Dan’s Big Awesome Acoustic Songbook: Songs of the 21st century

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Table of Contents

  1. Alan Doyle - I've Seen a Little (2012)
  2. American Authors - Go Big Or Go Home (2016)
  3. American Hi-Fi - Flavor of the Weak (2001)
  4. Amos Lee - Sweet Pea (2006)
  5. Andy Grammer - Honey I'm Good (2014)
  6. Avicii - Wake Me Up (2013)
  7. Avril Lavigne - Complicated (2002)
  8. Barns Courtney - Glitter and Gold (2017)
  9. Big and Rich - Save a Horse (Ride a Cowboy) (2004)
  10. BoJack Horseman - Kyle and the Kids (2015)
  11. Bon Jovi - Who Says You Can't Go Home (2005)
  12. Bowling for Soup - 1985 (2004)
  13. Britney Spears - Oops!...I Did It Again (2000)
  14. Britney Spears - Toxic (2003)
  15. Bruce Springsteen - Pay Me My Money Down (2006)
  16. Cage the Elephant - Ain't No Rest for the Wicked (2008)
  17. Careless Hearts - 22 Fillmore (2006)
  18. Careless Hearts - Box Step (2006)
  19. Careless Hearts - Can't Tell a Man (2006)
  20. Careless Hearts - Chattering Teeth (2006)
  21. Careless Hearts - Impossible to Dream (2006)
  22. Careless Hearts - In the Dark (2006)
  23. Careless Hearts - Never to Return (2006)
  24. Careless Hearts - Not Going Alone (2006)
  25. Careless Hearts - Old Ways Die Slow (2006)
  26. Careless Hearts - Ravenous (2006)
  27. Carrie Underwood - Before He Cheats (2005)
  28. Caspar Babypants - 9.99 (2009)
  29. CeeLo Green - Forget You (2010)
  30. Christina Aguilera - Beautiful (2002)
  31. Christina Aguilera - Fighter (2002)
  32. Da Vinci's Notebook - Title of the Song (2000)
  33. Dan Morris - Another Thanks I'm Doing Fine (2002)
  34. Dan Morris - Everything You're Not (2002)
  35. Dan Morris - Lincoln Tunnel (2004)
  36. Dan Morris - Unusually Blue Bluebird (2006)
  37. Death Cab for Cutie - I Will Follow You Into the Dark (2006)
  38. Disney - Do You Want to Build a Snowman (2013)
  39. Disney - For the First Time in Forever (2013)
  40. Disney - How Far I'll Go (2016)
  41. Disney - Let it Go (2013)
  42. Disney - Love is an Open Door (2013)
  43. Disney - When Will My Life Begin (2010)
  44. Dixie Chicks - Long Time Gone (2002)
  45. Dixie Chicks - Travelin' Soldier (2002)
  46. Double Naught Spies - Fortune Teller (2012)
  47. Ed Sheeran - Galway Girl (2017)
  48. Ed Sheeran - Perfect (2017)
  49. Ed Sheeran - Thinking Out Loud (2014)
  50. Edward Sharpe and the Magnetic Zeros - Home (2009)
  51. Eliza Doolittle - Pack Up (2010)
  52. Elle King - Ex's and Oh's (2015)
  53. Eminem - Lose Yourself (2002)
  54. Enter The Haggis - One Last Drink (2006)
  55. Five for Fighting - 100 Years (2004)
  56. Five for Fighting - Superman (It's Not Easy) (2001)
  57. Fountains of Wayne - Stacy's Mom (2003)
  58. Fun - Some Nights (2012)
  59. Gnarls Barkley - Crazy (2006)
  60. Gotye - Somebody That I Used to Know (2011)
  61. Green Day - American Idiot (2004)
  62. Green Day - Boulevard of Broken Dreams (2004)
  63. Green Day - Holiday (2004)
  64. Green Day - Wake Me Up When September Ends (2004)
  65. Gretchen Wilson - Redneck Woman (2004)
  66. Halestorm - Here's to Us (2012)
  67. Halestorm - I Miss the Misery (2012)
  68. Hoobastank - The Reason (2004)
  69. Imagine Dragons - Bones (2022)
  70. Imagine Dragons - Demons (2012)
  71. Imagine Dragons - Radioactive (2012)
  72. Ingrid Michaelson - You and I (2008)
  73. Jack Johnson - Upside Down (2006)
  74. Jason Mraz - Have It All (2018)
  75. Jason Mraz - I'm Yours (2008)
  76. Jason Mraz - The Remedy (2002)
  77. Jet - Are You Gonna Be My Girl (2003)
  78. Jewel - Standing Still (2001)
  79. Jimmy Eat World - The Middle (2001)
  80. John Mayer - No Such Thing (Simplified) (2001)
  81. John Mayer - No Such Thing (2001)
  82. John Mayer - Waiting on the World to Change (2006)
  83. Johnny Cash - God's Gonna Cut You Down (2003)
  84. Judas Priest - Angel (2005)
  85. Keane - Somewhere Only We Know (2004)
  86. Kelly Clarkson - Behind These Hazel Eyes (2004)
  87. Kelly Clarkson - Breakaway (2004)
  88. Kelly Clarkson - Miss Independent (2003)
  89. Kelly Clarkson - Since U Been Gone (2004)
  90. Kid Rock - All Summer Long (2008)
  91. Kid Rock - Picture (2002)
  92. KT Tunstall - Black Horse and the Cherry Tree (2004)
  93. Lady Gaga - Bad Romance (2009)
  94. Lazlo Bane - Superman (Scrubs Theme) (2002)
  95. Lifehouse - Hanging By a Moment (2000)
  96. Lifehouse - You and Me (2005)
  97. Linkin Park - Crawling (2000)
  98. Linkin Park - In the End (2000)
  99. Linkin Park - Numb (2003)
  100. Lorde - Royals (2013)
  101. Maren Morris - My Church (2016)
  102. Maroon 5 - Harder to Breathe (2002)
  103. Maroon 5 - She Will Be Loved (2002)
  104. Maroon 5 - Sunday Morning (2002)
  105. Maroon 5 - This Love (2002)
  106. Matchbox Twenty - Unwell (2003)
  107. Matt Hires - Restless Heart (2013)
  108. Meghan Trainor - Dear Future Husband (2015)
  109. Meghan Trainor - Like I'm Gonna Lose You (2015)
  110. Meghan Trainor - No Good For You (2015)
  111. Michelle Branch - All You Wanted (2001)
  112. Miley Cyrus - Party in the USA (2009)
  113. Miley Cyrus - Wrecking Ball (2013)
  114. Miranda Lambert - Gunpowder and Lead (2008)
  115. Misc - California Christmas Time (2015)
  116. Misc - Crazy Ex Girlfriend Theme (2015)
  117. Misc - Free Credit Report Car Song (2007)
  118. Misc - Free Credit Report Pirate Song (2007)
  119. Misc - Getting Rid of Britta (2009)
  120. Misc - Happy Peanuts Soar (Snickers Commercial) (2006)
  121. Misc - Ode to the Wingman (2003)
  122. Misc - Strawberry Shortcake Berry Bitty Theme (2012)
  123. Mumford and Sons - Little Lion Man (2009)
  124. My Chemical Romance - Teenagers (2006)
  125. My Chemical Romance - Welcome to the Black Parade (2006)
  126. Nickelback - Rockstar (2005)
  127. Nine Days - Absolutely (2000)
  128. Norah Jones - Don't Know Why (2002)
  129. Old Crow Medicine Show - Wagon Wheel (2004)
  130. Olivia Rodrigo - Vampire (2023)
  131. Panic at the Disco - High Hopes (2018)
  132. Paramore - Still Into You (2013)
  133. Parsonsfield - Weeds or Wildflowers (2013)
  134. Patent Pending - Hey Mario (2013)
  135. Pharrell Williams - Happy (2013)
  136. Phillip Phillips - Home (2012)
  137. Pink - Get the Party Started (2001)
  138. Plain White T's - Hey There Delilah (2005)
  139. Portal - Still Alive (2007)
  140. Portal - Want You Gone (2011)
  141. Rachel Platten - Better Place (2016)
  142. Ray Charles - Do I Ever Cross Your Mind (2004)
  143. Red Hot Chili Peppers - By the Way (2002)
  144. Remember Monday - Famous (2024)
  145. Remember Monday - Happier (2025)
  146. Remember Monday - What the Hell Just Happened (2025)
  147. Rob Thomas - Lonely No More (2005)
  148. Rob Thomas - This is How a Heart Breaks (2005)
  149. Santana - Why Don't You and I (2002)
  150. Sara Bareilles - Brave (2013)
  151. Sara Bareilles - Gonna Get Over You (2010)
  152. Sarah Ross - Calm Before the Storm (2019)
  153. Sheryl Crow - Soak Up the Sun (2002)
  154. Simple Plan - Addicted (2003)
  155. Songsmith - Another Boring Love Song (2008)
  156. Songsmith - On Your Way to a Song (2008)
  157. Songsmith - These Cups of Coffee (2008)
  158. Songsmith - What a Happy Home We'll Have (2008)
  159. Staind - It's Been Awhile (2001)
  160. Taylor Swift - Blank Space (2014)
  161. Taylor Swift - Haunted (2010)
  162. Taylor Swift - I Knew You Were Trouble (2012)
  163. Taylor Swift - Love Story (2008)
  164. Taylor Swift - Mean (2010)
  165. Taylor Swift - No Body No Crime (2020)
  166. Taylor Swift - Our Song (2006)
  167. Taylor Swift - Shake it Off (2014)
  168. Taylor Swift - We Are Never Ever Getting Back Together (2012)
  169. Taylor Swift - You Belong With Me (2008)
  170. The 88 - At Least It Was Here (Community Theme) (2012)
  171. The All-American Rejects - Gives You Hell (2008)
  172. The Calling - Wherever You Will Go (2001)
  173. The Corrs - Breathless (2000)
  174. The Dead South - In Hell I'll Be in Good Company (2014)
  175. The Pretty Reckless - Death by Rock and Roll (2021)
  176. The Pretty Reckless - Heaven Knows (2014)
  177. The Strokes - Last Nite (2001)
  178. The White Stripes - Little Ghost (2005)
  179. The White Stripes - Seven Nation Army (2003)
  180. The White Stripes - We're Going to Be Friends (2002)
  181. They Might Be Giants - Malcolm in the Middle Theme (2000)
  182. Three Doors Down - Here Without You (2003)
  183. Three Doors Down - Kryptonite (2000)
  184. Tim McGraw - That's Why God Made Mexico (2002)
  185. Train - 50 Ways to Say Goodbye (2012)
  186. Train - Drops of Jupiter (2001)
  187. Twenty One Pilots - House of Gold (2011)
  188. Uncle Kracker - Follow Me (2000)
  189. Walk off the Earth - Farther We Go (2021)
  190. Walk off the Earth - Happy Stuff (2022)
  191. Walk off the Earth - How It Is (2021)
  192. Walk off the Earth - I'll Be There (2019)
  193. Walk off the Earth - Long Way Home (2023)
  194. Walk off the Earth - Love You Right (2021)
  195. Walk off the Earth - Whatever (2023)
  196. Walk the Moon - Shut Up and Dance (2014)
  197. We The Kings - Check Yes Juliet (2007)
  198. Weezer - Beverly Hills (2005)
  199. Wheatus - Teenage Dirtbag (2000)
  200. Wicked - Defying Gravity (2003)
  201. Zooey Deschanel - Hey Girl (short) (2011)
  202. Zooey Deschanel - Hey Girl (2011)
  203. Bing Crosby - White Christmas (cover)
  204. Bob Dylan - Make You Feel My Love (cover)
  205. Bob Seger - Turn The Page (cover)
  206. Bruce Springsteen - Santa Clause is Coming to Town (cover)
  207. Cat Stevens - The First Cut is the Deepest (cover)
  208. Cream - Crossroads (cover)
  209. Dave Dudley - Six Days on the road (cover)
  210. Dean Martin - Sway (cover)
  211. Dobie Gray - Drift Away (cover)
  212. Don Henley - The Boys of Summer (cover)
  213. Elton John - Can You Feel the Love Tonight (cover)
  214. Joni Mitchell - Big Yellow Taxi (cover)
  215. Labelle - Lady Marmalade (cover)
  216. Nina Simone - Feeling Good (cover)
  217. Tears for Fears - Mad World (cover)
  218. The Bobby Fuller Four - I Fought the Law (cover)
  219. The Carter Family - When I'm Gone (Cups) (cover)
  220. The Monkees - I'm a Believer (cover)

Alan Doyle - I've Seen a Little (2012) Transpose up Transpose down

Originally in A, I play in G

GCDGx2

It’s a lGong way to heaven it’s a long way back GCDG

GTake it from a sinner it’s a cold, hard fact GCDG

GI kissed the bottle and it tasted like more GCDG

It aGin’t what you got, it’s what you’re lookin’ for GCDG

Round and Cround

Up and Ddown the old ball Crolls

And I’m gonna Dmiss it when I Cgo

But it ain’t gonna mDiss me

I been Gover the moon and Cdown on my Gluck

CI’ve seen a Glittle but it Dain’t enGough

Been Gdown to the bottom and Call the way Gup

CI’ve seen a Glittle but it Dain’t enEmough

CI’ve seen a Glittle but it Dain’t enGough

GCDGx2

It Gain’t what ya done, it’s what you’re gonna do GCDG

It aGin’t where you been it’s where you’re going to GCDG

I’m sGorry Saint Peter I don’t mean to complain GCDG

But can you gGive it just a minute ‘fore you call my name GCDG

Nothing Cworse

Nothing Dhurts like a stone untCurned

And I got Dcandles left to Cburn

And lessons Dleft to learn

I been Gover the moon and Cdown on my Gluck

CI’ve seen a Glittle but it Dain’t enGough

Been Gdown to the bottom and Call the way Gup

CI’ve seen a Glittle but it Dain’t enEmough

CI’ve seen a Glittle but it Dain’t enGough

Bridge, vox on the 2 of the chord on “know”

I Cknow

We got a Emlong, long Dway to Cgo

Other side of the Emworld is only Dhalfway Chome

There might be Emnothing Ddown that Croad

But you Dnever know, no you never know

Solo on chorus chords

GGCG

CGDG

GGCG

CGDG

Round and Cround

Up and Ddown the old ball Grolls

And I’m gonna Dmiss it when I Cgo

But it ain’t gonnDa miss me

Drums only

I been Gover the moon and Cdown on my Gluck

CI’ve seen a Glittle but it Dain’t enGough

Hits on “been down”

Been Gdown to the bottom and Call the way Gup

CI’ve seen a Glittle but it Dohhhh

Band enters

I been Gover the moon and Cdown on my Gluck

CI’ve seen a Glittle but it Dain’t enGough

Been Gdown to the bottom and Call the way Gup

CI’ve seen a Glittle but it Dain’t enEmough

CI’ve seen a Glittle but it Dain’t enEmough

CI’ve seen a Glittle but it Dain’t enGough

GCDGx2

American Authors - Go Big Or Go Home (2016) Transpose up Transpose down

Originally in C#, I play in G

Highest note that matters is the 6

I...

Vox on the 3-2-1-1 on “don’t feel like go”

Don’t feel like gGoing home

But all my cCash is gGone

Yeah, I got nCothing to Gdo toDnight

I’m passed out Emon the floor

Up in the hCotel bGar

But it don’t maCtter, cause I’m feeGling fDine

Down to the low 1 on “passing by”, which is too low in G, find a way to not go down that far

I’m thinking lGife’s too sChort, it’s Gpassing by

So if GI’m gonna gCo at Gall

Go big or go

G(Go! Go!) Go big or go home

C(Go! Go!) Go big or go-o-o-o home

G(Go! Go!) Go big or go home

Hard stop on go-o-o-o

C(Go! Go!) Go big or go-o-o-o home

GC(Go! Go!) Go big or go home G

I gave the dGice a roll

And then we lCost conGtrol

You know we’re lCucky that Gwe surDvived

Cause when we jEmumped the ship

Oh, man, that Cboat, it fGlipped

But we should Cdo it all aGgain toDnight

I’m thinking lGife’s too sChort, it’s Gpassing by

So if Gwe’re gonna gCo at Gall

Go big or go

G(Go! Go!) Go big or go home

C(Go! Go!) Go big or go-o-o-o home

G(Go! Go!) Go big or go home

Hard stop on go-o-o-o

C(Go! Go!) Go big or go-o-o-o home

GC(Go! Go!) Go big or go home G

Vox up to the high 1 on “need”

GGiving my body all the things I need

GRescue me with a little whiskey

GStaying out, don’t need no sleep

GI’ll sleep when I’m dead, you can bury me

GI’ll sleep when I’m dead, you can bury me

I guess I’m gGoing home

Cause all my cCash is gGone

I spent it aCll trying to fGeel alDive

G(Go! Go!) Go big or go home

C(Go! Go!) Go big or go-o-o-o home

G(Go! Go!) Go big or go home

Hard stop on go-o-o-o

C(Go! Go!) Go big or go-o-o-o home

It’s getting cGrazy, we’re gonna do some things that we won’t forget

C(Go! Go!) Go big or go home

I’m going cGrazy, I’m gonna live my life, I got no regrets

C(Go! Go!) Go big or go homGe

American Hi-Fi - Flavor of the Weak (2001) Transpose up Transpose down

Originally in Bb, play in G capo 2.

Em

GShe paints her Dnails and she don’t Emknow

He’s got her Cbest friend on the Gphone

She’ll wash her Dhair, his dirty Emclothes

Are Call he gives to Emher

And he’s got Cposters on the Dwall

Of A7all the girls he wished she was

CAnd he means Deverything to Gher

GHer boyfriend, Dhe don’t know

EmAnything Cabout her

He’s Gtoo stoned, DNintendo

EmI wish that CI could make her Gsee

DEmShe’s just the

CFlavor of the Gweak DEm

GIt’s Friday Dnight and she’s all aEmlone

He’s a mCillion miles aGway

GShe’s dressed to Dkill, the TV’s Emon

He’s conCnected to the Emsound

And he’s got Cpictures on the Dwall

Of A7all the girls he’s loved before

CAnd she knows Dall his favorite Gsongs

GHer boyfriend, Dhe don’t know

EmAnything Cabout her

He’s Gtoo stoned, DNintendo

EmI wish that CI could make her Gsee

DEmShe’s just the

CFlavor of the Gweak DEm

Quiet

GHer boyfriend, Dhe don’t know

EmAnything Cabout her

He’s Gtoo stoned, Dtoo stoned

EmToo stoned Ctoo stoned

GHer boyfriend, Dhe don’t know

EmAnything Cabout her

He’s Gtoo stoned, DNintendo

EmI wish that CI could make her Gsee

DEmShe’s just the

CFlavor of the Gweak DEm

Yeah she’s the Cflavor of the Gweak DEm

CShe makes me Gmaj7weak

Amos Lee - Sweet Pea (2006) Transpose up Transpose down

Originally in E, I play in C capo 3

CE7AmD

CAmDm7Gx 2

CSweet pea, E7apple of my eye

AmDon’t know when and I Ddon’t know why

CYou’re the only Amreason I

Dm7Keep on Gcoming Chome

CAmDm7G

CSweet pea, what’s all E7this about?

AmDon’t get your way, all you do Dis fuss and pout

CYou’re the only Amreason I

Dm7Keep on Gcoming Chome

CAmDm7G

I’m like the E7Rock of Gibraltar, I always seem to falter

And the Amwords just get in the way

Oh, I Dknow I’m gonna crumble

I’m trying to stay humble

But I Gnever think before I say

CE7AmD

CAmDm7Gx 2

CSweet pea, E7keeper of my soul

AmI know, sometimes, I’m Dout of control

CYou’re the only Amreason I Dm7keep on Gcoming

CYou’re the only Amreason I Dm7keep on Gcoming, yeah

CYou’re the only Amreason I Dm7keep on Gcoming Chome

Andy Grammer - Honey I'm Good (2014) Transpose up Transpose down

Originally in A, I play in E

Intro, rubato

Vox on the 5

ENah nah, honey I’m good, I could have another but I probably should

C#mNot, I got somebody at home

It’s been a Elong night here, and a long night there

And these Elong, long legs are damn near everywhere

Hold up now, Eyou look good, I will not lie

But Eif you ask where I’m staying tonight, I gotta be like

Let ring

EOh baby, no baby, C#myou got me all wE/Brong baby

Amaj7My baby’s already got all my love

So E/G#nah nah, honey I’m good, I could have another but I E/F#probably should not

C#mI’ve got somebody at home, and if I stay I might not leave alone

E/G#No, honey I’m good, I could have another but I E/F#probably should not

C#mI’ve gotta bid you adieu, to another I will stay Etrue

EI will stay true

AI will stay true

E

A

Now Ebetter men than me have failed

EDrinking from that unholy grail

Now check it out, EI’ve got her and she got me

And you’ve Egot that stuff, but I kindly, gotta be like

EOh baby, no baby, C#myou got me all wE/Brong baby

Amaj7My baby’s already got all my love

So E/G#nah nah, honey I’m good, I could have another but I E/F#probably should not

Not a typo, there’s a IV this time that wasn’t there in the first chorus

C#mI’ve got somebody at home, and iAf I stay I might not leave alone

E/G#No, honey I’m good, I could have another but I E/F#probably should not

C#mI’ve gotta bid you adieu, to another I will stay Etrue

EI will stay true

AI will stay true

E

A

Bridge

Vox on the 1 of the chord

BOh, I’m C#msure you, sure you will mAake somebody’s nightE

But oBh, I aC#mssure you, assure you it Asure as hell’s not mine

Let ring

EOh no, honey I’m good, I could have another but I E/F#probably should not

C#mI’ve got somebody at home, and if I stay I might not leave alone

E/G#No, honey I’m good, I could have another but I E/F#probably should not

C#mI’ve gotta bid you adieu, to another I will stay Etrue

So E/G#nah nah, honey I’m good, I could have another but I E/F#probably should not

C#mI’ve got somebody at home, and if I stay I might not leave alone

E/G#No, honey I’m good, I could have another but I E/F#probably should not

C#mI’ve gotta bid you adieu, to another I will stay Etrue

EI will stay true

AI will stay true

EI will stay true

AI will stay true

E

Avicii - Wake Me Up (2013) Transpose up Transpose down

Originally in Bm, I play in Am

Intro

AmFCG

AmFCGE

AmFeeling my Fway through the Cdarkness

AmGuided byFa beating hearCt

AmI can’t tFell where the jCourney will end

AmBut I knoFw where to starCt

AmThey tell me IF‘m too youCng to understand

AmThey say I’m cFaught up in a dCream

AmWell life will pFass me by if ICdon’t open up my eyes

AmWell that’s Ffine by Cme

So wake me uAmp when itF‘s all Cover G

When I’m wisAmer Fand I’m oClder E

All this timAme I was fFinding mysCelf and I G

AmDidn’t Fknow I was Clost

So Ewake me uAmp when itF‘s all Cover G

When I’m wisAmer Fand I’m oClder E

All this timAme I was fFinding mysCelf and I G

AmDidn’t Fknow I was Clost

AmFCGEmx 2

AmI tried Fcarrying the Cweight of the world

AmBut I Fonly have two Chands

AmHope I Fget the chance to Ctravel the world

AmBut I don’t hFave any Cplans

AmI wish that FI could stay forCever this young

AmNot afrFaid to close my Ceyes

AmLife’s a Fgame made for eCveryone

AmAnd Flove is the Cprize

So wake me uAmp when itF‘s all Cover G

When I’m wisAmer Fand I’m oClder E

All this timAme I was fFinding mysCelf and I G

AmDidn’t Fknow I was Clost

So Ewake me uAmp when itF‘s all Cover G

When I’m wisAmer Fand I’m oClder E

All this timAme I was fFinding mysCelf and I G

AmDidn’t Fknow I was Clost

AmDidn’t Fknow I was Clost

AmDidn’t Fknow I was Clost

Avril Lavigne - Complicated (2002) Transpose up Transpose down

Originally in F, I play in G capo 3

Intro spoken

EmCUh huh,GDlife’s like this

EmUh huh,Cuh huh,Gthat’s the Dway it is

EmCGCause Dlife’s like this

EmUh huh,Cuh huh, Gthat’s the Dway it is

Vox start on the 1

GChill out, whatcha yellin’ for?

EmLay back, it’s all been done before

CAnd if you could only Dlet it be, you would see

GI like you the way you are

EmWhen we’re drivin’ in your car

CAnd you’re talkin’ to me Done-on-one, but you become

CSomebody else ‘round everyone else

You’re Emwatchin’ your back like you can’t relax

You’re Ctryin’ to be cool

You look like a fool to Dme, tell me

Get off of the vox on “complicated” pretty quickly

EmWhy’d you have to go and make Cthings so compliGcated?

I Dsee the way you’re Emactin’ like you’re somebody Celse, gets me frusGtrated

DLife’s like this, you, Emyou fall, and you crCawl, and you break

And you taGke what you get, and you Dturn it into

Am7Honesty and promise me, I’m never gonna find you Cfake it

No no Gno

G

GYou come over unannounced

EmDressed up like you’re somethin’ else

CWhere you are and where it’s Dat, you see

You’re makin’ me

GLaugh out when you strike your pose

EmTake off all your preppy clothes

CYou know, you’re not foolin’ Danyone, when you become

CSomebody else ‘round everyone else

You’re Emwatchin’ your back like you can’t relax

You’re Ctryin’ to be cool

You look like a fool to Dme, tell me

EmWhy’d you have to go and make Cthings so compliGcated?

I Dsee the way you’re Emactin’ like you’re somebody Celse, gets me frusGtrated

DLife’s like this, you, Emyou fall, and you crCawl, and you break

And you taGke what you get, and you Dturn it into

Am7Honesty and promise me, I’m never gonna find you Cfake it

No no Gno

GNo no (no no)

EmNo no (no no)

CNo no (no no)

DNo no (no no, no)

GChill out, whatcha yellin’ for?

EmLay back It’s all been done before

CAnd if you could only Dlet it be, you will see

CSomebody else ‘round everyone else

You’re Emwatchin’ your back like you can’t relax

You’re Ctryin’ to be cool

You look like a fool to Dme, tell me

EmWhy’d you have to go and make Cthings so compliGcated?

I Dsee the way you’re Emactin’ like you’re somebody Celse, gets me frusGtrated

DLife’s like this, you, Emyou fall, and you crCawl, and you break

And you taGke what you get, and you Dturn it into

Am7Honesty and promise me, I’m never gonna find you Cfake it

No no

EmWhy’d you have to go and make Cthings so compliGcated?

I Dsee the way you’re Emactin’ like you’re somebody Celse, gets me frusGtrated

DLife’s like this, you, Emyou fall, and you crCawl, and you break

And you taGke what you get, and you Dturn it into

Am7Honesty and promise me, I’m never gonna find you Cfake it

No no G

Barns Courtney - Glitter and Gold (2017) Transpose up Transpose down

Originally in Ebm, I play in Em

EmI am flesh and I am bone

Rise Dup, ting ting, like Aglitter and gold

EmI got fire in my soul

Rise Dup, ting ting, like Aglitter

YeahEmyeahD, like gAlitter and gold

YeahEmyeahD, like Aglitter

Do you Emwalk in the valley of kings? DA

Do you Emwalk in the shadow of men

Who Dsold their lives to a Adream

Do you pEmonder the manner of things DA

In the dEmark, the Ddark, the dark, Athe dark

EmI am flesh and I am bone

I’ll riDse, ting ting, like Aglitter and gold

EmI got fire in my soul

Rise Dup, ting ting, like Aglitter

YeahEmyeahD, like gAlitter and gold

YeahEmyeahD, like Aglitter

Do you Emwalk in the meadow of spring? DA

Do you Emtalk to the animals

Do you Dhold their lives from a Astring

Do you pEmonder the manner of things DA

In the dEmark, the Ddark, the dark, Athe dark

EmI am flesh and I am bone

I’ll riDse, ting ting, like Aglitter and gold

EmI got fire in my soul

Rise Dup, ting ting, like Aglitter

EmI am flesh and I am bone

AriDse, ting ting, like Aglitter and gold

EmI’ve got fire in my soul

Rise Dup, ting ting, like Aglitter

Bridge

Em‘Cause everybody’s in the backroom’s spinning out

DDon’t remember what you’re Aasking for

EmAnd everybody’s in the front room’s tripping out

DYou left your bottle at the Adoor

Em‘Cause everybody’s in the backroom’s spinning out

DDon’t remember what you’re Aasking for

EmAnd everybody’s in the front room’s tripping out

DYou left your bottle at the Adoor

EmI am flesh and I am bone

I’ll riDse, ting ting, like Aglitter and gold

EmI got fire in my soul

Rise Dup, ting ting, like Aglitter

YeahEmyeahD, like gAlitter and gold

YeahEmyeahD, like Aglitter

Big and Rich - Save a Horse (Ride a Cowboy) (2004) Transpose up Transpose down

Intro, with Mr.-Brownstone-y b3’s

EAx 4

Vox on the 1

Well, I Ewalk into the room

Passing out Ahundred dollar bills

And it kills, Eand it thrills, like the horns on my

ASilverado grill

And I Ebuy the bar a double round of Crown

And Aeverybody’s getting down

And this town, Eain’t never gonna be the Asame

Vox originally on the b3 the whole line, but

easier to do the 1 until “horse”

‘Cause I Esaddle up my horse

Vox down to the 1 of the chord on “ride”

And I Aride into the city

I Emake a lot of noise

‘Cause the Agirls they are so pretty

ERiding up and down Broadway

On my Aold stud Leroy

And the girls say DEsave a horse, Gride a Acowboy

Everybody says DEsave a horse, Gride a Acowboy

Well I Edon’t give a dang about Anothing

I’m singing and bling-Eblinging

While the girls are drinking

Hard stop on “long”

ALong necks down

And I Ewouldn’t trade ol’ Leroy

Or my AChevrolet for your Escalade

Or your Efreak parade

I’m the only John Wayne Aleft in this town

And I Esaddle up my horse

And I Aride into the city

I Emake a lot of noise

‘Cause the Agirls they are so pretty

ERiding up and down Broadway

On my Aold stud Leroy

And the girls say DEsave a horse, Gride a Acowboy

Everybody says DEsave a horse, Gride a Acowboy

Solo on verse chords

EAEAx2

More or less spoken

I’m a Ethouroughbred that’s what she said

In the Aback of my truck bed

As I was gEettin’ buzzed on suds

Out on Asome back country road

The banjo does the Secret Agent Man riff here, not really necessary but the chords here are a nod to the banjo part

We were Eflying high, fE(b6)ine as wine

AHaving ourselves a A7#9big and rich time

And I Ewas going, just aE(b6)bout as far as she’d Alet me go A7#9

Spoken, with harmony the high octave

But Eher evaluation

Of my cAowboy reputation

Had me bEegging for salvation

All nighAt long

So I Etook her out giggin’ frogs

IntrodAuced her to my old bird dog

Hard stop on “think

And Esang her every Wilie Nelson song I could Athink of

And we made love

And I Esaddle up my horse

And I Aride into the city

I Emake a lot of noise

‘Cause the Agirls they are so pretty

ERiding up and down Broadway

On my Aold stud Leroy

And the girls say DEsave a horse, Gride a Acowboy

Everybody says DEsave a horse, Gride a Acowboy

What? What? DESave a horse, Gride a Acowboy

Last two chords implied (on “ride a cowboy”)

Everybody says DEsave a horse, Gride a Acowboy

BoJack Horseman - Kyle and the Kids (2015) Transpose up Transpose down

Originally in C, I play in A

AD/A

AKyle E/G#and the F#mkids F#m7/E

Bm7Kyle’s a dad and ECharlotte’s married to him

AAnd they’ve E/G#got some F#mkids F#m7/E

Vox on 7 5 of the chord on “Penny”

There’s Bm7Penny, she’s going to C#m7high school

She’s got a Dbrother, her D#dimbrother’s name is ETrip

They’re the perfect family

Key change

A#Kyle F/Aand the Gmkids Gm7/F

He Cm7loves his wife and there’s Fnothing you can A#do

A#Kyle F/Aand the Gmkids Gm7/F

Oh no, it’s gonna Cm7be alright, Fbe alright oh A#no

Bon Jovi - Who Says You Can't Go Home (2005) Transpose up Transpose down

Originally in G, I play in E, highest note that matters is the 1 “WHO says”

Intro

EAadd9F#mAadd9x 2

Vox on the 5 on “twenty”

I spent twenEty years trying to get Aadd9out of this place

I was F#mlookin’ for something I cAadd9ouldn’t replace

I was rEunnin’ away from the onlAadd9y thing I’ve Bever known

And like a Eblind dog withAadd9out a bone

I was a F#mgypsy lost in the twAadd9ilight zone

I Ehijacked a rainbow and cAadd9rashed into a pBot of gold

C#mI’ve been there, done tAadd9hat, I ain’t lookin’ bEack on the seeds I’ve sown

Saving G#mdimes, spending tAadd9oo much time on the Btelephone

Who says you can’t go Ehome

EWho says you Aadd9can’t go home

There’s F#monly one place that call me Aadd9one of their own

Just a Ehometown boy, bAadd9orn a rolling Bstone

Who says you can’t go Ehome

Who says you Aadd9can’t go back

Been F#mall around the world and as a Aadd9matter of fact

There’s Eonly one place Aadd9left I wanna Bgo

Who says you can’t go Ehome

It’s alright, it’s alrightAadd9, it’s alright, it’s alrightF#m

It’s alright Aadd9

I went as Efar as I could, I tried to Aadd9find a new face

There isn’t F#mone of these lines that Aadd9I would erase

I’ve lived a Emillion miles of mAadd9emories on that Broad

Every Estep I take I know that IAadd9‘m not alone

You take the F#mhome from the boy, but not the Aadd9boy from his home

EThese are my streets, the Aadd9only life I’ve Bever known

Who says you can’t go Ehome

EWho says you Aadd9can’t go home

There’s F#monly one place that call me Aadd9one of their own

Just a Ehometown boy, bAadd9orn a rolling Bstone

Who says you can’t go Ehome

Who says you Aadd9can’t go back

Been F#mall around the world and as a Aadd9matter of fact

There’s Eonly one place Aadd9left I wanna Bgo

Who says you can’t go Ehome

It’s alright, it’s alrightAadd9, it’s alright, it’s alrightF#m

It’s alright, Aadd9who says you can’t go Ehome

It’s alright, it’s alrightAadd9, it’s alright, it’s alrightF#m

It’s alright, Aadd9who says you can’t go Ehome

Solo

EAF#mA

EAF#mB

C#mI’ve been there, done Aadd9that, I ain’t looking Eback

It’s been a long long road

Feels G#mlike I’ve never Aadd9left, that’s how the Bstory goes

Let ring

It doesn’t Ematter where you are, doesn’t Aadd9matter where you go

If it’s a F#mmillion miles away or just a Aadd9mile up the road

Take it Ein, take it Aadd9with you when you Bgo, who says you can’t go Ehome

EWho says you Aadd9can’t go home

There’s F#monly one place that call me Aadd9one of their own

Just a Ehometown boy, bAadd9orn a rolling Bstone

Who says you can’t go Ehome

Who says you Aadd9can’t go back

Been F#mall around the world and as a Aadd9matter of fact

There’s Eonly one place Aadd9left I wanna Bgo

Who says you can’t go Ehome

Bowling for Soup - 1985 (2004) Transpose up Transpose down

Originally in B, I play in A

Intro

Hoo hoo hooADF#mE

Hoo hoo hooADF#mEE

Vox on the 3 on “Debbie”

ADebbie just hit the wall, Dshe never had it all

F#mOne Prozac a day, Ehusband’s a CPA

AHer dreams went out the door, Dwhen she turned 24

F#mOnly been with one man, Ewhat happened to her plan

AShe was gonna be an actress, Dshe was gonna be a star

F#mShe was gonna shake it all, Eon the hood of Whitesnake’s car

AHer yellow SUV, Dis now the enemy

F#mLooks at her average life, Eand nothing, has been, all right since

Bruce ASpringsteen, Madonna, Dway before Nirvana

There was F#mU2 and Blondie and Gmusic still on MTV

Her Atwo kids, in high school, they Dtell her that she’s uncool

‘Cause F#mshe’s still preoccupied, Gwith 19, 19, 1985

Hoo hoo Ahoo, D1985 hoo hoo hooF#mE

AShe’s seen all the classics, Dshe knows every line

This is “even St. Elmo’s Fire” in the BfS version, but it doesn’t rhyme, so I’m keeping the SR-71 lyric

F#mBreakfast Club, Pretty In Pink, EFast Times at Ridgemont High

AShe rocked out to Wham, Dnot a big Limp Bizkit fan

F#mThought she’d get a hand, Eon a member of Duran Duran

AWhere’s the mini-skirt, Dmade of snakeskin

F#mAnd who’s the other guy that’s Esinging in Van Halen

AWhen did reality, Dbecome T.V.

Hard stop after “game shows”

F#mWhat ever happened to, Esitcoms, game shows, on the radio

ASpringsteen, Madonna, Dway before Nirvana

There was F#mU2 and Blondie and Gmusic still on MTV

Her Atwo kids, in high school, they Dtell her that she’s uncool

‘Cause F#mshe’s still preoccupied, Gwith 19, 19, 1985

Solo

Hoo hoo hooADF#mE

Bridge

AShe hates time, Dmake it stop

WhF#men did Motley Crue become Eclassic rock

AAnd when did Ozzy, Dbecome an actor

Hard stop on the last “stop”

F#mPlease make this Estop, stop, stop, and bring back

ASpringsteen, Madonna, Dway before Nirvana

There was F#mU2 and Blondie and Gmusic still on MTV

Her Atwo kids, in high school, they Dtell her that she’s uncool

Not a typo, he doesn’t say “with” this time

‘Cause F#mshe’s still preoccupied, G1985

(Bruce) ASpringsteen, Madonna, Dway before Nirvana

There was F#mU2 and Blondie and Gmusic still on MTV

Her Atwo kids, in high school, they Dtell her that she’s uncool

‘Cause F#mshe’s still preoccupied, Gwith 19, 19, 1985

Britney Spears - Oops!...I Did It Again (2000) Transpose up Transpose down

Originally in C#m, I play in Am

AmAmYeah YEAH yeah yeah yeah

AmAmYeah YEAH yeah yeah yeah

AmI think I Edid it aAmgain

I made you belFieve we were more than just frEiends (oh baby)

AmIt might Eseem like a cAmrush

But it doesn’t mFean that I’m seriouEs

‘Cause to lFose all my seEnses

Hard stop on “me”

That is jusFt so typically Gme

Oh baby, baby

AmOops I Edid it aAmgain

I plGayed with your heCart

Got lGost in the gCame

Oh baEby, baby

AmOops you tEhink I’m in lAmove

That I’m Gsent from abCove

Hard stop on “innocent”

I’m Enot that innocent

You Amsee my Eproblem is Amthis

I’m dreaming awFay

Wishing that Eheroes, they truly exAmist

AmI cry, Ewatching the Amdays

Can’t you see I’m a Ffool in so many wEays

‘Cause to lFose all my seEnses

That is jusFt so typically Gme

Oh baby, baby

AmOops I Edid it aAmgain

I plGayed with your heCart

Got lGost in the gCame

Oh baEby, baby

AmOops you tEhink I’m in lAmove

That I’m Gsent from abCove

I’m Enot that innocent

Bridge

Am

Spoken

Britney, before you go

There’s something I want you to have

Oh, it’s beautiful, but wait a minute, isn’t this...?

Yeah, yes it is

FBut I thought the old lady dropped it

Into the oGcean in the end

AmWell baby, I went down and got it for you

Oh, you shouldn’t have

Rhythmic variation on chorus

AmOops EI Amdid it aGgain to your Cheart

Got loGst inCthis game, oh baEby

AmOops Eyou Amthink that I’m

SGent from aCbove

I’m nFot that innocGent

Back to normal rhythm

AmOops I Edid it aAmgain

I plGayed with your heCart, got lGost in the gCame

Oh baEby, baby

AmOops you tEhink I’m in lAmove

That I’m Gsent from abCove

I’m Enot that innocent

Britney Spears - Toxic (2003) Transpose up Transpose down

Originally in Cm, I play in Am capo 5

The highest note that matters is the 2 (“with a *taste*”)

Intro

Am

Vox on 1 2 on “baby”

AmBaby, can’t you see, AmI’m calling

AmA guy like you, Amshould wear a warning

CIt’s dangerous, E7I’m fallin’ Am

Am

AmThere’s no escape, AmI can’t wait

AmI need a hit, Ambaby, give me it

CYou’re dangerous, E7I’m lovin’ it Am

Am

Vox on 1 2 3 on “too high-igh”

AmToo high, can’t come down, Amlosing my head

Spinning Am‘round and ‘round

CE7Do you feel me now Am

Am

Vox on the 2 on “taste”

With a Amtaste of your lips I’m Con a ride

This line is really more like II7 bII7, but it’s easier to sing over VI V

F7You’re toxic, E7I’m slipping under

With a Amtaste of a poison pCaradise

I’m addF7icted to you, don’t you E7know that you’re toxic

Ditto here, this is really II7 bII7

AmCAnd I F7love what you do, don’t you E7know that you’re toxic

AmCF7E7

AmIt’s getting late, Amto give you up

AmI took a sip, Amfrom my devil’s cup

CSlowly, E7it’s taking over meAm

Am

AmToo high, Amcan’t come down

AmIt’s in the air, and it’s Amall around

CE7Can you feel me nowAm

With a Amtaste of your lips I’m Con a ride

F7You’re toxic, E7I’m slipping under

With a Amtaste of a poison pCaradise

I’m aF7ddicted to you, don’t you E7know that you’re toxic

AmCAnd I F7love what you do, don’t you E7know that you’re toxic

AmCF7Don’t you E7know that you’re toxic

Bridge

This time I play the original chords, since there’s not really any vox here

AmAh Cah ah B7ah Bb7

AmAh Cah ah F7ah E7

The beginning of this chorus is implied by quirky noises

With a Amtaste of your lips I’m Con a ride

F7You’re toxic, E7I’m slipping under

With a Amtaste of a poison paradCise

I’m addF7icted to you, don’t you E7know that you’re toxic

With a Amtaste of your lips I’m Con a ride

F7You’re toxic, E7I’m slipping under

With a Amtaste of a poison paradCise

I’m addF7icted to you, don’t you E7know that you’re toxic

AmIntoxicate me now

CWith your lovin’ now

F7I think I’m ready now

E7I think I’m ready now

AmIntoxicate me now

CWith your lovin’ now

F7I think I’m ready now

Am

Bruce Springsteen - Pay Me My Money Down (2006) Transpose up Transpose down

Springsteen in G, I play in E. Vox mostly on the 5.

Intro

E

Well I Ethought I heard the captain say

Pay me my B7money down

Tomorrow is our sailing day

Pay me my Emoney down

EPay me, pay me

Pay me my B7money down

Pay me or go to jail

Pay me my Emoney down

ESoon as the boat was clear of the bar

Pay me B7money down

He knocked me down with the end of a spar

Pay me my Emoney down

EPay me, pay me

Pay me my B7money down

Pay me or go to jail

Pay me my Emoney down

EIf I’d been a rich man’s son

Pay me my B7money down

I’d sB7it on the river and watch it run

Pay me my Emoney down

EPay me, pay me

Pay me my B7money down

Pay me or go to jail

Pay me my Emoney down

Springsteen does this verse in a different key, but this may or may not

really be worth it.

Well, GI wish I was Mr. Gates

Pay me my D7money down

They’d haul my money in in crates

Pay me my Gmoney down

GPay me, pay me

Pay me my D7money down

Pay me or go to jail

Pay me my Gmoney down

E

Well, Eforty days and nights at sea

Pay me my B7money down

Captain worked every last dollar out of me

Pay me my Emoney down

EPay me, pay me

Pay me my B7money down

Pay me or go to jail

Pay me my Emoney down

EPay me, pay me

Pay me my B7money down

Pay me or go to jail

Pay me my Emoney down

Cage the Elephant - Ain't No Rest for the Wicked (2008) Transpose up Transpose down

Originally in G, I play in E. Highest note that matters is the 1 (“I got *bills* to pay”)

Intro

EEGAx4

More or less spoken

I was walkEing down the street

When out the coGrner of my eye

I saw a prAetty little thing approaching meGD

She said I’ve nEever seen a man

Who loGoks so all alone

And could you usAe a little companyGD

And if you pEay the right price

Your evGening will be nice

And you can Ago and send me on my wayGD

I said you’re suEch a sweet young thing

Oh why you Gdo this to yourself

Instruments drop out on “this”, the second and third chords are implied

She loAoked at me, and tGhis is what she saDid

Oh, there aEin’t no rest for the wiGcked → AD

MEoney don’t grow on trees GAD

I got bEills to pay, I got mouthsGto feed → AD

There ain’t nEothing in this world for free GAD

Oh no I Ecan’t slow down

I can’tGhold back → AD

Though you kEnow, I wish I could GAD

Oh, no there aEin’t no rest for the wiGcked → AD

Until we Eclose our eyes for good GAD

Not even fEifteen minutes later

I’m still walkiGng down the street

When-I-saw the sAhadow of a man creep out of sightGD

Then he sEwept up from behind

And put a gGun up to my head

He made it cAlear he wasn’t looking for a fightGD

He said gEive me all you’ve got

I want your mGoney not your life

But if you tAry to make a move I won’t think twiceGD

I told him yEou can have my cash

But first you kGnow I got to ask

Instruments drop out on “this”, the second and third chords are implied

What made you wAant to live this kind of lifeGD

He said there aEin’t no rest for the wiGcked → AD

MEoney don’t grow on trees GAD

I got bEills to pay, I got mouthsGto feed → AD

There ain’t nEothing in this world for free GAD

Oh no I Ecan’t slow down

I can’tGhold back → AD

Though you kEnow, I wish I could GAD

Oh, no there aEin’t no rest for the wiGcked → AD

Until we Eclose our eyes for good GAD

Solo

EGADx4

Well now a coEuple hours passed

And I was sittiGng at my house

The day was Awinding down and coming to an endGD

And so I turneEd on the TV

And flipped it Gover to the news

And what I sAaw I almost couldn’t comprehendGD

I saw a Epreacher man in cuffs

He’d taken Gmoney from the church

He’d stuffed his Abank account with righteous dollar billsGD

But even sEtill I can’t say much

Because I Gknow we’re all the same

Instruments drop out on “those”, the second and third chords are implied

Oh yes we alAl seek out to satisfy those thrillsGD

You know there aEin’t no rest for the wiGcked → AD

MEoney don’t grow on trees GAD

We got bEills to pay, we got mouthsGto feed → AD

There ain’t nEothing in this world for free GAD

Oh no we Ecan’t slow down

We can’tGhold back → AD

Though you kEnow, we wish we could GAD

Oh, no there aEin’t no rest for the wiGcked → AD

Hang on “close”

Until we Eclose our eyes for good

Careless Hearts - 22 Fillmore (2006) Transpose up Transpose down

Guitar enters on “air brakes”

And then the hiss of the Gair brakes

On the twenty-two FCillmore

Underneath our Amwindow

Breaks up my Creverie

I roll over and lGook at you

You’re breathing qCuietly

In the silent dAmust fall

Of a morning lCight D

Your face is woGnderful

I can’t take my eCyes away

Suddenly yours oAmpen up

And a brand new dCay begins

G

Bm7Am7

Bm7Am7

Bm7Am7

CD

The breeze is blowing like wGinter

On the corner by the bCus stop

In my hand-me-down pAmea coat

You put your hands in mCine

I try to light up a cGigarette

But these matches are wCorthless

Between you and these dAmamn things

I don’t stand a cChance D

So we walk up to MGission Street

All the way up to MCission Street

And I may have to Amkiss you

For the rest of my lCife

G

BmAll the days when you were wAmorking far away

BmI’m as empty as a gAmlove

BmYou fill me up when you retAmurn and I can say

That I fCeel a certain purpose in your lDove

And then the hiss of the Gair brakes

On the twenty-two FCillmore

Underneath our Amwindow

Breaks up my Creverie

I roll over and lGook at you

You’re breathing qCuietly

And aAmll I know is all I know

Is aCll I have to saDy

Is I will lGove you

As long as CI can breathe

Out oAmn a limb that was too thin

And IC‘m already fallin’ for you

GFallin’ for yCou

GFallin’ for yCou

GFallin’ for yCou

G

Careless Hearts - Box Step (2006) Transpose up Transpose down

Intro

AmAmEmAmx4

AmSometimes it all gets so dull

EmFeeling like an ache

AmSometimes drivin’ the long way home

Is aEmll the excitement I can take

AmSometimes this box I’m trapped inside

EmIt’s like cardboard in the rain

AmOne good kick would tear it down

It’s jEmust too damn hard to explain

AmAmEmAmx2

AmSome kinds of pain well they don’t go away

EmSome well they mellow with tAmime

EmSome kinds of agony block out the sun

And they Amleave you so numb you go bEmlind

AmThen there’s the hurt that starts deep in your guts

And it Emcrawls like a germ through your vAmeins

AmLets you just walk around year after year

Till Emone day you wake up and sAming

DI’m gonna dAmo me, B7some screamin’ and sEhoutin’

DI’m gonna Amcall it a sEmong, hey

Solo

AmAmEmAmx4

AmSome kinds of pain well they don’t go away

EmSome well they mellow with tAmime

EmSome kinds of agony block out the sun

And they Amleave you so numb you go bEmlind

AmThen there’s the hurt that starts deep in your guts

And it Emcrawls like a germ through your vAmeins

AmLets you just walk around year after year

Till Emone day you wake up and sAming

DI’m gonna dAmo me, B7some punchin’ and kEickin’

DI’m gonna cAmall it a dEmance Am

DI’m gonna dAmo me, B7some screamin’ and sEhoutin’

DI’m gonna Amcall it... Ema sAmong

AmAmEmAmx8

Careless Hearts - Can't Tell a Man (2006) Transpose up Transpose down

Intro

A

AYou can’t tell a man by his shoes

EYou can’t tell a man by his shoes

AYou can tell a man by the cDompany he cAhoose

But yAou can’t tell a Dman by his sAhoes, lord lord

A Aman ain’t nE7othing but a mAan

AYou can’t tell a man by his church

EYou can’t tell a man by his church

AYou can tell a many by his cDhoices here on EAarth

But yAou can’t tell a Dman by his cAhurch, lord lord

A mAan ain’t nE7othing but a mAan, aw come on

Solo on a verse and chorus

AE

ADA

ADA

AE7A

AYou can’t tell a man by his gun

E7You can’t tell a man by his gun

AYou can tell a man by the aDctions of his sAon

But yAou can’t tell a mDan by his gAun, lord lord

A Aman ain’t nE7othing but a mAan

AYou can’t tell a man by his song

EYou can’t tell a man by his song

He may sAing some pretty words but he mDay not live alAong

AYou can’t tell a mDan by his sAong, lord lord

A Aman ain’t nEothing but a mAan, alright

Solo

AE

ADA

ADA

AE7A

A Aman ain’t nEothing but a mAan

Careless Hearts - Chattering Teeth (2006) Transpose up Transpose down

DWoke in a sweat, want to Ahold you

DOpen a vein, Gwalls closing in

DRunning on icy hillsides, Gsliding on razor glass

DStruggle to Gsurface once agaAin

Chattering tDeeth, shuddering kneAes

It’s my disaGster, it’s my disease

We all gotta sDleep, but I gotta slAeep

Through my chattering teGeth

DD7

DI went to the doctor, and she tAold me

DTake two of these shiny tiny taGblets every night

DWhen I did I fell down iGn a well so dark

That I’m nDever, never gGonna find a ligAht

Chattering tDeeth, shuddering kneAes

It’s my disaGster, it’s my disease

We all gotta sDleep, but I gotta slAeep

Through my chattering teGeth

DNaked as a nAewborn baby, bGroken-hearted going crazy

DShaking like a jAunkie in a fGilm by Gus Van Sant

DI can hear ‘em wAhirrin’ and ringin’, Gin my ears and so I’m singin’

DTunelessly and rAavin’ and I rGant

Solo on verse chords

DADG

DGDGA

Hard stop on “last”, back in on “told”

DThis is the last time, like I tAold you

DI’ll be in for just a yGear and seven months

DIn an hour I’ll be rGight back where we started

DSo I’ll catch you, and I’ll pGush you all at oAnce

Chattering teeth, shuddering knees

It’s my disaster, it’s my disease

We all gotta sleep, but I gotta sleep

Through my chattering teeth

Chattering tDeeth, shuddering kneAes

It’s my disaGster, it’s my disease

We all gotta sDleep, but I gotta slAeep

Through my chattering teGeth

DNaked as a nAewborn baby, bGroken-hearted going crazy

DShaking like a jAunkie in a fGilm by Gus Van Sant

DI can hear ‘em wAhirrin’ and ringin’, Gin my ears and so I’m singin’

DTunelessly and rAavin’ and I rGant

Outro on verse chords

DADG

DGDGA

D

Careless Hearts - Impossible to Dream (2006) Transpose up Transpose down

I’m 70% confident in most of the lyrics...

