Dan’s Big Awesome Acoustic Songbook: Songs from 1955 to 1965

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Table of Contents

  1. Barrett Strong - Money (1959)
  2. Barry Mann - Who Put the Bomp (in the Bomp, Bomp, Bomp) (1961)
  3. Ben E. King - Stand by Me (1961)
  4. Betty Everett - The Shoop Shoop Song (It's In Hiss Kiss) (1964)
  5. Bill Haley and His Comets - Rock Around the Clock (1955)
  6. Bob Dylan - Blowin' in the Wind (1963)
  7. Bob Dylan - Don't Think Twice, It's Alright (1962)
  8. Bob Dylan - If You Gotta Go (1964)
  9. Bob Dylan - Like a Rolling Stone (1965)
  10. Bob Dylan - The Times They Are A-Changin' (1964)
  11. Bob Marley - One Love (1965)
  12. Bobby Darin - Beyond the Sea (1959)
  13. Bobby Darin - Dream Lover (1960)
  14. Bobby Darin - Mack the Knife (1959)
  15. Bobby Day - Rockin' Robin (1958)
  16. Bobby Helms - Jingle Bell Rock (1957)
  17. Bobby Vee - Take Good Care of My Baby (1964)
  18. Boris Pickett - The Monster Mash (1962)
  19. Brenda Lee - Rocking around the Christmas Tree (1959)
  20. Buddy Holly - Everyday (1958)
  21. Buddy Holly - It's So Easy (1958)
  22. Buddy Holly - Peggy Sue (1958)
  23. Buddy Holly - That'll Be The Day (1957)
  24. Chubby Checker - Let's Twist Again (1961)
  25. Chubby Checker - The Twist (1960)
  26. Chuck Berry - Johnny B. Goode (1958)
  27. Chuck Berry - Memphis, Tennessee (1959)
  28. Chuck Berry - No Particular Place to Go (1964)
  29. Chuck Berry - Roll Over Beethoven (1956)
  30. Chuck Berry - Run Rudolph Run (1958)
  31. Danny and the Juniors - At The Hop (1958)
  32. Darlene Love - Christmas (Baby Please Come Home) (1963)
  33. Dave Dudley - Six Days on the road (1963)
  34. Dave Edmunds - I Hear You Knocking (1955)
  35. Dion - Runaround Sue (1961)
  36. Dion - The Wanderer (1961)
  37. Dion and the Belmonts - A Teenager in Love (1959)
  38. Dusty Springfield - I Only Want to Be with You (1964)
  39. Eddie Cochran - Summertime Blues (1958)
  40. Elvis Presley - All Shook Up (1957)
  41. Elvis Presley - Don't Be Cruel (1956)
  42. Elvis Presley - Fever (1960)
  43. Elvis Presley - Heartbreak Hotel (1956)
  44. Elvis Presley - Hound Dog (1956)
  45. Elvis Presley - Jailhouse Rock (1957)
  46. Elvis Presley - Love Me Tender (1956)
  47. Elvis Presley - Return to Sender (1962)
  48. Fats Domino - Ain't That a Shame (1955)
  49. Fats Domino - Blueberry Hill (1956)
  50. Frank Sinatra - Fly Me To The Moon (1964)
  51. Frankie Valli and the Four Seasons - December, 1963 (Oh What a Night) (1963)
  52. Gary Lewis and the Playboys - Count Me In (1965)
  53. Gerry and the Pacemakers - How Do You Do It (1963)
  54. Hamilton, Joe Frank, and Reynolds - Don't Pull Your Love (1960)
  55. Harry Belafonte - Jump in the Line (1961)
  56. Herman's Hermits - I'm Into Something Good (1964)
  57. Herman's Hermits - Mrs. Brown You've Got a Lovely Daughter (1965)
  58. Jay and the Americans - Come a Little Bit Closer (1963)
  59. Jerry Lee Lewis - Great Balls of Fire (1957)
  60. Johnny Cash - I Walk the Line (1956)
  61. Johnny Cash - Ring of Fire (1963)
  62. Lesley Gore - It's My Party (1963)
  63. Little Eva - The Locomotion (1962)
  64. Little Richard - Tutti Frutti (1955)
  65. Lloyd Price - Stagger Lee (1958)
  66. Malvina Reynolds - Little Boxes (Weeds Theme) (1962)
  67. Martha and the Vandellas - Dancing in the Street (1964)
  68. Mary Wells - My Guy (1964)
  69. Maurice Williams - Stay (1960)
  70. Mickey and Sylvia - Love is Strange (1956)
  71. Misc - Gilligan's Island Theme (1964)
  72. Neil Sedaka - Breaking Up Is Hard to Do (1962)
  73. Nina Simone - Feeling Good (1965)
  74. Patsy Cline - Crazy (1962)
  75. Paul Simon - Kathy's Song (1964)
  76. Peter, Paul, and Mary - If I Had a Hammer (1962)
  77. Peter, Paul, and Mary - Puff, the Magic Dragon (1963)
  78. Peter, Paul, and Mary - This Land is Your Land (1962)
  79. Peter, Paul, and Mary - Where Have All the Flowers Gone (1962)
  80. Petula Clark - Downtown (1964)
  81. Ray Charles - Hit the Road Jack (1961)
  82. Ricky Nelson - Hello Mary Lou (1961)
  83. Ricky Nelson - Travelin' Man (1961)
  84. Ritchie Valens - Come On Let's Go (1958)
  85. Ritchie Valens - Donna (1958)
  86. Ritchie Valens - We Belong Together (1958)
  87. Roy Orbison - Oh Pretty Woman (1964)
  88. Sam Cooke - Another Saturday Night (1964)
  89. Sam Cooke - Cupid (1961)
  90. Sam Cooke - Having a Party (1962)
  91. Sam Cooke - Twistin' the Night Away (1962)
  92. Smokey Robinson and the Miracles - The Tracks of My Tears (1965)
  93. Sonny and Cher - I Got You Babe (1965)
  94. The Angels - My Boyfriend's Back (1963)
  95. The Animals - The House of the Rising Sun (1964)
  96. The Beach Boys - Barbara Ann (1965)
  97. The Beach Boys - Be True to Your School (1963)
  98. The Beach Boys - California Girls (1965)
  99. The Beach Boys - Don't Worry Baby (1964)
  100. The Beach Boys - Fun, Fun, Fun (1964)
  101. The Beach Boys - Help Me Rhonda (1965)
  102. The Beach Boys - I Get Around (1964)
  103. The Beach Boys - In My Room (1963)
  104. The Beach Boys - Little Deuce Coupe (1963)
  105. The Beach Boys - Surfer Girl (1963)
  106. The Beach Boys - Surfin' Safari (1962)
  107. The Beach Boys - Surfin' USA (1963)
  108. The Beatles - A Hard Day's Night (1964)
  109. The Beatles - All I've Got To Do (1963)
  110. The Beatles - All My Loving (1963)
  111. The Beatles - And I Love Her (1964)
  112. The Beatles - Any Time At All (1964)
  113. The Beatles - Ask Me Why (1962)
  114. The Beatles - Baby It's You (1963)
  115. The Beatles - Baby's In Black (1964)
  116. The Beatles - Can't Buy Me Love (1964)
  117. The Beatles - Day Tripper (1965)
  118. The Beatles - Do You Want to Know a Secret (1963)
  119. The Beatles - Drive My Car (1965)
  120. The Beatles - Eight Days A Week (1964)
  121. The Beatles - From Me To You (1963)
  122. The Beatles - Help! (1965)
  123. The Beatles - Hold Me Tight (1963)
  124. The Beatles - I Feel Fine (1964)
  125. The Beatles - I Saw Her Standing There (1963)
  126. The Beatles - I Should Have Known Better (1964)
  127. The Beatles - I Want To Hold Your Hand (1963)
  128. The Beatles - I'll Be Back (1964)
  129. The Beatles - I'll Follow the Sun (1964)
  130. The Beatles - I'll Get You (1963)
  131. The Beatles - I'm Happy Just To Dance With You (1964)
  132. The Beatles - I'm Looking Through You (1965)
  133. The Beatles - I've Just Seen a Face (1965)
  134. The Beatles - If I Fell (1964)
  135. The Beatles - In My Life (1965)
  136. The Beatles - It Won't Be Long (1963)
  137. The Beatles - Love Me Do (1962)
  138. The Beatles - Michelle (1965)
  139. The Beatles - Misery (1963)
  140. The Beatles - Norwegian Wood (1965)
  141. The Beatles - Nowhere Man (1965)
  142. The Beatles - P.S. I Love You (1962)
  143. The Beatles - Please Please Me (1962)
  144. The Beatles - She Loves You (1963)
  145. The Beatles - Tell Me Why (1964)
  146. The Beatles - The Night Before (1965)
  147. The Beatles - There's a Place (1963)
  148. The Beatles - Things We Said Today (1964)
  149. The Beatles - This Boy (1963)
  150. The Beatles - Ticket to Ride (1965)
  151. The Beatles - Twist and Shout (1963)
  152. The Beatles - Wait (1965)
  153. The Beatles - We Can Work It Out (1965)
  154. The Beatles - Yes It Is (1965)
  155. The Beatles - Yesterday (1965)
  156. The Beatles - You're Going to Lose that Girl (1965)
  157. The Beatles - You've Got to Hide Your Love Away (1965)
  158. The Big Bopper - Chantilly Lace (1958)
  159. The Chiffons - One Fine Day (1963)
  160. The Coasters - Charlie Brown (1959)
  161. The Coasters - Yakety Yak (1959)
  162. The Contours - Do You Love Me (1962)
  163. The Crystals - Da Doo Ron Ron (1962)
  164. The Dave Clark Five - Because (1964)
  165. The Dave Clark Five - Glad All Over (1964)
  166. The Del-Vikings - Come and Go With Me (1957)
  167. The Dixie Cups - Chapel of Love (1964)
  168. The Drifters - Save The Last Dance For Me (1960)
  169. The Drifters - This Magic Moment (1960)
  170. The Drifters - Under the Boardwalk (1964)
  171. The Everly Brothers - All I Have to Do Is Dream (1958)
  172. The Everly Brothers - Bye Bye Love (1957)
  173. The Everly Brothers - Cathy's Clown (1960)
  174. The Everly Brothers - Wake Up Little Susie (1957)
  175. The Everly Brothers - When Will I Be Loved (1960)
  176. The Five Satins - In the Still of the Night (1956)
  177. The Four Seasons - Walk Like a Man (1963)
  178. The Four Tops - I Can't Help Myself (Sugar Pie Honey bunch) (1965)
  179. The Isley Brothers - Shout (1959)
  180. The Kingsmen - Louie Louie (1963)
  181. The Lovin Spoonful - Did You Ever Have to Make Up Your Mind (1965)
  182. The Lovin Spoonful - Do You Believe in Magic (1965)
  183. The Marvelettes - Please Mr. Postman (1961)
  184. The McCoys - Hang on Sloopy (1964)
  185. The Platters - Only You (1959)
  186. The Platters - The Great Pretender (1955)
  187. The Righteous Brothers - Unchained Melody (1955)
  188. The Righteous Brothers - You've Lost That Lovin' Feelin' (1964)
  189. The Rolling Stones - Satisfaction (1965)
  190. The Rolling Stones - Time Is on My Side (1964)
  191. The Ronettes - Be My Baby (1963)
  192. The Searchers - Love Potion Number Nine (1963)
  193. The Searchers - Needles and Pins (1964)
  194. The Shirelles - Will You Love Me Tomorrow (1960)
  195. The Skyliners - Since I Don't Have You (1958)
  196. The Swinging Blue Jeans - Hippy Hippy Shake (1963)
  197. The Temptations - My Girl (1964)
  198. The Tokens - The Lion Sleeps Tonight (1961)
  199. The Zombies - She's Not There (1965)
  200. We Five - You Were On My Mind (1965)
  201. Aretha Franklin - Respect (cover)
  202. Bruce Springsteen - Santa Clause is Coming to Town (cover)
  203. Eric Clapton - Before You Accuse Me (cover)
  204. George Harrison - Got My Mind Set On You (cover)
  205. Jackson Browne - Stay (cover)
  206. Johnny Cash - I've Been Everywhere (cover)
  207. Nazareth - Love Hurts (cover)
  208. The Blues Brothers - Everybody Needs Somebody to Love (cover)
  209. The Bobby Fuller Four - I Fought the Law (cover)
  210. The Wonders - That Thing You Do (cover)
  211. Woody Guthrie - This Land is Your Land (cover)

Barrett Strong - Money (1959) Transpose up Transpose down

Originally in Fm, Beatles in Em, I play in Em

All the i’s can also be I7#9’s, the riff has both a m3 and a M3

EmA7x8

B7A7EmA7EmB7

EmThe best things in life are free A7

EmBut you can give ‘em to the birds and bees

I need A7money (that’s what I want)

That’s what I Emwant A7(that’s wEmhat I waA7nt)

That’s what I B7wa-a-a-a-a-aA7nt

That’s Emwhat I want (that’s wA7hat I wEmant) B7

EmYour love give me such a thrill A7

EmBut your love don’t pay my bills

I need A7money (that’s what I want)

That’s what I Emwant A7(that’s wEmhat I waA7nt)

That’s what I B7wa-a-a-a-a-aA7nt

That’s Emwhat I want (that’s wA7hat I wEmant) B7

EmA7x8

B7A7EmA7EmB7

EmMoney don’t get everything it’s true A7

EmWhat it don’t get I can’t use

I need A7money (that’s what I want)

That’s what I Emwant A7(that’s wEmhat I waA7nt)

That’s what I B7wa-a-a-a-a-aA7nt

That’s Emwhat I want (that’s wA7hat I wEmant) B7

With IV’s, just not writing them all out here

EmMoney, (that’s what I want), lots of money (that’s what I want)

Whole lot of A7money, (that’s what I want), uh-Emhuh A7(that’s what I Emwant)

Oh B7oh oh oh, oh A7oh, Emyeah, (that’s A7what I Emwant) B7

Give me Emmoney, (that’s what I want), lots of money, (that’s what I want)

Oh, that mean A7green, yeah, that’s right, baby, that’s what I Emmean A7Em

Oh B7oh oh oh, A7oh oh, Emyeah, (that’s A7what I Emwant)B7

Barry Mann - Who Put the Bomp (in the Bomp, Bomp, Bomp) (1961) Transpose up Transpose down

Originally in B, I play in A

Originally changes key, I skip the key change

Vox on the root of the chord on “like”

I’d Elike to thank the Aguy, who wrote the F#msong

That made my Dbaby fall in Elove with me

One measure just drums

Swept chords in the chorus

AWho put the bomp

In the F#mbomp bah bomp bah bomp?

DWho put the ram

In the Erama lama ding dong?

AWho put the bop

In the F#mbop shoo bop shoo bop?

DWho put the dip

In the Edip da dip da dip?

AWho was that C#7man? I’d Dlike to shake his B/D#hand

He Amade my F#mbaby Dfall in Elove with Ame (EYeah!)

Full strum in the verse

AWhen my baby F#mheard Dbomp bah bah bomp

Bah Ebomp bah bomp bomp

AEvery word went F#mright into her Dheart E

And Awhen she heard them F#msinging

DRama lama lama lama B/D#lama ding dong

AShe F#msaid we’d Dnever Ehave to Apart Eso

AWho put the bomp

In the F#mbomp bah bomp bah bomp?

DWho put the ram

In the Erama lama ding dong?

AWho put the bop

In the F#mbop shoo bop shoo bop?

DWho put the dip

In the Edip da dip da dip?

AWho was that C#7man? I’d Dlike to shake his B/D#hand

He Amade my F#mbaby Dfall in Elove with Ame, Eyeah

Each Atime that we’re F#malone Dboogity boogity boogity

Boogity Eboogity boogity shoop

ASets my baby’s F#mheart all a Dglow E

And Aevery time we F#mdance to Ddip da dip da dip

C/D#Dip da dip da dip

AShe F#malways Dsays she Eloves me Aso Eso

AWho put the bomp

In the F#mbomp bah bomp bah bomp?

DWho put the ram

In the Erama lama ding dong?

AWho put the bop

In the F#mbop shoo bop shoo bop?

DWho put the dip

In the Edip da dip da dip?

AWho was that D7man? I’d Dlike to shake his C/Ehand

He Amade my F#mbaby Dfall in Elove with Ame (EYeah!)

Spoken

ADarlin’, F#mbomp bah bah Dbomp, bah Ebomp bah bomp bomp

AAnd my honey, F#mrama lama ding Ddong, Eforever

And when I Asay, dip da dip, F#mda dip, da dip, Ddip dip

You Eknow I mean it from the

ABottom of my F#mboogity, boogity, Dboogity, boogity Eshoop

Fade on verse chords, with bomps and da-dips

AF#mDE

Ben E. King - Stand by Me (1961) Transpose up Transpose down

Originally in A, I play in C capo 4.

Highest note is the 1 (darlin’, DARlin’)

Start with single notes or octaves

Cadd9Am7Fmaj7GCadd9

Vox in on the 6 on “night”

When the Cadd9night has come

Am7And the land is dark

And the moFmaj7on is the onGly light we’ll seeCadd9

No, I Cadd9won’t be afraid

No, I Am7won’t be afraid

Just as loFmaj7ng as you standG, stand by meCadd9

Start to fade the chords in

So, darling, darling, Cadd9stand by me

Oh, Am7stand by me

Oh, Fmaj7stand,Gstand by me

Cadd9Stand by me

If the Cadd9sky that we look upon

Am7Should tumble and fall

Or the moFmaj7untain should Gcrumble to the Cadd9sea

I won’t Cadd9cry, I won’t cry

No, I Am7won’t shed a tear

Just as loFmaj7ng as you standG, stand by meCadd9

So, darling, darling, Cadd9stand by me

Oh, Am7stand by me

Oh, Fmaj7stand,Gstand by me

Cadd9Stand by me

Whenever you’re in trouble won’t you Cadd9stand by me

Oh, Am7stand by me

Oh, Fmaj7stand,Gstand by me

Cadd9Stand by me

Betty Everett - The Shoop Shoop Song (It's In Hiss Kiss) (1964) Transpose up Transpose down

Originally in D, Cher in C, I play in G

Vox easier if you leave out the “oh no”’s

Vox on the 1 of the first chord

DDoes he love me?

CI wanna know

DHow can I tell if he loves me so?

(Is it iAm7n his eyDes?) Oh Am7no you’ll be D7deceived

(Is it iAm7n his eyDes?) Oh Am7no he’ll make beD7lieve

With shoop shoop...

If you wGanna knoEmw if Che loves you Dso it’s in his kissG

(CThat’s where it is Doh yea)

(Or is iAm7t in hisD7face?) Oh Am7no that’s just his D7charm

(In his Am7warm embD7race?) Oh Am7no that’s just his D7arms

With shoop shoop...

If you wGanna knoEmw if Che loves you Dso it’s in his kissG

(CThat’s where it is D) Oh it’s in his Gkiss

(CThat’s where it is G)

With bom bom bom...

BKiss him and squeeze him tight

This line starts on the high 1 of the chord and

ends on the low 1 of the chord

EmAnd find out what you wanna know

AIf it’s love if it really is

D7It’s there in his kiss

(How ‘bout tAm7he way hD7e acts?) Oh Am7no that’s not the D7way

And you’Am7re not lD7istening to Am7all I D7say

With shoop shoop...

If you wGanna knoEmw if Che loves you Dso it’s in his kissG

(CThat’s where it is D) Oh it’s in his Gkiss

(CThat’s where it is D)

Solo

Am7DAm7D

GG/DGG/D

Am7DAm7D

Hard stop

G

With bom bom bom...

BKiss him and squeeze him tight

EmAnd find out what you wanna know

AIf it’s love if it really is

D7It’s there in his kiss

(How ‘bout tAm7he way hD7e acts?) Oh Am7no that’s not the D7way

And you’Am7re not lD7istening to Am7all I D7say

With shoop shoop...

If you wGanna knoEmw if Che loves you Dso it’s in his kissG

C(That’s where it Dis) Oh it’s in his Gkiss

C(That’s where it Dis)

Repeat to fade

Bill Haley and His Comets - Rock Around the Clock (1955) Transpose up Transpose down

Originally in A, I play in E capo 2

With hard stops

Vox start on the 1

EOne, two, three o’clock, four o’clock, rock

EFive, six, seven o’clock, eight o’clock, rock

ENine, ten, eleven o’clock, twelve o’clock, rock

We’re gonna B7rock around the clock tonight

Put your Eglad rags on and join me, hon

We’ll have some fun when the E7clock strikes one

We’re gonna A7rock around the clock tonight

We’re gonna rEock, rock, rock, ‘til the broad daylight

We’re gonna B7rock, gonna rock, around the clock tonEight

No hard stops this tieme

When the Eclock strikes two, three and four

If the band slows down we’ll E7yell for more

We’re gonna A7rock around the clock tonight

We’re gonna rEock, rock, rock, ‘til the broad daylight

We’re gonna B7rock, gonna rock, around the clock tonEight

Solo on verse chords

When the Echimes ring five, six and seven

We’ll be right in E7seventh heaven

We’re gonna A7rock around the clock tonight

We’re gonna rEock, rock, rock, ‘til the broad daylight

We’re gonna B7rock, gonna rock, around the clock tonEight

When it’s Eeight, nine, ten, eleven too

I’ll be goin’ strong and E7so will you

We’re gonna A7rock around the clock tonight

We’re gonna rEock, rock, rock, ‘til the broad daylight

We’re gonna B7rock, gonna rock, around the clock tonEight

Solo on verse chords

When the Eclock strikes twelve, we’ll cool off then

Start a rockin’ round the E7clock again

We’re gonna A7rock around the clock tonight

We’re gonna rEock, rock, rock, ‘til the broad daylight

We’re gonna B7rock, gonna rock, around the clock tonEight

EE7E6E(b6)B

BE

Bob Dylan - Blowin' in the Wind (1963) Transpose up Transpose down

Dylan in D, PPM in F, I play in C capo 2

Lyrics and chords follow PPM version

Intro

FGCAmFGCC

CHow many Froads must a Cman walk down

BefCore they Fcall him a Gman?

CHow many Fseas must a Cwhite dove Amsail

BeCfore she Fsleeps in the Gsand?

CHow many Ftimes must the Ccannonballs fly

BeCfore they’re forFever Gbanned?

The aFnswer my fGriend is bClowin’ in the Amwind

The aFnswer is Gblowin’ in the Cwind

CHow many Fyears must a Cmountain exist

BefCore it is Fwashed to the Gsea?

CHow many Fyears can some Cpeople exAmist

BefCore they’re Fallowed to be Gfree?

CHow many Ftimes can a Cman turn his Chead

And preCtend that he jFust doesn’t Gsee?

The aFnswer my fGriend is bClowin’ in the Amwind

The aFnswer is Gblowin’ in the Cwind

CHow many Ftimes must a Cman look Cup

BefCore he can Fsee the Gsky?

CHow many Fears must Cone man Amhave

BefCore he can Fhear people Gcry?

CHow many Fdeaths will it Ctake till he Cknows

That tCoo many Fpeople have Gdied?

The aFnswer my fGriend is bClowin’ in the Amwind

The aFnswer is Gblowin’ in the Cwind

FGCAm

The aFnswer is Gblowin’ in the Cwind

Bob Dylan - Don't Think Twice, It's Alright (1962) Transpose up Transpose down

Originally in C capo 4, I play in C capo 5.

CCGGAmAm/G

FF/EC/GC/GGG

CC

It Cain’t no use to sGit and wonder Amwhy, babe

FIt don’t matter, anyhoCwG

And it Cain’t no use to sGit and wonder whAmy, babe

D7If you don’t know by noGw

When your rooCster crows at the bC7reak of dawn

FLook out your window and I’D7ll be gone

CYou’re the reaGson I’m trAmav’lin’ on F

CDon’t think twGice, it’s all righCt

It Cain’t no use in tuGrnin’ on your ligAmht, babe

FThat light I never knoweCd G

And it Cain’t no use in tGurnin’ on your lAmight, babe

D7I’m on the dark side of the rGoad

Still I Cwish there was somethin’ you would C7do or say

To tFry and make me change my mD7ind and stay

CWe never dGid too much taAmlkin’ anFyway

CDon’t think twGice, it’s all rCight

It Cain’t no use in caGllin’ out my naAmme, babe

FLike you never did befoCre G

And it aCin’t no use in cGallin’ out my nAmame, babe

D7I can’t hear you anymoreG

I’m a-thCinkin’ and a-wond’rin’ all C7the way down the road

I oFnce loved a woman, a chD7ild I’m told

I gCave her my heGart but she waAmnted my sFoul

CDon’t think twGice, it’s all rCight

And I’m Cwalking down that Glong lonesome Amroad babe

FWhere I’m bound, I can’t tCell G

But gooCdbye is tGoo good a wAmord, babe

D7So I’ll just say fare thee wellG

CI ain’t sayin’ you treated C7me unkind

You coFuld have done better but D7I don’t mind

CYou just Gkinda wasted Ammy precious Ftime

But doCn’t think twGice, it’s alCright

Outro

CCGGAmAm/G

FF/EC/GC/GGG

CC

Bob Dylan - If You Gotta Go (1964) Transpose up Transpose down

Originally in F#, Flying Burrito Brothers in E

Dylan version does I→IV throughout the verse,

I follow the Burrito Brothers arrangement that

doesn’t do this until the chorus.

I also mix the lyrics from different versions here.

Intro

E

Listen to mEe baby

I’ve come to make you see

I want to be with you, girl

Hard stop on “you”

If Eyou want to be with me

But if you got to Ego AE

That’s all Eright AE

But if you got to Ago, go Enow

Or eBlse you got to stay all nEight

It ain’t that I’m queEstionin’ you

To take part in any kind’a quiz

It’s just that I ain’t got no watch

An’ you keep Easkin’ me what time it is

But if you got to Ego AE

That’s all Eright AE

But if you got to Ago, go Enow

Or eBlse you got to stay all nEight

EI am just a poor boy lookin’ to connect

And I certainly don’t want you thinkin’

That EI haven’t got any respect

But if you got to Ego AE

That’s all Eright AE

But if you got to Ago, go Enow

Or eBlse you got to stay all nEight

EIt ain’t that I’m wantin’

Anything you never gave before

It’s just that I’ll be sleepin’ soon

It’ll be too daErk for you to find the door

But if you got to Ego AE

That’s all Eright AE

But if you got to Ago, go Enow

Or eBlse you got to stay all nEight

Said if you got to Ego AE

That’s all Eright AE

But if you got to Ago, go Enow

Or eBlse you got to stay all nEight

Bob Dylan - Like a Rolling Stone (1965) Transpose up Transpose down

CFmaj7/Cx 4

COnce upon a time you Dm7dressed so fine

You Emthrew the bums a dime Fin your prime, Gdidn’t you?

CPeople’d call, say Dm7beware doll

You’re Embound to fall, you thought Fthey were all Ga kiddin’ you

FYou used to Glaugh about

FEverybody that was Ghangin’ out

FNow you dEmon’t Dm7talk so loudC

FNow you dEmon’t Dm7seem so proudC

AboutDm7having to be scroungingFfor your next Gmeal

How does it feelCFG

How does it feelCFG

To be without a homeCFG

Like a complete unknownCFG

Like a rolling stoneCFG

CFGGG

Aww, You’veCgone to the Dm7finest school all righEmt, Miss Lonely

But you Fknow you only used to get Gjuiced in it

NoCbody’s ever taught you Dm7how to live out on the Emstreet

And now you’re Fgonna have to get Gused to it

FYou said you’d neveGr compromise

FWith the mystery tramp, but now you Grealize

FHe’s not Emselling anyDm7alibisC

FAs you stare into the Emvacuum Dm7of his eyeCs

And Dm7say do you want to Fmake a Gdeal?

How does it feelCFG

How does it feelCFG

To be on your ownCFG

With no direction homeCFG

A complete unknownCFG

Like a rolling stoneCFG

CFGGG

Aww, youCnever turned aDm7round to see the frownsEm

On the jugglers and the Fclowns when they all did Gtricks for you

You Cnever understood that it Dm7ain’t no good

You Emshouldn’t let other Fpeople get your Gkicks for you

FYou used to ride on the chrome horse with your Gdiplomat

FWho carried on his shoulder a GSiamese cat

FAin’t it hardEmwhen you disDm7cover thaCt

FHe really Emwasn’t Dm7where it’s aCt

AfterDm7he took from you everythingFhe could Gsteal

How does it feelCFG

How does it feelCFG

To have you on your ownCFG

With no direction homeCFG

Like a complete unknownCFG

Like a rolling stoneCFG

CFGGG

Aww, pCrincess on the steeple and aDm7ll the pretty people

They’re all Emdrinkin’, tFhinkin’ that they Ggot it made

CExchanging all pDm7recious gifts

But you’d bEmetter take your dFiamond ring, Gyou’d better pawn it babe

FYou used to be Gso amused

FAt Napoleon in rags Gand the language that he used

FGo to him now, he Emcalls you, you Dm7can’t refuse C

FWhen you ain’t got Emnothing, you got Dm7nothing to losCe

Dm7You’re invisible now, you got no secrets Fto concGeal

How does it feelCFG

Aw, how does it feelCFG

To be on your ownCFG

With no direction homeCFG

Like a complete unknownCFG

Like a rolling stoneCFG

Bob Dylan - The Times They Are A-Changin' (1964) Transpose up Transpose down

ComeGgather ‘roundEmpeople

WherAmever youGroam

And adGmit that theEmwaters

ACround you haveDgrown

And acGcept it thatEmsoon

You’ll beCdrenched to the Gbone

If your Gtime to Amyou is worthDsavin’

Then youDbetter startD/Cswimmin’

Or you’llG/Bsink like a Dstone

For theGtimesCthey are a-DchanGgin’

Come Gwriters and Emcritics

Who propheAmsize with yourGpen

AndGkeep your eyesEmwide

The chanceCwon’t come aDgain

AndGdon’t speak tooEmsoon

For the Cwheel’s still inGspin

And there’sGno tellin’Amwho that it’s Dnamin’

For Dthe loserD/Cnow

Will beG/Blater toDwin

For theGtimesCthey are a-DchanGgin’

Come Gsenators,Emcongressmen

AmPlease heed theGcall

Don’tGstand in theEmdoorway

Don’tCblock up theDhall

ForGhe that getsEmhurt

Will beChe who hasGstalled

There’s aGbattle Amoutside

And it’s Dragin’

It’llDsoon shake yourD/Cwindows

AndG/Brattle yourDwalls

For theGtimesCthey are a-DchanGgin’

ComeGmothers andEmfathers

AmThroughout theGland

And Gdon’t critiEmcize

What you Ccan’t underDstand

Your Gsons and your Emdaughters

Are beCyond your comGmand

Your Gold road is Amrapidly Dagin’

Please get Dout of the D/Cnew one

If you G/Bcan’t lend your Dhand

For the Gtimes Cthey are a-DchanGgin’

The Gline it isEmdrawn

The Amcurse it is Gcast

The Gslow one Emnow

Will Clater be Dfast

As the Gpresent Emnow

Will Clater be Gpast

The Gorder is AmrapidlyDfadin’

Cool ending from the Eddie Vedder cover...

And theDfirst oneD/Cnow

WillG/Blater beDlast

Please getDout of theD/Cnew one

If youG/Bcan’t lend yourDhand

It’llDsoon shake yourD/Cwindows

AndG/Brattle yourDwalls

For Dthe loserD/Cnow

Will beG/Blater toDwin

Then youDbetter startD/Cswimmin’

Or you’llG/Bsink like a Dstone

For theGtimesCthey are a-DchanGgin’

Bob Marley - One Love (1965) Transpose up Transpose down

Originally around Bb, I play in G

GDCGDG

GOne love, Done heart

CLet’s get toGgether and Dfeel all Gright

Hear the children crying (Gone love)

Hear the children crying (Done heart)

Sayin’ give Cthanks and praise to the Glord and I will Dfeel alGright

Sayin’ Clet’s get toGgether and Dfeel alGright

Whoa, whoa, whoa, whoa

GLet them all Empass all their, Cdirty reGmarks (one love)

GThere is one Emquestion I’d Creally Dlove to Gask (one heart)

GIs there a Emplace, for the Chopeless Gsinner

Who has Ghurt all manEmkind just to Csave hDis Gown

Believe me

GOne love, (what about a-one-oh) Done heart (what about)

CLet’s get toGgether and Dfeel all Gright

As it was in the beginning (Gone love)

So shall it be in the end (Done heart)

Alright, give Cthanks and praise to the Glord and I will Dfeel alGright

CLet’s a-get toGgether and Dfeel alGright

One more thing

GLet’s get toEmgether to Cfight this holy armaGgeddon (one love)

GSo when the Emman comes there will Cbe Dno, no Gdoom (one song)

GHave pity on tEmhose whose Cchances grow Gthinner

GThere ain’t nEmo hiding Cplace from the Dfather of creGation

Saying Gone love (what about a-one-oh), Done light

CLet’s get toGgether and Dfeel alGright

GI’m pleading to mankind (one love)

Oh, lord (Done heart), whoa

Give Cthanks and praise to the Glord and I will Dfeel alGright

CLet’s get toGgether and Dfeel alGright

Give Cthanks and praise to the Glord and I will Dfeel alGright

Bobby Darin - Beyond the Sea (1959) Transpose up Transpose down

FDm7GmC7x2

SomeFwhere Dm7GmbeC7yond the

FSea Dm7someGmwhere C7waiting for

FMe A7Dm7my C7lover

FStands on Dm7golden Bbsands D7Gm

And C7watches the Fships Dm7that go

GSailG7ing CC7

SomeFwhere Dm7GmbeC7yond the

FSea Dm7she’s Gmthere C7watching for

FMe A7Dm7C7If I could

FFly like Dm7birds on Bbhigh D7Gm

Then C7straight to her Farms Dm7I’d go

The F at the end of this line is just two beats,

then two beats on the E7.

SGm7ail C7ing FE7

It’s Afar F#mBmbeE7yond a

G7 at the end of this line is just a hit on 4

AStar F#mit’s Bmnear E7beyond the AmoonAG7

I kCnow AmDm7beG7yond a

CDoubtAm, my Dm7heart G7will Clead me Amthere soonC7/GC7

We’ll Fmeet Dm7GmbeyC7ond the

FShore, Dm7we’ll Gmkiss C7just as

BeFfore A7Dm7C7happy we’ll

FBe beyDm7ond the Bbsea D7Gm

And C7never a Fgain, Dm7I’ll go

G7SailC7iFng

Solo over first verse chords, or just hit a II somewhere (G in F)

I kCnow AmDm7beG7yond a

CDoubtAm, my Dm7heart G7will Clead me Amthere soonC7/GC7

We’ll Fmeet, I Dm7know we’ll Gmmeet, beyC7ond the

FShore, Dm7we’ll Gmkiss C7just as

BeFfore A7Dm7C7happy we’ll

FBe beyDm7ond the Bbsea D7Gm

And C7never a Fgain, Dm7I’ll go

G7SailC7iFng

FDm7GmC7No more sailing

FDm7GmC7So long sailing

FDm7GmC7Bye bye sailing

F

Bobby Darin - Dream Lover (1960) Transpose up Transpose down

Originally around C, I play in A

I play straight-8ths, almost punk

AF#mAF#m

AEvery night I hope and pray, a F#mdream lover will come my way

AA girl to hold in my arms, and F#mknow the magic of her charms

Because I Awant a E7girl to Acall my Down

I want a Adream F#mlover so Bm7I don’t have to E7dream aAloneE

ADream lover, where are you, F#mwith a love, oh, so true

AAnd a hand that I can hold, to F#mfeel you near as I grow old

Because I Awant a E7girl to Acall my Down

I want a Adream F#mlover so Bm7I don’t have to E7dream aAloneE

DSomeday, I don’t know how, AI hope she’ll hear my plea

B7Some way, I don’t know how, E7she’ll bring her love to me

ADream lover, until then, F#mI’ll go to sleep and dream again

AThat’s the only thing to do, F#mtill all my lover’s dreams come true

Because I Awant a E7girl to Acall my Down

I want a Adream F#mlover so Bm7I don’t have to E7dream aAloneA#

Key change up a half-step

A#Dream lover, until then, GmI’ll go to sleep and dream again

A#That’s the only thing to do, Gmtill all my lover’s dreams come true

Because I A#want a F7girl to A#call my D#own

I want a A#dream Gmlover so Cm7I don’t have to F7dream aA#lone

GmPlease don’t make me A#dream alone

GmI beg you don’t make me A#dream alone

GmNo, I don’t wanna A#dream alone

Bobby Darin - Mack the Knife (1959) Transpose up Transpose down

Vox start on the 6

Bobby darin in Bb, I play in Bb

Bb

Oh, the Bb6shark, babe, has such Cmteeth, dear

And it F7shows them pearly Bb6white

Just a Bb/Djackknife Dbdimhas old MacCmHeath, babe

And he keeps it out of sight Bb6

You know when that Bb6shark bites with his Cmteeth, babe

Scarlet F7billows start to Bb6spread

Fancy Bb/Dgloves, though Dbdimwears old MacCmHeath, babe

So there’s never, never a trace of Bb6red

B

On a Bsidewalk, ooh sunny Dbmmornin uh-huh

Lies a Gb7body just B6oozin’ life

Some, someone’s B/Ebsneakin’ Ddim‘round a Dbmcorner

Could that someone be old Mack the B6Knife?

C

There’s a C6tugboat down by the Dmriver, don’t you know

Where a G7cement bag, just a’C6droopin’ on down

Oh, that cemC/Eent is Ebdimjust it’s there for the Dmweight, dear

Five’ll get you ten old Macky’s back in C6town

Db6

Now d’ja Db6hear ‘bout Louie EbmMiller? He disapAb7peared, babe

After drawin’ out all his Db6hard earned cash

And now MacDb/FHeath spend Edimjust like a saEbmilor

Could it be our boy’s done somethin’ Db6rash?

D

Jenny D6Diver, yeah, yeah, Sukey EmTawdry

Ooh Miss A7Lotte Lenya, and old D6Lucy Brown

Oh the D/Gbline forms, Fdimon the Emright, babe

Now that Macky’s back in D6town

Eb

I said, Jenny Eb6Diver, Sukey FmTawdry

Look out Miss Lotte Bb7Lenya and old Eb6Lucy Brown

Last chord in this line is not a typo, this line

lands on the ii in every other verse, but on the

V in this verse.

Oh that Eb/Gline forms Gbdimon the Bbright, babe

Now, that Fm7MacBbky’s Fm7BbFm7BbBb

Back in Ebtown Db7EbDb7EbDb7

EbLook out, old Macky is back Eb7#9

Bobby Day - Rockin' Robin (1958) Transpose up Transpose down

Originally in G, I play in E capo 1

ETweedily deedily dee, F#mtweedily Bdeedily dee

ETweedily deedily dee, F#mtweedily Bdeedily dee

ETweedily deedily dee, F#mtweedily Bdeedily dee

ETweet, tweet, tweet tweet

Vox on the b7 on “rocks”

He E7rocks in the treetops all day long

Hoppin’ and a-boppin’ and a-singin’ his song

All the little birds on J-Bird Street

Love to hear the robin go tweet, tweet, tweet

Rockin’ A7robin (tweet, tweet, tweet)

Rock, rock, rockin’ E7robin (tweet, tweedlee-dee)

B7Go rockin’ robin, cause we’re Areally gonna rock toEnight

E7Every little swallow, every chickadee

Every little bird in the tall oak tree

The wise old owl, the big black crow

Flappin’ their wings singin’ go bird, go

Rockin’ A7robin (tweet, tweet, tweet)

Rock, rock, rockin’ E7robin (tweet, tweedlee-dee)

B7Go rockin’ robin, cause we’re Areally gonna rock toEnight, oh

Solo

E7E7E7E7

A7A7E7E7

B7A7E7E7

Bridge

Vox on the 1 of the chord on “pretty”

A Apretty little raven at the bird man stand

ETaught him how to do the bop and it was grand

He Astarted goin’ steady and bless my soul

He ouBt-bopped the buzzard and the oriole

He E7rocks in the treetops all day long

Hoppin’ and a-boppin’ and a-singin’ his song

All the little birds on J-Bird Street

Love to hear the robin go tweet, tweet, tweet

Rockin’ A7robin (tweet, tweet, tweet)

Rock, rock, rockin’ E7robin (tweet, tweedlee-dee)

B7Go rockin’ robin, cause we’re Areally gonna rock toEnight

Well the Apretty little raven at the bird man stand

ETaught him how to do the bop and it was grand

He Astarted goin’ steady and bless my soul

He ouBt-bopped the buzzard and the oriole

He E7rocks in the treetops all day long

Hoppin’ and a-boppin’ and a-singin’ his song

All the little birds on J-Bird Street

Love to hear the robin go tweet, tweet, tweet

Rockin’ A7robin (tweet, tweet, tweet)

Rock, rock, rockin’ E7robin (tweet, tweedlee-dee)

B7Go rockin’ robin, cause we’re Areally gonna rock toEnight

ETweedily deedily dee, F#mtweedily Bdeedily dee

ETweedily deedily dee, F#mtweedily Bdeedily dee

ETweedily deedily dee, F#mtweedily Bdeedily dee

ETweet, tweet, tweet tweet

Bobby Helms - Jingle Bell Rock (1957) Transpose up Transpose down

Originally in D, I play in A capo 3 (better for voice) or D (better for guitar)

Highest note that matters is the 2 (“what a *bright* time”)

Intro

AAmaj7A6A7E7

Vox on the 1 on “jingle”

AJingle bell, Amaj7jingle bell, A6jingle bell Amaj7rock

A6Jingle bells A#dim7swing and Bm7jingle bells E7ring

Bm7Snowing and E7blowing up Bm7bushels of fE7un

Bm7Now the jingle hop E7has begun

AJingle bell, Amaj7jingle bell, A6jingle bell Amaj7rock

A6Jingle bells A#dim7chime in Bm7jingle bell E7time

Bm7Dancing and E7prancing in Bm7Jingle Bell E7Square

Bm7In the E7frosty aAir A7

What a Dbright time, it’s the D#dim7right time

To Arock the night awA7ay

JA#dim7ingle Bbell time is a sB7well time

Hard stop on the V

ETo go gliding in a one-horse sleigh

AGiddy-up Amaj7jingle horse, A6pick up your fAmaj7eet

A6Jingle around tGm7b5he F#7clock

DMix and a-mingle in the Dmjingling feet

B7That’s the E7jingle bell Arock

AJingle bell, Amaj7jingle bell, A6jingle bell Amaj7rock

A6Jingle bell A#dim7chime in Bm7jingle bell tE7ime

Bm7Dancing and E7prancing in Bm7Jingle Bell SE7quare

Bm7In the E7frosty Aair A7

What a Dbright time, it’s the D#dim7right time

To Arock the night awA7ay

JA#dim7ingle Bbell time is a sB7well time

ETo go gliding in a one-horse sleigh

AGiddy-up Amaj7jingle horse, A6pick up your fAmaj7eet

A6Jingle around tGm7b5he F#7clock

DMix and a-mingle in the Dmjingling feet

Bm7That’s the E7jingle bell

Bm7That’s the E7jingle bell

Bm7That’s the E7jingle bell Arock

D6/9

Bobby Vee - Take Good Care of My Baby (1964) Transpose up Transpose down

Originally in F, I play in E capo 1

High risk of being boring, do everything after the intro as a fast swing

Vox on the 5

EMy tears are C#mfallin’

‘Cause you’ve Ataken her aBway

And Ethough it really Eaughurts me so

Vox up to the 3 of the chord

There’s Asomething that I’ve gotta Bsay

ETake good C#mcare of my AbaBby

EPlease don’t C#mever make her AblueB

EJust tell her E7that you love her

AMake sure you’re Amthinking of her

EIn everyC#mthing you say and Ado B

ETake good C#mcare of my AbaBby

ENow don’t you C#mever make her AcryB

EJust let your E7love surround her

APaint a rainbow Amall around her

EDon’t let her Asee a Bcloudy Esky

Vox on the 1 of the chord on “once”

F#m7Once upon a Btime, that Elittle girl was C#m7mine

F#m7If I’d been Btrue, I Eknow she’d C#m7never F#m7be with Byou, so...

