeep you D+satisfied
If there’s Ganything that you Emwant
If there’s Ganything I can D7do
Just Ccall on me and I’ll Emsend it along
With Glove from mD7e to yoGu
To Emyou
To EmM7you
To Emyou
Da da Gda da da da da Emda
The Beatles - Help! (1965)
G is a poor approximation of the chromatic run at the end
of the chorus, so if no one is playing the run, best not to
sing over it.
BmHelp! I need someBm/Abody
GHelp! Not just anyG/F#body
EHelp! You know I need someone
GHelp!
AWhen I was younger, so much C#myounger than today
F#mI never needed anybody’s Dhelp in Gany Away
ABut now those days are gone I’m C#mnot so self-assured
F#mNow I find I’ve changed my mind, I’ve Dopened Gup the Adoor
HBmelp me if you can I’m feeling down,Bm/Aand I
DGo appreciate you being ‘roundG/F#
EHelp me get my feet back on the ground, won’t you
GPlease please help me
AAnd now my life has changed in C#moh so many ways
F#mMy independence seemed to Dvanish Gin the Ahaze
ABut every now and then I C#mfeel so insecure
F#mI know that I just need you like I’ve DneverGdone Abefore
HBmelp me if you can I’m feeling down,Bm/Aand I
DGo appreciate you being ‘roundG/F#
EHelp me get my feet back on the ground, won’t you
GPlease please help me
AWhen I was younger, o much yC#mounger than today
F#mI never needed anybody’s Dhelp in Gany Away
ABut now those days are gone I’m C#mnot so self-assured
F#mI find I’ve changed my mind, I’ve oDpened Gup the Adoor
HBmelp me if you can I’m feeling down,Bm/Aand I
DGo appreciate you being ‘roundG/F#
EHelp me get my feet back on the ground, won’t you
GPlease please help F#mme help me help A6ooh
The Beatles - Hold Me Tight (1963)
Originally in F, I play in A capo 2
Vox in on the 3 of the key (the 6 of the chord)
AIt feE7els so right now
AHold me tD7ight
B7Tell me I’m the E7only one
And tAhen I mD7ight
NB7ever be the lE7onely one
So hAold me tiA7ght, toD7night, tDm7onight
It’s Ayou Dm7
You you yoAu E7
AHold me tD7ight
B7Let me go on E7loving you
TAonight toD7night
MB7aking love to oE7nly you
So hAold me tigA7ht, tonD7ight, toDm7night
It’s Ayou Dm7
You you yoAu C
Vox on the 3 of the chord on “know”
Don’t kA7now Cwhat it means to holA7d you tight
Vox on the 3 of the chords on “being” and “night”
D7Being here alBmone tonight with yoB7u
It E7feels so right now
AHold me tD7ight
B7Tell me I’m the E7only one
And tAhen I mD7ight
NB7ever be the lE7onely one
So hAold me tiA7ght, toD7night, tDm7onight
It’s Ayou Dm7
You you yoAu C
Don’t kA7now Cwhat it means to holA7d you tight
D7Being here alBmone tonight with yoB7u
It E7feels so right now
AHold me tD7ight
B7Let me go on E7loving you
TAonight toD7night
MB7aking love to oE7nly you
So hAold me tigA7ht, tonD7ight, toDm7night
It’s Ayou Dm7
You you yoAu-oo-Em7oo-hoo-Ahoo
The Beatles - I Feel Fine (1964)
Originally in G, I play in E
Vocals start on 5→bVII (D F)
B7B7A7E7
EBaby’s good to me, you know
She’s happy as can be, you know, she Bsaid so
I’m in love with A7her and I feel fiEne
EBaby says she’s mine, you know
She tells me all the time, you know, she Bsaid so
I’m in love with A7her and I feel fiEne
EI’m so G#mglad that Ashe’s my little B7girl
EShe’s so G#mglad, she’s A7telling all the B7world
That her Ebaby buys her things, you know
He buys her diamond rings, you know, she Bsaid so
B7She’s in love with A7me and I feel fiEne
Solo on verse chords if appropriate
EBaby says she’s mine, you know
She tells me all the time, you know, she Bsaid so
I’m in love with A7her and I feel fiEne
EI’m so G#mglad that Ashe’s my little B7girl
EShe’s so G#mglad, she’s A7telling all the B7world
That her Ebaby buys her things, you know
He buys her diamond rings, you know, she Bsaid so
B7She’s in love with A7me and I feel fiEne
B7She’s in love with A7me and I feel fiEne
The Beatles - I Saw Her Standing There (1963)
Vocals start “well” on the V, “just” on the I
Originally in E, I play in A capo 3
Well she was jA7ust seventeen, if you kD7now what I mA7ean
And the way she looked was way beyond compE7are
So hA7ow could I dA7ance with anDother, Fwhen I sA7aw her stE7anding thA7ere
Well sA7he looked at me, and D7I, I could sA7ee
That before too long I’d fall in love with E7her
SAhe wouldn’t dA7ance with anDother, Fwhen I sA7aw her stE7anding thA7ere
Well my hD7eart went boom when I crossed that room
And I held her hand in mEine D
Well we daA7nced through the night, and we hD7eld each other tA7ight
And before too long I fell in love with hE7er
Now IA‘ll never dA7ance with anDother, Fsince I sA7aw her stE7anding thA7ere
Well my hD7eart went boom when I crossed that room
And I held her hand in mEine D
Well we daA7nced through the night, and we hD7eld each other tA7ight
And before too long I fell in love with hE7er
Now IA‘ll never dA7ance with anDother, Fsince I sA7aw her stE7anding thA7ere
Since I sA7aw her stE7anding thA7ere
Since I sA7aw her stE7anding thA7ere A9
The Beatles - I Should Have Known Better (1964)
Originally in G, I play in D capo 1
DADADADA
DI ADshAould have known bDetter with a gAirl like yDouA
That I would lDove everythAing that you Bmdo
And I dGo, hey, hey, Ahey, and I Ddo AD
WAhoa, ooh
DI ADAnever realDized what a kAiss could Dbe A
This could Donly Ahappen to Bmme
Can’t you sGee, can’t you F#7see?
BmThat when I tGell you that I lDove you, F#7oh
BmYou’re gonna sGay you love me tDoo - oo - oo - oo - oo, oho D7
GAnd when I Aask you to be mDinBme
GYou’re gonna Asay you love me tDoo AD
SAo
DI ADshAould have realDized a lot of tAhings befDore A
If this is lDove you’ve gotta gAive me mBmore
Give me mGore, hey, hey, Ahey, give me mDore ADA
Solo if appropriate
DADADADA
DABmGADADA
DI ADAnever realDized what a kAiss could Dbe A
This could Donly Ahappen to Bmme
Can’t you sGee, can’t you F#7see?
BmThat when I tGell you that I lDove you, F#7oh
BmYou’re gonna sGay you love me tDoo - oo - oo - oo - oo, oho D7
GAnd when I Aask you to be mDinBme
You lAove me tDoo AD
You lAove me tDoo ADA
The Beatles - I Want To Hold Your Hand (1963)
I like this in the original key (G), so long as
I don’t go for the big “I can’t hide”
Also I only play a power chord with 6ths on the D’s
in the verses and the last D in the intro.
CDCDCD
Oh yeah GI’ll tell you Dsomething
EmI think you’ll underB7stand
When GI say that Dsomething
EmI wanna hold your B7hand
CI wanna Dhold your Gha---Emnd
CI wanna Dhold your Ghand
Oh Gplease say to Dme
EmYou’ll let me be your B7man
And Gplease say to Dme
EmYou’ll let me hold your B7hand
CYou’ll let me Dhold your Gha---Emnd
CI wanna Dhold your Ghand
DmAnd when I Gtouch you I feel Chappy inAmside
DmIt’s such a Gfeeling that my Dlove
CI can’t hDide
CI can’t hDide
CI can’t hDide
Yeah Gyou got that Dsomething
EmI think you’ll underB7stand
When GI hear that Dsomething
EmI wanna hold your B7hand
CI wanna Dhold your Gha---Emnd
CI wanna Dhold your Ghand
DmAnd when I Gtouch you I feel Chappy inAmside
DmIt’s such a Gfeeling that my Dlove
CI can’t hDide
CI can’t hDide
CI can’t hDide
Yeah Gyou, got that Dsomething
EmI think you’ll underB7stand
When GI, feel that Dsomething
EmI wanna hold your B7hand
CI wanna Dhold your Gha---Emnd
CI wanna Dhold your B7hand
CI wanna Dhold your Cha-a-a-a-andG
The Beatles - I'll Be Back (1964)
Harmonies on the root and the third.
A
You Amknow if you G6break my heart I’ll Fmaj7go
But EI’ll be back aAgain
‘Cause AmI told you G6once before goodFmaj7bye
But EI came back agAain
I love you F#mso, I’m the one who wBmants you
Yes I’m the one who Ewants you
DOh Eho, Doh Eho
Oh Amyou could find G6better things to Fmaj7do
Than to Ebreak my heart aAgain
This Amtime I will G6try to show that Fmaj7I’m
Not Etrying to Apretend
Vox on the 4, can just hit it briefly, or hold the 3 instead
Bm7I thought that you would C#mrealize that if I
F#mRan away from you
That B7you would want me too but
DI got a big surpE7rise
DOh Eho, Doh Eho
Oh Amyou could find G6better things to Fmaj7do
Than to Ebreak my heart aAgain
This Amtime I will G6try to show that Fmaj7I’m
Not Etrying to Apretend
I wanna F#mgo, but I hate to Bmleave you
You know I hate to E7leave you
DOh Eho, Doh Eho
Oh Amyou, if you G6break my heart I’ll Fmaj7go
But EI’ll be back aAgain
AmAAmA
The Beatles - I'll Follow the Sun (1964)
Originally in C, I play in A capo 1
AAadd9DA
EOne day Dyou’ll look Ato see I’ve Bgone
For toAmorrow may E/G#rain, so BI’ll Efollow the Asun Aadd9DA
ESome day Dyou’ll know AI was the Bone
But toAmorrow may E/G#rain, so BI’ll Efollow the Asun A7
And now the Dtime has come
And Dm7so my love I must Ago A7
And though I Dlose a friend
Dm7In the end you will Aknow, Bm7oh
EOne day Dyou’ll find Athat I have Bgone
For toAmorrow may E/G#rain so BI’ll Efollow the Asun Aadd9DA
Solo
EDAB
Yes, toAmorrow may E/G#rain, so BI’ll Efollow the Asun A7
And now the Dtime has come
And Dm7so my love I must Ago A7
And though I Dlose a friend
Dm7In the end you will Aknow, Bm7oh
EOne day Dyou’ll find Athat I have Bgone
For toAmorrow may E/G#rain, so BI’ll Efollow the Asun Aadd9DA
The Beatles - I'll Get You (1963)
Originally in Db, I play in A capo 3
Harmonies in octaves on the oh yea’s
“oh” on the 3
Oh Ayeah, oh Eyeah
Oh Ayeah, oh Eyeah
The “I’m” is on the 6
ImAagine, I’m in love with you
It’s Deasy ‘cause I Eknow
The “I’m” is on the maj7
I’ve imAagined, I’m in lovF#me with you
DMany, many, many times beEfore
It’s not Alike me to preEm7tend
But I’ll Aget you, I’ll get you in the F#mend
Yes I Dwill, I’ll get you in the eEnd
Oh Ayeah, oh Eyeah
I Athink about you night and day
I Dneed you, ‘cause it’s tErue
When I Athink about you, F#mI can say
I’m Dnever, never, never, never bElue
So I’m Atelling you, my fEm7riend
That I’ll Aget you, I’ll get you in the F#mend
Yes I Dwill, I’ll get you in the Eend
Oh Ayeah, oh Eyeah
Well there’Ds gonna be a time
When I’m gAonna change your mind
So you mB7ight as well resign yourself to Eme, oh yeah
ImAagine, I’m in love with you
It’s Deasy ‘cause I Eknow
I’ve imAagined, I’m in lovF#me with you
DMany, many, many times beEfore
It’s not Alike me to preEm7tend
But I’ll Aget you, I’ll get you in the F#mend
Yes I Dwill, I’ll get you in the eEnd
Oh Ayeah, oh Eyeah
Oh Ayeah, oh Eyeah
AYeah
The Beatles - I'm Happy Just To Dance With You (1964)
Originally in C#m, I play in Bm
BmBmEmF#x2
Before this Bmdance is through
I think I’ll Emlove yoF#u too
I’m so G6happy when you A6dance with D6me A7
I don’t Dwant to kiss or Bmhold your hand EmA7
If it’s Dfunny try and Bmunderstand EmA7
There is Greally nothing else I’d rather DdoBm
‘Cause I’m Ghappy just to Aaugdance with Dyou A7
I don’t Dneed to hug or Bmhold you tight EmA7
I just Dwanna dance with Bmyou all night EmA7
In this Gworld there’s nothing I would rather Ddo Bm
‘Cause I’m Ghappy just to Aaugdance with Dyou
Just to Bmdance with you EmF#(oh oh)
Is Bmeverything I Emneed F#(oh oh)
Before this Bmdance is through
I think I’ll Emlove yoF#u too
I’m so G6happy when you A6dance with D6me A7
If someDbody tries to Bmtake my place EmA7
Let’s preDtend we just can’t see his Bmface EmA7
In this Gworld there’s nothing I would rather Ddo Bm
Cause I’m Ghappy just to Aaugdance with Dyou
Just to Bmdance with you EmF#(oh oh)
Is Bmeverything I Emneed F#(oh oh)
Before this Bmdance is through
I think I’ll Emlove yoF#u too
I’m so G6happy when you A6dance with D6me A7
If someDbody tries to Bmtake my place EmA7
Let’s preDtend we just can’t see his Bmface EmA7
In this Gworld there’s nothing I would rather Ddo Bm
I’ve disGcovered I’m in Aauglove with Bmyou
EmOh F#oh
‘Cause I’m Ghappy just to Aaugdance with Bmyou
EmOh F#oh
G6Oh A6oh
D6Oh
The Beatles - I'm Looking Through You (1965)
Originally in Ab as G capo 1, I play in D, highest note is the b3 (“*you’re* not the same”)
Intro
D/AA/DD→ Gadd9D→ Gadd9
Vox on 3 4 6 1 of the key on “I’m looking through”
DI’m Gadd9lookD/F#ing Emthrough you, Bm7where did you Ago
DI Gadd9thought D/F#I Emknew you, Bm7what did I Aknow
Bm7You don’t look Em7different, but Dyou Gadd9have cAhanged
DI’m Gadd9lookD/F#ing Emthrough you, Gadd9you’re not the saDme
DGadd9
DGadd9
DGadd9
DYour Gadd9lips D/F#are Emmoving, Bm7I cannot Ahear
DYour Gadd9voice D/F#is Emsoothing, Bm7but the words aren’t Aclear
Bm7You don’t sound Em7different, I’ve Dlearned Gadd9the Agame
DI’m Gadd9lookD/F#ing Emthrough you, Gadd9you’re not the saDme
DGadd9
DGadd9
DGadd9
DGadd9
Vox on the 3 of the chord on “why”
Gadd9Why, tell me why, did you not Dtreat me right
Gadd9Love has a nasty habit of Asus4disappearing Aovernight
DYou’re Gadd9thinkD/F#ing Emof me, Bm7the same old Away
DYou Gadd9were D/F#aEmbove me, Bm7but not toAday
Bm7The only Em7difference is Dyou’re Gadd9down Athere
DI’m Gadd9lookD/F#ing Emthrough you, Gadd9and you’re nowDhere
DGadd9
DGadd9
DGadd9
DGadd9
Gadd9Why, tell me why, did you not Dtreat me right
Gadd9Love has a nasty habit of Asus4disappearing Aovernight
DI’m Gadd9lookD/F#ing Emthrough you, Bm7where did you Ago
DI Gadd9thought D/F#I Emknew you, Bm7what did I Aknow
Bm7You don’t look Em7different, but Dyou Gadd9have cAhanged
DI’m Gadd9lookD/F#ing Emthrough you, Gadd9you’re not the saDme
DGadd9
DYeah, well, Gadd9baby, you’ve DchangedGadd9
DAh, Gadd9I’m looking Dthrough Gadd9you
DYeah,Gadd9I’m looking Dthrough Gadd9you
D
The Beatles - I've Just Seen a Face (1965)
Originally in A, by myself I play in G.
With two voices, I play in C capo 4.
Alone (in G), I play a version of the triplet intro that’s more
or less the following (twice):
E|-7-10-5-7-3-5-| B|-0-0--0-0-0-0-| G|-0-0--0-0-0-0-| D|-9-0--7-7-5-5-|
G
GI’ve just seen a face I can’t forget the time or place where we just
EmMet she’s just the girl for me and I want all the world to see we’ve
CMet mmm mmm Dmmm mmm-mmm Gmmm
GHad it been another day I might have looked the other way and
EmI’d have never been aware but as it is I’ll dream of her
TonCight, dai dai Ddai dai-dum Gdai
DFalling yes I am Cfalling and she keeps
GCalling Cme back aGgain
GI have never known the like of this I’ve been alone and I have
EmMissed things and kept out of sight but other girls were never quite like
CThis, dai dai Ddai dai-dun Gdai
DFalling yes I am Cfalling and she keeps
GCalling Cme back aGgain
Solo on verse if appropriate
DFalling yes I am Cfalling and she keeps
GCalling Cme back aGgain
GI’ve just seen a face I can’t forget the time or place where we just
EmMet she’s just the girl for me and I want all the world to see we’ve
CMet mmm mmm Dmmm da-da Gdai
DFalling yes I am Cfalling and she keeps
GCalling Cme back aGgain
DFalling yes I am Cfalling and she keeps
GCalling Cme back aGgain DG
The Beatles - If I Fell (1964)
Vox on 1 2 3 of the chord on “If I fell”
If I Ebmfell in love with you
Would you Dpromise to be true
And hDbelp me Bbmunderstand
‘Cause I’ve Ebmbeen in love before
And I Dfound that love was more
Than Em7just holding Ahands
The vox on the second chord are the high point,
so I delay that syllable a half-beat when solo.