EDCA

EIt’s impossible to dDo, improbable to feCel

Confuses me no eAnd, the message it sEends

Not logical to pDretend

Shouldn’t not come tCo, the end of a good tArend

EmI’m okay now you’re nDot afraid to dream

ANew things in life so Equickly it seems

EmLie awake and have aDnother cup of tea

AFrom a place with no waEter

ETime goes by so fast, it’s tDime

Morale is almost tCaken

Taken up by yAou

EComfort and beauty could surroDund

The lives on a paCth

A habit so be foAund

EmI’m okay now you’re nDot afraid to dream

ANew things in life so Equickly it seems

EmLie awake and have aDnother cup of tea

AFrom a place with no waEter

Solo on verse chords

EDCA

EDCA

EmI’m okay now you’re nDot afraid to dream

ANew things in life so Equickly it seems

EmLie awake and have aDnother cup of tea

AJust make sure that there’s no waEter

Let ring

EWhere, did your dreams gDo

You weren’t afraid to dream and flCow

Now it merely sAeems, impossible in dEreams

Band back in

I need a chord that sounds like hDow

How I feel impossiblCy, change improbabAly, a possibility

EmI’m okay now you’re nDot afraid to dream

ANew things in life so Equickly it seems

EmLie awake and have aDnother cup of tea

AFrom a place with no waEter

EDCA

E

Careless Hearts - In the Dark (2006) Transpose up Transpose down

Originally in Ab, I play in G

In the dGark, I could sCee our lives improGving

I could Csee a brighter fGuture

And some rDoads that weren’t so rough

In the Gdark, I beliCeve just what you toGld me

I was Ctrusting like the kGind of fool

Who Dthinks love is enough

CNow I’ve seen the truth

And the Glight is almost bClinding

CAll the lies you told me

Are the Dones that I believe

CWish you could leave me

In my Emignorance and dCarkness

CNow I have to face up

To the wDays I was deceGived

Solo on chorus chords

CGCGDD

CCEmCCCDD

G

In the dGark, it was eCasier to lGove you

AlCl I had to dGo was hold my fDingers on my eyes

In the dGark, well it cCouldn’t last foreGver

CAfter every dGarkest night some sDunlight’s gotta rise

CNow I’ve seen the truth

And the Glight is almost bClinding

CAll the lies you told me

Are the Dones that I believe

CWish you could leave me

In my Emignorance and dCarkness

CNow I have to face up

To the wDays I was deceGived

Solo on chorus chords

CGCGDD

CCEmCCCDG

Careless Hearts - Never to Return (2006) Transpose up Transpose down

Intro

GDABmx4

GI was only tDhree

The mAan I learned to cBmall my daddy

GUp and walked aDway

Leaving Amom and me aBmlone

GMama turned to mDe

‘Cause AI had ears and aBmrms to shoulder

GHalf the ball of sDorrow that she cAould not roll aBmlone

GI grew up and sDhe grew old

GSudden as a sDnap of cold

GThere was nothing Dleft to hold me uAnder any mBmore

GI was only sDeventeen

When sGhe last had a lDook at me

But tGhis invisibDility is wAhat I’m looking fBmor

GDABmx4

GI was twenty-tDhree

When AAngeline and IBmgot married

GShe was everytDhing I thought that AI could ever wBmant

GI never thought I’d sDee a sunrise

AWithout her right tBmhere beside me

GUntil I woke on MDay fourteenth in nAineteen-nine-nBmine

GI looked at her sDleeping form

GCursed the day that DI was born

GCursed my mama and my pDa, and Awalked out of the Bmdoor

GI don’t know what mDade me go

GSomething hard as fDrozen snow

GIn my chest and iDn my soul that Akeeps me movin’ oBmn

Solo

GDABmx4

GI don’t have the aDnswers

GI ain’t got a cDlue

GGive me rD/F#oom to sEtretch my legs and Awander for a fBmew

GI’ll come back by eDvening and I’ll tAell you what I’ve lBmearned

Or sGimply vD/F#anish iEn the fog, nAever to retBmurn

Or sGimply vD/F#anish iEn the fog, nAever to retBmurn

Or sGimply vD/F#anish iEn the fog, nAever to retBmurn

Or sGimply vD/F#anish iEn the fog, nAever to retBmurn

GD/F#E

Careless Hearts - Not Going Alone (2006) Transpose up Transpose down

Originally in C, I play in G, highest note that matters is the 6 (“place them as you *want* them”)

Intro

GEmGEmGEmA7A7

I Gthink I got your nEmumber

And I Gknow that you’ve got mEmine

If you Gchance a dance with sEmomeone else

EverytA7hing’ll work out fine

You got Gsteely concentraEmtion

And a Gdisaffected aEmir

The Gquarry you are loaEmded for

Just A7doesn’t have a prayer

A cGold wind is bDlowin’ outsGide the bar toDnight

There’s nGo way of kDnowin’ if the gaGme is in your siDght

EmLookin’ round this rDoom right now, your cGhances look alEmright

And I’m tEmhinking that you wDon’t be going hCome alone toniGght

Solo on verse chords

GEmGEmGEmA7A7

There’s Gbourbon in a bEmottle

And there’s MGiller in a cEman

Any oGne of these fine mEmen would gladly pA7ut one in your hand

You can Gplace them as you wEmant them

Stand ‘em uGp into a lEmine

Just Gknow that there are fEmorty minutes lA7eft ‘til closing time

A cGold wind is bDlowin’ outsGide the bar toDnight

There’s nGo way of kDnowin’ if the gaGme is in your siDght

EmLookin’ round this rDoom right now, your cGhances look allllllEmright

Hold an extra measure on “home”

And I’m tEmhinking that you wDon’t be going hCome

Alone toniGght Em

Alone toniGght Em

Alone toniGght Em

Alone toniGiiiiiiiight Em

Alone toniGght Em

Alone toniGght Em

Alone toniGght Em

Alone toniGght Em

EmEmEmG

Careless Hearts - Old Ways Die Slow (2006) Transpose up Transpose down

Intro, hard stop on the last I

GCGDG

Old ways die sGlowly

Assuming that they ever dCo

Truth be told I Gdon’t know

I still have a stDubborn few

It’s not as though I never tCried

But I still have a wGays to go

Every slip is not a sDlide

Hard stop after this line

Old ways die sGlow

I was waiting for the bCarmaid

At the ending of her sGhift G7

Though she knew how much I hCad

She still asked me for a lDift

She had a smolder in her eCyes

I couldn’t make myself iGgnore G7

So I told her all the lCies

I used so many times befoDre

Old ways die sGlowly

Assuming that they ever dCo

Truth be told I Gdon’t know

I still have a stDubborn few

It’s not as though I never tCried

But I still have a wGays to go

Every slip is not a sDlide

But old ways die sGlow → CG

Lord take some pCity on me

If you’re anywhere to hGmaj7ear

If the heavens are not eCmpty

If you’re someone I should fGmaj7ear

Reach down and cChange me

I can’t do it on my oGmaj7wn

I’ve reaped up everything I’ve sDown

And now I’m weary to the bone

GCDCG

Careless Hearts - Ravenous (2006) Transpose up Transpose down

Intro

EmDCadd9Cadd9x4

EmTake me out beyoDnd the blinking yCadd9ellow traffic light

EmWhere the moon gets tDangled in the tCadd9rees

EmLay your daddy’s aDrmy blanket oCadd9ut across the grass

EmScoot in close and tDell me what you nCadd9eed

Cadd9Hold oDn tDight, dGon’t lEmet gCo

The sGpinning wCorld will shAm7ove you if you dGon’t

EmWe both know your mDother doesn’t rCadd9eally care for me

EmYou don’t care for hDer so there you gCadd9o

EmAll I know is wDhen you’re tucked in tCadd9ight against my legs

There ain’t nEmothing else I rDeally need to kCadd9now

CHold oDn tDight, dGon’t lEmet gCo

The sGpinning wCorld will shAmove you if you dGon’t G7

CHold oDn tDight, Git’ll bEme alrCight

GYou don’t eCver hAmave to be aGlone

Bridge

EmSo hungry, Aso thirsty

Fmaj7We could just consGume each other

EmSo desperate, Aso lonely

Fmaj7All we’ve got is oGne another

EmSo helpless, Aso homely

Fmaj7Beating down our owGn defenses

EmSo take me, AI’ll take you

Fmaj7Anywhere you go

C

Solo

EmDCCx4

Let ring

EmTake me out beyoDnd the blinking yCadd9ellow traffic light

EmWhere the moon gets tDangled in the tCadd9rees

EmLay your daddy’s aDrmy blanket oCadd9ut across the grass

EmScoot in close and tDell me what you nCadd9eed

CHold oDn tDight, dGon’t lEmet gCo

The sGpinning wCorld will shAmove you if you dGon’t G7

CHold oDn tDight, Git’ll bEme alrCight

GYou don’t eCver hAmave to be aGlone

GYou don’t eCver hAmave to be alGone CG

Carrie Underwood - Before He Cheats (2005) Transpose up Transpose down

Originally in F#m, I play in Am capo 3 or 4.

AmGFsus2E7x 2

Vox on 1 5 on “right now”

RiAmght now he’s Gprobably slow dancing with a

BFsus2leach blond tramp and shE7e’s probably getting frisky

RiAmght now he’s probGably buying her some fFsus2ruity little

Drink cause she caE7n’t shoot whiskey

RiAmght now heG‘s probably up behind her with a Fsus2pool stick

Chord after “combo” originally a II, I play a IV

Showing her hE7ow to shoot a combo F

And he don’t E7know

I Fdug my key intAmo the side of his

FPretty little souped-up fourAm-wheel drive

CarvFed my name iAmnto his leather sE7eats

I took a FLouisville slugger tAmo both head lights

FSlashed a hole in aAmll four tires

FMaybe next time he’ll tE7hink before he Amcheats

AmGFsus2E7

RAmight now she’s Gprobably up singing some

WhiFsus2te-trashed version of ShaE7nia karaoke

RAmight now shGe’s probably saying I’m drunk

Fsus2And he’s a-thinking that he’s goE7nna get lucky

RAmight now he’s proGbably dabbing on

Three Fsus2dollars worth of that baE7throom polo F

Oh and he don’t E7know, oh

That I Fdug my key intAmo the side of his

FPretty little souped-up fourAm-wheel drive

CarvFed my name inAmto his leather sE7eats

I took a FLouisville slugger tAmo both head lights

FSlashed a hole in aAmll four tires

FMaybe next time he’ll tE7hink before he Amcheats

Bridge

The V at the end of the line doesn’t exist in the original

CI might have saGved a little trouble for the nFsus2ext girl G

...and the V is there so I can do a IV here instead of a II on “next”

Cause the nFext time that he cheats E7

Oh you know it won’t be on Amme

AmGFsus2E7

Oh not on Amme GFsus2E7

‘Cause I Fdug my key intAmo the side of his

FPretty little souped-up fourAm-wheel drive

CarvFed my name inAmto his leather sE7eats

I took a FLouisville slugger tAmo both head lights

FSlashed a hole in aAmll four tires

FMaybe next time he’ll tE7hink before he Dcheats

Hang on “think”

FMaybe next time he’ll tE7hink before he Amcheats

AmGFsus2E7x 2

Caspar Babypants - 9.99 (2009) Transpose up Transpose down

DGDAsus4A

DD7G/BGm/BbDAD

DI am a little bear

SGo cute with fuzzy hair

DOnce upon a time I was so Anice

Now I’m Dloved and hugged no D7more

And I’m G/Bstuck here at this Gm/Bbstore

And Dnine ninety-Anine is my new Dprice GD

I Dused to hang around

All Gglossy black and brown

In a Dhigh-rise apartment oh so fAancy

But I Dlost my button D7eye

And beG/Bgan to slowly Gm/Bbdie

And Dnow it’s up to Ayou to bring me Dmercy GD

This Dlittle soul of mine

Is Gnine ninety-nine

And Dif you’ve got some thread

Then you can Afix me

I’m Dtorn, old, and D7pale

And G/BI am for Gm/Bbsale

DWhat I need is Afor someone to Dpick me GD

I was Dput out with the trash

With the Gfireplace ash

DTorn dirty and clean out of Aluck

But the Dgarbage men were D7kind

And they G/Bsewed up my beGm/Bbhind

And Dput me on the Agrill of their Dtruck GD

DI lived there for a year

AGnd shed so many tears

‘TiDl one day I fell underneath the Atires

Now the Donly single D7way

I’ll go G/Bhome with you Gm/Bbtoday

Is if you’re Ddesperate for a Adoll

That’s sick and Dtired GD

This Dlittle soul of mine

Is Gnine ninety-nine

And Dif you’ve got some thread

Then you can Afix me

I’m Dtorn old and D7pale

And G/BI am for Gm/Bbsale

DWhat I need is Afor someone to Dpick me GD

Let chords ring

But Dthat’s just what you did

You Gsaved me little kid

You Dsaw that I had stories left to Atell

Now your Dmom is getting D7used to a

AlG/Bthough she is conGm/Bbfused by a

DSlightly stinky Aold bear Dsmell

This Dlittle soul of mine

Is Gnine ninety-nine

And Dif you’ve got some thread

Then you can Afix me

I’m Dtorn old and D7pale

And G/BI am for Gm/Bbsale

DWhat I need is Afor someone

DWhat I need is Afor someone

DWhat I need is Afor someone to Dpick me GD

CeeLo Green - Forget You (2010) Transpose up Transpose down

Originally in C, I play in G

Highest non-falsetto note that matters is the 6 (“I see you *driving* round town”)

Intro

GACG

Vox on 6 6 5 3 on “driving round town”

I see you Gdriving round town with the Agirl I love

And I’m like Cforget you G

I guess the cGhange in my pocket Awasn’t enough

I’m like Cforget you, and forGget her too

Said if GI was richer, I’d Astill be with ya

CHa well, ain’t that some stufGf

And although there’s Gpain in my chest I still Awish you the best

With a Cforget yCmou G

Vox on the 3 on “sorry”

I said I’m sGorry, I can’t afford a FerArari

But Cthat don’t mean I can’t get you thereG

I guess he’s an GXbox, and I’m more AtAari

But the Cway you play your game ain’t fairG

Falsetto up to 2 1 on “fooo-ooool”

I pity the Gfoooooool that Afalls in love with you

C(Oh yeah she’s a gold digger) wGell (just thought you should know)

GOoooooooo, I Agot some news for you, uh Chuh

Spoken

Yeah, go on an’ run an’ tGell your lil’ boyfriend

I see you Gdriving round town with the Agirl I love

And I’m like Cforget you G

I guess the cGhange in my pocket Awasn’t enough

I’m like Cforget you, and forgGet her too

Said if GI was richer, I’d Astill be with ya

CHa well, ain’t that some stufGf

And although there’s Gpain in my chest I still Awish you the best

With a CCmforget you G

Now GI know that I had to Aborrow, hah, Cbeg and steal and lie and cheGat

Tryin to Gkeep ya, tryin’ to Aplease ya

‘Cause Cbeing in love with you girl ain’t cheapG

Now, I pity the Gfoooooool that Afalls in love with you

C(Oh yeah she’s a gold digger) wGell (just thought you should know)

GOoooooooo, I Agot some news for you, uh Chuh

COoh, I really hate you girl right now

I see you Gdriving round town with the Agirl I love

And I’m like Cforget you Gooo ooo ooo

I guess the cGhange in my pocket Awasn’t enough

I’m like Cforget you, and forgGet her too

Said if GI was richer, I’d Astill be with ya

CHah, well, ain’t that some stufGf

And although there’s Gpain in my chest I still Awish you the best

With a Cforget yCmou G

Bridge, vox on the 1 of the minor key

Now Bmbaby, baby, baby why you Emwanna wanna hurt me so Ambad? (So bad, so badC/D, so bad)

I Bmtried to tell my F#7mama but she Emtold me D/F#This is oGne for yG#dim7our dad,Ashe C/Ddid

And I was like Augh, why?

CUgh, why?

C/DUgh, why?

EmBaby D/F#GG#dim7

AI love you

COh, I still love yDou, oh

I see you Gdriving round town with the Agirl I love

COh forget you G

I guess the cGhange in my pocket Awasn’t enough

I’m like Cforget you, and forgGet her too

If GI was richer, I’d Astill be with ya

CHa well, ain’t that some stufGf

And although there’s Gpain in my chest I still Awish you the best

With a Cforget yCmou G

Christina Aguilera - Beautiful (2002) Transpose up Transpose down

Originally in Eb, I play in A

Intro

AA/GF#mFx2

Vox on the 1

AEvery day is so A/Gwonderful

Then suddenF#mly, it’s hard to Fbreathe

ANow and then I get A/Ginsecure

From all the F#mpain, I’m so aFshamed

Vox on 5 6 b7 of the chord on “I am beau”

The IV9 here is just a IV the original, but IMO the IV sounds bizarre in A on a guitar, YMMV

D9I am beautiful no Bm7matter what they say

AWords can’t A/Gbring me dF#mown

D9I am beautiful in Bm7every single way

Yes, Awords can’t A/Gbring me dF#mown, oh no

Bm7So don’t you bring me down toAday

AA/GF#mF

ATo all your friends you’re deA/Glirious

So conF#msumed in all youFr doom

ATrying hard to fill the A/Gemptiness

The pieces F#mgone, left the puzzle uFndone, is that the way it is?

D9‘Cause you are beautiful no Bm7matter what they say

AWords can’t A/Gbring you dF#mown, oh no

D9‘Cause you are beautiful in Bm7every single way

Yes, Awords can’t A/Gbring you dF#mown, oh no

Bm7So don’t you bring me down today

Bridge

ANo matter what we dA/Go

No matter what we F#msay

We’re the song inside the tFune full of beautiful mistakes

AAnd everywhere we gA/Go

The sun will always shF#mine

And tomorrow we might waFke up on the other side

D9‘Cause we are beautiful no Bm7matter what they say

Yes, Awords won’t A/Gbring us dF#mown, oh no

D9We are beautiful in Bm7every single way

Yes, Awords can’tA/Gbring us dF#mown, oh no

Bm7So don’t you bring me downAtoday

AA/GF#mFDon’t you bring me down

TodaAy A/GF#mF

Don’t you bring me down todayA

Christina Aguilera - Fighter (2002) Transpose up Transpose down

Originally in Em, I play Em capo 2 and sing down an octave.

Intro

-3-3-3--2-|-0-0--0------2--|-0-0-0-0--|-2
-0-0-0--0-|-1-1--0------0--|-1-1-1-1--|-0
-0-0-0--2-|-0-0--2------2--|-2-2-2-2--|-2
-2-2-2--1-|-2-2--1------1--|-2-2-2-2--|-1
-2-2-2--2-|-3-3--2------2--|-0-0-0-0--|-2
-0-0-0----|----------------|-----3-3--|--
[Em] [B7] [C] [B7sus4] [B7] [Am] [Am/G] [B7]

Spoken...

After all you put me through, you’d think I despise you

But in the end I want to thank you ‘cause you made me that much stronger

I Emthought I knew Gyou thinking

DThat you were Emtrue

I guess EmI couldn’t Gtrust called your bluff

Time is Dup ‘cause I’ve had eEmnough

You were Emthere by my Gside always

DDown for the riEmde

But your Emjoy ride just Gcame down in flames

‘Cause your Dgreed sold me out of Emshame

Mmmm...

AmAfter all of the stealing and cheating

You probably think that I hold resentment for

GYou Emno noGEmyou’re wrong

Am‘Cause if it wasn’t for all that you tried to do

CI wouldn’t know just Dhow capable I Bam to pull through

So I Cwanna say Bthank you

‘Cause it Emmakes me that much D/F#stronger

GMakes me work a little bit Amharder

It Cmakes me that much B7wiser

So Amthanks for Gmaking meEma fighter

EmMade me learn a little bit D/F#faster

GMade my skin a little bit Amthicker

It Cmakes me that much B7smarter

So Amthanks for Gmaking meEma fighter

Repeat verse riff x 2

Never Emsaw it comGing, all of

DYour backstaEmbbing

Just so Emyou could cash Gin on a good thing

BefDore I realized your Emgame

I heard Emyou’re going ‘Ground playing

DThe victim Emnow

But don’t Emeven beGgin feeling

I’m the one to Dblame

‘Cause you dug your own Emgrave, uh huh

AmAfter all of the fights and the lies

Yes you wanted to harm me but

That won’t work anyGmore Em

Uh, no more, Goh no, Emit’s over

Am‘Cause if it wasn’t for all of your torture

I Cwouldn’t know how to Dbe this way now

And Bnever back down

So CI wanna say Bthank you

‘Cause it Emmakes me that much D/F#stronger

GMakes me work a little bit Amharder

CMakes me that much B7wiser

So Amthanks for Gmaking meEma fighter

EmMade me learn a little bit D/F#faster

GMade my skin a little bit Amthicker

CMakes me that much B7smarter

So Amthanks for Gmaking meEma fighter

Repeat intro (the crazy bridge)

EmHow could this B7man I thought I Cknew turn out to

BeB7unjust so cruelAmcould only seeAm/Gthe good in

YouB7pretended not to see the truth

EmYou tried to B7hide your lies disCguise yourself

Through B7living in denial Ambut in the Am/Gend you’ll see

B7You won’t stop me

EmI am a D/F#fighter and I

GI ain’t ‘gon stop Am

CThere is no B7turning back

AmI’ve Ghad eEmnough

‘Cause it Emmakes me that much D/F#stronger

GMakes me work a little bit Amharder

CMakes me that much B7wiser

So Amthanks for Gmaking meEma fighter

EmMade me learn a little bit D/F#faster

GMade my skin a little bit Amthicker

CMakes me that much B7smarter

So Amthanks for Gmaking meEma fighter

Da Vinci's Notebook - Title of the Song (2000) Transpose up Transpose down

Orignally in A, I play in E capo 2

Vox on 1 2 3 2 on “declaration”

EDeclaration of my Afeelings for you

AElaboration on those Bsus4feelinBgs

EDescription of, how Along these feelings have existed

ABelief that no one else could Afeel the A/C#same as EI

EReminiscence of the Apleasant times we shared

AAnd our relationship’s perBsus4fectionB

ERecounting of the steps that Aled to our love’s dissolution

AMostly involving my unAfaithfulnA/C#ess and liBes

C#mPenitent admission of wrongCaugdoing

DisC#m7/Bcovery of the dA#m7b5epth of my affection

ReAmaj7gret over the lE/G#ateness of my eBsus4piphanyB

ETitle of the D6/Esong

NaAive expression of C#m7love

RelAuctance to aE/G#ccept that you are Bsus4gooooonBe

ReqEuest to turn back E9/G#time

And Arectify my Amwrongs

F#m7RepetB7ition of the Atitle A/C#of the sEong

EEnumeration of my Avarious transgressive actions

AOf insufficient motiBsus4vationB

ERealization that these Aactions led to your departure

AAnd my resultant lack of Asleep and A/C#appetiEte

ERenunciation of my Apast insensitive behavior

APromise of my reforBsus4mation, Bhmmmm

EReassurance that you sAtill are foremost in my thoughts now

ANeed for instruction how to Again your A/C#trust agaBin

ReC#mquest for reconcilCaugiation

C#m7/BListing of the numerous tA#m7b5asks that I’d perform

Amaj7Of physical and emoE/G#tional compeBsus4nsationB

Oh, Etitle of the D6/Esong

NaAive expression of C#m7love

RelAuctance to aE/G#ccept that you are Bsus4gooooonBe

ReqEuest to turn back E9/G#time

And Arectify my Amwrongs

F#m7RepetB7ition of the Atitle A/C#of the sEong

AcC#mknowledgment that I acted Caugfoolishly

InC#m7/Bcreasingly desperate A#m7b5pleas for your return

ASorrow for my infE/G#idelity

F#mVain hope that my G#7sins are forG#7/Cgivable

AC#mppeal for one more Caugopportunity

C#m7/BDrop to my knees to A#m7b5elicit crowd response

APraise to my cE/G#hosen deity

F#mModulation C/Gand I hold a high note

FTitle of the sC/Eong

NA#/F#aive expression of lFove

ReDmluctance to aCccept that you are D#goooooCne

ReFquest to turn back tF9/Aime

And A#rectify my wA#mrongs

Csus4Yeah Cmy tiA#tle A#/Dof the Fsong, talking ‘bout the title

FTitle of the A#/Fsong

C/FTitle of the sFong

Dan Morris - Another Thanks I'm Doing Fine (2002) Transpose up Transpose down

GAm7GAm7GAm7CD

I Cguess I’m pleased to Dmeet you or maybe I’ve

GSeen you Am7somewhere beGfore Am7

And Call that friendly Dsmalltalk that everyone

GKnows just Am7leads to the Gdoor Am7

So Clet’s both look at the Dcarpet, or “such a nice Gview“

Am7Or “when will it Grain?“Am7

CAnd when the coffee is Dgone you’ll get back in your Gcar

Am7I’ll get Gback on the Am7train

‘Cause GI don’t want to Am7change your Glife

And Gyou don’t want to Am7ruin Gmine DC

So Glet’s do what we Am7both know is Bm7right E

And Csave this for aD7nother time GAm7GAm7

ACnother thanks I’m D7doing fine

GAm7GAm7GAm7GCD

But Cnine or ten exits Dlater your radio’s Gon

And your Am7windows are Gdown Am7

And you’re Csinging along with the DBeatles and smiling

RemGembering a Am7night on the Gtown Am7

And as I Cfall asleep at the Dstation

On a Gtrain that’sAm7pulling Gaway Am7

I’m Chumming along with the Dengines

A beautiful Gend to a Am7beautiful Gday Am7

‘Cause GI don’t want to Am7change your Glife

And Gyou don’t want to Am7ruin Gmine DC

So Glet’s do what we Am7both know is Bm7right E

And Csave this for aD7nother time GAm7GAm7

ACnother thanks I’m D7doing fine

GAm7GAm7GAm7GCD

Solo

CDEm7DCD

GAm7GAm7GAm7GAm7

‘Cause GI don’t want to Am7change your Glife

And Gyou don’t want to Am7ruin Gmine DC

So Glet’s do what we Am7both know is Bm7right E

And Csave this for aD7nother time GAm7GAm7

Another Cempty sheet hung Don a lineG

ACnother misdeDmeanor crimeG

ACnother thanks I’m Ddoing fineGAm7G

Dan Morris - Everything You're Not (2002) Transpose up Transpose down

AB/AC/AB/AAB/AC/AB/A

AWhy don’t you tell me B/Aone more time

About C/Aeverything I have that you ain’t B/Agot

AOr how ‘bout if you ever B/Acall me again

I’ll hang C/Aup on you right on the spoB/At

BecAause I cared I wound up here Edrinking and crying alone

So I Aleft you there got AMm9new clothes new hair

Don’t even B/Apick up the phone when you call

To Esay it ain’t fair

So now I’m Asailing an ocean of Egood times

Hey, get off my Ayacht

I got the sun and the waves and the AMm9wind in my face

And that’s Ealready everything you’re not

AB/AC/AB/Ax 2

AWhy don’t you call me B/Aone more time

To say how C/Asorry you are that we ain’t B/Afriends

AOr how we should get B/Atogether some time

And see C/Awhat we can to make amendsB/A?

Well you would Ascream and yell and raise some hell

And make me Efeel like it was all on me

So AI got myself together got a AMm9new car new space

I’d B/Alove to have you over but now Eyou’ve been replaced

So now I’m Asailing an ocean of Egood times

Hey, get off my Ayacht

I got the sun and the waves and the AMm9wind in my face

And that’s Ealready everything you’re not

AB/AC/AB/AAB/AC/AB/A

Slow, let chords ring...

ANow every time I B/Asee you around

You C/Aact like it’s still just you and B/Ame

AWell now i’m sailing this ship AMm6solo honey

And I can B/Afinally say there’s somewhere else that

Hold this chord

EI’d rather be

So now I’m Asailing an ocean of Egood times

Hey, get off my Ayacht

I got the sun and the waves and the AMm9wind in my face

And that’s Ealready everything you’re not

A

Dan Morris - Lincoln Tunnel (2004) Transpose up Transpose down

CD11C1C1D11Fmaj7x2

CI met D11James C1Ellis on a

C1Train inD11to ManFmaj7hattan

CHe said he D11had to C1see just

Fmaj7One G6more Rangers Ggame

CI left D11James C1Ellis on a

C1Platform D11at Grand Fmaj7Central

Never Cknowing D11why this C1trip would be the

Fmaj7Last G6James Ellis Cmade

Fmaj7G6

Cmaj7You try to know someone

Fmaj7You learn his name and look at

AmPictures of his Fmaj7family and his G6yard

Cmaj7You share your world with him

Fmaj7Inside the Lincoln Tunnel

And you Cnever D11underC1stand

Why underFmaj7standing G6is so Chard

CD11C1C1D11Fmaj7x2

CMeD11lissa C1met me on a

C1Train outD11side of Fmaj7Boston

CShe D11said she C1liked me and would

C1Call me D11up someGtime

CIf MelD11issa C1ever called the

C1Number D11that I Fmaj7gave her

She Cwouldn’t D11undersC1tand why it wasn’t

Fmaj7My voice G6on the Cline

Fmaj7G6

Cmaj7You try to know someone

Fmaj7You learn her name and look at

AmPictures of her Fmaj7family and her G6yard

Cmaj7You share your world with her

Fmaj7Inside the Lincoln Tunnel

And you Cnever D11underC1stand

Why underFmaj7standing G6is so Chard

AmFmaj7

You’ll go your Amown way Fmaj7

You’ll go your Amown way Fmaj7

And I’ll Cmaj7turn across the aisle and start Fmaj7again

Cmaj7You try to know someone

Fmaj7You learn his name and look at

AmPictures of his Fmaj7family and his G6yard

Cmaj7You share your world with him

Fmaj7Inside the Lincoln Tunnel

And you Cnever D11underC1stand

Why underFmaj7standing G6is so Chard

No you Cnever D11underC1stand

Why underFmaj7standing G6is so Cmaj7hard

Dan Morris - Unusually Blue Bluebird (2006) Transpose up Transpose down

B5B5

B5B(b5)A5B5

BmDABAB

BmDABAB

BmYesterday the Dsun shined but you kAnew that it wouldn’t Bmlast A

If Bmyesterday was a F#mbucket of seeds then todAay’s just a patch of grass Bm

When Bmyou woke up this Dmorning you felt the Arain fall on your Bmhead A

BmYesterday you F#mcruised the sky but toAday you’ll stay in bed Bm

You are an unBmusually blue blDuebird

I guess Ayou won’t fly toBmday

You are an unBmusually blue Dbluebird

The wind Ajust won’t blow your Bmway

B5E5AB5

B5E5F#F#

But you’re an B5unusually blue E5bluebird

F#Colors bright and strong

You’re an unuB5sually blue bE5luebird

So todF#ay you’ll sing your Bsong

BEF#F#

BEF#B

BYesterday the Esun shined and you F#couldn’t find the shade

ToBday you’ve got that nEice cool breeze and you F#know you’ve got it Bmade

When Byou woke up this moErning you hopped F#down and took a swim

BYesterday the fEield was dry but toF#day the rain came Bin

But you’re an unBusually blue bEluebird

F#Colors bright and strong

You’re an unuBsually blue bE5luebird

So F#today you’ll sing your Bsong

BB

Solo:

BmDE5A

B5EF#

You’re an unBusually blue blEuebird

F#Make the best of the day

You’re an unuBsually blue bEluebird

You never Eknow what will blow your B5way

B5

Death Cab for Cutie - I Will Follow You Into the Dark (2006) Transpose up Transpose down

Originally in C capo 3, I also play in C capo 3

Intro

AmCFCC/B

AmCGG

AmCEAmAm/G

FFmCC

Vox on 2 3 3 on “love of mine”

LCove of mine, someday yAmou will die

But I will be cloFse behind

I’ll follow yCou into the dGark

No blCinding light, or tunnels to gAmates of white

Just our hands claFsped so tight

Waiting fCor the hint of a spGark

If hAmeaven and hell decCide that they bFoth are satiCsfied C/B

IlAmluminate the nCo’s on their Gvacancy signs

If tAmhere’s no one besCide you when your sEoul embAmarks Am/G

Then FI’ll follow yFmou into the dark C

In CCatholic school, as vicious as RAmoman rule

I got my knFuckles bruised by a lCady in blaGck

I hCeld my tongue, as she Amtold me son, fear is the heFart of love

So I nCever went bGack

If hAmeaven and hell decCide that they bFoth are satiCsfied C/B

IlAmluminate the nCo’s on their Gvacancy signs

If tAmhere’s no one besCide you when your sEoul emAmbarks Am/G

Then FI’ll follow yFmou into the dark C

CYou and me have seen everyAmthing to see

From Bangkok to CaFlgary

And the soCles of your shoGes

Are aCll worn down, the time for sAmleep is now

It’s nothing to cFry about

‘Cause we’ll hCold each other sGoon

In the blAmackest of rFooms

And if hAmeaven and hell decCide that they bFoth are satiCsfied C/B

And ilAmluminate the nCo’s on their Gvacancy signs

If tAmhere’s no one besCide you when your sEoul emAmbarks Am/G

Then IF‘ll follow Fmyou into the dCark Am

Let ring

And FI’ll follow Fmyou into the darkC

Disney - Do You Want to Build a Snowman (2013) Transpose up Transpose down

Originally in Eb, I play in G

Intro

Gsus2Gx4

Elsa?

Vox on the 1 on “do”

Do you want to build a snGowman?

Come on let’s go and D/F#play

I never see you C/Eanymore, come out the dEmoor

It’s like you’ve gone Dm9away G/B

We used to be best Cbuddies, and nGadd9/Bow we’re not

I Bsus4wish you would tB7ell me wEmhy → D/F#G/BA

Do you want to build a Am7snowman?

It doesn’t have to be a Cm6/D#Snowman

Go away, Anna, okay, bGsus2ye

Gsus2Gx4

D#G/DD#G/D

Gsus2GGsus2GCCD#D

Do you wanna build a sGnowman?

Or ride our bike around the D/F#halls

I think some company is ovC/Eerdue, I’ve started taEmlking to

The pictures on the wDm9alls (hang in thG/Bere, Joan)

It gets a little loCnely, all these Gadd9/Bempty rooms

Just Bsus4watching the hB7ours tick bEmy A(tick-tock, tick-tock)

Very loose approximation of the chords

Elsa is sad because she can’t take the gloves off

D#G/Dx8

Everyone happily hugs before they leave for their trip

Gsus2GGsus2Gx2

They get on a boat

CmCmGm7D7

The big storm comes

CmCmGm7Dm

Fade to black

D#D#D

Elsa?

Please, I know you’re Gin there

People are asking where you’D/F#ve been

They say have courage, and I’m tC/Erying to, I’m right out Emhere for you

Just let me inEm/BA/C#Bm

We only have each oCther, it’s just Gadd9/Byou and me

Bsus4What are we gB7onna Emdo? A

Do you wanna build a snGowman? C/G

Disney - For the First Time in Forever (2013) Transpose up Transpose down

Originally in F, I play in G. The original includes a half-step key change that I’ve left out here.

Intro

Gsus4Gx3

Vox on the low 5

The Gwindow is open C/Gso’s that door

I Gmaj7didn’t know they did that C/Ganymore

Who Gknew we owned eight G/Bthousand salad DplDsus4ates DDsus4D

For Gyears I’ve roamed these C/Gempty halls

Gmaj7Why have a ballroom C/Gwith no balls?

Em11Finally they’re Em11/Dop’ning up the A9/C#gates A7

There’ll be F#m7actual real live Gmaj7people

AIt’ll be totally Bmstrange

But Fwow, am I so ready for this Dchange

‘Cause for the G/Bfirst time in forCever

There’ll be D/F#music, there’ll be Gmaj9light

For the Emfirst time in forBmever

I’ll be Fdancing through the nigB7ht

Don’t Emknow if I’m elated or gasEm7/Dsy

But I’m Csomewhere in that A9zone

‘Cause for the Gm/A#first time in forCsus2ever

Dsus4I won’t be Galone

Gsus4Gx3

I can’t wait to meet everyone, what if I meet *the* one?

ToGnight imagine me C/Ggown and all

Gmaj7Fetchingly draped aC/Ggainst the wall

The Gpicture of soG/Bphisticated DgracDsus4e DDsus4D

I Gsuddenly see him C/Gstanding there

A Gmaj7beautiful stranger, C/Gtall and fair

I Em11wanna stuff some Em11/Dchoco’late in my A9/C#face A7

But then we F#m7laugh and talk all eveGmaj7ning

Which is A6totally biBmzarre

FNothing like the life I’ve led so Dfar

For the G/Bfirst time in forCever

There’ll be D/F#magic, there’ll be fGmaj9un

For the Emfirst time in forBmever

I could be Fnoticed by someB7one

And I Emknow it is totally Em7/Dcrazy to

CDream I’d find roA9mance

But for the Gm/A#first time in forCsus2ever

At lDsus4east I’ve got a Gchance

GD/F#E

EDon’t let them in, Bmdon’t let them see

A/C#DBe the good girl you always Ahave to be Am/C

EConceal, Bmdon’t feel

A/C#Put Don a show

Make Amone wrong move and everyone will Eknow

The chords here are totally made up, to get me back to the original key,

but they capture the gestalt of this part.

But it’s only for toC/Eday (it’s only for today)

It’s agony to Cm7b5wait (it’s agony to wait)

C#m7b5Tell the guard to open up the D9gate

For the G/Bfirst time in forCever, I’m getting

(Don’t let them in, don’t let them see)

D/F#What I’m dreaming of Gmaj7

(Be the good girl you always have to be)

A Emchance to change my loneBmly world

(Conceal)

A Fchance to find true love B7

(Conceal, don’t feel, don’t let them know)

I Emknow it all ends toEm/Dmorrow

So it Chas to be toA9/C#day

‘Cause for the G/Bfirst time in forCever

For the G/Dfirst time A7in forCm7ever

Dsus4Nothing’s in my Gway

Disney - How Far I'll Go (2016) Transpose up Transpose down

Originally in E, I play in E capo 2

EI’ve been staring at the edge of the watBsus4er

‘Long as I can reC#mmember, never really knowing wAsus2hy

EI wish I could be the perfect dBsus4aughter

But I come back to the C#mwater, no matter how hard I trAsus2y

Every tC#murn I take, every trail I track

Every pB/D#ath I make, every road leads back

To the pElace I know, where I cannot go

Vox in 1 5 3 of the minor chord on “long to be”

Where I loAmng to be

See the lEine where the sky meets the sea, it Bsus4calls me

And no one kC#m7nows, how far it gAsus2oes

If the wiEnd in my sail on the sea stays behBsus4ind me

One day I’ll C#m7know, if I Amgo there’s just no telling how far I’ll Ego

No pause here, right into the next verse

EI know, everybody on this iF#msland seems so happy

On this islC#mand, everything is by deAsus2sign

EI know, everybody on this iF#msland has a role on this islC#mand

So maybe I can roll with mAsus2ine

I can lC#mead with pride, I can make us strong

I’ll be sB/D#atisfied if I play along

But the vEoice inside sings a different song

What is wAmrong with me?

See the lEight as it shines on the sea, it’s bBsus4linding

But no one knC#m7ows, how deep it gAsus2oes

And it sEeems like it’s calling out to me, so come fBsus4ind me

I can’t decide whether it’s really a iv or a IV this time, so calling it a IVsus2

And let me kC#mnow, what’s beAsus2yond that line, will I cross that line?

See the lFine where the sky meets the sea? It caCsus4lls me

And no one kDm7nows, how far it gBbsus2oes

If the wFind in my sail on the sea stays beCsus4hind me

One day I’ll kDmnow, how far I’ll Abgo FmDm7b5C

Disney - Let it Go (2013) Transpose up Transpose down

Originally in Ab, I play capo 3, and sing the verse *above*

the original, so I can drop down for the pre-chorus and

chorus.

Start quiet, barely strumming

EmCDAmsus4Am

EmCDAsus4A

Vox on the 5 (B)

The Emsnow glows white on the Cadd9mountain tonight

Not a Dfootprint to be seAmen

A Emkingdom of isoCadd9lation, and it Dlooks like I’m the queeAn

On “howling”, only go up to the 1 of the chord, not the 5

EmThe wind is Chowling like this sDwirling storm iAmsus4nsideAm

EmCouldn’t keep it in, heaDven knows I’ve triedA

Start to fade strumming in

Vox down to the 5 of the chord (A if the chord is D)

DDon’t let them in, don’t let them seeC

Be the good girl you always have to beD

Conceal, don’t feel, don’t let them Cknow

Well now they Cknow

Let it gGo, let it Dgo

Can’t Emhold it back any mCore

GLet it go, let it Dgo

Turn Emaway and slam the dCoor

GI don’t careD

What they’re Emgoing to saCy

Let the Bmstorm rage Bbon

The Ccold never bothered me anyway

GD

EmIt’s funny how some distCance

Makes Deverything seem smAmall

Start going down here, to the 5 of the chord on “fears”,

down to the 5 of the chord on “get”

And the Emfears that once conDtrolled me

Can’t Aget to me at all

DIt’s time to see what I can doC

To test the limits and break thrDough

No right, no wrong, no rules for Cme

I’m Cfree

GLet it go, let iDt go

EmI am one with the wind and skyC

GLet it go, let iDt go

EmYou’ll never see me Ccry

GHere I staDnd

And Emhere I Cstay

Let the Bmstorm rage Bbon

Bridge

CMy power flurries through the air into the ground

My soul is spiraling in frozen fractals all around

DAnd one thought crystallizes like an icy blast

EI’m never Cgoing back

DThe past is in tAmhe past C

Let it gGo, let it goD

EmWhen I’ll rise like the break ofCdawn

Let it Ggo, let it Dgo

That Emperfect girl is gonCe

GHere I staDnd in the Emlight of dCay Cm

BmLet the storm rage Bbon

CThe cold never bothered me anyway

Disney - Love is an Open Door (2013) Transpose up Transpose down

I’m still torn on whether it’s a G7 or Gm7 on “before”,

and an Am7 or A7 on “any more”.

F == female, M == male, B == both

Intro, bass and drums

DDsus4/F#D/GAsus4

F: OK, can I just say something crazy?

M: I love crazy

F: All my lDife has been a serDsus4/F#ies of doD/Gors in my fAsus4ace

F: And then Dsuddenly I bump iDsus4/F#nto youEm7Asus4

M: I was thinking the same thing!

M: ‘Cause like DI’ve been searching mDsus4/F#y whole life

M: To fiD/Gnd my own pAsus4lace

F: And maybe Dit’s the party Dsus4/F#talking

F: Or the Em7chocolate Asus4fondue

F: But with Bmyou

M: But with you I found Dmy place

F: I see your D9face

B: And it’s nEothin’ like I’ve ever known G7before

B: Love is an open DdooD/F#rEGm

B: Love is an open DdooD/F#rEGm

B: Love is an open Ddoor

F: With D/F#you, M: with you

F: With youE, M: with you

B: GmLove is an open Ddoor

DDsus4/F#D/GAsus4

DDsus4/F#D/GAsus4

M: I mean its cErazy (F: what?), we fEsus4/G#inish each others’

F: SaE/Andwiches

M: That’s what Bsus4I was gonna say!

F: I’ve never Emet someone

B: Who Esus4/G#thinks so much like F#m7me Bsus4

B: Jinx! Jinx again!

B: Our Emental synchroniEsus4/G#zation can

B: E/AHave but one eBsus4xplanation

M: EYou (F: and I) M: wereEsus4/G#(F: just) B: meant to F#m7be Bsus4

F: Say gC#moodbye, M: say goodbye

B: To the Epain of the past E9

B: F#We don’t have to feel it any mA7ore

B: Love is an open EdooE/G#rF#Am

B: Love is an open EdooE/G#rF#Am

Life can be so mEuch more

F: With E/G#you, M: with you

F: With youF#, M: with you

B: AmLove is an open

B: EDoor Esus4/G#E/ABsus4

M: Can I say something crazy? Will you marry me?

F: Can I say something even crazier? Yes!