ETake good C#mcare of my AbaBby

EBe just as C#mkind as you can Abe B

EAnd if you E7should discover

AThat you don’t Amreally love her

EJust send my C#mbaby back Ahome Bto Eme

Key change up a half-step

EEEE

CCCC

FTake good Dmcare of my A#baCby

FBe just as Dmkind as you can A#beC

FAnd if you F7should discover

A#That you don’t A#mreally love her

FJust send my Dmbaby back A#home Cto Fme

FDmA#C

FTake good Dmcare of my A#baCby

Repeat to fade

Boris Pickett - The Monster Mash (1962) Transpose up Transpose down

I was Gworking in the lab late one night

When my Emeyes beheld an eerie sight

For my Cmonster from his slab began to rise

And Dsuddenly to my surprise

He did the Gmash, he did the monster mash

The monster Emmash, it was a graveyard smash

He did the Cmash, it caught on in a flash

He did the Dmash, he did the monster mash

From my Glaboratory in the castle East

To the Emmaster bedroom where the vampires feast

The Cghouls all came from their humble abodes

To Dcatch a jolt from my electrodes

They did the Gmash, they did the monster mash

The monster Emmash, it was a graveyard smash

They did the Cmash, it caught on in a flash

They did the Dmash, they did the monster mash

Bridge

The Czombies were having fun, the paDrty had just begun

Hard stop on “Drac”

The Cguests included Wolf Man, DDracula and his son

The Gscene was rockin’, all were digging the sounds

EmIgor on chains, backed by his baying hounds

The CCoffin-Bangers were about to arrive

With their Dvocal group, The Crypt-Kicker Five

They played the Gmash, they played the monster mash

The monster Emmash, it was a graveyard smash

They played the Cmash, it caught on in a flash

They played the Dmash, they played the monster mash

GOut from his coffin, Drac’s voice did ring

EmSeems he was troubled by just one thing

COpened the lid and shook his fist

Hard stop on the V

And said, D“Whatever happened to my Transylvanian Twist?”

It’s now the Gmash, it’s now the monster mash

The monster Emmash, and it’s a graveyard smash

It’s now the Cmash, it’s caught on in a flash

It’s now the Dmash, it’s now the monster mash

Now Geverything’s cool, Drac’s a part of the band

And my Emmonster mash is the hit of the land

For Cyou, the living, this mash was meant too

Hard stop on “get”

When you Dget to my door, tell them Boris sent you

Then you can Gmash, then you can monster mash

The monster Emmash, and do my graveyard smash

Then you can Cmash, you’ll catch on in a flash

Then you can Dmash, then you can monster mash

Brenda Lee - Rocking around the Christmas Tree (1959) Transpose up Transpose down

Originally in G#, I play in D

Highest note that matters is the 2 (“*deck* the halls”)

Intro, one measure per chord (changes twice as often as the verse

DBmGA

Vox on 5 5 5 1 on “rockin’ around”

DRockin’ around the Christmas tree, at the A7Christmas party hop

Em7Mistletoe A7hung where Em7you can A7see, every Em7couple A7tries to Dstop

DRockin’ around the Christmas tree, let the A7Christmas spirit ring

Em7Later we’ll A7have some Em7pumpkin A7pie, and we’ll Em7do some A7caroDling

Vox on 3 b3 3 b3 of the chord on “you will get a”

GYou will get a sentimental F#mfeeling, when you hear

Hard stop on “deck”

BmVoices Bmmaj7singing lBm7et’s be jolly, dE7eck the halls with bA7oughs of holly

DRockin’ around the Christmas tree, have a A7happy holiday

Em7Everyone A7dancing Em7merriA7ly, in the Em7new old-A7fashioned Dway

Sax solo on verse chords

DDA7A7Em7A7EmA7EmA7DD

DDA7A7Em7A7EmA7EmA7DD

GYou will get a sentimental F#mfeeling, when you hear

BmVoices Bmmaj7singing lBm7et’s be jolly, dE7eck the halls with bA7oughs of holly

DRockin’ around the Christmas tree, have a A7happy holiday

Em7Everyone A7dancing Em7merriA7ly, in the

New A7old A#dim7fash A7/Bioned D6way

D6BmGAD

Buddy Holly - Everyday (1958) Transpose up Transpose down

D

DEveryday, Git’s a gettin’ A7closer

DGoin’ faster Gthan a roller A7coaster

DLove like yours will Gsurely A7come my Dway, Ghey, Dhey, A7hey

DEveryday, Git’s a gettin’ A7faster

DEveryone says Ggo ahead and A7ask her

DLove like yours will Gsurely A7come my Dway, Ghey, Dhey, A7hey

EvGeryday seems a little longer

EvCery way, love’s a little stronger

CFome what may, do you ever long for

TBbrue love from Ame?A7

DEveryday, Git’s a gettin’ A7closer

DGoin’ faster Gthan a roller A7coaster

DLove like yours will Gsurely A7come my Dway, Ghey, Dhey, A7hey

DEveryday, Git’s a gettin’ A7faster

DEveryone says Ggo ahead and A7ask her

DLove like yours will Gsurely A7come my Dway, Ghey, Dhey, A7hey

EvGeryday seems a little longer

EvCery way, love’s a little stronger

CFome what may, do you ever long for

TBbrue love from Ame?A7

DEveryday, Git’s a gettin’ A7closer

DGoin’ faster Gthan a roller A7coaster

DLove like yours will Gsurely A7come my Dway, Ghey, Dhey, A7hey

DLove like yours will Gsurely A7come my Dway

Buddy Holly - It's So Easy (1958) Transpose up Transpose down

Buddy Holly in A, Linda Rondstadt in E, I play in A

AIt’s so Eeasy to Dfall in Elove

AIt’s so Deasy to Efall in Alove

AEDE

ADEA

APeople tEell me Dlove’s for Efools

So hAere I Dgo breaking Eall of the Arules

It seems so Deasy

Oh-oh-oh, so doggone Aeasy

Mmm-mmm-hmm, it seems so Deasy

Where yBou’re concerned my hEeart has learned

AIt’s so Eeasy to Dfall in Elove

AIt’s so Deasy to Efall in Alove

AEDE

ADEA

Solo on chorus chords

DDAA

DDBE

AIt’s so Eeasy to Dfall in Elove

AIt’s so Deasy to Efall in Alove

ALook inEto your Dheart and Esee

AWhat your Dlove book has sEet apart for meA

It seems so Deasy

Oh-oh-oh, so doggone Aeasy

Mmm-mmm-hmm, it seems so Deasy

Where yBou’re concerned my hEeart has learned

AIt’s so Eeasy to Dfall in Elove

AIt’s so Deasy to Efall in Alove

AEDE

ADEA

Well it’s so Deasy

Mmm-mmm-hmm, so doggone Aeasy

Mmm-mmm-hmm, it seems so Deasy

Well where yBou’re concerned my hEeart has learned

AIt’s so Eeasy to Dfall in Elove

AIt’s so Deasy to Efall in Alove

Buddy Holly - Peggy Sue (1958) Transpose up Transpose down

ADAE7

ADAE7

AIf you knew DPeggy Sue

AThen you’d Dknow why AI feel blue

About DPeggy, my Peggy ASue DA

Oh well, I E7love you gal

Yes I Dlove you, Peggy ASue DAE7

APeggy Sue, DPeggy Sue

AOh how Dmy heart Ayearns for you

Oh DPeggy, my Peggy ASue DA

Oh well, I E7love you gal

Yes I Dlove you, Peggy ASue DAE7

APeggy Sue, Peggy Sue

FPretty, pretty, pretty, pretty APeggy Sue

Oh PegDgy, my Peggy ASue DA

Oh well, I E7love you gal

And I Dneed you, Peggy ASue DAE7

Usually skip solo, but it looks like a verse...

ADADA

DADA

E7DADAE7

AI love you DPeggy Sue Awith a Dlove so Arare and true

Oh DPeggy, my Peggy ASue DA

Oh well, I E7love you gal

Yes I Dwant you, Peggy ASue DAE7

APeggy Sue, Peggy Sue

FPretty, pretty, pretty, pretty APeggy Sue

Oh PegDgy, my Peggy ASue DA

Oh well, I E7love you gal

And I Dneed you, Peggy ASue DAE7

AI love you DPeggy Sue Awith a Dlove so Arare and true

Oh DPeggy, my Peggy ASue DA

Oh well, I E7love you gal

Yes I Dwant you, Peggy ASue DA

Oh well, I E7love you gal

And I Dneed you, Peggy ASue DA

Buddy Holly - That'll Be The Day (1957) Transpose up Transpose down

Starts with a little riff in A blues (I usually make it A major) into an E7

Well, Dthat’ll be the day, when you say goodbye

Yes, Athat’ll be the day, when you make me cry

You Dsay you’re gonna leave, you know it’s a lie

Hard stop on “that’ll”

‘Cause Athat’ll be the day E7when I Adie

Well, you Dgive me all your loving and your Aturtle doving

DAll your hugs and kisses and your Amoney too

Well, Dyou know you love me baby, Auntil you tell me, maybe

BThat some day, well E7I’ll be blue

Well, Dthat’ll be the day, when you say goodbye

Yes, Athat’ll be the day, when you make me cry

You Dsay you’re gonna leave, you know it’s a lie

‘Cause Athat’ll be the day E7when I Adie

Well, Dwhen Cupid shot his dart Ahe shot it at your heart

DSo if we ever part and AI leave you

DYou sit and hold me and you Atell me boldly

BThat some day, well E7I’ll be blue

Well, Dthat’ll be the day, when you say goodbye

Yes, Athat’ll be the day, when you make me cry

You Dsay you’re gonna leave, you know it’s a lie

‘Cause Athat’ll be the day E7when I Adie

Well, Dthat’ll be the day, woo hoo

AThat’ll be the day, woo hoo

DThat’ll be the day, woo hoo

AThat’ll be the day A9

Chubby Checker - Let's Twist Again (1961) Transpose up Transpose down

Originally in Eb, I play in A, vox mostly on the 3

Spoken, with drums

Come on everybody, clap your hands

Awww, you’re looking good

I’m gonna sing my song and it won´t take long

We’re gonna do the twist and it goes like this

Come on let’s tAwist again like we did last sF#mummer

Yeah, let’s Dtwist again like we did last Eyear

Do you reAmember when things were really F#mhummin’

Yeah, let’s Dtwist again, Etwistin’ time is Ahere

ArouDnd and round and up and down we gAo again

Oh Dbaby, make me know you love me Eso, and then

TAwist again like we did last sF#mummer

Come on, Dtwist again Elike we did last Ayear, twist!

Solo

AF#mDE

Spoken

Who’s that flyin’ up thereA? Is it a bird? NooF#mo!

Is it a plane? DNooo! EIs it the twister? AYeah!

Oh, tAwist again like we did last sF#mummer

Come on, let’s Dtwist again like we did last Eyear

Do you reAmember when things were really F#mhummin’

Come on, let’s Dtwist again, Etwistin’ time is Ahere

ArouDnd and round and up and down we gAo again

Oh Dbaby, make me know you love me Eso, and then

Come on, tAwist again like we did last sF#mummer

Girl, let’s Dtwist again Elike we did last Ayear

Come on, Dtwist again Etwistin’ time is Ahere

Bop-bAop

Chubby Checker - The Twist (1960) Transpose up Transpose down

Originally in E, I play in A

Lots of time on the 3

Intro, with hard stop

E7D7AA

Come on bAaby let’s do the twist

Come on Dbaby let’s do the Atwist

Take me by my little E7hand Dand go like Athis

Ee-aw tAwist, baby, twist

Ooh, ooh, Dyeah just like Athis

Come on little E7miss Dand do the Atwist

My daddy is Asleepin’ and mama ain’t around

Yeah daddy’s just Dsleepin’ and mama ain’t aAround

We’re gonna twisty twisty E7twisty D

‘Til we turn the house Adown

Come on and tAwist, yeah, baby twist

Ooh, ooh, Dyeah just like Athis

Come on little E7miss Dand do the Atwist, ee-yeah

Solo

ADAE7DA

Yeah you should Asee my little sis

You should sDee my, my little Asis

She really knows how to E7rock D

She knows how to Atwist

Come on and tAwist, yeah, baby twist

Ooh, ooh, Dyeah just like Athis

Come on little E7miss Dand do the Atwist

AYeah, that’s all now

YDeah Atwist on now

E7Twist DA

Chuck Berry - Johnny B. Goode (1958) Transpose up Transpose down

Originally in Bb, I play in E capo 3

Intro

EEAEBAE

Deep Edown in Louisiana, close to New Orleans

Way bEack up in the woods among the evergreens

There Astood a log cabin made of earth and wood

Where Elived a country boy named Johnny B. Goode

Who Bnever ever learned to read or write so well

But he could Eplay a guitar just like a ringin’ a bell

Go! EGo! Go, Johnny, go! Go!

Go, Johnny, go! GAo! Go, Johnny, go!

EGo! Go, Johnny, go!

BGo! Johnny B. GEoode

He used to cEarry his guitar in a gunny sack

Go sEit beneath the tree by the railroad track

Old enAgineers would see him sittin’ in the shade

SEtrummin’ with the rhythm that the drivers made

When Bpeople passed him by they would stop and say

Oh, mEy but that little country boy could play

Go! EGo! Go, Johnny, go! Go!

Go, Johnny, go! GAo! Go, Johnny, go!

EGo! Go, Johnny, go!

BGo! Johnny B. GEoode

Solo

Solo on verse chords, with hard stops

EEAEBEx2

His mEother told him, someday you will be a man

And Eyou will be the leader of a big ol’ band

MAany people comin’ from miles around

Will hEear you play your music when the sun go down

MaybBe someday your name’ll be in lights

Sayin’ JoEhnny B. Goode tonight

Go! EGo! Go, Johnny, go! Go!

Go, Johnny, go! GAo! Go, Johnny, go!

EGo! Go, Johnny, go!

BGo! Johnny B. GEoode

Chuck Berry - Memphis, Tennessee (1959) Transpose up Transpose down

E

Long B7distance information, give me Memphis, Tennessee

Help me find a party that tried to get in touch with me

She Ecould not leave a number but I know who placed the call

‘Cause my B7uncle took a message and he wrote it on the Ewall

E

B7Help me, information, get in touch with my Marie

She’s the only one who’d call me here from Memphis, Tennessee

Her Ehome is on the south side, high upon a ridge

B7Just a half a mile from the Mississippi Ebridge

B6A6B6A6B6A6EEx2

B7Help me, information, more than that I cannot add

Only that I miss her and all the fun we had

But Ewe were pulled apart because her mom did not agree

And B7tore apart our happy home in Memphis, TennesEsee

Last B7time I saw Marie she’s wavin’ me goodbye

With “hurry-home” drops on her cheek that trickled from her eye

MaErie is only six years old, information please

B7Try to put me through to her in Memphis, TennesEsee

B6A6B6A6B6A6EEx2

Chuck Berry - No Particular Place to Go (1964) Transpose up Transpose down

Originally in G, I play in E

Intro

Baug

Vox on the 1 on “riding”

Riding along in my automoEbile

My baby beside me at the Ewheel

I stole a kiss at the turn of a Amile

My curiosity running Ewild

Crusin’ and playin’ the raBdio

With no particular place to Ego

Riding along in my automoEbile

I’s anxious to tell her the way I Efeel

So I told her softly and sincAere

And she leaned and whispered in my Eear

Cuddlin’ more and drivin’ Bslow

With no particular place to Ego

Solo

EEEE

AAEE

BAEE

No particular place to Ego

So we parked way out on the kokomEo

The night was young and the moon was Agold

So we both decided to take a Estroll

Can you image the way I Bfelt

I couldn’t unfasten her safety Ebelt

Riding along in my calaEboose

Still trying to get her belt a-Eloose

All the way home I held a Agrudge

For the safety belt that wouldn’t Ebudge

Crusin’ and playin’ the raBdio

With no particular place to Ego

Solo

EEEE

AAEE

BAEE

EEEE

AAEE

BAEE

FE

Chuck Berry - Roll Over Beethoven (1956) Transpose up Transpose down

Beatles in D, Chuck Berry around D, Rolling Stones in C, I play in A capo 2

Lyrics here follow the Beatles version

Intro

AAAA

DDAA

DEAE

I’m gonna wArite a little letter

Gonna Dmail it to my local D.AJ.

It’s a Drocking little record

I want my jockey to Aplay

Roll Dover Beethoven

Gotta Ehear it again toAday

You know my Atemperature’s rising

And the Djukebox blows a fuseA

My hDeart beating rhythm

And my soul keeps a-singin’ the bAlues

Roll Dover Beethoven

And Etell Tchaikovsky the Anews

I got the Arocking pneumonia

I Dneed a shot of rhythm and Ablues, whooo

I think I Dcaught it off the writer

Sittin’ down by the rhythm revieAws

Roll Dover Beethoven

We’re Erockin’ in two by Atwo

Well if you Afeel it and like it, well get your lover and

AReel and rock it, roll it over and

DMove on up just, trifle further

And-a Areel and rock it, roll it over

Roll Dover Beethoven

A Erocking in two by Atwo, whooo

Solo

ADAA

DDAA

DEAA

Well eAarly in the morning

I’m a Dgiving you the warning

Don’t you Astep on my blue suede shoes

DHey diddle diddle, I’ll play my fiddle

AAin’t got nothing to lose

Roll Dover Beethoven

And Etell Tchaikovsky the newsA

You know she Awinks like a glow worm

DDance like a spinning Atop

She’s got a Dcrazy partner

Oughta see ‘em reel an Arock

As long as Dshe got a dime

The Emusic will never Astop E

Roll over BeetAhoven

Roll over Beethoven

Roll over BeetDhoven

Roll over BeetAhoven

Roll over BeetE7hoven

Dig to these rhythm and Ablues

A9

Chuck Berry - Run Rudolph Run (1958) Transpose up Transpose down

Originally in C, I play in E capo 3

EA9EE7

Vox on the 5 of the key (2 of the chord)

AOut of all the reindeers you know you’re the masterEmind

BRun, run Rudolph, Randolph ain’t too far beEhind

Vox on the 5 of the key (now also the 5 of the chord)

ERun, run Rudolph, ASanta’s got to make it to Etown

ASanta make him hurry, tell him he can take the freeway Edown

BRun, run Rudolph ‘cause I’m reelin’ like a merry-go-Eround

Vox on the 3

ESaid Santa to a boy child, Awhat have you been longing Efor?

AAll I want for Christmas is a rock and roll electric guiEtar

And then aBway went Rudolph a-whizzin’ like a shooting Estar

ERun, run Rudolph, ASanta went to make it to Etown

ASanta make him hurry, tell him he can take the freeway Edown

BRun, run Rudolph, reelin’ like a merry-go-Eround

12-bar-ish Solo

EAEBEB7

ERun, run Rudolph, ASanta’s got to make it to Etown

ASanta make him hurry, tell him he can take the freeway Edown

BRun, run Rudolph, I’m reelin’ like a merry-go-Eround

Said ESanta to a girl child Awhat would please you most to Eget?

A Alittle baby doll that can cry, sleep, drink and Ewet

And then aBway went Rudolph whizzin’ like a Sabre JEet

ERun, run Rudolph, ASanta’s got to make it to Etown

ASanta make him hurry, tell him he can take the freeway Edown

BRun, run Rudolph, I’m reelin’ like a merry-go-roEund

E7

Danny and the Juniors - At The Hop (1958) Transpose up Transpose down

Originally in G, I play in E capo 3

Play fast, swung, with 6ths, except possibly let the intro be rubato

Intro (probably rubato, unless someone can really sing this well)

E

EBah-bah-bah-bah, C#mbah-bah-bah-bah

ABah-bah-bah-bah, Bbah-bah-bah-bah, at the Ehop

Now fast, with 6ths

Well, you can Erock it you can roll it

You can stomp and you can stroll it at the hop

When the Arecord starts spinnin’

You calypso and you chicken at the Ehop

Do the Bdance sensations that are Asweepin’ the nation at the Ehop

ELet’s go to the hop

Let’s go to the hop (oh baby)

ALet’s go to the hop (oh baby)

ELet’s go to the hop

BCome Aon, Elet’s go to the hop

Well, you can Eswing it you can groove it

You can really start to move it at the hop

Where the Ajockey is the smoothest

And the music is the coolest at the Ehop

All the Bcats and chicks can Aget their kicks at the Ehop, let’s go!

ELet’s go to the hop

Let’s go to the hop (oh baby)

ALet’s go to the hop (oh baby)

ELet’s go to the hop

BCome Aon, Elet’s go to the hop, let’s go!

Solo on verse chords

This time, vox on the 3 in the original

Well, you can Erock it you can roll it

Do the stomp and you can stroll it at the hop

When the Arecord starts spinnin’

You calypso and you chicken at the Ehop

Do the Bdance sensations that are Asweepin’ the nation at the Ehop, you...

Can Eswing it you can groove it

You can really start to move it at the hop

Where the Ajockey is the smoothest

And the music is the coolest at the Ehop

All the Bcats and chicks can Aget their kicks at the Ehop, let’s go!

ELet’s go to the hop

Let’s go to the hop (oh baby)

ALet’s go to the hop (oh baby)

ELet’s go to the hop

BCome Aon, Elet’s go to the hop

EBah-bah-bah-bah, C#mbah-bah-bah-bah

ABah-bah-bah-bah, Bbah-bah-bah-bah, at the Ehop

Darlene Love - Christmas (Baby Please Come Home) (1963) Transpose up Transpose down

U2 in G#, I play in E capo 1

Highest note is the the 1 (“baaaaby please come home”

Intro

EG#mAB

EThe snow’s coming down, G#mI’m watching it fall

ALots of people around, Bbaby please come home

EThe church bells in town, G#mthey’re ringing a song

AWhat a happy sound, Bbaby please come home

Let ring

EThey’re singing deck the halls

G#mBut it’s not like Christmas at all

AI remember when you were here

BAnd all the fun we had last year

EPretty lights on the tree, G#mI’m watching them shine

AYou should be here with me, Bbaby please come home

Solo

EG#mABaby please come home, Bbaby please come home

Let ring

EThey’re singing deck the halls

G#mBut it’s not like Christmas at all

AI remember when you were here

BAnd all the fun we had last year

EIf there was a way, G#mI’d hold back these tears

ABut it’s Christmas day, Bbaby please come home

EOh G#mAbaby please come home, Bbaby please come home

EBaby please come home, G#moh oh

ABaby please come home, Bbaby please come home

E

Dave Dudley - Six Days on the road (1963) Transpose up Transpose down

Lyrics here follow the Mudcrutch version

Mudcrutch in A, Dave Dudley in G, George Thorogood in G, I play in A

Intro

ADAEA

Vox on the 3

Well I Apulled out of Pittsburgh Erolling down that Eastern seaAboard

I got my diesel wound up, she’s running like she never did beEfore

There’s a Dspeed zone ahead aElright

But I Adon’t see a cop in Dsight

Six Adays on the road and I’m gonna Esee my baby toAnight

I got Aten forward gears and a Esweet Georgia overAdrive

I’m takin’ little white pills, my eyes are open Ewide

Well I jDust passed a Jimmy and a EWhite

I been Apassing everything in Dsight

Six Adays on the road and I’m gonna Esee my baby toAnight

Well it Aseems like a month since I Ekissed my baby goodAbye

Could have a lotta women, I’m not like some other Eguys

I could Dfind one to hold me Etight

But I could Anever believe it’s Dright

Six Adays on the road and I’m Egonna see my baby toAnight

Here we go

Solo on verse chords

AEAA

AAEE

DEAD

AEAA

Well the AI.C.C. is Echeckin’ on down the Aline

I’m a little overweight and my log book’s way beEhind

But Dnothing bothers me tonEight

I could Adodge them scales alDright

Six Adays on the road and I’m Egonna see my baby toAnight

Solo on verse chords

AEAA

AAEE

DEAD

AEAA

Well my Arig’s a little old but Ethat don’t mean she’s Aslow

There’s a flame from her stack and that smoke blowin’ black as Ecoal

Well my Dhome town is coming in Esight

And if you Athink I’m happy you’re Dright

Six Adays on the road and I’m Egonna see my baby toAnight

Six Adays on the road and I’m Egonna see my baby toAnight

Six Adays on the road and I’m Egonna see my baby toAnight

A

Dave Edmunds - I Hear You Knocking (1955) Transpose up Transpose down

Originally in E, I play in A capo 3. Highest note is the 3 (“I hear”).

BDAE7

Vox on the low 3 on “went”

You Awent away and left me long time ago

ANow you’re knocking on the door

Vox on the high 3 on “hear”

I hear you Dknocking

But you can’t come Ain

I hear you Dknocking

Go back where you E7been

I Abegged you not to go but you said goodbye

ANow you’re telling me all your lies

I hear you Dknocking

But you can’t come Ain

I hear you Dknocking

Go back where you E7been, oh yeah

Solo

AAOoo, hoooh, come on ramp it up

DDFats Domino

ASmiley Lewis A

BChuck Berry, DHuey Smith, oh, E7let’s do it Eaug

You Abetter get back to your used to be

‘Cause Ayour kind of love ain’t good for me

I hear you Dknocking

But you can’t come Ain

I hear you Dknocking

Go back where you E7been

I Atold you way back in ‘52

That AI would never go with you

I hear you Dknocking

But you can’t come Ain

I hear you Bknocking D

Go back where you E7been Eaug

Outro

AAAA

DDAA

Dion - Runaround Sue (1961) Transpose up Transpose down

Originally in D, I play in A capo 2

Highest note is the 4.

Quiet, let ring

AHere’s my story it’s sad but true

F#mIt’s about a girl that I once knew

DShe took my love then ran around

EWith every single guy in town

Pick it up

These are really background “hey” over lead “whoa”

AHey, hey, whoa

F#mHey, hey, whoa

DHey, hey, whoa

Hard stop on the last “whoa” (every time)

EHey, hey, whoa

Not a typo, he definitely says “yem”

AYem, I should have known it from the very start

F#mThis girl’d leave me with a broken heart

DAw listen people what I’m telling you

Hard stop on the 1 (every time)

EAh keep away from Runaround Sue, yeah

AI miss ‘em lips and the smile from her face

F#mThe touch of her hand and this girl’s warm embrace

DSo if you don’t want to cry like I do

EAh, keep away from Runaround Sue

AHey, hey, whoa

F#mHey, hey, whoa

DHey, hey, whoa

EHey, hey, whoa

DShe likes to travel around

She’ll Alove you, then she’ll put you down

Now pDeople let me put you wise

Hard stop on “Sue” (both times)

Ah, ESue goes out with other guys

Here’s the Amoral and the story from the guy who knows

F#mI’ve been in love and my love still grows

ADsk any fool that she ever knew

They’ll say Ekeep away from Runaround Sue

AHey

F#mYea, keep away from this girl

DI don’t know what she’ll do

EKeep away from Sue

DShe likes to travel around

She’ll Alove you, then she’ll put you down

Now pDeople let me put you wise

Ah Eshe goes out with other guys

Here’s the Amoral and the story from that guy who knows

F#mI’ve been in love and my love still grows

DAsk any fool that she ever knew

No hard stop this time

They’ll say Eah, keep away from Runaround Sue

Fade on...

AYea

F#mStay away from that girl

DDon’t you know what she’ll do now

EWhoa...

Dion - The Wanderer (1961) Transpose up Transpose down

Originally in D, I play in D or C. If in C, I use 8x555x fingering

so I can (a) be less folk-y and (b) work the 6ths in.

Swung, with 6ths if practical

D

Oh well DI’m the type of guy who will never settle down

Where pretty girls are, well you know that I’m around

I Gkiss ‘em and I love ‘em ‘cause to me they’re all the same

I Dhug ‘em and I squeeze ‘em, they don’t even know my name

They call me the Awanderer, yeah the Gwanderer

I roam aDround around around around A

Oh well there’s DFlo on my left arm and there’s Mary on my right

And Janie is the girl well that I’ll be with tonight

And Gwhen she asks me which one I love the best

I Dtear open my shirt and I show her Rosie on my chest

‘Cause I’m a Awanderer, yeah a Gwanderer

I roam aDround around around around

Oh well I Aroam from town to town

I go through life without a care

And I’m as happy as a clown

Hang on “two fists”

With my B7two fists of iron, but I’m Egoing nowhere

Oh, DI’m the type of guy that likes to roam around

I’m never in one place, I roam from town to town

And Gwhen I find myself fallin’ for some girl

Yeah, I Dhop right into that car of mine, I drive around the world

Yeah I’m a Awanderer, yeah the Gwanderer

I roam aDround around around around A

Solo on verse chords

Oh, DI’m the type of guy that likes to roam around

I’m never in one place, I roam from town to town

And Gwhen I find myself fallin’ for some girl

I Dhop right into that car of mine, drive around the world

Cause I’m a Awanderer, yeah a Gwanderer

I roam aDround around around around around

Yeah I’m a Awanderer, they call me a Gwanderer

I roam aDround around around around around

Yeah I’m a Awanderer, they call me a Gwanderer

I roam aDround around around around around A7DD9

Dion and the Belmonts - A Teenager in Love (1959) Transpose up Transpose down

Originally in C#, I play in C capo 1

CAmFGx2

CEach time we Amhave a quarrel

FIt almost Gbreaks my heart

C‘Cause I am Amso afraid Fthat we will Ghave to part

CEach night I Amask the Fstars up aGbove

CWhy must I Ambe a teenFager in Glove?

COne day I Amfeel so happy

FNext day I Gfeel so sad

CI guess I’ll Amlearn to take Fthe good Gwith the bad

‘Cause Ceach night I Amask the Fstars up aGbove

CWhy must I Ambe a teenFager in Glove?

FI cried a Gtear Ffor nobody but Gyou

FI’ll be a Glonely one if Fyou should say we’re Gthrough

CWell if you want to Ammake me cry

FThat won’t be so Ghard to do

CIf you should Amsay goodbye

FI’d still go on Gloving you

CEach night I Amask the Fstars up aGbove

CWhy must I Ambe a teenFager in Glove?

FI cried a Gtear Ffor nobody but Gyou

FI’ll be a Glonely one if Fyou should say we’re Gthrough

CWell if you want to Ammake me cry

FThat won’t be so Ghard to do

CAnd if you should Amsay goodbye

FI’d still go on Gloving you

CEach night I Amask the Fstars up Gabove

CWhy must I Ambe a teenFager in Glove?

CWhy must I Ambe a teenFager in Glove?

CWhy must I Ambe a teenFager in Glove?

Dusty Springfield - I Only Want to Be with You (1964) Transpose up Transpose down

Originally in G, I play in A

Intro

ADEEx2

Vox on the 3 on “don’t”

I Adon’t know what it is that makes me F#mlove you so

I Aonly know I never want to F#mlet you go

Cause Dyou started Esomething, oh Bmcan’t you Esee

That Aever since we met you’ve had a F#mhold on me

It Dhappens to be Etrue, I Bmonly wanna Ebe with Ayou DE

It Adoesn’t matter where you go or F#mwhat you do

I Awant to spend each moment of the F#mday with you

Now Dlook what has Ehappened with Bmjust one Ekiss

I Anever knew that I could be in F#mlove like this

It’s Dcrazy but it’s Etrue, I Bmonly wanna Ebe with Ayou DA

Bridge

Vox on 3 2 of the chord on “you stopped”

FYou stopped and smiled at me, Aasked if I Dcare to Adance

EI fell into your open arms, and F#m7I didn’t sB7tand a Echance, now listen honey

AI just wanna be beside you F#meverywhere

As Along as we’re together honey F#mI don’t care

Cause Dyou started Esomething, oh Bmcan’t you Esee

That Aever since we met you’ve had a F#mhold on me

No Dmatter what you Edo, I Bmonly wanna Ebe with Ayou DE

Solo on verse chords

AF#mAF#m

DEBmE

AAF#mF#m

DEBmEA

Bridge

FYou stopped and smiled at me, Aasked if I Dcare to Adance

EI fell into your open arms, and F#m7I didn’t sB7tand a Echance, now hear me tell you

AI just wanna be beside you F#meverywhere

As Along as we’re together honey F#mI don’t care

Cause Dyou started Esomething, oh Bmcan’t you Esee

That Aever since we met you’ve had a F#mhold on me

No Dmatter what you Edo, I Bmonly wanna Ebe with Ayou DA

I said no Dmatter, no matter what you Edo, I Bmonly wanna Ebe with Ayou DA

Eddie Cochran - Summertime Blues (1958) Transpose up Transpose down

With half-step slides

E

EABEx2

I’m a-gEonna raise a fuss, I’m a-gonna raise a holler EABE

About a-Eworkin’ all summer, just to try to earn a dollar EABE

Every Atime I call my baby, try to get a date

Hard stop on “boss”

My bossEsays “no dice son, you gotta work late”

SomeAtimes I wonder what I’m a-gonna do

Hard stop on “ain’t”

But there Eain’t no cure for the summertime blues

With half-step slides

E

EABEx2

Well my Emom ‘n poppa told me “son, you gotta make some money” EABE

If you Ewanna use the car to go a-ridin’ next Sunday EABE

Well I Adidn’t go to to work, told the boss I was sick

Hard stop on “can’t”

“Now you Ecan’t use the car ‘cause you didn’t work a lick“

SomeAtimes I wonder what I’m a-gonna do

Hard stop on “ain’t”

But there Eain’t no cure for the summertime blues

With half-step slides

E

EABEx2

I’m gonna Etake two weeks, gonna have a fine vacation EABE

I’m gonna Etake my problem to the United Nations EABE

Well I Acalled my Congressman and he said, quote

Hard stop on “like”

“I’d Elike to help you son, but you’re too young to vote“

SomeAtimes I wonder what I’m a-gonna do

Hard stop on “ain’t”

But there Eain’t no cure for the summertime blues

With half-step slides

E

EABEx4

Elvis Presley - All Shook Up (1957) Transpose up Transpose down

Originally in Bb, I play in A

Well Abless my soul, what’s wrong with me?

I’m itching like a man on a fuzzy tree

My friends say I’m actin’ wild as a bug

I’m in love, I’m all shook up

Uh huh Dhuh, uh hEuh, yeahA, yeah, yeah

Well my Ahands are shaky and my knees are weak

I can’t seem to stand on my own two feet

Who do you thank when you have such luck?

I’m in love, I’m all shook up

Uh huh Dhuh, uh hEuh, yeahA, yeah, yeah

Bridge

Well Dplease don’t ask me what’s on my mind

I’m a Alittle mixed up, but I feel fine

When DI’m near the girl that I love best

Hard stop on “heart”

Vox on the 5 of the chord on “heart”, 1 of the chord on “scares”

My Eheart beats so it scares me to death

She Atouched my hand what a chill I got

Her lips are like a volcano that’s hot

I’m proud to say that she’s my buttercup

I’m in love, I’m all shook up

Uh huh Dhuh, uh hEuh, yeahA, yeah, yeah

Bridge

My Dtongue gets tied when I try to speak

My Ainsides shake like a leaf on a tree

There’s Donly one cure for this body of mine

That’s to Ehave that girl that I love so fine

She Atouched my hand what a chill I got

Her lips are like a volcano that’s hot

I’m proud to say that she’s my buttercup

I’m in love, I’m all shook up

Uh huh Dhuh, uh hEuh, yeahA, yeah, yeah

Uh huh Dhuh, uh hEuh, yeahA, yeah, yeah

I’m Aall shook up

Elvis Presley - Don't Be Cruel (1956) Transpose up Transpose down

D

You kDnow I can be found, Dsitting home all alone

If yGou can’t come around, at Dleast please telephone

A-don’t be Emcruel Ato a heart that’s Dtrue

DBaby, if I made you mad, for Dsomething I might have said

PGlease, let’s forget my past, the fDuture looks bright ahead

A-don’t be Emcruel Ato a heart that’s Dtrue D7

I don’t wGant no other Alove, Gbaby it’s just Ayou I’m thinking Dof

DDon’t stop thinking of me, a-don’t mDake me feel this way

Come on Gover here and love me, you Dknow what I want you to say

A-don’t be Emcruel Ato a heart that’s Dtrue D7

Why Gshould we be aApart, I Greally love you Ababy, cross my Dheart

Let’s wDalk up to the preacher, and lDet us say I do

ThGen you’ll know you’ll have me, and I’ll Dknow that I’ll have you

A-don’t be Emcruel Ato a heart that’s Dtrue D7

Hard stop after this line

I don’t wGant no other Alove, Gbaby it’s just Ayou I’m thinking Dof

A-don’t be cEmruel tAo a heart that’s tDrue

Don’t be Emcruel Ato a heart that’s Dtrue D7

I don’t wGant no other Alove, Gbaby it’s just Ayou I’m thinking Dof

D6

Elvis Presley - Fever (1960) Transpose up Transpose down

Often played in Am, I play in Em capo 3.

Note the vocals ride mostly on IV in this key, i.e. the A in Em.

Crazy chromatic key changes are also common, but I skip that when

doing it acoustic. This is fun to do with just bass and vox, in

which I case I go up a half-step after every chorus.

EmNever know how much I love you

DNever know how B7much I Emcare

EmWhen you put your arms around me

I get a B7fever that’s so hard to Embear

You give me fever, EmCwhen you kiss me

DFever when you hold me Emtight

EmFever, Cin the morning

B7Fever all through the Emnight

EmSun lights up the daytime

DMoon lights B7up the Emnight

EmI light up when you call my name

And you B7know I’m gonna treat you Emright

You give me fever, EmCwhen you kiss me

DFever when you hold me Emtight

EmFever, Cin the morning

B7Fever all through the Emnight

EmEv’rybody’s got the fever

DThat is something B7you all Emknow

EmFever isn’t such a new thing

B7Fever started long aEmgo

EmRomeo loved Juliet

DJuliet she B7felt the Emsame

EmWhen he put his arms around her, he said

B7Julie, baby, you’re my Emflame

Thou givest fever, EmCwhen we kisseth

DFever when thy flaming Emyouth

EmFever CI’m afire

B7Fever, yea I burn forEmsooth

EmCaptain Smith and Pocahantas

DHad a very B7mad afEmfair

EmWhen her Daddy tried to kill him, she said

B7“Daddy-o don’t you Emdare.“

EmHe gives me fever, Cwith his kisses

DFever when he holds me Emtight

EmFever, CI’m his missus

Oh B7daddy won’t you treat him Emright

EmNow you’ve listened to my story

DHere’s a point that B7I have Emmade

EmChicks were born to give you fever

Be it B7Fahrenheit or CentiEmgrade

EmThey give you fever, Cwhen you kiss them

DFever if you live and Emlearn

EmFever, Ctill you sizzle

B7What a lovely way to Emburn

B7What a lovely way to Emburn

B7What a lovely way to Emburn

Elvis Presley - Heartbreak Hotel (1956) Transpose up Transpose down

Starts a cappella on the high 1, chord hits after the end of each line

Well, Esince my baby left me

Well I Efound a new place to dwell

Goes up to something like the b3 on “end”, but this is likely to train wreck, so just descend on the pentatonic minor

Well it’s Edown at the end of lonely street

At Eheartbreak hotel, well I’ve been

A7I’ve been so lonely baby, well, I’m so lonely

B7I’m so lonely, I could Edie

AlthEough it’s always crowded

You sEtill can find some room

For bEroken-hearted lovers

To Ecry away their gloom

A7They’ve been so lonely baby

They’ll make you so lonely

Oh B7they’re be so lonely they could Edie

Now, the bEell hop’s tears keep flowin

And the dEesk clerk’s dressed in black

Well they bEeen so long on lonely street

They Enever, they never look back

A7And they’re so lonely baby

Well they’re so lonely

B7Well they’re so lonely they could Edie

Well, iEf your baby leaves you

And you gEot a tale to tell

Well, just taEke a walk down lonely street

To Eheartbreak hotel, where you will be

AYou’ll be so lonely, where you’ll be lonely

B7You’ll be so lonely you could Edie

Solo on verse and chorus chords

EEABE

AlthEough it’s always crowded

You sEtill can find some room

For bEroken-hearted lovers

To Ecry away their gloom

A7They’ve been so lonely baby

They’ll make you so lonely

Oh B7They’re be so lonely they could Edie

F9E9

Elvis Presley - Hound Dog (1956) Transpose up Transpose down

Originally in C, I play in A capo 1

You ain’t nothin’ but a hAound dog, cryin’ all the time

You ain’t nothin’ but a Dhound dog, cryin’ all the Atime

Well, you ain’t Enever caught a rabbit

And you Dain’t no friend of Amine

Well they said you was Ahigh-classed, well, that was just a lie

Yeah they said you was Dhigh-classed, well, that was just a Alie

Yeah, you ain’t Enever caught a rabbit

And you Dain’t no friend of Amine

You ain’t nothin’ but a hAound dog, cryin’ all the time

You ain’t nothin’ but a Dhound dog, cryin’ all the Atime

Well, you ain’t Enever caught a rabbit

And you Dain’t no friend of Amine

Solo

AAAA

DDAA

EDAA

Well they said you was Ahigh-classed, well, that was just a lie

Yeah they said you was Dhigh-classed, well, that was just a Alie

Well, you ain’t Enever caught a rabbit

And you Dain’t no friend of Amine

More solo

AAAA

DDAA

EDAA

When they said you was Ahigh classed

Well they said you was Ahigh-classed, well, that was just a lie

You know they said you was Dhigh-classed, well, that was just a Alie

Well, you ain’t Enever caught a rabbit

And you Dain’t no friend of Amine

You ain’t nothin’ but a hAound dog, cryin’ all the time

You ain’t nothin’ but a Dhound dog, cryin’ all the Atime

Hard stop on “rabbit”

Well, you ain’t Enever caught a rabbit

IV is implied

You Dain’t no friend of Amine A#9A9

Elvis Presley - Jailhouse Rock (1957) Transpose up Transpose down

Originally in Eb, I play in Db

CDbx2

Vox in on the minor 3

CThe Dbwarden threw a party in the county jail

CPrisDbon band was there and they began to wail

CThe bandDbwas jumpin’ and the joint began to swing

You CshouDblda heard thosed kocked out jail birds sing

Let’s Gb7rock, everybody let’s Dbrock

EveryAb7body in the whole cell Gb7block

Was Dbdancin’ to the jail-house rock

CSpidDber Murphy played the tenor saxophone

CLittDble Joe was blowin’ on the slide trombone

CThe Dbdrummer boy from Illinois went crash, boom, bang

CThe Dbwhole rhythm section was a purple gang

Let’s Gb7rock, everybody let’s Dbrock

EveryAb7body in the whole cell Gb7block

Was Dbdancin’ to the jail-house rock

CNumbDber forty seven said to number three

CYou’Dbre the cutest jailbird I ever did see

CI suDbre would be delighted with your company

CComeDbon and do the jailhouse rock with me

Let’s Gb7rock, everybody let’s Dbrock

EveryAb7body in the whole cell Gb7block

Was Dbdancin’ to the jail-house rock

Solo on chorus chords

Gb7DbAb7GbDb

CThe Dbsad sack was a-sittin’ on a block of stone

CWay Dbover in the corner weeping all alone

CThe Dbwarden said hey, buddy, don’t you be no square

CIf yDbou can’t find a partner use a wooden chair

Let’s Gb7rock, everybody let’s Dbrock

EveryAb7body in the whole cell Gb7block

Was Dbdancin’ to the jail-house rock

CShifDbty Henry said to Bugs for heaven’s sakes

CNo oDbne’s lookin’ now’s our chance to make a break

CBugsDby turned to Shifty and he said nix, nix

CI waDbnna stick around a while and get my kicks

Let’s Gb7rock, everybody let’s Dbrock

EveryAb7body in the whole cell Gb7block

Was Dbdancin’ to the jail-house rock

Elvis Presley - Love Me Tender (1956) Transpose up Transpose down

DLove me tender, E7love me sweet, A7never let me go D

DYou have made my E7life complete, A7and I love you so D

DLove me F#7tender, Bmlove me D7true, Gall my Gmdreams fulDfill

DFor my B7darling E7I love you, A7and I always Dwill

DLove me tender, E7love me long, A7take me to your Dheart

DFor it’s there that E7I belong, A7and we’ll never Dpart

DLove me F#7tender, Bmlove me D7true, Gall my Gmdreams fulDfill

DFor my B7darling E7I love you, A7and I always Dwill

DLove me tender, E7love me dear, A7tell me you are Dmine

DI’ll be yours through E7all the years, A7til the end of Dtime

Elvis Presley - Return to Sender (1962) Transpose up Transpose down

Originally in Eb, I play in D

DReturn to Bmsender

EmReturn to A7sender

DI gave a letter to the Bmpostman

EmHe put it in his A7sack

DBright and early next Bmmorning

Hard stop no “back”

He Embrought my A7letter Dback (she wrote upon it)

GReturn to A7sender, Gaddress unA7known

GNo such A7number, Dno such D7zone

GWe had a A7quarrel, Ga lover’s A7spat

E7I write I’m sorry but my letter keeps coming A7back

DSo when I dropped it in the Bmmailbox

EmAnd sent it special A7D

DBright and early next Bmmorning

It Emcame right A7back to Dme (she wrote upon it)

GReturn to A7sender,Gaddress unA7known

GNo such A7person, Dno such D7zone

Bridge

Vox on the 5 of the chord

GThis time I’m gonna take it myself

And Dput it right in her hand

Vox in the same place, now the b7 of the chord

And E7if it comes back the very next day

A7Then I’ll understand (the writing on it)

GReturn to A7sender, Gaddress unA7known

GNo such A7number, Dno such D7zone

Aaah, Greturn to A7sender

GReturn to A7sender

GReturn to A7sender

D9

Fats Domino - Ain't That a Shame (1955) Transpose up Transpose down

Fats Domino in B, McCartney in E, Cheap Trick in B

I play in A capo 2

You made, Ame cry, when you said goodbye

Ain’t that a Dshame, my tears fell like Arain

Ain’t that a Dshame, you’re the one to Eblame

You broke, Amy heart, when you said we’ll part

Ain’t that a Dshame, my tears fell like Arain

Ain’t that a Dshame, you’re the one to Eblame

Oh well A, goodbye, although, I’ll cry

Ain’t that a Dshame, my tears fell like Arain

Ain’t that a Dshame, you’re the one to Eblame

Solo on verse chords

AADADE

You made, Ame cry, when you said goodbye

Ain’t that a Dshame, my tears fell like Arain

Ain’t that a Dshame, you’re the one to Eblame

Oh well A, goodbye, although, I’ll cry

Ain’t that a Dshame, my tears fell like Arain

Ain’t that a Dshame, you’re the one to Ablame

AA/C#DEbdim7EA

Fats Domino - Blueberry Hill (1956) Transpose up Transpose down

Fats Domino in B, I play in D

Intro

DGD

Vox on the 1 on “I”

I found my tGhrill

On Blueberry DHill

On Blueberry A7Hill

When I found Dyou G/DD

The moon stood Gstill

On Blueberry DHill

And lingered unA7til

Not a typo! It’s a IV in the first verse, and a iv here

My dream came trueDGmD

Vox on 5 2 3 4 5 of the key on “the wind in the will”

The V6 here is more like a I/7 in the original, which is awesome, but I couldn’t make that work on guitar

The A6wind in the Dwillow played

GLove’s sA6weet melodDy D7

But C#7all of the voF#mws you mC#7ade F#m

Vocally easier to hard stop on the last chord on this line

Were C#7never to F#be A7

Though we’re apGart

You’re part of me Dstill

For you were my A7thrill

On Blueberry HilDl GmD

The A6wind in the Dwillow played

GLove’s A6sweet melodDy D7

But C#7all of the voF#mws you mC#7ade F#m

Were C#7only to F#be A7

Though we’re aGpart

You’re part of me Dstill

For you were my A7thrill

On Blueberry HDill GmD

Frank Sinatra - Fly Me To The Moon (1964) Transpose up Transpose down

The Am→A7 transition is pretty optional.