If I Dgive Em7my F#m7heart to Em7you
I Amust be sure from the
DVerEm7y F#m7start that Emyou would
ALove me more than Dher Gm7A
If I Dtrust Em7in F#m7you, oh Em7please don’t
ARun and hide
If I lDove Em7you F#m7too, oh Em7please, don’t
AHurt my pride like D9her
‘Cause I couldn’t stand the Gpain
And Gm7I would be sad if our new Dlove was in A7vain
So I Dhope Em7you’ll F#m7see
That Em7I would Alove to love you
DAnd Em7that F#m7she will Em7cry
When Ashe learns we are D9two
‘Cause I couldn’t stand the Gpain
And Gm7I would be sad if our new Dlove was in A7vain
So I Dhope Em7you’ll F#m7see
That Em7I would Alove to love you
DAnd Em7that F#m7she will Em7cry
When Ashe learns we are Dtwo
If I Gm7fell in love with Dyou Gm7D
The Beatles - In My Life (1965)
AE7AE7
There are Aplaces EI reF#mmember A7/G
All my DliDmfe, though Asome have changed
Some foreAver, Enot for F#mbetter A7/G
Some have DgoDmne, and Asome remain
All these F#mplaces have their Dmoments
With Glovers and friends I Astill can recall
Some are F#mdead and some are Bliving
In Dm7my life I’ve Aloved them all
AE7
But of Aall these Efriends and F#mlovers A7/G
There is Dno Dmone comApares with you
AAnd these memories Elose their F#mmeaning A7/G
When I Dthink ofDmlove as Asomething new
Though I F#mknow I’ll never lose afDfection
For Gpeople and things that Awent before
I F#mknow I’ll often stop and think aBbout them
In Dm7my life I Alove you more
Solo if appropriate on verse chords
AEF#mA7DDm6AE
AEF#mA7DDm6AEA
Though I F#mknow I’ll never lose afDfection
For Gpeople and things that Awent before
I F#mknow I’ll often stop and think aBbout them
In Dm7my life I Alove you more
AE
In Dm7my life I Xlove you Amore E7A
The Beatles - It Won't Be Long (1963)
Originally in C#m, I play in Bm
Vox on the 4 of the first chord on “it won’t be”
It won’t beBmlong yeah (yeah) yeah (yeah) yeah
It won’t be lDong yeah (yeah) yeah (yeah) yeah
It won’t be Bmlong yeah (yeah) till GI beG7b9long to yDou
D
Vox on the 1
DEvery night when eA#verybody has fDun
DHere I am sA#itting all on my oDwn
D
It won’t beBmlong yeah (yeah) yeah (yeah) yeah
It won’t be lDong yeah (yeah) yeah (yeah) yeah
It won’t be Bmlong yeah (yeah) till GI beG7b9long to yDou
Since you lDeft me IC#aug‘m so alone
Now you’re cAmoming you’re coB7ming on home
IG‘ll be good like I kA7now I should
You’re coming Em7home you’re coming hA7ome
DEvery night the teA#ars come down from my eDyes
DEvery day IA#‘ve done nothing but cDry
It won’t beBmlong yeah (yeah) yeah (yeah) yeah
It won’t be lDong yeah (yeah) yeah (yeah) yeah
It won’t be Bmlong yeah (yeah) till GI beG7b9long to yDou
Since you lDeft me IC#aug‘m so alone
Now you’re cAmoming you’re coB7ming on home
IG‘ll be good like I kA7now I should
You’re coming Em7home you’re coming hA7ome
DEvery day wA#e’ll be happy I kDnow
DNow I know that yA#ou won’t leave me no mDore
It won’t be Bmlong yeah (yeah) yeah (yeah) yeah
It won’t be lDong yeah (yeah) yeah (yeah) yeah
Hanging stop on “I belong”
It won’t be Bmlong yeah (yeah) till GI belong to you
F6E7D#maj7Dmaj7
The Beatles - Love Me Do (1962)
GCGC
GLove, love me dCo
You kGnow I love yCou
I’ll alGways be tCrue
So Cpleeeeeease
Love me Gdo CGC
GLove, love me dCo
You kGnow I love yCou
I’ll alGways be tCrue
So Cpleeeeeease
Love me Gdo CGG
DSomeone to love, soCmebody nGew
DSomeone to love, soCmeone like yGou
GLove, love me dCo
You kGnow I love yCou
I’ll alGways be tCrue
So Cpleeeeeease
Love me Gdo CGG
DSomeone to love, soCmebody nGew
DSomeone to love, soCmeone like yGou
GLove, love me dCo
You kGnow I love yCou
I’ll alGways be tCrue
So Cpleeeeeease
Love me Gdo CGC
Fade with lots of Paul-esque Love-me-do’s
GCGC
The Beatles - Michelle (1965)
Originally in Cm, I play in Em
Play the intro riff up high on 123, then drop to open chords
EmEmM7Em7Em6
AmAmadd9AmAm7B
EMichelle, Am7ma belle
D6These are words that Gdim7go together
BWell,F#7b9my MicBhelle
EMichelle, Am7ma belle
D6Sont les mots quit Gdim7vont tres biens
EnsBemble F#7b9tres biens ensBemble
I Emlove you, I love you, I love you
G7That’s all I want to Csay
BUntil I find a wayEm
I will sayEmthe EmM7only Em7words I Em6know
That you’llAmAmadd9AmAm7underBstand
EMichelle, Am7ma belle
D6Sont les mots quit Gdim7vont tres biens
EnsBemble F#7b9tres biens ensBemble
I Emneed to, I need to, I need to
G7I need to make you Csee
BOh what you mean to meEm
And untilEmI EmM7do I’m Em7hoping Em6you
Will knowAmAmadd9AmAm7what I Bmean
I usually play the solo chords even without a solo
EmI love you Am7
D6Gdim7BF#7b9B
I Emwant you, I want you, I want you
G7I think you know by Cnow
BI’ll get to you somehowEm
And untilEmI EmM7do I’m Em7telling Em6you
So you’llAmAmadd9AmAm7underBstand
EMichelle, Am7ma belle
D6Sont les mots quit Gdim7vont tres biens
EnsBemble F#7b9tres biens ensBemble
I will sayEmthe EmM7only Em7words I Em6know
That you’llAmAmadd9AmAm7underBstand
EmI love you Am7
The Beatles - Misery (1963)
Originally in C, I play in A or A capo 1
Rubato intro, then fast reggae with barre chords
D
The woDrld is treating me Ebad
AMisery F#mE
AI’m the kind of Dguy
Who neveAr used to Dcry
The worlDd is treating me badE
AMisery F#m
I’ve Alost her now for Dsure
I Awon’t see her no Dmore
It’s Dgonna be a Edrag
AMisery
F#mI’ll remember all the little Athings we’ve done
F#mCan’t she see she’ll always be tEhe only one, only one
ASend her back to Dme
‘Cause Aeveryone can Dsee
WithDout her I will Ebe in
AMisery
F#mI’ll remember all the little Athings we’ve done
F#mShe’ll remember and she’ll miss her Eonly one, lonely one
ASend her back to Dme
‘Cause Aeveryone can Dsee
WithDout her I will Ebe in
AMisery
F#mOooh in miAsery
F#mOooh miseryA
F#mLa la la la la Amisery
The Beatles - Norwegian Wood (1965)
Originally in D capo 2, so really in E.
I play in D or D capo 1.
DDDCadd9G/BD/A
DI once had a D11girl or should I Dsay Cadd9she once G/Bhad D/Ame
DShe showed me her D11room isn’t it Dgood Cadd9NorwegG/Bian D/Awood
She Dmasked me to stay and she told me to sit anyGwhere
But DmI looked around and I noticed there wasn’t a Em7chairA
DI sat on a D11rug biding my Dtime Cadd9drinking G/Bher D/Awine
DWe talked until D11two and then she Dsaid Cadd9it’s time G/Bfor D/Abed
DDDCadd9G/BD/A
She Dmtold me she worked in the morning and started to Glaugh
I Dmtold her I didn’t and crawled off to sleep in the Em7bath A
DAnd when I aD11woke I was aDlone Cadd9this bird G/Bhad D/Aflown
DSo I lit a D11fire isn’t it Dgood Cadd9NorwegG/Bian D/Awood
DDDCadd9G/BD/A
The Beatles - Nowhere Man (1965)
Originally in D, capo 2; I play in D
Let ring, vox start on the 5
DHe’s a real Anowhere man
GSitting in his Dnowhere land
Instruments enter
EmMaking all his Gmnowhere plans for Dnobody
DDoesn’t have a Apoint of view
GKnows not where he’s Dgoing to
EmIsn’t he a biGmt like you and Dme
Nowhere F#mman please Glisten
You don’t knF#mow what you’re Gmissing
Nowhere F#mman the Em7world is at your commandA7
Solo, if appropriate, else skip
DAGD
EmGmDD
DHe’s as blind as Ahe can be
GJust sees what he Dwants to see
EmNowhere man can Gmyou see me at Dall
Nowhere F#mman don’t Gworry
Take your F#mtime don’t Ghurry
Leave it F#mall till Em7somebody else lends you a handA7
DDoesn’t have a Apoint of view
GKnows not where he’s Dgoing to
EmIsn’t he a biGmt like you and Dme
Nowhere F#mman please Glisten
You don’t knF#mow what you’re Gmissing
Nowhere F#mman the Em7world is at your commandA7
DHe’s a real Anowhere man
GSitting in his Dnowhere land
EmMaking all his Gmnowhere plans for Dnobody
EmMaking all his Gmnowhere plans for Dnobody
EmMaking all his Gmnowhere plans for Dnobody
The Beatles - P.S. I Love You (1962)
Originally in D, I play in A capo 3
DAs I wG#7rite this lAetter, sDend my lG#7ove to yAou
RemDember thG#7at I’ll aAlways bAe in loE7ve with yAou
TrAeasure these few wBmords till we’re togAether
Keep aEll my love foreF#mver, EP.S. I love Fyou, Fyou yGou yAou
AI’ll be coming hBmome again to Ayou love
UntEil the day I F#mdo love, EP.S. I love Fyou, Fyou Gyou Ayou
DAs I write this lAetter
SDend my love to yAou
RemDember that I’ll aAlways
BAe in lE7ove with yAou
TrAeasure these few wBmords till we’re togAether
Keep aEll my love foreF#mver, EP.S. I love Fyou, Fyou yGou yAou
DAs I write this lAetter (oooh)
SDend my love to yAou (you know I want you to)
RemDember that I’ll aAlways (yeah)
BAe in lE7ove with yAou
I’llAbe coming home Bmagain to you Alove
UntEil the day I F#mdo love, EP.S. I love Fyou, Fyou Gyou Ayou
FYou Gyou Ayou
FI loGve yoAu
The Beatles - Please Please Me (1962)
I play this in E (the original key), which mostly rules out
the high ‘Please Please Me’; I keep that one at E.
E
One voice stays on the 1 the whole time
ELast night I said these words to Amy EgirlGAB
EI know you never even Atry Egirl
Come oAn (come on), come F#mon (come on)
Up to the 1 of the key on the second “come on”
Come C#mon (come on), come Aon
Please Eplease me, whoa Ayeah
Like BI please Eyou
EYou don’t need me to show the AwayEgirlGAB
EWhy do I always have to Asay Egirl
Come oAn (come on), come F#mon (come on)
Come C#mon (come on), come Aon
Please Eplease me, whoa Ayeah
Like BI please Eyou
AI don’t want to sound complaining
BBut you know there’s always rain in Emy heart (in my heart)
AI do all the pleasing with you
BIt’s so hard to reason with Eyou
Oh yAeah, why Bdo you make me Eblue
ELast night I said these words to Amy EgirlGAB
EI know you never even Atry Egirl
Come oAn (come on), come F#mon (come on)
Come C#mon (come on), come Aon
Please Eplease me, whoa yAeah
Like BI please Eyou
(Please Eplease me) whoa yAeah
Like BI please Eyou
(Please Eplease me) whoa yAeah
Like BI please Eyou GCBE
The Beatles - She Loves You (1963)
I play the chorus with tight hits on “loves you”.
Originally in G, I play in D.
She loBmves you, yeah, yeah, yeah
She loE7ves you, yeah, yeah, yeah
She lGoves you, yeah, yeah, yeah, yDeah
You thDink you lost your loBm7ve, well
I F#msaw her yesterAday
It’s Dyou she’s thinking oBm7f and
She tF#mold me what to sAay
She said she Dloves you
And you know that can’t be Bmbad
Yes she Gmloves you and you
Know you should be Aglad
She sDaid you hurt her Bm7so
She F#malmost lost her miAnd
But nDow she said she knBm7ows
You’re F#mnot the hurting kiAnd
She said she Dloves you
And you know that can’t be Bmbad
Yes she Gmloves you and you
Know you should be Aglad
She loBmves you, yeah, yeah, yeah
She loE7ves you, yeah, yeah, yeah
Vox down a half-step from “yeah” to “love”
(“love” on the 3 of the chord)
With a lGmove like that, you kA7now you should be glaDd
You Dknow it’s up to Bm7you
I tF#mhink it’s only faAir
PrideDcan hurt you Bm7too
ApF#mologize to hAer
Because she Dloves you
And you know that can’t be Bmbad
Yes she Gmloves you and you
Know you should be Aglad
She loBmves you, yeah, yeah, yeah
She loE7ves you, yeah, yeah, yeah
With a lGmove like that, you kA7now you should be glaDd Bm
With a lGmove like that, you kA7now you should be glaDd Bm
Soft stop on “should”
With a lGmove like that, you kA7now you should...
Be glaDd yeah yeah yeah Bmyeah yeah yeah
GYeah yeah yeah
D6Yeah
The Beatles - Tell Me Why (1964)
Originally in D, I play in A
Vocal note: don’t try the original melody on “anything
else I can do“. Do anything but that.
Dm7GDm7GDm7GGG
Vox on the 3
Tell me CwhyAmyou cried
DmAnd why youG7lied toCme Dm7G7
Tell me CwhyAmyou cried
DmAnd why youG7lied toCme Dm7G7
Well, I gCave you everything I hAmad
But you Dmleft me sitting on my G7own
Did you Chave to treat me oh so Ambad?
All I Dmdo is hang my head and G7moan
Tell me CwhyAmyou cried
DmAnd why youG7lied toCme Dm7G7
Tell me CwhyAmyou cried
DmAnd why youG7lied toCme Dm7G7
If it’s Csomething that I’ve said or Amdone
Tell me Dmwhat and I’ll apoloG7gise
If you Cdon’t, I really can’t go Amon
Holding Dmback these tears in my G7eyes
Tell me CwhyAmyou cried
DmAnd why youG7lied toCme Dm7G7
Tell me CwhyAmyou cried
DmAnd why youG7lied toCme Dm7G7
Well, I F7beg you on my bended knees
If you’ll G7only listen to my pleas
Is there Amanything I can do?
Cause I Dm7really can’t stand it
I’m G7so in love with Cyou Dm7G7
Tell me CwhyAmyou cried
DmAnd why youG7lied toCme Dm7G7
Tell me CwhyAmyou cried
DmAnd why youG7lied toAm7me
G#7Gsus4→ G6C
The Beatles - The Night Before (1965)
Originally in D, I play it in A, capo 2
AACCDDEE
AWe said our goodGbyes (Dah the nEight before)
LAove was in your eGyes (Dah the nEight before)
F#mNow today I fDm6ind F#myou have changed your mDm6ind
ATreat me like you dD7id the night beAfore C→ D
AWere you telling lGies (Dah the nEight before)
AWas I so unwiGse (aDh the niEght before)
F#mWhen I held you nDm6ear F#myou were so sinDm6cere
TAreat me like you dD7id the night bAefore
Bridge, vox on 4 3 of the chord on “last night”
LEmast night is the niA7ght I will remDember you by
Vox on 3 1 of the chord on “when I”
WF#mhen I think of thB7ings we did it mE7akes me wanna cry
AWe said our goodGbyes (Dah the nEight before)
LAove was in your eGyes (Dah the niEght before)
F#mNow today I fDm6ind F#myou have changed your mDm6ind
TAreat me like you dD7id the night beAfore C→ D
Solo if appropriate
AGDEx 2
F#mWhen I held you nDm6ear F#myou were so sinDm6cere
TAreat me like you dD7id the night bAefore
Bridge
LEmast night is the niA7ght I will remDember you by
WF#mhen I think of thB7ings we did it mE7akes me wanna cry
WAere you telling lGies (Dah the nEight before)
AWas I so unwGise (Dah the niEght before)
F#mWhen I held you nDm6ear F#myou were so sinDm6cere
TAreat me like you dDid the night beAfore
CLike the night befAore
The Beatles - There's a Place (1963)
Originally in E, I play in C (highest note is the 5) (“don’t you *know* that it’s so”
CFCF
Vox on the (low) 3
There...