Disney - When Will My Life Begin (2010) Transpose up Transpose down

Originally in E, I play in G, in which case play the

intro chords as just V I (ignore the roots and sus)

Dadd4G/Dx 3

Dadd4Seven A.M., the usual morning G/Dlineup

Dadd4Start on the chores and sweep till the floor’s all G/Dclean

D#Polish and wax, do laundry, and mop and A#shine up

Sweep aDgain, D/Cand by G/Bthen

It’s like Aseven fifD7teen, and so I’ll

“Read a book” is 3 5 6 of the key

GRead a Cbook or maybe Am7two or Gthree

“few new paintings” on 3 6(up) 6(down) 2 of the key

I’ll add a Em7few new A7paintings to my Cadd9galleGry

“tar and knit” on 3 1 6 of the key

I’ll play guiEm7tar and A7knit and cook

And Cba B7sica Em7lly just wonder

A9When will my lD7sus4ife beGgin

Dadd4G/Dx 2

Dadd4Then after lunch it’s puzzles and darts and G/Dbaking

Dadd4Paper mache, a bit of ballet and G/Dchess

D#Pottery and ventriloquy, candle A#making, then I’ll

DStretch, D/Cmaybe Gsus/Bsketch

Take a Aclimb, sew a D7dress, and I’ll

Re-Gread the Cbooks if I have Am7time to Gspare

I’ll paint the Em7walls some A7more

I’m sure there’s Cadd9room someGwhere

And then I’ll Em7brush and A7brush

And brush and Cbrush B7my Em7hair

Stuck in the A7same place I’ve Cal B7ways Em7been

And I’ll keep Am7won’dring and G/Bwon’dring

And Cwon’dring and Bm7won’E7dring

A9When will my D7sus4life beGgin?

And toGmorrow C/Gnight Glights will aC/Gppear

GJust like they C/Gdo on my Gbirthday each Am7year

Em7What is it A7like out D7sus4there where they Gglow?G7

CNow that I’m G/Bolder mother Cmight just let me Dsus4go

Dixie Chicks - Long Time Gone (2002) Transpose up Transpose down

Darrell Scott does this in G, Dixie Chicks in D

3-5-x--3--x--3--x--7--x--7--x--3--5h3-3-3-
3---x--3--x--3--x--3--x--3--x--3--3---3-3-
0---x--0--x--0--x--0--x--0--x--0--0---0-0-
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3--5--x--3--x--3--x--x--8-7-5-x--x-
3-----x--3--x--3--x--x--5-5-7-x--x-
0-----x--0--x--0--x--x--0-7-7-x--x-
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5-7-x-9/10-x-x-----------------|----5-3
7---x-9/10-x-x-10--9---x-9s-10-|-10-7-3
7---x------x-x-11--10--x-10s11-|-11-5-0
---------------10--9---x-9s-10-|-10-7-0
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Chords for tabbed intro

GCGD

DG

GDaddy sits on the front porch swingin’

Lookin’ out on a CvacGant Dfield

DIt used to be filled with burly tobacco

Now he knows it never Gwill

GMy brother found work in Indiana

My sister’s a nurse at the Cold Gfolks Dhome

DMomma’s still cookin’ too much for supper

And me, I’ve been a long time Ggone

Been a Clong Gtime Dgone

No I Cain’t hoed a Grow since I Ddon’t know when

DLong Gtime Cgone and it Dain’t comin’ back Gagain

GGCGD

DG

GDelia plays that old church piano

Sittin’ out on her CdadGdy’s Dfarm

DShe always thought that we’d be together

Lord, I never meant to do her Gharm

GSaid she could heard me singin’ in the choir

Me I heard CanotGher Dsong

DI caught wind and hit the road runnin’ and

Lord I’ve been a long time Ggone

Been a Clong Gtime Dgone

Lord I Cain’t had a Gprayer since I Ddon’t know when

DLong Gtime Cgone and it Dain’t comin’ back aGgain

ADAE

EA

x 2

Bridge

Now Fme, I went to Nashville, tryin’ to be the big deal

GPlayin’ down on Broadway, gettin’ there the hard way

FLivin’ from a tip jar, sleepin’ in my car

GHockin’ my guitar, yeah I’m gonna be a AstarD

Now Gme and Delia singin’ every Sunday

Watchin’ the children and the CgarGden Dgrow

We Dlisten to the radio to hear what’s cookin’

But the music ain’t got no Gsoul

Now Gthey sound tired but they don’t sound Haggard

They got money but they Cdon’t Ghave DCash

They got DJunior but they don’t have Hank

I think, I think, I think the rest is a

CLong Gtime Dgone

No I Cain’t hit the Groof since I Ddon’t know when

DLong Gtime Cgone and it Dain’t comin’ back

I said a Clong Gtime Dgone

No I Cain’t honked a Ghorn since I Ddon’t know when

DLong Gtime Cgone and it Dain’t comin’ back agaGin

I said a Glong time, long time, long time Dgone

Oh it’s been a long time G

GLong time, long time, long time Dgone

Oh it’s been a long... time... Ggone

GLong time, long time, long time Dgone, yeah, yeah

G

Repeat intro

Dixie Chicks - Travelin' Soldier (2002) Transpose up Transpose down

Bruce Robison plays in B.

The Dixie Chicks play in A.

I play in G capo 5.

G

GTwo days past 18

He was Gwaiting for a bus in his army greens

Sat Cdown at a booth at a cafe there

Gave his Gorder to a girl with a bow in her hair

GHe’s a little shy so she give him a smile

And he Gsaid would you mind sitting down for a while

And Ctalking to me, I’m feeling a little Glow?

She said I’m Foff in an hour and CI know where we can Ggo

G

So Gthey went down and they sat on the pier

He said I Gbet you got a boyfriend but I don’t care, I’ve

CGot no one to send a letter Gto

Would you Fmind if I sent Cone back here to Gyou?

EmI cried

CNever gonna hold the hand of another

GGuy, too young for him they told her

DWaiting for the love of a travelin’ soldier

EmOur love will never end

CWaiting for the soldier to come back

AGgain, never more to be alone

When the Dletter says a soldier’s coming Ghome

G

So the Gletters came from an army camp

In GCalifornia then Vietnam

And he Ctold her of his heart, he might be in love

And Gall the things he was so scared of

He Gsaid when it’s getting kinda rough over here

I Gthink of that day sitting down at the pier

And I Cclose my eyes and see your pretty Gsmile

Don’t Fworry but I won’t be Cable to write for a Gwhile

EmI cried

CNever gonna hold the hand of another

GGuy, too young for him they told her

DWaiting for the love of a travelin’ soldier

EmOur love will never end

CWaiting for the soldier to come back

AGgain, never more to be alone

When the Dletter says a soldier’s coming Ghome

Solo on verse chords if appropriate

One GFriday night at a football game

The Glord’s prayer said and the anthem sang

And a Cman said folks would you bow your head

For a Glist of local Vietnam dead

G

GCrying all alone under the stand

Was a Gpiccolo player in the marching band

And Cone name read and nobody really Gcared

But a Fpretty little girl Cwith a bow in her Ghair

EmI cried

CNever gonna hold the hand of another

GGuy, too young for him they told her

DWaiting for the love of a travelin’ soldier

EmOur love will never end

CWaiting for the soldier to come back

AGgain, never more to be alone

When the Dletter says a soldier’s coming Ghome

EmI cried

CNever gonna hold the hand of another

GGuy, too young for him they told her

DWaiting for the love of a travelin’ soldier

EmOur love will never end

CWaiting for the soldier to come back

AGgain, never more to be alone

When the Dletter says a soldier’s coming Ghome

outro

GC

Double Naught Spies - Fortune Teller (2012) Transpose up Transpose down

Originally in Fm, I play in Em

Intro

EmGCGx 8

Vox on the 5 on “time”

EmTime, GCa question of tiEmme GC

While you deciEmde my dGestinCy think I’ll jump in the poEmol GCG

EmTruth, GCwhatever the truEmth GC

Just look in your Emtarot Gcards, they Calways say Gsomething cAool GA

And CI know wAhat she Gwants from me

A Cwick of Amagic Gmystery

To Emplay up D#augto her G/Dmystic fC#m7b5antasCy

My fortune tGeller, Emmy fortune Gteller Em

Hard stop after this line

CMay be wrong but AI don’t care G

EmGCGx 2

EmDream, GCit’s all just a Emdream GC

To the extrEmeme I Gclose my Ceyes like a bureaucraEmt GCG

EmLove, GCthe cover of lEmove GC

As pure as a Emdove who GdisappeaCrs from a Gmagic haAt

A Ccrystal Aball has lots to Gsay

It’s CpositivAe as GChristmas day

It Emtells me D#augshe sees G/Dblue and C#m7b5skies of grCay

My fortune tGeller, Emmy fortune Gteller Em

CMay be wrong but AI don’t care

TGeller, Emmy fortune Gteller Em

GTries to keep me Emunaware

Solo on chorus chords

GEmGEm

CAGEm

GEmGEm

CAG

EmGCGx 2

EmDream, GCit’s all just a Emdream GC

To the extrEmeme I Gclose my Ceyes like a bureaucraEmt GCG

Oh Emlove, GCthe cover of lEmove GC

As pure as a Emdove who GdisappeaCrs from a Gmagic haAt → G/BC

My fortune tGeller, Emmy fortune Gteller Em

CMay be wrong but AI don’t care

TGeller, Emmy fortune Gteller Em

GTries to keep me Emunaware

GEmI just don’t caGre Em

CAG

My fortune tGeller tells me yeEmah, oh

CAG/BC

Ed Sheeran - Galway Girl (2017) Transpose up Transpose down

Originally in F#m, I play in Em

Vox on the 6 of the major key (1 of the minor chord) on “played”

Let ring in this first

She Emplayed the fiddle Gin an Irish band

But she Dfell in love Cadd9with an English man

Cadd9Kissed her on the neck and Gthen I took her by the hand

Said Dbaby I just want to dance

At tempo, I sing more than rap here

I met her on EmGrafton street Gright outside of the bar

She shared a Dcigarette with me while Cher brother played the guitar

She asked me Emwhat does it mean the GGaelic ink on your arm?

Said it was Done of my friend’s songs do you want to drink on?

She took EmJamie as a chaGser, Jack for the fun

She got DArthur on the table, Cwith Johnny riding a shotgun

Am7Chatted some more, Gone more drink at the bar

Then put DVan on the jukebox, got up to dance, you know

She Cplayed a fiddle Gin an Irish band

But she Dfell in love Cwith an English man

CKissed her on the neck and Gthen I took her by the hand

Instruments out on “dance”

Said Dbaby I just want to dance

With my pretty little Cadd9GalwayGGirl DEm

You’re my pretty little Cadd9GalwayGGirl DEm

You know she Embeat me at darts and Gthen she beat me at pool

And then she Dkissed me like there was noCbody else in the room

As last Emorders were called was Gwhen she stood on the stool

After Ddancing the Ceili singing to trad tunes

I never Emheard Carrickfergus Gever sung so sweet

A capDpella in the bar usCing her feet for the beat

Oh, I could Am7have that voice playing Gon repeat for a week

And in this Dpacked out room swear she was singing to me, you know

She Cplayed a fiddle Gin an Irish band

But she Dfell in love Cwith an English man

CKissed her on the neck and Gthen I took her by the hand

Said Dbaby I just want to dance

My pretty little Cadd9Galway GGirl

DMy, my, my,Emmy, my, my, my Cadd9GalwayGGirl

DMy, my, my,Emmy, my, my, my Cadd9GalwayGGirl

DMy, my, my,Emmy, my, my, my Cadd9GalwayGGirl DEm

And now we’ve Emoutstayed our welcome Gand it’s closing time

I wasDholding her hand, her Chand was holding mine

Our Emcoats both smell of Gsmoke, whiskey and wine

Let ring on “fill”

As we Dfill up our lungs with the cold air of the night

IEmwalked her home Gthen she took me inside

Finish Dsome Doritos and aCnother bottle of wine

I Emswear I’m going to put you Gin a song that I write

Let ring on “Galway”

About a DGalway Girl and a perfect night

Quiet

She Emplayed the fiddle Gin an Irish band

But she Dfell in love Cwith an English man

CKissed her on the neck and Gthen I took her by the hand

Said Dbaby I just want to dance

Band back in

My pretty little Cadd9Galway GGirl

DMy, my, my,Emmy, my, my, my Cadd9GalwayGGirl

DMy, my, my,Emmy, my, my, my Cadd9GalwayGGirl

DMy, my, my,Emmy, my, my, my Cadd9GalwayGGirl DEm

Cadd9GDEm

Cadd9GDEm

Cadd9GDEm

Ed Sheeran - Perfect (2017) Transpose up Transpose down

Originally in Ab, I play in E

Highest note that matters is the 1 (“*dancing* in the dark”)

Intro

E

Vox on 5 6 1 1 on “I found a love”, this is likely to be very low in my key, so just make sure “love” is on the 1

I found a Elove, for C#m7me

Darling, just Aadd9dive right in, and follow my Blead

Well, I found a Egirl beautiC#m7ful and sweet

I never Aadd9knew you were the someone waiting for Bme

Hard stop on “we”

Cause wBe were just kids when we Efell in love

Not knowing C#m7what it was, I will not Aadd9give you up this Eti-i-iBime

Darling just Ekiss me slow, your heart is C#m7all I own

And in your Aadd9eyes you’re holding miBne

Hard stop on “baby”, vox falsetto around a bunch on “baby”, land on the low 1 of the key on “I’m”

BBaby, C#m7I’m, dAadd9ancing in the Edark, with Byou between my C#m7arms

Aadd9Barefoot on the gErass, Blistening to our C#m7favorite song

When you sAadd9aid you looked a Emess, I whispered Bunderneath my bC#m7reath

You hAadd9eard it, darling Eyou look Bperfect tonEight

EB/D#C#m7BAB

Well, I found a Ewoman, stronger than C#m7anyone I know

She shares my Aadd9dreams, I hope that someday I’ll share her Bhome

I found a lEove, to carry C#m7more than just my secrets

To carry Aadd9love, to carry children of our Bown

Hanging stop on “we”

We are still kids, but we’re Eso in love, fighting aC#m7gainst all odds

I know we’ll Aadd9be alright this Eti-i-iBime

Darling just Ehold my hand, be my girl, I’ll C#m7be your man

I see my Aadd9future in your eByes

Hanging stop on “baby”

Baby, C#m7I’m dAadd9ancing in the dEark, with Byou between my C#m7arms

Aadd9Barefoot on the gErass, Blistening to our C#m7favorite song

When I sAadd9aw you in that drEess, looking so bBeautiful

I C#m7don’t desAadd9erve this, darling Eyou look Bperfect tonEight

Solo

EC#m7Aadd9B

Baby, C#m7I’m dAadd9ancing in the dEark, with Byou between my C#m7arms

Aadd9Barefoot on the gErass, Blistening to our C#m7favorite song

I have fAadd9aith in what I Esee, now I know BI have met an C#m7angel

In pAadd9erson, and Eshe looks Bperfect

No I E/G#don’t deAadd9serve this, Bsus4you look Bperfect tonEight

EB/D#C#m7BABE

Ed Sheeran - Thinking Out Loud (2014) Transpose up Transpose down

Originally in D, I play in A

Highest note that matters is the 5 (“*take me in*to your loving arms”)

Vox on 3 5 6 on “when your legs”

AA/C#When your legs don’t work like they usDed to beforeE

AAA/C#nd I can’t sweep you off of your feDet E

AWA/C#ill your mouth still remember the taDste of my loEve

AWiA/C#ll your eyes still smile froDm your cheeks E

And darling AI, wiA/C#ll, be loving yDou, tEill we’re seventyAA/C#DE

And baby myA, heaA/C#rt, could still fall aDs hEard at twenty-Athree A/C#

DAnd I’m thinking ‘bEout how

Bm7People fall in love in mystE7erious Aways

Bm7Maybe just the touch of a hE7and

Well Bm7me, I fall in love with you eEvery single dF#may

And Bm7I just wanna tell you I Eam

So honey nowAA/C#D

Take me iEnto your loving aArms A/C#

DKiss me unEder the light of a thAousand stA/C#ars

DPlace your Ehead on my beating Aheart A/C#

I’m thinking Dout lEoud

And maybe F#mwe fEound Dlove A/C#right whBm7ere wEe arAe

AWheA/C#n my hair’s all but gone and my meDmory fades E

AAA/C#nd the crowds don’t remember my nDame E

AWhenA/C#my hands don’t plDay the strings Ethe same way, mmm

AI A/C#know you will still love me the sDame E

Cause honey yoAur, sA/C#oul, could never grDow, oldE, it’s evergreAen A/C#DE

And baby yoAur, smiA/C#le’s, forever inDmy mEind and memAory A/C#

DI’m thinking ‘Ebout how

Bm7People fall in love in mysE7terious Aways

And mBm7aybe it’s all part of a E7plan

Well IBm7‘ll just keep on making the sEame mistaF#mkes

Bm7Hoping that you’ll understaEnd

That baby nAow A/C#

DTake me iEnto your loving arAms A/C#

DKiss me unEder the light of a thAousand stA/C#ars

DPlace your hEead on my beating heAart A/C#

I’m thinking Dout lEoud

That maybe F#mwe fEound Dlove A/C#right whBm7ere wEe arAe

Solo

AA/C#DE

AA/C#DEAh la la la la

AA/C#DE

AA/C#DE

So baby nAow A/C#

DTake me iEnto your loving aArms A/C#

DKiss me uEnder the light of a thAousand stA/C#ars, oh darling

DPlace your hEead on my beating heAart A/C#

I’m thinking Dout lEoud

That maybe F#mwe fEound Dlove riA/C#ght wBm7here Ewe aAre

Baby, F#mwe fEound Dlove rA/C#ight wBm7here Ewe aAre

And F#mwe fEound Dlove A/C#right wBm7here Ewe aAre

Edward Sharpe and the Magnetic Zeros - Home (2009) Transpose up Transpose down

Intro

BmDD/F#DGx2

Her

BmAlabama, Arkansas

DI do love my ma and pa

D/F#Not the way that DI do love Gyou

Him

Well, Bmholy, moley, me, oh my

DYou’re the apple of my eye

D/F#Girl I’ve never lDoved one like Gyou

Her

BmMan oh man you’re my best friend

I sDcream it to the nothingness

D/F#There ain’t Dnothing that I Gneed

Him

Well, hBmot and heavy, pumpkin pie

DChocolate candy, Jesus Christ

D/F#Ain’t nothing Dplease me more than Gyou

Both

Ahh Bmhome, let me come Dhome

D/F#Home is wherDever I’m with Gyou

Ahh Bmhome, let me come hoD-o-ome

D/F#Home is wherDever I’m with Gyou

Trumpet bridge, alternating measures of 4 and 6

EmBa, ba ba ba, ba Dba → Aba A

EmBa, ba ba ba, ba Dba → AEm

DD/G

BmLa, la, Ala, la, Dtake me Ghome

AMother, I’m coming home

Whistling

BmDD/F#DGx2

Him

I’ll fBmollow you into the park

DThrough the jungle through the dark

D/F#Girl I never Dloved one like Gyou

Her

BmMoats and boats and waterfalls

DAlleyways and payphone calls

D/F#I’ve been Deverywhere with Gyou (that’s true)

Him

BmLaugh until we think we’ll die

DBarefoot on a summer night

D/F#Never could be Dsweeter than with Gyou

Her

And iBmn the streets you run afree

Both, starting on “you and me”

DLike it’s only you and me

D/F#Jeez, you’re Dsomething to Gsee

Both

Ahh Bmhome, let me come Dhome

D/F#Home is wherDever I’m with Gyou

Ahh Bmhome, let me come hoD-o-ome

D/F#Home is wherDever I’m with Gyou

EmBa, ba ba ba, ba Dba → AA

EmBa, ba ba ba, ba Dba → AEm

DD/G

BmLa, la, Ala, la, Dtake me Ghome

AMother, I’m coming home

Spoken

Him: BmJade

Her: ADlexander

Him: DDo you remember that day you Dfell outta my window?

Her: DI sure do, you came jumping out after me

Him: DWell, you fell on the concrete, nearly broke your ass, and you were bleeding all over the, and I rushed you off to the hospital, you remember that?

Her: Yes I do

Him: Well there’s something I never told you about that night

Her: What didn’t you tell me?

Him: DWhile you were sitting in the backseat smoking a cigarette you thought was gonna Gbe your

Him: last, BmI was falling deep, deeply iDn love with you, and I never told you til just noGw

Both

Ahh Bmhome, let me come Dhome

D/F#Home is wherDever I’m with Gyou

Ahh Bmhome, let me come hoD-o-ome

D/F#Home is when I’mDalone with Gyou

Let ring, him

BmHome, let me come Dhome

D/F#Home is wherDever I’m with Gyou

Let ring, her

BmHome, yes I am hoD-o-ome

D/F#Home is when I’mDalone with Gyou

Verse lyrics with chorus rhythm

BmAlabama, ArkansaDs

D/F#I do love my Dma and Gpa

BmMoats and boats and waterDfalls

D/F#Alleyways and Dpayphone Gcalls

BmHome, Dhome

D/F#Home is when DI’m with Gyou

BmHome, Dhome

D/F#Home is when DI’m alone with Gyou

Eliza Doolittle - Pack Up (2010) Transpose up Transpose down

Originally in B, I play in E, highest note that matters is the 1 (“pack up your troubles”)

Intro

EF#mF#mE

Vox on the 3 on “tired”

I get Etired, and upset

And I’m F#mtrying to care a little less

When I Google I only get depressed

I was taught to C#m7dodge those issues, BI was told

Don’t Eworry, there’s no doubt

There’s always F#msomething to cry about

When you’re stuck in an angry crowd

Vox on the 6 of the chord on “think”

They don’t Athink what they say before they Edimopen their mouths

You gotta Epack up your troubles in your old kit bag

And F#mbury them beneath the sea

I don’t care what the people may say

What the people may say about Eme

EPack up your troubles get your old grin back

Don’t F#mworry about the cavalry

I don’t care what the whisperers say

‘Cause they whisper too loud for Eme

Hot Etopic, maybe I should F#mdrop it

It’s a touchy subject

And I like to C#m7tiptoe ‘round the Bstuff goin’ down

You got Epenny, but no pound

So if your F#mbusiness is running out

It’s not my business to talk about

They don’t Athink what to say, before they Edimopen their mouths

You gotta Epack up your troubles in your old kit bag

And F#mbury them beneath the sea

I don’t care what the people may say

What the people may say about Eme

EPack up your troubles get your old grin back

Don’t F#mworry about the cavalry

I don’t care what the whisperers say

‘Cause they whisper too loud for Eme

ETweet tweet, tweet tweet, tweet tweet tweet, F#mtweet, tweet, tweet

Tweet tweet tweet tweet, tweet tweet tweet, tweet tweet, tweet, tweet, Etweet tweet tweet

EPack up your troubles in your old kit bag

And F#mbury them beneath the sea

I don’t care what the people may say

What the people may say about Eme

EPack up your troubles get your old grin back

Don’t F#mworry about the cavalry

I don’t care what the whisperers say

‘Cause they whisper too loud for Eme

With ad lib “yeah”

EF#mF#mEF6E6

Elle King - Ex's and Oh's (2015) Transpose up Transpose down

Originally in Em, I play Em capo 4

Highest note is the 5

Intro

Em

I Emhad me a boy, turned him into a man

I Emshowed him all the things that he didn’t understand

WhoBa, then I let him Emgo

Now, there’s Emone in California who’s been cursin’ my name

‘Cause EmI found me a better lover in the UK

Hey Bhey, until I make my getaEmway

Instruments out, percussion only

Em1-2-3 they gonna run back to me

‘Cause EmI’m the best baby that they never gotta keep

Em1-2-3 they gonna run back to me

They Emalways wanna come, but they never wanna leave

GEx’s and oDh’s

They hEmaunt me

Like gBho-o-sts, they Gwant me

To make them Dall

Vox on 5 of the minor key, which is the 2 and

the 7 of these chords

They wonAm‘t let Cgo

Ex’s & Emoh’s

Em

I Emhad a summer lover down in New Orleans

Kept him Emwarm in the winter, left him frozen in the spring

My Bmy, how the seasons go bEmy

EmI get high and I love to get low

So the Emhearts keep breaking and the heads just roll

You knBow, that’s how the story goeEms

Instruments out, percussion only

Em1-2-3 they gonna run back to me

‘Cause EmI’m the best baby that they never gotta keep

Em1-2-3 they gonna run back to me

They Emalways wanna come, but they never wanna leave

GEx’s and oDh’s

They hEmaunt me

Like gBho-o-sts, they Gwant me

To make them Dall

They wonAm‘t let Cgo

My Gex’s and oDh’s

They hEmaunt me

Like gBho-o-sts, they Gwant me

To make them Dall

They wonAm‘t let Cgo

Ex’s and Emoh’s

EmEmBEm

Em1-2-3 they gonna run back to me

EmClimbing over mountains and a-sailing over seas

Em1-2-3 they gonna run back to me

EmThey always wanna come, but they never wanna leave

My Gex’s and oDh’s

They hEmaunt me

Like gBho-o-sts, they Gwant me

To make them Dall

They wonAm‘t let Cgo

GEx’s and oDh’s

They hEmaunt me

Like gBho-o-sts, they Gwant me

To make them Dall

They wonAm‘t let Cgo

Ex’s and Emoh’s

Hard stop after four measures

Em

Eminem - Lose Yourself (2002) Transpose up Transpose down

Originally in Dm, I play in Am

Intro

AmAm11Fmaj7/AFmaj7/A

AmAm11Fmaj7Fmaj7

DmC6Bm7Bm7

E

AmLook, Fif you had

AmOne shot Fone opportunity

AmTo seize everything you ever wanted, Fone moment

AmWould you capture it, For just let it slip, yo

His paAmlms are sweaty, knees weak, arms are heavy

There’s vomit Fon his sweater already, mom’s spaghetti

He’s nervous,Ambut on the surface he looks calm and ready

To drop boFmbs, but he keeps on forgetting

What he wrAmote down, the whole crowd goes so loud

He opeFns his mouth, but the words won’t come out

He’s choAmking, how, everybody’s joking now

The clock’s rFun out, time’s up, over, blao

Snap baAmck to reality, oh, there goes gravity

FOh, there goes Rabbit, he choked, he’s so mad but he

WoAmn’t, give up that easy, no, he won’t have it he

KnFows, his whole back’s to these roGpes, it don’t matter he’s

AmDope, he knows that but he’s broke, he’s so stagnant he

KnFows, when he goes back to this mobile home, that’s when it’s

AmBack to the lab again, yo, this whole rhapsody

BetFter go capture this moment and hoGpe it don’t pass him

You better lAmose yourself in the music

The moment, you own iFt, you better never let it goG

You only getAmone shot, do not miss your chance to blow

This opportFunity comes once in a lifetGime

You better loAmse yourself in the music

The moment, you own Fit, you better never let it goG

You only get oAmne shot, do not miss your chance to blow

This opportFunity comes once in a lifetGime

His soAmul’s escaping, through this hole that is gaping

FThis world is mine for the taking, make me king

AmAs we move toward a new world order

A noFrmal life is boring, but superstardom’s

AmClose to post mortem, it only grows harder

FHomie grows hotter, he blows it’s all over

These Amhoes is all on him, coast to coast shows

He’s Fknown as the globetrotter lonely roads, god only

KAmnows he’s grown farther from home, he’s no father

He Fgoes home and barely knows his own daughter

But Amhold your nose ‘cause here goes the cold water

These Fhoes don’t want him no Gmore, he’s cold product

They Ammoved on to the next schmoe who flows, he

Nose-dFove and sold nada, so the soap opera is

AmTold it unfolds, I suppose it’s old partner, but the

FBeat goes on, da da dGum, da dum

You better lAmose yourself in the music

The moment, you own iFt, you better never let it goG

You only getAmone shot, do not miss your chance to blow

This opportFunity comes once in a lifetGime

You better loAmse yourself in the music

The moment, you own Fit, you better never let it goG

You only get oAmne shot, do not miss your chance to blow

This opportFunity comes once in a lifetGime

AmNo more games, I’m-a change what you call rage

Tear this Fmother of a roof off like two dogs caged

I was Amplaying in the beginning, the mood all changed

I’ve been cDmhewed up and spit out and Fbooed off stage

But I Amkept rhyming and stepped, writing the next cypher

FBest believe somebody’s paying the pied piper

AmAll the pain inside amplified by the

DmFact that I can’t get Fby with my nine to

AmFive, and I can’t provide the right type of

FLife for my family ‘cause man, these goddamn food

AmStamps don’t buy diapers, and it’s no movie, there’s

FNo Mekhi Phifer, Gthis is my life

And these Amtimes are so hard and it’s getting even harder

Trying to Ffeed and water my seed, plus teeter-totter

Caught up betwAmeen being a father and a prima donna

Baby Fmama drama’s screaming on andGtoo much for me to wanna

AmStay in one spot, another day of monotony’s

GottenFme to the point I’m like a snail

I’ve got to formulAmate a plot or end up in jail or shot

SucceFss is my only motherfreaking Goption, failure’s not

AmMom, I love you, but this trailer’s got to go

I cannFot grow old in Salem’s lot, so here I

AmGo it’s my shot feet fail me not

This mFay be the only opportunityG/Dthat I got

You better lAmose yourself in the music

The moment, you own iFt, you better never let it goG

You only getAmone shot, do not miss your chance to blow

This opportFunity comes once in a lifetGime

You better loAmse yourself in the music

The moment, you own Fit, you better never let it goG

You only get oAmne shot, do not miss your chance to blow

This opportFunity comes once in a lifetGime

Enter The Haggis - One Last Drink (2006) Transpose up Transpose down

Originally in E, I play in A; highest note that matters is the 1 (“had a life”}

A cappella, or let ring

Vox on 1 1 6 of the key on “had a life”

I’ve had a Alife that’s Efull

EveryAone’s been good to Eme

So fAire up that Efiddle, boy

And F#mgive me one last Bdrink

When the Asun comes Eup

I will Aleave without a Efight

The Aworld is Bmine toEnight

EEABx 4

EOld John on his Adeathbed Ecried

I Athink I will Ewait ‘til toAmorrow to Bdie

The Esun is shining, Abirds do Esing

AThis, sir, is Eno day to Bgo

B7Up and out the door

I’ve had a Alife that’s Efull

EveryAone’s been good to Eme

So fAire up that Efiddle, boy

And F#mgive me one last Bdrink

When the Asun comes Eup

I will Aleave without a Efight

The Aworld is Bmine toEnight

EEABx 2

ETook young Molly bAy the hEand

ASpun her ‘rEound and bAack agBain

EClicked his heels, bAowed his hEead

ANever a tEear in his eBye

They cB7arried on ‘til five

I’ve had a Alife that’s Efull

EveryAone’s been good to Eme

So fAire up that Efiddle, boy

And F#mgive me one last Bdrink

When the Asun comes Eup

I will Aleave without a Efight

The Aworld is Bmine toEnight

Bridge

So rBaise a glass to the Adear deEparted

BRaise a glass to the Adear deEparted

Won’t you Braise a glass to the Adear deBparted Eones

E

The Eroom was full of aAll his fEriends

ANever a funeEral, tAhis was the eBnd

They dErank to all who lAent their hEand

AEveryone dErank to JBohn

B7Raised the glass and said

Band out

I’ve had a Alife that’s Efull

EveryAone’s been good to Eme

So fAire up that Efiddle, boy

And F#mgive me one last Bdrink

When the Asun comes Eup

I will Aleave without a Etrace

But the Aworld is Bmine toEnight

Band back in

I’ve had a Alife that’s Efull

EveryAone’s been good to Eme

So fAire up that Efiddle, boy

And F#mgive me one last Bdrink

When the Asun comes Eup

I will Aleave without a Etrace

But the Aworld was Bmine toEday

EEABx 4

Five for Fighting - 100 Years (2004) Transpose up Transpose down

Originally in G, I play in D

Intro

DGEm7A7sus4

D/F#BmEm7A7sus4

DI’m fifteGen for a moment

Em7Caught in betA7sus4ween ten and twenty

And I’m D/F#just dreaming Bm

Counting the wEm7ays to where youAsus4are

DI’m twenty-tGwo for a moment

Em7And she feels A7sus4better than ever

And we’re D/F#on fire Bm

Making our Em7way back from MaArs

DFifteen thAere’s stillGadd9time for you

DTime to bAuy and Gadd9time to lose

DFifteen Athere’s nGadd9ever a Bm7wish Abetter than Gadd9this

When you only got a hundred years to D/F#live

D/F#Gadd9Bm7Asus4x2

DI’m thirty-thGree for a moment

Em7I’m still the A7sus4man but you see I’m of age

D/F#A kid on the Bmway, babe

A fEm7amily on my Asus4mind

DI’m forty-fiGve for a moment

Em7The sea isA7sus4high

And I’m heading intoD/F#a crisis Bm

Chasing the yEm7ears of my Asus4life

DFifteen thAere’s still tGadd9ime for you

DTime to bAuy and tGadd9ime to lBm7ose yourself

WithiAn a morning starGadd9

DFifteen IA‘m alGadd9right with you

DFifteen Athere’s nGadd9ever a Bm7wish Abetter than Gadd9this

When you only got a hundred years to D/F#live

Bridge

D/F#Halftime goes bAsus4y

Suddenly you’re wBmise

Another blink of an Cmaj7eye

Sixty-seven is Gadd9gone

The sun is getting Asus4high

We’re moving Don

DGEm7A7sus4

DI’m ninetyGadd9-nine for a moment

Em7I’m dyin’ for A7sus4just another moment

And D/F#I’m just dreaming Bm

Counting the wEm7ays to where you Asus4are

DFifteen thAere’s still Gadd9time for you

DTwenty-tAwo I Gadd9feel her too

DThirty-thAree you’re oGadd9n your way

DEvery dAay’s a nGadd9ew day

DOooh ABm7Gadd9

DOooh ABm7Gadd9

Not a typo, the changes are a little different this time

DFifteen thAere’s still time for you

Bm7Time to bGadd9uy and time to choose

Hey fiDfteen Bm7there’s never a wBmish Abetter than Gadd9this

When you only got a hundred years to liDve

DGEm7A7sus4D/F#

Five for Fighting - Superman (It's Not Easy) (2001) Transpose up Transpose down

Originally in C, I play in A. Highest note that matters is the 5.

Intro

AEF#m7D6x2

AI can’t stand to fEly

F#m7I’m not that naD6ive

AI’m just out to fEind

The F#m7better part of D6me

I’m more than a birdA, I’m more than a planEe

I’m more than someF#m7pretty face besDide a train

It’s not eAasy to bEe mDe A

I Awish that I could cEry

F#m7Fall upon my D6knees

AFind a way to lEie

‘Bout a hF#m7ome I’ll never seeD6

It may sound abAsurd but don’t be naEive

Even F#m7heroes have the Dright to bleed

I may be distAurbed but won’t you concedeE

Even hF#m7eroes have the Dright to dream

And it’s not Aeasy to Ebe Dme AE/G#

Bridge

F#mUp, up E/G#and awaAy, awBmay from mF#me

Well, it’s alBright

You can Aall sleep sound toBnight

I’m not craDzy DA/DD

Or anythiEng

AI can’t stand to Efly

F#m7I’m not that naD6ive

AMen weren’t meant to Eride

With F#m7clouds between their D6knees

I’m only a Aman in a silly red Esheet

Digging forF#m7kryptonite on this oDne-way street

Only a Aman in a funny red Esheet

Looking for F#m7special things insiDde of me

Inside of mAe, E/G#inside of F#m7me D

Yeah, inside of Ame, E/G#inside of F#m7me D

I’m only a Aman in a funny red sEheet

I’m only a mF#m7an looking for a drDeam

I’m only a mAan in a funny red Esheet

And it’s not easF#m7y, Dooh A/Dhoo Dhoo

Rubato, chords implied

It’s not eF#masy to bEe

Rubato, chords back in

AMe EF#m7D6A

Fountains of Wayne - Stacy's Mom (2003) Transpose up Transpose down

DGAGx2

Vox start on the 3

DStacy’s mGom has gAot it goin’ Gon

x4

DStacy cGan I come Aover Gafter schDool?G

A(After Gschool)

DWe can hGang arAound by the Gp-p-p-poolDG

A(Hang by the Gpool)

DDid your mGom get bAack from the bGusiness trDip?G

A(Business Gtrip)

DIs she thGere or Ais she trying to gGive me the slDip?G

A(Give me the Gslip)

Vox on “you know I’m not” = 1 3 5 6

Note that 6 is the 4 of the min chord

You know I’m nF#mot the little boy that I Gused to be

Vox on “baby can’t you see” = 1 1 1 2 3

Note that 3 is the maj7 of the maj chord

I’m F#mall grown up now bGaby can’t you see?

GStacy’s mDom has gAot it goin’ Bmon

She’s Gall I wDant and I’ve wAaited for so lBmong

GStacy can’t you sDee you’re just nA#dimot the girl for mBme

I knGow it might be wrong but AI’m in love with Stacy’s mom

DStacy’s mGom has gAot it goin’ Gon

x2

DStacy dGo you remAember when I mGowed your lDawnG

A(Mowed your Glawn)

DYour mom came Gout Awith just a tGowel DonG

A(Towel Gon)

DI could tGell she lAikes me from the wGay she stDaredG

A(Way she Gstared)

DAnd the Gway she Asaid, you missed a Gspot over thDereG

A(Spot over Gthere)

And I knF#mow that you think it’s just a fGantasy

But sF#mince your dad walked out your mom could Guse a guy like me

GStacy’s mDom has gAot it goin’ Bmon

She’s Gall I wDant and I’ve wAaited for so lBmong

GStacy can’t you sDee you’re just nA#dimot the girl for mBme

I knGow it might be wrong but AI’m in love with Stacy’s...

Solo

A#MomFCDm

A#FAA

A#FCDm

A#A#AA

A#Stacy’s mFom has gCot it goin’ Dmon (she’s got it goin’ on)

She’s A#all I wFant and I’ve wCaited for so lDmong (waiting and waiting)

A#Stacy can’t you sFee you’re just nAot the girl for mDme

A#I know it might be wrong IC‘m in love with

A#Stacy’s mFom oh-Coh oh-Dmoh (I’m in love with)

A#Stacy’s mFom oh-Coh oh-Dmoh (wait a minute)

A#Stacy can’t you sFee you’re just nAot the girl for mDme

I knA#ow it might be wrong but CI’m in love with Stacy’s Fmom

Fun - Some Nights (2012) Transpose up Transpose down

Originally in C, I play in G

Highest note that matters is the 6 (“*cashing in* my bad luck”)

Vox on the 1 on “some nights”

GSome nights I stay up caCshing in my bGad luck

CSome nights I Gcall it a Ddraw

GSome nights I wish that my liCps could build a cGastle

CSome nights I wGish they’d just faDll off

But I sCtill wake Gup, I still Csee your gGhost

Oh lord, I’m stCill not suGre what I sDtand for, oh

CWhat do I sGtand for, Cwhat do I Gstand for?

EmMost nights, I don’t knDow anymCore

With “whoa”

CGCGCGD

CGCGCGD

CThis is it, boys Gthis is war

CWhat are we wGaiting for?

CWhy don’t we bGreak the rules alrDeady?

I was nCever one to bGelieve the hype

CSave that for the blGack and white

Try tCwice as hard and I’m Ghalf as liked

But hDere they come again to jack my style

And that’s alriCght G

I found a maCrtyr in myGbed tonight

She Cstops my bonesGfrom wondering

Just Dwho I am, who I am, who I Cam G

Oh Cwho am GI, CmmmGm, mmDmmm

Well Gsome nights I wish that this aCll would eGnd

‘Cause ICcould use some Gfriends for a chDange

And sGome nights I’m scared you’ll Cforget me Gagain

Some nCights, I always wGin, I Dalways win

But I sCtill wake uGp, I still Csee your gGhost

Oh lord, I’m Cstill sure Gsure what I Dstand for, oh

CWhat do I sGtand for, Cwhat do I Gstand for?

EmMost nights, I don’t knDow, oh come on

CSo this is it? GI sold my soul for this?

DWashed my hands of that for this? I miss my mom and dad for this?

CNo, when I see stars, when I sGee stars, that’s all they are

When I heDar songs, they sound like a swan

So come oCn, oh come Gon, oh come Don, oh, come on

Well Cthat is it, guys, thGat is all

CFive minutes in and I’m bGored again

CTen years of this, and I’m not Gsure if anybDody understands

This Cone is not one for the folGks at home

SCorry to leave, mom, I Ghad to go

CWho the hell wants to Gdie alone all Ddried up in the desert sun?

My heart is bCreaking for my sister

And the cGon that she called love

And then I lDook into my nephew’s eyes

AmMan, you wouldn’t believe

CThe most amazing things Amthat can come fDrom

Some terrible lCies

CGCGCGD

CGCGCGD

With “whoa”

CGCGCGD

CGCGCGD

CThe other nGight, you wouldn’t believe the drCeam I just had abGout you and me

CI called you up, but we’d bGoth agree D

CIt’s for the Gbest you didn’t lCisten G

CIt’s for the Gbest we get our dDistance, oh

Gnarls Barkley - Crazy (2006) Transpose up Transpose down

Originally in Cm, I play in Am

Intro

Am

AmI remember when, I remember, I remember when I lost my mind

Cmaj7But there was something so pleasant about that plFace

Even your emotions had an echo

In so much spacEsus4e E

AmAnd when you’re out there, without care

Yeah, I was out of touch Cmaj7

But it wasn’t because I didn’t know enoFugh

I just knew too muchEsus4E

Does that make me Amcrazy?

Does that make me Cmaj7crazy?

Does that make me Fcrazy?

Possibly Esus4E

Vox on the 5 of the chord

AAnd I hope that you are having the time of your lFife

But think twCmaj7ice, that’s my only advicEsus4e, Emmm

AmCome on now, who do you, who do you, who do you, who do you think you aCmaj7re

Ha ha ha, bless your soFul

You really think you’re in contEsus4rol E

Well, I think you’Amre crazy

I think you’re craCmaj7zy

I think you’re craFzy

Just like meEsus4E

AMy heroes had the heart to lose their lives out on a Flimb

And all I reCmaj7member is thinking, I wanna be like tEsus4hem, Emmmm

AmEver since I was little, ever since I was little it looked like fuCmaj7n

And it’s no coincidence I’ve coFme

And I can die when I’m dEsus4one E

But maybe I’m Amcrazy

Maybe you’re Cmaj7crazy

Maybe we’re Fcrazy

ProbablyEsus4E

AMmmm, Fooh

Cmaj7Oooh Esus4E

A

Gotye - Somebody That I Used to Know (2011) Transpose up Transpose down

Originally in Dm, I play in Am, which is really low

in the verse, so take all opportunities to take the

melody up rather than down.

Playing in the original key and dropping the chorus

an octave is also reasonable.

AmGx 8

Vox on the 5

AmNow and tGhen I think of

AmWhen we Gwere togeAmther GAmG

AmLike when you Gsaid you felt so

AmHappy yoGu could diAme GAmG

AmTold mysGelf that you were Amright for Gme

AmBut felt so Glonely in your AmcompanyG

AmBut that was Glove and it’s an

AmAche I stGill rememAmber GAmG

AmGx 8

AmYou can get adGdicted to a

AmCertain Gkind of sAmadness GAmG

AmLike resignGation to the Amend

GAlways the Amend GAmG

AmSo when we Gfound that we could Amnot make Gsense

AmWell you Gsaid that we would Amstill be frGiends

AmBut I’ll adGmit that I was

AmGlad that Git was oAmver GAmG

AmBut you Gdidn’t have to Fcut me Goff

AmMake out Glike it never Fhappened

And that Gwe were notAmhing

And GI don’t even Fneed your Glove

But you Amtreat me like a Gstranger

And that Ffeels so Grough

AmNo you dGidn’t have to stFoop so Glow

AmHave your frGiends collect your Frecords

And then Gchange your nAmumber

I gGuess that I don’t Fneed that Gthough

AmNow you’re just somebGody that I Fused to Gknow

AmGFG

AmNow you’re just somebGody that I Fused to Gknow

AmGFG

AmNow you’re just somebGody that I Fused to Gknow

AmGx 4

AmNow and Gthen I think of

AmAll the times you scrGewed me oAmver GAmG

AmBut had me belGieving it was

AmAlways something Gthat I’d dAmone GAmG

GAnd I don’t wanna live that way

GReading into every word you say

GYou said that you could let it go

GAnd I wouldn’t catch you hung up on somebody that you used to know

AmBut you Gdidn’t have to Fcut me Goff

AmMake out Glike it never Fhappened

And that Gwe were noAmthing

And GI don’t even Fneed your Glove

But you Amtreat me like a Gstranger

And that Ffeels so Grough

AmNo you dGidn’t have to stFoop so Glow

AmHave your frGiends collect your Frecords

And then Gchange your nAmumber

I gGuess that I don’t Fneed that Gthough

AmNow you’re just somebGody that I Fused to Gknow

Fade on the last line with ad libs

Green Day - American Idiot (2004) Transpose up Transpose down

Originally in G#, I play in G and use open chords in the chorus

G5C5F5C5G5F5

G5C5F5C5G5

G5C5F5C5G5F5

G5C5F5C5G5

Vox on the 5

Don’t wanna be an American idiot G5C5F5C5G5F5

Don’t want a nation under the new mania G5C5F5C5G5

And can you hear the sound of hysteria? G5C5F5C5G5F5

The subliminal mind-blown America G5C5F5C5G5

C5Welcome to a new kind of tension

G5All across the alien nation

D5Where everything isn’t meant to be oG5kay

C5Television dreams of tomorrow

G5We’re not the ones who’re meant to follow

Hard stop after “argue”

D5For that’s enough to argue

Drums for one measure

G5C5F5C5G5F5

G5C5F5C5G5

Well, maybe I’m the faggot, America G5C5F5C5G5F5

I’m not a part of a redneck agenda G5C5F5C5G5

Now everybody do the propaganda G5C5F5C5G5F5

And sing along to the age of paranoia G5C5F5C5G5

C5Welcome to a new kind of tension

G5All across the alien nation

D5Where everything isn’t meant to be oG5kay

C5Television dreams of tomorrow

G5We’re not the ones who’re meant to follow

Hard stop after “argue”

D5For that’s enough to argue

Drums for one measure

G5C5F5C5G5F5

G5C5F5C5G5

G5C5F5C5G5F5

G5C5F5C5G5

Solo if appropriate on chorus chords

G5C5F5C5G5F5

G5C5F5C5G5

G5Don’t wanna C5be an F5AmeriC5can iG5diF5ot

G5One nC5ation controF5lled bC5y the G5media

G5InformC5ation aF5ge oC5f hysG5teriFa

Hard stop

G5It’s calling out to idiot America

C5Welcome to a new kind of tension

G5All across the alien nation

D5Where everything isn’t meant to be oG5kay

C5Television dreams of tomorrow

G5We’re not the ones who’re meant to follow

Hard stop after “argue”

D5For that’s enough to argue

No drum break this time

G5C5F5C5G5F5

G5C5F5C5G5

G5C5F5C5G5F5

G5C5F5C5G5

Green Day - Boulevard of Broken Dreams (2004) Transpose up Transpose down

Originally in Fm, I play in Em

Intro

EmGDAx 2

EmI walk a Glonely road

The Donly one that AI have ever Emknown

Don’t know Gwhere it goes

DBut it’s home to mAe and I walk aEmlone GDA

EmI walk this Gempty street

DOn the bouleAvard of broken Emdreams

Where the Gcity sleeps

And DI’m the only oneAand I walk aEmlone G

DI walk alAone, I walk alEmone G

DI walk aloAne, and I walk a

CMy shGadow’s the Donly one that waEmlks beside me

CMy shaGllow heaDrt’s the only thEming that’s beating

CSometGimes I wiDsh someone out thEmere will find me

Hard stop after this line

CTill thGen I wB7alk alone

With aah’s

EmGDAx 2

EmI’m walking dGown the line

DThat divides me soAmewhere in my mEmind

On the bGorder line

DOf the edge and whAere I walk alEmone GDA

EmRead beGtween the lines

DWhat’s messed up and Aeverything’s alEmright

Check my Gvital signs

To kDnow I’m still alAive and I walk alEmone G

DI walk alAone, I walk alEmone G

DI walk aloAne, and I walk a

CMy shGadow’s the Donly one that waEmlks beside me

CMy shaGllow heaDrt’s the only thEming that’s beating

CSometGimes I wiDsh someone out thEmere will find me

Hard stop after this line

CTill thGen I wB7alk alone

With aah’s

EmGDAx 2

Solo if appropriate on chorus chords

Band drops out

EmI walk this Gempty street

DOn the bouleAvard of broken Emdreams

Where the Gcity sleeps

And DI’m the only oneAand I walk a

CMy shGadow’s the Donly one that waEmlks beside me

CMy shaGllow heaDrt’s the only thEming that’s beating

CSometGimes I wiDsh someone out thEmere will find me

CTill thGen I wB7alk alone

EmCDC#GD#x3

EmCDC#GEm

Green Day - Holiday (2004) Transpose up Transpose down

Originally in Fm, I play in Em

EmCGDx 6

EmHear the Csound of the Gfalling raDin

EmComing doCwn like an aGrmagBeddon flEmame (Hey!)