Play G7’s as barre.

Am7

Am7Fly me to the Dm7moon

And let me pG7lay among the Cmaj7stars

Fmaj7Let me see what sBm7b5pring is like

On JE7upiter andAm7Mars A7

In oDm7ther words,G7hold my hEm7and A7

In Dm7other words,G7baby Cmaj7kiss me E7

Am7Fill my heart with sDm7ong

And let me G7sing for ever mCmaj7ore

Fmaj7You are all I loBm7b5ng for

All I E7worship and aAm7dore A7

In oDm7ther words,G7please be Em7true A7

In Dm7other words,G7I love Cyou E7

Am7Fill my heart with sDm7ong

And let me G7sing for ever mCmaj7ore

Fmaj7You are all I loBm7b5ng for

All I E7worship and aAm7dore A7

In Dm7other words,G7please be Em7b5true A7

In oDm7ther words

In oFm7ther words

I love Cyou Fdim7C

Frankie Valli and the Four Seasons - December, 1963 (Oh What a Night) (1963) Transpose up Transpose down

Originally in C#, I play in G

GGG/BC

CCG/DD

GGG/BC

CCG/DD

Oh, what a nGight G/BC

CLate DecG/Dember, bDack in ‘Gsixty-tG/Bhree C

CWhat a vG/Dery Dspecial Gtime for G/Bme C

As CI remG/Dember, wDhat a Gnight G/B

CCG/DD

Oh, what a nGight G/BC

You kCnow, I dG/Didn’t eDven kGnow her nG/Bame C

But ICwas nG/Dever Dgonna Gbe the sameG/BC

CWhat a laG/Ddy, Dwhat a Gnight G/B

CCG/DD

Oh, Am7I

I gCot a funny feeling when she Emwalked in the Droom

And, Am7I

As CI recall, it ended much Dtoo soon G/DD

Oh, what a nGight G/BC

CHypnoG/Dtising, DmesmerGising meG/BC

CShe was eG/DverythDing I Gdreamed she’d G/Bbe C

CSweet suG/Drrender, Dwhat a Gnight G/B

CCG/DD

Funky horn bridge

EmAx 2

Am7I felt a rush like a Bm7rolling bolt of thunder

CSpinning my head around and Dtaking my body under

Oh, what a nGight G/BC

CCG/DD

GGG/BC

CCG/DD

Oh, Am7I

I gCot a funny feeling when she Emwalked in the Droom

And, Am7I

As CI recall, it ended much too sDoon G/DD

Oh, what a nGight G/BC

CWhy’d it G/Dtake so lDong to Gsee the lG/Bight? C

CSeemed so G/Dwrong, but nDow it Gseems so rG/Bight C

CWhat a laG/Ddy, Dwhat a niGght G/B

CCG/DD

Funky horn bridge

EmAx 2

Am7I felt a rush like a Bm7rolling bolt of thunder

CSpinning my head around and Dtaking my body under

Oh, what a nGight G/BC

CCG/DD

Oh, what a nGight G/BC

CCG/DD

Gary Lewis and the Playboys - Count Me In (1965) Transpose up Transpose down

Originally in F, I play in D capo 2

DFBbAaugx2

DIf you need someone to count on, F#mcount me Ain

DSomeone you can rely on, F#mthrough thick and D7thin

GWhen you start to count the ones that Emyou might ever doubt

DIf you think of Fcounting me, Bbcount me Aaugout

DWhen you count the ones that want you, F#mcount me Atoo

DAnd if I’m not first on your lisF#mt, count me D7blue

GJust be sure you count on me and Emwhen the countin’s through

DCount me Fmadly, Ain love with Dyou

With triplets on the V

DDF#mAx2

DIf you need someone to count on, F#mwhen you’re Adown

DAnd all your other friends you’ve lF#most, can’t be D7found

GJust be sure you count on me Emwhen you’re down and out

DCount me in through Fthick and thin, or Bbit don’t Aaugcount

DWhen you count the ones that want you, F#mcount me Atoo

DAnd if I’m not first on your lisF#mt, count me D7blue

GJust be sure you count on me and Emwhen the countin’s through

DCount me Fmadly, Ain love with Dyou

DDF#mAx4

D

Gerry and the Pacemakers - How Do You Do It (1963) Transpose up Transpose down

Originally in A, I play in G

Intro

GEmAmD

GCGFF#

GHow Emdo you Amdo what you Ddo to me?

GI Emwish I Amknew D

If I Gknew how you Emdo it to Amme

I’d Ddo it to Gyou CGFF#

GHow Emdo you Amdo what you dDo to me?

GI’m Emfeeling Amblue D

Wish I Gknew how you Emdo it to Amme

But I Dhaven’t a Gclue CGFGFG

Vox on the 3 of the minor chord on “give”

You Amgive me a Dfeeling in my Gheart Em7

Vox on the 5 4 of the minor chord on “arrow”

Like an Amarrow, Dpassin’ Gthrough it FGFG

SupAmpose that you Dthink you’re very Gsmart Em

Vox up to the 5 of the chord on “won’t”, then the 3 of the chord on “how”

But Awon’t you tell me Dhow do you do it?

ADCDCD

GHow Emdo you Amdo what you Ddo to me?

GIf I Emonly Amknew D

Then perhGaps you’d Emfall for Amme like I Dfell for Gyou CGD

Solo on verse chords

You Amgive me a Dfeeling in my Gheart Em7

Like an Amarrow, Dpassin’ Gthrough it FGFG

SupAmpose that you Dthink you’re very Gsmart Em

But Awon’t you tell me Dhow do you do it?

ADCDCD

GHow Emdo you Amdo what you Ddo to me?

GIf I Emonly Amknew D

Then perhGaps you’ll Emfall for Amme like I Dfell for Eyou A7

When I Ddo it to Gyou CGFGFG

Hamilton, Joe Frank, and Reynolds - Don't Pull Your Love (1960) Transpose up Transpose down

Intro

GG/BDx4

Don’t pull your Glove out on me, D/F#baby

If you Emdo then I think that Dmaybe I’ll

Just Clay me down

Bm7Cry for a hundred Am7years D

Don’t pull your Glove out on me, D/F#honey

Take my Emheart, my soul, my Dmoney

But don’t Cleave me dAm7rownin’ in my Gtears D/F#

You say you’re Emgonna leave A7

Gonna take that Dbig white bird Bm7

Gonna fly right Emout of here A7

Without a Dsingle word Bm7

But you know you’ll Embreak my heart A7

When I watch you Dclose A/C#that Bm7door

‘Cause I Gknow that I won’t A7see you anyDmore

DD/F#A

DD/F#A

Don’t pull your Glove out on me, D/F#baby

If you Emdo then I think that Dmaybe I’ll

Just Clay me down

Bm7Cry for a hundred Am7years D

Don’t pull your Glove out on me, D/F#honey

Take my Emheart, my soul, my Dmoney

But don’t Cleave me dAm7rownin’ in my Gtears D/F#

Haven’t I been Emgood to A7you?

What about that Dbrand new ring? Bm7

Doesn’t that mean Emlove to you? A7

Doesn’t that mean Danything? Bm7

If I threw aEmway my pride A7

And I got down Don A/C#my Bm7knees

GWould you make me A7beg you pretty Dplease?

DD/F#A

DD/F#A

Don’t pull your Glove out on me, D/F#baby

If you Emdo then I think that Dmaybe I’ll

Just Clay me down

Bm7Cry for a hundred Am7years D

Don’t pull your Glove out on me, D/F#honey

Take my Emheart, my soul, my Dmoney

But don’t Cleave me dAm7rownin’ in my Gtears

Bridge

Vox on the 1 of the chord on “there’s

AmThere’s so much I wanna do

Am/GI’ve got love enough for two

But IFmaj7‘ll never use it, girl, if I don’t have Am11you

Don’t pull your Glove out on me, D/F#baby

If you Emdo then I think that Dmaybe I’ll

Just Clay me down

Bm7Cry for a hundred Am7years D

Don’t pull your Glove out on me, D/F#honey

Take my Emheart, my soul, my Dmoney

But don’t Cleave me dAm7rownin’ in my Gtears D6

Don’t pull your Glove out on me, D/F#baby

If you Emdo then I think that Dmaybe I’ll

Just Clay me down

Bm7Cry for a hundred Am7years D

Don’t pull your Glove out on me, D/F#honey

Take my Emheart, my soul, my Dmoney

But don’t Cleave me dAm7rownin’ in my Gtears

Harry Belafonte - Jump in the Line (1961) Transpose up Transpose down

Originally in F, I play in E. Lots of 1.

Intro

EBx8

Vox on the 5

ShEake, shake, shake, Senora, shake your body lBine

Shake, shake, shake, Senora, shake it all the tEime

Vox up to the 1

Work, work, work, Senora, work your body lBine

Work, work, work, Senora, work it all the tEime

With hard stops

EMy girl’s name is SenAora

I Etell you friends, I aBdore her

And Ewhen she dances, oh bArother

She’s a hEurricane in all kBinds of weather

JEump in de line, Brock your body in tEime, OK, BI believe you

JEump in de line, Brock your body in tEime, OK, BI believe you

JEump in de line, Brock your body in tEime, OK, BI believe you

JEump in de line, Brock your body in tEime, whoa B

ShEake, shake, shake, Senora, shake your body lBine, whoa

Shake, shake, shake, Senora, shake it all the tEime

Work, work, work, Senora, work your body liBne

Work, work, work, Senora, work it all the tEime

YEou can talk about Acha cha

TEango, waltz, or de Brumba

SenEora’s dance has no tAitle

You jEump in the saddle, hold oBn to de bridle

JEump in de line, Brock your body in tEime, OK, BI believe you

JEump in de line, Brock your body in tEime, rock your bBody, child

JEump in de line, Brock your body in tEime, somebodBy, help me

JEump in de line, Brock your body in tEime, whoa B

ShEake, shake, shake, Senora, shake your body lBine

Shake, shake, shake, Senora, shake it all the tEime, whoa

Work, work, work, Senora, work your body lBine, yep

Work, work, work, Senora, work it all the tEime

SenoEra, she’s a sensAation

The rEeason for aviBation

And fEellas, you got to wAatch it

When she wEind up she bottom, she gBo like a rocket

JEump in de line, Brock your body in tEime, OK, BI believe you

JEump in de line, Brock your body in tEime, hBoist those skirts a little higher

JEump in de line, Brock your body in tEime, up the Bchimney

JEump in de line, Brock your body in tEime, wBhoa

Brass solo

EBx8

Pause a measure after this line

ShEake, shake, shake, Senora

BShake your body line

...and another measure after this line

BWork, work, work, Senora

Work it all the Etime

...and here

EDance, dance, dance, Senora

BDance it all the time

...and here

BWork, work, work, Senora

BWork it all the Etime

SenEora dances CaAlypso

LEeft to right is de tBempo

And wEhen she gets the senAsation

She go Eup in the air, come dBown in slow motion

JEump in de line, Brock your body in tEime, OK, BI believe you

JEump in de line, Brock your body in tEime, Bsomebody help me

JEump in de line, Brock your body in tEime, OK, BI believe you

JEump in de line, Brock your body in tEime, OK, BI believe you

JEump in de line, Brock your body in tEime

ShEake, shake, shake, Senora, shake your body lBine

Shake, shake, shake, Senora, shake it all the tEime, whoa

Hard stop on “nora”

Work, work, work, SenEora

Herman's Hermits - I'm Into Something Good (1964) Transpose up Transpose down

Originally in C, I play in G

GCx 4

GWoke up this Cmorning Gfeeling Cfine

GThere’s something Cspecial Gon my mind

CLast night I met a new girl in the neighborGhood, whoa yeah

DSomething tells me CI’m into something Ggood

(Something Ctells me GI’m into Csomething)

GShe’s the kind of Cgirl who’s Gnot too Cshy

GAnd I can Ctell I’m Gher kind of guy

CShe danced close to me like I hoped she Gwould

(She danced with me like I hoped she would)

DSomething tells me CI’m into something Ggood

(Something Ctells me GI’m into Csomething)

Bridge

Vox on the 7 of the chord

DWe only danced for a minute or two

But then she Gstuck close to Cme the Gwhole night through

DCan I be falling in love?

AShe’s everything I’ve been A7dreaming Dof

She’s everything I’ve been A7dreaming Dof

GI walked her Chome and she Gheld my Chand

I kGnew it couldn’t Cbe just a Gone-night stand

So CI asked to see her next week and she told me I Gcould

(I asked to see her and she told me I could)

DSomething tells me CI’m into something Ggood

(Something Ctells me GI’m into Csomething)

(GSomething Ctells me GI’m into Csomething)

Two extra measures of IV

CAhhhh C

Pseudo-solo

GGCD

GI walked her Chome and she Gheld my Chand

I kGnew it couldn’t Cbe just a Gone-night stand

So ICasked to see her next week and she told me I Gcould

(I asked to see her and she told me I could)

DSomething tells me CI’m into something Ggood

(Something Ctells me GI’m into Csomething)

DSomething tells me CI’m into something Ggood

(Something Ctells me GI’m into Csomething)

To something Dgood, oh Cyeah, something Ggood

(Something Ctells me GI’m into Csomething)

To something Dgood, oh Cyeah, something Ggood

Herman's Hermits - Mrs. Brown You've Got a Lovely Daughter (1965) Transpose up Transpose down

Muted, uke-like feel in the verse, open up in the chorus

CEmDm7G7x2

CMrs. EmBrown you’ve Dm7got a G7lovely Cdaughter EmDm7G7

CGirls as Emsharp as Dm7her are G7somethin’ Crare EmDm7G7

AmBut it’s Csad, Amshe doesn’t Clove me now

AmShe’s made it Cclear enough it ain’t no good to G7pine

CShe wants Emto reDm7turn those G7things I Cbought her EmDm7G7

CTell her Emshe can Dm7keep them G7just the Csame EmDm7G7

AmThings have Cchanged, Amshe doesn’t Clove me now

AmShe’s made it Cclear enough it ain’t no good to G7pine Bb

Vox on the root (Eb), up a half step from “pine”

EbWalkin’ aGmbout, Abeven in a Bbcrowd, well

GbYou’ll pick her Bbmout, Bbmakes a bloke feel Gso proud

CIf she Emfinds that Dm7I’ve been G7‘round to Csee you EmDm7G7

CTell her Emthat I’m Dm7well and G7feelin’ Cfine EmDm7G7

AmDon’t let Con, Amdon’t say she’s Cbroke my heart

AmI’d go down Con my knees but it’s no good to G7pine Bb

EbWalkin’ aGmbout, Abeven in a Bbcrowd, well

GbYou’ll pick her Bbmout, Bbmakes a bloke feel Gso proud

CIf she Emfinds that Dm7I’ve been G7‘round to Csee you EmDm7G7

CTell her Emthat I’m Dm7well and G7feelin’ Cfine EmDm7G7

AmDon’t let Con, Amdon’t say she’s Cbroke my heart

AmI’d go down Con my knees but it’s no good to G7pine

CMrs. EmBrown you’ve Dm7got a G7lovely Cdaughter EmDm7G7

CMrs. EmBrown you’ve Dm7got a G7lovely Cdaughter EmDm7G7

C6

Jay and the Americans - Come a Little Bit Closer (1963) Transpose up Transpose down

Originally in Eb, I play in A capo 3

Vox on 1 2 3 3 3 3 on “in a little cafe”

In a Alittle cafe just the Dother side of the Aborder

She was just sitting there giving me Dlooks that made my mouth Awater

So I Dstarted walking her way, she belonged to bad man Jose

Hard stop at the end of the line

And I Eknew, yes I knew I should leave when I heard her Asay, aDy, Eay

The IV is implied here

DCome a little bit Acloser

You’re Dmy kind of Eman, so big and so Dstrong

Come a little bit Acloser

DI’m all aElone, and the night is so long ADED

So we Astarted to dance, in my Darms she felt so inAviting

That I just couldn’t resist just Done little kiss, so exAciting

Then I Dheard the guitar player say, “Vamoose, Jose’s on his way”

And I Eknew, yes I knew I should run, but I heard her Asay, aDy, Eay

DCome a little bit Acloser

You’re Dmy kind of Eman, so big and so Dstrong

Come a little bit Acloser

DI’m all aElone, and the night is so long ADED

Solo

AADEx 4

A bit quiet

Then the Amusic stopped, when I Dlooked the cafe was Aempty

Then I heard Jose say “an, you Dknow you’re in trouble Aplenty“

So I Ddropped my drink from my hand and through the window I ran

And as EI rode away I could hear her say to AJosDeE

DCome a little bit Acloser

You’re Dmy kind of Eman, so big and so Dstrong

Come a little bit Acloser

DI’m all aElone, and the night is so long ADED

With ad libs

AADEx 4

Jerry Lee Lewis - Great Balls of Fire (1957) Transpose up Transpose down

Originally in C, I play in A capo 2

Hard stops throughout this verse

AYou shake my nerves and you rattle my brain

D7Too much love drives a man insane

E7You broke my will, D7but what a thrill

AGoodness, gracious, great balls of fire

Band enters

AI laughed at love, for I thought it was funny

D7You came along and moved me honey

E7I changed my mind, D7this love is fine

AGoodness, gracious, great balls of fire

D7Kiss me baby, woooooo, Ait feels good

D7Hold me baby

Well, E7I want to love you like a lover should

E7You’re fine, so kind

E7Got to tell this world that you’re mine mine mine mine

AI chew my nails and then I twiddle my thumbs

D7I’m real nervous but it sure is fun

E7C’mon baby, D7you drive me crazy

AGoodness, gracious, great balls of fire

Solo

ADEDAx2

D7Kiss me baby, woooooo, Ait feels good

D7Hold me baby

Well, E7I want to love you like a lover should

E7You’re fine, so kind

E7Got to tell this world that you’re mine mine mine mine

AI chew my nails and then I twiddle my thumbs

D7I’m real nervous but it sure is fun

E7C’mon baby, D7you drive me crazy

AGoodness, gracious, great balls of fire

A

Johnny Cash - I Walk the Line (1956) Transpose up Transpose down

Originally starts in Bb, I play the first chord as A capo 3

Intro

ADAEB7E

Vox on the 5 of the chord on “close”

I keep a Bclose watch on this heart of Emine

I keep my Beyes wide open all the Etime

I keep the Aends out for the tie that Ebinds

Because you’re Bmine, I walk the Eline

AAAA

Vox on the 5 of the chord again, but now we’re a fourth lower

I find it Every, very easy to be Atrue

I find mysEelf, alone when each day’s Athrough

Yes, I’ll adDmit that I’m a fool for yAou

Because you’re Emine, I walk the Aline

DDDD

As sure as nAight is dark and day is Dlight

I keep you Aon my mind both day and Dnight

And happinGess I’ve known proves that it’s Dright

Because you’re Amine, I walk the Dline

A

You’ve got a Eway to keep me on your Aside

You give me Ecause for love that I can’t hAide

For you I kDnow I’d even try to turn the Atide

Because you’re Emine, I walk the Aline

E

I keep a Bclose watch on this heart of Emine

I keep my Beyes wide open all the Etime

I keep the Aends out for the tie that Ebinds

Because you’re Bmine, I walk the Eline

E

Johnny Cash - Ring of Fire (1963) Transpose up Transpose down

Intro

GCG

G/BCG

GLove, is a bCurning tGhing

And it mGakes a Dfiery Gring

GBound, by wCild desiGres

GI fell into a rDing of fGire

DI fell into a bCurning ring of Gfire

I went Ddown, down, down, and the Cflames went Ghigher

And it Gburns, burns, burns, the Cring of Gfire

The Dring of fGire

GCG

G/BCG

GCG

G/BCG

DI fell into a bCurning ring of Gfire

I went Ddown, down, down, and the Cflames went Ghigher

And it Gburns, burns, burns, the Cring of Gfire

The Dring of fGire

The Gtaste of Clove is swGeet

When Ghearts like oDurs Gmeet

GI fell for you Clike a cGhild

GOh, but the firDe went wGild

DI fell into a bCurning ring of Gfire

I went Ddown, down, down, and the Cflames went Ghigher

And it Gburns, burns, burns, the Cring of Gfire

The Dring of fGire

DI fell into a bCurning ring of Gfire

I went Ddown, down, down, and the Cflames went Ghigher

And it Gburns, burns, burns, the Cring of Gfire

The Dring of fGire

And it Gburns, burns, burns, the Cring of Gfire

The Dring of fGire

The Dring of fGire

The Dring of fGire

Lesley Gore - It's My Party (1963) Transpose up Transpose down

Originally in A, I play in A capo 2

AEDAE

AIt’s my party and I’ll Aaugcry if I want to

DCry if I want to, Dmcry if I want to

AYou F#mwould cry Bmtoo if it Ehappened to Ayou

AEDAE

Way down to the 5 of the chord on “gone”

ANobody knows where my CJohnny has gone

But AJudy left the same Dtime

FWhy was he Aholding her hand

Vox on the 1 of the chord on “he’s”, 6 on “posed”

When B7he’s supposed to be Emine

AIt’s my party and I’ll Aaugcry if I want to

DCry if I want to, Dmcry if I want to

AYou F#mwould cry Bmtoo if it Ehappened to Ayou

AEDAE

APlay all my records keep Cdancing all night

But Aleave me alone for a wDhile

FTill Johnny’s Adancing with me

I’ve B7got no reason to Esmile

AIt’s my party and I’ll Aaugcry if I want to

DCry if I want to, Dmcry if I want to

AYou F#mwould cry Bmtoo if it Ehappened to Ayou

AEDAE

Solo on chorus chords if appropriate

AJudy and Johnny just Cwalked through the door

ALike a queen with her Dking

FOh what a Abirthday surprise

B7Judy’s wearing his Ering

AIt’s my party and I’ll Aaugcry if I want to

Hanging stop on the second “cry”

DCry if I want to, Dmcry if I want to

AYou F#mwould cry Bmtoo if it Ehappened to

AYou F#mwould cry Bmtoo if it Ehappened to

AYou F#mwould cry Bmtoo if it Ehappened to Ayou

AEDA

Little Eva - The Locomotion (1962) Transpose up Transpose down

Originally around Eb, I play in E (down an octave) (obviously)

Intro

E

Vox on the 1

EEverybody’s doing a C#mbrand new dance, now

Vox on the 5

ECome on, baby, C#mdo the locomotion

I Eknow you’ll get to like it if you C#mgive it a chance now

ECome on, baby, C#mdo the locomotion

Vox on 1 2 1 2 of the chord (4 6 4 6 of the key) on “little baby”

My Alittle baby sister can F#mdo it with ease

It’s Aeasier than learning your F#ABC’s

Vox on 6 5 on “come on”

So, Ecome on, come on, Bdo the locomotion with Eme

Vox on the 6 on “swing”

EYou gotta swing your hips, now, Acome on, baby

Jump Eup, jump back, well I Bthink you’ve got the knack, whoa, oh

ENow that you can do it C#mlet’s make a chain now

ECome on, baby, C#mdo the locomotion

A Echug-a-chug-a motion like a C#mrailroad train, now

ECome on, baby, C#mdo the locomotion

ADo it nice and easy now, F#mdon’t lose control

A lAittle bit of rhythm, and a F#lot of soul

ECome on, come on, Bdo the locomotion with Eme

Sax solo

EAEB

Yeah, yeah, yeah, yeah

EMove around the floor in a C#mlocomotion

ECome on, baby, C#mdo the locomotion

EDo it holding hands, if C#myou get the notion

ECome on, baby, C#mdo the locomotion

There’s Anever been a dance that’s so F#measy to do

It Aeven makes you happy when you’re F#feeling blue

So, Ecome on, come on, Bdo the locomotion with Eme

E(Come on) You gotta swing your hips, now, (do the locomotion)

A(Come on) That’s right

You’re doin’ fEine (come on, do the locomotion)

Come on, Ababy (come on, do the locomotion) mmmm, mmm, mmm

Jump Eup, jump back (come on, do the locomotion)

You’re lookin’ Agood (come on, do the locomotion) mmm, mmm, mmm

Little Richard - Tutti Frutti (1955) Transpose up Transpose down

Originally in F, I play in A capo 2, most of the melody is on the 3

Intro, vox on the 1

Wa bop a lu mop a lop bom bom

Tutti Afrutti, oh rooty

Tutti Afrutti, oh rooty

Tutti Dfrutti, oh rooty

Tutti Afrutti, oh rooty

Tutti Efrutti, oh Drooty

Hard stop on “wa”

Ah wAa bop a lu mop a lop bom bom

I got a Agirl named Sue

She knows just what to do

I’ve got a Dgirl named Sue

She Aknows just what to do

Hard stops on the next two lines

She Arock me to the east, she Arock me to the west

But Ashe’s the girl that I love best

Tutti Afrutti, oh rooty

Tutti Afrutti, oh rooty, wooooh

Tutti Dfrutti, oh rooty

Tutti Afrutti, oh rooty

Tutti Efrutti, oh Drooty

Ah wAa bop a lu mop a lop bom bom

I gAot a girl named Daisy

She Aalmost drive me crazy

Got a Dgirl named Daisy

She Aalmost drive me crazy

She Aknows how to love me, Ayes, indeed

ABoy, you don’t know what she do to me

Tutti Afrutti, oh rooty

Tutti Afrutti, oh rooty, wooooh

Tutti Dfrutti, oh rooty

Tutti Afrutti, oh rooty

Tutti Efrutti, oh Drooty

Not exactly a hard stop, percussion plays through

AWa bop a lu mop, ow

Solo

AAAA

DDAA

ED#AA

Aaaah, tutti Afrutti, oh rooty

Tutti Afrutti, oh rooty, wooooh

Tutti Dfrutti, oh rooty

Tutti Afrutti, oh rooty

Tutti Efrutti, oh Drooty

Ah wAa bop a lu mop a lop bom bom

I gAot a girl named Daisy

She Aalmost drive me crazy

Got a Dgirl named Daisy

She Aalmost drive me crazy

She Aknows how to love me, Ayes, indeed

ABoy, you don’t know what she do to me

Tutti Afrutti, oh rooty

Tutti Afrutti, oh rooty, wooooh

Tutti Dfrutti, oh rooty

Tutti Afrutti, oh rooty

Tutti Efrutti, oh Drooty

Not exactly a hard stop, percussion plays through

Ah wAa bop a lu mop a lop bam boom

Lloyd Price - Stagger Lee (1958) Transpose up Transpose down

Lloyd Price in Eb, I play in A capo 1

Rubato

Vox on 2 2 1 on “night was clear”, 6 6 5 3 of the key on “moon was yellow”

The Anight was clear, and the F#mmoon was yellow

The I on “down” is implied, and very short

And the Dleaves came tumblin’ doAwn E7

At tempo, vox on the 3

I was Astandin’ on the A7corner

When I Dheard my bulldog bark

He was Abarkin’ at the two men

Who were E7gamblin’ in the Adark E7

It was AStagger Lee, and A7Billy

Two Dmen who gambled late

Stagger ALee threw a seven

Billy E7swore that he threw Aeight E7

Stagger ALee, told A7Billy

I can’t Dlet you go with that

You have Awon all my money

And my E7brand-new Stetson Ahat E7

Stagger ALee, went home

And he Dgot his forty-four

He said, I’m Agoin’ to the barroom

Just to E7pay that debt I Aowe

GE7o on, Stagger Lee

Solo on verse chords

AA7DAE7AE7

Stagger ALee went to the A7barroom

And he Dstood across the barroom door

He said, now Anobody move

And he E7pulled his fourty-fouAr E7

Stagger ALee, cried A7Billy

Oh, Dplease don’t take my life

I got Athree little children

And a E7very sickly Awife E7

Stagger ALee shot A7Billy

Oh, he Dshot that poor boy so bad

Till the Abullet came through Billy

And it E7broke the bartender’s Aglass

LE7ook out, Stag

Solo on verse chords, with ad libs on “go Stagger Lee”

AA7DAE7AE7

Malvina Reynolds - Little Boxes (Weeds Theme) (1962) Transpose up Transpose down

Originally in F, I play in C capo 1

Highest note is the 3

Intro, rubato

CAmFEmDmC

At tempo

C

Vox on 5 6 3 1 on “little boxes”

Little boCxes on the hillside, little boFxes made of ticCky-tacky

Vox stay on the 5 on “boxes”

Little Cboxes on the G7hillside, little Cboxes all the G7same

There’s a Cpink one, and a green one, and a Fblue one, and a yCellow one

And they’re Call made out of G7ticky-tacky, and they Call look G7just the sCame

C

And the Cpeople in the houses, all Fwent to the univeCrsity

Where Cthey were put in G7boxes, and they Ccame out all the G7same

And there’s Cdoctors, and lawyers, and Fbusiness exeCcutives

And they’re Call made out of G7ticky-tacky, and they Call look G7just the Csame

C

And they Call play on the golf course, and Fdrink their martiCnis dry

And they Call have pretty G7children, and the Cchildren go to G7school

And the Cchildren go to summer camp, and Fthen to the univeCrsity

Where Cthey are put in G7boxes, and they Ccome out G7all the sCame

C

And the Cboys go into business, and Fmarry and raise a fCamily

In Cboxes made of G7ticky-tacky, and they Call look just the G7same

There’s a Cpink one, and a green one, and a Fblue one, and a yCellow one

Slow and hold...

And they’re Call made out of G7ticky-tacky, and they Call look G7just the Csame

Back at tempo

CAmFEmDmC

Martha and the Vandellas - Dancing in the Street (1964) Transpose up Transpose down

Vandellas around Eb, Bowie and Jagger in B, I play in A

Intro

G/AAx4

G/ACallin’ Aout aG/Around the Aworld

Are you G/Aready for a Abrand new G/AbeatA

G/ASummer’s Ahere and the G/Atime is Aright

For G/Adancin’ Ain the G/Astreet

They’re Adancin’ in ChiG/Acago AG/A

Down in G/ANew OrlAeans

G/AIn ANew York G/ACityA

G/AAll we Aneed is mDusic, sweet music

DThere’ll be music everywhere

There’ll be G/Aswingin’, Aswayin’ and G/Arecords Aplaying’

G/ADancin’ Ain the G/Astreet, Aoh

C#7It doesn’t matter what you wear

Just as F#mlong as you are there

Mamas and the Papas (and Bowie/Jagger) use a II instead of a ii here... that’s a good idea!

So come on, Bmevery guy grab a girl

D/EEverywhere arEound the world

There’ll be G/Adancing A

G/AThey’re dancing Ain the stG/Areet AG/AA

This is G/Aan inviAtation acG/Aross the Anation

A G/Achance for Afolks to G/Ameet A

There’ll be G/Alaughter, Asinging and G/Amusic sAwinging

G/ADancing Ain the stG/Areet

PhilaAdelphia, G/AP.A. AG/A

BaltiAmore and D.G/AC. now A

G/ACan’t forAget the Motor G/ACity A

G/AAll we Aneed is mDusic, sweet music

DThere’ll be music everywhere

There’ll be G/Aswingin’, Aswayin’ and G/Arecords Aplaying’

G/ADancin’ Ain the G/Astreet, Aoh

C#7It doesn’t matter what you wear

Just as F#mlong as you are there

So come on, Bmevery guy grab a girl

D/EEverywhere arEound the world

They’re G/Adancing A

G/AThey’re dancing Ain the stG/Areet (dancing iAn the street)

G/AWay down Ain L. G/AA., evAerydaG/Ay (dancing)

They’re dancing Ain the stG/Areet (dancin’ Ain the street)

G/ALet’s form a Abig long G/Aline (Aget in G/Atime)

Were dancing Ain the stG/Areet (dancing Ain the street)

G/AAcross the Aocean G/Ablue (dancing Ain the street)

They’re dancing Ain the stG/Areet, yeah (dancing Ain the street)

Mary Wells - My Guy (1964) Transpose up Transpose down

Originally in Bb, I play in E

Highest note that matters is the 1 (“*tellin’* you from the start”)

Intro

EEEA6B6

With some maj6 and maj7

Vox on the 5 on “nothing”, 5 1 on “my guy”

ENothing you can say can tear me away from my guy

ENothing you could do ‘cause I’m stuck like glue, to mG#7y guy

Vox down to the 1 of the chord on “stick”

I’m F#msticking to my Bguy, like a F#mstamp to a Bletter

Hard stop after “we”

Like F#mbirds of Bfeather we, F#mstick together

I’m Etellin’ you from the C#m7start, I F#m7can’t be torn apB7art from mEy guy A6B6

ENothing you could do could make me untrue, to my guy

ENothing you could buy could make me tell a lie, to G#7my guy

I F#mgave my Bguy my, F#mword of Bhonor

F#mTo be Bfaithful, F#mand I’m gonna

You Ebest be belC#m7ieving I woF#m7n’t be deceiB7ving mEy guy A6B6

Bridge

As a F#mmatter of opBinion, I tF#mhink he’s tBops

F#mMy opinion Bis, he’s the Ecream of the crop

As a C#mmatter of G#mtaste, to C#mbe exaG#mct

F#7He’s my ideal, as a B7matter of fact

No Emuscle bound man could take my hand, from my guy

No Ehandsome face could ever take the place of G#7my guy

He F#mmay not Bbe a F#mmovie Bstar

But when it F#mcomes to being Bhappy, F#mwe are

There’s not a Eman todC#m7ay, who could F#m7take me awaBy from myEguy A6B6

Repeat intro

EEEA6B6

No Emuscle bound man could take my hand, from my guy

No Ehandsome face could ever take the place of G#7my guy

He F#mmay not Bbe a F#mmovie Bstar

But when it F#mcomes to being Bhappy, F#mwe are

There’s not a Eman todC#m7ay, who could F#m7take me awaBy from myEguy

A6What’cha B6say

There’s not a Eman todEay, who can F#m7take me awaBy from myEguy

A6Tell me mB6ore

There’s not a Eman todEay, who can F#m7take me awaBy from myEguy

Maurice Williams - Stay (1960) Transpose up Transpose down

Maurice Williams in Bb, Four Seasons in Bb, Hollies in A (and insanely fast), Jackson Browne in G

I play in G

There is a separate entry for the Jackson Browne version

GEmCD

GStay, EmCjust a Dlittle bit

GLonger EmCD

GPlease, Emplease, please, Cplease, Dtell me that you’re

GGoing to EmCD

Now your Gdaddy don’t Emmind CD

And you Gmommy don’t Emmind CD

If we Ghave another danceEm, yCeah just a oDne more

Hang this chord

EmOne more time

Oh, won’t you Gstay, EmCjust a Dlittle bit

GLonger, EmCplease Dlet me

GHear, EmCyou Dsay you wiGll

Cmaj7Say yAm7ou wiGll

B7Won’t you place your sweet lips to mEmi-i-i-i-i-i-i-ine

Hard stops on the V’s

AWon’t you say you love me, DDall of the time

GStay, EmCjust a Dlittle bit

GLonger EmCD

GPlease, Emplease, please, Cplease, Dtell me you’re

GGoing to, EmCcome on, come oDn, come on and

GStay, EmCcome on, come oDn, come on

GStay, EmCcome on, come oDn, come on

GStay

Mickey and Sylvia - Love is Strange (1956) Transpose up Transpose down

Originally in C, I play in G if I’m alone, duet in C

Intro

GGCDx3

G

Sylvia on 5 3 on “love”, Mickey on 1 5

GLove (hmm mCm)

Love is Gstrange (yeah Cyeah)

Lot of Gpeople (hmm mCm)

Take for a Ggame CD

Once you Gget it (hmm mCm)

You never wanna Gquit (no Cno)

After you’ve Ghad it (yeah Cyeah)

You’re in an awful Gfix CD

Many Gpeople (hmm mCm)

Don’t underGstand (no Cno)

They think Gloving (yeah Cyeah)

Is money in the Ghand CD

Your sweet Gloving (hmm mCm)

Is better than a Gkiss (yeah Cyeah)

When you Gleave me (hmm mCm)

Sweet kisses I Gmiss CD

Solo

GGCDx3

G

GGCDx3

G

Spoken

GSylvia? CYes, MDickey

GHow do you call your lover boy? CCome here Dlover boy

GAnd if he doesn’t answer? COh loDver boy

GAnd if he still doesn’t answer? CI simply Dsay

GBaby, Coh Gbaby C

Hard stop on “one”

My sweet Gbaby, Cyou’re the Gone

GBaby (hmm mCm), oh baGby (yeah yeCah)

Hard stop on “one”

My sweet Gbaby (hmm mCm), you’re the onGe

GGCDx3

G

Misc - Gilligan's Island Theme (1964) Transpose up Transpose down

Originally starts in Dm, I play in Bm capo 3

Just Bmsit right back and you’ll Ahear tale, a Bmtale of a fateful Atrip

That Bmstarted from this Atropic port, aGboard this Atiny Bmship

The mCmate was a mighty A#sailin’ man, the Cmskipper brave and A#sure

Five Cmpassengers set A#sail that day for a G#three A#hour Cmtour

A G#three A#hour Cmtour

Pause for lightning sounds...

The C#mweather started Bgetting rough, the C#mtiny ship was Btossed

If C#mnot for the courage of the Bfearless crew, the AMinnow Bwould be C#mlost

The AMinnow Bwould be C#mlost

The Dmship set ground on the Cshore of this unchDmarted desert Cisle

With DmGilligan, the Cskipper too, the Dmmillionaire and his Cwife

In early seasons, this just said “the movie star, and the rest”

The Dmmovie Cstar, the Dmprofessor and CMary Ann, Dmhere on CGilligan’s Dmisle

This was the outro in most seasons

Now, Bmthis is a tale of our Acastaways, they’re Bmhere for a long, long Atime

They’ll Bmhave to make the Abest of things, Git’s an Auphill Bmclimb

The Cmfirst mate and his A#skipper too will Cmdo their very A#best

To Cmmake the others A#comfortable in the G#tropic A#island Cmnest

No C#mphones, no lights, no Bmotorcars, not a C#msingle luxBury

Like C#mRobinson Cah-rBu-soe, it’s pArimitive Bas can C#mbe

So Dmjoin us here each Cweek my friend, you’re Dmsure to get a Csmile

From Dmseven stranded Ccastaways, Ahere on Gilligan’s Dmisle

Neil Sedaka - Breaking Up Is Hard to Do (1962) Transpose up Transpose down

Originally in B, I play in D capo 3

Do do do

DDown dooby Bmdoo down Gdown, Acomma comma

DDown dooby Bmdoo down Gdown, Acomma comma

DDown dooby Bmdoo down Gdown

ABreaking up is Dhard Gto Ddo

Don’t take your DlovBme aGway from Ame

DDon’t you Bmleave my heart in GmiseAry

DIf you D/C#go then BmI’ll be blue

Vox on the 2 of the chord on “breaking”

‘Cause Ebreaking up is hard to Ado

Re-mem-ber DwheBmn you Gheld me Atight

DAnd you Bmkissed me Gall through the Anight

DThink of D/C#all that Bmwe’ve been through

And Ebreaking up is Ahard to Ddo

Vox stay on the 1 for “they say”, and on “break”,

it goes to the b3

They say that breaking Dmup G7is Dmhard to G7do

CNow I Cmaj7know I C6know that it’s Cmaj7true

CmDon’t F7say that Cmthis is the F7end

InA#stead of breaking up I wish that

A7We were making up again

I beg of DyouBm

GDon’t say goodAbye

DCan’t we Bmgive our love aGnother Atry?