Vox on the 5 on “is”
Is a Cplace, Fwhere I can Cgo
FWhen I feel Clow, Amwhen I feel G7blue
And it’s my EmmindF, and there’s no Ctime F
When I’m aDmlone Am7
I...
Think of Cyou, Fand things you Cdo
FGo round my Chead Am7the things you G7said
Like ‘I Flove only G7you
Am7In my mind there’s no Dsorrow
CDon’t you know that it’s E7so
Am7There’ll be no sad toDmorrow
CDon’t you know that it’s E7so? Am7
There...
Is a Cplace, Fwhere I can Cgo
FWhen I feel Clow, Amwhen I feel G7blue
And it’s my EmmindF, and there’s no Ctime F
When I’m aDmlone Am7
There’s a Cplace F
There’s a Cplace F
There’s a Cplace F
The Beatles - Things We Said Today (1964)
Am
AmYou say Emyou will Amlove me, Amif I Emhave to goAm
YAmou’ll be tEmhinking Amof me, somehow EmI will kAmnow
SComeday when I’m lC7onely, wiFshing you weren’t so fBbar away
TAmhen I wEmill reAmmember things we sEmaid todAmay
AmYou say Emyou’ll be Ammine girl, Amtill theEmend of Amtime
TAmhese days sEmuch a kAmind girl, sAmeems so Emhard to fAmind
SComeday when we’re dC7reaming, dFeep in love not a lBbot to say
TAmhen we wEmill reAmmember things we sEmaid todAay
MeAI’m just the lucDky kind, lovB7e to hear you saE7y that love is lovAe
And though we mayDbe blind, lovB7e is here to stBb7ay and that’s...
EAmnough to Emmake you mAmine girl, be the Emonly Amone
LAmove me aEmll the tAmime girl, we’ll go Emon and Amon
SComeday when we’re dC7reaming, dFeep in love not a lBbot to say
TAmhen we wEmill reAmmember things we sEmaid todAay
MeAI’m just the lucDky kind, lovB7e to hear you saE7y that love is lovAe
And though we mayDbe blind, lovB7e is here to stBb7ay and that’s
EAmnough to Emmake you mAmine girl, be the Emonly Amone
LAmove me aEmll the tAmime girl, we’ll go Emon and Amon
SComeday when we’re dC7reaming, dFeep in love not a lBbot to say
TAmhen we wEmill reAmmember things we sEmaid todAmay
Am
The Beatles - This Boy (1963)
Originally in D, I play in C
CAm7Dm7Gx2
Harmonies on the 3,5,7; solo I sing the 3
CThat boy AmDmtook my G7love aCwaAmy
DmOh, he’ll regrG7et it somedCaAmy
Hang on “this” and “wants”
But tDm7his boy wG7ants you back aCgain AmDmG7
CThat boy AmDmisn’t G7good for youCAm
DmThough he may wG7ant you Ctoo Am
Hang on “this” and “wants”
TDm7his boy wG7ants you back aCsus4gain CC9
Vox on 5 3 of the chord on “this boy”
Oh, and tFhis boy, would be hE7appy
Just to lAmove you, but oh CmyC7
TFhat boy won’t be hD7appy
Hard stop on “cry”
TGill he’s seen you cry
CThis boy AmDmwouldn’t mindG7the paiCn Am
DmWould always fG7eel the Csame Am
Hard stop on “this” and “gets”
If tDm7his boy, gG7ets you back agCain AmDmG7
CThis boy AmDmG7
CThis boy AmDmG7
CThis boy AmDmG7C
The Beatles - Ticket to Ride (1965)
Originally in A, I play it in G, which makes the high
harmony at least plausible (on I)
In G, I avoid the open chord and play it @ 3
G
I Gthink I’m gonna be sad I think it’s today, yeah
The girl that’s driving me mad is going aAmwayD
ShEme’s got a ticket to riC7de, sEmhe’s got a ticket to rFmaj7ide
SEmhe’s got a ticket to riDde and she don’t caGre
She Gsays that living with me is bringing her down, yea
But she will never be free when I was around, AmohD
EmShe’s got a ticket to C7ride, Emshe’s got a ticket toFmaj7ride
EmShe’s got a ticket to rDide and she don’t cGare
I dCon’t know why she’s riding so high
She ought to think twice she ought to do right by Dme D7
BefCore she gets to saying goodbye
She ought to think twice she ought to do right by Dme D7
I thGink I’m gonna be sad I think it’s today, yeah
The girl that’s driving me mad is going aAmwayD
ShEme’s got a ticket to riC7de, sEmhe’s got a ticket to rFmaj7ide
SEmhe’s got a ticket to riDde and she don’t caGre
My baby don’t careG
My baby don’t careG
My baby don’t careG
My baby don’t careG
The Beatles - Twist and Shout (1963)
Originally in D, I play in A
ADEx2
Well shake it up bAaby now (shDake it up bEaby)
Twist and shAout (twDist and shEout)
Come on, come on, come on, come on, bAaby now (cDome on bEaby)
Come on and work it on oAut (wDork it on oEut!)
Well work it on oAut (wDork it on oEut)
You know you look so goAod (lDook so gEood)
You know you got me gAoin’ now (gDot me gEoin’)
Just like I knew you woAuld (like I kDnew you wEould)
Well shake it up bAaby now (shDake it up bEaby)
Twist and shAout (twDist and shEout)
Come on, come on, come on, come on, bAaby now (cDome on bEaby)
Come on and work it on oAut (wDork it on oEut)
You know you twist it little gAirl, (twDist little gEirl)
You know you twist so fAine (twDist so fEine)
Come on and twist a little clAoser now (twDist a little cEloser)
And let me know that you’re mAine (let me kDnow you’re mEine, ooh!)
ADEEx4
EAhh ahh aE7hh ahh ahh yeah!
BAaby now (shDake it up bEaby)
Twist and shAout (twDist and shEout)
Come on, come on, come on, come on, bAaby now (cDome on bEaby)
Come on and work it on oAut (wDork it on oEut, ooh!)
You know you twist it little Agirl (tDwist little giErl)
You know you twist so fAine (twDist so fEine)
Come on and twist a little clAoser now (twDist little clEoser)
And let me know that you’re mAine (let me kDnow you’re mEine ooh!)
Well shake it shake it shake it bAaby now (sDhake it up bEaby)
Well shake it shake it shake it bAaby now (sDhake it up bEaby)
Well shake it shake it shake it bAaby now (sDhake it up bEaby)
EAhh ahh aE7hh ahh
EFF#GG#AA9
The Beatles - Wait (1965)
The verse is originally played on just strings 2 and 3, descending
It’s been a F#m7long B/F#time
NBm/F#ow F#mI’m cC#7oming back F#mhome
I’ve been aF#m7way nB/F#ow
Bm/F#Oh F#mhow C#7I’ve been aF#mlone
A6Wait Dmaj7till I A6come backDmaj7to your sidA6eDmaj7
We’ll fA6orget the tC#7ears we’ve cF#mried
But if your hF#7meart brB/F#eaks
Bm/F#Don’t F#mwait, C#7turn me F#maway
And if your F#m7heart’s stB/F#rong
Bm/F#HoldF#mon, C#7I won’t deF#mlay
A6WaitDmaj7till I A6come bacDmaj7k to your siA6deDmaj7
We’ll forA6get the tC#7ears we’ve cF#mried
Bridge
I feel as thBough you ought to Eknow
That I’ve been Agood as good as I can F#mbe
And if you Bdo I’ll trust in Eyou
And know thatAyou will wait forC#7sus4meC#7
It’s been a F#m7long tiB/F#me
Bm/F#Now F#mI’m C#7coming back F#mhome
I’ve been F#m7away nB/F#ow
Bm/F#Oh F#mhow C#7I’ve been aF#mlone
A6WaitDmaj7till I A6come bacDmaj7k to your siA6deDmaj7
We’ll forA6get the tC#7ears we’ve cF#mried
Bridge
I feel as thBough you ought to Eknow
That I’ve been Agood as good as I can F#mbe
And if you Bdo I’ll trust in Eyou
And know thatAyou will wait forC#7sus4meC#7
It’s been a F#m7long tB/F#ime
NBm/F#ow F#mI’m C#7coming back F#mhome
I’ve been F#m7away nB/F#ow
Bm/F#Oh F#mhow C#7I’ve been aF#mlone
A6WaitDmaj7till I cA6ome bacDmaj7k to your siA6deDmaj7
We’ll forA6get the tC#7ears we’ve cF#mried
It’s been a F#m7long tB/F#ime
NBm/F#ow F#mI’m C#7coming back F#mhome
No guitar
I’ve been aF#m7way nB/F#ow
Bm/F#Oh, F#mhow C#7I’ve been alonF#me
The Beatles - We Can Work It Out (1965)
Originally in D, I play in A capo 1.
I skip all the sus4’s.
ATry to see it Asus4my Away
Do I have to Asus4keep on talking Gtill I can’t go Aon
AWhile you see it yAsus4our wAay
ARun the risk of knowAsus4ing that our lGove may soon be gAone
DWe can work it Aout
DWe can work it Eout
AThink of what you’re Asus4say Aing
AYou can get it Asus4wrong and still you Gthink that it’s all Aright
AThink of what I’m Asus4say Aing
AWe can work it Asus4out and get it Gstraight or say goodnAight
DWe can work it Aout
DWe can work it Eout
F#mLife is very short andF#m/Ethere’s noDtimC#7e
In A, just play the same chords as the previous line, skip
the descending pattern
For C#fussing and F#mfighting, myF#m/EfriendF#m/DF#m/C#
F#mI have always thought that F#m/Eit’s a DcrimC#7e
So C#I will F#mask you F#m/Eonce F#m/DagainF#m/C#
ATry to see it Asus4my Away
Only time wilAsus4l tell if I am rGight or I am wroAng
AWhile you see it yAsus4our wAay
AThere’s a chance that wAsus4e might fall aGpart before too lAong
DWe can work it Aout
DWe can work it Eout
F#mLife is very short andF#m/Ethere’s noDtimC#7e
For C#fussing and F#mfighting, myF#m/EfriendF#m/DF#m/C#
F#mI have always thought that F#m/Eit’s a DcrimC#7e
So C#I will F#mask you F#m/Eonce F#m/DagainF#m/C#
ATry to see it Asus4my Away
Only time wilAsus4l tell if I am rGight or I am wroAng
AWhile you see it yAsus4our wAay
AThere’s a chance that wAsus4e might fall aGpart before too lAong
DWe can work it Aout
DWe can work it Eout
AAsus2AAsus4A
The Beatles - Yes It Is (1965)
Originally in E, I play in D
D
DIf you wear rGed tonEm7ightA7
DRemember what I sGaid tonCightA7
For Bmred is the color that my Gbaby wore
AnCd what’s more, it’s Bmtrue
DYes it is
D
DScarlet were the Gclothes she Em7woreA7
DEverybody Gknows I’m CsureA7
BmI would remember all the tGhings we planned
CUnderstand, it’s Bmtrue
DYes it is, it’s true, D7yes it is
AmI could be D7happy with Gyou by my Emside
AmIf I could forD7get her, but
BmIt’s my pride, yes it is, Dyes it is
Oh, yes it E7is, yA7eah
DPlease don’t wear rGed tonEm7ightA7
DThis is what I saGid toniCghtA7
For Bmred is the color that will mGake me blue
In spite Cof you, it’s Bmtrue
DYes it is, it’s true, D7yes it is
AmI could be D7happy with Gyou by my Emside
AmIf I could forD7get her, but
BmIt’s my pride, yes it is, Dyes it is
Oh, yes it E7is, yA7eah
DPlease don’t wear rGed tonEm7ightA7
DThis is what I saGid toniCghtA7
For Bmred is the color that will mGake me blue
In spite Cof you, it’s Bmtrue
DYes it is it’s tF#rue
DYes it is it’s tGrue
The Beatles - Yesterday (1965)
Originally in F (as G down 1), I play in D.
D
3 #4 #5 of the key on “all my troub”
DYesterday,C#m7all my F#7troubles seemed so fBmar awayBm7/A
GNow it lAooks as A7though they’re herDe to stay
AOh, Bm7I belE7ieve in yGesterDday
DSuddenly, C#m7I’m not F#7half the man I Bmused to beBm7/A
GThere’s a Ashadow A7hanging Dover me
Oh Bm7yesterE7day came GsuddenDly
F#7Why she Bmhad Ato Ggo
BmI don’t Aknow, she A7wouldn’t Dsay
F#7I said BmsomeAthing Gwrong, Bmnow I
ALong for A7yesterDday
DYesterday, lC#m7ove was F#7such an easy Bmgame to play Bm7/AG
Now I Aneed a A7place to Dhide away
Oh, Bm7I belE7ieve in GyesterDday
F#7Why she Bmhad Ato Ggo
BmI don’t Aknow, she A7wouldn’t Dsay
F#7I F#7said BmsometAhing Gwrong Bmnow I
ALong for A7yesterDday
DYesterday, lC#m7ove was F#7such an easy Bmgame to play Bm7/AG
Now I Aneed a A7place to Dhide away
Oh, Bm7I belE7ieve in GyesterDday
BmMmm mmm-mE7mm mmm mGmm mDmm mmm
The Beatles - You're Going to Lose that Girl (1965)
Vox start on 3 5 3 6 on “you’re gonna lose”...
Let chords ring in the intro
You’re gonna Elose that girl C#m
(Yes yes you’re gonna lose that girl)
You’re gonna F#mlose that B7girl
(Yes yes you’re gonna lose that girl)
EIf you don’t take her G#mout tonight
She’s gonna F#mchange her mindB7
(She’s gonna change her mind)
EAnd I will take her G#mout tonight
And I will F#mtreat her kindB7
(I’m gonna treat her kind)
You’re gonna Elose that girl C#m
(Yes yes you’re gonna lose that girl)
You’re gonna F#mlose that B7girl
(Yes yes you’re gonna lose that girl)
EIf you don’t treat her G#mright my friend
You’re gonna F#mfind her goneB7
(You’re gonna find her gone)
E‘Cause I will treat her G#mright and then
You’ll be the F#mlonely oneB7
(You’re not the only one)
You’re gonna Elose that girlC#m
(Yes yes you’re gonna lose that girl)
You’re gonna F#mlose that B7girl
(Yes yes you’re gonna lose that girl)
B7You’re gonna F#mloDse
(Yes yes you’re gonna lose that girl)
Bridge
Vox on b3 3 b3 3 of the chord on “I’ll make a point”
GI’ll make a point of Ctakin’ her away from Gyou
(Watch what you do) yeah
GThe way you treat her Cwhat else can I Fdo?
Solo if appropriate, with “you’re gonna lose that girl”
EG#mF#mB7x 2
You’re gonna Elose that girlC#m
(Yes yes you’re gonna lose that girl)
You’re gonna F#mlose that B7girl
(Yes yes you’re gonna lose that girl)
B7You’re gonna F#mloDse
(Yes yes you’re gonna lose that girl)
Bridge
GI’ll make a point of Ctakin’ her away from Gyou
(Watch what you do) Yeah
GThe way you treat her Cwhat else can I Fdo?
EIf you don’t take her G#mout tonight
She’s gonna F#mchange her mindB7
(She’s gonna change her mind)
EAnd I will take her G#mout tonight
And I will F#mtreat her kindB7
(I’m gonna treat her kind)
You’re gonna Elose that girlC#m
(Yes yes you’re gonna lose that girl)
You’re gonna F#mlose that B7girl
(Yes yes you’re gonna lose that girl)
B7You’re gonna F#mloDse Athat Egirl
The Beatles - You've Got to Hide Your Love Away (1965)
G
GHere I sDsus4tand Fadd9head in hGand
CTurn my face to thFadd9e wallC
GIf she’s Dsus4gone I Fadd9can’t go Gon
FCeeling two foot Fadd9small CD
GEverywDsus4here Fadd9people sGtare
CEach and every Fadd9day C
GI can Dsus4see them lFadd9augh at mGe
ACnd I hear them Fadd9sayCD
GHey, you’ve got to Chide your love Dsus4away DDsus2D
GHey, you’ve got to Chide your love Dsus4away DDsus2D
GHow can Dsus4I Fadd9even Gtry
CI can never Fadd9winC
GHearing Dsus4them, sFadd9eeing tGhem
CIn the state I’m iFadd9nCD
GHow could Dsus4she Fadd9say to Gme
C“Love will find a Fadd9way“?C
GGather Dsus4around, Fadd9all you cGlowns
CLet me hear you Fadd9sayCDD/CD/BD/A
GHey, you’ve got to Chide your love Dsus4away DDsus2D
GHey, you’ve got to Chide your love Dsus4away DDsus2D
Solo if appropriate
GDsus4Fadd9GCFadd9C
GDsus4Fadd9GCFadd9C
G
The Big Bopper - Chantilly Lace (1958)
Originally in Eb, I play in A, which will feel high
Spoken over intro
Hello baby
Yeah this is the Big Bopper speakin’
Aw you sweet thing
Do I what? Will I what?