The shCame, the Gones who diDed withoBut a name

EmHear the dCogs howling oGut of keDy

EmTo a hyCmn called “FGaith and MBiseEmry“ (Hey!)

And bleCed, the cGompany lDost the wBar today

EmI beg to drCeam and differ frGom the hollow liDes

Hard stop after this line

EmThis is the dCawning of the rGest of our lBives

On holiEmday CGD

EmCGD

EmHear the Cdrum pounding Gout of Dtime

EmAnother pCrotestGor has croBssed a lEmine (Hey!)

To finCd, the moGney’s Don the oBther side

EmCan I gCet anGother AmDen? (Amen!)

EmThere’s a fClag wrapped aGround a sBcore of mEmen (Hey!)

A gCag, a pGlastic bDag on a mBonument

EmI beg to drCeam and differ frGom the hollow liDes

Hard stop after this line

EmThis is the dCawning of the rGest of our lBives

Definitely play this part

EmGEmADB

EmGDBEm

Maybe play this part

EmGEmADB

EmGDBEm

Solo only if it makes sense

CGBEmD/F#

CGBB

Probably skip this part

EmZieg HGeil to the pCresidAent DgasmBan

EmBombs aGway is your pDuniBshmEment

EmPulverGize the CEiffAel DtoweBrs

EmWho critGicize your DgovBernEmment

EmBang bGang goes the CbrokAen glDass aBnd

EmKill all the faGgs that dDon’t BagrEmee

EmTrials by Gfire, CsettAing DfirBe

EmIs not a Gway that’s mDeant fBor Emme

BJust ‘cause, just ‘cause, because we’re outlaws yeEmah!

EmI beg to drCeam and differ frGom the hollow liDes

EmThis is the dCawning of the rGest of our lBives

EmI beg to drCeam and differ frGom the hollow liDes

EmThis is the dCawning of the rGest of our lBives

BThis is our lives on holiEmday

EmCGDx 3

EmCEmADEm

Green Day - Wake Me Up When September Ends (2004) Transpose up Transpose down

Intro

G

GSummer has G/F#come and passed

The iEm7nnocent can G/Dnever last

CWake me up Cmwhen September endGs

G

GLike my father’s cG/F#ome to pass

Em7Seven years has gG/Done so fast

CWake me up Cmwhen September endGs

GD/F#

EmHere comes the Bmrain again

CFalling from the Gstars D/F#

EmDrenched in my Bmpain again

BecComing who we Dare

GAs my memorG/F#y rests

But nEm7ever forgets wG/Dhat I lost

CWake me up Cmwhen September endGs

G

Band enters

GSummer has G/F#come and passed

The iEm7nnocent can G/Dnever last

CWake me up Cmwhen September endGs

GRing out the bG/F#ells again

Em7Like we did when G/DSpring began

CWake me up Cmwhen September endGs

GD/F#

EmHere comes the Bmrain again

CFalling from the Gstars D/F#

EmDrenched in my Bmpain again

BecComing who we Dare

GAs my memorG/F#y rests

But nEm7ever forgets wG/Dhat I lost

CWake me up Cmwhen September endGs

GD/F#

Solo on chorus chords

Quiet again

GSummer has G/F#come and passed

The iEm7nnocent can G/Dnever last

Band enters

CWake me up Cmwhen September endGs

GLike my father’s cG/F#ome to pass

Em7Twenty years has gG/Done so fast

CWake me up Cmwhen September endGs

CWake me up Cmwhen September endGs

CWake me up Cmwhen September endGs

Gretchen Wilson - Redneck Woman (2004) Transpose up Transpose down

Originally in F#, I play in A capo 1

Intro

A7

Well I ain’t nAever been the Barbie doll type

No I can’t swig that sweet champagne

Walk up through 2-b3-3 starts on “beer”

I’d rather drink beer all night

In a tDavern, or in a honky-tonk

Or on a four-wheel drive tailgate

AI’ve got posters on my wall of Skynyrd, Kid, and Strait

Some peE7ople look down on me, but I don’t give a rip

I’ll sDtand bare-footed in my own front yard

Hard stop on “baby”

With a baby on my hip

‘Cause I’m a Aredneck woman

I ain’t no high-class broad

I’m just a product of my raising

I say hey y’all and yee-haw

And I keDep my Christmas lights on

On my front porch all year long

And AI know all the words to

Every Charlie Daniels song

So hE7ere’s to all my sisters

Out there keeping it country

Hard stop on “let”

LDet me get a big hell yeah

Hits on “red”, “girls”, “me”

From the Dredneck girls like Dme

HCell yAeah

AVictoria’s Secret, well their stuff’s real nice

Oh but I can buy the same damn thing

On a Walmart shelf half-price

And still look Dsexy, just as sexy, as those models on TV

No, IAdon’t need no designer tag

To make my man want me

E7You might think I’m trashy, a little too hard-core

But Din my neck of the woods, I’m just the girl next door

Hey I’m a Aredneck woman

I ain’t no high-class broad

I’m just a product of my raising

I say hey y’all and yee-haw

And I keDep my Christmas lights on

On my front porch all year long

And AI know all the words to

Every Tanya Tucker song

So hE7ere’s to all my sisters

Out there keeping it country

No hard stop this time

LDet me get a big hell yeah

From the Dredneck girls like Dme

HCell yAeah

Solo

DDDD

AA

DDDD

BE

Quiet, let ring

I’m a Aredneck woman

I ain’t no high-class broad

I’m just a product of my raising

Hard stop on “hey”

I say hey y’all and yee-haw

And I keDep my Christmas lights on

On my front porch all year long

And AI know all the words to

Every Old Bocephus song

So hE7ere’s to all my sisters

Out there keeping it country

Hard stops and hits again

LDet me get a big hell yeah

“Girls” gets held long enough to get to the bIII

From the Dredneck girls Clike Ame

HAell yeah, hell yeah, I said hell yeah

Halestorm - Here's to Us (2012) Transpose up Transpose down

Originally in C, I play in C capo 1, highest note that matters is the 3 (“last few days”)

Intro

CFAmGx2

Vox on the 5

CWe could just go hFome right now

Or Ammaybe we could stGick around

For Cjust one more Fdrink, oh yAmeah G

CGet another boFttle out

Let’s Amshoot the stuff, sGit back down

For Cjust one more Fdrink, oh yAmeah G

Here’s to uCs

Here’s to Glove

Vox on the 1 of the major key on “times”, then down to 7 4 on “messed up”

All the tiAmmes that we messed Fup

Here’s to Cyou

Fill the gGlass

‘Cause the Amlast few days have Fkicked my ass

So Clet’s give em Ghell

Wish Ameverybody wFell

Here’s to uCs G

Here’s to uAms F

We’ve Cstuck it out this fFar together

AmPut our dreams tGhrough the shredder

Let’s Ctoast ‘cause tFhings got Ambetter G

‘Cause Ceverything could cFhange like that

And Amall these years go bGy so fast

But Cnothing Flasts, foreAmver G

Here’s to Cus

Here’s to lGove

All the Amtimes that we messed Fup

Here’s to Cyou

Fill the gGlass

‘Cause the Amlast few nights have Fkicked my ass

If Cthey give ya hGell

TAmell em go m themsFelves

Here’s to Cus G

Here’s to Amus F

Bridge, vox on the b7 on “all”

Here’s to aDll that we’ve kissed

And to aFll that we’ve missed

Vox down to the 3 of the chord on “biggest”

To the Cbiggest mistakes that we jGust wouldn’t trade

To uDs breakin’ out

Without us breakin’ down

To whatevGer’s coming our way

Here’s to Cus

Here’s to lGove

All the Amtimes that we messed Fup

Here’s to Cyou

Fill the gGlass

‘Cause the Amlast few days have kiFcked my ass

So Clet’s give em Ghell

Wish Ameverybody Fwell

Here’s to Cus

Here’s to Glove

All the Amtimes that we messed uFp

Here’s to Cyou

Fill the gGlass

‘Cause the lAmast few nights have kFicked my ass

If tChey give ya hGell

Hard stop on “tell”

AmTell ‘em go screw themFselves

Here’s to Cus G

Here’s to Amus F

Here’s to Cus

Here’s to Glove

Wish Ameverybody Fwell

Here’s to Cus

Here’s to Glove

Here’s to Amus F

Here’s to Cus

Halestorm - I Miss the Misery (2012) Transpose up Transpose down

Originally in Am, I play in Am, with everything an octave down except the first two lines of each verse

Highest note that matters is the 5 (!)

Intro (after epic scream), with “oh”, but easier for me to sing something with constant

AmCGDFx2

Vox on the 1

AmI’ve been a mCess since you stGayed D

AmI’ve been a wCreck since you cGhanged D

Vox up to the higher 1

AmDon’t let me Cget in your way

GI miss the Dlies and the pain

FThe fights that keep us awaEke-ake-ake, GI’m tellin’ you

AmI miss the bad things, Cthe way you hate me

GI miss the screaming, the Dway that you Fblame me

AmMiss the phone calls Cwhen it’s your fault

GI miss the late nights, dDon’t miss yFou at all

AmI like the kCick in the fGace

And the Dthings you do to me

FI love the way that it huErts

I don’t miss Gyou I miss the misery

AmCGDF

AmI’ve tried but ICjust can’t tGake it D

AmI’d rather Cfight than just Gfake it, D‘cause I like it rough

AmYou know that CI’ve had enough

GI dare you tDo call my bluff

FCan’t take too much of a gEood thi-Ging I’m tellin’ you

AmI miss the bad things, Cthe way you hate me

GI miss the screaming, the Dway that you Fblame me

AmMiss the phone calls Cwhen it’s your fault

GI miss the late nights, dDon’t miss yFou at all

AmI like the kCick in the fGace

And the Dthings you do to me

FI love the way that it huErts

I don’t miss Gyou, I miss the misery

Bridge

Vox on the 3 of the chord on “just”, down to the low 3 of the chord on “hurt” (maybe easier to go up to that 3 in my key)

FJust know that I’ll make yGou huArt

(I miss the lies and the pain what you did to me)

FWhen you tell me you’ll make Git woArk

(I’d rather fight all night than watch the TV)

Start all of these lines on the same note (the 1 of the key)

FI hate that feelin’ GinsiAde

You G/Btell me Chow hard Dyou’ll Ftry

But when we’re at our woErst

Hang on this chord

GI miss the misery

Band out

AmI miss the bad things Cthe way you hate me

GI miss the screaming, the Dway that you Fblame me

Band back

AmI miss the rough sex, Cleaves me a mess

GI miss the feeling, the Dpains in Fmy chest

AmMiss the phone calls Cwhen it’s your fault

GI miss the late nights, dDon’t miss yFou at all

AmI like the kCick in the fGace

And the Dthings you do to me

FI love the way that it huErts

I don’t miss Gyou, I miss the misery

AmI don’t miss yGou, I miss the misD/F#eryFG

Last chord is implied, band out

AmGD/F#I don’t miss yFou, I miss the mGisery

Hoobastank - The Reason (2004) Transpose up Transpose down

Originally in E, I play in C, highest note that matters is the 4 (in the bridge, “and the reason is *you*”)

Intro

C

Vox on the 1 on “I’m not”

CI’m not a perfect Amperson

There’s many things I wish I didn’t Cdo

But I continue Amlearning

Vox on the 1 of the chord on you, same note on “go” (now the 7 of the chord)

I never meant to do those things to Fyou

And so I have to say before I Ggo

That I just want you to knCow

I’ve found a reason for Amme

To change who I used to Fbe

A reason to start over nGew

And the reason is yCou

CI’m sorry that I hurAmt you

It’s something I must live with every Cday

And all the pain I put youAmthrough

I wish that I could take it all awFay

And be the one who catches all your tGears

That’s why I need you to hCear

I’ve found a reason for Amme

To change who I used to Fbe

A reason to start over nGew

And the reason is yBbou

Bridge

And the reason is yCou

And the reason is yBbou

And the reason is yCou

C

CI’m not a perfect Amperson

I never meant to do those things to Fyou

And so I have to say before I Ggo

That I just want you to kCnow

I’ve found a reason for Amme

To change who I used to Fbe

A reason to start over nGew

And the reason is yCou

I’ve found a reason to sAmhow

A side of me you didn’t Fknow

A reason for all that I Gdo

And the reason is Cyou

Imagine Dragons - Bones (2022) Transpose up Transpose down

Originally in Bbm, I play in Em capo 3

Vox on the 3 of the minor key on “gimme”, down to the 5 on “think”

EmGimme, gimme, gimme some time to think

This line also ends on the 5 of the key on “me”, even though it feels like you want to end lower than the first line

BI’m in the bathroom, looking at me

This line ends on the 4 of the key

DFace in the mirror is all I need A

EmWaiting till the reaper takes my life

BNever gonna get me out alive

DI will live a thousand million lives A

Vox up to the 5

My Empatience is waning, is Bthis entertaining?

Instruments drop before “this”, these chords are interpreted from the melody

Our Dpatience is waning, is tDhis entertaAining?

Vox on 1 3 1 3 5 on “i-i-i-i-i-”

EmI-I-I, got this Bfeeling, yeah, you know

Where I’m Dlosing all control

‘Cause there’s Amagic in my bones

EmI-I-I, got this Bfeeling in my soul

Go aDhead and throw your stones

‘Cause there’s Amagic in my bones

EmPlaying with a stick of dynamite

BThere was never gray in black and white

DThere was never wrong till there was right A

EmFeeling like a boulder hurtling

BSeeing all the vultures circling

DBurning in the flames, I’m working in

ATurning in a bed, that’s darkening

My Empatience is waning, is Bthis entertaining?

Our Dpatience is waning, is tDhis entertaAining?

EmI-I-I, got this Bfeeling, yeah, you know

Where I’m Dlosing all control

‘Cause there’s Amagic in my bones

EmI-I-I, got this Bfeeling in my soul

Go aDhead and throw your stones

‘Cause there’s Amagic in my bones

EmBD‘Cause there’s Amagic in my bones

Bridge, vox on “3 2 2 1 1” on “mirror of my mind

Look in the Emmirror of my mind

Turning the Bpages of my life

Walking the Dpath so many paced a million Atimes

Drown out the Emvoices in the air

Leaving the Bones that never cared

Picking the Dpieces up and building to the Asky

My Empatience is waning, is Bthis entertaining?

Our Dpatience is waning, is tA7his entertaining?

EmI-I-I, got this Bfeeling, yeah, you know

Where I’m Dlosing all control

‘Cause there’s Amagic in my bones

EmI-I-I, got this Bfeeling in my soul

Go aDhead and throw your stones

‘Cause there’s Amagic in my bones

There goes my Emmind, don’t Bmind

There goes my Dmind A

There goes my Emmind, don’t Bmind

There goes my Dmind, ‘cause there’s Amagic in my bones

Imagine Dragons - Demons (2012) Transpose up Transpose down

Originally in Eb, I play in A capo 2

Vox on the 5 on “days”

When the dAays are cold

And the cEards all fold

And the sF#maints we see

Are all mDade of gold

When your dAreams all fail

And the oEnes we hail

Are the wF#morst of all

And the bDlood’s run stale

Vox still on the 5

AI want to hide the truth

EI want to shelter you

F#mBut with the beast inside

DThere’s nowhere we can hide

Vox up to the 1

ANo matter what we breed

EWe still are made of greed

F#mThis is my kingdom come

DThis is my kingdom come

Vox up to the 3

AWhen you feel my heat

ELook into my eyes

F#mIt’s where my demons hide

DIt’s where my demons hide

ADon’t get too close

EIt’s dark inside

F#mIt’s where my demons hide

DIt’s where my demons hide

When the cAurtain’s call

Is the lEast of all

When the lF#mights fade out

All the sDinners crawl

So they dAug your grave

And the mEasquerade

Will come cF#malling out

At the mDess you made

ADon’t wanna let you down

EBut I am hellbound

F#mThough this is all for you

DDon’t wanna hide the truth

ANo matter what we breed

EWe still are made of greed

F#mThis is my kingdom come

DThis is my kingdom come

AWhen you feel my heat

ELook into my eyes

F#mIt’s where my demons hide

DIt’s where my demons hide

ADon’t get too close

EIt’s dark inside

F#mIt’s where my demons hide

DIt’s where my demons hide

AThey say it’s what you make

EI say it’s up to fate

F#mIt’s woven in my soul

DI need to let you go

AYour eyes they shine so bright

EI want to save that light

F#mI can’t escape this now

Band out this line, IV is implied

DUnless you show me how

AWhen you feel my heat

ELook into my eyes

F#mIt’s where my demons hide

DIt’s where my demons hide

ADon’t get too close

EIt’s dark inside

F#mIt’s where my demons hide

DIt’s where my demons hide

Imagine Dragons - Radioactive (2012) Transpose up Transpose down

Originally in Bm, I play in Em, highest note that matters is the 1 of the minor key (“I feel it in my bones”)

Intro

Em7add4G69D69

Em7add4G69D69

Em7add4G69D69

Em7add4

Vox on the 5 of the minor key on “waking”

EmI’m waking Gup to ash and Ddust

I wipe my Abrow and I sweat my rEmust

I’m breathing Gin the chemicaDls

EmI’m breaking Gin, shaping Dup

Then checking Aout on the prison buEms

EmThis is Git, the apocaDlypse, whoa-Aoh

Vox on the low-ish 1 on “I’m waking up”, up to the high 1 on “I feel it”

I’m waking Emup, I feel it Gin my bones

Vox up to the 5 of the chord on “enough”

EDnough to make my Asystems blow

EmWelcome to the new age, Gto the new age

DWelcome to the new age, Ato the new age

EmWhoa, Gwhoa, I’m Dradioactive, Aradioactive

EmWhoa, Gwhoa, I’m Dradioactive, Aradioactive

EmI raise my flGags, dye my clDothes

It’s a revoAlution, I supEmpose

We’re painted rGed to fit right iDn, whoa-oAh

EmI’m breaking Gin, shaping Dup

Then checking Aout on the prison bEmus

EmThis is Git, the apocaDlypse, wha-oAoh

I’m waking Emup, I feel it Gin my bones

EDnough to make my Asystems blow

EmWelcome to the new age, Gto the new age

DWelcome to the new age, Ato the new age

EmWhoa, Gwhoa, I’m Dradioactive, Aradioactive

EmWhoa, Gwhoa, I’m Dradioactive, Aradioactive

Vox on the 3 of the minor key on “all”

EmAll systems Gmaj7go, sDun hasn’t diAed

EmDeep in my Gmaj7bones, Dstraight from insAide

I’m waking Emup, I feel it Gin my bones

EDnough to make my Asystems blow

EmWelcome to the new age, Gto the new age

DWelcome to the new age, Ato the new age

EmWhoa, Gwhoa, I’m Dradioactive, Aradioactive

EmWhoa, Gwhoa, I’m Dradioactive, Aradioactive

Ingrid Michaelson - You and I (2008) Transpose up Transpose down

Originally in C, I play in G

Intro

G

Vox on the 3 on “don’t”

DGon’t you worry there, my honey

WGsus4e might not have any money

BEmut we’ve got our love to pay the Cbills

MGaybe I think you’re cute and funny

MGsus4aybe I wanna do what bunnies

EmDo with you if you know what I Cmean

Vox on the 3 on “let’s”, in the original that’s the absurdly high falsetto 3... don’t do that.

Oh, Glet’s get rich and B7buy our parents Chomes in the South of GFrance

Let’s get Grich and give everybBody nice sweaters

And Cteach them how to Dsus4dance D

Let’s get Grich and build a B7house on a mountain

Making Ceverybody look like A7ants

From way up Gthere, you and CI, Dyou and GI

G

Well, Gyou might be a bit confused

And Gsus4you might be a little bit bruised

But Embaby, how we spoon like no one Celse

So GI will help you read those books

If Gsus4you will soothe my worried looks

And Emwe will put the lonesome on the Cshelf

Oh, Glet’s get rich and B7buy our parents Chomes in the South of GFrance

Let’s get Grich and give everybBody nice sweaters

And Cteach them how to Dsus4dance D

Let’s get Grich and build a B7house on a mountain

Making Ceverybody look like A7ants

From way up Gthere, you and CI, Dyou and GI

Let ring, in the original this is just vox+drums

Oh, Glet’s get rich and B7buy our parents Chomes in the South of GFrance

Let’s get Grich and give everyB7body nice sweaters

And Cteach them how to Dsus4dance D

Let’s get Grich and build a B7house on a mountain

Making Ceverybody look like A7ants

From way up Gthere, you and CI, Dyou and GI

Jack Johnson - Upside Down (2006) Transpose up Transpose down

Intro

EEF#mF#mx2

EWho’s to say, what’s impossible

Well F#mthey forgot, this world keeps spinning

And with Eeach new day

I can feel a change in F#meverything

And as the surface breaks reEflections fade

But in some ways they reF#mmain the same

And as my mind begins to Espread its wings

There’s no stopping curiF#mosity

I want to turn the whole thing Eupside F#mdown

AI’ll find the Bthings they say just Ecan’t be F#mfound

AI’ll share this Blove I find with EeveryF#mone

AWe’ll sing and Bdance to mother Enature’s F#msongs

AI don’t want this Bfeeling to go aEway

EEF#mF#mx2

EWho’s to say, I can’t do everything

Well F#mI can try

And as I roll along I beEgin to find

Things aren’t always just F#mwhat they seem

I want to turn the whole thing Eupside F#mdown

AI’ll find the Bthings they say just Ecan’t be F#mfound

AI’ll share this Blove I find with EeveryF#mone

AWe’ll sing and Bdance to mother Enature’s F#msongs

Bridge

AThis world keeps Bspinning and there’s G#mno time to F#mwaste

Well it G#mall, keeps Aspinning, spinning Bround and round and

EUpside F#mdown

AWho’s to say what’s imBpossible and Ecan’t be F#mfound

AI don’t want this Bfeeling to go aEway

EF#mPlease don’t go away

EF#mPlease don’t go away

EF#mIs this how it’s suppoAsed to be? E

Jason Mraz - Have It All (2018) Transpose up Transpose down

Originally in E, I play in A capo 3

Intro

AC#mDE

Vox on the 3 on “auspiciousness”

May you have ausApiciousness and causes of success

May you have the F#mconfidence to always do your best

May you take no Deffort in your being generous

Sharing what you Ecan nothing more nothing less

May you know the Ameaning of the word happiness

May you always F#mlead from the beating in your chest

May you be Dtreated like an esteemed guest

May you get to Erest may you catch your breath

Chords change twice as fast here

May the F#mbest of your todays be the Dworst of your tomorrows, AwoaEh

Hard stop on the last chord

May the F#mroad less paved be the Droad that you follow, AwoaEh

Vox up to the high 3

Well, Ahere’s to the hearts that you’re gonna break

Vox on the 5 of the chord on “here’s”

EHere’s to the lives that you’re gonna change Bdim7/F

Vox on the 3 of the chord on “here’s”

F#mHere’s to the infinite possible ways to Dlove you, I want you to have it

AHere’s to the good times we gonna have

You dEon’t need money you’ve got free pass Bdim7/F

Hard stop on “want”

F#mHere’s to the fact that I’d be sad withDout you, I want you to have it all

AOh, I want you to Ehave it all, I waBdim7/Fnt you to F#mhave it

I want you to Dhave it all

May you be as fasciAnating as a slap bracelet

May you keep the F#mchaos and the clutter off your desk

May you have unDquestionable health and less stress

Having no poEssessions, though immeasurable wealth

May you get a Agold star on your next test

May your eduF#mcated guesses always be correct

And may you win Dprizes shining like diamonds

May you really Eown it each moment to the next

May the F#mbest of your todays be the Dworst of your tomorrows, AwoaEh

May the F#mroad less paved be the Droad that you follow, AwoaEh

Vox up to the high 3

Well, Ahere’s to the hearts that you’re gonna break

EHere’s to the lives that you’re gonna change Bdim7/F

F#mHere’s to the infinite possible ways to Dlove you, I want you to have it

AHere’s to the good times we gonna have

You dEon’t need money you’ve got free pass Bdim7/F

Hard stop on “want”

F#mHere’s to the fact that I’d be sad withDout you, I want you to have it all

AOh, I want you to Ehave it all, I wBdim7/Fant you to F#mhave it

I want you to Dhave it all

Let ring

F#mAh-all, I want you to have it Eall

All you can imagine, F#moh, no matter what your path is

AIf you believe it, then anything could happen

DGo go go, raise your glasses

EGo go go, you can haBdim7ve it F#m

DOh, I toast you

Vox up to the high 3

AHere’s to the hearts that you’re gonna break

EHere’s to the lives that you’re gonna change

F#mHere’s to the infinite possible ways to Dlove you, I want you to have it

AHere’s to the good times we gonna have

You dEon’t need money you’ve got free pass

No hard stop this time

F#mHere’s to the fact that I’d be sad withDout you, I want you to have it all

AOh, I want you to Ehave it all, I want you to F#mhave it

I want you to Dhave it, I want you to have it all

AHere’s to the good times we gonna have

EHere’s to you always makin’ me laugh

Hanging stop on “want”

F#mHere’s to the fact that I’d be sad withDout you, I want you to have it all

Jason Mraz - I'm Yours (2008) Transpose up Transpose down

Originally in B, I play in G#

G#D#FmC#

Well G#you done done me and you bet that I felt it

I tD#ried to be chill but you’re so hot that I melted

I Fmfell right through the cracks

And now I’m C#tryin to get back

Before the cG#ool done run out, I’ll be givin’ it my bestest

And D#nothin’s gonna stop me but divine intervention

I reFmckon it’s again my turn

To wC#in some or learn some

But G#I won’t hesiD#tate

No more, no Fmmore

It can not wC#ait, I’m yours

G#D#FmC#

G#Well open up your mind and see like D#me

Open up your plans and then you’re Fmfree

Look into your heart and you’ll find C#love love love love

G#Listen to the music of the moment people dance and sD#ing

We’re just one big famiFmly

It’s our god forsaken right to be C#loved loved loved loved A#loved

But G#I won’t hesiD#tate

No more, no Fmmore

It can not wC#ait, I’m sure

There’s no nG#eed to complicD#ate

Our time is sFmhort

This is our fC#ate I’m yours

Chords change in double-time here, vocals ad-lib

G#D#/GFmD#C#C#A#7/DA#7/D

G#D#/GFmD#C#C#A#7/DA#7/D

I’ve been spending G#way too long checking my tongue in the mirror

And D#bending over backwards just to try to see clearer

But my Fmbreath fogged up the glass

And so I C#drew a new face and I laughed

I G#guess what I’m saying is there ain’t no better reason

To D#rid yourself of vanity and just go with the seasons

It’s Fmwhat we aim to do

Our C#name is our virtue

Let chords ring

But G#I won’t hesiD#tate

No more, no Fmmore

It can not wC#ait, I’m yours

Original repeats the verse with ad-lib here, I prefer

to finish the chorus and end on B.

There’s no nG#eed to complicD#ate

Our time is sFmhort

This is our fC#ate I’m yours A#

Jason Mraz - The Remedy (2002) Transpose up Transpose down

Originally in Bb, I play in G

Highest note is the 1 (“won’t worry my life *a*way”

Intro

EmCGDBmCGDx2

Well, I saw Emfireworks from the Afreeway

And beDhind closed eyes, I cannot Gmake them go aG/F#way

‘Cause you were Emborn on the fourth of JuAly, freedom ring

Well, Dsomething on the surface, it GstingsG/F#

I said, Emsomething on the surface, well, it Akinda makes me nervous

Who Dsay that you deserve this?

And what Gkind of god would G/F#serve this?

We will Emcure this dirty Aold disease

Well, if Dyou’ve gots the poison, I’ve gots the remedy

The Emremedy is the exAperience

This is a Ddangerous liGaison G/F#

I says, the Emcomedy is that it’s Aserious

‘Cause it’s a Dstrange enough new Gplay on G/F#words

I say the Emtragedy is how you’re gonAna spend

The Drest of your nights with the Glight on G/F#

So shine the Emlight on all of your Afriends

Hard stop

When it Dall amounts to nothing in the end

GI, CDI won’t Dworry my

IMO the iii here sounds terrible in G, use a I instead (really, that’s not a typo, use a I instead of a iii)

EmLife away, BmhCey, oDh, oh

GI, CDI won’t Dworry my

EmLife away, BmhCey, oDh, oh

EmCGDBmCGD

Well, I heard Emtwo men talking on the Aradio

In a Dcross fire kind of new reGality showG/F#

UnEmcovering the ways to plan the Anext big attack

While they were Dcounting down the ways to stab the

GBrother in the bG/F#e right

BEmack after this, the unaAvoidable kiss

Where the Dminty fresh death breath is Gsure to outlG/F#ast this

CataEmstrophe, danAce with me

‘Cause if Dyou’ve gots the poison, I’ve gots the remedy

The Emremedy is the exAperience

This is a Ddangerous liGaison G/F#

I says, the Emcomedy is that it’s Aserious

This is a Dstrange enough new Gplay on G/F#words

I said the Emtragedy is how you’re gonAna spend

The Drest of your nights with the Glight on G/F#

So shine the Emlight on all of your Afriends

When it Dall amounts to nothing in the end

GI, CDI won’t Dworry my

EmLife away, BmhCey, oDh, oh

GI, CDI won’t Dworry my

EmLife away, BmhCey, oDh, oh

EmWhen I fall in loveC, I take my Gtime

There’s no need to Dhurry when I’m making up my mind

EmYou can turn off the sunC

But I’m still gonna Gshine, and I’ll tell you Dwhy

Because the Gmremedy is the exC/Gperience

This is a Gmdangerous liC/Gaison

I says the Gmcomedy is that it’s C/Gserious

This is a Gmstrange enough new C/Gplay on words

I said the Gmtragedy is how you’re gonC/Gna spend

The Gmrest of your nights with the C/Glight on

So shine the Gmlight on all of your C/Gfriends

When it Fall amounts to nothing in the end

GI, CDI won’t Dworry my

EmLife away, BmhCey, oDh, oh

GI, CDI won’t Dworry my

EmLife away, BmhCey, oDh, oh

G

Jet - Are You Gonna Be My Girl (2003) Transpose up Transpose down

Originally in A, I play in D

Highest note that matters is the 4 (“another man, yeah”)

Play basically everything as 7’s, 9’s, and 7#9’s

Intro

D

Vox on b7 1 1 on “one two three”

It’s a oDne, two, three, take my hand and come with me

Because you look so fine that I really wanna make you mine

I said you look so fine that I really wanna make you mine

DFour, five, six, come on and get your kicks

Now you don’t need money when you look like that, do ya honey

Vox around the 1 of the chord on “big black boots”

GBig black boots, FCGlong brown hair FC

Vox up to the 5 of the chord on “get back stare”

Ah Gshe’s so sweet, Fwith Cher Gget back stare

DWell, I could see, Fyou home with me

GBut you were with another Dman, yeah

DI, know, we ain’t got, Fmuch to say

GBefore I let you get awDay, yeah AC

I said, are you gonna be my girl

D

DWell, it’s a one, two, three, take my hand and come with me

Because you look so fine that I really wanna make you mine

I said you look so fine and I really wanna make you mine

Ah Dfour, five, six, come on and get your kicks

Now you don’t need money with a face like that, do ya

GBig black boots, FCGlong brown hair FC

Ah Gshe’s so sweet, Fwith Cher Gget back stare

DWell, I could see, Fyou home with me

GBut you were with another Dman, yeah

DI, know, we ain’t got, Fmuch to say

GBefore I let you get awDay, yeah AC

I said, are you gonna be my girl

D

Solo

DFGDx2

DI could see, Fyou home with me

GBut you were with another Dman, yeah

DI, know, we ain’t got, Fmuch to say

GBefore I let you get awDay, yeah

DAh be my girl, Fbe my girl

GAre you gonna be my Dgirl

G

Jewel - Standing Still (2001) Transpose up Transpose down

Originally in D, I play in G

Intro

EmEmDGG

EmEmDGG

Vox on 2 1 1 of the major key on “cutting through”

EmCutting through the darkest niDght are my tGwo headlights

Trying to kEmeep it clear but I’m losing it heDre to thGe twilight

There’s a dEmead end to my left, there’s a burning bDush tGo my right

You aEmren’t in sight Dyou Garen’t in sight

Vox on 2 3 of the chord on “do you”

CDo you wDsus4ant me D

LCike I Dsus4want you or Dam I standing Gstill

BenCeath the darkened Am7sky or Dam I standing Gstill

With the sCcenery flying Am7by or amDI standing sEmtill

Out of the coCrner of my Dsus4eye, wBmas that yEmou, paCssing me Dsus4by D

EmMothers on the stoop, boys in souped-up couDpes on this Ghot summer night

Between fEmight and flight is the blind man’s sDight and the cGhoice that’s right

I rEmoll the window down, feel like I’m gonna Ddrown in tGhis strange town

I feel bEmroken down DI feel bGroken down

CDo you nDsus4eed me D

LCike I neDsus4ed you or Dam I standing Gstill

BenCeath the darkened Am7sky or Dam I standing Gstill

With the sCcenery flying Am7by or amDI standing sEmtill

Out of the coCrner of my Dsus4eye, wBmas that yEmou, paCssing me Dsus4by Em

Let ring

EmSweet sorrow, he said call tomorrow

Sweet sorrow, he said call tomorrow

CDo you Dsus4love me D

LCike I Dsus4love you or Dam I standing Gstill

BenCeath the darkened Am7sky or Dam I standing Gstill

With the sCcenery flying Am7by or amDI standing sEmtill

Out of the coCrner of my Dsus4eye, wBmas that yEmou, paCssing me Dsus4by, oh you pass

GMe by CDsus4DPassin’ me by

GCDsus4D

GDo you, Cneed me, Dsus4like I, Dneed you too

And Gdo you, Cwant me, Dsus4like I, Dwant you

Or are you Gpa-Cassing me byDsus4D

G

Jimmy Eat World - The Middle (2001) Transpose up Transpose down

Originally in D, I play in A capo 3

A

AHey, don’t write yourself off yEet

It’s only in your head you fDeel left out or looked down Aon

Just try your bAest, try everything you cEan

And don’t you worry what they tDell themselves when you’re awAay

It just tAakes some time, little girl you’re in the middle oEf the ride

Everything, everything will Dbe just fine

Everything, everything will Abe all right, all right

AHey, you know they’re all the sEame

You know you’re doing better Don your own, so don’t buy iAn

Live right nAow, yeah just be yourseElf

It doesn’t matter if it’s goDod enough for someone Aelse

It just tAakes some time, little girl you’re in the middle oEf the ride

Everything, everything will Dbe just fine

Everything, everything will Abe all right, all right

It just tAakes some time, little girl you’re in the middle oEf the ride

Everything, everything will Dbe just fine

Everything, everything will Abe all right, all right

Solo

EAEA

DAEE

Quiet

AHey, don’t write yourself off yEet

Band back in

It’s only in your head you fDeel left out or looked downAon

Just do your bAest, do everything you cEan

And don’t you worry what the bDitter hearts are gonna Asay

It just tAakes some time, little girl you’re in the middle oEf the ride

Everything, everything will Dbe just fine

Everything, everything will Abe all right, all right

It just tAakes some time, little girl you’re in the middle oEf the ride

Everything, everything will Dbe just fine

Everything, everything will Abe all right, all right

John Mayer - No Such Thing (Simplified) (2001) Transpose up Transpose down

Emaj7

Emaj7Welcome to the real world, she Amaj7said to me

Condescendingly, C#m7take a seat, take your life

Am7Plot it out in black and white

Well I Emaj7never lived the dreams of the Amaj7prom kings

And the drama queens I’d like to think the C#m7best of me

Is still hiding F#7up my sleeve

They Asus2love to tell you

Stay inside the Emaj7lines

But F#7something’s better Asus2on the other side Emaj7

I wanna Amrun through the D7halls of my Emaj7high school

I wanna Amscream at the tD7op of my Emaj7lungs

I just found Amout there’s no such D7thing as the Emaj7real world

Just a Amlie you’ve got to D7rise aEmaj7bove

Emaj7So the good boys and girls take the Amaj7so called right track

Faded white hats grabbing C#m7credits and maybe transfers

They Am7read all the books but they can’t find the answers

Emaj7And all of our parents they’re getting Amaj7older

I wonder if they’ve wished for anything C#m7better

While in their memories tiny F#7tragedies

They Asus2love to tell you

Stay inside the Emaj7lines

But F#7something’s better Asus2on the other side Emaj7

I wanna Amrun through the D7halls of my Emaj7high school

I wanna Amscream at the tD7op of my Emaj7lungs

I just found Amout there’s no such D7thing as the Emaj7real world

Just a Amlie you’ve got to D7rise aEmaj7bove

These chords are just like playing F and A bar chords with the top two strings open

Fmaj7b5Aadd9Fmaj7b5

I am inAadd9vincible Fmaj7b5

I am inAadd9vincible Fmaj7b5

I am inAadd9vincible

As Fmaj7b5long as I’m aEmaj7live

I wanna Amrun through the D7halls of my Emaj7high school

I wanna Amscream at the tD7op of my Emaj7lungs

I just found Amout there’s no such D7thing as the Emaj7real world

Just a Amlie you’ve got to D7rise aEmaj7bove

I just can’t Amwait till my D7ten year reEmaj7union

I’m gonna Ambust down the D7double doorsEmaj7

And when I Amstand on these D7tables beEmaj7fore you

You will Amknow what all this D7time was Emaj7for

John Mayer - No Such Thing (2001) Transpose up Transpose down

Emaj9 base-fret 11 frets 0 1 3 1 x x

Eadd9 base-fret 11 frets 0 1 4 1 x x

Amaj7 base-fret 11 frets x 0 1 3 x x

C#m11 base-fret 7 frets 3 x 3 3 1 x

Em11 base-fret ten frets 0 1 3 5 x x

F#7 base-fret 2 frets 1 x 1 2 1 x

A2 base-fret 2 frets x 0 1 3 0 x

Aadd11 base-fret 4 frets x 0 1 3 0 x

Aadd9 base-fret 7 frets x 0 1 3 0 x

Amaj9 base-fret 11 frets x 0 1 3 0 x

Amin9 base-fret 5 frets 1 x 1 1 0 x

D7 base-fret 5 frets x 0 3 1 3 x

Fmaj7b5 base-fret 1 frets 1 3 3 2 0 0

Aadd9alt base-fret 5 frets 1 3 3 2 0 0

Fmaj7b5/G base-fret 1 frets 3 3 3 2 0 0

Emaj9Eadd9Emaj9Eadd9

Emaj9Welcome to the real world, she Amaj9said to me

Condescendingly, C#m11take a seat, take your life

Em11Plot it out in black and white

Well I Emaj9never lived the dreams of the Amaj9prom kings

And the drama queens I’d like to think the C#m11best of me

Is still hiding F#7up my sleeve

They A2love Aadd11to Add9tell Amaj9you

A2Stay Aadd11in Add9side Amaj9the lines Emaj9

But F#7something’s better A2on the other side Emaj9

I wanna Amin9run through the D7halls of my Emaj9high school

I wanna Amin9scream at the tD7op of my Emaj9lungs

I just found Amin9out there’s no such D7thing as the Emaj9real world

Just a Amin9lie you’ve got to D7rise aEmaj9bove

Emaj9So the good boys and girls take the Amaj9so called right track

Faded white hats grabbing C#m11credits and maybe transfers

They Em11read all the books but they can’t find the answers

Emaj9And all of our parents they’re getting Amaj9older

I wonder if they’ve wished for anything C#m11better

While in their memories tiny F#7tragedies

They A2love Aadd11to Add9tell Amaj9you

A2Stay Aadd11in Add9side Amaj9the lines Emaj9

But F#7something’s better A2on the other side Emaj9

I wanna Amin9run through the D7halls of my Emaj9high school

I wanna Amin9scream at the tD7op of my Emaj9lungs

I just found Amin9out there’s no such D7thing as the Emaj9real world

Just a Amin9lie you’ve got to D7rise aEmaj9bove

Fmaj7b5Aadd9altFmaj7b5

I am inAadd9altvincible Fmaj7b5

I am inAadd9altvincible Fmaj7b5

I am inAadd9altvincible

As Fmaj7b5/Glong as I’m aEmaj9live

I wanna Amin9run through the D7halls of my Emaj9high school

I wanna Amin9scream at the tD7op of my Emaj9lungs

I just found Amin9out there’s no such D7thing as the Emaj9real world

Just a Amin9lie you’ve got to D7rise aEmaj9bove

I just can’t Amin9wait till my D7ten year reEmaj9union

I’m gonna Amin9bust down the D7double doorsEmaj9

And when I Amin9stand on these D7tables beEmaj9fore you

You will Amin9know what all this D7time was Emaj9for

John Mayer - Waiting on the World to Change (2006) Transpose up Transpose down

Originally in D, I play in C, or A capo 3

Intro

CAmFC

GAmFC

CMe and all my frAmiends, we’re aFll misunderstoCod

They sGay we stand for nAmothing and, there’s no waFy we ever couCld

Now we see Ceverything that’s gAmoing wrong with the wForld and those who lCead it

We just fGeel like we don’t hAmave the means to rFise above and bCeat it

So we keep waiCting, (waAmiting) waiting on the woFrld to change C

We keep on waiGting, (waAmiting) waiting on the woFrld to change C

It’s haCrd to beat the syDm7stem, when you’re stanAmding at a disDm7tance

So we keep waiGting, (waiAmting) waiting on the woFrld to change C

Now iCf we had the pAmower to bring our neFighbors home from wCar

They would have nGever missed a CAmhristmas, no more rFibbons on their doCor

And when you trCust your televiAmsion, what you gFet is what you gotC

Cause when they oGwn the informAmation, oh they can bFend it all they wantC

That’s why we’re wCaiting (wAmaiting) waiting on the wForld to change C

We keep on waiGting, (waAmiting) waiting on the woFrld to change C

It’s noCt that we don’t cDm7are, we just kAmnow that the fight aiDm7n’t fair

So we keep on Gwaiting (wAmaiting) waiting on the Fworld to change C

Very skippable bridge

Cm7Cm7Cm7Cm7

Cm7Cm7Cm7C7#9

Solo

CAmFC

GAmFC

CAmFC

GAmFC

And we’re stilCl waiting (waAmiting) waiting on the wForld to change C

We keep on waiGting (waiAmting) waiting on the worFld to change C

One Cday our generaDmtion is gonna rAmule the populaDm7tion

So we keep on Gwaiting (wAmaiting) waiting on the Fworld to change C

No we keep on Gwaiting (wAmaiting) waiting on the Fworld to change C

We keep on waiGting, (waiAmting) we’re waiting on the worFld to change C

Waiting on the worFld to change C

Waiting on the worFld to change C

Waiting on the worFld to change C

Johnny Cash - God's Gonna Cut You Down (2003) Transpose up Transpose down

Johnny Cash in Bbm, I play in Em

Intro

EmEm/GEm

Em/DEm/DEm

EmEm/GEm

EmAm/CEmEm

Vox on the 5 on “run”

You can Emrun on for a long time

Vox on the 4 on “run”

Am/GRun on for a lEmong time

EmRun on for a long time

Em/GSooner or lEmater, god’ll cEm/But you doEmwn

GSooner or lAsus2ater, god’ll cBmut you doEmwn

Go Emtell that long tongue liar

Go and tAsus2ell that midnight riEmder

Not a typo, the vox imply a I here, but don’t hit the 3 too hard on guitar

Tell the rEambler, the gambler, the backbiter

TEm/Gell ‘em that gEmod’s gonna Em/Bcut ‘em downEm

TGell ‘em that gAsus2od’s gonna Bmcut ‘em downEm

Whole verse basically on the 5

Well Emmy goodness gracious let me tell you the news

My hEmead’s been wet with the midnight dew

EmI’ve been down on bended knee

GTalkin’ to the mAsusan from BmGalilee Em

He sEmpoke to me in a voice so sweet

I tEmhought I heard the shuffle of angels’ feet

He Emcalled my name and my heart stood still

When hEme said “John go do my will”

Go Emtell that long tongue liar

Go and tAsus2ell that midnight riEmder

Tell the rEambler, the gambler, the backbiter

TEm/Gell ‘em that gEmod’s gonna Em/Bcut ‘em downEm

TGell ‘em that gAsus2od’s gonna Bmcut ‘em downEm

You can Emrun on for a long time

There is definitely a I/3 in this line (i.e., A/C# in Am), but I’m not good enough to pull that off and not have it sound awkward

Am/GRun on for a longEmtime

EmRun on for a long time

Em/GSooner or lEmater, god’ll cEm/But you doEmwn

GSooner or lAsus2ater, god’ll cBmut you doEmwn

You may thEmrow your rock, hide your hand

EmWorkin’ in the dark against your fellow man

But Emas sure as god made black and white

What’s dGone in the dAsus2ark, will be bBmrought to the liBmght

You can Emrun on for a long time

Am/GRun on for a longEmtime

EmRun on for a long time

Em/GSooner or lEmater, god’ll cEm/But you doEmwn

GSooner or lAsus2ater, god’ll cBmut you doEmwn

Go Emtell that long tongue liar

Go and tAsus2ell that midnight rEmider

Tell the rEambler, the gambler, the backbiter

TEm/Gell ‘em that gEmod’s gonna cEm/But you downEm

TEm/Gell ‘em that gEmod’s gonna cEm/But you downEm

TGell ‘em that gAsus2od’s gonna cBmut you downEm

Judas Priest - Angel (2005) Transpose up Transpose down

Originally in Bm, I play in Am

Am7Am7FGx 5

Vox on 5 1 on “angel”

Am7Angel FGput sad wings Am7around me now F

ProGtect me from this Am7world of sin

So that Fwe can Grise aAm7gain FG

Oh Am7angel FGwe can find our Am7way somehow F

EsGcaping from the Am7world we’re in to a Fplace where Gwe beAm7gan FG

And I Fknow we’ll Amfind a better place and

FPeace of Ammind just tell me that it’s

FAll you Dmwant for you and Eme

Hanging stop on “angel”

EAngel won’t you set me free

Am7Am7FGx 2

Am7Angel FreGmember how we’d Am7chase the sun F

Then Greaching for the Am7stars at night

As our Flives had Gjust beAm7gunFG

When I Fclose my Ameyes I hear your velvet Fwings and Amcry

I’m waiting here with Fopen Dmarms, oh can’t you Esee

EAngel shine your light on me

Am7Am7FGx 4

Bridge

Vox on the low 3 of the chord

DmAngel we’ll Emeet once more I’ll pray

AmWhen all my Fsins are washed away

Ddim7Hold me insiEde your wings and

AmStaAm/GyF

EAngel take me far aAmway F

GPut sad wings aAmround me now

FAngel take me Gfar aAmwayF

GPut sad wings aAmround me now

So that Fwe can Grise AmagainF

GPut sad wings aAmround me now

FAngel take me Gfar aAmwayF

GPut sad wings aAmround me now

So that Fwe can Grise aFgainGAm

Keane - Somewhere Only We Know (2004) Transpose up Transpose down

Originally in A, I play in E. Highest note that matters is the 1 (“oh simple thing”)

All of the I/7’s also have some Isus4/7 mixed in

Intro

EE/D#F#mBsus4Bx2

Let ring

EI walked across E/D#an empty land

F#mI knew the pathway

Like the Bsus4back of my hBand

EI felt the Earth B/D#beneath my feet

F#mSat by the river

And it mBsus4ade me complBete

C#mOh simple thing

G#mWhere have you gone

AI’m getting old and I need

A6Something to relBy on

C#mSo tell me when

G#mYou’re gonna let me in

AI’m getting tired and I need

A6Somewhere to begBin

Band enters

EI came across B/D#a fallen tree

F#mI felt the branches are

They Bsus4looking at mBe

EIs this the place

B/D#We used to love

F#mIs this the place

That I’ve been dBsus4reaming Bof?