DCome on D/C#baby, let’s Bmstart anew

‘Cause Ebreaking up is Ahard to Ddo

Girls sing the first and third lines this time

They say that breaking Dmup G7is Dmhard to G7do

CNow I Cmaj7know I C6know that it’s Cmaj7true

CmDon’t F7say that Cmthis is the F7end

InA#stead of breaking up I wish that

A7We were making up again

I beg of DyouBm

GDon’t say goodAbye

DCan’t we Bmgive our love aGnother Atry?

DCome on D/C#baby, let’s Bmstart anew

‘Cause Ebreaking up is Ahard to Ddo

Fade

DDown dooby Bmdoo down Gdown, Acomma comma

DDown dooby Bmdoo down Gdown, Acomma comma

DDown dooby Bmdoo down Gdown

Nina Simone - Feeling Good (1965) Transpose up Transpose down

Nina Simone in Gm, Michael Bublé in Ebm, I play in Em and drop all the gymnastic at the end

I follow the Michael Bublé arrangement, except that I don’t do the key change

Let ring, rubato

EmBirds flying Em7/Dhigh Cmaj7you know how I feEm/Bel B7

EmSun in the skEm7/Dy Cmaj7you know how I fEm/Beel B7

EmReeds driftin’ on bEm7/Dy C#m7b5you know how I Cmaj7feel

Chords ring after each line

It’s a new dawn Cmaj7

It’s a new day Am11

It’s a new life F#m7b5

B7For me

And I’m feeling good

At tempo

EmEm7/DCmaj7I’m B7

EmFeeling good Em7/DCmaj7B7

EmFish in the Em7/Dsea Cmaj7you know how I feelB7

EmRiver running Em7/Dfree Cmaj7you know how I feelB7

EmBlossom oEm7/Dn the tree C#m7b5you know how I feCmaj7el

It’s a nEm/Bew dawn

It’s a nAm7ew day

It’s a nAm7/Gew life F#m7b5

Hard stop on the V#5

For me AmB7#5

Not what you think happens here... James Bond chords, not the descending pattern from the first verse

And I’m fEmeeling good Em(#5)Em6Em(#5)

EmDragonfly oEm7/Dut in the sun

Cmaj7You know what I meB7an, don’t you know

EmButterflies aEm7/Dll havin’ fun

Cmaj7You know what I mB7ean

EmSleep in Em7/Dpeace when day is done C#m7b5

That’s what I meCmaj7an

Faster chord changes here

And this oEmld world Em/D

Is a nAm7/Cew world Am7/E

And a bAm7/Gold world F#m7b5

For Emme Em7/DCmaj7B7

The Michael Bublé version changes key up a whole step here

EmStars Em7/Dwhen you shine, Cmaj7you know how I feB7el

EmScent of the Em7/Dpine, Cmaj7you know how I feB7el

EmOh freedom is Em7/Dmine and I knC#m7b5ow how I feCmaj7el

It’s a nEmew dawn

It’s a nEm7/Dew day

It’s a nC#m7b5ew life Cmaj7

It’s a nEmew dawn

It’s a nEm7/Dew day

It’s a nC#m7b5ew life Cmaj7

It’s a nEmew dawn

It’s a nEm7/Dew day

It’s a nC#m7b5ew life Cmaj7

For mCmaj7e B7#5

And I’m feeling

EmGood Em7/DCmaj7B7

Em

Patsy Cline - Crazy (1962) Transpose up Transpose down

Originally in Bb, I play in E

EEA6A6Amaj7G#m7F#m7B7

Vox on 3 5 on “crazy”, 1 3 5 1 b7 of the chord on “crazy for feeling”

Play the bVII in the same voicing as you’re going to play the VI

ECrazy, EDI’m C#7crazy for feeling F#mso lonely F#mM7F#m7

Vox on 9 3 of the chord on “crazy”, which starts where “lonely” was

1 3 5 4 (up an octave) 9 of the chord on “crazy for feeling”

I’m Bcrazy, crazy for Gdim7feeling so Eblue Fdim7F#m7B7

EI knew EDyou’d lC#7ove me as long as you F#mwanted F#mM7F#m7

Vox on 9 3 of the chord on “someday”, 7 of the chord on “somebody”

And then Bsomeday you’d leave me for sB7omebody Enew F#m7Gdim7G#dim7

Vox on 5 3 of the chord on “worry”

AWorry, why do I let myself Eworry? Fdim7

Vox on “wond’ring” the same as “worry”

F#7Wond’ring what in the world did I Bdo? B7

ECrazy EDfor C#7thinking that my love F#mcould hold you F#mM7F#m7

I’m Amaj7crazy for G#m7trying and F#m7crazy for Fdim7crying

And I’m F#m7crazy for B7loving you EB9

Originally changes key here up a half-step, I just repeat

ECrazy EDfor C#7thinking that my love F#mcould hold you F#mM7F#m7

I’m Amaj7crazy for G#m7trying and F#m7crazy for Fdim7crying

And I’m F#m7crazy for B7loving you E

Paul Simon - Kathy's Song (1964) Transpose up Transpose down

Originally in G tuned down to F#, I play in G

Intro

GGGC/Gx4

GI hear the C/Gdrizzle of the Grain

AmLike a Am/GmemoCry iG/Bt Bm/F#falls

GSoft and Bm/F#warm contGinuCing

AmTapping Asus2/Gon my Droof and Gwalls

GC/Gx4

GAnd from the C/Gshelter of my Gmind

AmThrough the Am/Gwindow Cof mG/By Bm/F#eyes

I Ggaze beBm/F#yond the Grain-drenched Cstreets

Not a typo, this line is shorter than it is in all the other verses, and the vi/5 is gone

To EAmngland, Dwhere my hGeart lies

GC/Gx4

D11D11

GC/Gx4

GMy mind’s disC/Gtracted and diffuGsed

AmMy thoughts are mAm/Gany Cmiles G/BaBm/F#way

They lGie with Bm/F#you when Gyou’re aCsleep

And kAmiss you Asus2/Gwhen you Dstart your Gday

GC/Gx4

And a sGong I was C/Gwriting is left unGdone

AmI don’t know Am/Gwhy I Cspend mG/By Bm/F#time

GWriting Bm/F#songs I Gcan’t beClieve

With wAmords that Asus2/Gtear and Dstrain to Grhyme

GC/Gx4

D11D11

GC/Gx4

GAnd so you C/Gsee, I have come to Gdoubt

AmAll that Am/GI once Cheld aG/Bs Bm/F#true

GI stand aBm/F#lone withGout beCliefs

The oAmnly Asus2/Gtruth I Dknow is Gyou

GC/Gx4

GAnd as I C/Gwatch the drops of Grain

AmWeave their Am/Gweary Cpaths aG/Bnd Bm/F#die

I Gknow that Bm/F#I am Glike the Crain

AmThere but fAsus2/Gor the grace of Dyou go GI

GC/Gx4

Optionally play an instrumental verse

G

Peter, Paul, and Mary - If I Had a Hammer (1962) Transpose up Transpose down

Originally in A, I play in D, highest note is the 1

DF#mGAx2

If I had a DhaF#mmmerGA

I’d hammer in the DmoF#mrninGg A

I’d hammer in the DevF#meninGg

All over this Aland

I’d hammer out Ddanger

I’d hammer out a Bmwarning

I’d hammer out Glove beDtween

GMy brothers and my DsistersGD

AAll over this lDanF#md GA

DOoh F#mGA

If I had a Dbell F#mGA

I’d ring it in the DmoF#mrninGg A

I’d ring it in the DevF#meninGg

All over this Aland

I’d ring out Ddanger

I’d ring out a Bmwarning

I’d ring out Glove beDtween

GMy brothers and my DsistersGD

AAll over this lDanF#md GA

DOoh F#mGA

If I had a Dsong F#mGA

I’d sing it in the DmoF#mrninGg Amorning

I’d sing it in the DevF#meninGg

All over this Aland

I’d sing out Ddanger

I’d sing out a Bmwarning

I’d sing out Glove beDtween

GMy brothers and my DsistersGD

AAll over this lDanF#md GA

DOoh F#mGA

Well I’ve got a DhaF#mmmerGA

And I’ve got a Dbell F#mGA

And I’ve got a Dsong F#mto Gsing

All over this Aland

It’s a hammer of Djustice

It’s a bell of Bmfreedom

It’s a song about Glove beDtween

GMy brothers and my DsistersGD

AAll over this lDanF#md G

It’s the Ahammer of Djustice

It’s a bell of Bmfreedom

It’s a song about Glove beDtween

GMy brothers and my DsistersGD

All over this BmlanAd D

Peter, Paul, and Mary - Puff, the Magic Dragon (1963) Transpose up Transpose down

GGBm7Bm7CCGG

CCGEmADGD

GPuff the magic Bm7dragon lCived by the Gsea

And Cfrolicked in the Gautumn Emmist

In a Aland called HonaDlee

GLittle Jackie Bm7Paper Cloved that rascal GPuff

And Cbrought him strings and Gsealing Emwax

And Aother Dfancy Gstuff DOh

TogetGher they would Bm7travel on boaCt with billowed Gsail

CJackie kept a lookoutGEmperched on APuff’s gigantic tailD

GNoble kings and Bm7princes would Cbow whene’er they cameG

CPirate ships would Glower their Emflags

When APuff roared outDhis Gname D

GPuff the magic Bm7dragon lCived by the Gsea

And Cfrolicked in the Gautumn Emmist

In a Aland called HonaDlee

GPuff the magic Bm7dragon lCived by the Gsea

And Cfrolicked in the Gautumn Emmistn

In a Aland called DHonaGlee D

A draGgon lives forBm7ever, but Cnot so little boysG

CPainted wings and Ggiant’s Emrings make Away for other Dtoys

GOne grey night it Bm7happened, Jackie CPaper came no moreG

And PufCf that mighty Gdragon, Emhe ceaAsed his Dfearless GroarD

His heaGd was bent in Bm7sorrow, greCen scales fell like rainG

CPuff no longer Gwent to Emplay alAong the cherry Dlane

WithGout his lifelong Bm7friend, PCuff could not be braveG

So, PufCf that mighty Gdragon

EmSadly Aslipped inDto his Gcave, butD

GPuff the magic Bm7dragon lCives by the Gsea

And Cfrolicks in the Gautumn Emmist

In a Aland called HonaDlee

GPuff the magic Bm7dragon lCives by the Gsea

And Cfrolicks in the Gautumn Emmist

In a Aland called DHonaGlee

Peter, Paul, and Mary - This Land is Your Land (1962) Transpose up Transpose down

PPM play this in A, I play in G capo 1

G

This land is Cyour land, this land is Gmy land

From CalifD7ornia to the New York Gisland

From the redwood fCorests to the Gulf Stream GwatEmers

D7This land was made for you and Gme

As I was Cwalking that ribbon of Ghighway

I saw abD7ove me, that endless Gskyway

I saw belCow me, the golden GvalleyEm

D7This land was made for you and Gme

This land is Cyour land, this land is Gmy land

From CalifD7ornia to the New York Gisland

From the redwood fCorests to the Gulf Stream GwatEmers

D7This land was made for you and Gme

I roamed and Crambled, and followed my Gfootsteps

Through the sparkling D7sands of her diamond Gdeserts

And all arCound me this voice kept GsayingEm

D7This land was made for you and Gme

This land is Cyour land, this land is Gmy land

From CalifD7ornia to the New York Gisland

From the redwood fCorests to the Gulf Stream GwatEmers

D7This land was made for you and Gme

As the sun was Cshining, and I was Gstrolling

Through the wheat fields D7waving and the dust clouds Grolling

I could feel inD7side me and see all arGound meEm

D7This land was made for you and Gme

This land is Cyour land, this land is Gmy land

From CalifD7ornia to the New York Gisland

From the redwood fCorests to the Gulf Stream GwatEmers

D7This land was made for you and Gme

Peter, Paul, and Mary - Where Have All the Flowers Gone (1962) Transpose up Transpose down

Originally in Bb, I play in C

Intro

CAmCAm

CWhere have all the fAmlowers gone?

FLong time Gpassing

CWhere have all the fAmlowers gone?

Dm7Long time agGo

CWhere have all the fAmlowers gone?

FYoung girls have picked them Gevery one

FOh, when will tChey ever learn?

FOh, when will tGhey ever Clearn?

CAm

CWhere have all the yAmoung girls gone?

FLong time Gpassing

CWhere have all the yAmoung girls gone?

Dm7Long time Gago

CWhere have all the yAmoung girls gone?

FGone for husbands Gevery one

FOh, when will tChey ever learn?

FOh, when will tChey ever lCearn?

CAm

CWhere have all the husAmbands gone?

FLong time Gpassing

CWhere have all the Amhusbands gone?

Dm7Long time Gago

CWhere have all the husAmbands men gone?

FGone for soldiers Gevery one

FOh, when will tChey ever learn?

FOh, when will tChey ever lCearn?

CAm

CWhere have all the Amsoldiers gone?

FLong time Gpassing

CWhere have all the Amsoldiers gone?

Dm7Long time Gago

CWhere have all the Amsoldiers gone?

FGone to graveyards Gevery one

FOh, when will tChey ever learn?

FOh, when will tChey ever lCearn?

Not a typo, there’s no I → vi before this verse

CWhere have all the Amgraveyards gone?

FLong time Gpassing

CWhere have all the Amgraveyards gone?

Dm7Long time Gago

CWhere have all the Amgraveyards gone?

FGone to flowers Gevery one

FOh, when will tChey ever learn?

FOh, when will tChey ever lCearn?

CAm

CWhere have all the fAmlowers gone?

FLong time Gpassing

CWhere have all the fAmlowers gone?

Dm7Long time agGo

CWhere have all the fAmlowers gone?

FYoung girls have picked them Gevery one

FOh, when will tChey ever learn?

FOh, when will tGhey ever Clearn?

CAmC

Petula Clark - Downtown (1964) Transpose up Transpose down

AAD/AE/Ax2

In A, play this E/A in open position

AWhen you’re aE/Alone

And life is D/Amaking you E/Alonely

In A, play the C#m with open B and E

You can Aalways C#m7go DdowntEown

AWhen you’ve got E/Aworries

All the D/Anoise and the E/Ahurry

Seems to Ahelp, I C#m7know, DdownEtown

Just Alisten to the music of the F#mtraffic in the city

ALinger on the sidewalk where the F#mneon signs are pretty

C#m7How can you lose?

Chords follow vocal rhythm

DDThe E/Dlights Dare E/Dmuch DbrighE/Dter Dthere

E/DYou Dcan forF#mget all your Btroubles, forget all your cares and go

ADownAmaj7town, Bm7/Ethings’ll be great when you’re

ADownAmaj7town, Bm7/Eno finer place for sure

Hang on “everything”

ADownAmaj7town, Bm7/Eeverything’s waiting for you

AG/AAG/A

ADownG/Atown AG/A

ADon’t hang aE/Around

And let your D/Aproblems surE/Around you

There are Amovie C#m7shows DdownEtown

AMaybe you E/Aknow

Some little D/Aplaces to E/Ago to

Where they Anever C#m7close DdownEtown

Just Alisten to the rhythm of a F#mgentle bossanova

AYou’ll be dancing with ‘em too F#mbefore the night is over

C#m7Happy again

DDThe E/Dlights Dare E/Dmuch DbrighE/Dter Dthere

E/DYou Dcan forF#mget all your Btroubles, forget all your cares and go

ADownAmaj7town, Bm7/Ewhere all the lights are bright

ADownAmaj7town, Bm7/Ewaiting for you tonight

ADownAmaj7town, Bm7/Eyou’re gonna be alright now

AG/AAG/A

ADownG/Atown AG/A

Possible solo on verse chords, in the youtube arrangement I’m following

this sounds great without a lead guitar.

And Ayou may find somebody kind to F#mhelp and understand you

ASomeone who is just like you and F#mneeds a gentle hand to

C#m7Guide them along

DDSo E/DmayDbe E/DI’ll Dsee E/Dyou Dthere

E/DWe Dcan forF#mget all our Btroubles, forget all your cares and go

ADownAmaj7town, Bm7/Ethings’ll be great when you’re

ADownAmaj7town, Bm7/Edon’t wait a minute more

ADownAmaj7town, Bm7/Eeverything’s waiting for you

AG/AAG/A

ADownG/Atown AG/A

Ray Charles - Hit the Road Jack (1961) Transpose up Transpose down

Originally in Abm, I play in Em capo 2

More faithful version of the chords

Em6Em/DC7B9

More practical version of the chords, mix and match to taste

EmDCB7

Hit the Emroad DJack and Cdon’t you come B7back

No mEmore, no mDore, no mCore, no mB7ore

Hit the Emroad DJack and Cdon’t you come B7back no Emmore D(CWhat you sB7ay?)

Hit the Emroad DJack and Cdon’t you come B7back

No mEmore, no mDore, no mCore, no mB7ore

Hit the Emroad DJack and Cdon’t you come B7back no Emmore DCB7

Oh Emwoman, oh Dwoman, don’t Ctreat me so B7mean

You’re the Emmeanest old Dwoman that I’ve Cever B7seen

I Emguess if Dyou say Cso B7

Ah then I’ll Emhave to pack my Dthings and Cgo (That’s B7right)

Hit the Emroad DJack and Cdon’t you come B7back

No mEmore, no mDore, no mCore, no mB7ore

Hit the Emroad DJack and Cdon’t you come B7back no Emmore D(CWhat you sB7ay?)

Hit the Emroad DJack and Cdon’t you come B7back

No mEmore, no mDore, no mCore, no mB7ore

Hit the Emroad DJack and Cdon’t you come B7back no Emmore DCB7

Now bEmaby, listen baDby, don’t ya tCreat me this-a B7way

For I’Emll be Dback on my feCet some daB7y

(Don’t cEmare if you Ddo ‘cause it’s CunderstB7ood

You ain’t Emgot no monDey you juCst ain’t no gB7ood

Well, I gEmuess if yDou say Cso B7

Ah then I’d hEmave to pack my Dthings and Cgo (That’s B7right)

Hit the Emroad DJack and Cdon’t you come B7back

No mEmore, no mDore, no mCore, no mB7ore

Hit the Emroad DJack and Cdon’t you come B7back no Emmore D(CWhat you sB7ay?)

Hit the Emroad DJack and Cdon’t you come B7back

No mEmore, no mDore, no mCore, no mB7ore

Hit the Emroad DJack and Cdon’t you come B7back no Emmore DCB7

With “Don’t you come back no more”

You must be joking

What you trying to do to me?

Can’t we talk it over?

I thought we had a better understanding

Aw, baby don’t be so chilly

You don’t wanna see me cry

Oh, baby please, it isn’t fair

And Cdon’t you come B7back no Emmore DCB7

Ricky Nelson - Hello Mary Lou (1961) Transpose up Transpose down

Intro

A

HelAlo Mary Lou, Dgoodbye heart

Sweet AMary Lou I’m so in love with Eyou

I Aknew Mary Lou, C#7we’d never F#mpart

So helB7lo Mary ELou, goodbye Aheart

She Apassed me by one sunny day

DFlashed those big brown eyes my way

And oAoh I wanted you forever Emore

Now AI’m not one that gets around

DSwear my feet stuck to the ground

And Athough I never dEid meet you beAfore

I said Ahello Mary Lou, Dgoodbye heart

Sweet AMary Lou I’m so in love with Eyou

I Aknew Mary Lou, C#7we’d never F#mpart

So helB7lo Mary ELou, goodbye Aheart

I Asaw your lips I heard your voice

BeDlieve me I just had no choice

Wild hAorses couldn’t make me stay aEway

I Athought about a moonlit night

DArms around you good and tight

That’s Aall I had to Esee for me to Asay

Hey hey Ahello Mary Lou, Dgoodbye heart

Sweet AMary Lou I’m so in love with Eyou

I Aknew Mary Lou, C#7we’d never F#mpart

So helB7lo Mary ELou, goodbye Aheart

So helB7lo Mary ELou, goodbye Aheart

Yes helB7lo Mary ELou, goodbye Aheart DAEA

Ricky Nelson - Travelin' Man (1961) Transpose up Transpose down

DBmx2

I’m a Dtravelin’ man, I’ve Bmmade a lot of stops

DAll over the Bmworld

Yes, of course you can tack a iv at the end of this line

And in Devery pD7ort I Gown the heart

Of at Dleast one Alovely Dgirl A7

I’ve a Dpretty Senorita, Bmwaiting for me

DDown in old MexiBmco

If you’re Dever in AlaD7ska, Gstop and see

My Dcute little AEskiDmo D7

Oh, my Gsweet Fraulein down in F#mBerlin town

GMakes my heart start to Dyearn

And my GChina doll down in F#mold Hong Kong

EWaits for my reA7turn

Pretty DPolynesian baby Bmover the sea

DI remember the Bmnight

When we Dwalked in the sD7ands ofGWaikiki

And I hDeld you Aoh so Dtight A7

Solo on verse chords

DBmDBm

DD7GG

DADD7

Oh, my Gsweet Fraulein down in F#mBerlin town

GMakes my heart start to Dyearn

And my GChina doll down in F#mold Hong Kong

EWaits for my reA7turn

Pretty DPolynesian baby Bmover the sea

DI remember the Bmnight

When we Dwalked in the sD7ands ofGWaikiki

And I hDeld you Aoh so Dtight A7

DLord, I’m a Bmtravelin’ man

DYes, I’m a Bmtravelin’ man

DYes, I’m a Bmtravelin’ man

DLord, I’m a Bmtravelin’ man

DMmmm, Bmmmmm

DAD

Ritchie Valens - Come On Let's Go (1958) Transpose up Transpose down

Originally in A, I play in G

Intro

GCDx3

Hard stop

G

Well come on let’s Ggo, let’s go, let’s Cgo little Ddarlin’

GNow tell me Cthat you’ll never Dleave me

GCome on, come onClet’s Dgo Gagain, again, and Cagain D

Well, now Gswing me, swing me, swing me Call the way Ddown there

GCome on let’s Cgo little Ddarlin’

GLet’s go, let’s gCo agDain once Gmore CG

Well, CI love you Gso yeah, Dand I’ll never Glet you go

CCome on Gbaby so

Hard stop

DOh pretty baby I love you so, let’s

GGo let’s go let’s Cgo little Dsweetheart

GNow that we can Calways be Dtogether

GCome on, come Con let’s gDo agaGin CG

Solo

GCDx3

G

CCGGCCDD

CI love you Gso yeah, Dand I’ll never Glet you go

CCome on Gbaby so

DOh pretty baby I love you so

Let’s gGo let’s go let’s gCo little dDarlin’

GWe’ll dance a Cwee bit lDonger

GCome on, come Con let’s Dgo agGain again and Cagain and Dagain

AgGain again and Cagain and Dagain

AgGain again and Cagain and Dagain

G

Ritchie Valens - Donna (1958) Transpose up Transpose down

Originally in F, I play in C capo 2

COh Donna, Foh GDonna

COh Donna, Foh GDonna

CI had girl, FDonna was her Gname

CSince she left me, I’ve Fnever been the Gsame

‘Cause I Clove my girl, FDonna Gwhere can you Cbe?

FWhere can you Gbe?

CNow that you’re gone, I’m Fleft all Galone

CAll by myself, to Fwander and Groam

Vox on the 1 this time on “be”

‘Cause I Clove my girl, FDonna Gwhere can you Cbe?

FWhere can you Cbe? C7

Vox on the 3 of the chord on “darling”

Well darlFing now that you’re gone I don’t kCnow what I’ll do

Oh Ftime had all my love, for Gyou

CI had girl, FDonna was herGname

CSince she left me, I’ve Fnever been the Gsame

‘Cause I Clove my girl, FDonna Gwhere can you Cbe?

FWhere can you Gbe?

COh Donna, Foh GDonna

COh Donna, Foh GDonna

C6

Ritchie Valens - We Belong Together (1958) Transpose up Transpose down

FDmGmC

Vox on the 5

You’re Fmine DmGm

And we beClong toFgether DmGm

Yes we beClong toFgether DmGm

For eCternFity DmGmC

You’re Fmine DmGm

Your lips beloCng to Fme DmGm

Yes they beClong to Fonly me DmGm

For eteCrnityFBbFF7

Vox on the 3 of the chord

You’re Bbmine, my Bbmbaby

And Fyou’ll always be

I Bbswear by everythBbming I own

You’ll G7always, always be Cmine

You’re Fmine DmGm

And we beClong toFgether DmGm

Yes we beClong toFgether DmGm

For eCternitFy BbF

Roy Orbison - Oh Pretty Woman (1964) Transpose up Transpose down

Originally in A, I play in E capo 1

Intro

B

Pretty Ewoman, walking C#mdown the street

Pretty Ewoman, the kind I’d C#mlike to meet

Pretty Awoman, I don’t beBlieve you, you’re not the truth

No one could look as good as you

B7Mercy

Pretty Ewoman, won’t you C#mpardon me

Pretty Ewoman, I couldn’t C#mhelp but see

Pretty Awoman

That you look Blovely as can be

Are you lonely just like me?

B7Rrrowrr

AmPretty woman, Dstop a while

GPretty woman, Emtalk a while

AmPretty woman Dgive your smile to Gme

AmPretty woman, Dyeah yeah yeah

GPretty woman Emlook my way

AmPretty woman Dsay you’ll stay with Gme E

Down to the 1 of the chord on “need”

‘Cause I C#mneed you, AI’ll treat you Bright

ECome with me C#mbaby, Abe mine toBnight B7

Pretty Ewoman, don’t C#mwalk on by

Pretty Ewoman, don’t C#mmake me cry

Pretty Awoman, don’t Bwalk away, B7hey

OBK, if that’s the way it must be, OK

I guess I’ll go on home, it’s late

There’ll be tomorrow night, but wait

What do I see?

Is she walking back to me?

Yes, she’s walking back to me

Oh, oh, pretty Ewoman

Sam Cooke - Another Saturday Night (1964) Transpose up Transpose down

Originally in A, I play in E capo 1

Another ESaturday night and I Aain’t got nobody

EI got some money ‘cause I jBust got paid

Now Ehow I wish I had sAomeone to talk to

BI’m in Aawful Eway, get this

EI got in town a Bmonth ago

I Eseen a lotta girls since Athen

If I could Emeet ‘em I could get ‘em but as Ayet I haven’t met ‘em

That’s Bwhy I’m in the Ashape I’m Ein

Here another ESaturday night and I Aain’t got nobody

EI got some money ‘cause I Bjust got paid

Now Ehow I wish I had Asomeone to talk to

BI’m in Aawful Eway

Now, Eanother fella Btold me he had a Esister who looked just Afine

Instead of Ebeing my deliverance, she hAad a strange resemblance

To a Bcat named AFrankenEstein

Here another ESaturday night and I Aain’t got nobody

EI got some money ‘cause I Bjust got paid

Now Ehow I wish I had Asome chick to talk to

BI’m in Aawful Eway, yeah

Solo on verse chords, with spoken verse...

Here it is another weekend, and I ain’t got nobody

Man if I was back home, I’d be swingin’, two chicks on my arm

Aw, yeah, listen to me, uh

EIt’s hard on a Bfella, when hEe don’t know his way aAround

If I don’t Efind me a honey to hAelp me spend my money

I’m Bgonna have to Ablow this Etown

Here it’s another ESaturday night and I Aain’t got nobody

EI got some money ‘cause I Bjust got paid

Now Ehow I wish I had Asome chick to talk to

BI’m in Aawful, Eeverybody sing

Another ESaturday night and I Aain’t got nobody

EI got some money ‘cause I Bjust got paid

Now Ehow I wish I had Asomeone to talk to

BI’m in Aawful, Eone more time

Another ESaturday night and I Aain’t got nobody

EI got some money ‘cause I Bjust got paid

Now Ehow I wish I had Asome chick to talk to

BI’m in Aawful, Eway

Sam Cooke - Cupid (1961) Transpose up Transpose down

Originally in G, I play in E

I like to strum the chorus but play the verse in a reggae style

EC#mEC#m

ECupid, C#mdraw back your bow

EAnd let, Ayour arrow go

EStraight to my B7lover’s heart for Eme, noB7body but me

ECupid, C#mplease hear my cry

EAnd let Ayour arrow fly

EStraight to my B7lover’s heart for Ame E

Now, EI don’t mean to bother you, but B7I’m in distress

There’s B7danger of me losin’ all of Emy happiness

EFor I love a girl who doesn’t Aknow I exist

AAnd B7this you can Efix, so

ECupid, C#mdraw back your bow

EAnd let, Ayour arrow go

EStraight to my B7lover’s heart for Eme, noB7body but me

ECupid, C#mplease hear my cry

EAnd let Ayour arrow fly

EStraight to my B7lover’s heart for Ame E

Now, Ecupid, if your arrow make her B7love strong for me

I B7promise I will love her until Eeternity

I Eknow, between the two of us, her Aheart we can steal

AHelp B7me if you Ewill, so

ECupid, C#mdraw back your bow

EAnd let Ayour arrow go

EStraight to my B7lover’s heart for Eme, noB7body but me

ECupid, C#mplease hear my cry

EAnd let Ayour arrow fly

EStraight to my B7lover’s heart for Ame E

ECupid, don’t you C#mhear me

ECalling I C#mneed you

ECupid C#mE

Sam Cooke - Having a Party (1962) Transpose up Transpose down

Originally in Bb, I play in G, highest note is the 6

Intro

GG

GWe’re havin’ a party, Emdancing to the music

GPlayed by the D.J., Emon the radio

GThe Coke’s are in the icebox, Empopcorn’s on the table

GMe and my Cbaby, we’re out here on the Gfloor

So Gmister, mister D.J., Emkeep those, records playin’

‘Cause I’m-a-Ghavin’, such a Cgood time, Ddancin’ with my Gbaby

GEverybody’s swingin’, EmSally’s doing that Twist now

GIf you take requests I’ve, Emgot a few for you

GPlay that song called “Soul Twist”, Emplay that one called “I Know”

GDon’t forget “The CMashed Potatoes“, no other songs will dGo

Let me tell you Gmister, mister D.J., Emkeep those, records playin’

‘Cause I’m-a-Ghavin’, such a Cgood time, Ddancin’ with my Gbaby

Havin’ a Gparty, everybody’s Emswingin’, oh we’re

Dancin’ to the Gmusic, yeah, on the radiEmo, oh we’re

Havin’ a Gparty, man, everybody’s Emswingin’

We’re dancin’ to the Gmusic, yeah C, on the radiCo, tell ‘em one more tGime we are

Havin’ a Gparty, Gyeah and, everybody’s Emswingin’, oh we’re

Dancin’ to the Gmusic, yeah, on the radiEmo, Emtell you we’re

Havin’ a Gparty

Sam Cooke - Twistin' the Night Away (1962) Transpose up Transpose down

Originally in A, I play in G, or D capo 3/4

Highest note is the 6, but there’s a lot of 6

Vox start on the 6 on “let”

GLet me tell you ‘bout a place, Emsomewhere up a New York way

CWhere the people are so gay, Dtwistin’ the night away

GHere they have a lot of fun, Emputtin’ trouble on the run

CMan, you find the old and young, Dtwistin’ the night aGway

They’re Gtwistin’, twistin’, everybody’s feelin’ great

They’re Ctwistin’, twistin’, they’re Dtwistin’ the night aGway

GHere’s a man in evenin’ clothes, Emhow he got here, I don’t know, but

CMan, you oughta see him go, Dtwistin’ the night away

GHe’s dancin’ with the chick in slacks, Emshe’s a-movin’ up and back

COh man, there ain’t nothin’ like Dtwistin’ the night aGway

They’re Gtwistin’, twistin’, everybody’s feelin’ great

They’re Ctwistin’, twistin’, they’re Dtwistin’ the night, Glet’s twist a lot

Lean Gup, lean Emback, lean Cup, lean Dback

WaGtusi, now Emfly, now Ctwist

They’re Dtwistin’ the night aGway

GHere’s a fella in blue jeans, Emdancin’ with a older queen

CWho’s dolled up in a diamond rings and Dtwistin’ the night away

GMan, you oughta see her go, Emtwistin’ to the rock and roll

CHere you find the young and old Dtwistin’ the night aGway

They’re Gtwistin’, twistin’ man, everybody’s feelin’ great

They’re Ctwistin’, twistin’, they’re Dtwistin’ the night, Gone more time

They’re Gtwistin’, twistin’ man, everybody’s feelin’ great

They’re Ctwistin’, twistin’, they’re Dtwistin’ the night aGway

Smokey Robinson and the Miracles - The Tracks of My Tears (1965) Transpose up Transpose down

Smokey Robinson in G, Linda Ronstadt in A, I play in D capo 2

Intro

DGEm7ADGGDx2

Vox on 3 5 6 of the kye on “people say”

PDeople sGay I’m the Glife of the pAarty

In D or E, don’t go down on “joke or two”

‘CaDuse I tell a jGoke or two GD

Although I mDight be lGaughing lGoud and hAearty

DDeep insGide I’m bluGe D

The first IV in each line is a ii in the Linda Ronstadt version

So take a gDood lGook at my fGace A

You’ll see my sDmile lGooks out of pGlace A

If you look clDoser, it’s eGasy to trGace A

The tracks of my teDars GGD

I need yGou (need yDou), need yGou (need yDou)

DSince you lGeft me if you sGee me with anAother girl

DSeeming like I’m hGaving fun GD

Although she mDay be cGute, she’s just a sGubstituteA

Because, Dyou’re the pGermanent one GD

So take a gDood lGook at my fGace A

Oh, you’ll see my sDmile lGooks out of pGlace A

Look a little bit clDoser, it’s eGasy to trGace A

Oh, the tracks of my teDars GGD

I need yGou (need yDou), need yGou (need yDou)

Random 1-measure hard stop on the I

D

Bridge

GDHey hey hGey yeahD

OutsGiiiDide, I’m masquerGadingD

InsGide, Dmy hope is fGadingD

Just a Gclown ooh yDeah, since you pGut me dDown

Triplets, all on the vi in the Linda Ronstadt version

My sDmile iA/C#s mBmy

DMake uA/C#p BmI

DWear A/C#since Bmmy

DBreak A/C#up Bmwith yAou

Baby take a gDood lGook at my fGace A

Oh, you’ll see my sDmile lGooks out of pGlace A

Yeah just looks clDoser, it’s eGasy to trGace A

Oh, the tracks of my teDars GGD

Baby baby baby take a gDood lGook at my fGace A

Yeah, you’ll see my sDmile lGooks out of pGlace A

Look a little bit clDoser, it’s eGasy to trGace A

Oh, the tracks of my teDars GGD

B a gDood lGook at my fAace

You’ll see my sDmile lGooks out of plAace

If you look clDoser, it’s eGasy to trAace

The trAacks of my teDarsGD

Sonny and Cher - I Got You Babe (1965) Transpose up Transpose down

Originally in F, I play E capo 1 or open

Highest note is the 3, on “always around”

EA/Ex2

They sEay we’re young and A/Ewe don’t know

We wEon’t find out untA/EiDl we Bgrow

Well, EI don’t know if A/Eall that’s true

Cause Eyou got me and baA/Eby DI got Byou

EBabe, A/EI got Eyou babe, A/EI got Eyou babe A/E

They Esay our love won’t A/Epay the rent

BefEore it’s earned our A/Emoney’s Dall been Bspent

I Eguess that’s so, we don’t A/Ehave a pot

But at Eleast I’m sure of A/Eall the Dthings we BgotB7

Hard stop after this line

EBabe, A/EI got Eyou babe, A/EI got Eyou babe A/E

I got F#mflowers in the Bspring

I got yF#mou to wear my Bring

And when I’m Esad, you’re a A/Eclown

And if I get A/Escared, you’re always BaroundC

Key change

So, Flet them say your A#/Fhair’s too long

Cause FI don’t care, with A#/Fyou I D#can’t go Cwrong

Then Fput your little A#/Fhand in mine

There aFin’t no hill or A#/Fmountain D#we can’t Cclimb

FBabe, A#/FI got Fyou babe, A#/FI got Fyou babe A#/F

FI got you to A#/Fhold my hand

FI got you to Cunderstand

FI got you to A#/Fwalk with me

FI got you to Ctalk with me

FI got you to A#/Fkiss goodnight

FI got you to Chold me tight

FI got you, I A#/Fwon’t let go

FI got you to Clove me so

FA#/FFC

Pause...

I A#7gooooot you Fbabe A#/F

I got Fyou babe A#/F

Repeat to fade

The Angels - My Boyfriend's Back (1963) Transpose up Transpose down

Originally around D, I play in D, and go down an octave on the chorus

If it’s just one voice, skip the “back” at the end of every line

Spoken

He went away, and you hung around

And bothered me every night

And when I wouldn’t go out with you

You said things that weren’t very nice

Vox on 1 5 on “boyfriend’s”

My Dboyfriend’s back and you’re gonna be in trouble

GHey-la, hey-Ala, my boyfriend’s Dback

When you sDee him comin’, better cut out on the double

GHey-la, hey-Ala, my boyfriend’s Dback

DYou been spreading lies that I was untrue

GHey-la, hey-Ala, my boyfriend’s Dback

So lDook out now ‘cause he’s comin’ after you

GHey-la, hey-Ala, my boyfriend’s Dback

The line I hear as the melody is on the 5

DHey, he Gknows what you been tryin’

DAnd, he Gknows that you been lyin’

DHe’s been gone for such a long time

GHey-la, hey-Ala, my boyfriend’s Dback

DNow he’s back and things’ll be fine

GHey-la, hey-Ala, my boyfriend’s Dback

You’re gDonna be sorry you were ever born

GHey-la, hey-Ala, my boyfriend’s Dback

‘Cause he’s kDinda big and he’s awful strong

GHey-la, hey-Ala, my boyfriend’s Dback

DHey, he Gknows I wasn’t cheatin’

DNow you’re Ggonna get a beatin’

Bridge

GWhat made you think he’d believe all your lies?

Wah-Dooh, wah-ooh

You’re a bGig man now but he’ll cut you down to size

Wah-Dooh

EWait and sAe

My Dboyfriend’s back, he’s gonna save my reputation

GHey-la, hey-Ala, my boyfriend’s Dback

If IDwere you, I’d take a permanent vacation

GHey-la, hey-Ala, my boyfriend’s Dback

DYeh, my Gboyfriend’s bAack, oh look out now

DMy Gboyfriend’s baAck

Well, DI can see him comin’ so you Gbetter get a-rAunnin’ all rDight now

The Animals - The House of the Rising Sun (1964) Transpose up Transpose down

Originally in Am, starts on the low A, then goes to the middle A, then the high A

I play in Em and start on the middle E, and only goes as high as the high(er) E

Vox cover lots and lots of 1

EmGACEmB7EmB7

Vox on the low 1 in the original

There Emis a Ghouse in ANew Orleans C

Vox up one octave here in the original, but I don’t jump here

They Emcall the GRising B7Sun

Vox up one more octave to the high 1 in the original, I jump one octave here

And it’s Embeen the Gruin of Amany a poor boyC

And EmGod I B7know I’m Emone

EmGACEmB7EmB7

My Emmother Gwas a Atailor C

She Emsewed my Gnew blueB7jeans

My Emfather Gwas a Agamblin’ Cman

EmDown in B7New OrEmleans

EmGACEmB7EmB7

Now the Emonly Gthing a Agambler Cneeds

Is a Emsuitcase Gand B7trunk

And the Emonly Gtime Ahe’s satisCfied

Is Emwhen he’s B7on a Emdrunk

EmGACEmB7EmB7

Solo on verse chords

Starts on the low octave...