Oh baby you know what I like
Intro, hard stop at the end
EAEADAEA
Vox on 5 6 5 7 of the key on “chantilly lace”
Chantilly Elace and a pretty face
And a ponyAtail hangin’ down
That wiggle in the Ewalk and giggle in the talk
AMake the world go round
There ain’t Dnothin’ in the world like a big-eyed girl
That Amake me act so funny, make me spend my money
EMake me feel real loose like a long-necked goose
Hard stop on “girl”
Like a Agirl, oh baby, that’s what I like
Spoken
EWhat’s that baby? ABut, but
EBut, Aoh honey
DBut, Aoh, baby, you kEnow what I like A
Chantilly Elace and a pretty face
And a ponyAtail hangin’ down
That wiggle in the Ewalk and giggle in the talk, lord
AMake the world go round round round
There ain’t Dnothin’ in the world like a big-eyed girl
That Amake me act so funny, make me spend my money
EMake me feel real loose like a long-necked goose
Like a Agirl, oh baby, that’s what I like
Spoken
EWhat’s that honey? APick you up at eight?
EAnd don’t be late? ABut baby
DI ain’t got no money honey A
EOh alright honey you kAnow what I like
Chantilly Elace and a pretty face
A ponyAtail hangin’ down
A wiggle in the Ewalk and a giggle in the talk, lord
AMake the world go round
There ain’t Dnothin’ in the world like a big-eyed girl
That Amake me act so funny, make me spend my money
EMake me feel real loose like a long-necked goose
Like a Agirl, oh baby, that’s what I like
E→ A
The Chiffons - One Fine Day (1963)
Originally in Gb, Carole King plays in F, I play in A
AF#mDEx2
Vox on the 5 of the key on “one fine” and “you’ll look”
Then up to the 1 of the key on “and you will know”
AOne fine day, Eyou’ll look at me
F#mAnd you will know our love was Dmeant to Dmbe
AOne fine F#mday Dyou’re gonna Ewant me for your Agirl
AF#mDE
AThe arms I long for Ewill open wide
F#mAnd you’ll be proud to have me Dright by your Dmside
AOne fine F#mday Dyou’re gonna Ewant me for your Agirl
AD/AAA
Vox stays on the root, i.e. comes in on 1→2
in the key (4 → 5 in the chord) on “though I”
Em7Though I Aknow you’re the Em7kind of Aboy
DWho only Dmaj7wants to run aD6round Dadd9
F#m7I’ll keep Bwaiting and F#m7someday Bdarling
Resist the temptation to go up on “down”
EYou’ll come to me when you want to settle E7down, oh
AOne fine day Ewe’ll meet once more
F#mAnd then you’ll want the love you Dthrew away beDmfore
AOne fine F#mday Dyou’re gonna Ewant me for your Agirl
AOne fine F#mday Dyou’re gonna Ewant me for your Agirl
AD/AA
The Coasters - Charlie Brown (1959)
Originally in Bb, I play in E
Let ring on 1 and 3
IMO the melody is on the 5
EFe fe fi fi fo fo fum
I smell smoke in the E7auditorium
Band enters, at time
Charlie ABrown, Charlie Brown
He’s a Eclown, that Charlie Brown
He’s Bgonna get caught, Ajust you wait and see
Hard stop on “why”
EWhy’s everybody always pickin’ on me?
Let ring on 1 and 3 again
That’s hEim on his knees, I know that’s him
Yeah when seven come eleven down, in the boys’ gym
Charlie ABrown, Charlie Brown
He’s a Eclown, that Charlie Brown
He’s Bgonna get caught, Ajust you wait and see
EWhy’s everybody always pickin’ on me?
Bridge
AWho’s always writing on the wall?
GWho’s always goofin’ in the hall?
AWho’s always throwin’ spit balls?
Guess Bwho! Who, me? Yeah, you!
Who wEalks in the classroom cool and slow?
Who calls the English, teacher Daddy-O?
Charlie ABrown, Charlie Brown
He’s a Eclown, that Charlie Brown
He’s Bgonna get caught, Ajust you wait and see
EWhy’s everybody always pickin’ on me?
Solo on the ringing part, and a chorus
E
AAEEBAE
Who wEalks in the classroom cool and slow?
Who calls the English, teacher Daddy-O?
Charlie ABrown, Charlie Brown
He’s a Eclown, that Charlie Brown
He’s Bgonna get caught, Ajust you wait and see
EWhy’s everybody always pickin’ on me?
The Coasters - Yakety Yak (1959)
Originally in G, I play in D
Vox on the 1, harmony ends up on the 5 on “trash”
Take out the papers and the Dtrash
Or you don’t get no spending Gcash
If you don’t scrub that kitchen Afloor
Hard stop before this line, band back in on “more”
You ain’t gonna rock and roll no Dmore
Another hard stop after “yak”
DYakety yak, don’t talk back
Band back in “room”
Just finish cleaning up your Droom
Let’s see that dust fly with that Gbroom
Get all that garbage out of Asight
Or you don’t go out Friday Dnight
DYakety yak, don’t talk back
You just put on your coat and Dhat
And walk yourself to the laundry Gmat
And when you finish doing Athat
Bring in the dog and put out the Dcat
DYakety yak, don’t talk back
Solo, with a hard stop on the second I, both times
DGADx2
Don’t you give me no dirty Dlooks
Your father’s hip, he knows what Gcooks
Just tell your hoodlum friends outAside
You ain’t got time to take a Dride
Yakety yDak, don’t talk back
Yakety yak, yakety yaDk
Yakety yak, yakety yaDk
Yakety yak, yakety yaDk
Yakety yak, yakety yaDk
The Contours - Do You Love Me (1962)
Originally in F, I play in A, highest note is the 5 “do you *love* me”
Intro, let ring, more or less spoken
AYou broke my heart
D‘Cause I couldn’t dance
EYou didn’t even want me aF#mround
Hard stop on “back”
And now I’m Eback, to let you know
I can really shake ‘em down
E7
Vox on the 5
Do you Alove me? (I can Dreally Emove)
Do you Alove me? (I’m Din the Egroove)
Now do you Alove? (DDo you Elove me?)
DNow that DmI can E7dance
Watch me now, hey (Awork, work)
Ah, Dwork it out Ebaby (Awork, work)
Well, you’re Ddrivin’ me Ecrazy (Awork, work)
Just a Dlittle bit of Esoul now (Awork)
E7
I can Amash-potato (I can Dmash-poEtato)
I can Ado the twist (I can Ddo the Etwist)
Now Atell me baby (Dtell me Ebaby)
Ah do you lAike it like this (do you Dlike it like Ethis)
ETell me (Etell me)
Do you Alove me? (DDo you Elove me)
Now do you Alove me? (DDo you Elove me)
Now do you Alove me? (DDo you Elove me)
DNow that DmI can E7dance (dance)
Watch me now, hey (Awork, work)
Aw Dshake it uEp, shake it (Awork, work)
Aw Dshake ‘em, shake ‘em Edown (Awork, work)
Aw, a Dlittle bit of Esoul now (Awork)
E7
Ah, Dshake it, shake it Ebaby (Awork, work)
Ah, you’re Ddriving me Ecrazy (Awork, work)
Ah, Ddon’t get Elazy (Awork)
E7
I can Amash-potato (I can Dmash-poEtato)
I can Ado the twist (I can Ddo the Etwist)
Well now Atell-a me baby (Dtell me Ebaby)
Do you lAike it like this (do you Dlike it like Ethis)
E7Tell me (tell me), tell me
Do you Alove me? (DDo you Elove me)
Now do you Alove me? (DDo you Elove me)
Now do you Alove me? (DDo you Elove me)
DNow that DmI can E7dance (dance)
C#9
The Crystals - Da Doo Ron Ron (1962)
Originally in Eb, I play in G
Intro
G
I Gmet him on a Monday and my Cheart stood still
Da Ddoo ron ron ron, da Gdoo ron ron
GSomebody told me that his Cname was Bill
Da Ddoo ron ron ron, da Gdoo ron ron
GYes, my Cheart stood still
GYes, his Dname was Bill
GAnd when he wCalked me home
Da Ddoo ron ron ron, da Gdoo ron ron
He Gknew what he was doin’ when he Ccaught my eye
Da Ddoo ron ron ron, da Gdoo ron ron
He lGooked so quiet but Cmy oh my
Da Ddoo ron ron ron, da Gdoo ron ron
GYes, he cCaught my eye
GYes, but Dmy oh my
GAnd when he Cwalked me home
Da Ddoo ron ron ron, da Gdoo ron ron
GCDa Ddoo ron ron ron, da Gdoo ron ron
GCDa Ddoo ron ron ron, da Gdoo ron ron
He pGicked me up at seven and he Clooked so fine
Da Ddoo ron ron ron, da Gdoo ron ron
GSomeday soon I’m gonna Cmake him mine
Da Ddoo ron ron ron, da Gdoo ron ron
GYes, he Clooked so fine
GYes, I’ll Dmake him mine
GAnd when he Cwalked me home
Da Ddoo ron ron ron, Gda doo ron ron
With yeah’s
Da Gdoo ron ron ron, da Cdoo ron ron
Da Ddoo ron ron ron, da Gdoo ron ron
Da Gdoo ron ron ron, da Cdoo ron ron
Da Ddoo ron ron ron, da Gdoo ron ron
The Dave Clark Five - Because (1964)
Originally in G, I play in E
EE+E6E+
It’s Eright that E+I should care aE6bout you E7
And F#mtry to make you happy when you’re bBlue B+
It’s riEght, it’s riE+ght to fAeel the way I Amdo
BecaEuse, becaF#muse B7I love yEou
F#mIt’s wrong to Bsay I don’t think of Eyou C#m
F#m‘Cause when you Bsay these things
You F#7know it makes me Bblue B+
GEive me one kE+iss and I’ll be hE6appy E7
F#mJust, just to be here with Byou B+
Give Eme, give E+me, a Achance to be Amnear you
BecEause, becF#mause B7I love Eyou C→ B
Organ solo
EE+E6E7
F#mBEC→ B
GEive me one kE+iss and I’ll be hE6appy E7
F#mJust, just to be here with Byou B+
Give Eme, give E+me, a Achance to be Amnear you
BecEause, becF#mause B7I love Eyou C#7
BecF#mause, becB7ause I love yEou
G6/9
The Dave Clark Five - Glad All Over (1964)
Originally in D, I play in A
Intro
ADA
You sDay that you lAove me (sDay you Alove me)
DAll of the Atime (Dall of the Atime)
You Dsay that you Aneed me (Dsay you Aneed me)
You’ll Dalways be Amine (Dalways be Amine)
Vox on 5 6 b7 of the key on “I’m feelin’”
I’m feelin’ Eglad all over
Yes I’m Aglad all over
Baby I’m Eglad all over
So glad you’re Amine DAD
DI’ll make you Ahappy (Dmake you Ahappy)
You’ll nDever be Ablue (Dnever be Ablue)
DYou’ll have no Asorrow (Dhave no Asorrow)
‘Cause I’ll aDlways be Atrue (Dalways be Atrue)
And I’m feelin’ Eglad all over
Yes I’m Aglad all over
Baby I’m Eglad all over
So glad you’re Amine DAD
Vox on the 3 of the chord
FOther girls, may try to take me aAway (Dtake me aAway)
DBut you know, it’s by your side I will E7stay
I’ll Dstay
Our love will Alast now (Dour love will Alast)
Till the Dend of Atime (Dend of Atime)
DBecause this Alove now (Dbecause this Alove)
Is only Dyours and Amine (Dyours and Amine)
And I’m feelin’ Eglad all over
Yes I’m Aglad all over
Baby I’m Eglad all over
So glad you’re Amine DAD
FOther girls, may try to take me aAway (Dtake me aAway)
DBut you know, it’s by your side I wll E7stay
I’ll Dstay
Key change, which I don’t bother with
Our love will A#last now (D#our love will Alast)
Till the D#end of A#time (D#end of Atime)
D#Because this A#love now (D#because this A#love)
Is gonna be D#yours and A#mine (Dyours and A#mine)
And I’m feelin’ Fglad all over
Yes I’m A#glad all over
Baby I’m Fglad all over
So glad you’re A#mine D#A#D#
I’m D#so glad you’re A#mine now D#A#
I’m D#so glad you’re A#mine now D#A#
I’m D#so glad you’re A#mine now D#
A#Whoa whoa D#whoa whoa A#whoa
The Del-Vikings - Come and Go With Me (1957)
Originally in G#, I play in G capo 1
GDom dEmom dom dom Amdom, dD7om de-doobie x3
GDom Amwah wah wah wGah
Well, lGove, love me, Emdarling
AmCome and D7go with me
GDon’t Emsend me
AmWay beyD7ond the sea
GI need you Emdarling
AmSo come D7go with Gme EmAmD7
GCome, come, Emcome
AmCome inD7to my heart
GTell me Emdarling
AmWe will D7never part
GI need you Emdarling
AmSo come D7go with Gme AmG
C7Yes I need you, yes I really need you
GPlease say you’ll never leave me
C7Well say you never, yes you really never
Hard stop on “never”
You D7never give me a chance
GCome, come, come, cEmome
AmCome inD7to my heart
GTell me Emdarling
GCome, come, Emcome
AmCome inD7to my heart
GTell me Emdarling
AmWe will D7never part
GI need you Emdarling
AmSo come D7go with Gme, yeah AmG
Solo on chorus chords, then verse chords
C7GC7D7G
GEmAmD7x 3
GAmG
C7Yes I need you, yes I really need you
GPlease say you’ll never leave me
C7Well say you never, yes you really never
D7You never give me a chance
GI love you Emdarling
AmCome and D7go with me
GCome home Emwith me
AmBaby D7I’m to see
GI need you Emdarling
AmSo come D7go with Gme Em
AmCome onD7, go with Gme
The Dixie Cups - Chapel of Love (1964)
Originally in D, I play in A, highest note that matters is the 3, but there’s a lot of 3
Starts a cappella
AGoing to the chapel and we’re gonna get married
BmGoing to the E7chapel and we’re Bmgonna get mE7arried
Band enters
AGee I really love you and we’re gonna get married
BmGoing to the E7chapel of lAove
ASpring is here, the sky is blue, whoa-oh-oh
BmBirds all E7sing as iBmf they kE7new
AToday’s the day, Awe’ll A7say I doF#7
And we’ll Bmnever be E7lonely anymAore
Because we’re Agoing to the chapel and we’re gonna get married
BmGoing to the E7chapel and we’re Bmgonna get mE7arried
AGee I really love you and we’re gonna get married
BmGoing to the E7chapel of lAove
ABells will ring, the sun will shine, whoa-oh-oh
BmI’ll be E7his, and hBme’ll be mE7ine
AWe’ll love until, Athe A7end of tiF#7me
And we’ll Bmnever be E7lonely anymAore
Because we’re Agoing to the chapel and we’re gonna get married
BmGoing to the E7chapel and we’re Bmgonna get mE7arried
AGee I really love you and we’re gonna get married
BmGoing to the E7chapel of lAove, yeah yeah yeah yeah
BmGoing to the E7chapel of lAove
The Drifters - Save The Last Dance For Me (1960)
Originally in E, I play in D
D
DYou can dance every dance with the guy who gives you the eye
Let him Ahold you tight
You can Asmile every smile for the man who held your hand
‘Neath the Dpale moonlight
But don’t forGget who’s taking you home
And in whose arms you’re Dgonna be
So Adarling, save the last dance for Dme
DOh I know that the music’s fine like sparkling wine
Go and Ahave your fun
Laugh and Asing but while we’re apart
Don’t give your heart to Danyone
But don’t forGget who’s taking you home
And in whose arms you’re Dgonna be
So Adarling, save the last dance for Dme
Baby don’t you know I Alove you so
Can’t you feel it when we Dtouch
I will never never Alet you go
Cause I love you oh so Dmuch
You can Ddance, go and carry on
Till the night is gone and it’s Atime to go
If he Aasks if you’re all alone can he take you home
You must Dtell him no
But don’t forGget who’s taking you home
And in whose arms you’re Dgonna be
So Adarling, save the last dance for Dme
Solo
ADAD
‘Cause don’t forGget who’s taking you home
And in whose arms you’re Dgonna be
So Adarling, save the last dance for Dme
ASave the last dance for Dme
ASave the last dance for Dme
The Drifters - This Magic Moment (1960)
Originally in C, I play in A
Intro
AF#mDE
This magic Amoment, so F#mdifferent and so new
Was like any Dother, until EI kissed you
And then it Ahappened, it F#mtook me by surprise
I knew that you Dfelt it too, by the Elook in your eyes
Sweeter than F#mwine
Softer than the Dsummer night
Everything I Awant I have, whenever I Ehold you tight
This magic Amoment, while your F#mlips are close to mine
Will last forDever, forEever till the end of Atime
Oh, F#moh, oh, oDh
Oooh, Eoooh
String solo
AF#mDE
Sweeter than F#mwine
Softer than the Dsummer night
Everything I Awant I have, whenever I Ehold you tight
This magic Amoment, while your F#mlips are close to mine
Will last forDever, forEever till the end of Atime
Oh, F#moh, magic moDment
Magic moEment
A
The Drifters - Under the Boardwalk (1964)
Originally in G, I play in D
D
Oh the sDun beats down and melts the tar upon the rAoof
And your sAhoes get so hot you wish your tired feet were firepDroofD7
Under the bGoardwalk, down by the Dsea
On a bDlanket with my baby Ais where I’ll Dbe
Don’t go down to the low octave here, stay in the melody octave
Under the bBmoardwalk, out of the sun
Under the bAoardwalk, we’ll be having some fun
Under the bBmoardwalk, people walking above
Under the bAoardwalk, we’ll be making love
Under the bBmoardwalk, boardwalk
From a pDark nearby happy sounds from a carouselA
You can alAmost taste the hot dogs and french fries they sellDD7
Under the bGoardwalk, down by the Dsea
On a bDlanket with my baby Ais where I’ll beD
Under the bBmoardwalk, out of the sun
Under the bAoardwalk, we’ll be having some fun
Under the bBmoardwalk, people walking above
Under the bAoardwalk, we’ll be making love
Under the bBmoardwalk, boardwalk
Solo on half verse
DAAD
Under the bGoardwalk, down by the Dsea
On a bDlanket with my baby Ais where I’ll Dbe
Under the bBmoardwalk, out of the sun
Under the bAoardwalk, we’ll be having some fun
Under the bBmoardwalk, people walking above
Under the bAoardwalk, we’ll be making love
Under the bBmoardwalk, boardwalk
The Everly Brothers - All I Have to Do Is Dream (1958)
EC#m7AB
EDrea-ea-ea-ea-C#m7eam, Adream, dream, Bdream
EDrea-ea-ea-ea-C#m7eam, Adream, dream, Bdream
When EI want C#m7you Ain my Barms
When EI want C#m7you Aand all your Bcharms
WhenEever I C#m7want you, Aall I have to Bdo is
EDrea-ea-ea-ea-C#m7eam, Adream, dream, Bdream
When EI feel C#m7blue Ain the Bnight
And EI need C#m7you Ato hold me Btight
WhenEever I C#m7want you, Aall I have to Bdo is
EDrea-Aee-Eeam E7
AI can make you mine, G#m7taste your lips of wine
F#m7Anytime B7night or Eday E7
AOnly trouble is, G#m7gee whiz
I’m F#dreamin’ my life B7away
I Eneed you C#m7so Athat I could Bdie
I Elove you C#m7so Aand that is Bwhy
WhenEever I C#m7want you, Aall I have to Bdo is
EDrea-Aee-Eeam E7
AI can make you mine, G#m7taste your lips of wine
F#m7Anytime B7night or Eday E7
AOnly trouble is, G#m7gee whiz
I’m F#dreamin’ my life B7away
I Eneed you C#m7so Athat I could Bdie
I Elove you C#m7so Aand that is Bwhy
WhenEever I C#m7want you, Aall I have to Bdo is
EDrea-ea-ea-ea-C#m7eam, Adream, dream, Bdream
EDrea-ea-ea-ea-C#m7eam, Adream, dream, Bdream
EDream
The Everly Brothers - Bye Bye Love (1957)
Originally in A, I play in G capo 2 (still in A)
With two guitars, it’s cool to have one playing in G capo 2
A and one playing in D capo 7.