C#mOh simple thing

G#mWhere have you gone

AI’m getting old and I need

A6Something to relBy on

C#mSo tell me when

G#mYou’re gonna let me in

AI’m getting tired and I need

A6Somewhere to begBin

Vox on the 7 of the chord (1 of the key) on “if”

F#m7And if you have a mEadd9/G#inute

Why don’t wEadd9/Be go

F#m7Talk about it sEadd9/G#omewhere

Only wEadd9Ee know

F#m7This could be the Eadd9/G#end of everythEdd9/Bing

SA6o why don’t we go

SB6omewhere only wEadd9e know?

A6SB6omewhere only we know

A6B6F#m/B

C#mOh simple thing

G#mWhere have you gone

AI’m getting old and I need

A6Something to relBy on

C#mSo tell me when

G#mYou’re gonna let me in

AI’m getting tired and I need

A6Somewhere to begBin

F#m7And if you have a mEadd9/G#inute

Why don’t wEadd9/Be go

F#m7Talk about it sEadd9/G#omewhere

Only wEadd9Ee know

F#m7This could be the Eadd9/G#end of everythEdd9/Bing

SA6o why don’t we go

SA6o why don’t we go

F#m7Ahh Edd9/G#Eadd9/B

F#m7Ahh Edd9/G#Eadd9/B

F#m7This could be the Eadd9/G#end of everythEdd9/Bing

SA6o why don’t we go

SB6omewhere only wEadd9e know

A6SB6omewhere only we know B6A#6

A6SB6omewhere only wA6e kAnow E

Kelly Clarkson - Behind These Hazel Eyes (2004) Transpose up Transpose down

Originally in A, I play in D

Highest note that happens is the 6 (!!!) (“anymo-o-ore”), but the highest note that really matters is the 3 (“torn into pieces”)

Intro

BmGDAx2

Vox on the 4 of the chord on “seems”

BmSeems like just Gyesterday

DYou were a Apart of me

BmI used to stanGd so tall

I useDd to be so Astrong

BmYour arms aroGund me tight

DEverything, it Afelt so right

BmUnbreGakable, like Dnothin’ could goAwrong

Now GI can’t breathe

No, BmI can’t sleep

I’m Gbarely hangin’ Aon

Here I Bmam, once agaGin

I’m Dtorn into Apieces

Can’t dBmeny it, can’t preGtend

Just Dthought you were the Aone

Broken Bmup, deep inGside

But yoEmu won’t got to see the tears I Bmcry G

BeDhind these hazel Aeyes

BmI told you evGerything

DOpened up and lAet you in

BmYou made me feGel alright

For oDnce in my Alife

BmNow all that’s lGeft of me

DIs what I Apretend to be

BmSo togGether, but so bDroken up insiAde

‘Cause GI can’t breathe

No, BmI can’t sleep

I’m Gbarely hangin’ Aon

Here I Bmam, once agaGin

I’m Dtorn into Apieces

Can’t dBmeny it, can’t preGtend

Just Dthought you were the Aone

Broken Bmup, deep inGside

But yoEmu won’t got to see the tears I Bmcry G

BeDhind these hazel Aeyes

EmSwallow me then spit me Dout

For hEmating you, I blame myBmself

EmSeeing you it kills me Dnow

No, I dEmon’t cry on the Goutside → A

AnyBmmore GDA

AnymBmore GA

Here I Bmam, once agaGin

I’m Dtorn into Apieces

Can’t dBmeny it, can’t preGtend

Just Dthought you were the Aone

Broken Bmup, deep inGside

But yoEmu won’t got to see the tears I Bmcry G

BeDhind these hazel Aeyes

Here I Bmam, once agaGin

I’m Dtorn into Apieces

Can’t dBmeny it, can’t preGtend

Just Dthought you were the Aone

Broken Bmup, deep inGside

Hang the first chord

But yoEmu won’t got to see the tears I Bmcry G

BeDhind these hazel Aeyes

Kelly Clarkson - Breakaway (2004) Transpose up Transpose down

Originally in C, I play in D capo 2

Highest note that matters is the 1 (“out of the darkness”)

Intro

BmDa da da un Ada da, Dda da da un Gda da

BmDa da da un Ada da da daG

BmDa da da un Ada da, Dda da da un Gda da

BmDa da da un Ada da da daG

Vox on the 1 of the major key on “grew”

BmGrew up in a A/C#small town

DAnd when the rain would Gfall down

BmI’d just A/C#stare out my Gwindow

BmDreaming of what A/C#could be

DAnd if I’d end up Ghappy

BmI wAould pGmaj7ray

BmTrying hard to A/C#reach out

DBut when I tried to Gspeak out

BmFelt like Ano one could Ghear me

BmWanted to belA/C#ong here

DBut something felt so Gwrong here

BmSo AI’d pGray

I could Bmbreak AawEay GA

DI’ll spread my wings and I’ll Alearn how to fly

I’ll Bmdo what it takes till GI touch the sky

And I’ll, Dmake a wish, take a chance

AMake a change, and Bmbreak AawGay

DOut of the darkness and Ainto the sun

But BmI won’t forget all the Gones that I love

I’ll, Dtake a risk, take a chance

AMake a change, and Bmbreak AawGay

BmDa da da un Ada da, Dda da da un Gda da

BmDa da da un Ada da da daG

BmWanna feel the A/C#warm breeze

DSleep under a Gpalm tree

BmFeel the Arush of the Gocean

BmGet onboard a A/C#fast train

DTravel on a Gjetplane

BmFar AawGay

And Bmbreak AawEay GA

DI’ll spread my wings and I’ll Alearn how to fly

I’ll Bmdo what it takes till GI touch the sky

And I’ll, Dmake a wish, take a chance

AMake a change, and Bmbreak AawGay

DOut of the darkness and Ainto the sun

But BmI won’t forget all the Gones that I love

I’ll, Dtake a risk, take a chance

AMake a change, and Bmbreak AawGay

Bridge

Vox on the 1 of the chord

ABuildings with a hundred floors

DSwinging with reGvolving doors

AMaybe I don’t know where they’ll Dtake Gme, but

AGotta keep movin’ on Dmovin on G

Fly aEway

Break aGway A

DI’ll spread my wings and I’ll Alearn how to fly

BmThough it’s not easy to Gtell you goodbye, gotta

DTake a risk, take a chance

AMake a change, and Bmbreak AawGay

DOut of the darkness and Ainto the sun

But IBmwon’t forget the Gplace I come from

I gotta, Dtake a risk, take a chance

AMake a change, and Bmbreak AawGay

BmBreak AawGay

BmBreak AawGay

Kelly Clarkson - Miss Independent (2003) Transpose up Transpose down

Originally in B, I play in B, but sing the chorus and bridge an octave down

Intro

B7#9B7#9B7#9B7#9AF#

Vox mostly on the b3

B7#9Miss independent

B7#9Miss self-sufficient

B7#9Miss keep your distance, Ammmm F#

B7#9Miss unafraid

B7#9Miss out of my way

B7#9Miss don’t let a man interfere, Ano F#

E9Miss on her own

E9Miss almost grown

Miss nB7#9ever let a man help her off her throne AF#

So, by E9keeping her heart protected

She’d nE9ever, ever feel rejected

E9Little miss apprehensive

Hang on “ooh”

Said oE9oh, she fell in love

Vox on b7 1 on “what is”

B5What is this feeling tDaking over?

EThinking no one could Gopen the doorA

B5Surprise, Dit’s time, Gto feel E/G#what’s rAeal

B5What happened to miss iDndependence?

ENo longer need to Gbe defensivAe?

B5Goodbye, Dold you, Greal love,E/G#is true A

B7#9AF#

B7#9Misguided heart

B7#9Miss play it smart

B7#9Miss if you wanna use that line, you better not start, noAF#

B7#9But she miscalculated

B7#9She didn’t wanna end up jaded

B7#9And this miss decided not to miss out on true love AF#

So, by changiE9ng a misconception

She wE9ent in a new direction

And foundE9inside, she felt a connection

E9She fell in love

Vox on b7 1 on “what is”

B5What is this feeling tDaking over?

EThinking no one could Gopen the doorA

B5Surprise, Dit’s time, Gto feel E/G#what’s rAeal

B5What happened to miss iDndependence?

ENo longer need to Gbe defensivAe?

B5Goodbye, Dold you, Greal love,E/G#is true A

Bridge

BmWhen miss independent walked away

GNo time for love that came her way

DShe looked in the mirror and thought today

F#What happened to miss no longer afraid?

BmIt took some time for her to see

GHow beautiful love could truly be

DNo more talk of why can’t that be me

F#/A#I’m so glad I’ve fiF#/C#nally seen

Vox on b7 1 on “what is”

B5What is this feeling tDaking over?

EThinking no one could Gopen the doorA

B5Surprise, Dit’s time, Gto feel E/G#what’s rAeal

B5What happened to miss iDndependence?

ENo longer need to Gbe defensivAe?

B5Goodbye, Dold you, Greal love,E/G#is true A

B7#9AF#

Kelly Clarkson - Since U Been Gone (2004) Transpose up Transpose down

Originally in G, I play in A capo 1

I’m omitting the b7’s at the end of every verse line

Intro

A

AHere’s the thing we started out frBmiends

F#mIt was cool but it was all pretend

AYeah yeah, sBmince you been gF#mone

AYou dedicated you took the tBmime

F#mWasn’t long till I called you mine

AYeah yeah, sBmince you been gF#mone

And all you’d ever hAear me say

Is hBmow I pictured mF#me with you

That’s all you’d ever hAear me say

But since you been gC#mone DA

I can brC#meathe for the fDirst tAime

I’m so moving F#mon, yeDah yeAah

Thanks to yBmou, now I gF#met what I wEant Bm

Since you been gAone

A

AHow can I put it, you put me Bmon

F#mI even fell for that stupid love song

AYeah yeah, sBmince you been gF#mone

Watch out, this verse is half as long, we’re at the prechorus now

How come I’d never hAear you say

BmI just wanna F#mbe with you

I guess you never fAelt that way

But since you been gC#mone DA

I can brC#meathe for the fDirst tAime

I’m so moving F#mon, yeDah yeAah

Thanks to yBmou, now I gF#met, I get what I wEant Bm

Since you been gDone

Bridge

Vox on the 2 of the chord

Dadd9You had your chF#mance, you blew it

Dadd9Out of sight, oAut of mind

Dadd9Shut your mouth I jF#must can’t take it

Dadd9Again and again and again and again

Instrumental

C#mDAAx 4

Since you been gC#mone DA

I can brC#meathe for the fDirst tAime

I’m so moving F#mon, yeDah yeAah

Thanks to yBmou, now I gF#met, I get what I

WC#mant DA

I can brC#meathe for the fDirst tAime

I’m so moving F#mon, yeDah yeAah

Thanks to yBmou, now I gF#met

Yes you Bmknow, that I gF#met

Hold an extra measure on the second chord

I get what I wEant Bm

Since you been gAone

Since you been gAone

Since you been gAone

Kid Rock - All Summer Long (2008) Transpose up Transpose down

Originally in G, I play in D (reminder that the first chord is the V)

Intro

AGDDx2

Vox on 2 1 on “nineteen”

It was Anineteen-eighty-Gnine my thoughts were Dshort, my hair was long

ACaught somewhere beGtween a boy and Dman

AShe was sevenGteen and she was Dfar from in between

It was Asummertime in GNorthern DMichigan

AGDDx2

ASplashin’ through the Gsandbar, tDalkin’ by the campfire

It’s the sAimple things in lGife like when and wDhere

We dAidn’t have no Ginternet, but Dman, I never will forget

The Away the moonlight Gshined upon her Dhair

And we were Atryin’ different Gthings and we were Dsmokin’ funny things

Makin’ Alove out by the Glake to our favorite Dsongs

Sippin’ Awhiskey out the Gbottle, not Dthinkin’ ‘bout tomorrow

Singin’ ASweet Home AlaGbama all Dsummer long

AGDD

Singin’ ASweet Home AlaGbama all Dsummer long

Catchin’ Awalleye from the Gdock, watchin’ the Dwaves roll off the rocks

She’ll forAever hold a spGot inside my sDoul

We’d bAlister in the Gsun, we couldn’t Dwait for night to come

To Ahit that sand and Gplay some rock and Droll

While we were Atryin’ different Gthings and we were Dsmokin’ funny things

Makin’ Alove out by the Glake to our favorite Dsongs

Sippin’ Awhiskey out the Gbottle, not Dthinkin’ ‘bout tomorrow

Singin’ ASweet Home AlaGbama all Dsummer long

AGDD

Extra measure of I at the end of this line

Singin’ ASweet Home AlaGbama all Dsummer long D

Solo

AGDDx8

AGDDx2

Now Anothin’ seems as Gstrange as when the Dleaves began to change

Or Ahow we thought those Gdays would never Dend

SomeAtimes I hear that Gsong and I’ll Dstart to sing along

Extra measure of I again at the end of this line

And think Aman, I’d love to Gsee that girl aDgain D

And we were Atryin’ different Gthings and we were Dsmokin’ funny things

Makin’ Alove out by the Glake to our favorite Dsongs

Sippin’ Awhiskey out the Gbottle, not Dthinkin’ ‘bout tomorrow

Singin’ ASweet Home AlaGbama all Dsummer long

We were Atryin’ different Gthings and we were Dsmokin’ funny things

Makin’ Alove out by the Glake to our favorite Dsongs

Sippin’ Awhiskey out the Gbottle, not Dthinkin’ ‘bout tomorrow

Singin’ ASweet Home AlaGbama all Dsummer long

Singin’ ASweet Home AlaGbama all Dsummer long

Singin’ ASweet Home AlaGbama all Dsummer long

Singin’ ASweet Home AlaGbama all Dsummer long

Singin’ ASweet Home AlaGbama alDl summer long

AGDDx2

Kid Rock - Picture (2002) Transpose up Transpose down

Intro

G

Kid

GLivin’ my life in a slow hell

Different Cgirl every night at the hotel

DI ain’t seen the sunshine in Cthree damn Gdays

Been Gfuelin’ up on cocaine and whiskey

CWish I had a good girl to miss me

DLord I wonder if I’ll ever Cchange my Gways

I put your Empicture away, sat down and Gcried today

I can’t Dlook at you while I’m Clyin’ next to Gher

I put your Empicture away, sat down and Gcried today

Hang on the I

I can’t Dlook at you while I’m Clyin’ next to Gher

Sheryl

I Gcalled you last night in the hotel

CEveryone knows but they won’t tell

But their Dhalf-hearted smiles tell me somethin’ Cjust ain’t Gright

I been Gwaitin’ on you for a long time

CFuelin’ up on heartaches and cheap wine

DI ain’t heard from you in Cthree damn Gnights

I put your Empicture away, I wonder Gwhere you been

I can’t Dlook at you while I’m Clyin’ next to Ghim

I put your Empicture away, I wonder Gwhere you been

I can’t Dlook at you while I’m Clyin’ next to Ghim

Solo

GCDCG

Sheryl

I Gsaw you yesterday with an old friend

Kid

It was the Csame old same “how have you been”

Both

DSince you been gone my world’s been Cdark and Ggray

Kid

You reGminded me of brighter days

Sheryl

I Choped you were comin’ home to stay

I was Dheaded to church

Kid, in Sheryl’s octave if you’re up for it

I was off to Cdrink you aGway

Both

I Gthought about you for a long time

CCan’t seem to get you off my mind

DI can’t understand why we’re living Clife this Gway

I found your Empicture today, I swear I’ll Gchange my ways

I just Dcalled to say I Cwant you to come back Ghome

I D/F#found your Empicture today, I swear I’ll Gchange my ways

I just Dcalled to say I wantCyou to come back Ghome

Let ring

I just Dcalled to say I loveCyou, come back Ghome

KT Tunstall - Black Horse and the Cherry Tree (2004) Transpose up Transpose down

Two, three, four

Woo-Emhoo, woo-B7hoo Em

Woo-Emhoo, woo-B7hoo Em

Well my Emheart knows me better than I know myself

So I’m gonna let it do all the talking

Woo-Emhoo, woo-B7hoo Em

I Emcame across a place in the middle of nowhere

With a big black horse and a cherry tree

Woo-Emhoo, woo-B7hoo Em

I Emfelt a little fear upon my back

I said, don’t look back, just keep on walking

Woo-Emhoo, woo-B7hoo Em

When the Embig black horse said look this way

He said, hey there baby, will you marry me?

Woo-Emhoo, woo-B7hoo Em

But I said Emno, Dno D6no, Cmaj7no, no, no

I said, Emno, Dno, Cyou’re not the one for Emme

EmNo, Dno D6no, Cmaj7no, no, no

I said, Emno, Dno, C7you’re not the one for me

EmWoo, woo hoo

And my Emheart hit a problem, in the early hours

So I stopped it dead for a beat or two

Woo-Emhoo, woo-B7hoo Em

But I Emcut some cord, and I shouldn’t have done it

And it won’t forgive me after all these years

Woo-Emhoo, woo-B7hoo Em

So I Emsent it to a place in the middle of nowhere

With a big black horse and a cherry tree

Woo-Emhoo, woo-B7hoo Em

Now it Emwon’t come back, ‘cause it’s oh so happy

And now I’ve got a hole for the world to see

Woo-Emhoo, woo-B7hoo Em

And it said Emno, Dno D6no, Cmaj7no, no, no

I said, Emno, Dno, Cyou’re not the one for mEme

EmNo, Dno D6no, Cmaj7no, no, no

I said, Emno, Dno, C7you’re not the one for me

EmWoo, woo hoo (not the one for me)

EmWoo, woo hoo

Said Emno, nah, no, no no

No, no, you’re not the one for me

EmNo, nah, no, no, no, no

No, no, you’re not the one for me

EmBig black Dhorse D6and a cherry Cmaj7tree

EmI can’t quite Dget there ‘cause my Cheart’s forsaken Emme yeah yeah yeah

EmBig black Dhorse Cmaj7and a cherry Emtree

EmI can’t quite Dget there ‘cause my C7heart’s forsaken me

Lady Gaga - Bad Romance (2009) Transpose up Transpose down

Originally in Am, I play in Em

Highest note that matters is the 1 (“*I want your love* and I want...”)

Vox on 3 4 5 3 of the minor key on the first “oh oh oh oh”

Oh oh oh oh oF/Ch oh oFh oh oh, G/Doh oh oFh

Am/ECaught in a bad rGomaC/Ence

Oh oh oh oh oF/Ch oh oFh oh oh, G/Doh oh oFh

E/G#Caught in a bad romaAmnce

This part is very skippable, but if you sing it, start on the 1

AmRah rah ah ah ah, roma ro ma ma

AmGa ga ooh la la, want your bad romance

AmRah rah ah ah ah, roma ro ma ma

AmGa ga ooh la la, want your bad romance

AmI want your ugly, I want Am/Cyour disease F

AmI want your everything, as longAm/Cas it’s free G

I want your loAmve, love Am/Clove love F

I want your lovAme, hey Am/CG

AmI want your drama, the touchAm/Cof your hand F

AmI want your leather studded kissAm/Cin the sand G

I want your loAmve, love Am/Clove love F

I want your lovAme, hey Am/CG

Spoken, just sing around the 1

AmYou know that I want you, and you know that I need you

I want it bad, like your bad romance

FI want your love and I wGant your revenge

You and meAmcould write a bad romancCe

FI want your love and all your lGovers’ revenge

You and Eme could write a bad romanceAm

Oh oh oh oh oF/Ch oh oFh oh oh, G/Doh oh oFh

Am/ECaught in a bad rGomaC/Ence

Oh oh oh oh oF/Ch oh oFh oh oh, G/Doh oh oFh

E/G#Caught in a bad romaAmnce

AmRah rah ah ah ah, roma ro ma ma

AmGa ga ooh la la, want your bad romance

AmI want your horror, I wanAm/Ct your design F

Am‘Cause you’re a criminal as longAm/Cas your mGine

I want your loAmve, love Am/Clove love F

I want your lovAme, hey Am/CG

AmI want your psycho, your vertigo schtAm/Cick F

AmWant you in my rear window, bAm/Caby you’re sick G

I want your loAmve, love Am/Clove love F

I want your lovAme Am/CG

You know that I want you, and you know that I need you

I want it bad, like your bad romance

FI want your love and I wGant your revenge

You and meAmcould write a bad romancCe

FI want your love and all your lGovers’ revenge

You and Eme could write a bad romanceAm

Oh oh oh oh oF/Ch oh oFh oh oh, G/Doh oh oFh

Am/ECaught in a bad rGomaC/Ence

Oh oh oh oh oF/Ch oh oFh oh oh, G/Doh oh oFh

E/G#Caught in a bad romaAmnce

AmRah rah ah ah ah, roma ro ma ma

AmGa ga ooh la la, want your bad romance

Spoken, vox around the 7

AmWalk, walk, fashion baby

Work it move that bit ca-razy

AmWalk, walk, fashion baby

Work it move that bit ca-razy

AmWalk, walk, passion baby

Work it I’m a free bit baby

Bridge

FI want your Glove and I want your reveAmnge

I want your lovCe I don’t wanna be Ffriends

FJ’veux ton amGour, et je veux ta revancEhe

J’veux ton aAmmour, I don’t wanna be friendFs

With “oh’s”

FGI don’t wanna be Amfriends C

I don’t wanna be fFriends, Gwant your bad romance

Hard stop on the i

ECaught in bad romAmance, want your bad romance

FI want your love and I wGant your revenge

You and meAmcould write a bad romancCe

FI want your love and all your lGovers’ revenge

You and Eme could write a bad romanceAm

Oh oh oh oh oF/Ch oh oFh oh oh, G/Doh oh oFh, want your bad romance

Am/ECaught in a bad rGomaC/Ence

Oh oh oh oh oF/Ch oh oFh oh oh, G/Doh oh oFh, want your bad romance

E/G#Caught in a bad romaAmnce

AmRah rah ah ah ah, roma ro ma ma

AmGa ga ooh la la, want your bad romance

Lazlo Bane - Superman (Scrubs Theme) (2002) Transpose up Transpose down

Originally in F#, I play in D capo 4.

DDmaj7G6A

DDmaj7G6A

ODut the door just in time,Ghead down the 405

GDot to meet the new boss by 8amG

TDhe phone rings in the carG, the wife is working hard

SDhe’s running late tonight agaGin

Well, I Emknow what I’ve been Atold

You’ve got to Emwork to feed Athe soul

But BmI can’t do this Bm/Aall on Bm/Abmy E7own

No GI know, IA‘m no superman

DDmaj7G6AI’m no superman

DDmaj7G6A

DYou’ve got your love online, Gyou think you’re doing fine

DBut you’re just plugged into the waGll

DAnd that deck of tarot cards, Gwon’t get you very far

DThere ain’t no hand to break your faGll

Well, I Emknow what I’ve beenAtold

You gotta Emknow just when toAfold

But BmI can’t do this Bm/Aall on Bm/Abmy E7own

No GI know, IA‘m no superman

DDmaj7G6AI’m no superman

DDmaj7G6A

Solo

EmEmAA

EmEmBmBm/ABm/AbE

GGAA

Let chords ring for the first line of this verse

YDou’ve crossed the finish line, Gwon the race but lost your mind

WDas it worth it after alGl?

IDneed you here with me, G‘cause love is all we need

JDust take a hold of the Ghand that breaks the fall

Well, I Emknow what I’ve been Atold

Gotta break Emfree to break the Amold

But BmI can’t do this Bm/Aall on Bm/Abmy E7own

No BmI can’t do this Bm/Aall on Bm/Abmy E7own

Hold “know” and “I’m no” for a full measure“, hard stop before ”superman“

GI knoooooow, that IA‘m no superman

DDmaj7G6AI’m no superman

DDmaj7G6AI’m no superman

Vox on 3 1 on “someday”

SomDeday Dmaj7we’ll be toG6gether A

SomDeday Dmaj7G6A

SomDeday Dmaj7we’ll be togetG6her A

SomDeday Dmaj7G6

IA‘m no superman

Lifehouse - Hanging By a Moment (2000) Transpose up Transpose down

Originally in Db, I play in C

Highest note is the 4 (“letting go of”)

Intro

Cadd9

Vox on the 5

Cadd9Desperate for changing, starving for truth

Closer to where I started, I’m chasing after yCou

Quiet, low octave

And I’m falling even Ammore in love wGith yCou

Letting go of Amall I’ve held Gon Cto

I’m standing here unAmtil you make Gme mCove

I’m hanging by a Ammoment here Gwith yCadd9ou

Cadd9

Cadd9Forgetting all I’m lacking, completely incomplete

I’ll take your invitation, you take all of mCe

Now big, high octave, but in C, rather than going up to the 4 on “falling even”, do that on the 1

And I’m falling even Ammore in love wGith yCou

Letting go of Amall I’ve held Gon toC

I’m standing here unAmtil you make Gme mCove

I’m hanging by a Ammoment here Gwith yCou

I’m living for the Amonly thing GI knowC

I’m running and not Amquite sure where Gto goC

I don’t know what AmI’m diving GintCo

Just hanging by a Ammoment here wGith yCou

Bridge

There’s nothing else to Flose, nothing else to fCind

There’s nothing in the Fworld that could change my mAmind

There is nothing elFseGDm

There is nothing elFseGDm

There is nothing elFse GDmCadd9

Cadd9

Cadd9Desperate for changing, starving for truth

Closer to where I started, I’m chasing after yCou

I’m falling even Ammore in love wGith yCou

Letting go of Amall I’ve held Gon toC

I’m standing here unAmtil you make Gme mCove

I’m hanging by a Ammoment here Gwith yCou

I’m living for the Amonly thing GI knoCw

I’m running and not Amquite sure where Gto goC

I don’t know what AmI’m diving GintCo

Just hanging by a Ammoment here wGith yCou

Just hanging by a Ammoment GC

Hanging by a Ammoment CF

Hanging by a Ammoment GC

Hanging by a Ammoment here wGith yoCu

Lifehouse - You and Me (2005) Transpose up Transpose down

Intro

GCadd9Dsus4/F#G/B

Em7Dsus4Cadd9Cadd9

Vox starts on the 1

GWhat day is Cadd9it

Dsus4/F#And in what G/Bmonth

This Em7clock never Dsus4seemed so Cadd9alive

GI can’t keep Cadd9up

And Dsus4/F#I can’t back G/Bdown

I’ve been Em7losing Dsus4so muchCadd9time

Cadd9

Cause it’s Gyou and A7sus4me

And Cadd9all of the people

With Em7nothing to Gdo

Em7Nothing to Dsus4lose

And it’s Gyou and A7sus4me

And Cadd9all of the people

And Em7I don’t know Gwhy

I Em7can’t keep my Dsus4eyes off of Cadd9you

Cadd9

GWhat are the Cadd9things

That Dsus4/F#I wanna G/Bsay

Em7Just aren’t Dsus4coming out Cadd9right

I’m Gtripping on Cadd9words

You’ve Dsus4/F#got my head G/Bspinning

I Em7don’t know where Dsus4to go from Cadd9here

Cadd9

Cause it’s Gyou and A7sus4me

And Cadd9all of the people

With Em7nothing to Gdo

Em7Nothing to Dsus4lose

And it’s Gyou and A7sus4me

And Cadd9all of the people

And Em7I don’t know Gwhy

I Em7can’t keep my Dsus4eyes off of Cadd9you

Extremely forgettable bridge except for the iv at the end

Vox on 7 7 1 2 2 1 1 of the key on “there’s something about you now”

BmThere’ something Cabout you now

GI can’t D/F#quite figure Em7out

AmEverything she does is Dbeautiful

BmEverything she does is Cmright

Soft

Cause it’s Gyou and A7sus4me

And Cadd9all of the people

With Em7nothing to Gdo

Em7Nothing to Dsus4lose

And it’s Gyou and A7sus4me

And Cadd9all of the people

And Em7I don’t know Gwhy

I Em7can’t keep my Dsus4eyes off of

Band enters

GYou and A7sus4me

And Cadd9all of the people

With Em7nothing to Gdo

And Em7nothing to Dsus4lose

And it’s Gyou and A7sus4me

And Cadd9all of the people

And Em7I don’t know Gwhy

I Em7can’t keep my Dsus4eyes off of Cadd9you

GCadd9Dsus4/F#G/B

Em7Dsus4Cadd9Cadd9

GWhat day is Cadd9it

Dsus4/F#And in what G/Bmonth

This Em7clock never Dsus4seemed so Cadd9alive

Linkin Park - Crawling (2000) Transpose up Transpose down

Originally in C#m, I play in Em capo 5

Intro (this is the last four measures of the intro, after the bass enters}

CDEmG

Vox on the 5

EmCrawling in my Cskin

These Gwounds, they will not Dheal

EmFear is how I Cfall

ConGfusing what is Dreal

EmCGD

Vox on 1 1 1 7 7 on “something inside me”

EmThere’s something inside me that Cpulls beneath the surface

GConsuming, Dconfusing

EmThis lack of self control I fCear is never ending

GControlling, DI can’t seem

CTo find myself aDgain

My walls are closing Emin (without a sense of confidence I’mGconvinced that there’s just too much pressure to take)

CI’ve felt this way beDfore

So insecuEmre G

EmCrawling in my Cskin

These Gwounds, they will not Dheal

EmFear is how I Cfall

ConGfusing what is Dreal

This time the vox on on 3 3 3 2 2 on “comfort endlessly”

EmDiscomfort, endlessly has Cpulled itself upon me

GDistracting, Dreacting

Now back down to the same melody as the first verse

EmAgainst my will I stand besCide my own reflection

GIt’s haunting, Dhow I can’t seem

CTo find myself aDgain

My walls are closing Emin (without a sense of confidence I’mGconvinced that there’s just too much pressure to take)

CI’ve felt this way beDfore

This time, hold the second chord an extra measure

So insecuEmre G

EmCrawling in my Cskin

These Gwounds, they will not Dheal

EmFear is how I Cfall

ConGfusing what is Dreal

EmCrawling in my Cskin

These Gwounds, they will not Dheal

EmFear is how I Cfall

ConGfusing, conDfusing what is Emreal

EmThere’s something inside me that Cpulls beneath the surface

GConsuming (confuDsing what is real)

EmThis lack of self control I fCear is never ending

GControlling (confuDsing what is real)

Linkin Park - In the End (2000) Transpose up Transpose down

Originally in Ebm, I play in Am capo 3

Intro

AmGx4

It starts with Amone thing I don’t know why

It Gdoesn’t even matter how hard you try

FKeep that in mind I designed this rhyme

To Gexplain in due time

All I knoAmw, time is a valuable thing

GWatch it fly by as the pendulum swings

FWatch it count down to the end of the day

The clock tGicks life away

It’s so unrAmeal, didn’t look out below

GWatch the time go right out the window

FTrying to hold on, but ya didn’t even know

Or Gwasted it all just to

Watch you Amgo, I kept everything inside

And even tGhough I tried, it all fell apart

FWhat it meant to me will eventually be

A memorGy of a time when

Vox on the 2 on “hard” (!)

I tried so Amhard and got so Cfar

But in the Gend it doesn’t even Fmatter

I had to Amfall to lose it Call

But in the Gend it doesn’t even Fmatter

AmOne thing, I don’t know why

It Gdoesn’t even matter how hard you try

FKeep that in mind I designed this rhyme

To Gremind myself how

I tried so Amhard, in spite of the way you were mocking me

GActing like I was part of your property

FRemembering all the times you fought with me

GI’m surprised it got so (Amfar)

AmThings aren’t the way they were before

GYou wouldn’t even recognize me anymore

FNot that you knew me back then but

It aGll comes back to me

In the Amend you kept everything inside

And even Gthough I tried, it all fell apart

FWhat it meant to me will eventually be

A memorGy of a time when

I tried so Amhard and got so Cfar

But in the Gend it doesn’t even Fmatter

I had to Amfall to lose it Call

But in the Gend it doesn’t even Fmatter

Bridge

Vox on the 7 of the chord on “trust”

I’ve put my Amtrust in Gyou

Pushed as Ffar as I can gGo

And for all tAmhis

There’s only Gone thing you should Fknow G

Now vox on the 3 of the chord on “trust”

I’ve put my Amtrust in Cyou

Pushed as Gfar as I can Fgo

And for all tAmhis

There’s only Cone thing you should Gknow F

I tried so Amhard and got so Cfar

But in the Gend it doesn’t even Fmatter

I had to Amfall to lose it Call

But in the Gend it doesn’t even Fmatter

AmGx4

Linkin Park - Numb (2003) Transpose up Transpose down

Originally in F#m, I play in Am capo 4

Intro

AmFCG

AmFCG

Vox on the 5

AmI’m tired of being what you Fwant me to be

CFeeling so faithless, lost Gunder the surface

AmDon’t know what you’re expFecting of me

Put Cunder the pressure of Gwalking in your shFoes

The “caught in” lines are spoken

FCaught in the undertow, just Gcaught in the undertow

Every Amstep I take is anCother mistake to Fyou

FCaught in the undertow, just Gcaught in the undertow

Vox on the 1

AmI’ve become so Fnumb, I can’t feel you Cthere

Become so Gtired, so much more aAmware

I’m becoming Fthis, all I want to Cdo

Is be more like Gme and be less like Amyou

This time vox on are on the 1

Can’t you see that you’re Fsmothering me

CHolding too tightly, aGfraid to lose contrAmol

Now vox back down to the 5

Cause everything that you thoFught I would be

Has Cfallen apart rGight in front of Fyou

FCaught in the undertow, just Gcaught in the undertow

Every Amstep I take is anCother mistake to Fyou

FCaught in the undertow, just Gcaught in the undertow

And every Amsecond I waste is more than CI can take

AmI’ve become so Fnumb, I can’t feel you Cthere

Become so Gtired, so much more aAmware

I’m becoming Fthis, all I want to Cdo

Is be more like Gme and be less like Fyou

Vox on 4 3 of the new chord on “I know”

And I Gknow, I may Amend G/Bup CfailE7ing Ftoo

But I knGow You were E7just like me with someone disappointed in you

AmI’ve become so Fnumb, I can’t feel you Cthere

Become so Gtired, so much more aAmware

I’m becoming Fthis, all I want to Cdo

Is be more like Gme and be less like Amyou

AmI’ve become so Fnumb, I can’t feel you Cthere

(Tired of being what you wGant me to be)

AmI’ve become so Fnumb, I can’t feel you Cthere

(Tired of being what you wGant me to be)

Am

Lorde - Royals (2013) Transpose up Transpose down

I’ve never seen a dAiamond in the flesh

I cut my teAeth on wedding rings in the movies

And I’m not proAud of my address

In the torn up tAown, no postcode eAnvy

But every song is like

GAold teeth, grey goose, trippin’ in the bathroom

ABlood stains, ballgowns, trashin’ the hotel room

GWe don’t care, we’re driving CDadillacs in our dreams

But everybody’s like ACristal, Maybach, diamonds on your timepiece

AJet planes, islands, tigers on a gold leash

GWe don’t care, we aren’t cauDght up in your love affair

And we’ll never be rAoyals, it don’t run in our blood

That kind of lGux just ain’t for us

We crave a dDifferent kind of buzz

Let me be your rAuler, you can call me queen bee

And baby I’ll rGule (I’ll rule, I’ll rule, I’ll rule)

DLet me live that fantasy A

A

My friends and AI we’ve cracked the code

We count our dAollars on the train to the party

And everyAone who knows us knows

That we’re fine with thAis

We didn’t come from mAoney

But every song is like

GAold teeth, grey goose, trippin’ in the bathroom

ABlood stains, ballgowns, trashin’ the hotel room

GWe don’t care, we’re driving CDadillacs in our dreams

But everybody’s like ACristal, Maybach, diamonds on your timepiece

AJet planes, islands, tigers on a gold leash

GWe don’t care, we aren’t cauDght up in your love affair

And we’ll never be rAoyals, it don’t run in our blood

That kind of lGux just ain’t for us

We crave a dDifferent kind of buzz

Let me be your rAuler, you can call me queen bee

And baby I’ll rGule (I’ll rule, I’ll rule, I’ll rule)

DLet me live that fantasy A

AOh oh oh, oh oh oh, oh Goh

We’re bigger than we ever dreamed

DAnd I’m in love with being queen

AOh oh oh, oh oh oh, oh Goh

Life is great without a care

We aren’t caugDht up in your love affair

And we’ll never be rAoyals, it don’t run in our blood

That kind of lGux just ain’t for us

We crave a dDifferent kind of buzz

Let me be your rAuler, you can call me queen bee

And baby I’ll rGule (I’ll rule, I’ll rule, I’ll rule)

DLet me live that fantasy A

Maren Morris - My Church (2016) Transpose up Transpose down

Originally in A, I play in D, highest note that matters is the 3 (“yeah I *guess*”)

Intro

DGD

DA7

Vox on 2 3 on “I’ve cussed”

I’ve Dcussed on a Sunday

I’ve Gcheated, and I’ve lDied

I’ve Dfallen down from grace

A Afew too many times

But I Dfind holy redemption

When I Gput this car in Ddrive

Roll the Dwindows down and, Aturn up the Gdial D

Can I get a Dhallelujah

GCan I get an amDen

Feels like the Dholy ghost running through ya

When I Aplay the highway FM

I Dfind my soul revival

GSinging every single Bmverse

Vox on 1 2 3 of the key on “yeah I guess”

GYeah I Dguess that’s Amy Dchurch

When DHank brings the sermon

GAnd Cash leads the Dchoir

It Dgets my cold cold heart burning

AHotter than a ring of fire

When this Dwonderful world gets heavy

Let the vi hang an extra two beats

And I Gneed to find my eBmscape

I just kDeep the wheels rolling, Aradio scrolling

‘TGil my sins wash aDway

Can I get a Dhallelujah

GCan I get an amDen

Feels like the Dholy ghost running through ya

When I Aplay the highway FM

I Dfind my soul revival

GSinging every single Bmverse

GYeah I Dguess that’s Amy Dchurch

Solo

DDGBm

GDAD

A capella, chords implied

Can I get a Dhallelujah

GCan I get an amDen

Feels like the Dholy ghost running through ya

When I Aplay the highway FM

I Dfind my soul revival

GSinging every single Bmverse

GYeah I Dguess that’s Amy Dchurch

Band back in

Hey can I get a Dhallelujah

GCan I get an amDen

Feels like the Dholy ghost running through ya

When I Aplay the highway FM

I Dfind my soul revival

GSinging every single Bmverse

GYeah I Dguess that’s Amy Bmchurch

GYeah I Dguess that’s Amy Bmchurch

GYeah I Dguess that’s Amy Dchurch

Maroon 5 - Harder to Breathe (2002) Transpose up Transpose down

Originally in C#m, I play in Am

Highest note that matters is the 4 (“*mon*ster that lives in a dream”)

Vox on 1 1 1 3 on “how dare you say”

AmHow dare you say that my behavior is unaccEeptable

AmSo condescending unnecessarily crEitical

AmI have the tendency of getting very Ephysical

AmSo watch your step cause if I do you’ll need a mEiracle

AmYou drain me dry and make me wonder why I’m Eeven here

AmThis double vision I was seeing is finaElly clear

AmYou want to stay but you know very well I Ewant you gone

Hard stop on “ground”, last chord implied

AmNot fit to freakin’ tread the ground that I’m Ewalking on

The third chord here is originally a vii (in the minor key), I prefer the VII

AmWhen it gets Ecold outside and you Ggot nobody to loDve

AmYou’ll understand what I mEean when I say

There’s no Gway we’re gonna give uDp

AmAnd like a little girl cEries in the face of a

GMonster that lives in her dDreams

AmIs there anyone out there cause it’s getting E7harder and harder to Ambreathe

AmIs there anyone out there cause it’s getting E7harder and harder to bAmreathe

AmWhat you are doing is screwing things up insEide my head

AmYou should know better you never listened to a Eword I said

AmClutching your pillow and writhing in a Enaked sweat

Hard stop on “do”, last chord implied

AmHoping somebody someday will do you Elike I did

AmWhen it gets Ecold outside and you Ggot nobody to loDve

AmYou’ll understand what I mEean when I say

There’s no Gway we’re gonna give uDp

AmAnd like a little girl cEries in the face of a

GMonster that lives in her dDreams

AmIs there anyone out there cause it’s getting E7harder and harder to Ambreathe

AmIs there anyone out there cause it’s getting E7harder and harder to bAmreathe

Solo

Am

Bridge, mostly on the i the whole time, with lots of noise, the V is fabricated here

Vox on the 3 more or less the whole time

When does it kAmill? Does it burn?

Is it painful to learn

That it’s mE7e that has all the control

Does it Amthrill? Does it sting?

When you feel what I bring

And you wE7ish that you had me to hold

AmWhen it gets Ecold outside and you Ggot nobody to loDve

AmYou’ll understand what I mEean when I say

There’s no Gway we’re gonna give uDp

AmAnd like a little girl cEries in the face of a

GMonster that lives in her dDreams

AmIs there anyone out there cause it’s getting E7harder and harder to Ambreathe

AmIs there anyone out there cause it’s getting E7harder and harder to bAmreathe

Maroon 5 - She Will Be Loved (2002) Transpose up Transpose down

Originally in Cm, I play in Em capo 2

Intro

EmDEmD

Vox on the 3 of the chord on “beauty”

EmBeauty queen of Donly eighteen

ShEme had some trouble Dwith herself

EmHe was always Dthere to help her

SheEmalways belonged to Dsomeone else

EmI drove for Dmiles and miles

And Emwound up at your Ddoor

EmI’ve had you Dso many times but Emsomehow

I want Dmore

GI don’t mind spending Devery day

EmOut on your corner in the Dpouring rain

GLook for the girl with the Dbroken smile

EmAsk her if she wants to Cstay awhile

And she Gwill be Dloved

And she Emwill be Cloved

Em7

EmTap on my window Dknock on my door

IEmwant to make you feel Dbeautiful

EmI know I tend to Dget so insecure

EmIt doesn’t matter Danymore

EmIt’s not always Drainbows and butterflies

It’s Emcompromise that moves us aDlong, yeah

EmMy heart is full and my Ddoor’s always open

You Emcome anytime you Dwant

GI don’t mind spending Devery day

EmOut on your corner in the Dpouring rain

GLook for the girl with the Dbroken smile

EmAsk her if she wants to Cstay awhile

And she Gwill be Dloved

She Emwill be Cloved

And she Gwill be Dloved

And she Emwill be Cloved

Bridge

EmI know where you Dhide

Alone in your Emcar

Know all of the Dthings that make you who you are

EmI know that goodDbye means nothing at Emall

Comes back and begs me, Dcatch her every time she Cfalls, yeah

EmTap on my window Dknock on my door

Hang an exta measure after this line

I Emwant to make you feel Dbeautiful

GI don’t mind spending Devery day

EmOut on your corner in the Dpouring rain, oh

GLook for the girl with the Dbroken smile

EmAsk her if she wants to Cstay awhile

And she Gwill be Dloved

And she Emwill be Dloved

And she Gwill be Dloved

And she Emwill be Cloved

GPlease don’t Dtry so Emhard to Dsay goodGbye

GPlease don’t Dtry so Emhard to Csay goodbCye

Maroon 5 - Sunday Morning (2002) Transpose up Transpose down

Originally in C, I play in G

Highest note that matters is the 6 (“things just get so crazy”)

Intro

Am9D6Gmaj7

Am9D6Gmaj7

Vox on 5 3 5 3 5 of the key on “Sunday morning rain”

Am9Sunday D6morning rain is Gmaj7falling

Am9Steal some D6covers share some Gmaj7skin

Am9Clouds are D6shrouding us in Gmaj7moments unforgettable

You tAm9wist to fit the D6mold that I am iGmaj7n

But Am9things just get so D6crazy living Gmaj7life gets hard to do

And I would Am9gladly hit the D6road get up and Gmaj7go if I knew

That Am9someday it would D6lead me back to yGmaj7ou

That Am9someday it would D6lead me back to Gmaj7you

That may be Am9all D6I Gmaj7need

In darkness she is Am9all D6I Gmaj7see

Come and rest your Am9bones D6with Gmaj7me

Driving slow on Sunday Am9morning, and I D6never want to Gmaj7leave

Not a typo, the V is augmented just this time!