Oh EmmotheGr tell your Achildren C

...then jumps up here

Not to Emdo what GI have B7done

EmSpend your Glives in Asin and miseCry

In the Emhouse of the B7rising Emsun

EmGACEmB7EmB7

Well, I got oEmne foot oGn the Aplatform C

The Emother foot Gon the B7train

I’m Emgoin’ Gback to ANew Orleans C

To Emwear that B7ball and Emchain

EmGACEmB7EmB7

Well, there Emis a Ghouse in ANew Orleans C

They Emcall the Grising B7sun

And it’s Embeen the Gruin of Amany a poor Cboy

And EmGod I B7know I’m Emone

EmGAC

EmB7EmB7EmB7Em

The Beach Boys - Barbara Ann (1965) Transpose up Transpose down

Originally in F#, I play in E capo 2

A capella, but chord is I, first line just one voice

Ba-ba-ba-ba-Barbara Ann

Ba-ba-ba-ba-Barbara Ann

Backing vox still do ba-ba-ba

Barbara EAnn, take my hAand, Barbara EAnn

Hard stop on each chord

You got me Brockin’ and a-rollin’

ARockin’ and a-reelin’

Barbara EAnn, Ba-ba-ba-Barbara Ann

A capella, but chord is I

Went to a dance lookin’ for romance

Saw Barbara Ann, so I thought I’d take a chance

This chorus starts on the IV

Barbara AAnn, take my Ehand

You got me Brockin’ and a-rollin’

ARockin’ and a-reelin’

Barbara EAnn, Ba-ba-ba-Barbara Ann

A capella, but chord is I, first line just one voice

Ba-ba-ba-ba-Barbara Ann

Ba-ba-ba-ba-Barbara Ann

Barbara EAnn, take my Ahand, Barbara EAnn

You got me Brockin’ and a-rollin’

ARockin’ and a-reelin’, Barbara EAnn

Ba-ba-ba-Barbara Ann

Solo on verse chords if appropriate

A capella, but chord is I, lyrics are very approximate

Tried Peggy Sue, tried Betty Lou

Tried Peggy Sue, but I knew she wouldn’t do

Barbara AAnn, Barbara EAnn

You got me Brockin’ and a-rollin’

ARockin’ and a-reelin’, Barbara EAnn

Ba-ba-ba-Barbara Ann

A capella, but chord is I, first line just one voice

Ba-ba-ba-ba-Barbara Ann

Ba-ba-ba-ba-Barbara Ann

Barbara EAnn, take my Ahand, Barbara EAnn

You got me Brockin’ and a-rollin’

ARockin’ and a-reelin’, Barbara EAnn

Ba-ba-ba-Barbara Ann

EBarbara Ann, Barbara Ann

EBarbara Ann, Barbara Ann

ABarbara Ann, Barbara Ann

EBarbara Ann, Barbara Ann

You got me Brockin’ and a-rollin’

ARockin’ and a-reelin’, Barbara EAnn

The Beach Boys - Be True to Your School (1963) Transpose up Transpose down

Originally in A, I play in G capo 2

When Gsome loud braggart tries to Emput me down

And says his Amschool is great C/D

I tell him Dright away

Now Gwhat’s the matter buddy, ain’t you Emheard of my school

It’s number Amone in the state, Dah C/Dah aAmh aDh

So be true to your Gschool now

Just like you would with your B7girl or guy

Be true to your Emschool now

And let your colors C7fly A

Be true to your Amschool, C/Drah rah, Drah rah

I got a Gletterman sweater with a Emletter in front

I got for Amfootball and track

C/DI’m proud to Dwear it now

When GI cruise around the other Emparts of the town

I got my Amdecal in back

So be true to your Gschool now

Just like you would with your B7girl or guy

Be true to your Emschool now

And let your colors C7fly A

Be true to your Amschool, C/Drah rah, Drah rah

Solo on chorus chords

GB7EmC7A

AmAhh, C/Drah, Drah rah

On GFriday we’ll be jacked up on the Emfootball game

And I’ll be Amready to fight

C/DWe’re gonna Dsmash ‘em now

My Ggirl will be working on her Empom-poms now

And she’ll be Amyelling tonight

So be true to your Gschool now

Just like you would with your B7girl or guy

Be true to your Emschool now

And let your colors C7fly A

Be true to your Amschool, C/Drah rah, Drah rah

GRah rah rah rah sis boom ba

B7Rah rah rah rah sis boom ba

EmRah rah rah rah sis boom ba

C7ADG

The Beach Boys - California Girls (1965) Transpose up Transpose down

Intro, specifically the first riff x 4, then

----------------------|
-----9---7------------|
-----9---8---9-8------|
-9---9--99--9----9-11-|
----------------------|
----------------------|
----------------------|
-----7---5------------|
-----7---6---7-6---6--|
-7---7--77--7----7----|
----------------------|
----------------------|

the second riff x 1

E/BBE/BB

E/BBE/BB

E/AB/AE/AB/A

E/AB/AE/AB/A

D/AAD/AA

Well, Beast coast girls are hip, I really B9dig those styles they wear

And the sEouthern girls with the way they talk

They knock me F#out when I’m down there

The mBidwest farmers’ daughters really mB9ake you feel alright

And the nEorthern girls with the way they kiss

They keep their F#boyfriends warm at night

Easiest melody line for me to follow starts F# G# B on “wish they all”

I Bwish they all could C#m7be California

I Awish they all could Bm7be California

I Gwish they all could Am7be California Bgirls

The BWest coast has the sunshine, and the B9girls all get so tanned

I dig a EFrench bikini on Hawaiian Island dolls

By a F#palm tree in the sand

I bBeen all around this great big world and I’ve sB9een all kinds of girls

Yea but EI couldn’t wait to get back in the states

Back to the F#cutest girls in the world

I Bwish they all could C#m7be California

I Awish they all could Bm7be California

I Gwish they all could Am7be California Bgirls

Two-measure breakdown to high keys only

BF#

I Bwish they all could be California

I C#m7wish they all could be California

I Bwish they all could be California

I C#m7wish they all could be California

Repeat to fade

The Beach Boys - Don't Worry Baby (1964) Transpose up Transpose down

Originally in E, I play in G

Intro

GG/BCC/Dx 2

GWell it’s been building up inside of me for

COh, I don’t know Dhow long

GI don’t know why, but I keep thinkin’

CSomethin’s bound to Dgo wrong

Am7But she looks iD7n my eyes

Bm7And makes me rE7ealize

When she Asays (don’t worry baby)

Don’t worry bBm7aby (don’t worry E7baby)

Everything will turn Aout all right (don’t worry baby)

Don’t worry bBm7aby (don’t worry E7baby)

D7sus4Ooh, oD7oh

GI guess I should’ve kept my mouth shut when I

CStarted to brag aDbout my car

GBut I can’t back down now because I

CPushed the other Dguys too far

Am7She makes me cD7ome alive

Bm7And makes me wE7anna drive

When she Asays (don’t worry baby)

Don’t worry bBm7aby (don’t worry E7baby)

Everything will turn Aout all right (don’t worry baby)

Don’t worry bBm7aby (don’t worry E7baby)

D7sus4Ooh, oD7oh

GG/BCC/D

GShe told me, baby when you race today just

CTake along my lDove with you

GAnd if you knew how much I love you baby

CNothing could go wrDong with you

Am7Oh what she dD7oes to me

Bm7When she makes lE7ove to me

And she Asays (don’t worry baby)

Don’t worry bBm7aby (don’t worry E7baby)

Everything will turn Aout all right (don’t worry baby)

Don’t worry bBm7aby (don’t worry E7baby)

D7sus4Ooh, oD7oh

The Beach Boys - Fun, Fun, Fun (1964) Transpose up Transpose down

Originally in Eb, I play in D

Standard 12-bar, straight 8ths with 6ths

DDGDAGDA

Vox on the 6 on “got”

Well, she Dgot her daddy’s car and she cruised

Through the hamburger Gstand now

Seems she forDgot all about the library

Like she told her old Aman now

And with her rDadio blastin’ goes cruisin’

Just as fast as she Gcan now

And she’ll have, Dfun, fun, A/C#fun till her Gdaddy

Takes the AT-Bird aDway GD/F#A/E

DWell, the girls can’t stand her cause she

Walks, looks, and drives like an Gace now (you walk like an ace)

She makes the DIndy 500 look like a Roman

Chariot A7race now (you look like an ace)

A lotta Dguys try to catch her but she leads ‘em

On a wild goose Gchase now (you drive like an ice)

And she’ll have, Dfun, fun, A/C#fun till her Gdaddy

Takes the AT-Bird aDway GD/F#A/E

Solo

ADAEA

Well, you Dknew all along that your dad was gettin’

Wise to Gyou now (you shouldn’t a’ lied)

And since he Dtook your set of keys you’ve been thinkin’

That your fun is all A7through now (you shouldn’t a’ lied)

But you can Dcome along with me cause we got a lotta

Things to Gdo now (you shouldn’t a’ lied)

And we’ll have Dfun, fun, A/C#fun now that Gdaddy

Took the AT-Bird aDway GD/F#A/E

And we’ll have, Dfun, fun, A/C#fun now that Gdaddy

Took the AT-Bird aDway GD/F#A/E

WeAeeeee... D

WeAeeeee... D

The Beach Boys - Help Me Rhonda (1965) Transpose up Transpose down

Originally in C#, I play in G

Highest note is the 6

G

Well Gsince she put me down I’ve been Cout doin’ in my Ghead

Come Gin late at night and in the Cmornin’ I just lay in Gbed

Well, EmRhonda you look so fine

And I Cknow it wouldn’t take much A7time

For you to Ghelp me Rhonda

Am7Help me get her out of my Gheart

GG/F#GG/AGG/F#G

Over the V: 5 3 2 2...

Over the I: 3 2 1 1...

Over the IV: 6 5 4 4...

Over the vi: 5 4 3 3...

End: 4 4 3 3 2...

DHelp me Rhonda, help, help me Rhonda

GHelp me Rhonda, help, help me Rhonda

DHelp me Rhonda, help, help me Rhonda

GHelp me Rhonda, help, help me Rhonda

CHelp me Rhonda, help, help me Rhonda

EmHelp me Rhonda, Em7/Dhelp, help me Rhonda

AmHelp me Rhonda, Dyeah

Get her out of my Gheart

She was Ggonna be my wife

And CI was gonna be her Gman

But she Glet another guy come Cbetween us

And it ruined our Gplan

Well, EmRhonda you caught my eye

I can Cgive you lots of reasons A7why

You gotta Ghelp me Rhonda

Am7Help me get her out of my Gheart

GG/F#GG/AGG/F#G

DHelp me Rhonda, help, help me Rhonda

GHelp me Rhonda, help, help me Rhonda

DHelp me Rhonda, help, help me Rhonda

GHelp me Rhonda, help, help me Rhonda

CHelp me Rhonda, help, help me Rhonda

EmHelp me Rhonda, Em7/Dhelp, help me Rhonda

Note VII→I xition

AmHelp me Rhonda, Dyeah

Get her out of my heF#art G

DHelp me Rhonda, help, help me Rhonda

GHelp me Rhonda, help, help me Rhonda

DHelp me Rhonda, help, help me Rhonda

GHelp me Rhonda, help, help me Rhonda

CHelp me Rhonda, help, help me Rhonda

EmHelp me Rhonda, Em7/Dhelp, help me Rhonda

AmHelp me Rhonda, Dyeah

Get her out of my Gheart

The Beach Boys - I Get Around (1964) Transpose up Transpose down

Originally starts in G (with the verse in A)

I play in E capo 1 (with the verse in F# capo 1)

Mostly a cappella, hit on the first chord

ERound, round, get around, C#7I get around

Yeah, gF#met around round round, DI get aroBund

Band enters

I get arEound (get around, round, round, I get around)

From town to tC#7own (get around, round, round, I get around)

I’m a real cool hF#mead (get around, round, round, I get around)

I’m makin’ real good bDread (get around, round, round, BI get around)

I’m gettin’ bF#ugged drivin’ Bup and down the sF#ame old sBtrip

I gotta fF#ind a new pBlace where the kF#ids are Bhip

Little riff for one measure

E

My bF#uddies and Bme are gettin’ F#real well kBnown

Yeah, the F#bad guys kBnow us and they lF#eave us aBlone

I get arEound (get around, round, round, I get around)

From town to tC#7own (get around, round, round, I get around)

I’m a real cool hF#mead (get around, round, round, I get around)

I’m makin’ real good bDread (get around, round, round, BI get around)

I get arC#7ound, round, get around, round, wahoF#oo

F#Wah, wahBooo, wah, wahF#ooo, wah, wahC#ooo Dooo

Key change

We Galways take my Ccar ‘cause it’s nGever been Cbeat

And we’ve Gnever missed Cyet with the gGirls we Cmeet

F

None of the Gguys go sCteady ‘cause it wGouldn’t be rCight

To leave your Gbest girl Chome now on GSaturday nCight

I get arFound (get around, round, round, I get around)

From town to tD7own (get around, round, round, I get around)

I’m a real cool Gmhead (get around, round, round, I get around)

I’m makin’ real good bD#read (get around, round, round,CI get around)

I get aD7round, round, ooh ooh ooh ooh, Cooh ooh ooh ooh

FRound, round, get around, D7I get around

Yeah, gGmet around round round, ID#get arouCnd

Ooooh get arFound (get around, round, round, I get around)

OoooD7ooo (get around, round, round, I get around)

OoooGmooo (get around, round, round, I get around)

OoooD#ooo (get around, round, round, CI get around)

Repeat to fade

The Beach Boys - In My Room (1963) Transpose up Transpose down

Originally in B, I play in E

Intro

EC#m7F#m7B

Vox on the 1

ThEere’s a world where I can go

And tell my sDecrets tEo C#m7

In my rooF#m7ooDooBooom

In my rEoom (iDn my rEoom)

EIn this world I lock out all my

Worries aDnd my feEars C#m7

In my rooF#m7ooDooBooom

In my rEoom (iDn my rEoom)

C#mDo my dreaming Band my scheming

C#mLie BaC#mwake Band Epray

C#mDo my crying Band my sighing

F#m7Laugh at yesterdaAadd9y B

ENow it’s dark and I’m alone, but

I won’t bDe afrEaid C#m7

In my rooF#m7ooDooBooom

In my rEoom (iDn my rEoom)

DIn my Eroom

DIn my Eroom

DIn my Eroom

The Beach Boys - Little Deuce Coupe (1963) Transpose up Transpose down

Originally in G#, I play in E capo 3

Probably skip this first chorus, and just noodle a bit on the I (swung w/6ths}

Vox on the 1

ELittle deuce coupe, you don’t know what I got

(Little deuce coupe, you don’t know what I got)

Vox on 3 5 on “I’m not”

Well IE‘m not braggin’ babe so don’t put me down

But I’ve got the fastest set of wheels in town

When Asomething comes up to me he don’t even try

‘Cause if I Ehad a set of wings man I know she could fly

She’s my Blittle deuce F#mcoupe,Byou don’t F#mknow what I Egot

(Little deuce coupe, you don’t know what I got)

Just a lEittle deuce coupe with a flat head mill

But she’ll walk a Thunderbird like shes’ standin’ still

Shes Aported and relieved and she’s stroked and bored

She’ll do a Ehundred and forty in the top-end floor

She’s my Blittle deuce F#mcoupe,Byou don’t F#mknow what I Egot

(Little deuce coupe, you don’t know what I got)

She’s got a Acompetition clutch with the four on the floor

And she Epurrs like a kitten till the lake pipes roar

And Aif that ain’t enough to make you flip your lid

There’s F#one more thing, I got the Bpink slip daddy

And Ecomin’ off the line when the light turns green

Well she blows ‘em outta the water like you never seen

I get Apushed out of shape and it’s hard to steer

When EI get rubber in all four gears

She’s my Blittle deuce F#mcoupe,Byou don’t F#mknow what I Egot

(Little deuce coupe, you don’t know what I got)

She’s my Blittle deuce F#mcoupe,Byou don’t F#mknow what I Egot

(Little deuce coupe, you don’t know what I got)

The Beach Boys - Surfer Girl (1963) Transpose up Transpose down

Originally in D, I play in G

Intro, with “ah”

GBmEmBmCAmD

Vox on 5 3 on “little”

LGittle sEmurfer, lCittle oDne

Gmaj7Make my hG7eart come aCll unCm6done

GDo you lEmove me, Cdo you sDurfer gGirl

(Surfer gEmirl, my lCittle surfer gDirl)

GI have Emwatched you Con the Dshore

Gmaj7Standing G7by the Cocean’s Cm6roar

GDo you lEmove me, Cdo you sDurfer gGirl

Surfer Cmaj7girl, surfer gGirl, ooh

Vox on 3 5 of the chord on “we could”

CWe could rDide Gmaj7the surf togEmether

He clearly says “go”, although I’m about 95% sure he was supposed to say “grow”

CWhile our lDove would gGo G7

CIn my wDoody Gmaj7I would tEmake you

The original changes key up a half-step on “oh”

EAverywhere I Dgo, oh

GSo I Emsay from Cme to Dyou

Gmaj7I will mG7ake your dCreams come Cm6true

Hanging stop at the end of this line

GDo you lEmove me Cdo you sDurfer

GGirl, surfer gEmirl, my Cmaj7little surfer gDirl

GGirl, surfer gEmirl, my Cmaj7little surfer gDirl

The Beach Boys - Surfin' Safari (1962) Transpose up Transpose down

Originally in A, I play in A

Vox enter on the fifth of the first chord

ELet’s go surfin’ now, Deverybody’s learning how

BCome on and safari with Eme, come on and safari with me

AEarly in the morning well be Dstartin’ out

Some Ehoneys will be coming aAlong

Were Aloading up our Woody with our Dboards inside

And Eheadin’ out singing our Asong

ACome on baby wait and see

Yes I’m gonna take you surfin’ with me

DCome along baby wait and see

Yes AI’m gonna take you surfin’ with me

ELet’s go surfin’ now, Deverybody’s learning how

BCome on and safari with Eme, come on and safari with Ame

At AHuntington and Malibu they’reDshooting the pier

At ERincon they’re walking the Anose

We’re Agoing on safari to the Dislands this year

So if Eyou’re coming get ready toAgo

ACome on baby wait and see

Yes I’m gonna take you surfin’ with me

DCome along baby wait and see

Yes AI’m gonna take you surfin’ with me

ELet’s go surfin’ now, Deverybody’s learning how

BCome on and safari with Eme, come on and safari with me

AThey’re anglin’ in Laguna in DCerro Azul

They’re Ekicking out in Dohini Atoo

I tell you Asurfin’s mighty wild it’s getting Dbigger every day

From EHawaii to the shores of PeAru

ACome on baby wait and see

Yes I’m gonna take you surfin’ with me

DCome along baby wait and see

Yes AI’m gonna take you surfin’ with me

ELet’s go surfin’ now, Deverybody’s learning how

BCome on and safari with Eme, come on and safari with me

With Ame (Surfin’ safari)

With Ame (Surfin’ safari)

With Ame (Surfin’ safari)

With Ame (Surfin’ safari)

With Ame (Surfin’ safari)

The Beach Boys - Surfin' USA (1963) Transpose up Transpose down

Originally in Eb, I play in Eb but read in E

E7

If everybody had an B7ocean across the U.S.EA.

Then everybody’d be B7surfin like Californ-i-Ea

You’d see em wearin’ their Abaggies, Huarachi sandals Etoo

A bushy bushy blonde B7hairdo, surfin’ U.SE.A.

EYou’ll catch em surfin’ at B7Del Mar, Ventura County Eline

Santa Cruz and B7Trestles, Australia’s NarabinEe

All over ManAhattan, and down Doheny Eway

Everybody’s gone B7surfin’, Asurfin’ U.S.EA.

EWe’ll all be plannin’ out a B7route, we’re gonna take real Esoon

We’re waxin’ down our B7surfboards, we can’t wait for EJune

We’ll all be gone for the Asummer, we’re on safari to Estay

Tell the teacher we’re B7surfin’, surfin U.S.EA.

EAt Haggerty’s and B7Swami’s, Pacific PaliEsades

San Onofre and B7Sunset, Redondo Beach, L.EA.

All over La AJolla, and Waimea EBay

Everybody’s gone B7surfin’, Asurfin’ U.S.EA.

Solo if appropriate

BEBE

AE

Everybody’s gone B7surfin’, Asurfin’ U.S.EA.

Everybody’s gone B7surfin’, Asurfin’ U.S.EA.

The Beatles - A Hard Day's Night (1964) Transpose up Transpose down

Originally in G, I play in D capo 1 or 2

Cadd9

It’s been a hDard dGadd9ay’s nDight

And I’ve been wCorking like a dDog

It’s been a hard dGadd9ay’s nDight

I should be slCeeping like a lDog

But when I gGet home to you

I find the thAings that you do

Will make me fDeel G7alrDight

You know I wDork Gadd9all dDay

To get you mConey to buy you thDings

And it’s worth it just to hGadd9ear you sDay

You’re gonna gCive me everythDing

So why on GEarth should I moan

‘Cause when I gAet you alone

You know I fDeel G7okaDy

When I’m hF#mome, Bmeverything seems to be rF#might

When I’m hDome, fBmeeling you holding me tGight, tAight, yeah

It’s been a hDard dGadd9ay’s nDight

And I’ve been wCorking like a dDog

It’s been a hard dGadd9ay’s nDight

I should be slCeeping like a lDog

But when I gGet home to you

I find the thAings that you do

Will make me fDeel G7alrDight

Solo on verse chords

DGadd9DDCDx2

So why on GEarth should I moan

‘Cause when I Aget you alone

You know I fDeel G7okaDy

When I’m hF#mome, Bmeverything seems to be rF#might

When I’m hDome, fBmeeling you holding me tGight, tAight, yeah

It’s been a hDard dGadd9ay’s nDight

And I’ve been wCorking like a dDog

It’s been a hard dGadd9ay’s nDight

I should be slCeeping like a lDog

But when I gGet home to you

I find the thAings that you do

Will make me fDeel G7alrDight

You know I fDeel G7all rDight

You know I fDeel aGadd9lrCadd9ight

The Beatles - All I've Got To Do (1963) Transpose up Transpose down

Eaugadd7add9 is a name I made up for:

x76575

Eaugadd7add9

Whenever C#mI want you aEround, yeah

All I gotta C#mdo, is F#mcall you on the phone

And you’ll come running home

AmYeah that’s all I Egotta do

And when C#mI, I wanna Ekiss you yeah

All I gotta C#mdo is F#mwhisper in your ear

The words you want to hear

And AmI’ll be kissing Eyou

And the same goes for Ame, whenever you want me at all

I’ll be C#mhere, yes I will, whenever you call

You Ajust gotta call on Eme, C#myeah

You Ajust gotta call on Eme

Whenever C#mI want you aEround, yeah

All I gotta C#mdo, is F#mcall you on the phone

And you’ll come running home

AmYeah that’s all I Egotta do

And the same goes for Ame, whenever you want me at all

I’ll be C#mhere, yes I will, whenever you call

You Ajust gotta call on Eme, C#myeah

You Ajust gotta call on Eme, oooh

You Ajust gotta call on Eme

Hm-mC#mm-m-m-m-m m-m-m-m Em C#m

The Beatles - All My Loving (1963) Transpose up Transpose down

Originally in F#m, I play in Em

Close your Emeyes and I’ll A7kiss you

ToDmorrow I’ll Bmmiss you

ReGmember I’ll aEmlways be Ctrue A7

And then Emwhile I’m A7away I’ll write Dhome every Bmday

And I’ll Gsend all my A7loving to Dyou

I’ll Empretend that I’m A7kissing

The Dlips I am Bmmissing

And Ghope that my Emdreams will come Ctrue A7

And then Emwhile I’m aA7way I’ll write Dhome every Bmday

And I’ll Gsend all my A7loving to Dyou

All my Bmloving, Bm/A#I will send to Dyou

All my Bmloving, Bm/A#darling I’ll be Dtrue

Close your Emeyes and I’ll A7kiss you

ToDmorrow I’ll Bmmiss you

ReGmember I’ll aEmlways be Ctrue A7

And then Emwhile I’m A7away I’ll write Dhome every Bmday

And I’ll Gsend all my A7loving to Dyou

Solo

GGDDEmADD

All my Bmloving, Bm/A#I will send to Dyou

All my Bmloving, Bm/A#darling I’ll be Dtrue

All my Bmloving, Bm/A#all my Dloving

All my Bmloving, Bm/A#I will send to Dyou

The Beatles - And I Love Her (1964) Transpose up Transpose down

Originally in C#m, I play in Bm

EmEmD6D6

Vox on the 4 of the key (the 1 of the first chord)

on “I”, and the 2 (of the 2nd chord and the key) on

“all”. You may feel like going to the 1 of the key

there, but it’s the 2.

EmI give her Bmall my love

EmThat’s all I Bmdo

EmAnd if you Bmsaw my love

GYou’d love her Atoo

I D6love her

EmShe gives me Bmeverything

EmAnd tenderBmly

EmThe kiss my Bmlover brings

GShe brings to Ame

And I D6love her

BmA love like Aours, Bmcould never F#mdie

BmAs long as F#mI have you near meAA7

EmBright are the Bmstars that shine

EmDark is the Bmsky

EmI know this Bmlove of mine

GWill never Adie

And I D6love her

Originally changes key here up a half-step, I skip that

Solo, skip if appropriate

EmBmEmBmEmEm

GADD

EmBright are the Bmstars that shine

EmDark is the Bmsky

EmI know this Bmlove of mine

GWill never Adie

And I D6love her

EmEmDD

EmEmB

The Beatles - Any Time At All (1964) Transpose up Transpose down

Originally in Bm, I play in Am, highest note that matters is the 7

Vox on the 5

Any time at Amall C

Any time at aGll

Any time at Amall

All you’ve got to do is cFall

And IG7‘ll be thereC

CIf you need someEm/Bbody to love

AmJust look into my eyesFm/G#

C/GI’ll be there to mGake you feel right C

CIf you’re feeling sEm/Borry and sad

AmI’d really sympathize Fm/G#

DC/Gon’t you be sad, just cGall me tonCight

Any time at Amall C

Any time at aGll

Any time at Amall

All you’ve got to do is cFall

And IG7‘ll be thereC

CIf the sun has fEm/Baded away

IAm‘ll try to make it shineFm/G#

C/GThere is nothing I Gwon’t do C

CIf you need a sEm/Bhoulder to cry on

AmI hope it will be mine Fm/G#

C/GCall me tonight and IG‘ll come to Cyou

Any time at Amall C

Any time at aGll

Any time at Amall

All you’ve got to do is cFall

And IG7‘ll be thereC

Piano Solo

GG7G7GG7

FG7FG7Csus4C

Any time at Amall C

Any time at aGll

Any time at Amall

All you’ve got to do is cFall

And IG7‘ll be thereC

Any time at Amall

All you’ve got to do is cFall

And IG7‘ll be thereC

The Beatles - Ask Me Why (1962) Transpose up Transpose down

I prefer to sing the line that starts on a very comfortable G# (in E)

EI F#m7love G#m7you F#m7

‘Cause you tell me things I wEant to know

AEnd F#m7it’s G#m7true F#m7

That it really only gEoes to show G#7that I know

That C#mI, I, I, I would neAver ever ever be F#m7blueB7

NEow F#m7you’re G#m7mine F#m7

My happiness near maEkes me cry

AEnd F#m7in G#m7time F#m7

You’ll understand the reEason why G#7that I cry

It’s C#mnot because I’m sad

But you’re the oAnly love that I’ve ever hEadE+

Bridge

I can’t bAelieve B7it’s happened to EmeE+

I can’t coAnceiveB7of any more miEseryB7

AEsk F#m7me G#m7why I’ll say I F#m7love you

And I’m aG#m7lways thinking of yAouE

EI F#m7love G#m7you F#m7

‘Cause you tell me things I wEant to know

AEnd F#m7it’s G#m7true F#m7

That it really only gEoes to show G#7that I know

That C#mI, I, I, I would neAver ever ever be F#m7blueB7

AEsk F#m7me G#m7why I’ll say I F#m7love you

And I’m aG#m7lways thinking of yAouE

Bridge

I can’t bAelieve B7it’s happened to EmeE+

I can’t coAnceiveB7of any more miEseryB7

AEsk F#m7me G#m7why I’ll say I F#m7love you

And I’m aG#m7lways thinking of yAouE

AYouE

AYouG#m7

The Beatles - Baby It's You (1963) Transpose up Transpose down

GSha la la la la la Emla

GSha la la la la la Emla

GSha la la la la la Emla

Sha la la la Cla

CIt’s not the way you smile

That touched my heGart

CIt’s not the way you kiss

That tears me apGart

But Emhow many many many nights go by

AmI sit alone at home and I cry over yGou

What can I Emdo?

CCan’t help mysDelf (hard stop)

‘Cause baby it’s yGou Em

Baby it’s yGou Em

CYou should hear what they say about yGou

CThey say they say you never never ever been tGrue

Wo ho Emit doesn’t matter what they say

AmI know I’m gonna love you any old way

What can I Gdo then it’s tEmrue

CDon’t want noDbody nobody (hard stop)

Cause baby it’s yGou Em

Baby it’s yGou Em

Solo

CDGGx2

Wo ho Emit doesn’t matter what they say

AmI know I’m gonna love you any old way

What can I Gdo then it’s tEmrue

CDon’t want nobody noDbody

‘Cause baby it’s yGou Em

Baby it’s yGou Em

The Beatles - Baby's In Black (1964) Transpose up Transpose down

AOh dear E7what can I do?

D7Baby’s in black and I’mE7feeling blue tell me

AOh Dwhat can I dAo?E

AShe thinks of him and A7so she dresses in

DBlack and though he’ll never come

ABack E7she’s dressed in Ablack

AOh dear E7what can I do?

D7Baby’s in black and I’mE7feeling blue tell me

AOh Dwhat can I dAo?E

AI think of her but A7she thinks only of

DHim and though it’s only a

AWhim E7she thinks of Ahim

Bridge

F#m7Oh how B7long will it take

DTill she E7sees the mistake she has Amade?

Dear wE7hat can I do?

D7Baby’s in black and I’m E7feeling blue tell me

AOh Dwhat can I Ado? E

Solo, I usually skip this and the subsequent bridge

AED7E7ADA

Bridge

F#m7Oh how B7long will it take

DTill she E7sees the mistake she has Amade?

Dear wE7hat can I do?

D7Baby’s in black and I’m E7feeling blue tell me

AOh Dwhat can I Ado? E

Quietly, let ring

AShe thinks of him and A7so she dresses in

DBlack and though he’ll never come

ABack E7she’s dressed in Ablack

AOh dear E7what can I do?

D7Baby’s in black and I’mE7feeling blue tell me

AOh D7what can I dAo?

Tell me Aoh D7what can I dAo?

The Beatles - Can't Buy Me Love (1964) Transpose up Transpose down

Originally in C, I play in A.

I do the opening chorus super slow, then break into a

syncopated triplet beat.

The first vocal note is the root (C in C),

so the first ‘love’ is the 5 above that (G in C), i.e.

the third of the opening minor chord.

Can’t buy mC#me loF#mve, C#moh, loF#mve

Oh, can’t buy mBm7e loEve, oh, oh

I’ll A7buy you a diamond ring my friend if it makes you feel all right

I’ll D7get you anything my friend if it A7makes you feel all right

‘Cause E7I don’t care too D7much for money, for money can’t buy me loveA7

I’ll A7give you all I’ve got to give if it makes you love me too

I D7may not have a lot to give but what I’ve A7got I’ll give to you

‘Cause E7I don’t care too D7much for money, for money can’t buy me loveA7

Can’t buy me C#mlove, F#moh, eA7verybody tells me so

Can’t buy me C#mlove, F#moh, Bm7no, no, no, Eno

A7Say you don’t need no diamond rings and I’ll be satisfied

D7Tell me that you want the kind of things that A7money just can’t buy

‘Cause E7I don’t care too D7much for money, for money can’t buy me loveA7

Solo, 1-4-5 in C, skip if unaccompanied

Can’t buy me C#mlove, F#moh, eA7verybody tells me so

Can’t buy me C#mlove, F#moh, Bm7no, no, no, Eno

A7Say you don’t need no diamond rings and I’ll be satisfied

D7Tell me that you want the kind of things that A7money just can’t buy

‘Cause E7I don’t care too D7much for money, for money can’t buy me loveA7

Can’t buy me lC#mo-oF#mve, lC#mo-oF#mve, can’t buy me lBm7oveEA7

The Beatles - Day Tripper (1965) Transpose up Transpose down

Originally in E, I play in A

Intro

A7

Vox on the 3 on “got”

A7Got a good reason, for taking the easy way out

D7Got a good reason, for A7taking the easy way out now

She was a Bday tripper, a one way ticket yeah

It took me Dso C#long to find F#out, but I found Eout

A7

A7She’s a big teaser, she took me half the way there

D7She’s a big teaser, A7she took me half the way there now

She was a Bday tripper, a one way ticket, yeah

It took me Dso C#long to find F#out, but I found Eout

The solo is a quirky length, three measures before the “ah”, three measures with“

EEE

EAh EE

A7

A7Tried to please her, but she only played one night stands

D7Tried to please her, but A7she only played one night stands now

She was a Bday tripper, Sunday driver, yeah

It took me Dso C#long to find F#out, but I found Eout

A7

A7Day tripper, day tripper yeah

The Beatles - Do You Want to Know a Secret (1963) Transpose up Transpose down

YoEmu’ll never know how much I reAmally lEmove you

YoGu’ll never know how much I reFally caB7re

LiEsten G#m7Gm7F#m7

Do you wB7ant to know a seEcret G#m7Gm7F#m7

Do you pB7romise not to tEell? G#m7WooGm7oohF#m7Cooh

ClEoser G#m7Gm7F#m7

Let me wB7hisper in your eEar G#m7Gm7F#m7

Say the wB7ords you long to hAearB7

I’m in love with C#myou, oF#m7ooooB6oo

LiEsten (G#m7Doo Gm7dah F#m7doo)

Do you wB7ant to know a seEcret (G#m7Doo Gm7dah F#m7doo)

Do you pB7romise not to tEell? G#m7WooGm7oohF#m7Cooh

ClEoser (G#m7Doo Gm7dah F#m7doo)

Let me wB7hisper in your eEar (G#m7Doo Gm7dah F#m7doo)

Say the wB7ords you long to hAearB7

I’m in love with C#myou, oF#m7oooooB6oo

Bridge

IA‘ve know the sF#m7ecret for the C#mweek or Bmtwo

NAobody kF#m7nows C#mjust we BmtwoF#m7B6

LiEsten (G#m7Doo Gm7dah F#m7doo)

Do you wB7ant to know a seEcret (G#m7Doo Gm7dah F#m7doo)

Do you pB7romise not to tEell? G#m7WooGm7oohF#m7Cooh

ClEoser (G#m7Doo Gm7dah F#m7doo)

Let me wB7hisper in your eEar (G#m7Doo Gm7dah F#m7doo)

Say the wB7ords you long to hAear B7

I’m in love with C#myou oF#m7oooooB6o C#m

Ooooo ooooo oF#m7oooo oB6oooo oC#moooo

Ooooo ooooo oF#m7oooo oB6oooo oC#moooo

Ooooo ooooo oF#m7oooo oB6oooo oC#moooo

The Beatles - Drive My Car (1965) Transpose up Transpose down

The G13’s are all G7 in the original

DG13DG13DG13A7

Vox are on C→B and G→G

DAsked a girl what she G13wanted to be

DShe said baby, G13can’t you see

DI wanna be famous, a G13star on the screen

Vox are on C and F... over A7!

Playing A13 makes it easier to find that C

But A7you can do something in between

Melody on F#.A.F#.D.F#.D.F

Harmony on D.F#.D.B.B.B.B or B.D.B.G.B.G.B

BmBaby you can drive my Gcar

BmYes I’m gonna be a Gstar

BmBaby you can drive my Ecar

And A7maybe I’ll Dlove youGA7

DI told a girl that my G13prospects were good

DAnd she said baby, it’s G13understood

DWorking for peanuts is G13all very fine

But A7I can show you a better time

BmBaby you can drive my Gcar

BmYes I’m gonna be a Gstar

BmBaby you can drive my Ecar

D→G→A7 is twice as fast here as in the previous chorus

And A7maybe I’ll Dlove youGA7

A7Beep beep’m beep beep yeah

Solo:

DGDGDGA7

Probably skip this whole chorus when acoustic

BmBaby you can drive my Gcar

BmYes I’m gonna be a Gstar

BmBaby you can drive my Ecar

And A7maybe I’ll Dlove youGA7

DI told a girl I can G13start right away

DAnd she said listen babe I got G13something to say

DI got no car and it’s G13breaking my heart

But A7I’ve found a driver and that’s a start

BmBaby you can drive my Gcar

BmYes I’m gonna be a Gstar

BmBaby you can drive my Ecar

And A7baby I Dlove youGA7

XBeep beep’m beep beep yeahD

G13Beep beep’m beep beep yeahD

G13Beep beep’m beep beep yeahD

G13Beep beep’m beep beep yeahD

The Beatles - Eight Days A Week (1964) Transpose up Transpose down

Originally in D, I play in G capo 1.

When not in the original key, I find the intro works

best arpeggiated slowly, rather than strummed.

The rest I like in a mid-tempo reggae beat.

Gadd9AC6Gadd9

GOoh I need your lA7ove babe

CGuess you know it’s trGue

GHope you need my lA7ove babe

CJust like I need yGou

EmHold me, lCove me

EmHold me, lA7ove me

GAin’t got nothin’ but lA7ove babe

CEight days a wGeek

GLove you every dA7ay girl

CAlways on my mGind

GOne thing I can sA7ay girl

CLove you all the tGime

EmHold me, lCove me

EmHold me, lA7ove me

GAin’t got nothin’ but lA7ove babe

CEight days a wGeek

DEight days a week

I lEmove you

A7Eight days a week

Is nCot enough to sD7how I care

GOoh I need your lA7ove babe

CGuess you know it’s trGue

GHope you need my lA7ove babe

CJust like I need yGou

EmHold me, lCove me

EmHold me, lA7ove me

GAin’t got nothin’ but lA7ove babe

CEight days a wGeek

DEight days a week

I lEmove you

A7Eight days a week

Is nCot enough to sD7how I care

GLove you every dA7ay girl

CAlways on my mGind

GOne thing I can sA7ay girl

CLove you all the tGime

EmHold me, lCove me

EmHold me, lA7ove me

GAin’t got nothin’ but lA7ove babe

CEight days a wGeek

CEight days a wGeek

CEight days a wGeek

Gadd9AC6Gadd9

The Beatles - From Me To You (1963) Transpose up Transpose down

Originally in C, I play in G capo 3.

Play on the fast side.

If there’sGanything that youEmwant

If there’s Ganything I can D7do

Just Ccall on me and I’ll Emsend it along

With Glove from mD7e to yoGu Em

I’ve got Geverything that you Emwant

Like a Gheart that’s oh so D7true

Just Ccall on me and I’ll Emsend it along

With Glove from mD7e to yoGu G7

I got Dm7arms that long to Ghold you

And Ckeep you by my Cside

I got A7lips that long to A7kiss you

And Dkeep you D+satisfied

If there’s Ganything that you Emwant

If there’s Ganything I can D7do

Just Ccall on me and I’ll Emsend it along

With Glove D7from me Gto you Em

GEmFrom me

GD7To you

Just Ccall on me and I’ll Emsend it along

With Glove from mD7e to yoGu G7

I got Dm7arms that long to Ghold you

And Ckeep you by my Cside

I got A7lips that long to A7kiss you

And Dkeep you D+satisfied

If there’s Ganything that you Emwant

If there’s Ganything I can D7do

Just Ccall on me and I’ll Emsend it along

With Glove from mD7e to yoGu

To Emyou

To EmM7you

To Emyou

Da da Gda da da da da Emda

The Beatles - Help! (1965) Transpose up Transpose down

G is a poor approximation of the chromatic run at the end

of the chorus, so if no one is playing the run, best not to

sing over it.

BmHelp! I need someBm/Abody

GHelp! Not just anyG/F#body

EHelp! You know I need someone

GHelp!

AWhen I was younger, so much C#myounger than today

F#mI never needed anybody’s Dhelp in Gany Away

ABut now those days are gone I’m C#mnot so self-assured

F#mNow I find I’ve changed my mind, I’ve Dopened Gup the Adoor

HBmelp me if you can I’m feeling down,Bm/Aand I

DGo appreciate you being ‘roundG/F#

EHelp me get my feet back on the ground, won’t you

GPlease please help me

AAnd now my life has changed in C#moh so many ways

F#mMy independence seemed to Dvanish Gin the Ahaze

ABut every now and then I C#mfeel so insecure

F#mI know that I just need you like I’ve DneverGdone Abefore

HBmelp me if you can I’m feeling down,Bm/Aand I

DGo appreciate you being ‘roundG/F#

EHelp me get my feet back on the ground, won’t you

GPlease please help me

AWhen I was younger, o much yC#mounger than today

F#mI never needed anybody’s Dhelp in Gany Away

ABut now those days are gone I’m C#mnot so self-assured

F#mI find I’ve changed my mind, I’ve oDpened Gup the Adoor

HBmelp me if you can I’m feeling down,Bm/Aand I

DGo appreciate you being ‘roundG/F#

EHelp me get my feet back on the ground, won’t you

GPlease please help F#mme help me help A6ooh

The Beatles - Hold Me Tight (1963) Transpose up Transpose down

Originally in F, I play in A capo 2

Vox in on the 3 of the key (the 6 of the chord)

AIt feE7els so right now

AHold me tD7ight

B7Tell me I’m the E7only one

And tAhen I mD7ight

NB7ever be the lE7onely one

So hAold me tiA7ght, toD7night, tDm7onight

It’s Ayou Dm7

You you yoAu E7

AHold me tD7ight

B7Let me go on E7loving you

TAonight toD7night

MB7aking love to oE7nly you

So hAold me tigA7ht, tonD7ight, toDm7night

It’s Ayou Dm7

You you yoAu C

Vox on the 3 of the chord on “know”

Don’t kA7now Cwhat it means to holA7d you tight

Vox on the 3 of the chords on “being” and “night”

D7Being here alBmone tonight with yoB7u

It E7feels so right now

AHold me tD7ight

B7Tell me I’m the E7only one

And tAhen I mD7ight

NB7ever be the lE7onely one

So hAold me tiA7ght, toD7night, tDm7onight

It’s Ayou Dm7

You you yoAu C

Don’t kA7now Cwhat it means to holA7d you tight

D7Being here alBmone tonight with yoB7u

It E7feels so right now

AHold me tD7ight

B7Let me go on E7loving you

TAonight toD7night

MB7aking love to oE7nly you

So hAold me tigA7ht, tonD7ight, toDm7night

It’s Ayou Dm7

You you yoAu-oo-Em7oo-hoo-Ahoo

The Beatles - I Feel Fine (1964) Transpose up Transpose down

Originally in G, I play in E

Vocals start on 5→bVII (D F)

B7B7A7E7

EBaby’s good to me, you know

She’s happy as can be, you know, she Bsaid so

I’m in love with A7her and I feel fiEne

EBaby says she’s mine, you know

She tells me all the time, you know, she Bsaid so

I’m in love with A7her and I feel fiEne

EI’m so G#mglad that Ashe’s my little B7girl

EShe’s so G#mglad, she’s A7telling all the B7world

That her Ebaby buys her things, you know

He buys her diamond rings, you know, she Bsaid so

B7She’s in love with A7me and I feel fiEne

Solo on verse chords if appropriate

EBaby says she’s mine, you know

She tells me all the time, you know, she Bsaid so

I’m in love with A7her and I feel fiEne

EI’m so G#mglad that Ashe’s my little B7girl

EShe’s so G#mglad, she’s A7telling all the B7world

That her Ebaby buys her things, you know

He buys her diamond rings, you know, she Bsaid so

B7She’s in love with A7me and I feel fiEne

B7She’s in love with A7me and I feel fiEne

The Beatles - I Saw Her Standing There (1963) Transpose up Transpose down

Vocals start “well” on the V, “just” on the I

Originally in E, I play in A capo 3

Well she was jA7ust seventeen, if you kD7now what I mA7ean

And the way she looked was way beyond compE7are

So hA7ow could I dA7ance with anDother, Fwhen I sA7aw her stE7anding thA7ere

Well sA7he looked at me, and D7I, I could sA7ee

That before too long I’d fall in love with E7her

SAhe wouldn’t dA7ance with anDother, Fwhen I sA7aw her stE7anding thA7ere

Well my hD7eart went boom when I crossed that room

And I held her hand in mEine D

Well we daA7nced through the night, and we hD7eld each other tA7ight

And before too long I fell in love with hE7er

Now IA‘ll never dA7ance with anDother, Fsince I sA7aw her stE7anding thA7ere

Well my hD7eart went boom when I crossed that room

And I held her hand in mEine D

Well we daA7nced through the night, and we hD7eld each other tA7ight

And before too long I fell in love with hE7er

Now IA‘ll never dA7ance with anDother, Fsince I sA7aw her stE7anding thA7ere

Since I sA7aw her stE7anding thA7ere

Since I sA7aw her stE7anding thA7ere A9

The Beatles - I Should Have Known Better (1964) Transpose up Transpose down

Originally in G, I play in D capo 1

DADADADA

DI ADshAould have known bDetter with a gAirl like yDouA

That I would lDove everythAing that you Bmdo

And I dGo, hey, hey, Ahey, and I Ddo AD

WAhoa, ooh

DI ADAnever realDized what a kAiss could Dbe A

This could Donly Ahappen to Bmme

Can’t you sGee, can’t you F#7see?

BmThat when I tGell you that I lDove you, F#7oh

BmYou’re gonna sGay you love me tDoo - oo - oo - oo - oo, oho D7

GAnd when I Aask you to be mDinBme

GYou’re gonna Asay you love me tDoo AD

SAo

DI ADshAould have realDized a lot of tAhings befDore A

If this is lDove you’ve gotta gAive me mBmore

Give me mGore, hey, hey, Ahey, give me mDore ADA

Solo if appropriate

DADADADA

DABmGADADA

DI ADAnever realDized what a kAiss could Dbe A

This could Donly Ahappen to Bmme

Can’t you sGee, can’t you F#7see?

BmThat when I tGell you that I lDove you, F#7oh

BmYou’re gonna sGay you love me tDoo - oo - oo - oo - oo, oho D7

GAnd when I Aask you to be mDinBme

You lAove me tDoo AD

You lAove me tDoo ADA

The Beatles - I Want To Hold Your Hand (1963) Transpose up Transpose down

I like this in the original key (G), so long as

I don’t go for the big “I can’t hide”

Also I only play a power chord with 6ths on the D’s

in the verses and the last D in the intro.

CDCDCD

Oh yeah GI’ll tell you Dsomething

EmI think you’ll underB7stand

When GI say that Dsomething

EmI wanna hold your B7hand

CI wanna Dhold your Gha---Emnd

CI wanna Dhold your Ghand

Oh Gplease say to Dme

EmYou’ll let me be your B7man

And Gplease say to Dme

EmYou’ll let me hold your B7hand

CYou’ll let me Dhold your Gha---Emnd

CI wanna Dhold your Ghand

DmAnd when I Gtouch you I feel Chappy inAmside

DmIt’s such a Gfeeling that my Dlove

CI can’t hDide

CI can’t hDide

CI can’t hDide

Yeah Gyou got that Dsomething

EmI think you’ll underB7stand

When GI hear that Dsomething

EmI wanna hold your B7hand

CI wanna Dhold your Gha---Emnd

CI wanna Dhold your Ghand

DmAnd when I Gtouch you I feel Chappy inAmside

DmIt’s such a Gfeeling that my Dlove

CI can’t hDide

CI can’t hDide

CI can’t hDide

Yeah Gyou, got that Dsomething

EmI think you’ll underB7stand

When GI, feel that Dsomething

EmI wanna hold your B7hand

CI wanna Dhold your Gha---Emnd

CI wanna Dhold your B7hand

CI wanna Dhold your Cha-a-a-a-andG

The Beatles - I'll Be Back (1964) Transpose up Transpose down

Harmonies on the root and the third.