Intro, chords change on the downbeats
GGA#CGGGGx 2
CBye bye Glove, Cbye bye Ghappiness
CHello Gloneliness
I Gthink I’m a-Dgonna Gcry-y
CBye bye Glove, Cbye bye Gsweet caress
CHello Gemptiness
I Gfeel like DI could Gdi-ie
Bye Gbye, my Dlove, goodGby-ye
There goes my D7baby with-a someone Gnew
She sure looks D7happy, I sure am Gblue
She was my Cbaby till he stepped Din
Goodbye to romance that might have GbeenG7
CBye bye Glove, Cbye bye Ghappiness
CHello Gloneliness
I Gthink I’m a-Dgonna Gcry-y
CBye bye Glove, Cbye bye Gsweet caress
CHello, Gemptiness
I Gfeel like DI could Gdi-ie
Bye Gbye, my Dlove, goodGby-ye
I’m a-through with D7romance, I’m a-through with Glove
I’m through with-a D7countin’ the stars aGbove
And here’s the Creason that I’m so Dfree
My lovin’ baby is a-through with Gme G7
CBye bye Glove, Cbye bye Ghappiness
CHello Gloneliness
I Gthink I’m a-Dgonna Gcry-y
CBye bye Glove, Cbye bye Gsweet caress
CHello, Gemptiness
I Gfeel like DI could Gdi-ie
Bye Gbye, my Dlove, goodGby-ye
Bye Gbye, my Dlove, goodGby-ye
Bye Gbye, my Dlove, goodGby-ye
The Everly Brothers - Cathy's Clown (1960)
Originally in G, I play in E
as upbeat, syncopated barre chords
EBEBEBE
Both vox lines come in the 5 on “don’t”, 6 on “love”
Don’t want your Elove BEBany EmoreBE
Don’t Bwant your EkisseBs EBthat’s for EsureBE
I Bdie each C#mtime I hear this AsoundB
Here he EcoBmesEthat’s BCathy’s Eclown BE
I’ve gotta stand Etall AE
You know a Aman can’t EcrawlAE
For when he Aknows you tell lies and he C#mhears ‘em passin’ Aby
He’s Bnot a man at EallAE
Don’t want your Elove BEBany EmoreBE
Don’t Bwant your EkisseBs EBthat’s for EsureBE
I Bdie each C#mtime I hear this AsoundB
Here he EcoBmesEthat’s BCathy’s Eclown BE
When you see me shed a Etear AEand you know that it’s sinEcere AE
Don’t ya think it’s kinda Asad that you’re C#mtreatin’ me so Abad
Or Bdon’t you even Ecare AE
Don’t want your Elove BEBany EmoreBE
Don’t Bwant your EkisseBs EBthat’s for EsureBE
I Bdie each C#mtime I hear this AsoundB
Here he EcoBmesEthat’s BCathy’s Eclown
BEThat’s BCathy’s Eclown
BEThat’s BCathy’s Eclown
The Everly Brothers - Wake Up Little Susie (1957)
DFGFx 4
DWake up little Susie, wake up FGFD
DWake up little Susie, wake up FGFD
We bGoth been sDound aslGeep, wake Gup little SuDsie and wGeep
The movGie’s ovDer, it’s foGur o’cloDck and weG‘re in trDouble deGep
Wake up little SuAsieG, wake up little ASusie
This is I→V in the original, I prefer I→bVII
WAhat are we gonna tGell your maAmma?
WAhat are we gonna tGell your pAa?
WAhat are we gonna tGell our Afriends when they say “ooh la la”
Wake up little SusDie, Awake up little SuDsie
Well I toDld your momma that you’d be in by ten
Well now SuGsie baby looks like we goofed again
Wake up little SusAie,Gwake up little SuAsie, we gotta go home
DFGFx 2
DWake up little Susie, wake up FGFD
DWake up little Susie, wake up FGFD
The moGvie wDasn’t so hGot, it dGidn’t have mDuch of a pGlot
We fGell asDleep, our goGose is coDoked, our repGutaDtion is sGhot
Wake up little SAusieG, wake up liAttle Susie
WAhat are we gonna tGell your maAmma?
WAhat are we gonna tGell your pAa?
WAhat are we gonna tGell our Afriends when they say “ooh la la”
Wake up little SusDie,Awake up little SuDsie
AWake up little SusDie
DFGFx 2
D
The Everly Brothers - When Will I Be Loved (1960)
Everly Brothers in B, Linda Ronstadt in E, I play in A
This arrangement follows the Ronstadt version a little more
than the Everly Brothers version.
Let ring, basically just the I, as per Ronstadt arrangement
AI’ve been DcheaEted
ABeen misDtreaEted
AWhen will DI Ebe Aloved?
Now come in with the rock
AI’ve been Dturned Edown
AI’ve been Dpushed ‘Eround
AWhen will DI Ebe Aloved?
DWhen I meet a Enew girl
DThat I want for Amine
She Dalways breaks my Eheart in two
Slash chords are from the Ronstadt arrangement
It D/F#happens every E/G#time
AI’ve been Dmade Eblue
AI’ve been Dlied Eto
AWhen will DI Ebe Aloved? DE
Optionally solo on verse chords
AI’ve been DcheaEted
ABeen misDtreaEted
AWhen will DI Ebe Aloved?
DWhen I meet a Enew girl
DThat I want for Amine
She Dalways breaks my Eheart in two
It D/F#happens every E/G#time
AI’ve been DcheaEted
ABeen misDtreaEted
AWhen will DI Ebe Aloved?
AWhen will DI Ebe Aloved?
AWhen will DI Ebe Aloved?
The Five Satins - In the Still of the Night (1956)
Originally in F#, I play in C
Intro, with “shoo-doo, shooby-doo”
CAmFG
Vox on the 5 on “still”
In the Cstill of the Amnight
I Fheld you, held you Gtight
Cause I Clove, love you Amso
Promise I’ll Fnever let you gGo
In the still of the Cnight FC
I rememFber that night in May
The sCtars were bright above
I’ll hFope and I’ll pray
Hard stops after “keep”
To kGeep your precious love
Well befCore the Amlight
Hold me agaFin with all of your Gmight
In the still of the Cnight FCG
Solo, with “doo-bop, doo-bah”
CAmFGx2
So befCore the Amlight
Hold me agaFin with all of your Gmight
Hang on the V at the end of this line
In the still of the Cnight FG
A cappella, V implied
In the still of the...
CNight AmFGC
The Four Seasons - Walk Like a Man (1963)
Originally in Bb, I play in E capo 2
EAEA
The first “weee” is on the 2 7 of the chord (5 3 of the key)
EOoo Aweee ooo Eooo Aooo Eweee, Awalk, Ewalk, Awalk
EOoo Aweee ooo Eooo Aooo Ewalk Alike a EmaBn
EOh, how you F#m7tried to Ecut me down to F#m7size
ETellin’ dirty F#m7lies to my Efriends F#m7
But Emy own F#m7father said Egive her up, don’t F#m7bother
Hard stop on “end”
The Eworld isn’t F#m7comin’ to an Eend
He said...
AWalk like a Dman, Atalk like a Dman
AWalk like a C#mman my BmsonE
ANo woman’s Dworth Acrawlin’ on the Dearth
So Awalk like a C#mman, my DsoBn
EOoo Aweee ooo Eooo Aooo Eweee, Awalk, Ewalk, Awalk
EOoo Aweee ooo Eooo Aooo Ewalk Alike a EmaBn
EBye-aye F#m7baby, I Edon’t-a mean F#m7maybe
EGonna get aloF#m7ng someEhow F#m7
ESoon you’ll be F#m7cryin’ on Eaccount of all your F#m7lyin’
Oh Eyeah, just F#m7look who’s laughin’ Enow
I’m gonnna...
AWalk like a Dman, Afast as I Dcan
AWalk like a C#mman from BmyouE
AI’ll tell the Dworld forgAet about it, Dgirl
And Awalk like a C#mman from DyoBu
EOoo Aweee ooo Eooo Aooo Eweee, Awalk, Ewalk, Awalk
EOoo Aweee ooo Eooo Aooo Ewalk Alike a EmaBn
The Four Tops - I Can't Help Myself (Sugar Pie Honey bunch) (1965)
Originally in C, I play in G
Intro
G
Ooooh, sGugar pie, honey bunch, you know that DI love you
I can’t heAmlp myself, I love you and nCobody else D
GIn and out my life, you come and you Dgo
Leaving just your piAmcture behind, and I’ve kissed it a thCousand times D
GWhen you snap your finger, or wink your eye, I come a-rDunning to you
I’m tied to your aAmpron strings, and there’s nothing that CI can do D
Short solo
GD
I can’t hAmelp myself, no, I can’t hCelp myself D
‘Cause, sGugar pie, honey bunch, I’m weaker than a mDan should be
I can’t Amhelp myself, I’m a fool in loCve ya see D
Wanna tGell you I don’t love you, tell you that we’re through, aDnd I try
But every time I sAmee your face, I get all choked uCp inside D
WhGen I call your name, girl it starts to flame
BGurning in my heart, tear’n it all apart
No maGtter how I try, my love I cannot hide
‘Cause suGgar pie honey bunch, you know that I’d waDit for you
Can’t hAmelp myself, I love you and nCobody else D
SGugar pie, honey bunch, I’d do anything you aDsk me to
I can’t hAmelp myself, I want you and nCobody else D
SGugar pie, honey bunch, you know that DI love you
I can’t hAmelp myself, I can’t heClp myself D
G
The Isley Brothers - Shout (1959)
Originally in F, I play in A capo 2
Well...
You know you make me wanna (ShAout!)
Kick my heels up and (ShoF#mut!)
Throw my hands up and (ShAout!)
Throw my head back and (ShF#mout!)
Come on now (ShoAut!)
Don’t forget to say you wF#mill
DAon’t forget to say, yeah
YF#meah, yeah, yeah, yeah
A(Say you wiF#mll) Say it right now bab-ay
A(Say you wiF#mll) Come on, come on
A(Say you wiF#mll) Say it, will-a yoooo
A(Say you wiF#mll) Come on now
A(Say) Say that you love me
F#m(Say) Say that you need me
A(Say) Say that you want me
F#m(Say) You wanna please me
A(Say) Come on now
F#m(Say) Come on now
A(Say) Come on now
Hard stop
F#m(Say)
Thise whole verse with “Shooby-doo-wop-do-wop-wop-wop-wop”
I still remAember
When you used to be nine years oF#mld, yeah yeah
I was a foAol for you, from the bottom of my sF#moul, yeah
Now that you’ve grAown, up, grown enough to knF#mow, yeah yeah
Hard stop after this line, into half-time swing
You wanna leAave me, you wanna, let me F#mgo
This whole verse arguably bounces between I and IV6, not writing them all out, it behaves like a standard I→I6
I want you to knAow
I said I want you to know right now, yeah
You been good to me baby
Better than I been to myself, hey, hey
And if you ever leave me
I don’t want nobody else, hey, hey
I said I want you to know, hey
I said I want you to know right now, hey, hey
You know you make me wanna
At tempo
A(Shout-wooo) hey yeah
F#m(Shout-wooo) yeah yeah yeah
A(Shout-wooo) aaaalll right
F#m(Shout-wooo) aaaalll right
A(Shout-wooo) come on now
F#m(Shout) come on now
A(Shout) yeah, yeah, yeah
F#m(Shout) yeah, yeah, yeah (good sound)
A(Shout) yeah, yeah, yeah (good sound)
F#m(Shout) yeah, yeah, yeah (good sound)
A(Shout) all-alright (good sound)
F#m(Shout) it’s all-alright (good sound)
A(Shout) all-alright (good sound)
F#m(Shout) all-alright (aah)
Hard stop, into rubato
Now Await a minute, I feel allllllllll right
Yeah yeah, yeah yeah
Now that I got my woman
I feel aaaaaaaalllllriD7ght
Yeah yeah, yeah yeah
Every time I think about you
You been so good to me
You know you make me wanna
At tempo
A(Shout-wooo) lift my heels up and
F#m(Shout-wooo) throw my head back and
A(Shout-wooo) kick my heels up and
F#m(Shout-wooo) come on now
A(Shout-wooo) take it easy
F#m(Shout-wooo) take it easy
A(Shout-wooo) take it easy (higher)
Repeat like a zillion times
F#m(Shout) a little bit softer now
Repeat like a zillion times
A(Shout) a little bit louder now
With at libs to end
The Kingsmen - Louie Louie (1963)
Intro
ADEmDx2
ALouie LouiDe, Emoh no, Dhey Awe gotta go,DEmah yea yea yeDa yea baby
ALouie LouiDe, Emoh baby, DAwe gotta goDEmD
A Afine little Dgirl, who Emwaited for Dme
I Acatch a Dship aEmcross the Dsea
I Asailed that Dship, about Emall aDlone
NAever could knowDif I’ll Emmake it Dhome
ALouie LouiDe, Emno no no no nDo, say Awe gotta go,DEmoh Dno
ALouie LouiDe, Emoh baby, Dsaid Awe gotta goDEmD
Three Anights and Ddays I Emsailed the Dsea
I Athink of the Dgirl EmconstantDly
And Aon that Dship, I Emdream she Dthere
I Asmell the Drose, ah, Emin her Dhair
ALouie LouiDe, Emoh no, Dhey Awe gotta go,DEmah yea yea yeDa yea said
ALouie LouiDe, Emoh baby, Dsaid Awe gotta go, DEmDokay let’s give it to ‘em
Solo
ADEmDx8
It sounds like he made a mistake here, and started singing this line, but they kept it...
I Asee DEmD
I Asee JaDmaican Emmoon aDbove
I Awon’t be Dlong, me Emsee me Dlove
I Atake her Din my Emarms aDgain
And Atell her ID‘ll never Emleave aDgain
ALouie LouiDe, Emoh no, Dhey Awe gotta go,DEmah yea yea yeDa yea said
ALouie LouiDe, Emoh baby, Dsaid Awe gotta goDEmD
I said Awe gotta go now DEmD
Uh-huh Awe gotta go DEmD
Let’s gAo
The Lovin Spoonful - Did You Ever Have to Make Up Your Mind (1965)
Intro
D7G
Vox on the 3
Did you Gever have to G6/Bmake up your Gmind? G6/B
And Gpick up on G6/Bone and leave the Gother beEhind
It’s Gnot often Deasy and Cnot often kind
Did you Dever have to make up your Gmind?
Did you Gever have to G6/Bfinally deGcide? G6/B
And Gsay yes to G6/Bone and let the Gother one Eride
There’s Gso many Dchanges and Ctears you must hide
Did you Dever have to finally deGcide?
There is a lot going on here in the vocals, and not a clear melody. If it’s just me, I would do the low 3 on “one”, up to the high 3 on “eyes”
Sometimes there’s E7one with big blue eyes, cute as a bunny
Vox on the 3 of the chord on “hair”
With A7hair down to here, and plenty of money
And Cjust when you A7think she’s that Gone in the E7world
You Dheart gets Dsus4stolen by some Dmousy little Dsus4girl
And then you Gknow you better G6/Bmake up your Gmind G6/B
And Gpick up on G6/Bone and leave the Gother beEhind
It’s Gnot often Deasy and Cnot often kind
Did you Dever have to make up your Gmind?