Am9Fingers Daugtrace your every Gmaj7outline

Am9Paint a D6picture with my Gmaj7hands

Am9And back and D6forth we sway like Gmaj7branches in a storm

Change of Am9weather still togD6ether when it enGmaj7ds

That may be Am9all D6I Gmaj7need

In darkness she is Am9all D6I Gmaj7see

Come and rest your Am9bones D6with Gmaj7me

Driving slow on Sunday Am9morning, and I D6never want to Gleave

Instrumental breakdown

GBdim7Em7D13C#dim7CD

GBdim7Em7D13C#dim7CD

GOh, G#dim7yeah

But Am9things just get so D6crazy living Gmaj7life gets hard to do

Sunday mAm9orning rain is D6falling and I’m Gmaj7calling out to you

Singin’ Am9someday it will D6bring me back to yGmaj7ou, yeah

Finda a Am9way myD6self back home to Gmaj7you

May not know that maybe Am9all D6I Gmaj7need

In darkness she is Am9all D6I Gmaj7see

Come and rest your Am9bones D6with Gmaj7me

Driving slow on Sunday Am9morning, and I D6never want to Gmaj7leave

Maroon 5 - This Love (2002) Transpose up Transpose down

Originally in Cm, I play in Em capo 3

Intro

B7/D#EmAmF#dim7x2

Vox on the 3 of the chord on “I was so high”

B7/D#I was so high I did not Emrecognize

The fire burning Amin her eyes, the chaos that conF#dim7trolled my mind

B7/D#Whispered goodbye and she got Emon a plane

Never to reAmturn again but always in my F#dim7heart

EmThis Amlove has Dtaken its Gtoll on me

EmShe said goodAmbye too Dmany times beGfore

EmHer Amheart is Dbreaking in Gfront of me

And EmI have no Achoice, cause CI won’t say goodBbye anymoreB7/D#

B7/D#Whoa, Emwhoa, Amwhoa, F#dim7whoa

B7/D#I tried my best to feed her aEmppetite

Keep her coming Amevery night

So hard to keep her F#dim7satisfied

B7/D#Kept playing love like it was Emjust a game

Pretending to Amfeel the same

Then turn around and F#dim7leave again, forever

EmThis Amlove has Dtaken its Gtoll on me

EmShe said goodAmbye too Dmany times beGfore

EmHer Amheart is Dbreaking in Gfront of me

And EmI have no Achoice, cause CI won’t say goodBbye anyB7/D#more

B7/D#Whoa, Emwhoa, Amwhoa, F#dim7whoa

Am7I’ll fix these broken things

Gmaj7Repair your broken wings

B7/D#And make sure everything’s aEmlright

Am7My pressure on your hips

Gmaj7Sinking my fingertips

Into eB7very inch of you

Because I know that’s what you want me to do

EmThis Amlove has Dtaken its Gtoll on me

EmShe said goodAmbye too Dmany times beGfore

EmHer Amheart is Dbreaking in Gfront of me

And EmI have no Achoice, cause CI won’t say goodBbye anymore

EmThis Amlove has Dtaken its Gtoll on me

EmShe said goodAmbye too Dmany times beGfore

EmMy Amheart is Dbreaking in Gfront of me

EmShe said goodAbye too Cmany times beBfore

EmThis Amlove has Dtaken its Gtoll on me

EmShe said goodAmbye too Dmany times beGfore

EmHer Amheart is Dbreaking in Gfront of me

And EmI have no Achoice, cause CI won’t say goodBbye anymore

Matchbox Twenty - Unwell (2003) Transpose up Transpose down

Originally in A, I play in G capo 2

GCadd9Em7Dx 2

Cadd9All Dday Gstaring at the Emceiling

Making Cadd9friends with Dshadows on my Emwall

Cadd9All Dnight, Ghearing voices Emtelling me

That Cadd9I should get some sleep

Because toDmorrow might be good for something

BmHold Cadd9on, I’m Gfeeling like I’m Dheaded for a

BmBreakCadd9down, and GI don’t know Dwhy

GI’m not crazy I’m just a little unCadd9well

I know right now you can’t tell

EmBut stay awhile and maybe then you’ll Dsee

A different side of me

GI’m not crazy I’m just a little imCadd9paired

I know right now you don’t care

EmBut soon enough you’re gonna think of Dme

And how I used to be

Cadd9DMe, Gtalking to myEmself in public

Cadd9And dodging Dglances on the Emtrain

Cadd9And I Dknow, I Gknow they’ve all been Emtalking ‘bout me

Cadd9I can hear them whisper

And it Dmakes me think there must be something Bmwrong

BmWith Cadd9me, Gout of all the Dhours thinking

BmSomeCadd9how, GI’ve lost my Dmind

GI’m not crazy I’m just a little unCadd9well

I know right now you can’t tell

EmBut stay awhile and maybe then you’ll Dsee

A different side of me

GI’m not crazy I’m just a little imCadd9paired

I know right now you don’t care

EmBut soon enough you’re gonna think of Dme

And how I used to bCadd9e

Bridge

Cadd9EmI’ve been talking in my Cadd9sleep

EmPretty soon they’ll come to Cadd9get me

EmYeah they’re takin’ me aDway

GI’m not crazy I’m just a little unCadd9well

I know right now you can’t tell

EmBut stay awhile and maybe then you’ll Dsee

A different side of me

GI’m not crazy I’m just a little imCadd9paired

I know right now you don’t care

EmBut soon enough you’re gonna think of Dme

And how I used to be

With ad libs

GCadd9Em7Dx 2

Matt Hires - Restless Heart (2013) Transpose up Transpose down

Originally in G capo 7, I play in G capo 5, highest note that matters is the 3

Intro (with some I7’s mixed in)

G

Vox on the 5

GPretty girls come from the Cadd9ugliest places

You Gcome from the worst of them Dall

HGeartbreakers like you are hCadd9ard to erase

You Em7lift me up jDust so I Gfall

I fGollowed you all the way Cadd9down to the coast

And we Gkissed under traveling skDies

I wGish I had seen what was Cadd9coming for me

But you Em7wear such a Dlovely Gdisguise

Cadd9Hey you got a Grestless heart

Original lyrics are “beating ou-ou-ou-out of your sleeve”, this works better for me

EmBeating right out on your Dsleeve

And Cadd9I won’t let this Gfire start

You Emsay love is Dall that you Cadd9need

Well you’re Emnot gonna Dget it from Gme

Oh oCadd9h, oh Goh

No you’re Emnot gonna gDet it from Gme

You sGay that you wanted a Cadd9lover

Someone to Gcover your head when it Drains

But eGven a hopeless Cadd9romantic like me

Yeah I Em7know that it’s aDll just a gGame

EverGyone’s looking for Cadd9love

Looking for Gsomething to hold on Dto

GOh I’ve been looking for Cadd9twenty-five years

And I Em7know I won’t Dfind it in Gyou

Cadd9Hey you got a Grestless heart

EmBeating right out on your Dsleeve

And Cadd9I won’t let this Gfire start

You Emsay love is Dall that you Cadd9need

Well you’re Emnot gonna Dget it from Gme

Oh oCadd9h, oh Goh

No you’re Emnot gonna gDet it from Fme

I Cwon’t let you break my Gheart G/B

I Fwon’t let you break, I Cwon’t let you break my Dheart

GPretty girls come from the Cadd9ugliest places

You Gcome from the worst of them aDll

GHeartbreakers like you are Cadd9hard to erase

Hard stop before “fall”

You Em7lift me up jDust so I fGall

Cadd9Hey you got a Grestless heart

EmBeating right out on your Dsleeve

And Cadd9I won’t let this Gfire start

You Emsay love is Dall that you Cadd9need

Well you’re Emnot gonna Dget it from Gme

Oh oCadd9h, oh Goh

No you’re Emnot gonna gDet it from Cadd9me

Cadd9Hey you got a Grestless heart

EmBeating right out on your Dsleeve

And Cadd9I won’t let this Gfire start

You Emsay love is Dall that you Cadd9need

Well you’re Emnot gonna Dget it from Gme

Oh oCadd9h, oh Goh

No you’re Emnot gonna gDet it from Gme

Oh oCadd9h, oh Goh

No you’re Emnot gonna gDet it from Gme

Meghan Trainor - Dear Future Husband (2015) Transpose up Transpose down

Originally in C#, I play in G

Highest note that matters is the 6 (“*you* gotta know”)

Intro, let ring, vox on the 3

GDear future husband, here’s a few

EmThings you need to know if you wanna

CBe my one and Donly all my Glife

Band enters

GTake me on a date, I deserve it babe

EmAnd don’t forget the flowers every anniversary

C‘Cause if you treat me right

DI’ll be the perfect wife

GBuying groceries, buy-buying what you need

GYou got that nine to five, but baby so do I

EmSo don’t be thinking I’ll be home and baking apple pies

CI never learned to cook

DBut I can write a hook

GSing along with me, sing-sing along with me, hey

GYou gotta know how to treat me like a Emlady

Even when I’m acting Ccrazy

DTell me everything’s alriGght

GDear future husband, here’s a few

EmThings you need to know if you want to

CBe my one and Donly all my Glife

GDear future husband, if you wanna

EmGet that special lovin’, tell me I’m

CBeautiful, Deach and every Gnight

GAfter every fight, just apologize

EmAnd maybe then I’ll let you try and rock my body right

CEven if I was wrong

DYou know I’m never wrong

GWhy disagree, why, why disagree?

GYou gotta know how to treat me like a Emlady

Even when I’m acting Ccrazy

DTell me everything’s alriGght

The original changes key up a half-step here, I’m leaving that out

GDear future husband, here’s a few

EmThings you need to know if you want to

CBe my one and Donly all my Glife

GDear future husband, make time for

EmMe, don’t leave me lonely and know we’ll

CNever see your Dfamily more than Gmine

GI’ll be sleeping on the left side of the bed

EmOpen doors for me and you may get some kisses

CDon’t have a dirty mind

DJust be a classy guy

GBuy me a ring, buy-buy me a ring, babe

GYou gotta know how to treat me like a Emlady

Even when I’m acting Ccrazy

DTell me everything’s Galright

GDear future husband, here’s a few

EmThings you need to know if you want to

CBe my one and onDly all my liGfe

GDear future husband, if you wanna

GeEmt that special loving, tell me I’m

CBeautiful Deach and every Gnight

Oh oh CFuture husband, Dbetter love me Gright

Meghan Trainor - Like I'm Gonna Lose You (2015) Transpose up Transpose down

Originally in C, I play in E

Vox on 5 6 1 1 on “found myself dream”

EI found myself dreaming

G#mIn silver and gold

C#mLike a scene from a movie

That Aevery E/G#broken F#m7heart F#m/Bknows

EWe were walking on moonlight

G#mAnd you pulled me close

C#mSplit second and you disappeared

And then AI was E/G#all aF#m7lone F#m/B

Vox on the 3 now, and “woke” is on the downbeat now“, lyrics come twice as fast

I Ewoke up in tears, with you by my side

G#mBreath of relief, and I realized

C#mNo, we’re not Apromised toE/G#morrow F#m7F#m/B

Vox on the 1 on “love”

So I’m gonna Elove you like I’m gonna G#mlose you

I’m gonna C#mhold you like I’m saying goodAbye

Wherever we’re Estanding I won’t take you for G#mgranted

‘Cause we’ll never C#mknow when, when we’ll run out of Atime

So I’m gonna Elove you like I’m gonna G#mlose you

I’m gonna C#mlove you like I’m gonna Alose E/G#F#m7you F#m/B

EIn the blink of an eye

G#mJust a whisper of smoke

C#mYou could lose everything

The Atruth E/G#is you F#m7never F#m/Bknow

ESo I’ll kiss you longer baby

G#mAny chance that I get

C#mI’ll make the most of the minutes

And Alove with E/G#no reF#m7grets F#m/B

ELet’s take our time to say what we want

G#mUse what we got before it’s all gone

C#m‘Cause no, we’re not Apromised tomE/G#orrow F#m7F#m/B

So I’m gonna Elove you like I’m gonna G#mlose you

I’m gonna C#mhold you like I’m saying goodAbye

Wherever we’re Estanding I won’t take you for G#mgranted

‘Cause we’ll never C#mknow when, when we’ll run out of Atime

So I’m gonna Elove you like I’m gonna G#mlose you

I’m gonna C#mlove you like I’m gonna Alose E/G#F#m7you F#m/B

solo

EG#mC#mAE/G#F#m7F#m/B

Let ring

I’m gonna Elove you like I’m gonna G#mlose you

I’m gonna C#mhold you like I’m saying goodAbye E/G#F#m7F#m/E

Wherever we’re Estanding I won’t take you for G#mgranted

‘Cause we’ll never C#mknow when, when we’ll run out of Atime

So I’m gonna Elove you like I’m gonna G#mlose you

I’m gonna C#mlove you like I’m gonna Alose E/G#F#m7you F#m/B

E

Meghan Trainor - No Good For You (2015) Transpose up Transpose down

Originally in Em, I play in Em capo 5

Syncopated quarters

Vox on 2 1 7 5 5 of the minor key on “I miss that happy”

I miss that Emhappy friend that I had

AYou’ve been acting so sad

Won’t you come Dback? Yeah yeBmah

You never Emtake the time with your girls no more

AAlways with your new boy

But he ain’t all Dthat

But B7you don’t know yet

Oh his Emkiss is soft and sweet

He Aswept you off your feet

He’s no Dgood for you

He’s no Bmgood for you

And sure he’s Emworth a lot of gold

But you’re Abetter than you know

He’s no Dgood for you

He’s no B7good for you

With hard stops

B7/F#EmThat boy’s no good for you

EmAYou’re way too good for him

DThat boy’s no good for you, B7for you

Let ring

EmWhoa, woh-oh-oh-Aoh, woh-oh-oh

DNo he no good, he no good for Bmyou

Woh-oh-oh-Emoh, woh-oh-oh-Aoh, woh-oh-oh

DNo he no good, he no good for B7you

Back to the syncopated rhythm

He drives those Emfancy cars that you like

But he Adoesn’t call you at night

And tells you he Dloves you

And he’s thinking Bmof you

No you can’t Emtake him home for the holidays

ABetter keep him away

Cause he’s such a Dtool, girl

B7Everyone will say, I bet

His Emkiss is soft and sweet

He Aswept you off your feet

He’s no Dgood for you

He’s no Bmgood for you

And sure he’s Emworth a lot of gold

But you’re Abetter than you know

He’s no Dgood for you

He’s no B7good for you

B7/F#EmThat boy’s no good for you

EmAYou’re way too good for him

DThat boy’s no good for you, B7for you

EmWhoa, woh-oh-oh-Aoh, woh-oh-oh

DNo he no good, he no good for Bmyou

Woh-oh-oh-Emoh, woh-oh-oh-Aoh, woh-oh-oh

DNo he no good, he no good for B7you

Bridge, let ring

This line mostly on the 3 of the chord

Won’t you Emtake it from a friend

Vox stay mostly where they were, now the b7 of the chord

That boy is A7not a gentleman

Now down to the 3 of the chord

And you’ll Dfind out soon enough

What you’re Bmfeeling it ain’t love

Cause he Emcalled me yesterday

Vox up to the b5→4 on “da-ate”

And he Edim7asked me on a date

Tried to Dplay you like a fool

And that’s B7why I’m calling you

His Emkiss is soft and sweet

And he Aswept you off your feet

But he’s no Dgood for you

He’s no Bmgood for you

And sure he’s Emworth a lot of gold

But you’re Abetter than you know

He’s no Dgood for you

Hang

B7Oh

Oh his Emkiss is soft and sweet

And he Aswept you off your feet

But he’s no Dgood for you

He’s no Bmgood for you

And sure he’s Emworth a lot of gold

But you’re Abetter than you know

He’s no Dgood for you

He’s no B7good for you

B7/F#EmThat boy’s no good for you

EmAYou’re way too good for him

DThat boy’s no good for you, B7for you

B7/F#EmThat boy’s no good for you

EmAYou’re way too good for him

DThat boy’s no good for you, B7for you

Em

Michelle Branch - All You Wanted (2001) Transpose up Transpose down

Originally in Fm, I play in Am capo 2, highest note is the 5 of the minor key (“a*way* from here”)

Am7Gsus4Fadd9C6x2

Vox on 1 7 3 of the minor key on “I wanted”, 4 3 of the minor key on “like you”

Am7I wanGsus4ted Fadd9to be C6like you

Am7I wanGsus4ted Fadd9everyC6thing

Am7So Gsus4I tried, Fadd9to be C6like you

Am7And Gsus4I got Fadd9swept awC6ay

Gsus2/B

Am7I didn’t Gknow that Fadd9it was so cCold and

Am7You needed Gsomeone to Fadd9show you the wCay

Am7So I took your hGand and Fadd9we figured oCut that

Am7When the Gtide comes I’ll tFadd9ake you awaCy

Gsus2/BG

Am7If you Fadd9want to, CI can saGve you

Am7I can Fadd9take you away Cfrom heGre

Am7So lonely iFadd9nside, Cso busy oGut there

Am7And all you wFadd9anted was somebCody who carGes

Am7Gsus4Fadd9C6

Am7I’m sinking slGowly, Fadd9so hurry hCold me

Am7Your hand is aGll I have to Fadd9keep me hanging Con

Am7Please can you Gtell me Fadd9so I can Cfinally see

Am7Where you Ggo when you’re Fadd9gone C

G

Am7If you Fadd9want to, CI can saGve you

Am7I can Fadd9take you away Cfrom heGre

Am7So lonely iFadd9nside, Cso busy oGut there

Am7And all you wFadd9anted was somebCody who carGes

FAll you waGnted was somebody who

CaFres, if you nGeed me you know I’ll be

There, FC/EDm7oh F/C

G/BWhoa, G/BG/BG/Byeah

Am7If you Fadd9want to, CI can saGve you

Am7I can Fadd9take you away Cfrom heGre

Am7So lonely iFadd9nside, Cso busy oGut there

Am7And all you wFadd9anted was somebCody who carGes

Am7GFCx2

Am7If you Fadd9want to, CI can saGve you

Am7I can Fadd9take you away Cfrom heGre

Am7So lonely iFadd9nside, Cso busy oGut there

Am7And all you wFadd9anted was somebCody who carGes

Am7GFC

Am7Please can you Gtell me

Fadd9So I can Cfinally see

Am7Where you gGo when you’re goFadd9ne

Miley Cyrus - Party in the USA (2009) Transpose up Transpose down

Originally in F#, I play in G (down an octave) (obviously)

Highest note that matters is the 6 “*yeah* eah eah eah eah eah eah”, lowest note is the 3

GBm7EmEmDx2

Vox on the 1 on “hopped”

I hGopped off the plane at LBm7.A.X.

With a Emdream and my cardigan D

GWelcome to the land of Bm7fame excess

EmAm I gonna fit in? D

GJumped in the cab

Here I Bm7am for the first time

EmLook to my right and I see the HollyDwood sign

GThis is all so Bm7crazy

EmEverybody seems so famous D

GMy tummy’s turnin’

And I’m Bm7feelin’ kinda home sick

EmToo much pressure and I’m nervous D

That’s when the Gtaxi man turned on the Bm7radio

And a EmJay-Z song was on

And a EmJay-Z song was on

And a EmJay-Z song was on

So I put my Ghands up

They’re Bm7playing my song

And the Embutterflies fly away D

I’m Gnoddin’ my head like Bm7yeah

EmMovin’ my hips like yeah D

I got my Ghands up

They’re Bm7playing my song

And I Emknow I’m gonna be okay D

Vox up to the 6 on “yeah”, down to the 7 of the chord (5 of the key) on “party”

GYeBm7ah, it’s a pEmarty in the USA D

GYeBm7ah, it’s a pEmarty in the USA D

GGet to the club in my tBm7axi cab

EverybEmody’s lookin at me now D

Like Gwho’s that chick, that’s rBm7ockin’ kicks?

She gEmotta be from out of town D

GSo hard with my gBm7irls not around me

EmIt’s definitely not a Nashville party D

G‘Cause all I see are stillBm7etos

EmI guess I never got the memo D

GMy tummy’s turnin’

And I’m Bm7feelin’ kinda home sick

EmToo much pressure and I’m nervous D

That’s when the DG.J. dropped my favBm7orite tune

And a BrEmitney song was on

And a BEmritney song was on

And a BriEmtney song was on

So I put my Ghands up

They’re Bm7playing my song

And the Embutterflies fly away D

I’m Gnoddin’ my head like Bm7yeah

EmMovin’ my hips like yeah D

I got my Ghands up

They’re Bm7playing my song

And I Emknow I’m gonna be okay D

GYeBm7ah, it’s a pEmarty in the USA D

GYeBm7ah, it’s a pEmarty in the USA D

Bridge

Vox on the 7 of the chord on “feel like”

Bm7Feel like hoppin’ on a fEmlight

Bm7Back to my hometown tonEmight

Bm7Something stops me every tEmime

The CDJ plays my song and I feel alright D

So I put my Ghands up

They’re Bm7playing my song

And the Embutterflies fly away D

I’m Gnoddin’ my head like Bm7yeah

EmMovin’ my hips like yeah D

I got my Ghands up

They’re Bm7playing my song

And I Emknow I’m gonna be okay D

GYeBm7ah, it’s a pEmarty in the USA D

GYeBm7ah, it’s a pEmarty in the USA D

Miley Cyrus - Wrecking Ball (2013) Transpose up Transpose down

Originally in Dm, Walk off the Earth in Bm, I play in Em capo 2

Highest note that matters is the 6 of the minor key (“came in like a wreck”)

Intro

EmG/DDAm

Vox on 5 1 on “we clawed”

We Emclawed, we chained our Ghearts in vain

We Djumped, never asking Amwhy

We Emkissed, I fell unGder your spell

A Dlove no one could Amdeny

Vox down to the 3 of the chord on “don’t you”

CDon’t you ever say EmI just walked away

GI will always want yCou

CI can’t live a lie Emrunning for my life

GI will always want yCou

Vox on the 4 of the major key on “came in like a wreck”

I came in like a Gwrecking ball D

I never hit so Emhard in love C

All I wanted was to Gbreak your walls D

All you ever did was Emwreck Cme

Yeah you, Emyou wreck Cme

I Emput you high up Gin the sky

And Dnow, you’re not coming Amdown

It Emslowly turned, you Glet me burn

And Dnow, we’re ashes on the Amground

CDon’t you ever say EmI just walked away

GI will always Cwant you

CI can’t live a lie Emrunning for my life

GI will always Cwant you

I came in like a Gwrecking ballD

I never hit so Emhard in love C

All I wanted was to Gbreak your walls D

All you ever did was Emwreck Cme

I came in like a Gwrecking ball D

Yeah, I just closed my Emeyes and swungC

Left me crashing in a Gblazing fall D

All you ever did was Emwreck Cme

Yeah you, Emyou wreck Cme

Bridge

Vox on 6 5 5 of the minor key on “start a war”, which is more or less where the last line ended

I never meant to start a wEmar

I just wanted you to let me inG

And instead of using forceBm

I guess I should’ve let you winC

I never meant to start a warEm

I just wanted you to let me inG

I guess I should’ve let you win Bsus4B

CDon’t you ever say EmI just walked away

GI will always Cwant you

I came in like a Gwrecking ball D

I never hit so Emhard in love C

All I wanted was to Gbreak your walls D

All you ever did was Emwreck Cme

I came in like a Gwrecking ball D

Yeah, I just closed myEmeyes and swung C

Left me crashing in a Gblazing fall D

All you ever did was Emwreck Cme

Yeah you, Emyou wreck Cme

Yeah you, Emyou wreck Cme

Miranda Lambert - Gunpowder and Lead (2008) Transpose up Transpose down

If I play in G, which sounds better on guitar,

I go down an octave for the chorus. Or I play

in D, which sounds better for my voice, and go

up to the chorus (which is lots of 1). The highest

note that matters is the b3.

In D or E, ignore all the slash chords and add9’s.

And start slooooow, the chorus is a lot of words.

E-----------------|-------------------|
B-----------------|-------------------|
G--0-----00--3^-0-|-----0--0-3p0--0-0-|
D-----0h3--0------|---3--3-------3-3--|
A-----------------|-------------------|
E-3--3------------|-3-----------------|
E---------------------|----------------|
B-----------3-3---0-0-|----------------|
G-----0--0--3-3---0-0-|--3^-0--0--0----|
D--0h2--2-------------|-0-----3--3-----|
A---------------------|-------------1^-|
E-3-------------3-----|----------------|

Intro, with lots of b3 and b7 in it

DD/CGadd9D

Vox: “count” on the 1, “2” on the 4,

“3” on the b3, “feet” on the 4

Play the I more like a I5 in the verse

County road D233, D/Cunder my feet

Gadd9Nothin’ on this white rock but

DLittle old me

I’ve got Dtwo miles till D/Che makes bail

Gadd9And if I’m right we’re headed

DStraight for hell

DI’m goin’ home, gonna load up my shotgun

CWait by the door and light a cigarette

GIf he wants a fight well now he’s got one

And Dhe ain’t seen me crazy yet

He Dslap my face and he shook me like a rag doll

CDon’t that sound like a real man

GI’m going to show him what a little girl’s made of

G7Gunpowder and Dlead

DD/CGadd9D

It’s Dhalf past ten, another D/Csix pack in

Gadd9And I can feel the rumble like the Dcold black wind

He Dpulls in the drive, the D/Cgravel flies

Gadd9He dont know what’s waiting here this Dtime

DI’m goin’ home, gonna load up my shotgun

CWait by the door and light a cigarette

GIf he wants a fight well now he’s got one

And Dhe ain’t seen me crazy yet

He Dslap my face and he shook me like a rag doll

CDon’t that sound like a real man

GI’m going to show him what a little girl’s made of

G7Gunpowder and Dlead

D

Vox on the 5 of the chord

His Cfist is big but my gun’s bigger

G7He’ll find out when I pull the trigger

DI’m goin’ home, gonna load up my shotgun

CWait by the door and light a cigarette

GIf he wants a fight well now he’s got one

And Dhe ain’t seen me crazy yet

He Dslap my face and he shook me like a rag doll

CDon’t that sound like a real man

GI’m going to show him what a little girl’s made of

G7Gunpowder and

G7Gunpowder and Dlead

DD/CGadd9D

Misc - California Christmas Time (2015) Transpose up Transpose down

Originally in B, I play in D

Intro

D

Rebecca

Well, you can Dtake your F#snow and Bmshove it

This is our EmChristmas D/F#and we Alove it

It’s a Dhundred degF#rees, this elf is GVietnamese

That’s the Dway that California Adoes it

Josh

Even our DSanta F#has a Bmsuntan

He’s Emalso an D/F#unemployed Astuntman

Rebecca

Is he Deven aF#wake?

Santa

Yeah, I’m Gjust really baked

Josh

If Dhe can be Santa Claus, Aanyone can

Rebecca and Josh

GCalifornia AChristmas time

It’s F#mjust a Golden BState of mind

EmChet’s nuts roasting Ain the bright sunAmlight D

Rebecca

Put on some pants, Chet

Rebecca and Josh

And Gwhat would Christmas Abe without

Historically F#mlow mountain snow causing Bstaggering drought

Josh

But Ghey, this eggnog Afro-yo’s super F#mtight

Rebecca

Super Btight

‘Cause Emthis is California

Hang on “we”

And Awe do Christmas Dright

Misc

California ChristmasG/DtiGm/Dme

Darryl

Don we Dnow our F#surf apBmparel

And we have our Emown kind of D/F#Christmas ACarol

Paula

It’s this Dchick named F#Carol

She does Ghenna tattoos

Darryl

Carol’s Afifty, but no judgment

She’s still finding herself

All

We’re all finding ourselves

Key change

Greg

Okay, there Eis no G#easy C#manswer

Heather

For our F#mhigh rates E/G#of skin Bcancer

Misc

It Etook my dad’s G#life

Misc

And it Akilled my wife

All

BHang ten, Rudolph and Prancer

ACalifornia BChristmas time

We G#mgather ‘round and sing C#songs by Sublime

And F#mall our local Breggae bands are Bmwhite E

The Akids get lots of toys on BChristmas morn

‘Cause G#mdaddy makes big bucks diC#recting porn

They Amay have gonorrhea

Rebecca

But at Bleast it’s not frostG#mbite

All

It’s not frostC#bite

‘Cause F#mthis is California

And Bwe do Christmas Eright

California Christmas A/Etime

CaliAm/Efornia Christmas Etime

California Christmas A/Etime

CaliAm/Efornia Christmas Etime

California Christmas E/Atime

CaliAm/Efornia Christmas Etime

Rebecca

California Christmas Atime

Calif...

Misc - Crazy Ex Girlfriend Theme (2015) Transpose up Transpose down

Originally in B, I play in G

V implied, vox on the 5 of the key

I was...

GWorking hard at a DNew York job

Making Gdough but it made me Dblue

GOne day I was Dcrying a lot

And Dso I decided to Gmove G#to

Asus2West Covina, California

Brand new pals and new career

It Fhappens to be where Josh lives

Vox on 3 2 3 2 5 of the key on “that’s not why I’m here”

But that’s not why I’m Dhere

She’s the Ccrazy ex-girlfriend

Spoken

What? No, I’m not

She’s the Gcrazy ex-girlfriend

Spoken

That’s a sexist term

She’s the Ccrazy ex-girlfriend

Spoken

Can you guys just stop singing for a second?

D6She’s so broken inEaugside

Spoken

The situation’s a lot more nuanced than that

Em7C-R-A-Z-Y

Spoken

OK, we get it

GCrazy ex-AmgirlGfriend

Misc - Free Credit Report Car Song (2007) Transpose up Transpose down

Well I was Gshopping for a new car which one’s me?

A Dcool convertible or an SUV?

GToo bad I didn’t know my credit was whack

Hard stop on “driving”

‘Cause now I’m Ddriving off the lot in a used sub-compact

GF-R-E-E that spells free

DCredit report dot com baby

GSaw their ads on my TV

DThought about going but was too lazy

Now insGtead of looking fine and rolling phat

Hard stop on “sticking”

My legs are Dsticking to the vinyl and my posse’s getting laughed at

GF-R-E-E that spells free

DCredit report dot Gcom baby

...and there’s just a bit of C as we fade to “offer valid blah blah”...

Misc - Free Credit Report Pirate Song (2007) Transpose up Transpose down

They Gsay a man should always dress for the G/Bjob he Cwants

So Dwhy am I dressed up like a pirate in this restauGrant?

It’s Gall because some hacker stole my iG/BdentiCty

Now I’m Din here every evening serving chowder and iced Gtea

Shoulda gone to

GFree credit report G/Bdot Ccom

I Dcoulda seen this coming at me like an atom Gbomb

They Gmonitor your credit and send you e-G/Bmail aClerts

So that Dyou don’t end up selling fish to tourists in t-Gshirts

Misc - Getting Rid of Britta (2009) Transpose up Transpose down

Intro

FBbI’m just gonna, I’m gonna Ctake this time and speak from the heart

FI just wanna lay down how I feel, Bbthis is for you C

FSayin’ goodbye to Britta was the Bbhardest thing to Cdo

But when sFomeone’s a B and a liar, there ain’t Bbnothing left to Cwoo

FI’m gettin’ rid of Britta (she’s gotta go)

BbI’m gettin’ rid of the CB (she’s a no good B)

FI’m gettn’ rid of Britta

BbI’m gettn’ rid of the CB (she’s a GDB)

FTake it Pierce, what, what, wBbhat, Chell yes

FBbC

FI didn’t know when I saw her blond hair that she could eBbver be that way C

So tFiny and small, she seemed to have it all but she Bbmade me say B, Chey, that ain’t cool

FI’m gettin’ rid of Britta

BbI’m gettin’ rid of the CB (she’s a no good B)

FI’m gettn’ rid of Britta (she’s gotta go)

BbI’m gettn’ rid of the CB (she’s a GDB)

FCome on, Bbone more time for me Pierce C

FBbSay it ain’t so C

FIt isn’t like I would ever hit her

BbBut I would sell it to the Chighest bidder

FShe bummed me out, she bruised my soul

She lBbied to my heart, she Cleft me less than Fwhole

FI’m gettin’ rid of Britta

BbI’m gettin’ rid of the CB (she’s a no good B)

FI’m gettn’ rid of Britta (it’s not healthy man)

BbI’m gettn’ rid of the CB (she’s a GDB)

FFBbC

FBritta’s a B, Bbnot a CC

FBritta’s a B, BbI’m just speaking the truth here C

FBritta’s a B BbC

F

Misc - Happy Peanuts Soar (Snickers Commercial) (2006) Transpose up Transpose down

Can I help you *enjoy* that Snickers?

GHappy peanuts soG/F#ar over Emchocolate-covered mouEm7ntaintops and

GWaterfalls of G/F#caraCmel

Prancing Gnougat in the G/F#meadow sings a Emsong of satisDfaction to the Gworld

The last G is not played but is implied by the awesome vocal harmony.

Misc - Ode to the Wingman (2003) Transpose up Transpose down

Dsus2This chick’s rockin’ your bro’ on the dance floor...

Dsus2But she’s towing an Ganchor

Dsus2A junior invGestment banker

BmWho’s talkin’ ‘bout herAself and not much F#11more, oh

GSo buy her a beer,Dit’s the reason you’re Ahere, mighty wingman

BmYou’re takin’ oneDfor the Ateam

So your Bmbuddy can Alive the Gdream

F#Wingman GD

Misc - Strawberry Shortcake Berry Bitty Theme (2012) Transpose up Transpose down

vox on the 5 (B in E)

EStrawberry BShortcake

She’s a Eberry bitty girl

With berry F#mbig possibilities

And Afruit-filled fun

Is the Bsecret to her recipes

She C#mmay be small

No Btask is too tall

She’ll Abe your best bud

Just Bgive her a call

EStrawberry, F#mStrawberry

AStrawberry BShortcake

ENo task is F#mtoo tall

For DStrawberry ShortEcake

The other voice at the end says...

She’s a berry bitty girl

With big possibilities

She may be small but

Mumford and Sons - Little Lion Man (2009) Transpose up Transpose down

Originally in Dm, played as Am capo 5, I play in Am capo 5

Intro

AmCAmCx2

AmWeep for yourself, my man

You’ll never be what is in your Cheart

AmWeep little lion man

You’re not as brave as you were at the Cstart

GRate yourself and rake yourself

FTake all the F/Ecourage F/Dyou have Cleft

And Gwaste it on fixing all the

FProblems that you F/Emade in F/Dyour own Chead

Let ring, easy harmony is just to hit the 1 of the major key until “dear” (melody does 6 5 3 on “not your fault but mine”)

But it was Amnot your Fmaj9fault but mCine

And it was Amyour heart Fmaj9on the lCine

I really Ammessed it Fmaj9up this tCime

Didn’t I, my Gdear?

Didn’t I, my

Band back in

AmAmCC

AmAmCC

AmTremble for yourself, my man

You know that you have seen this all bCefore

AmTremble little lion man

You’ll never settle any of your Cscores

Your Ggrace is wasted in your face

Your Fboldness stands aF/Elone amF/Dong the Cwreck

Now Glearn from your mother or else

FSpend your days F/Ebiting F/Dyour own nCeck

No hanging stops this time

But it was Amnot your Fmaj9fault but mCine

And it was Amyour heart Fmaj9on the lCine

I really Ammessed it Fmaj9up this tCime

Didn’t I, my Gdear?

But it was Amnot your Fmaj9fault but mCine

And it was Amyour heart Fmaj9on the lCine

I really Ammessed it Fmaj9up this tCime

Didn’t I, my Gdear?

Didn’t I, my Amdear?

AmAmCC

AmAmCC

CCF/CF/C

C/DC/EF/CF/C

Gadd11Ah, Cah ah Fmaj9ah, Fmaj9ah ah

Gadd11Ah, Cah ah Fmaj9ah Fmaj9ah ah

Gadd11Ah, Cah ah Fmaj9ah, Fmaj9ah ah

Gadd11Ah, Cah ah Fmaj9ah Fmaj9ah ah

Gadd11Ah, Cah ah Fmaj9ah Fmaj9ah ah

Gadd11Ah, Cah ah Fmaj9ah Fmaj9

Hard stop on “not”, back in on “mine”, no hanging stops

But it was Amnot your fFmaj9ault but mCine

And it was Amyour heart Fmaj9on the lCine

I really Ammessed it Fmaj9up this tCime

Didn’t I, my Gdear?

A capella

But it was Amnot your Fmaj9fault but mCine

And it was Amyour heart Fmaj9on the lCine

I really Ammessed it Fmaj9up this tCime

Didn’t I, myGdear?

Didn’t I, myCdear?

My Chemical Romance - Teenagers (2006) Transpose up Transpose down

Originally in E, with the first half of the verse an octave below the second.

I play in A, and stay in the same octave the whole time.

Vox on the 3 on “teen”

They’re gonna clAean up your looks, with all the lies in the books

Vox on the 3 of the chord on “you”

To make a citizen out of yEou

Vox on the 1 of the chord on “sleep”

Because they slDeep with a gun, and keep an eAye on you, son

So they can wEatch all the things you Ado

Original goes up to the high 3 on “drugs”

Because the drAugs never work, they gonna give you a smirk

‘Cause they got mAethods of keeping you clEean

They’re gonna rDip off your heads, your aspirAations to shreds

Hard stop on “chine”

Another cEog in the murder machAine

They said all Ateenagers scare the living hell out of me

AThey could care less as long as Esomeone’ll bleed

So Ddarken your clothes, or strike a Aviolent pose

Maybe they’ll Eleave you alone, but not Ame

The boys and gAirls in the clique

The awful names that they stick

You’re never gonna fit in much Ekid

But if you’re Dtroubled and hurt, what you got uAnder your shirt

Will make them Epay for the things that they diAd

They said all Ateenagers scare the living hell out of me

AThey could care less as long as Esomeone’ll bleed

So Ddarken your clothes, or strike a Aviolent pose

Maybe they’ll Eleave you alone, but not Ame

Solo

DDAA

DDEE

Let ring, or just clap

They said all Ateenagers scare the living hell out of me

AThey could care less as long as Esomeone’ll bleed

So Ddarken your clothes, or strike a Aviolent pose

Maybe they’ll Eleave you alone, but not Ame

All together now

Band enters

ATeenagers scare the living hell out of me

AThey could care less as long as Esomeone’ll bleed

So Ddarken your clothes, or strike a Aviolent pose

Maybe they’ll Eleave you alone, but not Ame

ATeenagers scare the living hell out of me

AThey could care less as long as Esomeone’ll bleed

So Ddarken your clothes, or strike a Aviolent pose

Maybe they’ll Eleave you alone, but not Ame

My Chemical Romance - Welcome to the Black Parade (2006) Transpose up Transpose down

Originally in G, I play in D

Ringing piano intro

DA/C#BmAGD/F#EmA

Vox on 5 1 on “when I”

When IDwas a A/C#young boy

My fBmather took Ame into the

GCity to sD/F#ee a marching bEmand A

Snare drum enters

He said, sonDwhen you growA/C#up

Would Bmyou be the sAavior of the Gbroken

The D/F#beaten and the dEmamned A

He said Dwill you dA/C#efeat them

Your Bmdemons, and aAll the non belGievers

The pD/F#lans that they have Emmade A

Because Done day I’ll A/C#leave you

A pBmhantom to Alead you in the

GSummer, to D/F#join the black pEmarade A

Big anthemic guitar harmonies enter

DA/C#BmAGD/F#EmA

Now vox on the 2 1 on “I was”

When DI was a A/C#young boy

My Bmfather took Ame into the

GCity to D/F#see a marching bEmand A

He said sDon when you grA/C#ow up

Would Bmyou be the sAavior of the bGroken

The D/F#beaten and the daEmmned A

D

At tempo

DA/C#BmAGGAA

Vox on 5 5 4 3 on “sometimes I get”

SometDimes I get the A/C#feeling she’s waD7/Ctching over meG

And othGer times I Dfeel like I should gAo

And tDhrough it all, the rA/C#ise and fall, the bD7/Codies in the sGtreets

And wGhen you’re gone we Dwant you all to Aknow

We’ll carry oDn, we’ll A/C#carry Bmon

And thoAugh you’re Gdead and gone believe me

Your mAemory will carry oDn, we’ll A/C#carry Bmon

And Ain my Gheart I can’t contain it

The antheAm won’t explain it

A Dwoman sends you A/C#reeling from dD7/F#ecimated drGeams

Your misery and hDate will kill us aAll

So pDaint it black and A/C#take it back

Let’s sBmhout it loud and Gclear

DefiGant to the eDnd we hear the caAll

To carry oDn, we’ll A/C#carry Bmon

And thoAugh you’re Gdead and gone believe me

Your mAemory will carry oDn, we’ll A/C#carry Bmon

And Athough you’re Gbroken and defeated

Your weAary widow maArchGes

Bridge

F#7On and on we carry through the fBmears, oh oh oh

F#7Disappointed faces of your Bmpeers, oh oh oh

GTake a look at me cause I Gmcould Anot cGare aFt aDll

Marching rhythm again

DDo or die, A/C#you’ll never make me

BmBecause the world, Awill never take my heaGrt

When they try, Dthey’ll never break me

GYou want it all, Ayou wanna play this pDart

DI won’t explain, A/C#or say I’m sorry

BmI’m unashamed, AI’m gonna show my scar

GGive a cheer, Dfor all the broken

GListen here, Abecause it’s who we arEe

EI’m just a man, B/D#I’m not a hero

C#mI’m just a boy, Bwho had to sing this song

AI’m just a man, EI’m not a hero

BI, Bdon’t, Bcare

Hard stop on “carry”

We’ll cBarry oEn, we’ll B/D#carry C#mon

And thouBgh you’re dAead and gone believe me

Your mBemory will

Carry Eon, B/D#you’ll carry C#mon

And thBough you’re Abroken and defeated

Your weBary widow marches oEn

EDo or die, B/D#you’ll never make me

C#mBecause the world, Bwill never take my heaArt

AYou can try, you’ll never break me

BYou want it all, you wanna lay this part

EDo or die, B/D#you’ll never make me

C#mBecause the world, Bwill never take my heaArt

AYou can try, you’ll never break me

BYou want it all, you wanna lay this parEt

Nickelback - Rockstar (2005) Transpose up Transpose down

Originally in G, I play in E

Vox on the 3 on “standing” (and most of this line)

I’m through with Estanding in line to clubs I’ll never get in

Vox on the 5 of the key (2 of the chord) on “bot”

It’s like the Abottom of the ninth and I’m never gonna win

This Dlife hasn’t turned out quite the way I want it to Ebe (tell me what you want)

I want a Ebrand new house on an episode of Cribs

And a Abathroom I can play baseball in

And a Dking size tub big enough for ten plus Eme (what you need?)

I’ll need a, a Ecredit card that’s got no limit

And a Abig black jet with a bedroom in it

Gonna Djoin the mile high club at thirty seven thousand fEeet

I want a Enew tour bus full of old guitars

My own Astar on Hollywood Boulevard

SomeDwhere between Cher and James Dean is fine for Eme (so how you gonna do it?)

Vox on the 3 of the chord on “trade”

I’m gonna Gtrade this life for fortune and fame

Vox stays where it was, now the 2 of the chord on “cut”

I’d even Acut my hair and change my name

Vox on the 1 on “all”

‘Cause we Eall just wanna be big rockstars

And live in Ghilltop houses driving fifteen cars

The Agirls come easy and the drugs come cheap

We’ll Call stay skinny ‘cause we Djust won’t eat

And we’ll, Ehang out in the coolest bars

In the GV.I.P. with the movie stars

Every Agood gold digger’s gonna wind up there

Every CPlayboy bunny with her Dbleach blond hair, and well

GHey, hey, AI wanna be a rockEstar

Let ring

GHey, hey, AI wanna be a rockEstar

I wanna be grEeat like Elvis without the tassels

Hire eAight body guards that love to beat up assholes

Sign a coDuple autographs

So I can eat my meals for frEee

I’m gonna drEess my ass with the latest fashion

Get a frAont door key to the Playboy mansion

Gonna dDate a centerfold that loves

To blow my money for mEe (so how you donna do it?)

I’m gonna Gtrade this life for fortune and fame

I’d even Acut my hair and change my name

‘Cause we Eall just wanna be big rockstars

And live in Ghilltop houses driving fifteen cars

The Agirls come easy and the drugs come cheap

We’ll Call stay skinny ‘cause we Djust won’t eat

And we’ll, Ehang out in the coolest bars

In the GV.I.P. with the movie stars

Every Agood gold digger’s gonna wind up there

Every CPlayboy bunny with her Dbleach blond hair, and well

And we’ll Ehide out in the private rooms

With the laGtest dictionary of today’s who’s who

They’ll gAet you anything with that evil smile

EverybCody’s got a drug dealer onDspeed dial well

GHey, hey, AI wanna be a rockEstar

Bridge

I’m gonna Csing those songs that offend the censors

Gonna Gpop my pills from a pez dispenser

Get Cwashed-up singers writing all my songs

Lip Async ‘em every night so I don’t Dget ‘em wrong

Let ring

‘Cause we Eall just wanna be big rockstars

And live in Ghilltop houses driving fifteen cars

The Agirls come easy and the drugs come cheap

We’ll Call stay skinny ‘cause we Djust won’t eat

Band back in

And we’ll, Ehang out in the coolest bars

In the GV.I.P. with the movie stars

Every Agood gold digger’s gonna wind up there

Every CPlayboy bunny with her Dbleach blond hair

And we’ll Ehide out in the private rooms

With the laGtest dictionary of today’s who’s who

They’ll gAet you anything with that evil smile

EverybCody’s got a drug dealer onDspeed dial well

GHey, hey, AI wanna be a rockEstar

GHey, hey, AI wanna be a rockEstar

Nine Days - Absolutely (2000) Transpose up Transpose down

Originally in C, I play in G capo 2

This is the Gadd9story of a girl D

Who cried a river and E7sus4drowned the whole world A

And while she F#mlooks so sad in Gadd9photographs

I E7sus4absolutely love her

When she Dsmiles

DAGadd9DAGadd9

F#mHow many days in a year Gadd9

She Dwoke up with hope but she Aonly found tears

And F#mI can be so inGadd9sincere

DMaking the promises Anever for real

As F#mlong as she stands there waiting Gadd9

DWearin’ the holes in the Asoles of her shoes

F#mHow many days disappear Gadd9

When you Dlook in the mirror, so Ahow do you choose

Your Bm7clothes never wear as Asus4/C#well the next day

And your Dhair never falls in E7sus4quite the same way

And Bm7you never seem to Asus4/C#run out of things to E7sus4say

This is the Gadd9story of a girl D

Who cried a river and E7sus4drowned the whole world A

And while she F#mlooks so sad in Gadd9photographs

I E7sus4absolutely love her

When she Dsmiles

DAGadd9DAGadd9

Now F#mhow many lovers would stay Gadd9

Just to Dput up with this everyAday and all day

F#mHow did we wind up this Gadd9way

DWatching our mouths for the Awords that we say

As F#mlong as we stand here Gadd9waiting

DWearing the clothes of the Asouls that we choose

F#mHow do we get there Gadd9today

When we’re Dwalking too far for the price of Aour shoes

Your Bm7clothes never wear as Asus4/C#well the next day

And your Dhair never falls in E7sus4quite the same way

But Bm7you never seem to Asus4/C#run out of things to E7sus4say

This is the Gadd9story of a Dgirl

Who cried a river and E7sus4drowned the whole world A

And while she F#mlooks so sad and Gadd9lonely there

I E7sus4absolutely love her

When she Bm7smiles

Bm7A/C#DE7sus4

Bm7A/C#E7sus4E7sus4

Solo

F#mGadd9DAx4

Well your Bm7clothes never wear as Asus4/C#well the next day

And your Dhair never falls in E7sus4quite the same way

Bm7You never seem to Asus4/C#run out of things to E7sus4say

Quiet

This is the Gadd9story of a Dgirl

Who cried a river and E7sus4drowned the whole world A

And while she F#mlooks so sad in Gadd9photographs

I E7sus4absolutely love her

Band back in

This is the Gadd9story of a girl D

Her pretty face she E7sus4hid from the world A

And while she F#mlooks so sad and Gadd9lonely there

I E7sus4absolutely love her

This is the Gadd9story of a... girl D

Who cried a river and E7sus4drowned the whole world A

And while she F#mlooks so sad in Gadd9photographs

I E7sus4absolutely love her

When she Dsmiles

DAGadd9D

AWhen Gadd9she smiDles

AGadd9D

Norah Jones - Don't Know Why (2002) Transpose up Transpose down

Originally in Bb, I play in A

Intro

Amaj7A7DC#augF#m7B7E7E7add9

I Amaj7waited ‘tA7il I sDmaj7aw the sun C#aug

F#m7I don’t know B7why I didE7sus4n’t come A

Amaj7I left you bA7y the housDmaj7e of fun C#aug

F#m7I don’t know B7why I dE7sus4idn’t come A

I F#m7don’t know B7why I dE7sus4idn’t come A

Amaj7When I sA7aw the bDmaj7reak of day C#aug

F#m7I wished that B7I could E7sus4fly away A

InstAmaj7ead of kneA7eling Dmajin the sand C#aug

F#m7Catching B7teardrops E7sus4in my haAnd

My hearF#m7t is B7drenched in wEine E7

But youF#m7‘ll be B7on my mindE7

E7/DForA/C#evE/Ber

Amaj7Out acA7ross the enDmaj7dless seaC#aug

F#m7I would B7die in ecE7sus4stasy A

Amaj7But I’ll A7be a Dmaj7bag of bones C#aug

F#m7Driving dowB7n the road E7sus4alone A

F#m7My heart is B7drenched in wEine E7

But F#m7you’ll beB7on my mE7ind

FAmaj7or evA7er E/B

Solo on verse chords

Amaj7A7DC#augF#m7B7E7E7add9

Amaj7A7DC#augF#m7B7E7E7add9

Amaj7Something hasA7to make youDmaj7run C#aug

F#m7I don’t know B7why I didE7sus4n’t comeA

Amaj7I feel as eA7mpty as Dmaj7a drum C#aug

F#m7I don’t know B7why I diE7dn’t come A

I F#m7don’t know B7why I diE7dn’t comeA

I dF#m7on’t know B7why I diE7sus4dn’t come A

Old Crow Medicine Show - Wagon Wheel (2004) Transpose up Transpose down

Originally in A, I play in G capo 2

Intro, swung

GDEmC

GDCCx2

Vox start on the 3

I’m Gheaded down south to the Dland of the pines

I’m Emthumbin’ my way into CNorth Caroline

GStarin’ up the road

And Dpray to god I see Cheadlights

I Gmade it down the coast in Dseventeen hours

EmPickin’ me a bouquet of Cdogwood flowers

And I’m a-Ghopin’ for Raleigh

I can Dsee my baby toCnight

So Grock me mama like a Dwagon wheel

EmRock me mama any Cway you feel

GHeyDmama Crock me

GRock me mama like the Dwind and the rain

EmRock me mama like a Csouthbound train

GHeyDmama Crock me

GDEmC

GDCC

GRunnin’ from the cold Dup in New England

I was Emborn to be a fiddler in an Cold-time string band

My Gbaby plays the guitar D

I pick a banjo Cnow

Oh, the GNorth country winters keep a Dgettin’ me now

Lost my Emmoney playin’ poker so I Chad to up and leave

But I Gain’t a-turnin’ back

To Dlivin’ that old life Cno more

So Grock me mama like a Dwagon wheel

EmRock me mama any Cway you feel

GHeyDmama Crock me

GRock me mama like the Dwind and the rain

EmRock me mama like a Csouthbound train

GHeyDmama Crock me

Solo

GDEmC

GDCCx2

Let ring

GWalkin’ to the south Dout of Roanoke

I caught a Emtrucker out of Philly

Had a Cnice long toke

But Ghe’s a-headed west from the DCumberland Gap

To CJohnson City, Tennessee

And I Ggotta get a move on Dfeet for the sun

I hear my Embaby callin’ my name

And I Cknow that she’s the only one

And Gif I die in Raleigh

At Dleast I will die Cfree

So Grock me mama like a Dwagon wheel

EmRock me mama any Cway you feel

GHeyDmama Crock me

GRock me mama like the Dwind and the rain

EmRock me mama like a Csouthbound train

GHeyDmama Crock me

GHeyDmama Cadd9rock me

Olivia Rodrigo - Vampire (2023) Transpose up Transpose down

Originally in F, I play in A

Highest note that matters is the 6 (“bloodsucker”)

Intro, if you’re playing in A, play all the IV’s open and the iv’s as barre

AC#7DDm

Vox on the 5

AHate to give the satisfaction asking how you’re doing C#7now

How’s the castle built off people you pretend to care aDbout, just what you wanted

Look at Dmyou, cool guy, you got it

AI see the parties and the diamonds sometimes when I close my C#7eyes

Six months of torture that you sold as some forbidden paraDdise, I loved you truly

You gotta Dmlaugh at the stupidity

Vox on 9 1 7 5 of the chord on “I’ve made some real”

‘Cause I’ve made some Bmreal big mistakes

But you make the E7worst one look fine

I should’ve Aknown it was strange

You only C#7come out at night

I used to Dthink I was smart

But you made me Dmlook so naive

The way you Asold me for parts

In my key, don’t go up on the “oh”, that’s right at the edge of my range

As you sunk your C#7teeth into me, oh

DBloodsucker, Dmdream crusher

Bleeding me dry like a goddamn vampire

AAnd every girl I ever talked to told me you were bad, bad C#7news

You called them crazy, god, I hate the way I called them crazy Dtoo, you’re so convincing

How do you Dmlie without flinching (How do you lie? How do you lie? How do you lie?)