A

You Amknow if you G6break my heart I’ll Fmaj7go

But EI’ll be back aAgain

‘Cause AmI told you G6once before goodFmaj7bye

But EI came back agAain

I love you F#mso, I’m the one who wBmants you

Yes I’m the one who Ewants you

DOh Eho, Doh Eho

Oh Amyou could find G6better things to Fmaj7do

Than to Ebreak my heart aAgain

This Amtime I will G6try to show that Fmaj7I’m

Not Etrying to Apretend

Vox on the 4, can just hit it briefly, or hold the 3 instead

Bm7I thought that you would C#mrealize that if I

F#mRan away from you

That B7you would want me too but

DI got a big surpE7rise

DOh Eho, Doh Eho

Oh Amyou could find G6better things to Fmaj7do

Than to Ebreak my heart aAgain

This Amtime I will G6try to show that Fmaj7I’m

Not Etrying to Apretend

I wanna F#mgo, but I hate to Bmleave you

You know I hate to E7leave you

DOh Eho, Doh Eho

Oh Amyou, if you G6break my heart I’ll Fmaj7go

But EI’ll be back aAgain

AmAAmA

The Beatles - I'll Follow the Sun (1964) Transpose up Transpose down

Originally in C, I play in A capo 1

AAadd9DA

EOne day Dyou’ll look Ato see I’ve Bgone

For toAmorrow may E/G#rain, so BI’ll Efollow the Asun Aadd9DA

ESome day Dyou’ll know AI was the Bone

But toAmorrow may E/G#rain, so BI’ll Efollow the Asun A7

And now the Dtime has come

And Dm7so my love I must Ago A7

And though I Dlose a friend

Dm7In the end you will Aknow, Bm7oh

EOne day Dyou’ll find Athat I have Bgone

For toAmorrow may E/G#rain so BI’ll Efollow the Asun Aadd9DA

Solo

EDAB

Yes, toAmorrow may E/G#rain, so BI’ll Efollow the Asun A7

And now the Dtime has come

And Dm7so my love I must Ago A7

And though I Dlose a friend

Dm7In the end you will Aknow, Bm7oh

EOne day Dyou’ll find Athat I have Bgone

For toAmorrow may E/G#rain, so BI’ll Efollow the Asun Aadd9DA

The Beatles - I'll Get You (1963) Transpose up Transpose down

Originally in Db, I play in A capo 3

Harmonies in octaves on the oh yea’s

“oh” on the 3

Oh Ayeah, oh Eyeah

Oh Ayeah, oh Eyeah

The “I’m” is on the 6

ImAagine, I’m in love with you

It’s Deasy ‘cause I Eknow

The “I’m” is on the maj7

I’ve imAagined, I’m in lovF#me with you

DMany, many, many times beEfore

It’s not Alike me to preEm7tend

But I’ll Aget you, I’ll get you in the F#mend

Yes I Dwill, I’ll get you in the eEnd

Oh Ayeah, oh Eyeah

I Athink about you night and day

I Dneed you, ‘cause it’s tErue

When I Athink about you, F#mI can say

I’m Dnever, never, never, never bElue

So I’m Atelling you, my fEm7riend

That I’ll Aget you, I’ll get you in the F#mend

Yes I Dwill, I’ll get you in the Eend

Oh Ayeah, oh Eyeah

Well there’Ds gonna be a time

When I’m gAonna change your mind

So you mB7ight as well resign yourself to Eme, oh yeah

ImAagine, I’m in love with you

It’s Deasy ‘cause I Eknow

I’ve imAagined, I’m in lovF#me with you

DMany, many, many times beEfore

It’s not Alike me to preEm7tend

But I’ll Aget you, I’ll get you in the F#mend

Yes I Dwill, I’ll get you in the eEnd

Oh Ayeah, oh Eyeah

Oh Ayeah, oh Eyeah

AYeah

The Beatles - I'm Happy Just To Dance With You (1964) Transpose up Transpose down

Originally in C#m, I play in Bm

BmBmEmF#x2

Before this Bmdance is through

I think I’ll Emlove yoF#u too

I’m so G6happy when you A6dance with D6me A7

I don’t Dwant to kiss or Bmhold your hand EmA7

If it’s Dfunny try and Bmunderstand EmA7

There is Greally nothing else I’d rather DdoBm

‘Cause I’m Ghappy just to Aaugdance with Dyou A7

I don’t Dneed to hug or Bmhold you tight EmA7

I just Dwanna dance with Bmyou all night EmA7

In this Gworld there’s nothing I would rather Ddo Bm

‘Cause I’m Ghappy just to Aaugdance with Dyou

Just to Bmdance with you EmF#(oh oh)

Is Bmeverything I Emneed F#(oh oh)

Before this Bmdance is through

I think I’ll Emlove yoF#u too

I’m so G6happy when you A6dance with D6me A7

If someDbody tries to Bmtake my place EmA7

Let’s preDtend we just can’t see his Bmface EmA7

In this Gworld there’s nothing I would rather Ddo Bm

Cause I’m Ghappy just to Aaugdance with Dyou

Just to Bmdance with you EmF#(oh oh)

Is Bmeverything I Emneed F#(oh oh)

Before this Bmdance is through

I think I’ll Emlove yoF#u too

I’m so G6happy when you A6dance with D6me A7

If someDbody tries to Bmtake my place EmA7

Let’s preDtend we just can’t see his Bmface EmA7

In this Gworld there’s nothing I would rather Ddo Bm

I’ve disGcovered I’m in Aauglove with Bmyou

EmOh F#oh

‘Cause I’m Ghappy just to Aaugdance with Bmyou

EmOh F#oh

G6Oh A6oh

D6Oh

The Beatles - I'm Looking Through You (1965) Transpose up Transpose down

Originally in Ab as G capo 1, I play in D, highest note is the b3 (“*you’re* not the same”)

Intro

D/AA/DDGadd9DGadd9

Vox on 3 4 6 1 of the key on “I’m looking through”

DI’m Gadd9lookD/F#ing Emthrough you, Bm7where did you Ago

DI Gadd9thought D/F#I Emknew you, Bm7what did I Aknow

Bm7You don’t look Em7different, but Dyou Gadd9have cAhanged

DI’m Gadd9lookD/F#ing Emthrough you, Gadd9you’re not the saDme

DGadd9

DGadd9

DGadd9

DYour Gadd9lips D/F#are Emmoving, Bm7I cannot Ahear

DYour Gadd9voice D/F#is Emsoothing, Bm7but the words aren’t Aclear

Bm7You don’t sound Em7different, I’ve Dlearned Gadd9the Agame

DI’m Gadd9lookD/F#ing Emthrough you, Gadd9you’re not the saDme

DGadd9

DGadd9

DGadd9

DGadd9

Vox on the 3 of the chord on “why”

Gadd9Why, tell me why, did you not Dtreat me right

Gadd9Love has a nasty habit of Asus4disappearing Aovernight

DYou’re Gadd9thinkD/F#ing Emof me, Bm7the same old Away

DYou Gadd9were D/F#aEmbove me, Bm7but not toAday

Bm7The only Em7difference is Dyou’re Gadd9down Athere

DI’m Gadd9lookD/F#ing Emthrough you, Gadd9and you’re nowDhere

DGadd9

DGadd9

DGadd9

DGadd9

Gadd9Why, tell me why, did you not Dtreat me right

Gadd9Love has a nasty habit of Asus4disappearing Aovernight

DI’m Gadd9lookD/F#ing Emthrough you, Bm7where did you Ago

DI Gadd9thought D/F#I Emknew you, Bm7what did I Aknow

Bm7You don’t look Em7different, but Dyou Gadd9have cAhanged

DI’m Gadd9lookD/F#ing Emthrough you, Gadd9you’re not the saDme

DGadd9

DYeah, well, Gadd9baby, you’ve DchangedGadd9

DAh, Gadd9I’m looking Dthrough Gadd9you

DYeah,Gadd9I’m looking Dthrough Gadd9you

D

The Beatles - I've Just Seen a Face (1965) Transpose up Transpose down

Originally in A, by myself I play in G.

With two voices, I play in C capo 4.

Alone (in G), I play a version of the triplet intro that’s more

or less the following (twice):

E|-7-10-5-7-3-5-|
B|-0-0--0-0-0-0-|
G|-0-0--0-0-0-0-|
D|-9-0--7-7-5-5-|

G

GI’ve just seen a face I can’t forget the time or place where we just

EmMet she’s just the girl for me and I want all the world to see we’ve

CMet mmm mmm Dmmm mmm-mmm Gmmm

GHad it been another day I might have looked the other way and

EmI’d have never been aware but as it is I’ll dream of her

TonCight, dai dai Ddai dai-dum Gdai

DFalling yes I am Cfalling and she keeps

GCalling Cme back aGgain

GI have never known the like of this I’ve been alone and I have

EmMissed things and kept out of sight but other girls were never quite like

CThis, dai dai Ddai dai-dun Gdai

DFalling yes I am Cfalling and she keeps

GCalling Cme back aGgain

Solo on verse if appropriate

DFalling yes I am Cfalling and she keeps

GCalling Cme back aGgain

GI’ve just seen a face I can’t forget the time or place where we just

EmMet she’s just the girl for me and I want all the world to see we’ve

CMet mmm mmm Dmmm da-da Gdai

DFalling yes I am Cfalling and she keeps

GCalling Cme back aGgain

DFalling yes I am Cfalling and she keeps

GCalling Cme back aGgain DG

The Beatles - If I Fell (1964) Transpose up Transpose down

Vox on 1 2 3 of the chord on “If I fell”

If I Ebmfell in love with you

Would you Dpromise to be true

And hDbelp me Bbmunderstand

‘Cause I’ve Ebmbeen in love before

And I Dfound that love was more

Than Em7just holding Ahands

The vox on the second chord are the high point,

so I delay that syllable a half-beat when solo.

If I Dgive Em7my F#m7heart to Em7you

I Amust be sure from the

DVerEm7y F#m7start that Emyou would

ALove me more than Dher Gm7A

If I Dtrust Em7in F#m7you, oh Em7please don’t

ARun and hide

If I lDove Em7you F#m7too, oh Em7please, don’t

AHurt my pride like D9her

‘Cause I couldn’t stand the Gpain

And Gm7I would be sad if our new Dlove was in A7vain

So I Dhope Em7you’ll F#m7see

That Em7I would Alove to love you

DAnd Em7that F#m7she will Em7cry

When Ashe learns we are D9two

‘Cause I couldn’t stand the Gpain

And Gm7I would be sad if our new Dlove was in A7vain

So I Dhope Em7you’ll F#m7see

That Em7I would Alove to love you

DAnd Em7that F#m7she will Em7cry

When Ashe learns we are Dtwo

If I Gm7fell in love with Dyou Gm7D

The Beatles - In My Life (1965) Transpose up Transpose down

AE7AE7

There are Aplaces EI reF#mmember A7/G

All my DliDmfe, though Asome have changed

Some foreAver, Enot for F#mbetter A7/G

Some have DgoDmne, and Asome remain

All these F#mplaces have their Dmoments

With Glovers and friends I Astill can recall

Some are F#mdead and some are Bliving

In Dm7my life I’ve Aloved them all

AE7

But of Aall these Efriends and F#mlovers A7/G

There is Dno Dmone comApares with you

AAnd these memories Elose their F#mmeaning A7/G

When I Dthink ofDmlove as Asomething new

Though I F#mknow I’ll never lose afDfection

For Gpeople and things that Awent before

I F#mknow I’ll often stop and think aBbout them

In Dm7my life I Alove you more

Solo if appropriate on verse chords

AEF#mA7DDm6AE

AEF#mA7DDm6AEA

Though I F#mknow I’ll never lose afDfection

For Gpeople and things that Awent before

I F#mknow I’ll often stop and think aBbout them

In Dm7my life I Alove you more

AE

In Dm7my life I Xlove you Amore E7A

The Beatles - It Won't Be Long (1963) Transpose up Transpose down

Originally in C#m, I play in Bm

Vox on the 4 of the first chord on “it won’t be”

It won’t beBmlong yeah (yeah) yeah (yeah) yeah

It won’t be lDong yeah (yeah) yeah (yeah) yeah

It won’t be Bmlong yeah (yeah) till GI beG7b9long to yDou

D

Vox on the 1

DEvery night when eA#verybody has fDun

DHere I am sA#itting all on my oDwn

D

It won’t beBmlong yeah (yeah) yeah (yeah) yeah

It won’t be lDong yeah (yeah) yeah (yeah) yeah

It won’t be Bmlong yeah (yeah) till GI beG7b9long to yDou

Since you lDeft me IC#aug‘m so alone

Now you’re cAmoming you’re coB7ming on home

IG‘ll be good like I kA7now I should

You’re coming Em7home you’re coming hA7ome

DEvery night the teA#ars come down from my eDyes

DEvery day IA#‘ve done nothing but cDry

It won’t beBmlong yeah (yeah) yeah (yeah) yeah

It won’t be lDong yeah (yeah) yeah (yeah) yeah

It won’t be Bmlong yeah (yeah) till GI beG7b9long to yDou

Since you lDeft me IC#aug‘m so alone

Now you’re cAmoming you’re coB7ming on home

IG‘ll be good like I kA7now I should

You’re coming Em7home you’re coming hA7ome

DEvery day wA#e’ll be happy I kDnow

DNow I know that yA#ou won’t leave me no mDore

It won’t be Bmlong yeah (yeah) yeah (yeah) yeah

It won’t be lDong yeah (yeah) yeah (yeah) yeah

Hanging stop on “I belong”

It won’t be Bmlong yeah (yeah) till GI belong to you

F6E7D#maj7Dmaj7

The Beatles - Love Me Do (1962) Transpose up Transpose down

GCGC

GLove, love me dCo

You kGnow I love yCou

I’ll alGways be tCrue

So Cpleeeeeease

Love me Gdo CGC

GLove, love me dCo

You kGnow I love yCou

I’ll alGways be tCrue

So Cpleeeeeease

Love me Gdo CGG

DSomeone to love, soCmebody nGew

DSomeone to love, soCmeone like yGou

GLove, love me dCo

You kGnow I love yCou

I’ll alGways be tCrue

So Cpleeeeeease

Love me Gdo CGG

DSomeone to love, soCmebody nGew

DSomeone to love, soCmeone like yGou

GLove, love me dCo

You kGnow I love yCou

I’ll alGways be tCrue

So Cpleeeeeease

Love me Gdo CGC

Fade with lots of Paul-esque Love-me-do’s

GCGC

The Beatles - Michelle (1965) Transpose up Transpose down

Originally in Cm, I play in Em

Play the intro riff up high on 123, then drop to open chords

EmEmM7Em7Em6

AmAmadd9AmAm7B

EMichelle, Am7ma belle

D6These are words that Gdim7go together

BWell,F#7b9my MicBhelle

EMichelle, Am7ma belle

D6Sont les mots quit Gdim7vont tres biens

EnsBemble F#7b9tres biens ensBemble

I Emlove you, I love you, I love you

G7That’s all I want to Csay

BUntil I find a wayEm

I will sayEmthe EmM7only Em7words I Em6know

That you’llAmAmadd9AmAm7underBstand

EMichelle, Am7ma belle

D6Sont les mots quit Gdim7vont tres biens

EnsBemble F#7b9tres biens ensBemble

I Emneed to, I need to, I need to

G7I need to make you Csee

BOh what you mean to meEm

And untilEmI EmM7do I’m Em7hoping Em6you

Will knowAmAmadd9AmAm7what I Bmean

I usually play the solo chords even without a solo

EmI love you Am7

D6Gdim7BF#7b9B

I Emwant you, I want you, I want you

G7I think you know by Cnow

BI’ll get to you somehowEm

And untilEmI EmM7do I’m Em7telling Em6you

So you’llAmAmadd9AmAm7underBstand

EMichelle, Am7ma belle

D6Sont les mots quit Gdim7vont tres biens

EnsBemble F#7b9tres biens ensBemble

I will sayEmthe EmM7only Em7words I Em6know

That you’llAmAmadd9AmAm7underBstand

EmI love you Am7

The Beatles - Misery (1963) Transpose up Transpose down

Originally in C, I play in A or A capo 1

Rubato intro, then fast reggae with barre chords

D

The woDrld is treating me Ebad

AMisery F#mE

AI’m the kind of Dguy

Who neveAr used to Dcry

The worlDd is treating me badE

AMisery F#m

I’ve Alost her now for Dsure

I Awon’t see her no Dmore

It’s Dgonna be a Edrag

AMisery

F#mI’ll remember all the little Athings we’ve done

F#mCan’t she see she’ll always be tEhe only one, only one

ASend her back to Dme

‘Cause Aeveryone can Dsee

WithDout her I will Ebe in

AMisery

F#mI’ll remember all the little Athings we’ve done

F#mShe’ll remember and she’ll miss her Eonly one, lonely one

ASend her back to Dme

‘Cause Aeveryone can Dsee

WithDout her I will Ebe in

AMisery

F#mOooh in miAsery

F#mOooh miseryA

F#mLa la la la la Amisery

The Beatles - Norwegian Wood (1965) Transpose up Transpose down

Originally in D capo 2, so really in E.

I play in D or D capo 1.

DDDCadd9G/BD/A

DI once had a D11girl or should I Dsay Cadd9she once G/Bhad D/Ame

DShe showed me her D11room isn’t it Dgood Cadd9NorwegG/Bian D/Awood

She Dmasked me to stay and she told me to sit anyGwhere

But DmI looked around and I noticed there wasn’t a Em7chairA

DI sat on a D11rug biding my Dtime Cadd9drinking G/Bher D/Awine

DWe talked until D11two and then she Dsaid Cadd9it’s time G/Bfor D/Abed

DDDCadd9G/BD/A

She Dmtold me she worked in the morning and started to Glaugh

I Dmtold her I didn’t and crawled off to sleep in the Em7bath A

DAnd when I aD11woke I was aDlone Cadd9this bird G/Bhad D/Aflown

DSo I lit a D11fire isn’t it Dgood Cadd9NorwegG/Bian D/Awood

DDDCadd9G/BD/A

The Beatles - Nowhere Man (1965) Transpose up Transpose down

Originally in D, capo 2; I play in D

Let ring, vox start on the 5

DHe’s a real Anowhere man

GSitting in his Dnowhere land

Instruments enter

EmMaking all his Gmnowhere plans for Dnobody

DDoesn’t have a Apoint of view

GKnows not where he’s Dgoing to

EmIsn’t he a biGmt like you and Dme

Nowhere F#mman please Glisten

You don’t knF#mow what you’re Gmissing

Nowhere F#mman the Em7world is at your commandA7

Solo, if appropriate, else skip

DAGD

EmGmDD

DHe’s as blind as Ahe can be

GJust sees what he Dwants to see

EmNowhere man can Gmyou see me at Dall

Nowhere F#mman don’t Gworry

Take your F#mtime don’t Ghurry

Leave it F#mall till Em7somebody else lends you a handA7

DDoesn’t have a Apoint of view

GKnows not where he’s Dgoing to

EmIsn’t he a biGmt like you and Dme

Nowhere F#mman please Glisten

You don’t knF#mow what you’re Gmissing

Nowhere F#mman the Em7world is at your commandA7

DHe’s a real Anowhere man

GSitting in his Dnowhere land

EmMaking all his Gmnowhere plans for Dnobody

EmMaking all his Gmnowhere plans for Dnobody

EmMaking all his Gmnowhere plans for Dnobody

The Beatles - P.S. I Love You (1962) Transpose up Transpose down

Originally in D, I play in A capo 3

DAs I wG#7rite this lAetter, sDend my lG#7ove to yAou

RemDember thG#7at I’ll aAlways bAe in loE7ve with yAou

TrAeasure these few wBmords till we’re togAether

Keep aEll my love foreF#mver, EP.S. I love Fyou, Fyou yGou yAou

AI’ll be coming hBmome again to Ayou love

UntEil the day I F#mdo love, EP.S. I love Fyou, Fyou Gyou Ayou

DAs I write this lAetter

SDend my love to yAou

RemDember that I’ll aAlways

BAe in lE7ove with yAou

TrAeasure these few wBmords till we’re togAether

Keep aEll my love foreF#mver, EP.S. I love Fyou, Fyou yGou yAou

DAs I write this lAetter (oooh)

SDend my love to yAou (you know I want you to)

RemDember that I’ll aAlways (yeah)

BAe in lE7ove with yAou

I’llAbe coming home Bmagain to you Alove

UntEil the day I F#mdo love, EP.S. I love Fyou, Fyou Gyou Ayou

FYou Gyou Ayou

FI loGve yoAu

The Beatles - Please Please Me (1962) Transpose up Transpose down

I play this in E (the original key), which mostly rules out

the high ‘Please Please Me’; I keep that one at E.

E

One voice stays on the 1 the whole time

ELast night I said these words to Amy EgirlGAB

EI know you never even Atry Egirl

Come oAn (come on), come F#mon (come on)

Up to the 1 of the key on the second “come on”

Come C#mon (come on), come Aon

Please Eplease me, whoa Ayeah

Like BI please Eyou

EYou don’t need me to show the AwayEgirlGAB

EWhy do I always have to Asay Egirl

Come oAn (come on), come F#mon (come on)

Come C#mon (come on), come Aon

Please Eplease me, whoa Ayeah

Like BI please Eyou

AI don’t want to sound complaining

BBut you know there’s always rain in Emy heart (in my heart)

AI do all the pleasing with you

BIt’s so hard to reason with Eyou

Oh yAeah, why Bdo you make me Eblue

ELast night I said these words to Amy EgirlGAB

EI know you never even Atry Egirl

Come oAn (come on), come F#mon (come on)

Come C#mon (come on), come Aon

Please Eplease me, whoa yAeah

Like BI please Eyou

(Please Eplease me) whoa yAeah

Like BI please Eyou

(Please Eplease me) whoa yAeah

Like BI please Eyou GCBE

The Beatles - She Loves You (1963) Transpose up Transpose down

I play the chorus with tight hits on “loves you”.

Originally in G, I play in D.

She loBmves you, yeah, yeah, yeah

She loE7ves you, yeah, yeah, yeah

She lGoves you, yeah, yeah, yeah, yDeah

You thDink you lost your loBm7ve, well

I F#msaw her yesterAday

It’s Dyou she’s thinking oBm7f and

She tF#mold me what to sAay

She said she Dloves you

And you know that can’t be Bmbad

Yes she Gmloves you and you

Know you should be Aglad

She sDaid you hurt her Bm7so

She F#malmost lost her miAnd

But nDow she said she knBm7ows

You’re F#mnot the hurting kiAnd

She said she Dloves you

And you know that can’t be Bmbad

Yes she Gmloves you and you

Know you should be Aglad

She loBmves you, yeah, yeah, yeah

She loE7ves you, yeah, yeah, yeah

Vox down a half-step from “yeah” to “love”

(“love” on the 3 of the chord)

With a lGmove like that, you kA7now you should be glaDd

You Dknow it’s up to Bm7you

I tF#mhink it’s only faAir

PrideDcan hurt you Bm7too

ApF#mologize to hAer

Because she Dloves you

And you know that can’t be Bmbad

Yes she Gmloves you and you

Know you should be Aglad

She loBmves you, yeah, yeah, yeah

She loE7ves you, yeah, yeah, yeah

With a lGmove like that, you kA7now you should be glaDd Bm

With a lGmove like that, you kA7now you should be glaDd Bm

Soft stop on “should”

With a lGmove like that, you kA7now you should...

Be glaDd yeah yeah yeah Bmyeah yeah yeah

GYeah yeah yeah

D6Yeah

The Beatles - Tell Me Why (1964) Transpose up Transpose down

Originally in D, I play in A

Vocal note: don’t try the original melody on “anything

else I can do“. Do anything but that.

Dm7GDm7GDm7GGG

Vox on the 3

Tell me CwhyAmyou cried

DmAnd why youG7lied toCme Dm7G7

Tell me CwhyAmyou cried

DmAnd why youG7lied toCme Dm7G7

Well, I gCave you everything I hAmad

But you Dmleft me sitting on my G7own

Did you Chave to treat me oh so Ambad?

All I Dmdo is hang my head and G7moan

Tell me CwhyAmyou cried

DmAnd why youG7lied toCme Dm7G7

Tell me CwhyAmyou cried

DmAnd why youG7lied toCme Dm7G7

If it’s Csomething that I’ve said or Amdone

Tell me Dmwhat and I’ll apoloG7gise

If you Cdon’t, I really can’t go Amon

Holding Dmback these tears in my G7eyes

Tell me CwhyAmyou cried

DmAnd why youG7lied toCme Dm7G7

Tell me CwhyAmyou cried

DmAnd why youG7lied toCme Dm7G7

Well, I F7beg you on my bended knees

If you’ll G7only listen to my pleas

Is there Amanything I can do?

Cause I Dm7really can’t stand it

I’m G7so in love with Cyou Dm7G7

Tell me CwhyAmyou cried

DmAnd why youG7lied toCme Dm7G7

Tell me CwhyAmyou cried

DmAnd why youG7lied toAm7me

G#7Gsus4G6C

The Beatles - The Night Before (1965) Transpose up Transpose down

Originally in D, I play it in A, capo 2

AACCDDEE

AWe said our goodGbyes (Dah the nEight before)

LAove was in your eGyes (Dah the nEight before)

F#mNow today I fDm6ind F#myou have changed your mDm6ind

ATreat me like you dD7id the night beAfore CD

AWere you telling lGies (Dah the nEight before)

AWas I so unwiGse (aDh the niEght before)

F#mWhen I held you nDm6ear F#myou were so sinDm6cere

TAreat me like you dD7id the night bAefore

Bridge, vox on 4 3 of the chord on “last night”

LEmast night is the niA7ght I will remDember you by

Vox on 3 1 of the chord on “when I”

WF#mhen I think of thB7ings we did it mE7akes me wanna cry

AWe said our goodGbyes (Dah the nEight before)

LAove was in your eGyes (Dah the niEght before)

F#mNow today I fDm6ind F#myou have changed your mDm6ind

TAreat me like you dD7id the night beAfore CD

Solo if appropriate

AGDEx 2

F#mWhen I held you nDm6ear F#myou were so sinDm6cere

TAreat me like you dD7id the night bAefore

Bridge

LEmast night is the niA7ght I will remDember you by

WF#mhen I think of thB7ings we did it mE7akes me wanna cry

WAere you telling lGies (Dah the nEight before)

AWas I so unwGise (Dah the niEght before)

F#mWhen I held you nDm6ear F#myou were so sinDm6cere

TAreat me like you dDid the night beAfore

CLike the night befAore

The Beatles - There's a Place (1963) Transpose up Transpose down

Originally in E, I play in C (highest note is the 5) (“don’t you *know* that it’s so”

CFCF

Vox on the (low) 3

There...

Vox on the 5 on “is”

Is a Cplace, Fwhere I can Cgo

FWhen I feel Clow, Amwhen I feel G7blue

And it’s my EmmindF, and there’s no Ctime F

When I’m aDmlone Am7

I...

Think of Cyou, Fand things you Cdo

FGo round my Chead Am7the things you G7said

Like ‘I Flove only G7you

Am7In my mind there’s no Dsorrow

CDon’t you know that it’s E7so

Am7There’ll be no sad toDmorrow

CDon’t you know that it’s E7so? Am7

There...

Is a Cplace, Fwhere I can Cgo

FWhen I feel Clow, Amwhen I feel G7blue

And it’s my EmmindF, and there’s no Ctime F

When I’m aDmlone Am7

There’s a Cplace F

There’s a Cplace F

There’s a Cplace F

The Beatles - Things We Said Today (1964) Transpose up Transpose down

Am

AmYou say Emyou will Amlove me, Amif I Emhave to goAm

YAmou’ll be tEmhinking Amof me, somehow EmI will kAmnow

SComeday when I’m lC7onely, wiFshing you weren’t so fBbar away

TAmhen I wEmill reAmmember things we sEmaid todAmay

AmYou say Emyou’ll be Ammine girl, Amtill theEmend of Amtime

TAmhese days sEmuch a kAmind girl, sAmeems so Emhard to fAmind

SComeday when we’re dC7reaming, dFeep in love not a lBbot to say

TAmhen we wEmill reAmmember things we sEmaid todAay

MeAI’m just the lucDky kind, lovB7e to hear you saE7y that love is lovAe

And though we mayDbe blind, lovB7e is here to stBb7ay and that’s...

EAmnough to Emmake you mAmine girl, be the Emonly Amone

LAmove me aEmll the tAmime girl, we’ll go Emon and Amon

SComeday when we’re dC7reaming, dFeep in love not a lBbot to say

TAmhen we wEmill reAmmember things we sEmaid todAay

MeAI’m just the lucDky kind, lovB7e to hear you saE7y that love is lovAe

And though we mayDbe blind, lovB7e is here to stBb7ay and that’s

EAmnough to Emmake you mAmine girl, be the Emonly Amone

LAmove me aEmll the tAmime girl, we’ll go Emon and Amon

SComeday when we’re dC7reaming, dFeep in love not a lBbot to say

TAmhen we wEmill reAmmember things we sEmaid todAmay

Am

The Beatles - This Boy (1963) Transpose up Transpose down

Originally in D, I play in C

CAm7Dm7Gx2

Harmonies on the 3,5,7; solo I sing the 3

CThat boy AmDmtook my G7love aCwaAmy

DmOh, he’ll regrG7et it somedCaAmy

Hang on “this” and “wants”

But tDm7his boy wG7ants you back aCgain AmDmG7

CThat boy AmDmisn’t G7good for youCAm

DmThough he may wG7ant you Ctoo Am

Hang on “this” and “wants”

TDm7his boy wG7ants you back aCsus4gain CC9

Vox on 5 3 of the chord on “this boy”

Oh, and tFhis boy, would be hE7appy

Just to lAmove you, but oh CmyC7

TFhat boy won’t be hD7appy

Hard stop on “cry”

TGill he’s seen you cry

CThis boy AmDmwouldn’t mindG7the paiCn Am

DmWould always fG7eel the Csame Am

Hard stop on “this” and “gets”

If tDm7his boy, gG7ets you back agCain AmDmG7

CThis boy AmDmG7

CThis boy AmDmG7

CThis boy AmDmG7C

The Beatles - Ticket to Ride (1965) Transpose up Transpose down

Originally in A, I play it in G, which makes the high

harmony at least plausible (on I)

In G, I avoid the open chord and play it @ 3

G

I Gthink I’m gonna be sad I think it’s today, yeah

The girl that’s driving me mad is going aAmwayD

ShEme’s got a ticket to riC7de, sEmhe’s got a ticket to rFmaj7ide

SEmhe’s got a ticket to riDde and she don’t caGre

She Gsays that living with me is bringing her down, yea

But she will never be free when I was around, AmohD

EmShe’s got a ticket to C7ride, Emshe’s got a ticket toFmaj7ride

EmShe’s got a ticket to rDide and she don’t cGare

I dCon’t know why she’s riding so high

She ought to think twice she ought to do right by Dme D7

BefCore she gets to saying goodbye

She ought to think twice she ought to do right by Dme D7

I thGink I’m gonna be sad I think it’s today, yeah

The girl that’s driving me mad is going aAmwayD

ShEme’s got a ticket to riC7de, sEmhe’s got a ticket to rFmaj7ide

SEmhe’s got a ticket to riDde and she don’t caGre

My baby don’t careG

My baby don’t careG

My baby don’t careG

My baby don’t careG

The Beatles - Twist and Shout (1963) Transpose up Transpose down

Originally in D, I play in A

ADEx2

Well shake it up bAaby now (shDake it up bEaby)

Twist and shAout (twDist and shEout)

Come on, come on, come on, come on, bAaby now (cDome on bEaby)

Come on and work it on oAut (wDork it on oEut!)

Well work it on oAut (wDork it on oEut)

You know you look so goAod (lDook so gEood)

You know you got me gAoin’ now (gDot me gEoin’)

Just like I knew you woAuld (like I kDnew you wEould)

Well shake it up bAaby now (shDake it up bEaby)

Twist and shAout (twDist and shEout)

Come on, come on, come on, come on, bAaby now (cDome on bEaby)

Come on and work it on oAut (wDork it on oEut)

You know you twist it little gAirl, (twDist little gEirl)

You know you twist so fAine (twDist so fEine)

Come on and twist a little clAoser now (twDist a little cEloser)

And let me know that you’re mAine (let me kDnow you’re mEine, ooh!)

ADEEx4

EAhh ahh aE7hh ahh ahh yeah!

BAaby now (shDake it up bEaby)

Twist and shAout (twDist and shEout)

Come on, come on, come on, come on, bAaby now (cDome on bEaby)

Come on and work it on oAut (wDork it on oEut, ooh!)

You know you twist it little Agirl (tDwist little giErl)

You know you twist so fAine (twDist so fEine)

Come on and twist a little clAoser now (twDist little clEoser)

And let me know that you’re mAine (let me kDnow you’re mEine ooh!)

Well shake it shake it shake it bAaby now (sDhake it up bEaby)

Well shake it shake it shake it bAaby now (sDhake it up bEaby)

Well shake it shake it shake it bAaby now (sDhake it up bEaby)

EAhh ahh aE7hh ahh

EFF#GG#AA9

The Beatles - Wait (1965) Transpose up Transpose down

The verse is originally played on just strings 2 and 3, descending

It’s been a F#m7long B/F#time

NBm/F#ow F#mI’m cC#7oming back F#mhome

I’ve been aF#m7way nB/F#ow

Bm/F#Oh F#mhow C#7I’ve been aF#mlone

A6Wait Dmaj7till I A6come backDmaj7to your sidA6eDmaj7

We’ll fA6orget the tC#7ears we’ve cF#mried

But if your hF#7meart brB/F#eaks

Bm/F#Don’t F#mwait, C#7turn me F#maway

And if your F#m7heart’s stB/F#rong

Bm/F#HoldF#mon, C#7I won’t deF#mlay

A6WaitDmaj7till I A6come bacDmaj7k to your siA6deDmaj7

We’ll forA6get the tC#7ears we’ve cF#mried

Bridge

I feel as thBough you ought to Eknow

That I’ve been Agood as good as I can F#mbe

And if you Bdo I’ll trust in Eyou

And know thatAyou will wait forC#7sus4meC#7

It’s been a F#m7long tiB/F#me

Bm/F#Now F#mI’m C#7coming back F#mhome

I’ve been F#m7away nB/F#ow

Bm/F#Oh F#mhow C#7I’ve been aF#mlone

A6WaitDmaj7till I A6come bacDmaj7k to your siA6deDmaj7

We’ll forA6get the tC#7ears we’ve cF#mried

Bridge

I feel as thBough you ought to Eknow

That I’ve been Agood as good as I can F#mbe

And if you Bdo I’ll trust in Eyou

And know thatAyou will wait forC#7sus4meC#7

It’s been a F#m7long tB/F#ime

NBm/F#ow F#mI’m C#7coming back F#mhome

I’ve been F#m7away nB/F#ow

Bm/F#Oh F#mhow C#7I’ve been aF#mlone

A6WaitDmaj7till I cA6ome bacDmaj7k to your siA6deDmaj7

We’ll forA6get the tC#7ears we’ve cF#mried

It’s been a F#m7long tB/F#ime

NBm/F#ow F#mI’m C#7coming back F#mhome

No guitar

I’ve been aF#m7way nB/F#ow

Bm/F#Oh, F#mhow C#7I’ve been alonF#me

The Beatles - We Can Work It Out (1965) Transpose up Transpose down

Originally in D, I play in A capo 1.

I skip all the sus4’s.

ATry to see it Asus4my Away

Do I have to Asus4keep on talking Gtill I can’t go Aon

AWhile you see it yAsus4our wAay

ARun the risk of knowAsus4ing that our lGove may soon be gAone

DWe can work it Aout

DWe can work it Eout

AThink of what you’re Asus4say Aing

AYou can get it Asus4wrong and still you Gthink that it’s all Aright

AThink of what I’m Asus4say Aing

AWe can work it Asus4out and get it Gstraight or say goodnAight

DWe can work it Aout

DWe can work it Eout

F#mLife is very short andF#m/Ethere’s noDtimC#7e

In A, just play the same chords as the previous line, skip

the descending pattern

For C#fussing and F#mfighting, myF#m/EfriendF#m/DF#m/C#

F#mI have always thought that F#m/Eit’s a DcrimC#7e

So C#I will F#mask you F#m/Eonce F#m/DagainF#m/C#

ATry to see it Asus4my Away

Only time wilAsus4l tell if I am rGight or I am wroAng

AWhile you see it yAsus4our wAay

AThere’s a chance that wAsus4e might fall aGpart before too lAong

DWe can work it Aout

DWe can work it Eout

F#mLife is very short andF#m/Ethere’s noDtimC#7e

For C#fussing and F#mfighting, myF#m/EfriendF#m/DF#m/C#

F#mI have always thought that F#m/Eit’s a DcrimC#7e

So C#I will F#mask you F#m/Eonce F#m/DagainF#m/C#

ATry to see it Asus4my Away

Only time wilAsus4l tell if I am rGight or I am wroAng

AWhile you see it yAsus4our wAay

AThere’s a chance that wAsus4e might fall aGpart before too lAong

DWe can work it Aout

DWe can work it Eout

AAsus2AAsus4A

The Beatles - Yes It Is (1965) Transpose up Transpose down

Originally in E, I play in D

D

DIf you wear rGed tonEm7ightA7

DRemember what I sGaid tonCightA7

For Bmred is the color that my Gbaby wore

AnCd what’s more, it’s Bmtrue

DYes it is

D

DScarlet were the Gclothes she Em7woreA7

DEverybody Gknows I’m CsureA7

BmI would remember all the tGhings we planned

CUnderstand, it’s Bmtrue

DYes it is, it’s true, D7yes it is

AmI could be D7happy with Gyou by my Emside

AmIf I could forD7get her, but

BmIt’s my pride, yes it is, Dyes it is

Oh, yes it E7is, yA7eah

DPlease don’t wear rGed tonEm7ightA7

DThis is what I saGid toniCghtA7

For Bmred is the color that will mGake me blue

In spite Cof you, it’s Bmtrue

DYes it is, it’s true, D7yes it is

AmI could be D7happy with Gyou by my Emside

AmIf I could forD7get her, but

BmIt’s my pride, yes it is, Dyes it is

Oh, yes it E7is, yA7eah

DPlease don’t wear rGed tonEm7ightA7

DThis is what I saGid toniCghtA7

For Bmred is the color that will mGake me blue

In spite Cof you, it’s Bmtrue

DYes it is it’s tF#rue

DYes it is it’s tGrue

The Beatles - Yesterday (1965) Transpose up Transpose down

Originally in F (as G down 1), I play in D.

D

3 #4 #5 of the key on “all my troub”

DYesterday,C#m7all my F#7troubles seemed so fBmar awayBm7/A

GNow it lAooks as A7though they’re herDe to stay

AOh, Bm7I belE7ieve in yGesterDday

DSuddenly, C#m7I’m not F#7half the man I Bmused to beBm7/A

GThere’s a Ashadow A7hanging Dover me

Oh Bm7yesterE7day came GsuddenDly

F#7Why she Bmhad Ato Ggo

BmI don’t Aknow, she A7wouldn’t Dsay

F#7I said BmsomeAthing Gwrong, Bmnow I

ALong for A7yesterDday

DYesterday, lC#m7ove was F#7such an easy Bmgame to play Bm7/AG

Now I Aneed a A7place to Dhide away

Oh, Bm7I belE7ieve in GyesterDday

F#7Why she Bmhad Ato Ggo

BmI don’t Aknow, she A7wouldn’t Dsay

F#7I F#7said BmsometAhing Gwrong Bmnow I

ALong for A7yesterDday

DYesterday, lC#m7ove was F#7such an easy Bmgame to play Bm7/AG

Now I Aneed a A7place to Dhide away

Oh, Bm7I belE7ieve in GyesterDday

BmMmm mmm-mE7mm mmm mGmm mDmm mmm

The Beatles - You're Going to Lose that Girl (1965) Transpose up Transpose down

Vox start on 3 5 3 6 on “you’re gonna lose”...

Let chords ring in the intro

You’re gonna Elose that girl C#m

(Yes yes you’re gonna lose that girl)

You’re gonna F#mlose that B7girl

(Yes yes you’re gonna lose that girl)

EIf you don’t take her G#mout tonight

She’s gonna F#mchange her mindB7

(She’s gonna change her mind)

EAnd I will take her G#mout tonight

And I will F#mtreat her kindB7

(I’m gonna treat her kind)

You’re gonna Elose that girl C#m

(Yes yes you’re gonna lose that girl)

You’re gonna F#mlose that B7girl

(Yes yes you’re gonna lose that girl)

EIf you don’t treat her G#mright my friend

You’re gonna F#mfind her goneB7

(You’re gonna find her gone)

E‘Cause I will treat her G#mright and then

You’ll be the F#mlonely oneB7

(You’re not the only one)

You’re gonna Elose that girlC#m

(Yes yes you’re gonna lose that girl)

You’re gonna F#mlose that B7girl

(Yes yes you’re gonna lose that girl)

B7You’re gonna F#mloDse

(Yes yes you’re gonna lose that girl)

Bridge

Vox on b3 3 b3 3 of the chord on “I’ll make a point”

GI’ll make a point of Ctakin’ her away from Gyou

(Watch what you do) yeah

GThe way you treat her Cwhat else can I Fdo?

Solo if appropriate, with “you’re gonna lose that girl”

EG#mF#mB7x 2

You’re gonna Elose that girlC#m

(Yes yes you’re gonna lose that girl)

You’re gonna F#mlose that B7girl

(Yes yes you’re gonna lose that girl)

B7You’re gonna F#mloDse

(Yes yes you’re gonna lose that girl)

Bridge

GI’ll make a point of Ctakin’ her away from Gyou

(Watch what you do) Yeah

GThe way you treat her Cwhat else can I Fdo?

EIf you don’t take her G#mout tonight

She’s gonna F#mchange her mindB7

(She’s gonna change her mind)

EAnd I will take her G#mout tonight

And I will F#mtreat her kindB7

(I’m gonna treat her kind)

You’re gonna Elose that girlC#m

(Yes yes you’re gonna lose that girl)

You’re gonna F#mlose that B7girl

(Yes yes you’re gonna lose that girl)

B7You’re gonna F#mloDse Athat Egirl

The Beatles - You've Got to Hide Your Love Away (1965) Transpose up Transpose down

G

GHere I sDsus4tand Fadd9head in hGand

CTurn my face to thFadd9e wallC

GIf she’s Dsus4gone I Fadd9can’t go Gon

FCeeling two foot Fadd9small CD

GEverywDsus4here Fadd9people sGtare

CEach and every Fadd9day C

GI can Dsus4see them lFadd9augh at mGe

ACnd I hear them Fadd9sayCD

GHey, you’ve got to Chide your love Dsus4away DDsus2D

GHey, you’ve got to Chide your love Dsus4away DDsus2D

GHow can Dsus4I Fadd9even Gtry

CI can never Fadd9winC

GHearing Dsus4them, sFadd9eeing tGhem

CIn the state I’m iFadd9nCD

GHow could Dsus4she Fadd9say to Gme

C“Love will find a Fadd9way“?C

GGather Dsus4around, Fadd9all you cGlowns

CLet me hear you Fadd9sayCDD/CD/BD/A

GHey, you’ve got to Chide your love Dsus4away DDsus2D

GHey, you’ve got to Chide your love Dsus4away DDsus2D

Solo if appropriate

GDsus4Fadd9GCFadd9C

GDsus4Fadd9GCFadd9C

G

The Big Bopper - Chantilly Lace (1958) Transpose up Transpose down

Originally in Eb, I play in A, which will feel high

Spoken over intro

Hello baby

Yeah this is the Big Bopper speakin’

Aw you sweet thing

Do I what? Will I what?