Solo on verse chords
GG6/BGG6/B
GG6/BGE
GDCC
DDGG
Sometimes you E7really dig a girl the moment you kiss her
And A7then you get distracted by her older sister
When Cin walks her A7father and Gtakes you in E7line
And says, Dbetter go home, son, and make up your mind
Then you Gbet you’d better G6/Bfinally deGcide G6/B
And Gsay yes to G6/Bone and let the Gother one Eride
There’s Gso many Dchanges and Ctears you must hide
Did you Dever have to finally deGcide?
G
The Lovin Spoonful - Do You Believe in Magic (1965)
Originally near C, I play in G capo 2
Intro
AmBmCBm
AmBmCDo you beDlieve in
GMagic in a Cyoung girl’s heart
How the Gmusic can free her, whenCever it starts
And it’s Gmagic, if the Cmusic is groovy
It Gmakes you feel happy like an Cold-time movie
I’ll Amtell you about the Bmmagic, and it’ll Cfree your Bmsoul
But it’s like Dtrying to tell a stranger ‘bout rock and roll
If you believe in Gmagic don’t Cbother to choose
If it’s Gjug band music, or Crhythm and blues
Just go and Glisten it’ll Cstart with a smile
It won’t Gwipe off your face no matter Chow hard you try
Your Amfeet start Bmtapping and you Ccan’t seem to Bmfind
How you gDot there, so just blow your mind
Solo
CCGG
AmBmCBm
DD
If you believe in Gmagic, come aClong with me
We’ll Gdance until morning ‘til there’s Cjust you and me
And Gmaybe, if the Cmusic is right
I’ll Gmeet you tomorrow, sort of Clate at night
And Amwe’ll go Bmdancing, baby, Cthen you’ll Bmsee
How the Dmagic’s in the music and the music’s in me
This is different than the other verses
CYeah, do you believe in Gmagic?
Yeah, Ambelieve in the Bmmagic of a Cyoung girl’s Bmsoul
BeAmlieve in the Bmmagic of Crock and Bmroll
BeAmlieve in the Bmmagic that can Cset you Bmfree
DOh, talking ‘bout the
With “do you believe like I believe?”
CMagic, do you believe in Gmagic?
Do you believe, beliCever? Do you believe in mGagic?
The Marvelettes - Please Mr. Postman (1961)
Originally in D, Beatles in A, I play in D capo 3
D(Wait!) Oh yes, wait a minute Mr. Postman
Bm(Wait!) Wai-ai-ai-ait Mr. Postman
Backup vox sing main lyrics
DMr. Postman, look and see (Oh yea)
BmIs there a letter in your bag for me? (Please, please, Mr. Postman)
GI’ve been waiting such a long time (Whoa yea)
ASince I heard from this boyfriend of mine
Lead vox sing main lyrics
DThere must be some word today (waaooo)
BmFrom my boyfriend so far away (waaooo)
GPlease Mr. Postman, look and see (waaooo)
AIs there a letter, a letter for me?
Lead vox sing main lyrics
DI’ve been standing here waiting Mr. Postman (waaooo)
BmSo... so patiently (waaooo)
GFor just a card, or just a letter (waaooo)
ASaying he’s returning home to me
Backup vox sing main lyrics
(Please Mr. DPostman) Please Mr. postman look and see (Oh yea)
BmIs there a letter in your bag for me? (Please, please, Mr. Postman)
GI’ve been waiting such a long time (Whoa yea)
ASince I heard from this boyfriend of mine
Lead vox sing main lyrics
DSo many days, you passed me by
BmYou saw the tear standing in my eye
GYou wouldn’t stop to make me feel better
ABy leaving me a card or a letter
Lead vox sing main lyrics
DPlease Mr. Postman, look and see (Postman, postman)
Is there a Bmletter oh yea in your bag for me? (Postman, postman)
You know it’s Gbeen so long (Postman, postman)
Since I Aheard from this boyfriend of mine
Lead vox sing main lyrics
You better Dwait a minute, wait a minute (Please wait a minute)
Oh, you better Bmwait a minute, wait a minute (Please wait a minute)
Please, please Mr. GPostman (Wait a minute, Mr. Postman)
Please Acheck and see, one more time for me
You better Dwait a minute, wait a minute (Please wait a minute)
Oh, you better Bmwait a minute, wait a minute (Please wait a minute)
Please Mr. GPostman (Wait a minute, Mr. Postman)
Don’t Apass me by, you see the tears in my eyes
Fade
The McCoys - Hang on Sloopy (1964)
Originally in G, I play in D
DGAG
DHaGng on SAloopy, SGloopy hang oDn GAG
DHaGng on SAloopy, SGloopy hang oDn GAG
DSloopy Glives in a Avery Gbad part of Dtown GAG
And DeveryGbody, Ayeah, tries to Gput my Sloopy Ddown GAG
DSloopy, GI don’t Acare what your Gdaddy Ddo GAG
Cause Dyou know, GSloopy Agirl, I’m in Glove with Dyou GA
AAnd so I sing out
DHaGng on SAloopy, SGloopy hang oDn GAG
DHaGng on SAloopy, SGloopy hang oDn GAG
DSloopy wears a Gred dress, Ayeah, as Gold as the hiDlls GAG
But when DSloopy wears that Gred dress, Ayeah, you know, it Ggives me the Dchills, Goh, Aoh G
DSloopy, when I sGee you Awalkin’, wGalkin’ down the stDreet GAG
I say Ddon’t worry GSloopy giArl, you belGong to mDe GA
AAnd so I sing out
DHaGng on SAloopy, SGloopy hang oDn GAG
DHaGng on SAloopy, SGloopy hang oDn, Gyeah, Ayeah G
Solo if necessary on chorus chords
DGAGx4
DSloopy, let your Ghair hang Adown, let it Ghang down on Dme GAG
DSloopy, let your Ghair down Agirl, let it Ghang down on Dme, Gyeah, Ayeah, Gcome on
DSloopy (come Gon, come oAn), oh cGome on
DSloopy (come Gon, come oAn), oh cGome on
DSloopy (come Gon, come oAn), oh cGome on
DSloopy (come Gon, come oAn), well it feeGls so
DGood (come Gon, come oAn), you know it feeGls so
DGood (come Gon, come oAn), well shake it shGake it shake it
DSloopy (come Gon, come oAn), oh shake it shGake it shake it
DYeah (come Gon, come oAn) A7oooooh
DHaGng on SAloopy, SGloopy hang oDn, Gyeah, Ayeah G
DHaGng on SAloopy, SGloopy hang oDn, Gyeah, Ayeah G
DHaGng on SAloopy, SGloopy hang on DDGGAAGG
D
The Platters - Only You (1959)
Originally in Eb, I play in C
Intro
G7G7F#7G7
Vox on 5 6 3 on “only you”
Only youCcan make this worE7ld seem right
Only youAmcan make the darC7kness bright
Only youFand you alonG7e
Can thrCill me likE7e you doAmA7
Hard stop on the last chord
And D7fill my heart with love for only G7you
Only youCcan make this chaE7nge in me
For it’s trueAmyou are my C7destiny
When you hFold my hand, I uFmnderstand
The maCgic tE7hat you doAm
A7You’re my dD7ream come true
Hard stop on the last chord
My G7one and only Cyou FmC
Only youCcan make this chaE7nge in me
For it’s trueAmyou are my C7destiny
When you hFold my hand, I uFmnderstand
The maCgic tE7hat you doAm
A7You’re my dD7ream come true
Hang on “one
My G7one and only Cyou C6
The Platters - The Great Pretender (1955)
Originally in G, I play in E
Intro
EAB7C7→ B7
Vox on 6 5 on “oh yes”
Oh oh, Eyes I’m the A6great preEtender E7
PreAtending that I’m doing Ewell E7
My Aneed is B7such I preEtend too Amuch
I’m Elonely but B7no one can Etell B7
Oh oh, Eyes I’m the A6great preEtender E7
AAdrift in a world of my Eown E7
I’ve Aplayed the B7game but to Emy real sAhame
You’ve Eleft me to B7grieve all aElone E7
Too Areal is this feeling of Emake believe E7
Too Areal when I feel what my Eheart can’t conB7ceal, oh, oh
EYes, I’m the Agreat preEtender E7
Just Alaughin’ and gay like a Eclown E7
I Aseem to B7be what I’m Enot, you Asee
I’m Ewearing my B7heart like a G#7crown
PreEtending that B7you’re still aEround E7
Too Areal is this feeling of Emake believe E7
Too Areal when I feel what my Eheart can’t conB7ceal
EYes, I’m the Agreat preEtender E7
Just Alaughin’ and gay like a Eclown E7
I Aseem to B7be what I’m Enot, you Asee
Let the last chord ring
I’m Ewearing my B7heart like a G#7crown
PreEtending that B7you’re still aEround, Astill arEound
The Righteous Brothers - Unchained Melody (1955)
Originally in C, I play in G and still drop a lot of the high stuff
GOh, my Emlove, my Cdarling, I’ve Dhungered for yourGtouch
A Emlong, lonely Dtime
And Gtime goesEmby so Cslowly and Dtime can do soGmuch
Are Emyou still Dmine?
IGneed your love, DEmI Bmneed your love
God Cspeed your love Dto Gme G7
CLonely rivers Dflow to the Csea, to the A#sea
CTo the open Darms of the Gsea, yeah
CLonely rivers Dsigh, wait for Cme, wait for A#me
CI’ll be coming Dhome, wait Gfor me
GOh, my Emlove, my Cdarling, I’ve Dhungered, hungered for yourGtouch
A Emlong, lonely Dtime
And Gtime goesEmby so Cslowly and Dtime can do soGmuch
Are Emyou still Dmine?
IGneed your love, DEmI Bmneed your love
God Cspeed your love Dto Gme
GEmCG
The Righteous Brothers - You've Lost That Lovin' Feelin' (1964)
Righteous Brothers in Db (chorus), Hall and Oates in D (chorus), I play in C (chorus}
Vox on 4 b7 b3 2 of the chorus key on “you never close”. Simplify “when I kiss your lips”. Everything else will be fine.
You never A#/Cclose your eyes anymore when I kiss your Clips
And there’s A#/Cno tenderness like before in your fingerCtips
You’re trying Dm7hard not to show it Em7(baby)
But Fmaj7baby, F/Gbaby I kGnow it
CYou’ve lost that Dm/Clovin’ feeling
G7Woah, that Clovin’ feeling
CYou’ve lost that Dm/Clovin’ feeling
Now it’s A#/Cgone, gone, gone, whoa oh oh oCh
C→ A#
Now there’s no wA#/Celcome look in your eyes when I reach for yCou
And girl you’reA#/Cstarting to criticize little things I dCo
It makes me jDm7ust feel like crying Em7(baby)
‘Cause Fmaj7baby, something bF/Geautiful’s dGyin’
CYou’ve lost that Dm/Clovin’ feeling
G7Woah, that Clovin’ feeling
CYou’ve lost that Dm/Clovin’ feeling
Now it’s A#gone, F/Agone, gone, whoa oh oh oCh
CFGF→ G/D
CBaby, baby FGI’d get down oFn my kG/Dnees for Cyou FGF→ G/D
CIf you would Fonly Glove me F→ G/Dlike you used to Cdo FGF→ G/D
CWe had a Flove, a Glove, a Flove you don’t fG/Dind every Cday FGF→ G/D
So Cdon’t, Fdon’t, Gdon’t, FG/Dlet it slip aCway FGF→ G/D
CBaby, Fbaby, Gbaby, FbaG/Dby
I beg you Cplease, Fplease, Gplease, FI nG/Deed your loCve
I need your Clove, FI need your Glove, Fso bG/Dring it on bCack
CFBring it on Gback F→ G/D
CBring back that Dm/Clovin’ feeling
G7Woah, that Clovin’ feeling
CBring back that Dm/Clovin’ feeling
‘Cause it’s A#/Cgone, gone, gone
And I A#/Ccan’t, go, on, whoa oh oh oCh
CFGF→ G/D
CBring back that Dm/Clovin’ feeling
G7Woah, that Clovin’ feeling
CBring back that Dm/Clovin’ feeling
‘Cause it’s A#gone, F/Agone, gone
And I A#/Ccan’t, go, on, whoa oh oh oCh
The Rolling Stones - Satisfaction (1965)
Originally in E, I play in A capo 3
Intro
AAA→ D→ GGG→ Dx4
AI can’t get no Dsatisfaction
AI can’t get no Dsatisfaction
‘Cause I Atry and I E7try and I Atry and I Dtry
DI Dcan’t Aget Ano, ADGDI Dcan’t Aget Ano ADG
DWhen I’m Adrivin’ Din my Gcar
DAnd a Aman comes Don the Gradio
DAnd he’s Atellin’ me Dmore and Gmore
ADbout some Auseless DinforGmation
DSupposed to Afire my DimagiGnation
Hard stop at the end of this line
DI Dcan’t Aget Ano, ADGoh Dno Dno Ano
Hey hey Ahey, AADGthat’s Dwhat I Asay
AAA→ D→ GGG→ D
AI can’t get no Dsatisfaction
AI can’t get no Dsatisfaction
‘Cause I Atry and I E7try and I Atry and I Dtry
DI Dcan’t Aget Ano, ADGDI Dcan’t Aget Ano ADG
DWhen I’m Awatchin’ Dmy GTV
DAnd a Aman comes Don and Gtells me
DHow Awhite my shirts cDan Gbe
DBut he Acan’t be a Dman ‘cause he Gdoesn’t Dsmoke
The Asame cigaDrettes as Gme
DI Dcan’t Aget Ano, ADGoh Dno Dno Ano
Hey hey Ahey, AADGthat’s Dwhat I Asay
AAA→ D→ GGG→ D
AI can’t get no Dsatisfaction
AI can’t get no Dgirl reaction
‘Cause I Atry and I E7try and I Atry and I Dtry
DI Dcan’t Aget Ano, ADGDI Dcan’t Aget Ano ADG
DWhen I’m Aridin’ D‘round the Gworld
DAnd I’m Adoin’ Dthis and I’m Gsigning Dthat
And I’m Atryin’ to Dmake some Ggirl
Who Dtells me Ababy better Dcome back Gmaybe next Dweek
‘Cause you Asee I’m Don a Glosing Dstreak
DI Dcan’t Aget Ano,ADGoh Dno Dno Ano
Uh-hey hey Ahey, AADGthat’s Dwhat I Asay
AAA→ D→ GGG→ D
DI Dcan’t Aget Ano, ADGI can’t
AGet Ano, ADGI can’t
AGet Ano, ADGSatisfAaction
The Rolling Stones - Time Is on My Side (1964)
Originally in Bb, I play in A
Rubato organ intro with blues-y solo
Dmaj7F#m7B7E
At tempo
ATime is on my Dside, yes it Eis
ATime is on my Dside, yes it Eis
F#mNow you always Esay
F#mThat you want to be Bfree
But Eyou’ll come Drunning back (said you would baby)
EYou’ll come Drunning back (like I told you so many times before)
EYou’ll come Drunning back to Eme
Yeah, Atime is on my Dside, yes it Eis
ATime is on my Dside, yes it Eis
F#mSearching for Egood times
F#mBut just wait and Bsee
EYou’ll come Drunning back (I said you would darling)
EYou’ll come Drunning back (spend the rest of my life with you, baby)
EYou’ll come Drunning back to Eme
Loose vocals with solo
DGo ahead, baby go ahead
AGo ahead and light up the town
DAnd baby, do everything your
AHeart desires, remember, I’ll always be around
DAnd I know, I know
Like I told you so many times beF#mfore, you’re gonna come back
B7Yeah you’re gonna come back baby, knocking
EYeah, knocking right on my door, yeah
ATime is on my Dside, yes it Eis
ATime is on my Dside, yes it Eis
F#m‘Cause I got the Ereal love
F#mThe kind that you Bneed
EYou’ll come Drunning back (I knew you would one day)
EYou’ll come Drunning back (Like I told you before)
EYou’ll come Drunning back to Eme
Yes Atime, time, time is on my Dside, yes it Eis, yeah
ATime, time, time is on my Dside, yes it Eis, yeah
ATime, time, time is on my Dside E
A
The Ronettes - Be My Baby (1963)
Originally in E, I play in A
Intro
A
AThe night we met I knew I Bmneeded you E7so
AAnd if I had the chance I’d Bmnever let you E7go
C#7So won’t you say you love me
F#7I’ll make you so proud of me
BWe’ll make ‘em turn their heads
EEvery place we go
So won’t you please A(be my be my baby)
Be my little F#mbaby (my one and only baby)
Say you’ll be my daDrling (be my be my baby)
Be my baby nEow (my one and only baby) ooh, oh, oh, oh
AI’ll make you happy baby, Bmjust wait and sE7ee
AFor every kiss you give me BmI’ll give you tE7hree
C#7Oh, since the day I saw you
F#7I have been waiting for you
BYou know I will adore you
ETill eternity
So won’t you please A(be my be my baby)
Be my little F#mbaby (my one and only baby)
Say you’ll be my daDrling (be my be my baby)
Be my baby nEow (my one and only baby) ooh, oh, oh, oh
Solo
AABmE7x2
So come on and pleaAse (be my be my baby) Be my little F#mbaby
Be my little F#mbaby (my one and only baby)
Say you’ll be my daDrling (be my be my baby)
One measure drums only after this line
Be my baby nEow (my one and only baby) ooh, oh, oh, oh
A(Be my be my baby)
Be my little F#mbaby (my one and only baby)
Oh, oh, oDh (be my be my baby)
Oh, oh, Eoh (my one and only baby)
The Searchers - Love Potion Number Nine (1963)
With hard stops
G→ AmI took my troubles down Cto DmMadame Rue
G→ AmYou know that gypsy with Cthe Dmgold-capped tooth
CShe’s got a pad down on Thirty-Fourth and AmVine
Hard stop on the V
DmSellin’ little bottles of Elove potion number Amnine
Normal strum
AmI told her that I was a Dmflop with chicks
AmI’ve been this way since 19Dm56
She lCooked at my palm and she made a magic Amsign
She sDmaid what you need is Elove potion number Amnine
She Dmbent down and turned around and gave me a wink
She B7said I’m gonna make it up right here in the sink
It Dmsmelled like turpentine, it looked like Indian ink
Hard stop on “held”
I Eheld my nose, I closed my eyes, I took a drink
AmI didn’t know if it was Dmday or night
AmI started kissin’ everyDmthing in sight
But wChen I kissed a cop down on Thirty-Fourth and AmVine
He Dmbroke my little bottle of Elove potion number Amnine
Solo
DmB7Dm
I Eheld my nose, I closed my eyes, I took a drink
AmI didn’t know if it was Dmday or night
AmI started kissin’ everyDmthing in sight
But wChen I kissed that cop down on Thirty-Fourth and AmVine
He Dmbroke my little bottle of Elove potion number Amnine
DmLove potion number Amnine
DmLove potion number Amnine
Ringing
DmLove potion number Amnine
The Searchers - Needles and Pins (1964)
Originally in A (then C#), I play in F (then A)
Intro
F→ Fsus2→ FF→ Fsus4→ F→ Fsus2→ F
I saw her todFay, I saw her face
It was a face I Dmloved, and I knew
I had to run awFay and get down on my knees and pDmray
That they’d go away
But still they begFin
Needles and pDmins
Because of all my pBbride, the tears I’ve gotta hCide
Hey, I thought I was smFart, I wanted her
Didn’t think I’d dDmo, but now I see
She’s worse to him than Fme
Let her go ahead, take his love inDmstead
And one day she will see
Just how to say pFlease
And get down on her knDmees
Yeah, that’s how it begBbins
She’ll feel those needles and pCins, hurtin’ her, hurtin’ her
Vox on the 1 of the chord
AWhy can’t I stop and tell myself I’m wGrong, I’m wrong, so wrong
FWhy can’t I stand up and tell myself I’m strEong
Because I saw her todAay, I saw her face
It was the face I Gbmloved, and I knew
I had to run aAway and get down on my knees and Gbmpray
That they’d go away
But still they beAgin
Needles and Gbmpins
Because of all my pDride, the tears I’ve gotta Ehide
Oh, needles and pAins
Needles and piAns
Needles and piAns
The Shirelles - Will You Love Me Tomorrow (1960)
Originally in C, I play in G
Intro
G
GTonight you’re mine complCetely D
GYou give your love so swDeetly
ToniBght the light of Emlove is in your eyes
CBut will you Dlove me toGmorrow?