AOh, what a mesmerizing, paralyzing, messed up little C#7thrill

Can’t figure out just how you do it and god knows I never Dwill, went for me and not her

Hang on “girls”

‘Cause Dmgirls your age know better

I’ve made some Bmreal big mistakes

But you make the E7worst one look fine

I should’ve Aknown it was strange

You only C#7come out at night

I used to Dthink I was smart

But you made me Dmlook so naive

The way you Asold me for parts

As you sunk your C#7teeth into me, oh

DBloodsucker, Dmdream crusher

Bleeding me dry like a goddamn vampire

A

Bridge

Vox on the 3 of the chord on “you said”, 5 of the chord on “love”

DYou said it was true love

Vox stay on the 5 of the chord on “but”

DmBut wouldn’t that be hard

AYou can’t love anyone

‘Cause Ethat would mean you had a heart

DI tried to help you out

DmNow I know that I can’t

A‘Cause how you think’s the kind of Ething

I’ll never underDstand DmAE

I’ve made some Bmreal big mistakes

But you make the E7worst one look fine

I should’ve Aknown it was strange

You only C#7come out at night

I used to Dthink I was smart

But you made me Dmlook so naive

The way you Asold me for parts

As you sunk your C#7teeth into me, oh

DBloodsucker, Dmdream crusher

Bleeding me dry like a goddamn vampire

A

Panic at the Disco - High Hopes (2018) Transpose up Transpose down

Originally in F, I play in A (highest note is the 5)

Intro

DAF#mE

DAF#mC#m

Vox on the 7 on “high”

Had to have Dhigh, high hopes for a Aliving

Vox on the 7 of the new chord (5 of the key) on “stars”

Shooting for the F#mstars when I couldn’t make a Ekilling

Didn’t have a Ddime but I always had a Avision

Always had F#mhigh, high hopesC#m

Had to have Dhigh, high hopes for a Aliving

Didn’t know F#mhow but I always had a Efeeling

I was gonna Dbe that one in a mAillion

Always had F#mhigh, high hopesC#m

DMama said

AFulfill the prophecy

F#mBe something greater

EGo make a legacy

DManifest destiny

ABack in the days

We wanted F#meverything, wanted C#meverything

DMama said

ABurn your biographies

F#mRewrite your history

ELight up your wildest dreams

DMuseum victories, Aeveryday

Last chord is implied

We wanted F#meverything, wanted eC#mverything

Mama Asaid don’t give C#augup, it’s a F#mlittle compDm6licated

All tied Aup, no more C#auglove and I’d F#mhate to see you Dm6waiting

Had to have Dhigh, high hopes for a Aliving

Shooting for the F#mstars when I couldn’t make a Ekilling

Didn’t have a Ddime but I always had a Avision

Always had F#mhigh, high hopesC#m

Had to have Dhigh, high hopes for a Aliving

Didn’t know F#mhow but I always had a Efeeling

I was gonna Dbe that one in a Amillion

Always had F#mhigh, high hopes

DMama said

AIt’s uphill for oddities

F#mStranger crusaders

EAin’t ever wannabes

The Dweird and the novelties

ADon’t ever change

We wanted F#meverything, wanted C#meverything

Melody to triplets

DStay up on that Arise

Stay up on that F#mrise and never come Edown, oh

DStay up on that Arise

Last chord is implied

Stay up on that F#mrise and never come Edown

Mama Asaid don’t give C#augup, it’s a F#mlittle compDm6licated

All tied Aup, no more C#auglove and I’d F#mhate to see you Dm6waiting

They say it’s Aall been done but they C#aughaven’t seen the best of F#mme - e - e - Dm6e

So I got Aone more run and it’s C#auggonna be a sight to F#msee - e - e - Dm6e

Band out

Had to have Dhigh, high hopes for a Aliving

Shooting for the F#mstars when I couldn’t make a Ekilling

Didn’t have a Ddime but I always had a Avision

Always had F#mhigh, high hopesC#m

Drums in

Had to have Dhigh, high hopes for a Aliving

Didn’t know F#mhow but I always had a Efeeling

I was gonna Dbe that one in a Amillion

Always had F#mhigh, high hopes

Band in

Had to have Dhigh, high hopes for a Aliving

Shooting for the F#mstars when I couldn’t make a Ekilling

Didn’t have a Ddime but I always had a Avision

Always had F#mhigh, high hopesC#m

Had to have Dhigh, high hopes for a Aliving

Didn’t know F#mhow but I always had a Efeeling

I was gonna Dbe that one in a Amillion

Always had F#mhigh, high hopesC#m

Paramore - Still Into You (2013) Transpose up Transpose down

Originally in F, I play in C capo 5 (down an octave)

CCan’t count the years one hand

That we’ve been together

I need the other one to Amhold you

Make you feel, make you feel better

CIt’s not a walk in the park

To love each other

But when our fingers interAmlock

Can’t deny, can’t deny you’re worth it

Quiet

Cause after all this Ftime

I’m Gstill into Cyou

Loud, but not higher than the verse... it feels like you want

to go up, but you don’t.

I should be over all the Fbutterflies G

I’m into Cyou, I’m into you

And baby even on our Fworst nights G

I’m into Cyou, I’m into you

Let ‘em wonder how we Fgot this farG

Cause I don’t really need to Amwonder at aCll

Yeah after all this Ftime

Hard stop on “still”

I’m Gstill into Cyou

CRecount the night that I first

Met your mother

And on the drive back to my Amhouse

I told you that, I told you that I loved ya

CYou felt the weight of the world

Fall off your shoulder

And to your favorite Amsong

We sang along to the start of forever

And after all this Ftime

I’m Gstill into Cyou

I should be over all the Fbutterflies G

But I’m into Cyou, I’m into you

And baby even on our Fworst nightsG

I’m into Cyou, I’m into you

Let ‘em wonder how we Fgot this farG

Cause I don’t really need to Amwonder at aCll

Yeah after all this Ftime

No hard stop this time

I’m Gstill into Cyou

CCAmG

CCAmG

CSome things just

CSome things just make sense

And Amone of those is Gyou and I

CSome things just

CSome things just make sense

And Ameven after Gall this time

Quiet until the chorus

FG

I’m into Cyou

Baby not a Fday goes by that

I’m Gnot into yCou

I should be over all the Fbutterflies G

But I’m into Cyou, I’m into you

And baby even on our Fworst nightsG

I’m into Cyou, I’m into you

Let ‘em wonder how we Fgot this farG

Cause I don’t really need to Amwonder at aCll

Yeah after all this Ftime

I’m Gstill into Fyou

I’m Gstill into yFou

Last I is implied

I’m Gstill into Cyou

Parsonsfield - Weeds or Wildflowers (2013) Transpose up Transpose down

Originally in B, I play in G

Intro

GBCDx2

Vox on the 3 on “long”

Well I came aGlong to Bfind a lCittle peace of mGind

NegleGctin’ all mBy duties, steppin’ oCff that straightened linGe

Now I just sGit by my froBnt door filled with indoEmlence and sA7ound

It’s like I’m waGtchin’ the weedsDgrow on my browG

And I had a pureGpotentiBal in a Csoiled white shiGrt

With lovGe enough to kiBll me, but was unsCure of its worthG

And though the nGight is Bsweetened by some risingEmof the A7moon

I’ve lived enougGh to know the baDttle’s never thrGough

Hard stop on “pass”

You passCsomething doGwn, no maDtter where or hoGw

Will there be weCeds or wGildflowers affixDed upon your bows

And there’s a cCrooked burning cGigarette rollEmin’ on your tongA7ue

Will there be weGeds or wildfloweDrs when you’re dGone

GBCDx2

Remember you traGveled through the dBesert, you trCaveled to the seGa

Lookin’ Gout on some horiBzon, asking whatCyou mean to mGe

And we aGll hang aroBund with a frEmee or toiled mA7ind

While alGl of our Dbranches entwinGe

And as I Gwatch the bBrick erCode from day to dGay

The leavGes change their Bcolors and the lCoft fills with hGay

And as a bGlade of suBnshine cuEmts across my chestA7

The blooGd beneath bDoils with unrGest

You passCsomething doGwn, no maDtter where or hoGw

Will there be weCeds or wGildflowers affixDed upon your bows

And there’s a cCrooked burning cGigarette rollEmin’ on your tongA7ue

Will there be weGeds or wildfloweDrs when you’re dGone

Bridge

With “dah”

GBCDx3

GBEmA7

Blown abCout by the wiGnd, and a woDrthless little thinGg

But the Cworld can feel the chGanges of a Dbutterfly’s wing

And so that Ccrooked burning cGigarette roEmllin’ on your tonguA7e

Will leave its wGeeds before your Dflowers yet have sGprung

With hard stops

Will there be weGeds or wildfloweDrs when you’re dGone

Patent Pending - Hey Mario (2013) Transpose up Transpose down

Originally in A, I play in G

Intro, in chiptune

GDGC/E

C/EC/EGDGC/E

C/EC/EG

Vox on the 3

I Gknow you think you love her, but dude it’s Dsuch a Gbummer

How you C/Echase that girl around

You’ve been fGighting all her battles, if she’s Dreally worth the Ghassle

You’d be C/Eliving in the castle by now

Vox up to the 5

And it Gmakes me sick how you Dbreak these bGricks

For a C/Egirl who barely knows you exist

Now you’re Gtripping on mushrooms Djust for fGun

Hard stop on “dude”

C/EDude, I think you’ve got a problem

Vox on 5 3 3 on “Mario”

Cmaj7Mario, Gget yourself togDether bro

You’ve Emgot to know this Cmaj7princess isn’t Gworth these extra Dlives

Just let her Cgo go MariGo, you’re a Dnext level Embro

Hard stop at the end of this line

And she’s a Ajump too short when the clock is running Clow

Hey MariGo, geDt yoursGelf togC/Eether

Hey MariGo, or you’ll Dchase this Ggirl forC/Eever

GWarp zone, friend zone, Dhigh score, nGo more

C/EStalking this chick in a Koopa Trooper town

GLive life easy Dlike LuiGgi

Ain’t C/Enever let a girl get him down

Let GKoopa keep her bro, grab a fDlower and gGo

We’ll jump a C/Eflag pole and light up the night

Hit Grainbow road with DToad, we Gspinning them

CTires, and spitting hot fire

Vox on 5 3 3 on “Mario”

Cmaj7Mario, Gget yourself togDether bro

You’ve Emgot to know this Cmaj7princess isn’t Gworth these extra Dlives

Just let her Cgo go MariGo, you’re a Dnext level Embro

But the APeach been cheating and you know I ain’t talking code CD

Bridge

Vox on 5 5 6 5 on “you’re a plumber”

You’re a Cplumber, a Gdoctor, a rEmace car dDriver

An aCthlete, a sGpaceman, a SEmuper Smash survDivor

You’ve got cCoins like mad, get a bDachelor pad down in cEmocoa beach where the hAoneys at

Yeah, gCet up, get up, get off the floor

DShe’s not the one worth dying for

Cmaj7Mario, Gget yourself togDether bro

You’ve Emgot to know this Cmaj7princess isn’t Gworth these extra Dlives

Just let her Cgo go MariGo, you’re a Dnext level Embro

And she’s a Ajump too short when the clock is running Clow D

Hey MariCmaj7o, Gget yourself togDether bro

You’ve Emgot to know this Cprincess isn’t Gworth these extra Dlives

Just let her Cgo go MariGo, you’re a Dnext level Embro

But the APeach been cheating and you know I ain’t talking Ccode D

Hey MariGo, geDt yoursGelf togC/Eether

Hey MariGo, or you’ll Dchase this Ggirl forC/Eever

End a cappella, chord is implied

Hey MariGo

Pharrell Williams - Happy (2013) Transpose up Transpose down

Originally in F, I play in A

Intro

EEEE

All the I’s have the b3 in the vox, so you could argue they’re all 7#9’s

Play in b3 between the I and the IV7

EIt might seem crazy what I’m ‘bout to say EA7B7A7

ESunshine she’s here, you can take a break EA7B7A7

I’m a, Ehot air balloon, that could go to space EA7B7A7

With the Eair, like I don’t care, baby by the way, huh EA7B7A7

“Happy” and “clap along”... in fact this whole line... on the 3 of the first chord

Because I’m haCppy, clap along Bm7if you feel, like a rBm7oom without a rEoof

Because I’m haCppy, clap along Bm7if you feel like, hapBm7piness is the trEuth

Because I’m haCppy, clap along Bm7if you know what, hapBm7piness is to yEou

Because I’m haCppy, clap along Bm7if you feel like, tBm7hat’s what you want to Edo

EHere come bad news, talking this and that EA7B7A7

EGive me all you got, don’t hold it back EA7B7A7

EWell I should probably warn you, I’ll be just fine EA7B7A7

ENo offense to you, don’t waste your time, here’s why EA7B7A7

Because I’m haCppy, clap along Bm7if you feel, like a rBm7oom without a rEoof

Because I’m haCppy, clap along Bm7if you feel like, hapBm7piness is the trEuth

Because I’m haCppy, clap along Bm7if you know what, hapBm7piness is to yEou

Because I’m haCppy, clap along Bm7if you feel like, tBm7hat’s what you want to dEo

EBring me down, can’t nothing

EBring me down, and love is too

EHigh, to bring me down, can’t nothing

EBring me down, I said, tell you now

EBring me down, and love is too

EHigh, to bring me down, can’t nothing

EBring me down, I said

Because I’m haCppy, clap along Bm7if you feel, like a rBm7oom without a rEoof

Because I’m haCppy, clap along Bm7if you feel like, hapBm7piness is the trEuth

Because I’m haCppy, clap along Bm7if you know what, hapBm7piness is to yEou

Because I’m haCppy, clap along Bm7if you feel like, tBm7hat’s what you want to Edo

Because I’m haCppy, clap along Bm7if you feel, like a rBm7oom without a rEoof

Because I’m haCppy, clap along Bm7if you feel like, hapBm7piness is the trEuth

Because I’m haCppy, clap along Bm7if you know what, hapBm7piness is to yEou

Because I’m haCppy, clap along Bm7if you feel like, tBm7hat’s what you want to Edo

EBring me down, can’t nothing

EBring me down, and love is too

EHigh, to bring me down, can’t nothing

EBring me down, I said, tell you now

Because I’m haCppy, clap along Bm7if you feel, like a rBm7oom without a rEoof

Because I’m haCppy, clap along Bm7if you feel like, hapBm7piness is the trEuth

Because I’m haCppy, clap along Bm7if you know what, hapBm7piness is to yEou

Because I’m haCppy, clap along Bm7if you feel like, tBm7hat’s what you want to Edo

Because I’m haCppy, clap along Bm7if you feel, like a rBm7oom without a roEof

Because I’m haCppy, clap along Bm7if you feel like, hapBm7piness is the trEuth

Because I’m haCppy, clap along Bm7if you know what, hapBm7piness is to yEou

Because I’m haCppy, clap along Bm7if you feel like, tBm7hat’s what you want to Edo

Phillip Phillips - Home (2012) Transpose up Transpose down

Originally in C, I play in G capo 3

Intro

GCsus2GCsus2

Vox on the 1

GHold on, Csus2to me as we goGCsus2

As we Groll down, Csus2this unfamiliar roadGCsus2

And although this Emwave, Csus2is stringing us alongGCsus2

Just Gknow G/F#you’re Em7not Dsus4aloneEm

Cause I’m gonna Cmake G/Bthis D/Aplace your Ghome

Vox on the 3 on “settle down”

GSettle down, Csus2it will all beGclearCsus2

GDon’t pay no mind to the Csus2demons they fill you with Gfear Csus2

Vox still on the 3 of the key on “trouble”

EmTrouble it might drag you Cdown

If you get Glost you can always be Dfound

Just Gknow G/F#you’re Em7not Dsus4aloneEm

Cause I’m gonna Cmake G/Bthis D/Aplace your Ghome

Bridge, with “oh”

CGEmD

CGDD

CGEmD

CGDD

CGEmD

CGDD

GSettle down, Csus2it will all be Gclear Csus2

GDon’t pay no mind to the Csus2demons they fill you with Gfear Csus2

The Emtrouble it might drag you Cdown

If you get Glost you can always be Dfound

Just Gknow G/F#you’re Em7not Dsus4aloneEm

Cause I’m gonna Cmake G/Bthis D/Aplace your Ghome

CGEmD

CGDD

CGEmD

CGDD

CGEmD

CGDD

Pink - Get the Party Started (2001) Transpose up Transpose down

Originally in Bm, I play in Em capo 3; vox mostly only go up to the 5, but there’s a lot of 6 → 5 (“co*ming up*”)

The whole song is basically just the i the entire time in the original

Intro

EmEm/DEm/C#CD

Vox on 1 3 6 5 on “I’m coming up”

EmI’m Em/Dcoming up so you Em/C#better get this party startedCD

EmI’m Em/Dcoming up so you Em/C#better get this party startedCB

Vox on the 5 on “get”

Get this party Emstarted on a Saturday nEm/Dight

Ev’rybody’s Em/C#waiting for me to arriveCB

Sending out the Emmessage to all of my frEm/Diends

We’ll be looking Em/C#flashy in my Mercedes BenzCB

I got lots of Emstyle, check my gold diamond rEm/Dings

I can go for Em/C#miles if you know what I meanCD

EmI’m Em/Dcoming up so you Em/C#better get this party startedCD

EmI’m Em/Dcoming up so you Em/C#better get this party startedCB

Pumping up the Emvolume, breaking down to the beEm/Dat

Cruising through the WEm/C#est side, we’ll be checking the sceneCB

Boulevard is fEmreaking as I’m coming up faEm/Dst

I’ll be burning Em/C#rubber, you’ll be kissing my assCB

Pull up to the Embumper, get out of the cEm/Dar

License plate says Em/C#stunner number one superstarCD

EmI’m Em/Dcoming up so you Em/C#better get this party startedCD

EmI’m Em/Dcoming up so you Em/C#better get this party startedCB

EmI’m Em/Dcoming up so you Em/C#better get this party startedCD

EmI’m Em/Dcoming up so you Em/C#better get this party startedCB

Making my conEmnection as I enter the rEm/Doom

Everybody’s cEm/C#hilling as I set up the grooveCB

Pumping up the Emvolume with this brand new Em/Dbeat

Everybody’s dEm/C#ancing and they’re dancing for meCB

I’m your operEmator, you can call anytiEm/Dme

I’ll be your conEm/C#nection to the party lineCD

EmI’m Em/Dcoming up so you Em/C#better get this party startedCD

EmI’m Em/Dcoming up so you Em/C#better get this party startedCB

Plain White T's - Hey There Delilah (2005) Transpose up Transpose down

Originally in D, I play in C capo 1

Intro

CEmCEm

CHey there Delilah

What’s it Emlike in New York City?

I’m a Cthousand miles away

But girl toEmnight you look so pretty

Yes you Amdo G

FTimes Square can’t Gshine as bright as Amyou

I swear it’s Gtrue

CHey there Delilah

Don’t you Emworry about the distance

I’m right Cthere if you get lonely

Give this Emsong another listen

Close your Ameyes G

FListen to my Gvoice it’s my disAmguise

I’m by your Gside

COh it’s what you do to Amme

COh it’s what you do to Amme

COh it’s what you do to Amme

COh it’s what you do to Amme

What you do to Cme

C

CHey there Delilah

I know Emtimes are getting hard

But just beClieve me girl some day

I’ll pay the Embills with this guitar

We’ll have it Amgood G

FWe’ll have the Glife we knew we Amwould

My word is Ggood

CHey there Delilah

I’ve got Emso much left to say

If every Csimple song I wrote to you

Would Emtake your breath away

I’d write it Amall G

FEven more in Glove with me you’d Amfall

We’d have it Gall

COh it’s what you do to Amme

COh it’s what you do to Amme

COh it’s what you do to Amme

COh it’s what you do to Amme

Bridge, vox on the 1 of the chord

A Fthousand miles seems pretty far

But Gthey’ve got planes and trains and cars

I’d Cwalk to you if I had no other Amway

Our Ffriends would all make fun of us

And Gwe’ll just laugh along because

We Cknow that none of them have felt this Amway

DeFlilah I can promise you

That Gby the time that we get through

Vox to the 5 of the chord on “world”

The Amworld will never ever be the same

And you’re to Gblame

CHey there Delilah you be Emgood and don’t you miss me

Two more Cyears and you’ll be done with school

And EmI’ll be making history

Like I AmdoG

FYou’ll know it’s Gall because of Amyou G

FWe can do whatGever we want Amto G

FHey there DeGlilah here’s to Amyou

This one’s for Gyou

G

COh it’s what you do to Amme

COh it’s what you do to Amme

COh it’s what you do to Amme

COh it’s what you do to Amme

What you do to Cme

Portal - Still Alive (2007) Transpose up Transpose down

Originally in D, I play in E capo 2

Let ring, vox enter on the 4 on “this”

This was a trEiumph C#mE

I’m C#mmaking a noteEhere

C#mHUGE SUCCESSEC#m

It’s F#mhard to overstatB7e my satisEfaction C#mE

C#mAperture ScEience C#mE

We C#mdo what we mustEbecauseC#mwe canEC#m

F#mFor the good of B7all of us except the Cones who are dead

But there’s Gno sense Dcrying over Cevery misGtake

You just Gkeep on Dtrying until you Crun out of Gcake

And the Amscience gets Ddone and you Gmake a D/F#neat Emgun

Band enters on the I at the end of this line

For the Cpeople who arB7e still alEive

EC#mEC#m

EC#mE

I’m C#mnot even Eangry C#mE

C#mI’m being soEsincerC#me right Enow C#m

F#mEven though you B7broke my heart and kEilled mC#me E

And C#mtore me to piEeces C#mE

And C#mthrew every pieceEintC#mo a fireEC#m

F#mAs they burned, it B7hurt because I was so Chappy for you

Now these Gpoints of Ddata make a Cbeautiful Gline

And we’re Gout of Dbeta, we’re reCleasing on Gtime

So I’m CGLaD I got Dburned, think of Gall the D/F#things we Emlearned

For the Cpeople who arB7e still alEive

EC#mEC#m

EC#mE

Let ring

C#mGo ahead and leaveEmeC#mE

I C#mthink I preferEto staC#my insideEC#m

F#mMaybe you’ll find B7someone else to helpEyou C#mE

C#mMaybe Black MEesa C#mE

C#mThat was a jEoke, hahaC#m, fat chanceEC#m

F#mAnyway, this B7cake is great, it’s so deClicious and moist

Look at Gme, still Dtalking when there’s Cscience to Gdo

And I loGok out Dthere, it makes me CGLaD I’m not yGou

I’ve exCperiments to rDun, there is rGesearch D/F#to be dEmone

On the Cpeople who aB7re still aElive

C#mAnd beliEeve me, I C#mam still alEive

C#mI’m doing Escience and C#mI’m still alEive

C#mI feel FANETASTIC and C#mI’m still alEive

C#mWhile you’re Edying I’ll C#mbe still alEive

C#mAnd when you’re Edead I will C#mbe still aliEve

C#mStill aliEve

The last I is implied

C#mStill aliEve

Portal - Want You Gone (2011) Transpose up Transpose down

Originally in A, I play in G

In G, play the main riff as:

G 355xxx

G(b5) 345xxx

C x355xx

Eb6 655xxx

Intro

GGGG(b5)

CCCCD#6

Vox on 5 1 2 3 4 3 on “well here we are again”

GWell here we are agaG(b5)in

CIt’s always such aD#6pleasure

GRemember when yG(b5)ou tried to kCill me twDice?

GOh how we laughed andG(b5)laughed

CExcept I wasn’tD#6laughing

Vox on 1 (high) 6 b6 3 2 b2 of the original key on “I’ve been shockingly nice”

GUnder the circuG(b5)mstances CI’ve been sBhockingly niEce

Vox on 3 4 5 5 3 2 1 of the new key

EF#mYou want your G#mfreedom Atake it

EF#mThat’s what I’m counG#mting on A

EF#mI used to G#mwant you Adead but

AmNow I only Dwant you Ggone

GGGG(b5)

CCCCD#6

GShe was a lot liG(b5)ke you

CMaybe not quite aD#6s heavy

GNow little CarolyG(b5)n is iCn here toDo

GOne day they woke mG(b5)e up

CSo I could live forD#6ever

GIt’s such a shame theG(b5)same will Cnever hBappen to yEou

EF#mYou’ve got your G#mshort sad Alife left

EF#mThat’s what I’m G#mcounting on A

EF#mI’ll let you geG#mt right tAo it

AmNow I only Dwant you Ggone

GGGG(b5)

CCCCD#6

GGoodbye my onlG(b5)y friend

Instruments drop out on this line, chords implied

COh did you think ID#6meant you?

GThat would be funnG(b5)y if it Cweren’t so sDad

GWell you have been rG(b5)eplaced

CI don’t need anyD#6one now

GWhen I delete yoG(b5)u maybe CI’ll stop Bfeeling so Ebad

EF#mGo make some G#mnew disaAster

EF#mThat’s what I’m G#mcounting on A

EF#mYou’re someone G#melse’s pAroblem

AmNow I only Dwant you Ggone Em

CNow I only Dwant you Ggone Em

CNow I only Dwant you Ggone

Rachel Platten - Better Place (2016) Transpose up Transpose down

Originally in C, I play in G

Intro

GG/F#Em7G/B

Csus2Dsus4GG

Vox on 3 3 4 5 on “I’ll tell the world”

GI’ll tell the worlG/F#d, I’ll sing a songEm7

It’s a better placeG/Bsince you came alongCsus2

Dsus4Since you came alongG

GYour touch is sG/F#unlight through the treesEm7

Your kisses aG/Bre the ocean breezeCsus2

Everything’s alrightDsus4when you’re with meG

Vox on 1 7 6 5 3 on “ah ah ah ah ah”

And ah ah aCh ah ahGyou’re my fDsus4avorite thing D

Ah ah aCh ah ahGall the loDsus4ve that you bring D

Well it Cfeels like I’ve Gopened my Dsus4eyes again D

And the Ccolors are Ggolden and Dsus4bright again D

There’s a Csong in my Gheart, I feel Blike I belEmong

CIt’s a better placDe since you came alEmong EmD

CIt’s a better placDe since you came alGong

GI see the G/F#whole world in your Em7eyes

It’s like I’ve knG/Bown you all my lifCsus2e

Dsus4We just feel so rGight D

GSo I pour my G/F#heart into your hEm7ands

It’s like you reaG/Blly understanCsus2d

Dsus4You love the way I aGm

And ah ah aCh ah ahGyou’re my fDsus4avorite thing D

Ah ah aCh ah ahGall the haDsus4ppiness you bring D

Well it Cfeels like I’ve Gopened my Dsus4eyes again D

And the Ccolors are Ggolden and Dsus4bright again D

And the Csun paints the Gskies and the Bwind sings her Emsong

CIt’s a better placDe since you came alEmong

CIt’s a better placDe since you came alGong GAmBmC

I skip this part

COoh ooh Dooh ooh ooEmh

Ah ah ahAmBmah Cah

COoh ooh Dooh ooh ooEmh

Vox on 3 3 5 (low) 6 on “now I’m alright”

Now I’m alCadd2right, now I’m alriCadd2ght

Everything’s alCri-i-iD-i-iEmght

Cause it fCeels like I’ve oGpened my eDsus4yes again D

And the Ccolors are Ggolden and Dsus4bright again D

There’s a Csong in my Gheart, I feel Blike I beEmlong

CIt’s a better placDe since you came alEmong

Let ring

CIt’s a better placDe since you came alGong

Ray Charles - Do I Ever Cross Your Mind (2004) Transpose up Transpose down

Originally in D, I play in G, unless there’s a male/female

duet, in which case I play in D.

GCGD7

Do I Gever cross your mind?

Darlin’, do you Dever see

Some situation somewhere, somehow

That triggers your Gmemory

GAnd do you ever wonder G7

What became of Call the time?Cm

Honey, Gdo I ever, Dever cross your Gmind?

Gdim7F#dim7/G

Do you Gever want to know

Do all dreams go on Dendlessly?

Or do they just run down somehow

And gradually become a Gcustody

Of that Gmelancholy jailer G7

For all the Ctime,Cmoh no

Do I Gever, darlin’, Dever cross your Gmind G7

In D: male vocal on B, female on D

Do I Cever cross your mind

UninvitedGB

When you’re Emlonely EmMaj7

Or does it Em7only Ahappen to DmeD7

Darlin’, do you Gever want to know

What became ofCall the time?Cm

I wanna know, do I Gever

DEver cross your Gmind?

Solo, or repeat bridge

CGBEmEmMaj7Em7AD7

Do you Gever wonder

G7What became ofCall the time?Cm

Please tell me, do I Gever

DEver cross your Gmind?

Gdim7F#dim7/G

Do I Gever,Dever cross your Gmind?

FG

Red Hot Chili Peppers - By the Way (2002) Transpose up Transpose down

Originally in F, I play in E

Intro

EB/D#G#mG#m

Vox on the 5

EStanding in line to see the B/D#show tonight

And there’s a G#mlight on, heavy glow

EBy the way I B/D#tried to say I’d G#mbe there, waiting for

EDani the girl is singing B/D#songs to me

Beneath the G#mmarquee, overload

Launch into metal freakout mode

C#m

Yelled, not pitched

C#mSteak knife, card Shark

C#mCon job, boot cut

Rapped

C#mSkin that flick, she’s such a little DJ

C#mGet there quick by street but not the freeway

C#mTurn that trick to make a little leeway

C#mBeat that nic but not the way that we play

C#mDog town, blood bath

C#mRib cage, soft tail

EStanding in line to see the Bshow tonight

And there’s a C#mlight on, heavy glow

EBy the way I Btried to say I’d G#mbe there, Awaiting for

C#m

C#mBlack jack, dope sick

C#mPawn shop, quick pick

C#mKiss that girl, I know you want to hold one

C#mNot on strike, but I’m about to bowl one

C#mBite that mic, I know you never stole one

C#mGirls that like a story so I told one

C#mSong bird, main line

C#mMain line, hard top

Drums out

EStanding in line to see the Bshow tonight

And there’s a G#mlight on, heavy glow

EBy the way I Btried to say I’d G#mbe there, waiting for

Drums fade back in

EDani the girl is singing Bsongs to me

Beneath the G#mmarquee, of her soul

EBy the way I Btried to say I’d G#mbe there, waiting for

C#m

C#mOoh, ah, guess you never meant it

C#mOoh, ah, guess you never meant it

C#mOoh, ah, guess you never meant it

C#mOoh, ah, guess you never meant it

C#mOoh, ah, guess you never meant it

C#mOoh, ah, guess you never meant it

C#mOoh, ah, guess you never meant it

C#mOoh, ah

EStanding in line to see the Bshow tonight

And there’s a C#mlight on, heavy glow

EBy the way I Btried to say I’d G#mbe there, Awaiting for

EDani the girl is singing Bsongs to me

Beneath the C#mmarquee, of her soul

EBy the way I Btried to say I G#mknow you, Afrom before

Let ring

EStanding in line to see the Bshow tonight

And there’s a lC#might on, heavy glow

EBy the way I Btried to say I’d G#mbe there, Awaiting for

C#m

Remember Monday - Famous (2024) Transpose up Transpose down

Originally in G#, I play in G, and sing the chorus an octave down

The lines all roll together, whatever line you’re on, remember that the next line starts with the I

Intro

GGEmC

Hard stop on the IV

GGEmC

Vox on 1 5 on “you said”

GYou said you’re Emdifferent from Call the rest

GWell, you’re right, ‘cause I wEmish the others Call the best

GAs for you, I Emhate ya, so do aCll my friends

Hang on “vindication”, the IV is implied

I nGeed more than a village to get Emvindication C(wish I had)

Way down to 5 1 1 on “audience”

Wish I had an Gaudience for my EmgrievanceCs

To hear Gall the stuff you Emput me through C

They’d make Gyour life hell, an onliEmne show and telCl

Hard stop on “yeah”, vi and IV are implied

Of your Ginfidelity yeah, Emthat’d be cool C

Vox on 5 2 on “hurt me”

GYou hurt me so Embad, I wanCna get famous

GJust to get you bEmack and make eCveryone hate ya

GLook at the crowd, they’re singin’ oEmut, screamin’ that Cyou’re to blame

GYou wanted attention, you got it noEmw, they Cknow just what your nGame is

GBabEmy, Cyou make me wanna get Gfamous

Hard stop before the IV, the IV is implied

GEmCYou make me wanna get

GA penthouse, rich fEmriends in the cCity

Throwin’ iGnvite-only Emparties for the glCitzy

PaparGazzi takin’ pictures for the pEmapers, writin’ Cyou’re a pity

Hard stop on “lose”

GHeadline how’d he Glose someone so pretty?

GYou hurt me so Embad, I wanCna get famous

GJust to get you bEmack and make eCveryone hate ya

GLook at the crowd, they’re singin’ oEmut, screamin’ that Cyou’re to blame

GYou wanted attention, you got it noEmw, they Cknow just what your nGame is

GBabEmy, Cyou make me wanna get Gfamous

GBabEmy, Cyou make me wanna get Gfamous

GBabEmy, Cyou make me wanna get Gfamous

GBabEmy C

Bridge

Wish I had an aAm7udience for my gG/Brievances

To hear aCll the stuff you put me through

You never Am7liked my band, but our bG/Biggest fans

Hard stop on “girlfriend”

Are your sCister and your new girlfriend, too

Let ring

GYou hurt me so Embad, I wanCna get famous

GJust to get you bEmack and make eCveryone hate ya

Band back in

GLook at the crowd, they’re singin’ oEmut, screamin’ that Cyou’re to blame

GYou wanted attention, you got it noEmw, they Cknow just what your nGame is

GBabEmy, Cyou make me wanna get Gfamous

GBabEmy, Cyou make me wanna get Gfamous

GBabEmy, Cyou make me wanna get Gfamous

Remember Monday - Happier (2025) Transpose up Transpose down

The range of this song is a monster, so I’m not even making a lot of vocal notes, just enjoy a fun vocal train wreck

Let ring

Vox on 1 2 3 on “dried my eyes”

GI’ve dried my eyes

G/FI’ve cried a river, cried a Em7sea

BelieEve me

Vox on the 4 of the key on “spent”

Oh, I’ve Amspent so many Gnights just wide Dawake

Goin’ Amover all the Gthings I wanna Dsay

Vox on 4 1 4 3 1 3 2 of the key on “you’ve got a moment to spare”

So if Cyou’ve got a G/Bmoment to A7spare

Well, there’s Csomethin’ that G/BI wanna Ashare C/D

At tempo

I’m Ghappy, I’m happy, I’m happy, I’m happy, hapCpy

I’m so Ghappy, I’m happy, I’m happy, I’m happy, hapCpy

I’m happy you’re Ggone, do what you want

Baby, I’m the Conly one that’s turnin’ me on

Hard stop on the V

I’m so Ghappy, I’m happy, I’m happy, I’m happy, hapCpy D

Are you happy for Gme? C

Are you happy for Gme?

GIf you’re wonderin’ who keyеd your car last Cnight

And slashed the tires on your brand nеw Gbike

GI know it’s wrong but, it felt so Cright, and I did it with a smile

It was Gme, yeah, I did it, I don’t regret it

You Cwanna call me crazy, go ahead

So you Cratted me G/Bout to the A7feds

Joke’s on Cyou, he’s aG/Bsleep in my Abed C/D

I’m Ghappy, I’m happy, I’m happy, I’m happy, hapCpy

I’m so Ghappy, I’m happy, I’m happy, I’m happy, hapCpy

I’m happy you’re Ggone, do what you want

Baby, I’m the Conly one that’s turnin’ me on

Hard stop on the V

I’m so Ghappy, I’m happy, I’m happy, I’m happy, hapCpy D

Are you happy for Gme? I’m cool, Cooh

Happier without Gyou, ooh, Cooh

Bridge, let ring

You said Cwe should stay G/Bfriends at the A7end (I’ll think about it)

Well, I’d Crather break G/Bboth of my Alegs

Chord implied here... sort of, melody is on the 3 of the key

C/DI’m C/Dso

GHappy, I’m happy, I’m happy, I’m happy, hapCpy

I’m so Ghappy, I’m happy, I’m happy, I’m happy, hapCpy

I’m happy you’re Ggone, do what you want

Hard stop on “turnin’”

Baby, I’m the Conly one that’s turnin’ me on

I’m so Ghappy, I’m happy, I’m happy, I’m happy, hapCpy D

The actual ending is on a wild outro, simplifying here

Are you happy for Gme? I’m cool, Cooh

Happier without Gyou, ooh, Cooh

G

Remember Monday - What the Hell Just Happened (2025) Transpose up Transpose down

Originally in G, I play in G capo 4

Vox on 5 4 on “someone”

GSomeone lost a shoe

Vox on the 7 of the key on “still”

I’m Bmstill in last night’s make up

All the way down to the 3 of the chord (b7 of the key) on “too”

I’m Emwaking up like, what’s this new tattDmoo?

Vox on 1 5 6 1 of the key on “room is spinning”

Gm7CRoom is spinniCng, Aears are ringing

Hard stop on “clutch”

DClutch my pearls like

What the hell just Ghappened? Bm7B/D#Em

Cmaj7What the hell just Ghappened? Bm7B/D#Em

The I is implied on “liked”

CmNo clue, but I lGiked it

GOne, two, one, two, three

Broke a Gheel, lost my keys, scraped my knee

When I fell from the Cchandelier

Oh, what a Dnight, I don’t mind, it was time

To unwind and I Gvolunteered GD/F#

All triplets for both of these lines

EmLook at me nAow

I’m like C/Dusually keep it clean beauty sleep, sip my tea

What the hell just Ghappened? Bm7B/D#Em

Cmaj7What the hell just Ghappened? Bm7B/D#Em

CWent up on the Groof, jumped into the Bm7pool

B/D#You should do it Emtoo, too, too

Cmaj7What the hell just Ghappened? Bm7B/D#Em

CmNo clue, but I lGiked it

Ripped my Gdress, called my ex, I confess

I’m obsessed, not the bCest idea

Woo-ooh, I’m a Dmess, it’s a trend, in my defense

It’s been a Greal hard year GD/F#

EmFreedom, I wanna Ashave my head, oh

EmFreedom, I’ll paint the Awhole town red, oh

EmFreedom, I wanna Akiss a stranger

Quiet on “happened” this time

C/DWhat the hell just Ghappened? Bm7B/D#Em

Cmaj7What the Cdim7hell just Ghappened? Bm7B/D#Cmaj7

Loud again on “happened”

Cmaj7What the hell just Ghappened Bm7B/D#Em

CWent up on the Groof, jumped into the Bm7pool

B/D#You should do it Emtoo, too, too, too

COh I know that I’m a Gwreck, what did you eBm7xpect?

B/D#You can blame my Emeh-eh-ex

Band out on “happened”, chords implied

Cmaj7What the hell just Ghappened? Bm7B/D#Em

Cmaj7No clue, but I lCmaj7iked iGt

Rob Thomas - Lonely No More (2005) Transpose up Transpose down

Originally in Am, I play in Em capo 2

Intro

EmAmDGD/F#

Hang the last chord

EmAmDB7

Now it Emseems to me

That you Amknow just what to say

But Cmaj7words are only words B7

Can you show me something else?

EmCan you swear to me

That you’ll Amalways be this way

ShoCmaj7w me how you feel B7

Hang on “ever” on the V, the i is implied, 1 silent measure

More than ever, baby Em

EmWell, I don’t wanna be Amlonely no more

DI don’t wanna have to Gpay for this D/F#

EmI don’t want to know the Amlover at my doorD

It’s just another B7heartache on my list

EmI don’t wanna be Amangry no more

DYou do know I could never Gstand for this D/F#

EmSo when you tell me that you Amlove me, know for sureD

I don’t wanna be B7lonely anymore

EmOh, Amoh, Doh, Goh → D/F#oh

EmOh, Amoh, Doh, B7oh

EmNow it’s hard for me

When my Amheart’s still on the mend

Cmaj7Open up to me B7

Instruments out on this line

Like you do your girlfriends

EmAnd you sing to me and it’s Amharmony

Girl, what you do to me is everything

Cmaj7Make me say anything just to get you back again

“Try” is really the beginning of the chorus

B7Why can’t we just Emtry

Em(Try) I don’t wanna be Amlonely no more

DI don’t wanna have to Gpay for this D/F#

EmI don’t want to know the Amlover at my doorD

It’s just another B7heartache on my list

EmI don’t wanna be Amangry no more

DYou do know I could never Gstand for this D/F#

EmSo when you tell me that you Amlove me, know for sureD

I don’t wanna be B7lonely anymore

EmOh, Amoh, Doh, Goh → D/F#oh

EmOh, Amoh, Doh, B7oh

Bridge

What if I was Amgood to you?

What if you were Emgood to me?

What if I could Amhold you till I feel you move

InEmside of me

And what if it was pAmaradise?

And what if we were sEmymphonies?

AmWhat if I gave all my life

To finB7d some way to stand beside you

Em‘Cause I don’t wanna be Amlonely no more

DI don’t wanna have to Gpay for this D/F#

EmI don’t want to know the Amlover at my doorD

It’s just another B7heartache on my list

EmI don’t wanna be Amangry no more

DYou do know I could never Gstand for this D/F#

EmSo when you tell me that you Amlove me, know for sureD

I don’t wanna be B7lonely anymore

With ad lib’d “I don’t want to be lonely”

EmOh, Amoh, Doh, Goh → D/F#oh

EmOh, Amoh, Doh, B7oh

Rob Thomas - This is How a Heart Breaks (2005) Transpose up Transpose down

Originally in Dm, I play in Am

Intro

Am

AmDon’t you wanna go for a ride

Just keep your hands inside

And make the most out of life

Now don’t you take it for gDranted

AmLife is like a mean machine

It made a mess outta me

And left me caught between

Like-an-angry dream I was sDtranded

I was stranded, yeah yeah yeah

And I’m sFteady but I’m starting to shake

And I doGn’t know how much more I can take

AmThis is it now, everybody get down

FThis is all I can take

GThis is how a heart breaks

AmYou take a hit now, you feel it break down

FMake you stay wide awake

GThis is how a heart breaks

Am

AmDon’t you wanna go for a ride

Down to the other side

Feels so good you could cry

Now won’t you do what I Dtold you

I remAmember when you used to be shy

Yeah, once we were so fine

You and I why you gotta make it so Dhard on me

Yeah, it’s hard on me

And I’m Fsorry but it’s not a mistake

And I’m Grunning but you’re getting away

AmThis is it now, everybody get down

FThis is all I can take

GThis is how a heart breaks

AmYou take a hit now, you feel it break down

FMake you stay wide awake

GThis is how a heart breaks

DDThis is how a heart breaks

Trippy samba bridge

AmGFGx 2

AmYou’re nGot the bFest thing Gthat I knewAm

AmNever wasGnever cared tooFmuch for all this hGanging arAmound

AmIt’s jGust the sFame thingGall the tAmime

AmNever getGwhat I want, never Fget you closeGto the end of the Amline

AmYou’re jGust the Fsame thingGthat I knewD

DRight before the time when I was only for you

Solo if appropriate on chorus chords

AmThis is it now, everybody get down

FThis is all I can take

GThis is how a heart breaks

AmYou take a hit now, you feel it break down

FMake you stay wide awake

GThis is how a heart breaks

Santana - Why Don't You and I (2002) Transpose up Transpose down

Originally in Bb, I play in G

Intro

EmB7EmB7EmB7

EmB7Cmaj7Cmaj7B7susB7

Vox on the 3 on “since”

GSince the Dmoment I spotted you

FLike walkin’ round with little Cwings on my shoes

GMy stomach’s Dfilled with the butterfClies, ooh and it’s alright

GBouncin’ Dround from cloud to cloud

FI got the feelin’ like I’m Cnever gonna come down

GIf I said I didn’t Dlike it then you know I Clied

AmEverytime I try to talk to you

CI get tongue-tied

Turns out that Ameverything I say to you

Comes out Cwrong and never comes out right

So I’ll say Gwhy don’t you and DI get together

And Ctake on the world and be together forever

GHeads we wilDl and tails we’ll Ctry again

So I say Gwhy don’t you and DI hold each other

And Cfly to the moon and straight on to heaven

GCause without Dyou they’re never gonna lCet me in

EmB7EmB7EmB7

EmB7Cmaj7Cmaj7B7susB7

GWhen’s this Dfever gonna break

FI think I’ve handled more than Cany man can take

GI’m like a love-sick Dpuppy chasin’ you aroCund, ooh and it’s alright

GBouncin’ Dround from cloud to cloud

FI got the feelin’ like I’m Cnever gonna come down

GIf I said I didn’t Dlike it then you know I Clied

And Ameverytime I try to talk to you

CI get tongue-tied

Turns out that Ameverything I say to you

Comes out Cwrong and never comes out right

So I’ll say Gwhy don’t you and DI get together

And Ctake on the world and be together forever

GHeads we wilDl and tails we’ll Ctry again C

So I say Gwhy don’t you and DI get together

And Cfly to the moon and straight on to heaven

GCause without Dyou they’re never gonna lCet me in

AmSlowly I begin to realize

CThis is never gonna end

Right about the Amsame time you walk by

And I say OCh here we go again, oh

Solo

GDCCC/Ax4

Let ring

AmEverytime I try to talk to you

CI get tongue-tied

Turns out that Ameverything I say to you

Comes out Cwrong and never comes out right

So I’ll say Gwhy don’t you and DI get together

And Ctake on the world and be together forever

GHeads we wilDl and tails we’ll Ctry again

So I say Gwhy don’t you and DI get together

And Cfly to the moon and straight on to heaven

GCause without Dyou they’re never gonna lCet me in

Original ends with a solo, then fades on a chorus

Sara Bareilles - Brave (2013) Transpose up Transpose down

Originally in Bb, I play in C capo 1

Lowest note is the 1 (on “lack of *love*”)

Highest note is the 4 (on “I wanna see you”)

That’s a whopping Eb in the original key, plus

there’s a long braaaave on the 3

Vox on 3 5 on “you can”

CYou can be amazing

CYou can turn a phrase into a weapon or a drug

AmYou can be the outcast

AmOr be the backlash of somebody’s lack of love

FOr Gyou can start speaking upC

CNothing’s gonna hurt you the way that words do

CAnd they settle ‘neath your skin

AmKept on the inside and no sunlight

AmSometimes a shadow wins

FBut I Gwonder what would happen if you

CSay what you wanna say

AmAnd let the words fall Fout

Honestly GI wanna see you be Cbrave

CWith what you want to say

AmAnd let the words fall Fout

Honestly GI wanna see you be Cbrave

Note switch from 1645 to 1465

CI just wanna see you

FI just wanna see you

AmI just wanna see you

GI wanna see you be brave

CI just wanna see you

FI just wanna see you

AmI just wanna see you

Hard stop on last “brave”

GI wanna see you be brave

CEverybody’s been there, everybody’s been stared down

CBy the eneAmmy

AmFallen for the fear and done some disapAmpearing

AmBow down to the mighty

FDon’t run, Gstop holding your tongue

Vox up to 1 on “maybe”, down to 3 on “live”

Vox same note on “way” and “out”

CMaybe there’s a way out of the cage where you live

Same melody, but last note is 4 instead 3

AmMaybe one of these days you can let the light in

Hard stop around “your brave”

FShow me Ghow big your brave is

CSay what you wanna say

AmAnd let the words fall Fout

Honestly GI wanna see you be Cbrave

CWith what you want to say

AmAnd let the words fall Fout

Note vi on last ‘brave’

Honestly GI wanna see you be Ambrave

Bridge

Vox down to the 1 of the minor chord (6 of the key)

AmAnd since your Chistory of silence

C/EWon’t do you Fany good

C/EDid you thFink it would?

AmLet your words be Canything but empty

GWhy don’t you tell them the truth?