Oh baby you know what I like

Intro, hard stop at the end

EAEADAEA

Vox on 5 6 5 7 of the key on “chantilly lace”

Chantilly Elace and a pretty face

And a ponyAtail hangin’ down

That wiggle in the Ewalk and giggle in the talk

AMake the world go round

There ain’t Dnothin’ in the world like a big-eyed girl

That Amake me act so funny, make me spend my money

EMake me feel real loose like a long-necked goose

Hard stop on “girl”

Like a Agirl, oh baby, that’s what I like

Spoken

EWhat’s that baby? ABut, but

EBut, Aoh honey

DBut, Aoh, baby, you kEnow what I like A

Chantilly Elace and a pretty face

And a ponyAtail hangin’ down

That wiggle in the Ewalk and giggle in the talk, lord

AMake the world go round round round

There ain’t Dnothin’ in the world like a big-eyed girl

That Amake me act so funny, make me spend my money

EMake me feel real loose like a long-necked goose

Like a Agirl, oh baby, that’s what I like

Spoken

EWhat’s that honey? APick you up at eight?

EAnd don’t be late? ABut baby

DI ain’t got no money honey A

EOh alright honey you kAnow what I like

Chantilly Elace and a pretty face

A ponyAtail hangin’ down

A wiggle in the Ewalk and a giggle in the talk, lord

AMake the world go round

There ain’t Dnothin’ in the world like a big-eyed girl

That Amake me act so funny, make me spend my money

EMake me feel real loose like a long-necked goose

Like a Agirl, oh baby, that’s what I like

EA

The Chiffons - One Fine Day (1963) Transpose up Transpose down

Originally in Gb, Carole King plays in F, I play in A

AF#mDEx2

Vox on the 5 of the key on “one fine” and “you’ll look”

Then up to the 1 of the key on “and you will know”

AOne fine day, Eyou’ll look at me

F#mAnd you will know our love was Dmeant to Dmbe

AOne fine F#mday Dyou’re gonna Ewant me for your Agirl

AF#mDE

AThe arms I long for Ewill open wide

F#mAnd you’ll be proud to have me Dright by your Dmside

AOne fine F#mday Dyou’re gonna Ewant me for your Agirl

AD/AAA

Vox stays on the root, i.e. comes in on 1→2

in the key (4 → 5 in the chord) on “though I”

Em7Though I Aknow you’re the Em7kind of Aboy

DWho only Dmaj7wants to run aD6round Dadd9

F#m7I’ll keep Bwaiting and F#m7someday Bdarling

Resist the temptation to go up on “down”

EYou’ll come to me when you want to settle E7down, oh

AOne fine day Ewe’ll meet once more

F#mAnd then you’ll want the love you Dthrew away beDmfore

AOne fine F#mday Dyou’re gonna Ewant me for your Agirl

AOne fine F#mday Dyou’re gonna Ewant me for your Agirl

AD/AA

The Coasters - Charlie Brown (1959) Transpose up Transpose down

Originally in Bb, I play in E

Let ring on 1 and 3

IMO the melody is on the 5

EFe fe fi fi fo fo fum

I smell smoke in the E7auditorium

Band enters, at time

Charlie ABrown, Charlie Brown

He’s a Eclown, that Charlie Brown

He’s Bgonna get caught, Ajust you wait and see

Hard stop on “why”

EWhy’s everybody always pickin’ on me?

Let ring on 1 and 3 again

That’s hEim on his knees, I know that’s him

Yeah when seven come eleven down, in the boys’ gym

Charlie ABrown, Charlie Brown

He’s a Eclown, that Charlie Brown

He’s Bgonna get caught, Ajust you wait and see

EWhy’s everybody always pickin’ on me?

Bridge

AWho’s always writing on the wall?

GWho’s always goofin’ in the hall?

AWho’s always throwin’ spit balls?

Guess Bwho! Who, me? Yeah, you!

Who wEalks in the classroom cool and slow?

Who calls the English, teacher Daddy-O?

Charlie ABrown, Charlie Brown

He’s a Eclown, that Charlie Brown

He’s Bgonna get caught, Ajust you wait and see

EWhy’s everybody always pickin’ on me?

Solo on the ringing part, and a chorus

E

AAEEBAE

Who wEalks in the classroom cool and slow?

Who calls the English, teacher Daddy-O?

Charlie ABrown, Charlie Brown

He’s a Eclown, that Charlie Brown

He’s Bgonna get caught, Ajust you wait and see

EWhy’s everybody always pickin’ on me?

The Coasters - Yakety Yak (1959) Transpose up Transpose down

Originally in G, I play in D

Vox on the 1, harmony ends up on the 5 on “trash”

Take out the papers and the Dtrash

Or you don’t get no spending Gcash

If you don’t scrub that kitchen Afloor

Hard stop before this line, band back in on “more”

You ain’t gonna rock and roll no Dmore

Another hard stop after “yak”

DYakety yak, don’t talk back

Band back in “room”

Just finish cleaning up your Droom

Let’s see that dust fly with that Gbroom

Get all that garbage out of Asight

Or you don’t go out Friday Dnight

DYakety yak, don’t talk back

You just put on your coat and Dhat

And walk yourself to the laundry Gmat

And when you finish doing Athat

Bring in the dog and put out the Dcat

DYakety yak, don’t talk back

Solo, with a hard stop on the second I, both times

DGADx2

Don’t you give me no dirty Dlooks

Your father’s hip, he knows what Gcooks

Just tell your hoodlum friends outAside

You ain’t got time to take a Dride

Yakety yDak, don’t talk back

Yakety yak, yakety yaDk

Yakety yak, yakety yaDk

Yakety yak, yakety yaDk

Yakety yak, yakety yaDk

The Contours - Do You Love Me (1962) Transpose up Transpose down

Originally in F, I play in A, highest note is the 5 “do you *love* me”

Intro, let ring, more or less spoken

AYou broke my heart

D‘Cause I couldn’t dance

EYou didn’t even want me aF#mround

Hard stop on “back”

And now I’m Eback, to let you know

I can really shake ‘em down

E7

Vox on the 5

Do you Alove me? (I can Dreally Emove)

Do you Alove me? (I’m Din the Egroove)

Now do you Alove? (DDo you Elove me?)

DNow that DmI can E7dance

Watch me now, hey (Awork, work)

Ah, Dwork it out Ebaby (Awork, work)

Well, you’re Ddrivin’ me Ecrazy (Awork, work)

Just a Dlittle bit of Esoul now (Awork)

E7

I can Amash-potato (I can Dmash-poEtato)

I can Ado the twist (I can Ddo the Etwist)

Now Atell me baby (Dtell me Ebaby)

Ah do you lAike it like this (do you Dlike it like Ethis)

ETell me (Etell me)

Do you Alove me? (DDo you Elove me)

Now do you Alove me? (DDo you Elove me)

Now do you Alove me? (DDo you Elove me)

DNow that DmI can E7dance (dance)

Watch me now, hey (Awork, work)

Aw Dshake it uEp, shake it (Awork, work)

Aw Dshake ‘em, shake ‘em Edown (Awork, work)

Aw, a Dlittle bit of Esoul now (Awork)

E7

Ah, Dshake it, shake it Ebaby (Awork, work)

Ah, you’re Ddriving me Ecrazy (Awork, work)

Ah, Ddon’t get Elazy (Awork)

E7

I can Amash-potato (I can Dmash-poEtato)

I can Ado the twist (I can Ddo the Etwist)

Well now Atell-a me baby (Dtell me Ebaby)

Do you lAike it like this (do you Dlike it like Ethis)

E7Tell me (tell me), tell me

Do you Alove me? (DDo you Elove me)

Now do you Alove me? (DDo you Elove me)

Now do you Alove me? (DDo you Elove me)

DNow that DmI can E7dance (dance)

C#9

The Crystals - Da Doo Ron Ron (1962) Transpose up Transpose down

Originally in Eb, I play in G

Intro

G

I Gmet him on a Monday and my Cheart stood still

Da Ddoo ron ron ron, da Gdoo ron ron

GSomebody told me that his Cname was Bill

Da Ddoo ron ron ron, da Gdoo ron ron

GYes, my Cheart stood still

GYes, his Dname was Bill

GAnd when he wCalked me home

Da Ddoo ron ron ron, da Gdoo ron ron

He Gknew what he was doin’ when he Ccaught my eye

Da Ddoo ron ron ron, da Gdoo ron ron

He lGooked so quiet but Cmy oh my

Da Ddoo ron ron ron, da Gdoo ron ron

GYes, he cCaught my eye

GYes, but Dmy oh my

GAnd when he Cwalked me home

Da Ddoo ron ron ron, da Gdoo ron ron

GCDa Ddoo ron ron ron, da Gdoo ron ron

GCDa Ddoo ron ron ron, da Gdoo ron ron

He pGicked me up at seven and he Clooked so fine

Da Ddoo ron ron ron, da Gdoo ron ron

GSomeday soon I’m gonna Cmake him mine

Da Ddoo ron ron ron, da Gdoo ron ron

GYes, he Clooked so fine

GYes, I’ll Dmake him mine

GAnd when he Cwalked me home

Da Ddoo ron ron ron, Gda doo ron ron

With yeah’s

Da Gdoo ron ron ron, da Cdoo ron ron

Da Ddoo ron ron ron, da Gdoo ron ron

Da Gdoo ron ron ron, da Cdoo ron ron

Da Ddoo ron ron ron, da Gdoo ron ron

The Dave Clark Five - Because (1964) Transpose up Transpose down

Originally in G, I play in E

EE+E6E+

It’s Eright that E+I should care aE6bout you E7

And F#mtry to make you happy when you’re bBlue B+

It’s riEght, it’s riE+ght to fAeel the way I Amdo

BecaEuse, becaF#muse B7I love yEou

F#mIt’s wrong to Bsay I don’t think of Eyou C#m

F#m‘Cause when you Bsay these things

You F#7know it makes me Bblue B+

GEive me one kE+iss and I’ll be hE6appy E7

F#mJust, just to be here with Byou B+

Give Eme, give E+me, a Achance to be Amnear you

BecEause, becF#mause B7I love Eyou CB

Organ solo

EE+E6E7

F#mBECB

GEive me one kE+iss and I’ll be hE6appy E7

F#mJust, just to be here with Byou B+

Give Eme, give E+me, a Achance to be Amnear you

BecEause, becF#mause B7I love Eyou C#7

BecF#mause, becB7ause I love yEou

G6/9

The Dave Clark Five - Glad All Over (1964) Transpose up Transpose down

Originally in D, I play in A

Intro

ADA

You sDay that you lAove me (sDay you Alove me)

DAll of the Atime (Dall of the Atime)

You Dsay that you Aneed me (Dsay you Aneed me)

You’ll Dalways be Amine (Dalways be Amine)

Vox on 5 6 b7 of the key on “I’m feelin’”

I’m feelin’ Eglad all over

Yes I’m Aglad all over

Baby I’m Eglad all over

So glad you’re Amine DAD

DI’ll make you Ahappy (Dmake you Ahappy)

You’ll nDever be Ablue (Dnever be Ablue)

DYou’ll have no Asorrow (Dhave no Asorrow)

‘Cause I’ll aDlways be Atrue (Dalways be Atrue)

And I’m feelin’ Eglad all over

Yes I’m Aglad all over

Baby I’m Eglad all over

So glad you’re Amine DAD

Vox on the 3 of the chord

FOther girls, may try to take me aAway (Dtake me aAway)

DBut you know, it’s by your side I will E7stay

I’ll Dstay

Our love will Alast now (Dour love will Alast)

Till the Dend of Atime (Dend of Atime)

DBecause this Alove now (Dbecause this Alove)

Is only Dyours and Amine (Dyours and Amine)

And I’m feelin’ Eglad all over

Yes I’m Aglad all over

Baby I’m Eglad all over

So glad you’re Amine DAD

FOther girls, may try to take me aAway (Dtake me aAway)

DBut you know, it’s by your side I wll E7stay

I’ll Dstay

Key change, which I don’t bother with

Our love will A#last now (D#our love will Alast)

Till the D#end of A#time (D#end of Atime)

D#Because this A#love now (D#because this A#love)

Is gonna be D#yours and A#mine (Dyours and A#mine)

And I’m feelin’ Fglad all over

Yes I’m A#glad all over

Baby I’m Fglad all over

So glad you’re A#mine D#A#D#

I’m D#so glad you’re A#mine now D#A#

I’m D#so glad you’re A#mine now D#A#

I’m D#so glad you’re A#mine now D#

A#Whoa whoa D#whoa whoa A#whoa

The Del-Vikings - Come and Go With Me (1957) Transpose up Transpose down

Originally in G#, I play in G capo 1

GDom dEmom dom dom Amdom, dD7om de-doobie x3

GDom Amwah wah wah wGah

Well, lGove, love me, Emdarling

AmCome and D7go with me

GDon’t Emsend me

AmWay beyD7ond the sea

GI need you Emdarling

AmSo come D7go with Gme EmAmD7

GCome, come, Emcome

AmCome inD7to my heart

GTell me Emdarling

AmWe will D7never part

GI need you Emdarling

AmSo come D7go with Gme AmG

C7Yes I need you, yes I really need you

GPlease say you’ll never leave me

C7Well say you never, yes you really never

Hard stop on “never”

You D7never give me a chance

GCome, come, come, cEmome

AmCome inD7to my heart

GTell me Emdarling

GCome, come, Emcome

AmCome inD7to my heart

GTell me Emdarling

AmWe will D7never part

GI need you Emdarling

AmSo come D7go with Gme, yeah AmG

Solo on chorus chords, then verse chords

C7GC7D7G

GEmAmD7x 3

GAmG

C7Yes I need you, yes I really need you

GPlease say you’ll never leave me

C7Well say you never, yes you really never

D7You never give me a chance

GI love you Emdarling

AmCome and D7go with me

GCome home Emwith me

AmBaby D7I’m to see

GI need you Emdarling

AmSo come D7go with Gme Em

AmCome onD7, go with Gme

The Dixie Cups - Chapel of Love (1964) Transpose up Transpose down

Originally in D, I play in A, highest note that matters is the 3, but there’s a lot of 3

Starts a cappella

AGoing to the chapel and we’re gonna get married

BmGoing to the E7chapel and we’re Bmgonna get mE7arried

Band enters

AGee I really love you and we’re gonna get married

BmGoing to the E7chapel of lAove

ASpring is here, the sky is blue, whoa-oh-oh

BmBirds all E7sing as iBmf they kE7new

AToday’s the day, Awe’ll A7say I doF#7

And we’ll Bmnever be E7lonely anymAore

Because we’re Agoing to the chapel and we’re gonna get married

BmGoing to the E7chapel and we’re Bmgonna get mE7arried

AGee I really love you and we’re gonna get married

BmGoing to the E7chapel of lAove

ABells will ring, the sun will shine, whoa-oh-oh

BmI’ll be E7his, and hBme’ll be mE7ine

AWe’ll love until, Athe A7end of tiF#7me

And we’ll Bmnever be E7lonely anymAore

Because we’re Agoing to the chapel and we’re gonna get married

BmGoing to the E7chapel and we’re Bmgonna get mE7arried

AGee I really love you and we’re gonna get married

BmGoing to the E7chapel of lAove, yeah yeah yeah yeah

BmGoing to the E7chapel of lAove

The Drifters - Save The Last Dance For Me (1960) Transpose up Transpose down

Originally in E, I play in D

D

DYou can dance every dance with the guy who gives you the eye

Let him Ahold you tight

You can Asmile every smile for the man who held your hand

‘Neath the Dpale moonlight

But don’t forGget who’s taking you home

And in whose arms you’re Dgonna be

So Adarling, save the last dance for Dme

DOh I know that the music’s fine like sparkling wine

Go and Ahave your fun

Laugh and Asing but while we’re apart

Don’t give your heart to Danyone

But don’t forGget who’s taking you home

And in whose arms you’re Dgonna be

So Adarling, save the last dance for Dme

Baby don’t you know I Alove you so

Can’t you feel it when we Dtouch

I will never never Alet you go

Cause I love you oh so Dmuch

You can Ddance, go and carry on

Till the night is gone and it’s Atime to go

If he Aasks if you’re all alone can he take you home

You must Dtell him no

But don’t forGget who’s taking you home

And in whose arms you’re Dgonna be

So Adarling, save the last dance for Dme

Solo

ADAD

‘Cause don’t forGget who’s taking you home

And in whose arms you’re Dgonna be

So Adarling, save the last dance for Dme

ASave the last dance for Dme

ASave the last dance for Dme

The Drifters - This Magic Moment (1960) Transpose up Transpose down

Originally in C, I play in A

Intro

AF#mDE

This magic Amoment, so F#mdifferent and so new

Was like any Dother, until EI kissed you

And then it Ahappened, it F#mtook me by surprise

I knew that you Dfelt it too, by the Elook in your eyes

Sweeter than F#mwine

Softer than the Dsummer night

Everything I Awant I have, whenever I Ehold you tight

This magic Amoment, while your F#mlips are close to mine

Will last forDever, forEever till the end of Atime

Oh, F#moh, oh, oDh

Oooh, Eoooh

String solo

AF#mDE

Sweeter than F#mwine

Softer than the Dsummer night

Everything I Awant I have, whenever I Ehold you tight

This magic Amoment, while your F#mlips are close to mine

Will last forDever, forEever till the end of Atime

Oh, F#moh, magic moDment

Magic moEment

A

The Drifters - Under the Boardwalk (1964) Transpose up Transpose down

Originally in G, I play in D

D

Oh the sDun beats down and melts the tar upon the rAoof

And your sAhoes get so hot you wish your tired feet were firepDroofD7

Under the bGoardwalk, down by the Dsea

On a bDlanket with my baby Ais where I’ll Dbe

Don’t go down to the low octave here, stay in the melody octave

Under the bBmoardwalk, out of the sun

Under the bAoardwalk, we’ll be having some fun

Under the bBmoardwalk, people walking above

Under the bAoardwalk, we’ll be making love

Under the bBmoardwalk, boardwalk

From a pDark nearby happy sounds from a carouselA

You can alAmost taste the hot dogs and french fries they sellDD7

Under the bGoardwalk, down by the Dsea

On a bDlanket with my baby Ais where I’ll beD

Under the bBmoardwalk, out of the sun

Under the bAoardwalk, we’ll be having some fun

Under the bBmoardwalk, people walking above

Under the bAoardwalk, we’ll be making love

Under the bBmoardwalk, boardwalk

Solo on half verse

DAAD

Under the bGoardwalk, down by the Dsea

On a bDlanket with my baby Ais where I’ll Dbe

Under the bBmoardwalk, out of the sun

Under the bAoardwalk, we’ll be having some fun

Under the bBmoardwalk, people walking above

Under the bAoardwalk, we’ll be making love

Under the bBmoardwalk, boardwalk

The Everly Brothers - All I Have to Do Is Dream (1958) Transpose up Transpose down

EC#m7AB

EDrea-ea-ea-ea-C#m7eam, Adream, dream, Bdream

EDrea-ea-ea-ea-C#m7eam, Adream, dream, Bdream

When EI want C#m7you Ain my Barms

When EI want C#m7you Aand all your Bcharms

WhenEever I C#m7want you, Aall I have to Bdo is

EDrea-ea-ea-ea-C#m7eam, Adream, dream, Bdream

When EI feel C#m7blue Ain the Bnight

And EI need C#m7you Ato hold me Btight

WhenEever I C#m7want you, Aall I have to Bdo is

EDrea-Aee-Eeam E7

AI can make you mine, G#m7taste your lips of wine

F#m7Anytime B7night or Eday E7

AOnly trouble is, G#m7gee whiz

I’m F#dreamin’ my life B7away

I Eneed you C#m7so Athat I could Bdie

I Elove you C#m7so Aand that is Bwhy

WhenEever I C#m7want you, Aall I have to Bdo is

EDrea-Aee-Eeam E7

AI can make you mine, G#m7taste your lips of wine

F#m7Anytime B7night or Eday E7

AOnly trouble is, G#m7gee whiz

I’m F#dreamin’ my life B7away

I Eneed you C#m7so Athat I could Bdie

I Elove you C#m7so Aand that is Bwhy

WhenEever I C#m7want you, Aall I have to Bdo is

EDrea-ea-ea-ea-C#m7eam, Adream, dream, Bdream

EDrea-ea-ea-ea-C#m7eam, Adream, dream, Bdream

EDream

The Everly Brothers - Bye Bye Love (1957) Transpose up Transpose down

Originally in A, I play in G capo 2 (still in A)

With two guitars, it’s cool to have one playing in G capo 2

A and one playing in D capo 7.

Intro, chords change on the downbeats

GGA#CGGGGx 2

CBye bye Glove, Cbye bye Ghappiness

CHello Gloneliness

I Gthink I’m a-Dgonna Gcry-y

CBye bye Glove, Cbye bye Gsweet caress

CHello Gemptiness

I Gfeel like DI could Gdi-ie

Bye Gbye, my Dlove, goodGby-ye

There goes my D7baby with-a someone Gnew

She sure looks D7happy, I sure am Gblue

She was my Cbaby till he stepped Din

Goodbye to romance that might have GbeenG7

CBye bye Glove, Cbye bye Ghappiness

CHello Gloneliness

I Gthink I’m a-Dgonna Gcry-y

CBye bye Glove, Cbye bye Gsweet caress

CHello, Gemptiness

I Gfeel like DI could Gdi-ie

Bye Gbye, my Dlove, goodGby-ye

I’m a-through with D7romance, I’m a-through with Glove

I’m through with-a D7countin’ the stars aGbove

And here’s the Creason that I’m so Dfree

My lovin’ baby is a-through with Gme G7

CBye bye Glove, Cbye bye Ghappiness

CHello Gloneliness

I Gthink I’m a-Dgonna Gcry-y

CBye bye Glove, Cbye bye Gsweet caress

CHello, Gemptiness

I Gfeel like DI could Gdi-ie

Bye Gbye, my Dlove, goodGby-ye

Bye Gbye, my Dlove, goodGby-ye

Bye Gbye, my Dlove, goodGby-ye

The Everly Brothers - Cathy's Clown (1960) Transpose up Transpose down

Originally in G, I play in E

as upbeat, syncopated barre chords

EBEBEBE

Both vox lines come in the 5 on “don’t”, 6 on “love”

Don’t want your Elove BEBany EmoreBE

Don’t Bwant your EkisseBs EBthat’s for EsureBE

I Bdie each C#mtime I hear this AsoundB

Here he EcoBmesEthat’s BCathy’s Eclown BE

I’ve gotta stand Etall AE

You know a Aman can’t EcrawlAE

For when he Aknows you tell lies and he C#mhears ‘em passin’ Aby

He’s Bnot a man at EallAE

Don’t want your Elove BEBany EmoreBE

Don’t Bwant your EkisseBs EBthat’s for EsureBE

I Bdie each C#mtime I hear this AsoundB

Here he EcoBmesEthat’s BCathy’s Eclown BE

When you see me shed a Etear AEand you know that it’s sinEcere AE

Don’t ya think it’s kinda Asad that you’re C#mtreatin’ me so Abad

Or Bdon’t you even Ecare AE

Don’t want your Elove BEBany EmoreBE

Don’t Bwant your EkisseBs EBthat’s for EsureBE

I Bdie each C#mtime I hear this AsoundB

Here he EcoBmesEthat’s BCathy’s Eclown

BEThat’s BCathy’s Eclown

BEThat’s BCathy’s Eclown

The Everly Brothers - Wake Up Little Susie (1957) Transpose up Transpose down

DFGFx 4

DWake up little Susie, wake up FGFD

DWake up little Susie, wake up FGFD

We bGoth been sDound aslGeep, wake Gup little SuDsie and wGeep

The movGie’s ovDer, it’s foGur o’cloDck and weG‘re in trDouble deGep

Wake up little SuAsieG, wake up little ASusie

This is I→V in the original, I prefer I→bVII

WAhat are we gonna tGell your maAmma?

WAhat are we gonna tGell your pAa?

WAhat are we gonna tGell our Afriends when they say “ooh la la”

Wake up little SusDie, Awake up little SuDsie

Well I toDld your momma that you’d be in by ten

Well now SuGsie baby looks like we goofed again

Wake up little SusAie,Gwake up little SuAsie, we gotta go home

DFGFx 2

DWake up little Susie, wake up FGFD

DWake up little Susie, wake up FGFD

The moGvie wDasn’t so hGot, it dGidn’t have mDuch of a pGlot

We fGell asDleep, our goGose is coDoked, our repGutaDtion is sGhot

Wake up little SAusieG, wake up liAttle Susie

WAhat are we gonna tGell your maAmma?

WAhat are we gonna tGell your pAa?

WAhat are we gonna tGell our Afriends when they say “ooh la la”

Wake up little SusDie,Awake up little SuDsie

AWake up little SusDie

DFGFx 2

D

The Everly Brothers - When Will I Be Loved (1960) Transpose up Transpose down

Everly Brothers in B, Linda Ronstadt in E, I play in A

This arrangement follows the Ronstadt version a little more

than the Everly Brothers version.

Let ring, basically just the I, as per Ronstadt arrangement

AI’ve been DcheaEted

ABeen misDtreaEted

AWhen will DI Ebe Aloved?

Now come in with the rock

AI’ve been Dturned Edown

AI’ve been Dpushed ‘Eround

AWhen will DI Ebe Aloved?

DWhen I meet a Enew girl

DThat I want for Amine

She Dalways breaks my Eheart in two

Slash chords are from the Ronstadt arrangement

It D/F#happens every E/G#time

AI’ve been Dmade Eblue

AI’ve been Dlied Eto

AWhen will DI Ebe Aloved? DE

Optionally solo on verse chords

AI’ve been DcheaEted

ABeen misDtreaEted

AWhen will DI Ebe Aloved?

DWhen I meet a Enew girl

DThat I want for Amine

She Dalways breaks my Eheart in two

It D/F#happens every E/G#time

AI’ve been DcheaEted

ABeen misDtreaEted

AWhen will DI Ebe Aloved?

AWhen will DI Ebe Aloved?

AWhen will DI Ebe Aloved?

The Five Satins - In the Still of the Night (1956) Transpose up Transpose down

Originally in F#, I play in C

Intro, with “shoo-doo, shooby-doo”

CAmFG

Vox on the 5 on “still”

In the Cstill of the Amnight

I Fheld you, held you Gtight

Cause I Clove, love you Amso

Promise I’ll Fnever let you gGo

In the still of the Cnight FC

I rememFber that night in May

The sCtars were bright above

I’ll hFope and I’ll pray

Hard stops after “keep”

To kGeep your precious love

Well befCore the Amlight

Hold me agaFin with all of your Gmight

In the still of the Cnight FCG

Solo, with “doo-bop, doo-bah”

CAmFGx2

So befCore the Amlight

Hold me agaFin with all of your Gmight

Hang on the V at the end of this line

In the still of the Cnight FG

A cappella, V implied

In the still of the...

CNight AmFGC

The Four Seasons - Walk Like a Man (1963) Transpose up Transpose down

Originally in Bb, I play in E capo 2

EAEA

The first “weee” is on the 2 7 of the chord (5 3 of the key)

EOoo Aweee ooo Eooo Aooo Eweee, Awalk, Ewalk, Awalk

EOoo Aweee ooo Eooo Aooo Ewalk Alike a EmaBn

EOh, how you F#m7tried to Ecut me down to F#m7size

ETellin’ dirty F#m7lies to my Efriends F#m7

But Emy own F#m7father said Egive her up, don’t F#m7bother

Hard stop on “end”

The Eworld isn’t F#m7comin’ to an Eend

He said...

AWalk like a Dman, Atalk like a Dman

AWalk like a C#mman my BmsonE

ANo woman’s Dworth Acrawlin’ on the Dearth

So Awalk like a C#mman, my DsoBn

EOoo Aweee ooo Eooo Aooo Eweee, Awalk, Ewalk, Awalk

EOoo Aweee ooo Eooo Aooo Ewalk Alike a EmaBn

EBye-aye F#m7baby, I Edon’t-a mean F#m7maybe

EGonna get aloF#m7ng someEhow F#m7

ESoon you’ll be F#m7cryin’ on Eaccount of all your F#m7lyin’

Oh Eyeah, just F#m7look who’s laughin’ Enow

I’m gonnna...

AWalk like a Dman, Afast as I Dcan

AWalk like a C#mman from BmyouE

AI’ll tell the Dworld forgAet about it, Dgirl

And Awalk like a C#mman from DyoBu

EOoo Aweee ooo Eooo Aooo Eweee, Awalk, Ewalk, Awalk

EOoo Aweee ooo Eooo Aooo Ewalk Alike a EmaBn

The Four Tops - I Can't Help Myself (Sugar Pie Honey bunch) (1965) Transpose up Transpose down

Originally in C, I play in G

Intro

G

Ooooh, sGugar pie, honey bunch, you know that DI love you

I can’t heAmlp myself, I love you and nCobody else D

GIn and out my life, you come and you Dgo

Leaving just your piAmcture behind, and I’ve kissed it a thCousand times D

GWhen you snap your finger, or wink your eye, I come a-rDunning to you

I’m tied to your aAmpron strings, and there’s nothing that CI can do D

Short solo

GD

I can’t hAmelp myself, no, I can’t hCelp myself D

‘Cause, sGugar pie, honey bunch, I’m weaker than a mDan should be

I can’t Amhelp myself, I’m a fool in loCve ya see D

Wanna tGell you I don’t love you, tell you that we’re through, aDnd I try

But every time I sAmee your face, I get all choked uCp inside D

WhGen I call your name, girl it starts to flame

BGurning in my heart, tear’n it all apart

No maGtter how I try, my love I cannot hide

‘Cause suGgar pie honey bunch, you know that I’d waDit for you

Can’t hAmelp myself, I love you and nCobody else D

SGugar pie, honey bunch, I’d do anything you aDsk me to

I can’t hAmelp myself, I want you and nCobody else D

SGugar pie, honey bunch, you know that DI love you

I can’t hAmelp myself, I can’t heClp myself D

G

The Isley Brothers - Shout (1959) Transpose up Transpose down

Originally in F, I play in A capo 2

Well...

You know you make me wanna (ShAout!)

Kick my heels up and (ShoF#mut!)

Throw my hands up and (ShAout!)

Throw my head back and (ShF#mout!)

Come on now (ShoAut!)

Don’t forget to say you wF#mill

DAon’t forget to say, yeah

YF#meah, yeah, yeah, yeah

A(Say you wiF#mll) Say it right now bab-ay

A(Say you wiF#mll) Come on, come on

A(Say you wiF#mll) Say it, will-a yoooo

A(Say you wiF#mll) Come on now

A(Say) Say that you love me

F#m(Say) Say that you need me

A(Say) Say that you want me

F#m(Say) You wanna please me

A(Say) Come on now

F#m(Say) Come on now

A(Say) Come on now

Hard stop

F#m(Say)

Thise whole verse with “Shooby-doo-wop-do-wop-wop-wop-wop”

I still remAember

When you used to be nine years oF#mld, yeah yeah

I was a foAol for you, from the bottom of my sF#moul, yeah

Now that you’ve grAown, up, grown enough to knF#mow, yeah yeah

Hard stop after this line, into half-time swing

You wanna leAave me, you wanna, let me F#mgo

This whole verse arguably bounces between I and IV6, not writing them all out, it behaves like a standard I→I6

I want you to knAow

I said I want you to know right now, yeah

You been good to me baby

Better than I been to myself, hey, hey

And if you ever leave me

I don’t want nobody else, hey, hey

I said I want you to know, hey

I said I want you to know right now, hey, hey

You know you make me wanna

At tempo

A(Shout-wooo) hey yeah

F#m(Shout-wooo) yeah yeah yeah

A(Shout-wooo) aaaalll right

F#m(Shout-wooo) aaaalll right

A(Shout-wooo) come on now

F#m(Shout) come on now

A(Shout) yeah, yeah, yeah

F#m(Shout) yeah, yeah, yeah (good sound)

A(Shout) yeah, yeah, yeah (good sound)

F#m(Shout) yeah, yeah, yeah (good sound)

A(Shout) all-alright (good sound)

F#m(Shout) it’s all-alright (good sound)

A(Shout) all-alright (good sound)

F#m(Shout) all-alright (aah)

Hard stop, into rubato

Now Await a minute, I feel allllllllll right

Yeah yeah, yeah yeah

Now that I got my woman

I feel aaaaaaaalllllriD7ght

Yeah yeah, yeah yeah

Every time I think about you

You been so good to me

You know you make me wanna

At tempo

A(Shout-wooo) lift my heels up and

F#m(Shout-wooo) throw my head back and

A(Shout-wooo) kick my heels up and

F#m(Shout-wooo) come on now

A(Shout-wooo) take it easy

F#m(Shout-wooo) take it easy

A(Shout-wooo) take it easy (higher)

Repeat like a zillion times

F#m(Shout) a little bit softer now

Repeat like a zillion times

A(Shout) a little bit louder now

With at libs to end

The Kingsmen - Louie Louie (1963) Transpose up Transpose down

Intro

ADEmDx2

ALouie LouiDe, Emoh no, Dhey Awe gotta go,DEmah yea yea yeDa yea baby

ALouie LouiDe, Emoh baby, DAwe gotta goDEmD

A Afine little Dgirl, who Emwaited for Dme

I Acatch a Dship aEmcross the Dsea

I Asailed that Dship, about Emall aDlone

NAever could knowDif I’ll Emmake it Dhome

ALouie LouiDe, Emno no no no nDo, say Awe gotta go,DEmoh Dno

ALouie LouiDe, Emoh baby, Dsaid Awe gotta goDEmD

Three Anights and Ddays I Emsailed the Dsea

I Athink of the Dgirl EmconstantDly

And Aon that Dship, I Emdream she Dthere

I Asmell the Drose, ah, Emin her Dhair

ALouie LouiDe, Emoh no, Dhey Awe gotta go,DEmah yea yea yeDa yea said

ALouie LouiDe, Emoh baby, Dsaid Awe gotta go, DEmDokay let’s give it to ‘em

Solo

ADEmDx8

It sounds like he made a mistake here, and started singing this line, but they kept it...

I Asee DEmD

I Asee JaDmaican Emmoon aDbove

I Awon’t be Dlong, me Emsee me Dlove

I Atake her Din my Emarms aDgain

And Atell her ID‘ll never Emleave aDgain

ALouie LouiDe, Emoh no, Dhey Awe gotta go,DEmah yea yea yeDa yea said

ALouie LouiDe, Emoh baby, Dsaid Awe gotta goDEmD

I said Awe gotta go now DEmD

Uh-huh Awe gotta go DEmD

Let’s gAo

The Lovin Spoonful - Did You Ever Have to Make Up Your Mind (1965) Transpose up Transpose down

Intro

D7G

Vox on the 3

Did you Gever have to G6/Bmake up your Gmind? G6/B

And Gpick up on G6/Bone and leave the Gother beEhind

It’s Gnot often Deasy and Cnot often kind

Did you Dever have to make up your Gmind?

Did you Gever have to G6/Bfinally deGcide? G6/B

And Gsay yes to G6/Bone and let the Gother one Eride

There’s Gso many Dchanges and Ctears you must hide

Did you Dever have to finally deGcide?

There is a lot going on here in the vocals, and not a clear melody. If it’s just me, I would do the low 3 on “one”, up to the high 3 on “eyes”

Sometimes there’s E7one with big blue eyes, cute as a bunny

Vox on the 3 of the chord on “hair”

With A7hair down to here, and plenty of money

And Cjust when you A7think she’s that Gone in the E7world

You Dheart gets Dsus4stolen by some Dmousy little Dsus4girl

And then you Gknow you better G6/Bmake up your Gmind G6/B

And Gpick up on G6/Bone and leave the Gother beEhind

It’s Gnot often Deasy and Cnot often kind

Did you Dever have to make up your Gmind?

Solo on verse chords

GG6/BGG6/B

GG6/BGE

GDCC

DDGG

Sometimes you E7really dig a girl the moment you kiss her

And A7then you get distracted by her older sister

When Cin walks her A7father and Gtakes you in E7line

And says, Dbetter go home, son, and make up your mind

Then you Gbet you’d better G6/Bfinally deGcide G6/B

And Gsay yes to G6/Bone and let the Gother one Eride

There’s Gso many Dchanges and Ctears you must hide

Did you Dever have to finally deGcide?

G

The Lovin Spoonful - Do You Believe in Magic (1965) Transpose up Transpose down

Originally near C, I play in G capo 2

Intro

AmBmCBm

AmBmCDo you beDlieve in

GMagic in a Cyoung girl’s heart

How the Gmusic can free her, whenCever it starts

And it’s Gmagic, if the Cmusic is groovy

It Gmakes you feel happy like an Cold-time movie

I’ll Amtell you about the Bmmagic, and it’ll Cfree your Bmsoul

But it’s like Dtrying to tell a stranger ‘bout rock and roll

If you believe in Gmagic don’t Cbother to choose

If it’s Gjug band music, or Crhythm and blues

Just go and Glisten it’ll Cstart with a smile

It won’t Gwipe off your face no matter Chow hard you try

Your Amfeet start Bmtapping and you Ccan’t seem to Bmfind

How you gDot there, so just blow your mind

Solo

CCGG

AmBmCBm

DD

If you believe in Gmagic, come aClong with me

We’ll Gdance until morning ‘til there’s Cjust you and me

And Gmaybe, if the Cmusic is right

I’ll Gmeet you tomorrow, sort of Clate at night

And Amwe’ll go Bmdancing, baby, Cthen you’ll Bmsee

How the Dmagic’s in the music and the music’s in me

This is different than the other verses

CYeah, do you believe in Gmagic?

Yeah, Ambelieve in the Bmmagic of a Cyoung girl’s Bmsoul

BeAmlieve in the Bmmagic of Crock and Bmroll

BeAmlieve in the Bmmagic that can Cset you Bmfree

DOh, talking ‘bout the

With “do you believe like I believe?”

CMagic, do you believe in Gmagic?

Do you believe, beliCever? Do you believe in mGagic?

The Marvelettes - Please Mr. Postman (1961) Transpose up Transpose down

Originally in D, Beatles in A, I play in D capo 3

D(Wait!) Oh yes, wait a minute Mr. Postman

Bm(Wait!) Wai-ai-ai-ait Mr. Postman

Backup vox sing main lyrics

DMr. Postman, look and see (Oh yea)

BmIs there a letter in your bag for me? (Please, please, Mr. Postman)

GI’ve been waiting such a long time (Whoa yea)

ASince I heard from this boyfriend of mine

Lead vox sing main lyrics

DThere must be some word today (waaooo)

BmFrom my boyfriend so far away (waaooo)

GPlease Mr. Postman, look and see (waaooo)

AIs there a letter, a letter for me?

Lead vox sing main lyrics

DI’ve been standing here waiting Mr. Postman (waaooo)

BmSo... so patiently (waaooo)

GFor just a card, or just a letter (waaooo)

ASaying he’s returning home to me

Backup vox sing main lyrics

(Please Mr. DPostman) Please Mr. postman look and see (Oh yea)

BmIs there a letter in your bag for me? (Please, please, Mr. Postman)

GI’ve been waiting such a long time (Whoa yea)

ASince I heard from this boyfriend of mine

Lead vox sing main lyrics

DSo many days, you passed me by

BmYou saw the tear standing in my eye

GYou wouldn’t stop to make me feel better

ABy leaving me a card or a letter

Lead vox sing main lyrics

DPlease Mr. Postman, look and see (Postman, postman)

Is there a Bmletter oh yea in your bag for me? (Postman, postman)

You know it’s Gbeen so long (Postman, postman)

Since I Aheard from this boyfriend of mine

Lead vox sing main lyrics

You better Dwait a minute, wait a minute (Please wait a minute)

Oh, you better Bmwait a minute, wait a minute (Please wait a minute)

Please, please Mr. GPostman (Wait a minute, Mr. Postman)

Please Acheck and see, one more time for me

You better Dwait a minute, wait a minute (Please wait a minute)

Oh, you better Bmwait a minute, wait a minute (Please wait a minute)

Please Mr. GPostman (Wait a minute, Mr. Postman)

Don’t Apass me by, you see the tears in my eyes

Fade

The McCoys - Hang on Sloopy (1964) Transpose up Transpose down

Originally in G, I play in D

DGAG

DHaGng on SAloopy, SGloopy hang oDn GAG

DHaGng on SAloopy, SGloopy hang oDn GAG

DSloopy Glives in a Avery Gbad part of Dtown GAG

And DeveryGbody, Ayeah, tries to Gput my Sloopy Ddown GAG

DSloopy, GI don’t Acare what your Gdaddy Ddo GAG

Cause Dyou know, GSloopy Agirl, I’m in Glove with Dyou GA

AAnd so I sing out

DHaGng on SAloopy, SGloopy hang oDn GAG

DHaGng on SAloopy, SGloopy hang oDn GAG

DSloopy wears a Gred dress, Ayeah, as Gold as the hiDlls GAG

But when DSloopy wears that Gred dress, Ayeah, you know, it Ggives me the Dchills, Goh, Aoh G

DSloopy, when I sGee you Awalkin’, wGalkin’ down the stDreet GAG

I say Ddon’t worry GSloopy giArl, you belGong to mDe GA

AAnd so I sing out

DHaGng on SAloopy, SGloopy hang oDn GAG

DHaGng on SAloopy, SGloopy hang oDn, Gyeah, Ayeah G

Solo if necessary on chorus chords

DGAGx4

DSloopy, let your Ghair hang Adown, let it Ghang down on Dme GAG

DSloopy, let your Ghair down Agirl, let it Ghang down on Dme, Gyeah, Ayeah, Gcome on

DSloopy (come Gon, come oAn), oh cGome on

DSloopy (come Gon, come oAn), oh cGome on

DSloopy (come Gon, come oAn), oh cGome on

DSloopy (come Gon, come oAn), well it feeGls so

DGood (come Gon, come oAn), you know it feeGls so

DGood (come Gon, come oAn), well shake it shGake it shake it

DSloopy (come Gon, come oAn), oh shake it shGake it shake it

DYeah (come Gon, come oAn) A7oooooh

DHaGng on SAloopy, SGloopy hang oDn, Gyeah, Ayeah G

DHaGng on SAloopy, SGloopy hang oDn, Gyeah, Ayeah G

DHaGng on SAloopy, SGloopy hang on DDGGAAGG

D

The Platters - Only You (1959) Transpose up Transpose down

Originally in Eb, I play in C

Intro

G7G7F#7G7

Vox on 5 6 3 on “only you”

Only youCcan make this worE7ld seem right

Only youAmcan make the darC7kness bright

Only youFand you alonG7e

Can thrCill me likE7e you doAmA7

Hard stop on the last chord

And D7fill my heart with love for only G7you

Only youCcan make this chaE7nge in me

For it’s trueAmyou are my C7destiny

When you hFold my hand, I uFmnderstand

The maCgic tE7hat you doAm

A7You’re my dD7ream come true

Hard stop on the last chord

My G7one and only Cyou FmC

Only youCcan make this chaE7nge in me

For it’s trueAmyou are my C7destiny

When you hFold my hand, I uFmnderstand

The maCgic tE7hat you doAm

A7You’re my dD7ream come true

Hang on “one

My G7one and only Cyou C6

The Platters - The Great Pretender (1955) Transpose up Transpose down

Originally in G, I play in E

Intro

EAB7C7B7

Vox on 6 5 on “oh yes”

Oh oh, Eyes I’m the A6great preEtender E7

PreAtending that I’m doing Ewell E7

My Aneed is B7such I preEtend too Amuch

I’m Elonely but B7no one can Etell B7

Oh oh, Eyes I’m the A6great preEtender E7

AAdrift in a world of my Eown E7

I’ve Aplayed the B7game but to Emy real sAhame

You’ve Eleft me to B7grieve all aElone E7

Too Areal is this feeling of Emake believe E7

Too Areal when I feel what my Eheart can’t conB7ceal, oh, oh

EYes, I’m the Agreat preEtender E7

Just Alaughin’ and gay like a Eclown E7

I Aseem to B7be what I’m Enot, you Asee

I’m Ewearing my B7heart like a G#7crown

PreEtending that B7you’re still aEround E7

Too Areal is this feeling of Emake believe E7

Too Areal when I feel what my Eheart can’t conB7ceal

EYes, I’m the Agreat preEtender E7

Just Alaughin’ and gay like a Eclown E7

I Aseem to B7be what I’m Enot, you Asee

Let the last chord ring

I’m Ewearing my B7heart like a G#7crown

PreEtending that B7you’re still aEround, Astill arEound

The Righteous Brothers - Unchained Melody (1955) Transpose up Transpose down

Originally in C, I play in G and still drop a lot of the high stuff

GOh, my Emlove, my Cdarling, I’ve Dhungered for yourGtouch

A Emlong, lonely Dtime

And Gtime goesEmby so Cslowly and Dtime can do soGmuch

Are Emyou still Dmine?