GIs this a lasting Ctreasure D
GOr just a moment’s Dpleasure?
Can IBbelieve the maEmgic of your sighs?
CWill you still Dlove me toGmorrow?
Vox up to the 3 of the chord
CTonight with words unspBmoken
CYou say that I’m the only Gone
CBut will my heart be Bmbroken
When the Emnight meets the A7morning Csun? D7
GI like to know that Cyour love D
GIs a love I can be Dsure of
So tBell me now and EmI won’t ask again
CWill you still Dlove me toGmorrow?
Solo
GGCD
GGDD
Outro
So tBell me now and EmI won’t ask again
CWill you still Dlove me toGmorrow?
CWill you still Dlove me toGmorrow?
The Skyliners - Since I Don't Have You (1958)
Originally in F#, I play in C capo 4 (E)
CAmFFm
CAmFG7
Vox on the 5
CI Amdon’t have Fmplans and schemesG7
And CI Amdon’t have Fmhopes and dreamsG7
CI-I-I Amdon’t have Fmanything
DmSince I don’t have yG7ou
CI Amdon’t have Fmfond desiresG7
And CI Amdon’t have Fmhappy hoursG7
CI-I-I Amdon’t have Fmanything
DmSince I G7don’t have yCou
Vox on the 5 of the chord on “I”
DmIiiiiii... don’t have Chappiness, and I guess
DmI never will ever agCain
DmWhen you walked out on me
CIn walked old misery
DmAnd he’s been here since tG7hen
First two lines falsetto an octave up
CI Amdon’t have Fmlove to shareG7
And CI Amdon’t have Fmone who caresG7
CI-I-I Amdon’t have Fmanything
“Since” twice as long as usual
DmSince I G7don’t have
CYou, yAmou, yFou, G7you
CYou, yAmou, yFou, yG7ou
Repeat to fade
The Swinging Blue Jeans - Hippy Hippy Shake (1963)
Swinging Blue Jeans, Beatles, Chan Romero, and Georgia Satellites all in E, I play in A capo 2
Vox on b7 b7 b7 b7 5 of the chord on “for goodness sa-ake”, no hard stops yet
For goodness Dsake, I got the hippy hippy Ashakes
Hard stop after “shakes”
Yeah, I got the Dshakes, I got the hippy hippy Eshakes, oh
I can’t sit Astill, with the hippy hippy shakes
Yeah, I feel my Dfill now, with the hippy hippy Ashakes
Hard stop on the IV
Yeah, it’s in the Ebag, Doh, the hippy hippy Ashakes E
With hard stop on “shake”, “shake”, and “do”
Well now, you Ashake it to the left, you Ashake it to the right
You Ado the hippy shake shake, with A7all of your might
Band back in
Oh Dbaby, yeah, come on and Ashake
Hard stop on the IV
Oh, it’s in the Ebag, Dooh, the hippy hippy Ashake, oowwww
Solo
AAAA
DDAA
EDAE
Well now, you Ashake it to the left, you Ashake it to the right
You Ado the hippy shake shake, with A7all of your might
Oh Dbaby, yeah, come on and Ashake
Oh, it’s in the Ebag, Dooh, the hippy hippy Ashake
Ooh, the hippy hippy Ashake
Ooh, the hippy hippy Ashake A6
The Temptations - My Girl (1964)
Originally around C#, I play in G capo 2
Intro
G
I’ve got Gsunshine Con a cloudy Gday C
And when it’s Gcold outside, CI’ve got the moGnth of May C
GI Am7guess Cyou’d Dsay
GWhat can Am7make me Cfeel this Dway?
Gmaj7My girl (my girl, my girl)
Talkin’ ‘bout Am7my girl (mDy girl) CCDD
I’ve got Gso much honey, Cthe bees envy Gme C
I’ve got a sweGeter song, Cthan the birds in the Gtrees C
Well GI Am7guess Cyou’d Dsay
GWhat can Am7make me Cfeel this Dway?
Gmaj7My girl (my girl, my girl)
Talkin’ ‘bout Am7my girl (mDy girl) CCDD
GOooh G
GCHey hey hGey C
Hey hey hAmey, Doooh, Bmooh EEE
I don’t Aneed no money, Dfortune or Afame D
I’ve got Aall the riches, baby, Done man can Aclaim D
Well AI Bmguess Dyou’ll Esay
AWhat can Bmmake me Dfeel this Eway?
Amaj7My girl (my girl, my girl)
Talkin’ ‘bout Bmmy girl EE/DE/C#E/B
E/BTalking ‘bout Amaj7my girl
Amaj7I’ve got sunshine on a cloudy day with Bmmy girl
I’ve Eeven E/Dgot the E/C#month of E/BMay with Amaj7my girl
Talking bout, Bmtalking bout EE/DE/C#talking ‘Bmbout myAmaj7girl
The Tokens - The Lion Sleeps Tonight (1961)
Originally in G, I play in E
Chords implied
EEee, eeAee, Ewee um um a weh B
EEee, eeAee, Ewee um um a weh B
Band enters
Ah-wEimoweh ah-wimoweh ah-wAimoweh ah-wimoweh
Ah-wEimoweh ah-wimoweh ah-wBimoweh ah-wimoweh
Ah-wEimoweh ah-wimoweh ah-wAimoweh ah-wimoweh
Ah-wEimoweh ah-wimoweh ah-wBimoweh ah-wimoweh
EIn the jungle the Amighty jungle
The Elion sleeps tonBight
EIn the jungle the Aquiet jungle
The Elion sleeps tonBight, oh oh
With eeeeeeeh, we um um a weh
Ah-wEimoweh ah-wimoweh ah-wAimoweh ah-wimoweh
Ah-wEimoweh ah-wimoweh ah-wBimoweh ah-wimoweh
Ah-wEimoweh ah-wimoweh ah-wAimoweh ah-wimoweh
Ah-wEimoweh ah-wimoweh ah-wBimoweh ah-wimoweh
ENear the village the Apeaceful village
The Elion sleeps tonBight
ENear the village the Aquiet village
The Elion sleeps tonBight, hey hey
Ah-wEimoweh ah-wimoweh ah-wAimoweh ah-wimoweh
Ah-wEimoweh ah-wimoweh ah-wBimoweh ah-wimoweh
Ah-wEimoweh ah-wimoweh ah-wAimoweh ah-wimoweh
Ah-wEimoweh ah-wimoweh ah-wBimoweh ah-wimoweh
Solo, with high “oooh”
EAEB
EAEB
EHush my darling don’t Afear my darling
The Elion sleeps tonighBt
EHush my darling don’t Afear my darling
TheElion sleeps tonBight, oh oh
With whoa whoa whoa
Ah-wEimoweh ah-wimoweh ah-wAimoweh ah-wimoweh
Ah-wEimoweh ah-wimoweh ah-wBimoweh ah-wimoweh
Ah-wEimoweh ah-wimoweh ah-wAimoweh ah-wimoweh
Ah-wEimoweh ah-wimoweh ah-wBimoweh ah-wimoweh
Chords implied
EEee, eeAee, Ewee um um a weh B
EEee, eeAee, Ewee um um a weh B
The Zombies - She's Not There (1965)
Originally in Am, I play in Em
Vox in the chorus stay on the root for a long time
He falsettos it all, so if there’s a low harmony,
do it in Am.
Play m’s as m7’s.
EmAx 4
Vox on 3 5 2 1 on “no one told me”
EmWell no one Atold me aEmbout Aher
EmThe Cway she Emlied A
EmWell no one Atold me aEmbout Aher
EmHow many Cpeople Ecried
Well it’s too Alate to Amsay you’re Emsorry
How would I Bmknow, why should I Emcare?
Please don’t Abother Amtrying to Gfind her
She’s not B7there
Well let me tell you ‘bout the Emway she looked A
The way she Emacted, the Ccolor of her Emhair A
Her voice was Emsoft and cool, Cher eyes were Emclear and bright A
But she’s not Ethere
EmAx 4
EmWell no Aone told me aEmbout Aher
EmWhat Ccould I Emdo? A
EmWell no one Atold me aEmbout Aher
EmThough Cthey all knew E
But it’s too Alate to Amsay you’re Emsorry
How would I Bmknow, why should I Emcare?
Please don’t Abother Amtrying to Gfind her
She’s not B7there
Well let me tell you ‘bout the Emway she looked A
The way she Emacted, the Ccolor of her Emhair A
Her voice was Emsoft and cool, Cher eyes were Emclear and bright A
Hard stop after this line
But she’s not Ethere
Rockin’ ‘60s ePiano solo
EmAx7
E
Well it’s too Alate to Amsay you’re Emsorry
How would I Bmknow, why should I Emcare?
Please don’t Abother Amtrying to Gfind her
She’s not B7there
Well let me tell you ‘bout the Emway she looked A
The way she Emacted, the Ccolor of her Emhair A
Her voice was Emsoft and cool, Cher eyes were Emclear and bright A
Hard stop after this line
But she’s not Ethere
We Five - You Were On My Mind (1965)
Originally in E, I play in D
DGDGD
When I woke up this Dmorning
GYou were Aon my Dmind GA
And Gyou were F#mon my EmmindA
I got Dtroubles, whoa-Goh
I got Dworries, whoa-Goh
I got DwoundBms to Gbind A
So I went to the Dcorner
GJust to Aease my Dpains GA
Said, Gjust to F#mease my Empains A
I got Dtroubles, whoa-Goh
I got Dworries, whoa-Goh
I came DhomeBmaEmgain A
When I woke up this Dmorning
GYou were Aon my Dmi-F#i-G-i-Aind and
Originally a II here, I stick with the ii this time
GYou were F#mon my Emmind
AI got Dtroubles, whoa-Goh
I got Dworries, whoa-Goh
I got DwoundsBmto EbiAnd
Vox up to the 3 of the chord on “I”,
up to the 1 of the chord on “feelin”
And BI got a Efeelin’ A
Down Bin my Esho-G#oo-Aoo-oBes, said
AWay down G#min my F#msho-oo-Boes
Yeah, I got to Eramble, whoa-Aoh
I got to Emove on, whoa-Aoh
Watch out, this melody only happens once
I got to Ewalk aC#mway my F#mbluesB
Quiet again
When I woke up this Emorning
AYou were Bon my EmindAB
Extra long “mind”
AYou were G#mon my F#mmind B
Loud again
I got Etroubles, whoa-Aoh
I got Eworries, whoa-Aoh
Hang the last chord
I got Ewounds to F#mbind
Aretha Franklin - Respect (cover)
Aretha Franklin in C, Otis Redding in D, I play in A capo 3
Intro
A7D7x2
Vox on the b6 (!) on “what”
E7What you want, D7baby, I got
E7What you need, D7do you know I’ve got it
E7All I’m asking
D7Is for a little respA7ect when you come home (just a little bit)
Hey bD7aby (just a little bit) when you get home
A7(Just a little bit) MD7ister (just a little bit)
E7I ain’t gonna do you wrong D7while you’re gone
E7Ain’t gonna do you wrong D7‘cause I don’t want to
E7All I’m asking
D7Is for a little respA7ect when you come home (just a little bit)
BD7aby (just a little bit) when you get home
A7(Just a little bit) yeah D7(just a little bit)
E7I’m about to give you D7all my money
E7And all I’m asking D7in return, honey
E7Is to give me D7my propers
When you get A7home (just a, just a, just a, just a)
Yeah D7baby (just a, just a, just a, just a)
When you get A7home (just a little bit)
Yeah D7(just a little bit)
Solo, skip if acoustic
EbmAbEbmE
E7Ooh, your kisses D7sweeter than honey
E7And guess what D7so is my money
E7All I want you to D7do for me
Is give it to me A7when you get home (re, re, re ,re)
Yeah bD7aby (re, re, re ,re)
Whip it to mA7e (respect, just a little bit)
When you get home, now D7(just a little bit)
A7R-E-S-P-E-C-T
C7→ D7Find out what it means to me
G7→ A7R-E-S-P-E-C-T
C7→ D7Take care, TCB
A7Sock it to me, sock it to me, sock it to me (a little respect)
D7Sock it to me, sock it to me, sock it to me
WA7hoa, babe (just a little bit)
A little respD7ect (just a little bit)
A7I get tired (just a little bit)
Keep on tD7rying (just a little bit)
A7Running out fool (just a little bit)
And I ain’t D7lyin’ (just a little bit)
Bruce Springsteen - Santa Clause is Coming to Town (cover)
Springsteen in C, I play in A
Intro
AADE
Spoken
It’s all cold down along the beach
The wind’s whipping down the boardwalk, hey band
You guys know what time of year it is?
What time, huh? What? What? Oh, Christmas time!
You guys all, you guys all been good and practicing real hard?
Yeah? Clarence, you been, you been rehearsing real hard now
So Santa’ll bring you a new saxophone, right?
Everybody out there been good, or what?
Oh, that’s not many, not many, you guys are in trouble out here, come on
Quiet
Vox on the 5 on “better”
Yeah you Abetter watch out you Dbetter not Ecry
You Abetter not pout I’m Dtelling you Ewhy
ASanta Clause is Dcoming to Etown
ASanta Clause is Dcoming to Etown
ASanta F#mClause is Dcoming Eto Atown DE
Drums in a little
He’s Amaking a list he’s Dchecking it Etwice
He’s Agonna find out who’s Dnaughty or Enice
ASanta Clause is Dcoming to Etown
ASanta Clause is Dcoming to Etown
ASanta F#mClause is Dcoming Eto Atown A7
In the Springsteen version this is more like vi I IV
He Esees you D#dim7when you’re Asleeping
He Eknows when D#dim7you’re Aawake
He B7knows if you’ve been bad or good
Hard stop on “better”
You Ebetter be good for goodness sake, you better be good for goodness sake
Swung, band in
You Abetter watch out you Dbetter not Ecry
You Abetter not pout I’m Dtelling you Ewhy
ASanta Clause is Dcoming to Etown
ASanta Clause is Dcoming to Etown
ASanta F#mClause is Dcoming Eto Atown
Sax solo
AADEx3
AF#mDEAA7
He Esees you D#dim7when you’re Asleeping
He Eknows when D#dim7you’re Aawake
He B7knows if you’ve been bad or good
You Ebetter be good for goodness sake, you better be good for goodness sake
You Abetter watch A/Gout you D/F#better not Dm/Fcry
You Abetter not A/Gpout I’m D/F#telling you Dm/Fwhy
ASanta Clause is Dcoming to Etown
ASanta Clause is Dcoming to Etown
Band out on “town”, back to straight rhythm
ASanta F#mClause is Dcoming Eto Atown
AAD/AE/A
AAD/AE/A
ASanta Clause is Dcoming to Etown
ASanta Clause is Dcoming to Etown
ASanta Clause is Dcoming to Etown
ASanta Clause is Dcoming to Etown
Eric Clapton - Before You Accuse Me (cover)
Originally in E, I play in A capo 2
Vox mostly on the b3
Intro
EB7
Vox more or less on the b3
BeEfore you accuse me, Atake a look at yourseElf
BeAfore you accuse me, take a look at yoursEelf
You say I’m B7spending my money on other women
AYou’re takin’ money from from someone Eelse B7
I Ecalled your mama, A‘bout three or four nights agEo
I Acalled your mama, ‘bout three or four nights agEo
B7Mama said son, don’t cAall my daughter no mEore B7
BeEfore you accuse me, Atake a look at yoursEelf
BeAfore you accuse me, take a look at yoursEelf
You say I’m B7spending my money on other women
AYou’re takin’ money from from someone eElse B7
Solo
EAEE
AAEE
BAEB
ECome back home baby, Atry my love one more tEime
Come oAn back home baby, try my love one more tEime
You know if I B7don’t go on and quit you
AI think I’ll lose my mEind B7
Solo
EAEE
AAEE
BAEB
BeEfore you accuse me, Atake a look at yourseElf
BeAfore you accuse me, take a look at yoursEelf
You say I’m B7spending my money on other women
AYou’re takin’ money from from someone Eelse B7
E
George Harrison - Got My Mind Set On You (cover)
Originally in E, I play in A capo 3
Highest note is the 3 (“*whole* lot of...”)
Starts percussion only
I got my mindF#mset C#7on yoF#mu
I got my mind sAet Eon yAou
I got my mind F#mset oC#7n youF#m
I got my mind sAet Eon yAou
But it’s gonna take mAoney DE
A whole lotta spAending money DE
It’s gonna take Aplenty of money DE
Hard stop on the V
To do it rAight child DE
It’s gonna take tAime DE
A whole lot of pArecious Dtime E
It’s gonna take pAatience and tDime,Emmm
To Ado it, to Ddo it, to Ado it, to Ddo it, to Ado it
Hard stop
To Ddo it Aright child
I got my mindF#mset C#7on yoF#mu
I got my mind sAet Eon yAou
I got my mind F#mset oC#7n youF#m
I got my mind sAet Eon yAou
Bridge
And thAis time I know it’s for rDeal
The feAeling that I fDeel
I knowAif I put my mind Dto it
I knowAthat I really can E7do it
I got my mindF#mset C#7on yoF#mu
SAet Eon yAou
I got my mind F#mset oC#7n youF#m
SAet Eon yAou
But it’s gonna take mAoney DE
A whole lotta spAending money DE
It’s gonna take Aplenty of money DE
To do it rAight child DE
It’s gonna take tAime DE
A whole lot of pArecious Dtime E
It’s gonna take pAatience and tDime,Emmm
To Ado it, to Ddo it, to Ado it, to Ddo it, to Ado it
To Ddo it Aright
Instrumental chorus, skip acoustic
I got my mindF#mset C#7on yoF#mu
I got my mind sAet Eon yAou
I got my mind F#mset oC#7n youF#m
I got my mind sAet Eon yAou
Bridge
And thAis time I know it’s for rDeal
The feAelings that I fDeel
I knowAif I put my mind Dto it
I knowAthat I really can E7do it
But it’s gonna take mAoney DE
A whole lotta spAending money DE
It’s gonna take Aplenty of money DE
To do it rAight child DE
It’s gonna take tAime DE
A whole lot of pArecious Dtime E
It’s gonna take pAatience and tDime,Emmm
To Ado it, to Ddo it, to Ado it, to Ddo it, to Ado it
To Ddo it Aright
F#mSet C#7on yoF#mu
SAet Eon yAou
F#mC#7F#m
AEA
Jackson Browne - Stay (cover)
Maurice Williams in Bb, Four Seasons in Bb, Hollies in A (and insanely fast), Jackson Browne in G
I play in G
There is a separate entry for the Maurice Williams version
GEmCD
People Gstay, EmCjust a Dlittle bit
GLonger EmCD
We wanna plGay, EmCjust a Dlittle bit
GLonger EmCD
Now the promGoter don’t Emmind CD
And the Gunion don’t Emmind CD
If we Gtake a little timeEm, and we Cleave it all beDhind
Hang this chord
Singin’, Emone more song
Oh, won’t you Gstay, EmCjust a Dlittle bit
GLonger EmCD
GPlease, Emplease, Cplease Dsay you will
Hang this chord
EmSay you will
Solo
B7B7EmEmAADD
Oh won’t you Gstay, EmCjust a Dlittle bit
GLonger, EmCoh D
Please Gplease, stay, EmCjust a Dlittle bit
GMore EmCD
Now the promGoter don’t Emmind CD
And the Groadies don’t Emmind CD
If we Gtake a little timeEm, and we Cleave this all beDhind
Hang this chord
Singin’, Emone more song
Fade on keyboard solo, followed by guitar solo
GEmCDx8
Johnny Cash - I've Been Everywhere (cover)
Chords follow the Johnny Cash version; the Hank Snow version changes key a bunch
E
Rubato, vox on the 1 of the key basically the whole verse
I was Etotin’ my pack along the dusty Winnemucca road
When along came a semi with a high an’ canvas-covered load
If you’re A7goin’ to Winnemucca, Mack, with me you can ride
And so I Eclimbed into the cab and then I settled down inside
Vox up to the 2 of the key
He B7asked me if I’d seen a road with Caugso much dust and B7sand
And I said, Elisten, I’ve traveled every road in this here land
At tempo
EI’ve been everywhere, man
I’ve been everywhere, man
ACrossed the deserts bare, man
I’ve Ebreathed the mountain air, man
Of B7travel I’ve-a had my share, man
I’ve been everyEwhere
I’ve been to EReno, Chicago, Fargo, Minnesota
Buffalo, Toronto, Winslow, Sarasota
AWichita, Tulsa, Ottawa, Oklahoma
ETampa, Panama, Mattawa, La Paloma
B7Bangor, Baltimore, Salvador, Amarillo
ETocapillo, Baranquilla, and Perdilla, I’m a killer
EI’ve been everywhere, man
I’ve been everywhere, man
ACrossed the deserts bare, man
I’ve Ebreathed the mountain air, man
Of B7travel I’ve had my share, man
I’ve been everyEwhere
E
I’ve been to EBoston, Charleston, Dayton, Louisiana
Washington, Houston, Kingston, Texarkana
AMonterey, Faraday, Santa Fe, Tallapoosa
EGlen Rock, Black Rock, Little Rock, Oskaloosa
B7Tennessee to Hennessey, Chicopee, Spirit Lake
EGrand Lake, Devil’s Lake, Crater Lake, for Pete’s sake
EI’ve been everywhere, man
I’ve been everywhere, man
ACrossed the deserts bare, man
I’ve Ebreathed the mountain air, man
Of B7travel I’ve had my share, man
I’ve been everyEwhere
E
I’ve been to ELouisville, Nashville, Knoxville, Ombabika
He clearly says “Costa Rocka”
Schefferville, Jacksonville, Waterville, Costa Rica
APittsfield, Springfield, Bakersfield, Shreveport
EHackensack, Cadillac, Fond du Lac, Davenport
B7Idaho, Jellico, Argentina, Diamantina
EPasadena, Catalina, see what I mean-a
EI’ve been everywhere, man
I’ve been everywhere, man
ACrossed the deserts bare, man
I’ve Ebreathed the mountain air, man
Of B7travel I’ve had my share, man
I’ve been everyEwhere
E
I’ve been to EPittsburgh, Parkersburg, Gravelbourg, Colorado
Ellisburg, Rexburg, Vicksburg, Eldorado
ALarimore, Admore, Haverstraw, Chatanika
He also says “opalacka”
EChaska, Nebraska, Alaska, Opelika
B7Baraboo, Waterloo, Kalamazoo, Kansas City
ESioux City, Cedar City, Dodge City, what a pity
EI’ve been everywhere, man
I’ve been everywhere, man
ACrossed the deserts bare, man
I’ve Ebreathed the mountain air, man
Of B7travel I’ve had my share, man
I’ve been everyEwhere
E
B7I’ve been everyEwhere
E
Nazareth - Love Hurts (cover)
Nazareth around G, Everly Brothers in F#, Roy Orbison around Bb, I play in A
D/A→ A
Love Ahurts, love F#mscars, love Dwounds and Emars
It amuses me that Nazareth says “not tough or strong” and the Everly Brothers say “not tough nor strong”
Dadd9Any Aheart, not F#mtough or Dstrong eEnough
To Dadd9take a lot of Apain, C#7take a lot of F#mpain
Everly Brothers arrangement does a V7 instead of another III7 at the beginning of this line
C#7Love is like a Dcloud, it holds a lot of Erain
Dadd9Love Ahurts, Gooh Dhoo love Ahurts
A
I’m Ayoung, I F#mknow, but Deven Eso
Dadd9I know a Athing, or F#mtwo, I Dlearned from Eyou
I Dadd9really learned a Alot, C#7really learned a F#mlot
C#7Love is like a Dflame, it burns you when it’s Ehot
Dadd9Love Ahurts, Gooh Dhoo love Ahurts
A
Bridge
F#mSome fools think of C#7happiF#mness, C#7blissfulF#mness, togC#7etherF#mness
BSome fools, fool themselves, I guess
BmThey’re not foolin’ Eme
Back to the pre-chorus, so chords are changing faster now
I Dadd9know it isn’t Atrue, I C#7know it isn’t F#mtrue
C#7Love is just a Dlie made to make you Eblue
Dadd9Love Ahurts, Gooh Dhoo love Ahurts
GOoh Dhoo love Ahurts
Solo on verse chords
AF#mDE→ Dadd9
AF#mDE→ Dadd9
I Dadd9know it isn’t Atrue, I C#7know it isn’t F#mtrue
C#7Love is just a Dlie made to make you Eblue
Dadd9Love Ahurts, Gooh Dhoo love Ahurts
GOoh Dhoo love Ahurts
GOoh Dhoo love Ahurts
The Blues Brothers - Everybody Needs Somebody to Love (cover)
Blue Brothers in C, Solomon Burke in Eb, I play in A
Spoken sections follow the movie, not the soundtrack
Intro, chords repeat over spoken intro
ADGDx4
Spoken
We’re so glad to see so many of you lovely people here tonight
We would especially like to welcome all the representatives of Illinois’s law enforcement community
Who have chosen to join us here in the Palace Hotel ballroom at this time
We certainly hope you all enjoy the show, and remember people
That no matter who you are and what you do to live, thrive, and survive
There are still some things that make us all the same
You, me, them, everybody, everybody
AEvDeryGbodDy AneedsDsomebGodyD
AEvDeryGbodDy AneedsDsomebGodyDto
ALove, DGDsomeone to Alove DGD
SwDeetheart to mAiss DGD
SDugar to kiAss DGD
I need Ayou, Dyou, Gyou D
I need Ayou, Dyou, Gyou D
I need Ayou, Dyou, Gyou, in the morDning
ADGWhen my soDul’s on fire
ADGD
Vox on the 5 of the chord
F#mSometimes I feel
DI feel a little sad inside
F#mWhen my baby mistreats me
I neEver, never, never have a place to hide
Solo, chords change half as often
I need youADADADAD
ADADADAD
F#mSometimes I feel
DI feel a little sad inside
F#mWhen my baby mistreats me
I neEver, never, never have a place to hide
I need Ayou, Dyou, Gyou D
I need Ayou, Dyou, Gyou D
I need Ayou, Dyou, Gyou D
I need Ayou, Dyou, Gyou D
I need Ayou
Spoken, percussion only
You know people, when you do find that special somebody
You gotta hold that man, hold that women
Love him, please him, squeeze her, please her
Signify your feelings with every gentle caress
Because it’s so important to have that special somebody
To hold, to kiss, to miss, to squeeze and please
AEvDeryGbodDy AneedsDsomebGodyD
AEvDeryGbodDy AneedsDsomebGodyDto love
AEvDeryGbodDy AneedsDsomebGodyD
AEvDeryGbodDy AneedsDsomebGodyDto
ALove, DGDsomeone to Alove DGD
SwDeetheart to mAiss DGD
SDugar to kiAss DGD
I need Ayou, Dyou, Gyou D
I need Ayou, Dyou, Gyou D
I need Ayou, Dyou, Gyou D
I need Ayou, Dyou, Gyou D
The Bobby Fuller Four - I Fought the Law (cover)
Originally in G, I play in E
Intro
E
EEAB
EEBE
Ah Ebreaking rocks in the Ahot Esun
EI fought the law and the Alaw Ewon
EI fought the law and the Blaw Ewon
EEAB
EEBE
I nEeeded money cause I Ahad Enone
EI fought the law and the Alaw Ewon
EI fought the law and the Blaw Ewon
EEAB
EEBE
I lAeft my baby and I feel so bad
I Eguess my race is run
Well Ashe’s the best girl I’ve ever had
EI fought the law and the Alaw Ewon
EI fought the law and the Blaw Ewon
EEAB
EEBE
Solo
AAAA
EEEE
AAAA
EEAB
EEBE
Hard stop before “six gun”, chords are implied
Ah Erobbing people with a Asix Egun
EI fought the law and the Alaw Ewon
EI fought the law and the Blaw Ewon
EEAB
EEBE
Yes, he says “um good fun”
I mEiss my baby and um Agood Efun
EI fought the law and the Alaw Ewon
EI fought the law and the Blaw Ewon
EEAB
EEBE
I lAeft my baby and I feel so bad
I Eguess my race is run
Well Ashe’s the best girl I’ve ever had
EI fought the law and the Alaw Ewon
EI fought the law and the Blaw Ewon
EEAB
EEBE
The Wonders - That Thing You Do (cover)
Originally in E, I play in A capo 3
Highest note is the 3 (a passing note on the 4)
ADm
Vox on the 5 on “you”
AYou Ddoin’ that Ething you
ADo Dbreakin’ my Eheart
InF#mto a million Bpieces
BmLike you always Dmdo-o-o-Eo
And Ayou Ddon’t mean Eto be
ACruel, you Dnever Eeven
F#mKnew about the Bheartache
GI’ve been goin’ Ethrough
Well I F#mtry and try to Bforget you girl
But it’s Ajust so A7hard to Ddo Dm
AEvery time you Dmdo that thing you Ado E
AI know Dall the Egames you
APlay, and I’m Dgonna Efind a
F#mWay to let you Bknow that
BmYou’ll be mine someDmday E
‘Cause Awe could be Dhappy Ecan’t you
ASee, if you’d Donly Elet me
F#mBe the one to Bhold you
And Gkeep you here with Eme
‘Cause I F#mtry and try to Bforget you girl
But it’s Ajust so A7hard to Ddo Dm
AEvery time you Dmdo that thing you Ado
Vox on the 5 of the first chord here
DI don’t ask a lot girl
But I F#mknow one thing’s for sure
It’s the Blove I haven’t got, girl
And I Ejust can’t take it Fanymore E
Solo on verse chords
‘Cause Awe could be Dhappy Ecan’t you
ASee, if you’d Donly Elet me
F#mBe the one to Bhold you
And Gkeep you here with Eme
‘Cause it F#mhurts me so just to Bsee you go
AAround with A7someone Dnew Dm
And if AI know you you’re Dmdoin’ that thing
AEvery day just Dmdoin’ that thing
AI can’t take you Edoin’ that thing you Ddo DmAmaj7
Woody Guthrie - This Land is Your Land (cover)
Originally around D, PPM in A, I play in G
Intro, a hybrid of other arrangements
CG→ D/F#→ EmDD7G
This land is Cyour land, and this land is Gmy land
From CaliDfornia, to the New York GIsland
From the Redwood CForest, to the Gulf stream Gwaters
DThis land was made for you and Gme
As I went Cwalking that ribbon of Ghighway
And I saw aDbove me that endless Gskyway
I saw beClow me that golden Gvalley
DThis land was made for you and Gme
This land is Cyour land, and this land is Gmy land
From CaliDfornia, to the New York GIsland
From the Redwood CForest, to the Gulf stream Gwaters
DThis land was made for you and Gme
I roamed and Crambled and I followed my Gfootsteps
To the sparkling Dsands of her diamond Gdeserts
All aCround me her voice was a’Gsounding
DThis land was made for you and Gme
There was a big high wCall there that tried to stGop me
It’s sign was pDainted, said private pGroperty
But on the bCack side it didn’t say nGothing
DThis land was made for you and mGe
This land is Cyour land, and this land is Gmy land
From CaliDfornia, to the New York GIsland
From the Redwood CForest, to the Gulf stream Gwaters
DThis land was made for you and Gme
When the sun come Cshining then I was Gstrolling
And the wheat fields Dwaving and the dust clouds Grolling
The fog was Clifting a voice come Gchanting
DThis land was made for you and Gme
This land is Cyour land, and this land is Gmy land
From CaliDfornia, to the New York GIsland
From the Redwood CForest, to the Gulf stream Gwaters
DThis land was made for you and Gme
DThis land was made for you and Gme