IGneed your love, DEmI Bmneed your love

God Cspeed your love Dto Gme G7

CLonely rivers Dflow to the Csea, to the A#sea

CTo the open Darms of the Gsea, yeah

CLonely rivers Dsigh, wait for Cme, wait for A#me

CI’ll be coming Dhome, wait Gfor me

GOh, my Emlove, my Cdarling, I’ve Dhungered, hungered for yourGtouch

A Emlong, lonely Dtime

And Gtime goesEmby so Cslowly and Dtime can do soGmuch

Are Emyou still Dmine?

IGneed your love, DEmI Bmneed your love

God Cspeed your love Dto Gme

GEmCG

The Righteous Brothers - You've Lost That Lovin' Feelin' (1964) Transpose up Transpose down

Righteous Brothers in Db (chorus), Hall and Oates in D (chorus), I play in C (chorus}

Vox on 4 b7 b3 2 of the chorus key on “you never close”. Simplify “when I kiss your lips”. Everything else will be fine.

You never A#/Cclose your eyes anymore when I kiss your Clips

And there’s A#/Cno tenderness like before in your fingerCtips

You’re trying Dm7hard not to show it Em7(baby)

But Fmaj7baby, F/Gbaby I kGnow it

CYou’ve lost that Dm/Clovin’ feeling

G7Woah, that Clovin’ feeling

CYou’ve lost that Dm/Clovin’ feeling

Now it’s A#/Cgone, gone, gone, whoa oh oh oCh

CA#

Now there’s no wA#/Celcome look in your eyes when I reach for yCou

And girl you’reA#/Cstarting to criticize little things I dCo

It makes me jDm7ust feel like crying Em7(baby)

‘Cause Fmaj7baby, something bF/Geautiful’s dGyin’

CYou’ve lost that Dm/Clovin’ feeling

G7Woah, that Clovin’ feeling

CYou’ve lost that Dm/Clovin’ feeling

Now it’s A#gone, F/Agone, gone, whoa oh oh oCh

CFGFG/D

CBaby, baby FGI’d get down oFn my kG/Dnees for Cyou FGFG/D

CIf you would Fonly Glove me FG/Dlike you used to Cdo FGFG/D

CWe had a Flove, a Glove, a Flove you don’t fG/Dind every Cday FGFG/D

So Cdon’t, Fdon’t, Gdon’t, FG/Dlet it slip aCway FGFG/D

CBaby, Fbaby, Gbaby, FbaG/Dby

I beg you Cplease, Fplease, Gplease, FI nG/Deed your loCve

I need your Clove, FI need your Glove, Fso bG/Dring it on bCack

CFBring it on Gback FG/D

CBring back that Dm/Clovin’ feeling

G7Woah, that Clovin’ feeling

CBring back that Dm/Clovin’ feeling

‘Cause it’s A#/Cgone, gone, gone

And I A#/Ccan’t, go, on, whoa oh oh oCh

CFGFG/D

CBring back that Dm/Clovin’ feeling

G7Woah, that Clovin’ feeling

CBring back that Dm/Clovin’ feeling

‘Cause it’s A#gone, F/Agone, gone

And I A#/Ccan’t, go, on, whoa oh oh oCh

The Rolling Stones - Satisfaction (1965) Transpose up Transpose down

Originally in E, I play in A capo 3

Intro

AAADGGGDx4

AI can’t get no Dsatisfaction

AI can’t get no Dsatisfaction

‘Cause I Atry and I E7try and I Atry and I Dtry

DI Dcan’t Aget Ano, ADGDI Dcan’t Aget Ano ADG

DWhen I’m Adrivin’ Din my Gcar

DAnd a Aman comes Don the Gradio

DAnd he’s Atellin’ me Dmore and Gmore

ADbout some Auseless DinforGmation

DSupposed to Afire my DimagiGnation

Hard stop at the end of this line

DI Dcan’t Aget Ano, ADGoh Dno Dno Ano

Hey hey Ahey, AADGthat’s Dwhat I Asay

AAADGGGD

AI can’t get no Dsatisfaction

AI can’t get no Dsatisfaction

‘Cause I Atry and I E7try and I Atry and I Dtry

DI Dcan’t Aget Ano, ADGDI Dcan’t Aget Ano ADG

DWhen I’m Awatchin’ Dmy GTV

DAnd a Aman comes Don and Gtells me

DHow Awhite my shirts cDan Gbe

DBut he Acan’t be a Dman ‘cause he Gdoesn’t Dsmoke

The Asame cigaDrettes as Gme

DI Dcan’t Aget Ano, ADGoh Dno Dno Ano

Hey hey Ahey, AADGthat’s Dwhat I Asay

AAADGGGD

AI can’t get no Dsatisfaction

AI can’t get no Dgirl reaction

‘Cause I Atry and I E7try and I Atry and I Dtry

DI Dcan’t Aget Ano, ADGDI Dcan’t Aget Ano ADG

DWhen I’m Aridin’ D‘round the Gworld

DAnd I’m Adoin’ Dthis and I’m Gsigning Dthat

And I’m Atryin’ to Dmake some Ggirl

Who Dtells me Ababy better Dcome back Gmaybe next Dweek

‘Cause you Asee I’m Don a Glosing Dstreak

DI Dcan’t Aget Ano,ADGoh Dno Dno Ano

Uh-hey hey Ahey, AADGthat’s Dwhat I Asay

AAADGGGD

DI Dcan’t Aget Ano, ADGI can’t

AGet Ano, ADGI can’t

AGet Ano, ADGSatisfAaction

The Rolling Stones - Time Is on My Side (1964) Transpose up Transpose down

Originally in Bb, I play in A

Rubato organ intro with blues-y solo

Dmaj7F#m7B7E

At tempo

ATime is on my Dside, yes it Eis

ATime is on my Dside, yes it Eis

F#mNow you always Esay

F#mThat you want to be Bfree

But Eyou’ll come Drunning back (said you would baby)

EYou’ll come Drunning back (like I told you so many times before)

EYou’ll come Drunning back to Eme

Yeah, Atime is on my Dside, yes it Eis

ATime is on my Dside, yes it Eis

F#mSearching for Egood times

F#mBut just wait and Bsee

EYou’ll come Drunning back (I said you would darling)

EYou’ll come Drunning back (spend the rest of my life with you, baby)

EYou’ll come Drunning back to Eme

Loose vocals with solo

DGo ahead, baby go ahead

AGo ahead and light up the town

DAnd baby, do everything your

AHeart desires, remember, I’ll always be around

DAnd I know, I know

Like I told you so many times beF#mfore, you’re gonna come back

B7Yeah you’re gonna come back baby, knocking

EYeah, knocking right on my door, yeah

ATime is on my Dside, yes it Eis

ATime is on my Dside, yes it Eis

F#m‘Cause I got the Ereal love

F#mThe kind that you Bneed

EYou’ll come Drunning back (I knew you would one day)

EYou’ll come Drunning back (Like I told you before)

EYou’ll come Drunning back to Eme

Yes Atime, time, time is on my Dside, yes it Eis, yeah

ATime, time, time is on my Dside, yes it Eis, yeah

ATime, time, time is on my Dside E

A

The Ronettes - Be My Baby (1963) Transpose up Transpose down

Originally in E, I play in A

Intro

A

AThe night we met I knew I Bmneeded you E7so

AAnd if I had the chance I’d Bmnever let you E7go

C#7So won’t you say you love me

F#7I’ll make you so proud of me

BWe’ll make ‘em turn their heads

EEvery place we go

So won’t you please A(be my be my baby)

Be my little F#mbaby (my one and only baby)

Say you’ll be my daDrling (be my be my baby)

Be my baby nEow (my one and only baby) ooh, oh, oh, oh

AI’ll make you happy baby, Bmjust wait and sE7ee

AFor every kiss you give me BmI’ll give you tE7hree

C#7Oh, since the day I saw you

F#7I have been waiting for you

BYou know I will adore you

ETill eternity

So won’t you please A(be my be my baby)

Be my little F#mbaby (my one and only baby)

Say you’ll be my daDrling (be my be my baby)

Be my baby nEow (my one and only baby) ooh, oh, oh, oh

Solo

AABmE7x2

So come on and pleaAse (be my be my baby) Be my little F#mbaby

Be my little F#mbaby (my one and only baby)

Say you’ll be my daDrling (be my be my baby)

One measure drums only after this line

Be my baby nEow (my one and only baby) ooh, oh, oh, oh

A(Be my be my baby)

Be my little F#mbaby (my one and only baby)

Oh, oh, oDh (be my be my baby)

Oh, oh, Eoh (my one and only baby)

The Searchers - Love Potion Number Nine (1963) Transpose up Transpose down

With hard stops

GAmI took my troubles down Cto DmMadame Rue

GAmYou know that gypsy with Cthe Dmgold-capped tooth

CShe’s got a pad down on Thirty-Fourth and AmVine

Hard stop on the V

DmSellin’ little bottles of Elove potion number Amnine

Normal strum

AmI told her that I was a Dmflop with chicks

AmI’ve been this way since 19Dm56

She lCooked at my palm and she made a magic Amsign

She sDmaid what you need is Elove potion number Amnine

She Dmbent down and turned around and gave me a wink

She B7said I’m gonna make it up right here in the sink

It Dmsmelled like turpentine, it looked like Indian ink

Hard stop on “held”

I Eheld my nose, I closed my eyes, I took a drink

AmI didn’t know if it was Dmday or night

AmI started kissin’ everyDmthing in sight

But wChen I kissed a cop down on Thirty-Fourth and AmVine

He Dmbroke my little bottle of Elove potion number Amnine

Solo

DmB7Dm

I Eheld my nose, I closed my eyes, I took a drink

AmI didn’t know if it was Dmday or night

AmI started kissin’ everyDmthing in sight

But wChen I kissed that cop down on Thirty-Fourth and AmVine

He Dmbroke my little bottle of Elove potion number Amnine

DmLove potion number Amnine

DmLove potion number Amnine

Ringing

DmLove potion number Amnine

The Searchers - Needles and Pins (1964) Transpose up Transpose down

Originally in A (then C#), I play in F (then A)

Intro

FFsus2FFFsus4FFsus2F

I saw her todFay, I saw her face

It was a face I Dmloved, and I knew

I had to run awFay and get down on my knees and pDmray

That they’d go away

But still they begFin

Needles and pDmins

Because of all my pBbride, the tears I’ve gotta hCide

Hey, I thought I was smFart, I wanted her

Didn’t think I’d dDmo, but now I see

She’s worse to him than Fme

Let her go ahead, take his love inDmstead

And one day she will see

Just how to say pFlease

And get down on her knDmees

Yeah, that’s how it begBbins

She’ll feel those needles and pCins, hurtin’ her, hurtin’ her

Vox on the 1 of the chord

AWhy can’t I stop and tell myself I’m wGrong, I’m wrong, so wrong

FWhy can’t I stand up and tell myself I’m strEong

Because I saw her todAay, I saw her face

It was the face I Gbmloved, and I knew

I had to run aAway and get down on my knees and Gbmpray

That they’d go away

But still they beAgin

Needles and Gbmpins

Because of all my pDride, the tears I’ve gotta Ehide

Oh, needles and pAins

Needles and piAns

Needles and piAns

The Shirelles - Will You Love Me Tomorrow (1960) Transpose up Transpose down

Originally in C, I play in G

Intro

G

GTonight you’re mine complCetely D

GYou give your love so swDeetly

ToniBght the light of Emlove is in your eyes

CBut will you Dlove me toGmorrow?

GIs this a lasting Ctreasure D

GOr just a moment’s Dpleasure?

Can IBbelieve the maEmgic of your sighs?

CWill you still Dlove me toGmorrow?

Vox up to the 3 of the chord

CTonight with words unspBmoken

CYou say that I’m the only Gone

CBut will my heart be Bmbroken

When the Emnight meets the A7morning Csun? D7

GI like to know that Cyour love D

GIs a love I can be Dsure of

So tBell me now and EmI won’t ask again

CWill you still Dlove me toGmorrow?

Solo

GGCD

GGDD

Outro

So tBell me now and EmI won’t ask again

CWill you still Dlove me toGmorrow?

CWill you still Dlove me toGmorrow?

The Skyliners - Since I Don't Have You (1958) Transpose up Transpose down

Originally in F#, I play in C capo 4 (E)

CAmFFm

CAmFG7

Vox on the 5

CI Amdon’t have Fmplans and schemesG7

And CI Amdon’t have Fmhopes and dreamsG7

CI-I-I Amdon’t have Fmanything

DmSince I don’t have yG7ou

CI Amdon’t have Fmfond desiresG7

And CI Amdon’t have Fmhappy hoursG7

CI-I-I Amdon’t have Fmanything

DmSince I G7don’t have yCou

Vox on the 5 of the chord on “I”

DmIiiiiii... don’t have Chappiness, and I guess

DmI never will ever agCain

DmWhen you walked out on me

CIn walked old misery

DmAnd he’s been here since tG7hen

First two lines falsetto an octave up

CI Amdon’t have Fmlove to shareG7

And CI Amdon’t have Fmone who caresG7

CI-I-I Amdon’t have Fmanything

“Since” twice as long as usual

DmSince I G7don’t have

CYou, yAmou, yFou, G7you

CYou, yAmou, yFou, yG7ou

Repeat to fade

The Swinging Blue Jeans - Hippy Hippy Shake (1963) Transpose up Transpose down

Swinging Blue Jeans, Beatles, Chan Romero, and Georgia Satellites all in E, I play in A capo 2

Vox on b7 b7 b7 b7 5 of the chord on “for goodness sa-ake”, no hard stops yet

For goodness Dsake, I got the hippy hippy Ashakes

Hard stop after “shakes”

Yeah, I got the Dshakes, I got the hippy hippy Eshakes, oh

I can’t sit Astill, with the hippy hippy shakes

Yeah, I feel my Dfill now, with the hippy hippy Ashakes

Hard stop on the IV

Yeah, it’s in the Ebag, Doh, the hippy hippy Ashakes E

With hard stop on “shake”, “shake”, and “do”

Well now, you Ashake it to the left, you Ashake it to the right

You Ado the hippy shake shake, with A7all of your might

Band back in

Oh Dbaby, yeah, come on and Ashake

Hard stop on the IV

Oh, it’s in the Ebag, Dooh, the hippy hippy Ashake, oowwww

Solo

AAAA

DDAA

EDAE

Well now, you Ashake it to the left, you Ashake it to the right

You Ado the hippy shake shake, with A7all of your might

Oh Dbaby, yeah, come on and Ashake

Oh, it’s in the Ebag, Dooh, the hippy hippy Ashake

Ooh, the hippy hippy Ashake

Ooh, the hippy hippy Ashake A6

The Temptations - My Girl (1964) Transpose up Transpose down

Originally around C#, I play in G capo 2

Intro

G

I’ve got Gsunshine Con a cloudy Gday C

And when it’s Gcold outside, CI’ve got the moGnth of May C

GI Am7guess Cyou’d Dsay

GWhat can Am7make me Cfeel this Dway?

Gmaj7My girl (my girl, my girl)

Talkin’ ‘bout Am7my girl (mDy girl) CCDD

I’ve got Gso much honey, Cthe bees envy Gme C

I’ve got a sweGeter song, Cthan the birds in the Gtrees C

Well GI Am7guess Cyou’d Dsay

GWhat can Am7make me Cfeel this Dway?

Gmaj7My girl (my girl, my girl)

Talkin’ ‘bout Am7my girl (mDy girl) CCDD

GOooh G

GCHey hey hGey C

Hey hey hAmey, Doooh, Bmooh EEE

I don’t Aneed no money, Dfortune or Afame D

I’ve got Aall the riches, baby, Done man can Aclaim D

Well AI Bmguess Dyou’ll Esay

AWhat can Bmmake me Dfeel this Eway?

Amaj7My girl (my girl, my girl)

Talkin’ ‘bout Bmmy girl EE/DE/C#E/B

E/BTalking ‘bout Amaj7my girl

Amaj7I’ve got sunshine on a cloudy day with Bmmy girl

I’ve Eeven E/Dgot the E/C#month of E/BMay with Amaj7my girl

Talking bout, Bmtalking bout EE/DE/C#talking ‘Bmbout myAmaj7girl

The Tokens - The Lion Sleeps Tonight (1961) Transpose up Transpose down

Originally in G, I play in E

Chords implied

EEee, eeAee, Ewee um um a weh B

EEee, eeAee, Ewee um um a weh B

Band enters

Ah-wEimoweh ah-wimoweh ah-wAimoweh ah-wimoweh

Ah-wEimoweh ah-wimoweh ah-wBimoweh ah-wimoweh

Ah-wEimoweh ah-wimoweh ah-wAimoweh ah-wimoweh

Ah-wEimoweh ah-wimoweh ah-wBimoweh ah-wimoweh

EIn the jungle the Amighty jungle

The Elion sleeps tonBight

EIn the jungle the Aquiet jungle

The Elion sleeps tonBight, oh oh

With eeeeeeeh, we um um a weh

Ah-wEimoweh ah-wimoweh ah-wAimoweh ah-wimoweh

Ah-wEimoweh ah-wimoweh ah-wBimoweh ah-wimoweh

Ah-wEimoweh ah-wimoweh ah-wAimoweh ah-wimoweh

Ah-wEimoweh ah-wimoweh ah-wBimoweh ah-wimoweh

ENear the village the Apeaceful village

The Elion sleeps tonBight

ENear the village the Aquiet village

The Elion sleeps tonBight, hey hey

Ah-wEimoweh ah-wimoweh ah-wAimoweh ah-wimoweh

Ah-wEimoweh ah-wimoweh ah-wBimoweh ah-wimoweh

Ah-wEimoweh ah-wimoweh ah-wAimoweh ah-wimoweh

Ah-wEimoweh ah-wimoweh ah-wBimoweh ah-wimoweh

Solo, with high “oooh”

EAEB

EAEB

EHush my darling don’t Afear my darling

The Elion sleeps tonighBt

EHush my darling don’t Afear my darling

TheElion sleeps tonBight, oh oh

With whoa whoa whoa

Ah-wEimoweh ah-wimoweh ah-wAimoweh ah-wimoweh

Ah-wEimoweh ah-wimoweh ah-wBimoweh ah-wimoweh

Ah-wEimoweh ah-wimoweh ah-wAimoweh ah-wimoweh

Ah-wEimoweh ah-wimoweh ah-wBimoweh ah-wimoweh

Chords implied

EEee, eeAee, Ewee um um a weh B

EEee, eeAee, Ewee um um a weh B

The Zombies - She's Not There (1965) Transpose up Transpose down

Originally in Am, I play in Em

Vox in the chorus stay on the root for a long time

He falsettos it all, so if there’s a low harmony,

do it in Am.

Play m’s as m7’s.

EmAx 4

Vox on 3 5 2 1 on “no one told me”

EmWell no one Atold me aEmbout Aher

EmThe Cway she Emlied A

EmWell no one Atold me aEmbout Aher

EmHow many Cpeople Ecried

Well it’s too Alate to Amsay you’re Emsorry

How would I Bmknow, why should I Emcare?

Please don’t Abother Amtrying to Gfind her

She’s not B7there

Well let me tell you ‘bout the Emway she looked A

The way she Emacted, the Ccolor of her Emhair A

Her voice was Emsoft and cool, Cher eyes were Emclear and bright A

But she’s not Ethere

EmAx 4

EmWell no Aone told me aEmbout Aher

EmWhat Ccould I Emdo? A

EmWell no one Atold me aEmbout Aher

EmThough Cthey all knew E

But it’s too Alate to Amsay you’re Emsorry

How would I Bmknow, why should I Emcare?

Please don’t Abother Amtrying to Gfind her

She’s not B7there

Well let me tell you ‘bout the Emway she looked A

The way she Emacted, the Ccolor of her Emhair A

Her voice was Emsoft and cool, Cher eyes were Emclear and bright A

Hard stop after this line

But she’s not Ethere

Rockin’ ‘60s ePiano solo

EmAx7

E

Well it’s too Alate to Amsay you’re Emsorry

How would I Bmknow, why should I Emcare?

Please don’t Abother Amtrying to Gfind her

She’s not B7there

Well let me tell you ‘bout the Emway she looked A

The way she Emacted, the Ccolor of her Emhair A

Her voice was Emsoft and cool, Cher eyes were Emclear and bright A

Hard stop after this line

But she’s not Ethere

We Five - You Were On My Mind (1965) Transpose up Transpose down

Originally in E, I play in D

DGDGD

When I woke up this Dmorning

GYou were Aon my Dmind GA

And Gyou were F#mon my EmmindA

I got Dtroubles, whoa-Goh

I got Dworries, whoa-Goh

I got DwoundBms to Gbind A

So I went to the Dcorner

GJust to Aease my Dpains GA

Said, Gjust to F#mease my Empains A

I got Dtroubles, whoa-Goh

I got Dworries, whoa-Goh

I came DhomeBmaEmgain A

When I woke up this Dmorning

GYou were Aon my Dmi-F#i-G-i-Aind and

Originally a II here, I stick with the ii this time

GYou were F#mon my Emmind

AI got Dtroubles, whoa-Goh

I got Dworries, whoa-Goh

I got DwoundsBmto EbiAnd

Vox up to the 3 of the chord on “I”,

up to the 1 of the chord on “feelin”

And BI got a Efeelin’ A

Down Bin my Esho-G#oo-Aoo-oBes, said

AWay down G#min my F#msho-oo-Boes

Yeah, I got to Eramble, whoa-Aoh

I got to Emove on, whoa-Aoh

Watch out, this melody only happens once

I got to Ewalk aC#mway my F#mbluesB

Quiet again

When I woke up this Emorning

AYou were Bon my EmindAB

Extra long “mind”

AYou were G#mon my F#mmind B

Loud again

I got Etroubles, whoa-Aoh

I got Eworries, whoa-Aoh

Hang the last chord

I got Ewounds to F#mbind

Aretha Franklin - Respect (cover) Transpose up Transpose down

Aretha Franklin in C, Otis Redding in D, I play in A capo 3

Intro

A7D7x2

Vox on the b6 (!) on “what”

E7What you want, D7baby, I got

E7What you need, D7do you know I’ve got it

E7All I’m asking

D7Is for a little respA7ect when you come home (just a little bit)

Hey bD7aby (just a little bit) when you get home

A7(Just a little bit) MD7ister (just a little bit)

E7I ain’t gonna do you wrong D7while you’re gone

E7Ain’t gonna do you wrong D7‘cause I don’t want to

E7All I’m asking

D7Is for a little respA7ect when you come home (just a little bit)

BD7aby (just a little bit) when you get home

A7(Just a little bit) yeah D7(just a little bit)

E7I’m about to give you D7all my money

E7And all I’m asking D7in return, honey

E7Is to give me D7my propers

When you get A7home (just a, just a, just a, just a)

Yeah D7baby (just a, just a, just a, just a)

When you get A7home (just a little bit)

Yeah D7(just a little bit)

Solo, skip if acoustic

EbmAbEbmE

E7Ooh, your kisses D7sweeter than honey

E7And guess what D7so is my money

E7All I want you to D7do for me

Is give it to me A7when you get home (re, re, re ,re)

Yeah bD7aby (re, re, re ,re)

Whip it to mA7e (respect, just a little bit)

When you get home, now D7(just a little bit)

A7R-E-S-P-E-C-T

C7D7Find out what it means to me

G7A7R-E-S-P-E-C-T

C7D7Take care, TCB

A7Sock it to me, sock it to me, sock it to me (a little respect)

D7Sock it to me, sock it to me, sock it to me

WA7hoa, babe (just a little bit)

A little respD7ect (just a little bit)

A7I get tired (just a little bit)

Keep on tD7rying (just a little bit)

A7Running out fool (just a little bit)

And I ain’t D7lyin’ (just a little bit)

Bruce Springsteen - Santa Clause is Coming to Town (cover) Transpose up Transpose down

Springsteen in C, I play in A

Intro

AADE

Spoken

It’s all cold down along the beach

The wind’s whipping down the boardwalk, hey band

You guys know what time of year it is?

What time, huh? What? What? Oh, Christmas time!

You guys all, you guys all been good and practicing real hard?

Yeah? Clarence, you been, you been rehearsing real hard now

So Santa’ll bring you a new saxophone, right?

Everybody out there been good, or what?

Oh, that’s not many, not many, you guys are in trouble out here, come on

Quiet

Vox on the 5 on “better”

Yeah you Abetter watch out you Dbetter not Ecry

You Abetter not pout I’m Dtelling you Ewhy

ASanta Clause is Dcoming to Etown

ASanta Clause is Dcoming to Etown

ASanta F#mClause is Dcoming Eto Atown DE

Drums in a little

He’s Amaking a list he’s Dchecking it Etwice

He’s Agonna find out who’s Dnaughty or Enice

ASanta Clause is Dcoming to Etown

ASanta Clause is Dcoming to Etown

ASanta F#mClause is Dcoming Eto Atown A7

In the Springsteen version this is more like vi I IV

He Esees you D#dim7when you’re Asleeping

He Eknows when D#dim7you’re Aawake

He B7knows if you’ve been bad or good

Hard stop on “better”

You Ebetter be good for goodness sake, you better be good for goodness sake

Swung, band in

You Abetter watch out you Dbetter not Ecry

You Abetter not pout I’m Dtelling you Ewhy

ASanta Clause is Dcoming to Etown

ASanta Clause is Dcoming to Etown

ASanta F#mClause is Dcoming Eto Atown

Sax solo

AADEx3

AF#mDEAA7

He Esees you D#dim7when you’re Asleeping

He Eknows when D#dim7you’re Aawake

He B7knows if you’ve been bad or good

You Ebetter be good for goodness sake, you better be good for goodness sake

You Abetter watch A/Gout you D/F#better not Dm/Fcry

You Abetter not A/Gpout I’m D/F#telling you Dm/Fwhy

ASanta Clause is Dcoming to Etown

ASanta Clause is Dcoming to Etown

Band out on “town”, back to straight rhythm

ASanta F#mClause is Dcoming Eto Atown

AAD/AE/A

AAD/AE/A

ASanta Clause is Dcoming to Etown

ASanta Clause is Dcoming to Etown

ASanta Clause is Dcoming to Etown

ASanta Clause is Dcoming to Etown

Eric Clapton - Before You Accuse Me (cover) Transpose up Transpose down

Originally in E, I play in A capo 2

Vox mostly on the b3

Intro

EB7

Vox more or less on the b3

BeEfore you accuse me, Atake a look at yourseElf

BeAfore you accuse me, take a look at yoursEelf

You say I’m B7spending my money on other women

AYou’re takin’ money from from someone Eelse B7

I Ecalled your mama, A‘bout three or four nights agEo

I Acalled your mama, ‘bout three or four nights agEo

B7Mama said son, don’t cAall my daughter no mEore B7

BeEfore you accuse me, Atake a look at yoursEelf

BeAfore you accuse me, take a look at yoursEelf

You say I’m B7spending my money on other women

AYou’re takin’ money from from someone eElse B7

Solo

EAEE

AAEE

BAEB

ECome back home baby, Atry my love one more tEime

Come oAn back home baby, try my love one more tEime

You know if I B7don’t go on and quit you

AI think I’ll lose my mEind B7

Solo

EAEE

AAEE

BAEB

BeEfore you accuse me, Atake a look at yourseElf

BeAfore you accuse me, take a look at yoursEelf

You say I’m B7spending my money on other women

AYou’re takin’ money from from someone Eelse B7

E

George Harrison - Got My Mind Set On You (cover) Transpose up Transpose down

Originally in E, I play in A capo 3

Highest note is the 3 (“*whole* lot of...”)

Starts percussion only

I got my mindF#mset C#7on yoF#mu

I got my mind sAet Eon yAou

I got my mind F#mset oC#7n youF#m

I got my mind sAet Eon yAou

But it’s gonna take mAoney DE

A whole lotta spAending money DE

It’s gonna take Aplenty of money DE

Hard stop on the V

To do it rAight child DE

It’s gonna take tAime DE

A whole lot of pArecious Dtime E

It’s gonna take pAatience and tDime,Emmm

To Ado it, to Ddo it, to Ado it, to Ddo it, to Ado it

Hard stop

To Ddo it Aright child

I got my mindF#mset C#7on yoF#mu

I got my mind sAet Eon yAou

I got my mind F#mset oC#7n youF#m

I got my mind sAet Eon yAou

Bridge

And thAis time I know it’s for rDeal

The feAeling that I fDeel

I knowAif I put my mind Dto it

I knowAthat I really can E7do it

I got my mindF#mset C#7on yoF#mu

SAet Eon yAou

I got my mind F#mset oC#7n youF#m

SAet Eon yAou

But it’s gonna take mAoney DE

A whole lotta spAending money DE

It’s gonna take Aplenty of money DE

To do it rAight child DE

It’s gonna take tAime DE

A whole lot of pArecious Dtime E

It’s gonna take pAatience and tDime,Emmm

To Ado it, to Ddo it, to Ado it, to Ddo it, to Ado it

To Ddo it Aright

Instrumental chorus, skip acoustic

I got my mindF#mset C#7on yoF#mu

I got my mind sAet Eon yAou

I got my mind F#mset oC#7n youF#m

I got my mind sAet Eon yAou

Bridge

And thAis time I know it’s for rDeal

The feAelings that I fDeel

I knowAif I put my mind Dto it

I knowAthat I really can E7do it

But it’s gonna take mAoney DE

A whole lotta spAending money DE

It’s gonna take Aplenty of money DE

To do it rAight child DE

It’s gonna take tAime DE

A whole lot of pArecious Dtime E

It’s gonna take pAatience and tDime,Emmm

To Ado it, to Ddo it, to Ado it, to Ddo it, to Ado it

To Ddo it Aright

F#mSet C#7on yoF#mu

SAet Eon yAou

F#mC#7F#m

AEA

Jackson Browne - Stay (cover) Transpose up Transpose down

Maurice Williams in Bb, Four Seasons in Bb, Hollies in A (and insanely fast), Jackson Browne in G

I play in G

There is a separate entry for the Maurice Williams version

GEmCD

People Gstay, EmCjust a Dlittle bit

GLonger EmCD

We wanna plGay, EmCjust a Dlittle bit

GLonger EmCD

Now the promGoter don’t Emmind CD

And the Gunion don’t Emmind CD

If we Gtake a little timeEm, and we Cleave it all beDhind

Hang this chord

Singin’, Emone more song

Oh, won’t you Gstay, EmCjust a Dlittle bit

GLonger EmCD

GPlease, Emplease, Cplease Dsay you will

Hang this chord

EmSay you will

Solo

B7B7EmEmAADD

Oh won’t you Gstay, EmCjust a Dlittle bit

GLonger, EmCoh D

Please Gplease, stay, EmCjust a Dlittle bit

GMore EmCD

Now the promGoter don’t Emmind CD

And the Groadies don’t Emmind CD

If we Gtake a little timeEm, and we Cleave this all beDhind

Hang this chord

Singin’, Emone more song

Fade on keyboard solo, followed by guitar solo

GEmCDx8

Johnny Cash - I've Been Everywhere (cover) Transpose up Transpose down

Chords follow the Johnny Cash version; the Hank Snow version changes key a bunch

E

Rubato, vox on the 1 of the key basically the whole verse

I was Etotin’ my pack along the dusty Winnemucca road

When along came a semi with a high an’ canvas-covered load

If you’re A7goin’ to Winnemucca, Mack, with me you can ride

And so I Eclimbed into the cab and then I settled down inside

Vox up to the 2 of the key

He B7asked me if I’d seen a road with Caugso much dust and B7sand

And I said, Elisten, I’ve traveled every road in this here land

At tempo

EI’ve been everywhere, man

I’ve been everywhere, man

ACrossed the deserts bare, man

I’ve Ebreathed the mountain air, man

Of B7travel I’ve-a had my share, man

I’ve been everyEwhere

I’ve been to EReno, Chicago, Fargo, Minnesota

Buffalo, Toronto, Winslow, Sarasota

AWichita, Tulsa, Ottawa, Oklahoma

ETampa, Panama, Mattawa, La Paloma

B7Bangor, Baltimore, Salvador, Amarillo

ETocapillo, Baranquilla, and Perdilla, I’m a killer

EI’ve been everywhere, man

I’ve been everywhere, man

ACrossed the deserts bare, man

I’ve Ebreathed the mountain air, man

Of B7travel I’ve had my share, man

I’ve been everyEwhere

E

I’ve been to EBoston, Charleston, Dayton, Louisiana

Washington, Houston, Kingston, Texarkana

AMonterey, Faraday, Santa Fe, Tallapoosa

EGlen Rock, Black Rock, Little Rock, Oskaloosa

B7Tennessee to Hennessey, Chicopee, Spirit Lake

EGrand Lake, Devil’s Lake, Crater Lake, for Pete’s sake

EI’ve been everywhere, man

I’ve been everywhere, man

ACrossed the deserts bare, man

I’ve Ebreathed the mountain air, man

Of B7travel I’ve had my share, man

I’ve been everyEwhere

E

I’ve been to ELouisville, Nashville, Knoxville, Ombabika

He clearly says “Costa Rocka”

Schefferville, Jacksonville, Waterville, Costa Rica

APittsfield, Springfield, Bakersfield, Shreveport

EHackensack, Cadillac, Fond du Lac, Davenport

B7Idaho, Jellico, Argentina, Diamantina

EPasadena, Catalina, see what I mean-a

EI’ve been everywhere, man

I’ve been everywhere, man

ACrossed the deserts bare, man

I’ve Ebreathed the mountain air, man

Of B7travel I’ve had my share, man

I’ve been everyEwhere

E

I’ve been to EPittsburgh, Parkersburg, Gravelbourg, Colorado

Ellisburg, Rexburg, Vicksburg, Eldorado

ALarimore, Admore, Haverstraw, Chatanika

He also says “opalacka”

EChaska, Nebraska, Alaska, Opelika

B7Baraboo, Waterloo, Kalamazoo, Kansas City

ESioux City, Cedar City, Dodge City, what a pity

EI’ve been everywhere, man

I’ve been everywhere, man

ACrossed the deserts bare, man

I’ve Ebreathed the mountain air, man

Of B7travel I’ve had my share, man

I’ve been everyEwhere

E

B7I’ve been everyEwhere

E

Nazareth - Love Hurts (cover) Transpose up Transpose down

Nazareth around G, Everly Brothers in F#, Roy Orbison around Bb, I play in A

D/AA

Love Ahurts, love F#mscars, love Dwounds and Emars

It amuses me that Nazareth says “not tough or strong” and the Everly Brothers say “not tough nor strong”

Dadd9Any Aheart, not F#mtough or Dstrong eEnough

To Dadd9take a lot of Apain, C#7take a lot of F#mpain

Everly Brothers arrangement does a V7 instead of another III7 at the beginning of this line

C#7Love is like a Dcloud, it holds a lot of Erain

Dadd9Love Ahurts, Gooh Dhoo love Ahurts

A

I’m Ayoung, I F#mknow, but Deven Eso

Dadd9I know a Athing, or F#mtwo, I Dlearned from Eyou

I Dadd9really learned a Alot, C#7really learned a F#mlot

C#7Love is like a Dflame, it burns you when it’s Ehot

Dadd9Love Ahurts, Gooh Dhoo love Ahurts

A

Bridge

F#mSome fools think of C#7happiF#mness, C#7blissfulF#mness, togC#7etherF#mness

BSome fools, fool themselves, I guess

BmThey’re not foolin’ Eme

Back to the pre-chorus, so chords are changing faster now

I Dadd9know it isn’t Atrue, I C#7know it isn’t F#mtrue

C#7Love is just a Dlie made to make you Eblue

Dadd9Love Ahurts, Gooh Dhoo love Ahurts

GOoh Dhoo love Ahurts

Solo on verse chords

AF#mDEDadd9

AF#mDEDadd9

I Dadd9know it isn’t Atrue, I C#7know it isn’t F#mtrue

C#7Love is just a Dlie made to make you Eblue

Dadd9Love Ahurts, Gooh Dhoo love Ahurts

GOoh Dhoo love Ahurts

GOoh Dhoo love Ahurts

The Blues Brothers - Everybody Needs Somebody to Love (cover) Transpose up Transpose down

Blue Brothers in C, Solomon Burke in Eb, I play in A

Spoken sections follow the movie, not the soundtrack

Intro, chords repeat over spoken intro

ADGDx4

Spoken

We’re so glad to see so many of you lovely people here tonight

We would especially like to welcome all the representatives of Illinois’s law enforcement community

Who have chosen to join us here in the Palace Hotel ballroom at this time

We certainly hope you all enjoy the show, and remember people

That no matter who you are and what you do to live, thrive, and survive

There are still some things that make us all the same

You, me, them, everybody, everybody

AEvDeryGbodDy AneedsDsomebGodyD

AEvDeryGbodDy AneedsDsomebGodyDto

ALove, DGDsomeone to Alove DGD

SwDeetheart to mAiss DGD

SDugar to kiAss DGD

I need Ayou, Dyou, Gyou D

I need Ayou, Dyou, Gyou D

I need Ayou, Dyou, Gyou, in the morDning

ADGWhen my soDul’s on fire

ADGD

Vox on the 5 of the chord

F#mSometimes I feel

DI feel a little sad inside

F#mWhen my baby mistreats me

I neEver, never, never have a place to hide

Solo, chords change half as often

I need youADADADAD

ADADADAD

F#mSometimes I feel

DI feel a little sad inside

F#mWhen my baby mistreats me

I neEver, never, never have a place to hide

I need Ayou, Dyou, Gyou D

I need Ayou, Dyou, Gyou D

I need Ayou, Dyou, Gyou D

I need Ayou, Dyou, Gyou D

I need Ayou

Spoken, percussion only

You know people, when you do find that special somebody

You gotta hold that man, hold that women

Love him, please him, squeeze her, please her

Signify your feelings with every gentle caress

Because it’s so important to have that special somebody

To hold, to kiss, to miss, to squeeze and please

AEvDeryGbodDy AneedsDsomebGodyD

AEvDeryGbodDy AneedsDsomebGodyDto love

AEvDeryGbodDy AneedsDsomebGodyD

AEvDeryGbodDy AneedsDsomebGodyDto

ALove, DGDsomeone to Alove DGD

SwDeetheart to mAiss DGD

SDugar to kiAss DGD

I need Ayou, Dyou, Gyou D

I need Ayou, Dyou, Gyou D

I need Ayou, Dyou, Gyou D

I need Ayou, Dyou, Gyou D

The Bobby Fuller Four - I Fought the Law (cover) Transpose up Transpose down

Originally in G, I play in E

Intro

E

EEAB

EEBE

Ah Ebreaking rocks in the Ahot Esun

EI fought the law and the Alaw Ewon

EI fought the law and the Blaw Ewon

EEAB

EEBE

I nEeeded money cause I Ahad Enone

EI fought the law and the Alaw Ewon

EI fought the law and the Blaw Ewon

EEAB

EEBE

I lAeft my baby and I feel so bad

I Eguess my race is run

Well Ashe’s the best girl I’ve ever had

EI fought the law and the Alaw Ewon

EI fought the law and the Blaw Ewon

EEAB

EEBE

Solo

AAAA

EEEE

AAAA

EEAB

EEBE

Hard stop before “six gun”, chords are implied

Ah Erobbing people with a Asix Egun

EI fought the law and the Alaw Ewon

EI fought the law and the Blaw Ewon

EEAB

EEBE

Yes, he says “um good fun”

I mEiss my baby and um Agood Efun

EI fought the law and the Alaw Ewon

EI fought the law and the Blaw Ewon

EEAB

EEBE

I lAeft my baby and I feel so bad

I Eguess my race is run

Well Ashe’s the best girl I’ve ever had

EI fought the law and the Alaw Ewon

EI fought the law and the Blaw Ewon

EEAB

EEBE

The Wonders - That Thing You Do (cover) Transpose up Transpose down

Originally in E, I play in A capo 3

Highest note is the 3 (a passing note on the 4)

ADm

Vox on the 5 on “you”

AYou Ddoin’ that Ething you

ADo Dbreakin’ my Eheart

InF#mto a million Bpieces

BmLike you always Dmdo-o-o-Eo

And Ayou Ddon’t mean Eto be

ACruel, you Dnever Eeven

F#mKnew about the Bheartache

GI’ve been goin’ Ethrough

Well I F#mtry and try to Bforget you girl

But it’s Ajust so A7hard to Ddo Dm

AEvery time you Dmdo that thing you Ado E

AI know Dall the Egames you

APlay, and I’m Dgonna Efind a

F#mWay to let you Bknow that

BmYou’ll be mine someDmday E

‘Cause Awe could be Dhappy Ecan’t you

ASee, if you’d Donly Elet me

F#mBe the one to Bhold you

And Gkeep you here with Eme

‘Cause I F#mtry and try to Bforget you girl

But it’s Ajust so A7hard to Ddo Dm

AEvery time you Dmdo that thing you Ado

Vox on the 5 of the first chord here

DI don’t ask a lot girl

But I F#mknow one thing’s for sure

It’s the Blove I haven’t got, girl

And I Ejust can’t take it Fanymore E

Solo on verse chords

‘Cause Awe could be Dhappy Ecan’t you

ASee, if you’d Donly Elet me

F#mBe the one to Bhold you

And Gkeep you here with Eme

‘Cause it F#mhurts me so just to Bsee you go

AAround with A7someone Dnew Dm

And if AI know you you’re Dmdoin’ that thing

AEvery day just Dmdoin’ that thing

AI can’t take you Edoin’ that thing you Ddo DmAmaj7

Woody Guthrie - This Land is Your Land (cover) Transpose up Transpose down

Originally around D, PPM in A, I play in G

Intro, a hybrid of other arrangements

CGD/F#EmDD7G

This land is Cyour land, and this land is Gmy land

From CaliDfornia, to the New York GIsland

From the Redwood CForest, to the Gulf stream Gwaters

DThis land was made for you and Gme

As I went Cwalking that ribbon of Ghighway

And I saw aDbove me that endless Gskyway

I saw beClow me that golden Gvalley

DThis land was made for you and Gme

This land is Cyour land, and this land is Gmy land

From CaliDfornia, to the New York GIsland

From the Redwood CForest, to the Gulf stream Gwaters

DThis land was made for you and Gme

I roamed and Crambled and I followed my Gfootsteps

To the sparkling Dsands of her diamond Gdeserts

All aCround me her voice was a’Gsounding

DThis land was made for you and Gme

There was a big high wCall there that tried to stGop me

It’s sign was pDainted, said private pGroperty

But on the bCack side it didn’t say nGothing

DThis land was made for you and mGe

This land is Cyour land, and this land is Gmy land

From CaliDfornia, to the New York GIsland

From the Redwood CForest, to the Gulf stream Gwaters

DThis land was made for you and Gme

When the sun come Cshining then I was Gstrolling

And the wheat fields Dwaving and the dust clouds Grolling

The fog was Clifting a voice come Gchanting

DThis land was made for you and Gme

This land is Cyour land, and this land is Gmy land

From CaliDfornia, to the New York GIsland

From the Redwood CForest, to the Gulf stream Gwaters

DThis land was made for you and Gme

DThis land was made for you and Gme