No instruments this chorus

CSay what you wanna say

AmAnd let the words fall Fout

Honestly GI wanna see you be Cbrave

CWith what you want to say

AmAnd let the words fall Fout

Honestly GI wanna see you be Cbraaaaaaaave

CI just wanna see you

FI just wanna see you

AmI just wanna see you

GI wanna see you be brave

CI just wanna see you

FI just wanna see you

AmI just wanna see you

Hard stop on 1

GI wanna see you be brave

Sara Bareilles - Gonna Get Over You (2010) Transpose up Transpose down

Originally in C, I play in E

Highest note that matters is the 1 (“*oooh, how’m I* gonna get over you”)

Intro

E

Vox on 2 3 on “goodbye”

EGoodbye, should be sayin’ that to you by now, shouldn’t I?

ELayin’ down a law that E/D#I lC#mive by

Well maybe nEext time

I’ve got a tEhick tongue

Brimming with the words that go uEnsung

Simmer then the I burn E/D#fC#mor a someone

A wDsus2rong one

And I teAll myself to let the story eBsus4nd, Boh

In E, play the I/3 as a iii

And my heartE/G#will rest in someone else’s hanC#md

Hard stop on the V

My wAhy not me philosophy begaBsus4n, Band I say

EOoh, how’m I gonna get over you?C#m

I’ll be aAlright, just not Btonight, someday

EHey, oh I wish you’d want me to stayC#m

I’ll be aAlright, just not tonightB

SomedEay

E

EMaybe, it’s a vicious little word that could slay me

EKeep me when I’m hurtinE/D#g C#myou make me

EHang from your hands

Well, nEo more, I won’t beg to buy a shot at your back door

If I mEake it at the thought oE/D#f yC#mou, what for?

That’s not mDsus2e anymore

And I’m nAot the girl that I intend to beBsus4B

I dE/G#are you darling, just you wait and seC#me

But tAhis time not for you but just for meBsus4, BI say

EOoh, how’m I gonna get over you?C#m

I’ll be aAlright, just not Btonight, someday

EHey, oh I wish you’d want me to stayC#m

I’ll be aAlright, just not tonightB

SomedAmay

E

Bridge

Vox on 3 2 1 2 2 1 7 of the minor chord on “say it’s coming soon”

AmSay it’s coming Esoon, someday without C#myou

All I can do is Cget me past the Bghost of you

AmWave goodbye to Eme, I won’t say I’m C#msorry

Let ring on “once” and “other”

I’ll be alright, Conce I find the Bother side of

ESomeday

Quiet, with “whoa”

EC#mAB

Band back in

EC#mAB

EOoh, how’m I gonna get over you?C#m

I’ll be aAlright, just not Btonight, someday

EHey, oh I wish you’d want me to stayC#m

I’ll be aAlright, just not tonightB

SomedEay

E

Sarah Ross - Calm Before the Storm (2019) Transpose up Transpose down

Originally in Em, I play in Em but sing the prechorus and chorus an octave down

Intro

EmEmEmEm/G

EmEmEmEm/G

EmEmEmEm/G

CCDD

Vox on the 5 on “it’s”

EmIt’s getting eerie quiet

Won’t stay like this for long

Even the crows start flying

CThey know, they Dknow what’s going on

EmYou could tell by the red sky

There’s something brewing

You had your chance to run and hide

CI guess, I Dguess you blew it

This is where I drop an octave, which is really staying about where I was

Am7The clouds are turning gray

CBetter pray for your saving graceG

DIt’s just a little too late

EmI hope when the lightning strikes

It hAits your right between the eyes

And when the Crain pours down, better hold your breath

Cause Dyou don’t know what’s coming next

When the tEmhunder screams across the sky

Gonna hAear my name in all your lies

CLook out boy, you’d better be wB7arned

This originally goes up to the 3, then way down to the 3, which is too much range for me; I just make my way *up* (not down) to the 1

This is the calm before the stoEmrm

EmOoh ooh ooh ooh ooh

Spoken

You hEmad my heart, you took it and ripped it apart

Now that it’s sEmo dark, you can’t even wish on a star

I hope the gEmod you’re praying to isn’t up to doin’ his part

UnleCss a tornado blow tDhrough your trailer park

EmPardon me if I sound a little too harsh

But your lEmove was my ocean, now you’re stuck in the marsh

EmOn his front porch, watching the sun fade

IntCo the pitch, black, of yDesterday

Am7The clouds are turning gray

CBetter pray for your saving graceG

DIt’s just a little too late

EmI hope when the lightning strikes

It hAits your right between the eyes

And when the Crain pours down, better hold your breath

Cause Dyou don’t know what’s coming next

When the tEmhunder screams across the sky

Gonna hAear my name in all your lies

CLook out boy, you’d better be wB7arned

This is the calm before the stoEmrm

EmOoh ooh oDoh ooh ooh

Ooh ooh oCoh ooh ooh

Oh ohB7

Bridge

EmThe sun’s gonna sDhine, the storm will subsCide

And I don’t cB7are if you made it out aliEmve

EmThe heart that you hDurt will be a lesson you leCarn

You’ll finally gB7et what you deserve

EmI hope when the lightning strikes

It hAits your right between the eyes

And when the Crain pours down, better hold your breath

Cause Dyou don’t know what’s coming next

When the tEmhunder screams across the sky

Gonna hAear my name in all your lies

CLook out boy, you’d better be wB7arned

This is the calm before the stoEmrm

EmOoh ooh ooh ooh ooh

Sheryl Crow - Soak Up the Sun (2002) Transpose up Transpose down

Originally in E, I play in G

Intro

GDCx4

GMy friend the cDommunCist

GHolds meetings Din his CRV

GI can’t affDord his gCas

GSo I’m stuck here wDatching CTV

GDC

GI don’t have dDigitCal

GI don’t have dDiddly sqCuat

GIt’s not having whDat you wCant

GIt’s wanting wDhat you’ve gCot

GI’m gonna soak up the sDun

I’m gonna tell everyAmone

Am/BTo lCightC/Den Dup, I’m gonna tell ‘em that

GI’ve got no one to blDame for every time I feel Amlame

Am/BI’m lCookiC/Dng Dup

DGonna soak up the sunGDC

CI’m gonna soak up the sunGDC

GI’ve got a crDummy jCob

GIt don’t pay nDear enCough

GTo buy the thDings it tCakes

GTo win me sDome of yCour love

GEvery time I tG/F#urn around

I’m lFooking up, you’re lC/Eooking down

GMaybe something’s wG/F#rong with you

That A#makes you act the Cway you do

GI’m gonna soak up the sDun

I’m gonna tell everyAmone

Am/BTo lCightC/Den Dup, I’m gonna tell ‘em that

GI’ve got no one to blDame for every time I feel Amlame

Am/BI’m lCookiC/Dng Dup

DGonna soak up the sGunDC

CWhile it’s still frGeeDC

CGonna soak up the sGunDC

CBefore it goes out on meGDC

GDon’t have no mDaster sCuite

GBut I’m still the kDing of mCe

GYou have a fDancy rCide, but baby

GI’m the one who hDas the kCey

GEvery time I tG/F#urn around

I’m lFooking up, you’re lC/Eooking down

GMaybe something’s wG/F#rong with you

That A#makes you act the Cway you do

A#Maybe I am Ccrazy too

GI’m gonna soak up the sDun

I’m gonna tell everyAmone

Am/BTo lCightC/Den Dup, I’m gonna tell ‘em that

GI’ve got no one to blDame for every time I feel Amlame

Am/BI’m lCookiC/Dng Dup

GI’m gonna soak up the sDun

I’m gonna tell everyAmone

Am/BTo lCightC/Den Dup, I’m gonna tell ‘em that

GI’ve got no one to blDame for every time I feel Amlame

Am/BI’m lCookiC/Dng Dup

Let ring

GI’m gonna soak up the sDun, got my 45 Amon

Am/BSo CI C/Dcan rock Don

Simple Plan - Addicted (2003) Transpose up Transpose down

Originally in C#, I play in G

Intro, remember this is swung

GG

GGCD

GGCD

Vox on (low) 5 (high) 3 on “I heard”

GI heard you’re doing okay, but I want you to kCnow

I’m addict, I’m addicted to yGou

GI can’t pretend I don’t care

When you don’t tAmhink abG/Bout Cme

Do you think, I deserve this?

I trAmied to make you hG/Bappy

Hard stop after this line

But you lCeft anywDay

I’m trGying to forget that I’m addCicted Gto yDou

But I wGant it and I need it I’m addCicted Gto yDou

Now it’s oAmver, can’t forDget what you said

Hard stop after this line

And I nAmever wanna Ddo this again

HeartbreCaker, heartbreGaker

GCDHeartbreGaker CD

GSince the day I met you, and after all we’ve been throCugh

I’m still addict, I’m addicted to yGou

GI think you know that it’s true

I’d run a thAmousand mG/Biles to gCet you

Do you think I deserve this?

I Amtried to make you hG/Bappy

I did aCll that I couDld

Just to kAmeep you

But you lCeft anyDway

I’m trGying to forget that I’m addCicted Gto yDou

But I wGant it and I need it I’m addCicted Gto yDou

Now it’s oAmver, can’t forDget what you said

And I nAmever wanna Ddo this again

Let ring

HeartbreCaker G/BAmG

HeartbreCaker G/BAmD

Bridge, vox on 3 2 of the key on “how long”

CHow G/Blong will AmI be wGaiting?

CUntG/Bil the eAmnd of tDime

Band enters

CI don’t kG/Bnow why IAm‘m still wGaiting

AmI can’t G/Bmake you mCine

Solo

CCDD

CCDD

AmG/BCD

I’m trGying to forget that I’m addCicted Gto yDou

But I wGant it and I need it I’m addCicted tGo yoDu

I’m trGying to forget that I’m addCicted Gto yDou

But I wGant it and I need it I’m addCicted Gto yDou

Now it’s oAmver

Can’t forCget what you saDid

And I nAmever wanna dCo this agDain

HeartbreCaker, heartbreGaker

I’m addCicted to yDou

HeartbreGaker, I’m adCdicted to yDou

HeartbreGaker, I’m adCdicted to yDou

HeartbreGaker, I’m adCdicted to yDou

HeartbreGaker

Songsmith - Another Boring Love Song (2008) Transpose up Transpose down

Originally in Eb, I play in E

I don’t Ewant to write aAnother boring F#mlove song B

I E6want to write the C#7kind of tunes where F#m7people sing Balong

So E7help me find a Away to move my C#mgroove on Amaj7

F#m7Songsmith you can B6be my number Eone

Songsmith - On Your Way to a Song (2008) Transpose up Transpose down

Originally in C, I play in E

E

You Esing into a F#mmicrophone while the

BDrummer plays aElong

And Athen when Songsmith F#mmakes the music you’re

BOn your way to a Esong

You can F#mchoose the style you can Bset the mood

And the Echords will match what you Asing

You can Echange the music as F#mmuch as you like

‘Cause it Breally is your Ething

Songsmith - These Cups of Coffee (2008) Transpose up Transpose down

Originally in E, I play in E capo 2

Vox on 1 5 on “every”

EEvery day I Amake these cups of G#mcoffee at the C#bar

But inF#mside I dream that EI could be a Astar B

All I F#mneeded was a Asong, so C#mnow it won’t be F#mlong

BSongsmith’s gonna G#mhelp me get that Apart E

Songsmith - What a Happy Home We'll Have (2008) Transpose up Transpose down

Vox on the 1

AHow did your meeting Bm7go today?

Did the bEosses like your E7ad?

Well Dmaj7honey thanks to ASongsmith, it was the

DBest they ever C#mhad

And F#malso thanks to BmSongsmith

Now we’re Esinging all the Atime Dmaj7

And A9what a happy Dhome we’ll have with

EEvery word in Arhyme

Staind - It's Been Awhile (2001) Transpose up Transpose down

Originally in Abm, I play in Em capo 2

Intro

EmGDA

EmGDA

Vox on 5 5 4 on “been a while”

EmAnd it’s been a while Gsince I could, DholAd my head up high

EmAnd it’s been a while Gsince I first sDaw you A

EmAnd it’s been a while Gsince I could stDand on my owAn two feet again

EmAnd it’s been awhile Gsince I could cDall you A

EmAnd everythGing I can’t remDember A

EmAs messed up aGs it all may sDeem A

EmThe consequGences that I’ve reDndered A

EmI stretched mysGelf beyond my meDans A

EmAnd it’s been a while Gsince I couldn’t sDay that I wAasn’t addicted

EmAnd, it’s been a whileGsince I couldn’t sDay I love mysAelf as well as

EmAnd it’s been a while Gsince I’ve gone and Dmessed things up just lAike I always do

EmAnd it’s been a while Gbut all that sDhit seems to disapApear when I’m with you

EmAnd everythGing I can’t remDember A

EmAs messed up aGs it all may sDeem A

EmThe consequGences that I’ve reDndere dA

EmI’ve gone and fGucked things up agDain, yeAah

DA

Bridge

EmWhy must I feel this wDay A

EmJust make this go awDay A

EmJust one more peaceful dDay A

Em

EmAnd it’s been a while Gsince I could, DloAok at myself straight

EmAnd it’s been a while Gsince I said I’m sDorry A

EmAnd it’s been a while Gsince I’ve seen the Dway, the cAandles light your face

EmAnd it’s been a while Gbut I can stDill remember jAust the way you taste

EmAnd everythGing I can’t remDember A

EmAs messed up aGs it all may sDeem to be A

I know it’s mEme, I cannot blGame this on my fDather A

EmHe did the bGest he could for mDe A

EmAnd it’s been a while Gsince I could, DholAd my head up high

EmAnd it’s been a while Gsince I said I’m sDorry

Taylor Swift - Blank Space (2014) Transpose up Transpose down

Originally in F, I play in A

Vox on the 1

ANice to, meet you, where you, been, I can show you incredible F#mthings

Magic, madness, heaven, sin, saw you there and I thought

Vox on 1 5 5 on “oh my god”, then 1 1 7 7 on “look at that face”

DOh my god, look at that face, you look like my next mistake

Esus4Love’s a game, want to plaEy?

ANew, money, suit and tie, I can read you like a magaF#mzine

Ain’t it, funny, rumors, fly, and I know you heard about

DMe so hey, let’s be friends, I’m dyin’ to see how this one ends

EGrab your passport and my hand

Hard stop on “I”

EI can make the bad guys good for a weekend

ASo it’s gonna be forever or it’s gonna go down in flames

F#mYou can tell me when it’s over, mmm, if the high was worth the pain

BmGot a long list of ex-lovers, they’ll tell you I’m insane

D‘Cause you know I love the players, and you love the gAame

A‘Cause we’re young and we’re reckless, we’ll take this way too far

F#mIt’ll leave you breathless, mmm, or with a nasty scar

BmGot a long list of ex-lovers, they’ll tell you I’m insane

Hard stop after “baby”

DBut I got a blank space baby and I’ll write your nAame

ACherry, lips, crystal, skies, I could show you incredible F#mthings

Stolen, kisses, pretty, lies, you’re the king baby I’m your Dqueen

Find out what you want, be that girl for a month

Esus4Wait the worst is yet to coEme, oh no

AScreaming, crying, perfect, storms, I can make all the tables F#mturn

Rose, garden, filled with, thorns, keep you second guessing

Like Doh my god who is she, I get drunk on jealousy

But Eyou’ll come back each time you leave

Cause Edarlin’ I’m a nightmare, dressed like a daydream

ASo it’s gonna be forever or it’s gonna go down in flames

F#mYou can tell me when it’s over, mmm, if the high was worth the pain

BmGot a long list of ex-lovers, they’ll tell you I’m insane

D‘Cause you know I love the players, and you love the gAame

A‘Cause we’re young and we’re reckless, we’ll take this way too far

F#mIt’ll leave you breathless, mmm, or with a nasty scar

BmGot a long list of ex-lovers, they’ll tell you I’m insane

Hard stop after “baby”

DBut I got a blank space baby and I’ll write your nAame

Bridge

ABoys only want love if it’s torture

ADon’t say I didn’t, say I didn’t warn you

ABoys only want love if it’s torture

ADon’t say I didn’t, say I didn’t warn you

ASo it’s gonna be forever or it’s gonna go down in flames

F#mYou can tell me when it’s over, mmm, if the high was worth the pain

BmGot a long list of ex-lovers, they’ll tell you I’m insane

D‘Cause you know I love the players and you love the gAame

A‘Cause we’re young and we’re reckless, we’ll take this way too far

F#mIt’ll leave you breathless, mmm, or with a nasty scar

BmGot a long list of ex-lovers, they’ll tell you I’m insane

Hard stop after “baby”

DBut I got a blank space baby and I’ll write your nAame

Taylor Swift - Haunted (2010) Transpose up Transpose down

Originally in Dm, I play in Em capo 1

Highest note that matters is the 7 of the minor key (“don’t *leave* me like this”)

Intro

EmCGDx2

Vox on 1 3 4 of the minor key on “you and I”

EmYou and I walk a Cfragile line

DI have known it all this Emtime

But I never thought I’d Clive to see it Dbreak

EmIt’s getting dark and it’s Call so quiet and I Dcan’t trust anything now

And it’s Emcoming over you like it’s Call a big mistDake

EmOh, holding my breath

CWon’t lose you again

Hang on “cold”

SBmomething’s made your Ceyes go Dcold

Vox on 4 5 4 5 of the minor key on “come on come on”

EmCome on, come onC, don’t leave me like Gthis

I thought I Dhad you figured Emout

Something’s gone Cterribly wrong

You’re Dall I wanted

EmCome on, come onC, don’t leave me like Gthis

I thought I Dhad you figured Emout

Can’t breathe whenCever you’re gone

Hard stop on “haunted”

Can’t Dturn back now I’m haunted

EmCGD

EmStood there and watched you Cwalk away, Dfrom everything we Emhad

But I still mean Cevery word I Dsaid to you

EmHe will try to take aCway my pain, Dand he just might make me Emsmile

But the whole time CI’m wishing he was Dyou instead

EmOh, holding my breath

CWon’t see you again

No hang this time

DSomething keeps me Cholding Donto nothing

EmCome on, come onC, don’t leave me like Gthis

I thought I Dhad you figured Emout

Something’s gone Cterribly wrong

You’re Dall I wanted

EmCome on, come onC, don’t leave me like Gthis

I thought I Dhad you figured Emout

Can’t breathe whenCever you’re gone

No hard stop this time

Can’t Dturn back now I’m haunted

Solo

EmCGD

Let ring

I Emknow Em/DC

I Emknow Em/DC

I just Emknow Em/DC

You’re not Dgone

You Bmcan’t be Cgone, no

Sparse

EmCome on, come onC, don’t leave me like Gthis

I thought I Dhad you figured Emout

Something’s gone Cterribly wrong

Wont Dfinish what you started

Band back in

EmCome on, come onC, don’t leave me like Gthis

I thought I Dhad you figured Emout

Can’t breathe whenCever you’re gone

No hard stop this time

I cDan’t go back I’m haunted

With ooooh

EmCGD

Still loud

EmYou and I walk a fragile line

CI have known it all this Gtime

Never ever thought I’d see it Dbreak

Hard stop on “it”

Never thought I’d see iEmt

Taylor Swift - I Knew You Were Trouble (2012) Transpose up Transpose down

Originally in F#, I play in A

Intro

A

Vox on the 3 on “once”

AOnce upon a time, a few mistakes ago

EI was in your sights, you got me alone

You fF#mound me, you found me, you Dfound me-e-e-e-e-e

I gAuess you didn’t care, and I guess liked that

And Ewhen I fell hard, you took a step back

WithF#mout me, without me, withDout me-e-e-e-e-e

AAnd he’s long Egone, when he’s next to F#mme and I

RealizeDthe blame is on me

Let ring

‘Cause F#mI knew you were Dtrouble when you walked Ein

So Ashame on mEe now-oF#mw

F#mFlew me to Dplaces I’d never beEen

‘Till you Aput me Edown, oh

Band enters

F#mI knew you were Dtrouble when you walked Ein

So Ashame on Eme now-F#mow

Flew me to Dplaces I never beeEn

Hard stop on “lyin’”, V is implied

Now I’m Alyin’ on the Ecold hard gF#mround

Vox on the high 6 of the major key on the first “oh”... that’s a D# in the original key (!!!)

All the “troubles” are 2 1 of the major key

F#mOh, Doh Eoh, trouble, Atrouble, Etrouble

F#mOh, Doh Eoh, trouble, Atrouble, Etrouble

ANo apologies, he’ll never see you cry

PreEtends he doesn’t know, that he’s the reason why

You’re F#mdrowning, you’re drowning, you’re Ddrowning-e-e-e-ing

And I Aheard you moved on, from whispers on the street

A Enew notch in your belt, is all I’ll ever be

And F#mnow I see, now I see, Dnow I see-e-e-e-e

AHe was long Egone, when he met F#mme

And I realizDe, the joke is on me, yeah

F#mI knew you were Dtrouble when you walked Ein

So Ashame on mEe now-oF#mw

F#mFlew me to Dplaces I never beEen

‘Till you Aput me Edown, oh

F#mI knew you were Dtrouble when you walked Ein

So Ashame on Eme now-F#mow

Flew me to Dplaces I’d never beeEn

No hard stop this time

Now I’m Alyin’ on the cEold hard gF#mround

F#mOh, Doh Eoh, trouble, Atrouble, Etrouble

F#mOh, Doh Eoh, trouble, Atrouble, Etrouble

Let ring

Vox on 5 1 1 of the chord on “saddest fear”

And the Dsaddest fear, comes F#mcreepin’ in

That you Dnever loved me, or her

This line is a measure of 6/4

Or Eanyone, or anything, yeah yeah

F#mI knew you were Dtrouble when you walked Ein

So Ashame on mEe now-oF#mw

F#mFlew me to Dplaces I never beEen (never been)

‘Till you Aput me Edown, oh

F#mI knew you were Dtrouble when you walked Ein (you were right there)

So Ashame on Eme now-F#mow

Flew me to Dplaces I’d never beeEn (oooh)

Now I’m Alyin’ on the cEold hard gF#mround

F#mOh, Doh Eoh, trouble, Atrouble, Etrouble

F#mOh, Doh Eoh, trouble, Atrouble, Etrouble

F#mI knew you were Dtrouble when you walked Ein (trouble, tArouble, tErouble)

Hard stop just before the last chord, V is implied

F#mI knew you were Dtrouble when you walked Ein (trouble, tArouble, tErouble)

Taylor Swift - Love Story (2008) Transpose up Transpose down

Originally in D, I play in G, highest note that matters is the 6 (really the 5 after the key change)

Intro, chords have lots of 9 and 4 throughout, but not writing that all out

Gadd9Dsus4/AEmC69

Vox on the 1

GWe were both young when I first saw you

I cClose my eyes and the flashback starts

I’m standing tEmhere on a balcony of sCummer air

GSee the lights, see the party, the ball gowns

CSee you make your way through the crowd and say helEmlo

Little did IDknow

That Cyou were Romeo, you were tDhrowing pebbles

And my Emdaddy said stay away from JGuliet

And I was Ccrying on the staircase

BDegging you please don’t gEmo, Cand IDsaid

GRomeo take me somewhere we can be alone

DI’ll be waiting, all that’s left to do is run

EmYou’ll be the prince and I’ll be the princess

CIt’s a love story bDaby just say yes

G

So GI sneak out to the garden to see you

CWe keep quiet cause we’re dead if they knew

So close your eEmyes

Escape this town for a lDittle while

Cause yCou were Romeo, I was a scaDrlet letter

And my dEmaddy said stay away from JGuliet

But you were Ceverything to me

I was bDegging you please don’t gEmo, Cand IDsaid

GRomeo take me somewhere we can be alone

DI’ll be waiting, all that’s left to do is run

EmYou’ll be the prince and I’ll be the princess

CIt’s a love story bDaby just say yes

GRomeo save me they’re tryin’ to tell me how to feel

DThis love is difficult, but it’s re-eal

EmDon’t be afraid we’ll make it out of this mess

CIt’s a love story bDaby just say yes

G

GDEmC

I got tired of wEmaiting C

Wondering if yoGu were ever coming aDround

My faith in you was Emfading C

When I mGet you on the outskirts of tDown

And I said

Quiet

GRomeo save me I’ve been feeling so alone

DI keep waiting for you but you never come

Is Emthis in my head, I don’t know what to think

He Cknelt to the ground and Dpulled out a ring and said

AMarry me Juliet you never have to be alone

EI love you and that’s all I really know

I tF#malked to your dad, go pick out a white dress

DIt’s a love story bEaby just say yes

AEF#mCause Cwe were both young when I first saw yAou

Taylor Swift - Mean (2010) Transpose up Transpose down

Originally in E, I play in C

AmYou, with yGour words like knives and Fswords

And weapons that you Fuse against me

AmYou, have kGnocked me off my Ffeet again

“Feelin’ like a nothin’” on 3 3 3 2 1 5 of the chord

Got me Ffeelin’ like a nothin’

AmYou, with your vGoice like nails on a cFhalk board

Callin’ me Fout when I’m wounded

AmYou, pGickin’ on the weaker man F

GWell you can take me down Cwith just one Fsingle Gblow

Hang on the first “you”, vox on 6 7 3 2 on “you dont know-ow”

But Fyou don’t know, what you don’t know

CSomeday GI’ll be Amlivin’ in a big olF‘ city

And Call you’re Gever gonna be is Fmean

CSomeday GI’ll be Ambig enough so you can’t Fhit me

And Call you’re Gever gonna be is Fmean

Hang on “why”

FWhy you gotta be so Cmean?

A#C

AmYou, with your Gswitching sides and

Your Fwildfire lies and your Fhumiliation

AmYou, have pGointed out my flaFws again

Hard stop on “don’t”

As if I Fdon’t already see them

AmI walk with mGy head down

Tryin’ to Fblock you out

‘Cause I Fnever impress you

AmI just waGnna feel okFay again

GI bet you got pushed around

CSomebody Fmade you cGold

GBut the cycle ends right now ‘cause

FYou can’t lead me down that road

Hard stop on the second “you”

And Fyou don’t know what you don’t know

CSomeday GI’ll be Amlivin’ in a big ol’ Fcity

And Call you’re Gever gonna be is Fmean

CSomeday GI’ll be Ambig enough so you can’tFhit me

And Call you’re Gever gonna be is Fmean

No hanging stop this time

Why you gotta be so Cmean?

A#C

Short solo on just the IV

F

And I can seGe you years from now in a bar

CTalkin’ over a Ffootball Ggame

GWith that same big loud opinion

But Cnobody’s FlistenGing

GWashed up and ranting about the

Hang each chord

AmSame old Gbitter Fthings

GDrunk and rumblin’ all about how AmI Gcan’t Fsing

But all you are is Cmean GAm

FAll you are is Cmean, and a Gliar, and Ampathetic

And Falone in life and Cmean, and Gmean, and Ammean, and Fmean

Muted chords only

But Csomeday GI’ll be Amlivin’ in a big olF‘ city

And Call you’re Gever gonna be is Fmean, yeah

Band back in

CSomeday GI’ll be Ambig enough so you can’tFhit me

And Call you’re Gever gonna be is Fmean

Why you gotta be so Cmean?

CSomeday GI’ll be Amlivin’ in a big olF‘ city

(Why you gotta be so mean?)

And Call you’re Gever gonna be is Fmean

(Why you gotta be so mean?)

CSomeday GI’ll be Ambig enough so you can’tFhit me

(Why you gotta be so mean?)

Hang each chord

And Call you’re Gever gonna be is Fmean

Why you gotta be so Cmean?

Taylor Swift - No Body No Crime (2020) Transpose up Transpose down

Originally in Gm, I play in Em capo 1

Intro

EmCDAmx2

Vox on 5 4 of the minor key on Este’s

EmEste’s, a friCend of mine

We mDeet up every Tuesday night for dAminner and a glass of wEmine

EmEste’s, been lCosin’ sleep

Hang on smells

Her hDusband’s actin’ different and it sAmmells like infidelitEmy

EmShe says, that ain’t my MerGlot on his mouth D

That ain’t my jAmewelry on our joint accounEmt

Hang on the last chord

EmNo, there aGin’t no doubt D

I think I’m gonna call him out

She says, EmI think he dAmid it, but I jCust can’t pDrove it

EmI think he dAmid it, but I jCust can’t prDove it

EmI think he dAmid it, but I jGust can’t prDove it

Hang on “I”

EmNo, no bAmody, no crime, but DI ain’t lettin’ up until the day I dEmie

Background vocals only here, ad libs are fine

EmNo, Cno DAmI think he dEmid it

EmNo,Cno Dhe Amdid it

EmEste, wCasn’t there TDuesday night at Olive Gardеn

AmAt her job or anywEmhere

EmHе reports his mCissing wife

And I Dnoticed when I passed his house

Hang on “truck

His Amtruck has got some brand new tEmires

EmAnd his mGistress moved in D

Sleeps in EAmste’s bed and everythEming

Hang on the last chord

EmNo, there aGin’t no doubt D

Somebody’s gotta catch him now, D‘cause

EmI think he dAmid it, but I jCust can’t prDove it

EmI think he dAmid it, but I jCust can’t prDove it

EmI think he dAmid it, but I jGust can’t prDove it

EmNo, no bAmody, no crime

But DI ain’t lettin’ up until the day I dEmie

EmNo, CnoDAmI think he dEmid it

Hang on the second chord

EmNo, Cno Dhe did it

Bridge, let ring

Vox on 5 1 of the minor key on “good thing”

AmGood thing my daddy made me get a boating lEmicense when I was fifteen

AmAnd I’ve cleaned enough houses to know hoEmw to cover up a scene

BmGood thing Este’s sister’s gonna swEmear she was with me

AmGood thing his mistress took out a big lB7ife insurance policy

Let ring

EmThey think she dAmid it, but they jCust can’t pDrove it

EmThey think she dAmid it, but they jCust can’t pDrove it

EmShe thinks I dAmid it, but she jGust can’t prDove it

Band enters

EmNo, no bAmody, no crime

I wCasn’t lettin’ up until the dDay he

EmNo, no bAmody, no crime

I wCasn’t lettin’ up until the dDay he

EmNo, no bAmody, no crime

Hang on “wasn’t”, last chord is implied

I wDasn’t lettin’ up until the day he diEmed

Taylor Swift - Our Song (2006) Transpose up Transpose down

Originally in D, I play in G

Highest note that matters is the 6 (“our song is the slammin’ screen *door*”)

Intro

GAmCDx2

Vox on the 1

I was Griding shotgun with my Amhair undone

In the Cfront seat of his Dcar

He’s got a Gone-hand feel on the Amsteering wheel

The Cother on my Dheart

GI look around, turn the Amradio down

He says Cbaby is something Dwrong?

Extra two beats, then hard stop after “song”

I Gsay nothing I was Amjust thinking how Cwe don’t have a Dsong, and he says

Vox on the 5

GOur song is the Amslamming screen door

CSneakin’ out late, tapping Don your window

GWhen we’re on the pAmhone and you talk rCeal slow

Cause it’s Dlate and your mama don’t Gknow

GOur song is the Amway you laugh

The Cfirst date man, I didn’t Dkiss her, and I should have

All three of these lines start with 1 2 3 2 1 of the key

AmAnd when I got Dhome

D‘Fore I said aAmmen

Extra two beats, then hard stop after “he”

Asking gAmod iG/Bf Che could play it agaGin

GAmCD

GI was walking up the Amfront porch steps

After Ceverything Dthat day

Had Ggone all wrong and been Amtrampled on

And Clost and thrown a... Dway

GGot to the hallway, Amwell on my way

CTo my lovin’ Dbed

I Galmost didn’t notice Amall the roses

No hard stop, no extra beats this time

CAnd the note that Dsaid

Vox on the 5

GOur song is the Amslamming screen door

CSneakin’ out late, tapping Don your window

GWhen we’re on the pAmhone and you talk rCeal slow

Cause it’s Dlate and your mama don’t Gknow

GOur song is the Amway you laugh

The Cfirst date man, I didn’t Dkiss her, and I should have

AmAnd when I got Dhome, ‘fore I said aAmmen

Extra beats, but *no* hard stop after “he”

Asking gAmod iG/Bf Che could play it agaGin

Solo

GAmCD

GAmCDD

Let ring

Vox on the 5 of the key (4 of the chord) on “heard”

I’ve Amheard every Amalbum, listened Cto the radiCo

GWaited for Dsomething to Amcome along

That was as Cgood as our song

Quiet

G‘Cause our song is the Amslamming screen door

Syncopated on “on his window”

CSneaking out late, tapping Don his winGdow

GWhen we’re on the pAmhone and he talks real Cslow

Cause it’s late Dand his mama don’t Gknow

Band back in

GOur song is the Amway he laughs

The Cfirst date man, I didn’t Dkiss him, and I should have

AmAnd when I got Dhome, ‘fore I said Amamen

Asking gAmod iG/Bf Che could play it agaGin

GAmCDPlay it again

GAmCDOh yeah

GAmOoh oh Cyeah D

Let ring

I was Griding shotgun with my Amhair undone

In the Cfront seat of his Dcar

GI grabbed a pen and an Amold napkin

Hang the IV

And I Cwrote down our song

Taylor Swift - Shake it Off (2014) Transpose up Transpose down

Originally in G, I play in G and sing down an octave.

Vox go from the low 1 up to the 5 1.5 octaves above, so I

don’t go down all the way on the chorus.

Intro percussion only, though playing the root helps find

the first vocal line.

Vox on the 5 of the key on “I”, and the 3 on “late”

I stay out too Amlate

Got nothing in my Cbrain

That’s what people Gsay, mmm

That’s what people say, mmm

I go on too many Amdates

But I can’t make ‘em Cstay

At least that’s what people Gsay, mmm

That’s what people say, mmm

But I keep Amcruisin’

Can’t stop won’t stop Cmoving

It’s like I got this Gmusic in my mind

No hard stop this time

Saying Git’s gonna be alright

In the low octave, start going back up on the third “play”

‘Cause the Amplayers gonna play, play, play, play, play

And the Chaters gonna hate, hate, hate, hate, hate baby

GI’m just gonna shake, shake, shake, shake, shake

Shake it off, I shake it off

HeartAmbreakers gonna break, break, break, break, break

And the Cfakers gonna fake, fake, fake, fake, fake baby

GI’m just gonna shake, shake, shake, shake, shake

Shake it off, I shake it off

Percussion out

I never miss a Ambeat

I’m lightning on my Cfeet

Percussion back in

And that’s what they don’t Gsee, mmm

That’s what they don’t see, mmm

I’m dancing on my Amown (dancing on my own)

I make the moves up as I Cgo (moves up as I go)

And that’s what they don’t Gknow, mmm

That’s what they don’t know, mmm

But I keep Amcruisin’

Can’t stop won’t stop Cgroovin’

It’s like I got this Gmusic in my mind

Hard stop on “it’s”

Saying it’s gonna be alright

‘Cause the Amplayers gonna play, play, play, play, play

And the Chaters gonna hate, hate, hate, hate, hate baby

GI’m just gonna shake, shake, shake, shake, shake

Shake it off, I shake it off

HeartAmbreakers gonna break, break, break, break, break

And the Cfakers gonna fake, fake, fake, fake, fake baby

GI’m just gonna shake, shake, shake, shake, shake

Shake it off, I shake it off

AmShake it off, I shake it off, I I

I Cshake it off, I shake it off, I I

I Gshake it off, I shake it off, I I

I shake it off, I shake it off

Percussion only in the original, but way less awkward acoustic

to keep the chords going. Talk over the first part, sing the

second part on the chorus melody.

AmHey, hey, hey, just think

While you’ve been gettin’ down and out

About the lCiars and dirty, dirty cheats of the world

You Gcould’ve been gettin’ down instead

Hard stops on “this”, “sick”, and “beat”

To Gthis Gsick Gbeat

AmMy ex-man brought his new girlfriend

She’s like “Coh my god“ I’m just gonna shake it

To the Gfella over there with the hella good hair

Hard stops on “shake”, “shake”, “shake”

Won’t you Gcome on over baby we could Gshake Gshake Gshake

‘Cause the Amplayers gonna play, play, play, play, play

And the Chaters gonna hate, hate, hate, hate, hate baby

GI’m just gonna shake, shake, shake, shake, shake

Shake it off, I shake it off

HeartAmbreakers gonna break, break, break, break, break

And the Cfakers gonna fake, fake, fake, fake, fake baby

GI’m just gonna shake, shake, shake, shake, shake

Shake it off, I shake it off

AmShake it off, I shake it off, I I

I Cshake it off, I shake it off, I I

I Gshake it off, I shake it off, I I

I shake it off, I shake it off

AmShake it off, I shake it off, I I

I Cshake it off, I shake it off, I I

I Gshake it off, I shake it off, I I

I shake it off, I shake it off

AmShake it off, I shake it off, I I

I Cshake it off, I shake it off, I I

I Gshake it off, I shake it off, I I

I shake it off, I shake it off

Am

Taylor Swift - We Are Never Ever Getting Back Together (2012) Transpose up Transpose down

Originally in G, I play in A capo 3

Highest note that matters is the 3 (“*nev*er *ev*er *ev*er”)

Intro

Dadd9AEF#m7

Vox on the 9 of the first chord (5 of the key)

Dadd9I remember when we broke Aup, the first time

ESaying this is it I’ve had eF#m7nough, cause like

We Dadd9hadn’t seen each other in a Amonth, when you

ESaid you, needed, F#m7space, what?

Dadd9Then you come around again and Asay, baby

I Emiss you and I swear I’m gonna F#m7change, trust me

RemeDadd9mber how that lasted for a Aday, I say

I Ehate you, we break up, you F#m7call me, I love you

Dadd9Ooh, ooh Aooh ooh ooh, we Ecalled it off aF#m7gain last night

But Dadd9ooh, ooh Aooh ooh ooh, Ethis time, I’m F#m7telling you I’m telling you

Dadd9We are Anever ever eveEr getting F#m7back togeE/G#ther

Dadd9We are Anever ever eveEr getting F#m7back togeE/G#ther

Dadd9You go talk to Ayour friends talk to Emy friends talk to meF#m7E/G#

Hard stop between “ever” and “getting”

But Dadd9we are Anever ever ever eveEr, getting back together

Dadd9ALike, Eever F#m7

I’m Dadd9really gonna miss you picking Afights, and me

EFalling for it screaming that I’m F#m7right, and you

Would Dadd9hide away and find your peace of Amind, with some

Spoken

EIndie record that’s much F#m7cooler than mine

Dadd9Ooh, ooh Aooh ooh ooh, you Ecalled me up aF#m7gain last night

But Dadd9ooh, ooh Aooh ooh ooh, Ethis time, I’m F#m7telling you I’m telling you

Dadd9We are Anever ever eveEr getting F#m7back togeE/G#ther

Dadd9We are Anever ever eveEr getting F#m7back togeE/G#ther

Dadd9You go talk to Ayour friends talk to Emy friends talk to meF#m7E/G#

Hard stop between “ever” and “getting”

But Dadd9we are Anever ever ever eveEr, getting back together

Bridge

Dadd9Ooh, AEooF#m7h E/G#

Dadd9Ooh, AEohF#m7h E/G#

Let ring

Dadd9I used to Athink, that Ewe, were foreF#m7ver ever

And Dadd9I used to Asay, Enever say F#m7never

Spoken

Dadd9Ugh so he calls mAe up and he’s liEke ‘I still love you aF#m7nd I’m like ‘I’m just sick of it

I mean Dadd9this is exhausting you kAnow like, we are never getting Eback together like ever, noooo

Dadd9We are Anever ever eveEr getting F#m7back togeE/G#ther

Dadd9We are Anever ever eveEr getting F#m7back togeE/G#ther

Dadd9You go talk to Ayour friends talk to mEy friends talk to meF#m7E/G#

But Dadd9we are Anever ever eveEr everF#m7getting E/G#back together

Dadd9We, ooAh Eooh, getting F#m7back E/G#together

Dadd9We, ooAh Eooh, getting F#m7back E/G#together

Dadd9You go talk to youAr friends talk to myEfriends talk to mF#m7e E/G#

Hard stop before “getting”

Dadd9We are Anever ever eveEr everEgetting back together

Taylor Swift - You Belong With Me (2008) Transpose up Transpose down

Originally in F#, I play in A capo 2

Highest note that matters is the 4 (“you belong with *me*-e-e”)

Intro, vox on the 5

AYou’re on the phone with your girlfriend, she’s upseEt

She’s going off about something that you Bmsaid

‘Cause she doesn’t get your humor like DI do

AI’m in the room, it’s a typical Tuesday nEight

I’m listening to the kind of music she doesn’t lBmike

And she’ll never know your story like DI do

Vox on 6 1 of the key on “she wears”

But Bmshe wears short skirts, DI wear T-shirts

AShe’s cheer captain and EI’m on the bleachers

BmDreaming ‘bout the day when you Dwake up and find

That what you’re Elooking for has been here the whole time

Vox on 1 1 2 3 on “if you could see”

If you could Asee that I’m the one who understands you

EBeen here all along, so why can’t you Bmsee?

Hang on “me”

You belong with Dme, you belong with Ame

A

AWalkin’ the streets with you and your worn out jEeans

I can’t help thinking this is how it ought to Bmbe

Laughing on a park bench, thinking to myDself, hey, isn’t this easy

And Ayou’ve got a smile that could light up this whole tEown

I haven’t seen it in a while since she brought you Bmdown

You say you’re fine, I know you better than that

DHey, whatcha doing with a girl like that

BmShe wears high heels, DI wear sneakers

AShe’s cheer captain and EI’m on the bleachers

BmDreaming about the day when you Dwake up and find

That what you’re Elooking for has been here the whole time

If you could Asee that I’m the one who understands you

EBeen here all along, so why can’t you Bmsee?

You belong with Dme

AStanding by and waiting at your back door

EAll this time how could you not know, babBmy

Don’t hang this time

You belong with Dme, you belong with mAe

Solo

AEBmD

Bridge

Oh, I remember you Bmdrivin’ to my house

In the Dmiddle of the night

I’m the Aone who makes you laugh

When you Eknow you’re about to cry

I Bmknow your favorite songs

And you Dtell me ‘bout your dreams

Think I Aknow where you belong

Hang on “know”

Think I Eknow it’s with me

Vox on the 1 this time, quiet

Can’t you Asee that I’m the one who understands you

Let ring on “see”

EBeen here all along, so why can’t you Bmsee?

Band enters on “me”, melody back to the normal chorus melody

You belong with Dme

AStanding by and waiting at your back door

EAll this time how could you not know, babBmy

You belong with Dme, you belong with Ame

AYou belong with Eme

Have you ever thought just maybBme

You belong with Dme, you belong with Ame

The 88 - At Least It Was Here (Community Theme) (2012) Transpose up Transpose down

Originally in A, I play in E

EE6E7E6

Vox on the 5 on “hands”

Give me your Ehands, show me the E6door

I cannot E7stand, to wait anymoE6re

Somebody Esaid, be what you’ll E6be

We could be E7old and cold and dead on the sea

The TV version drops the II at the end of this line (i.e., shortens the phrase)

ABut I love you E/G#more than words can Bsay F#/A#

The TV version also adds the IV → I

AI can’t count the E/G#reasons I should Estay A/EE

Give me some Erope, tie me to E6dream

Give me the E7hope, to run out of E6steam

Somebody Esaid, it could be E6here

We could be E7roped up, tied up, dead in a year

AI can’t count the E/G#reasons I should Bstay F#/A#

AOne by one they E/G#all just fade aEway

Bridge

I’m tired of the Dwait and see’s A

I’m tired of that Epart of me

That makes up a Dperfect lie A

To keep us betwEeen

But hours turn Dinto days A

So watch what you Ethrow away E/D#

And be here to Drecognize A/C#

There’s anBother way

EE6E7E6x2

Give me some Erope, tie me to E6dream

Give me the E7hope, to run out of E6steam

Somebody Esaid, it could be E6here

We could be E7roped up, tied up, dead in a year

ABut I love you E/G#more than words can Bsay F#/A#

AI can’t count the E/G#reasons I should Bstay F#/A#

AOne by one they E/G#all just fade aBway F#/A#

ABut I love you E/G#more than words can Esay

EE6E7E6x2

E

The All-American Rejects - Gives You Hell (2008) Transpose up Transpose down

Originally in E, I play in A capo 1.

Intro

AF#mDDx2

Vox on the 3

I wAake up every F#mevening D

With a big smile on my Aface

And it F#mnever feels out of pDlace

And Ayou’re still probably F#mworking D

At a nine to five pAace

I woF#mnder how bad that taDstes

When you see my Aface

Hope it gives you hF#mell, hope it gives you hDell

When you walk my Away

Hope it gives you F#mhell, hope it gives you heDll

Now Awhere’s your picket F#mfence, love? D

And where’s that shiny Acar?

And F#mdid it ever get you faDr?

You nAever seemed so tF#mense, love D

I’ve never seen you fall so hAard

DF#mo you know where you Dare?

Let ring

And E6truth be told, I F#mmiss you

And E6truth be told, I’m Dlying D7

When you see my Aface

Hope it gives you F#mhell, hope it gives you helDl

When you walk my wAay

Hope it gives you F#mhell, hope it gives you heDll

If you find a Aman that’s worth a F#mdamn and treats you weDll

Then he’s a F#mfool, you’re just as wEell

Hope it gives you Dhell

I hope it gives you Ahell

AF#mDDx2

TomorArow you’ll be F#mthinking to yourseDlf

Yeah, where’d it all go Awrong?

But the F#mlist goes on and oDn

And E6truth be told, I F#mmiss you

And E6truth be told, I’m Dlying D7

When you see my Aface

Hope it gives you F#mhell, hope it gives you helDl

When you walk my wAay

Hope it gives you F#mhell, hope it gives you heDll

If you find a Aman that’s worth a F#mdamn and treats you weDll

Then he’s a F#mfool, you’re just as wEell

Hope it gives you Dhell

Bridge, let ring, vox starts on the 3 of the key on every line until “with the sad”

Now yF#mou’ll never see

What yDmaj7ou’ve done to me

You can Atake back your memories

They’re C#mno good to mC#m/Be A

And hF#mere’s all your lies

You can lF#m7b5ook me in the eyes

With the Bm7sad, sad look

That you wEear so well

When you see my Aface

Not a typo, the chords are a little different now

Hope it gives you Ahell, hope it gives you hDell

When you walk my F#mway

Hope it gives you Ehell, hope it gives you Ahell

If you find a Aman that’s worth a damn and treats you Dwell

Then he’s a F#mfool, you’re just as wEell

Hope it gives you Ahell

When you see my Aface

Hope it gives you hell, hope it gives you hDell

When you walk my F#mway

Hope it gives you Ehell, hope it gives you Ahell

When you hear this Asong and you sing along, well, you’ll never Dtell

And you’re the F#mfool, I’m just as Ewell

I hope it gives you Ahell

When you hear this F#msong I hope that iEt will give you hAell

Hang the last chord, it’s implied

You can sing F#malong I hope that iEt puts you through Ahell

The Calling - Wherever You Will Go (2001) Transpose up Transpose down

Originally in D, I play in C

CGadd11/BAm7Fmaj7

CSo lately Gadd11/Bbeen wondering Am7who will be Fthere to take my Cplace

CWhen I’m gone Gadd11/Byou’ll need love Am7to light the Fshadows on your fCace

CIf a grGadd11/Beat wave shall fAm7all, yeah fFall upon us Call

CThen betwGadd11/Been the sand and stAm7one could you mFake it on your own?

CIf I could Gthen I would AmI’ll go wherFever you will gCo

CWay up high Gor down low AmI’ll go wherFever you will gCo

CAnd maybe Gadd11/BI’ll find out Am7a way to Fmake it back somedCay

CTo watch you Gadd11/Bto guide you Am7through the Fdarkest of your dCays

CIf a Gadd11/Bgreat wave shall Am7fall, yeah and Ffall upon us aCll

CWell, then I Gadd11/Bhope there’s someone Am7out there who can Fbring me back to you

CIf I could Gthen I would AmI’ll go wherFever you will gCo

CWay up high Gor down low AmI’ll go wherFever you will gAmo

Bridge

AmRFun away with my hGeart

EmRun away with my Amhope

There’s a iii in the original at the end of this line that I’m not a fan of

FRun away with my Glove

CI know now Gadd11/Bjust quite how Am7my life and lFove might still go oCn

CIn your heartGadd11/Bin your mind Am7I’ll stay with yFou for all of tCime

CIf I could Gthen I would Am7I’ll go wherFever you will gCo

CWay up high Gor down low Am7I’ll go wherFever you will gCo

CIf I could Gturn back Am7time, I’ll go wherFever you will gCo

CIf I could Gmake you mAm7ine, I’ll go wherFever you will gCoooooo Goooooooo Am7

I’ll go wherFever you will gCoooooGoooo Am7FFmaj7Fadd9

The Corrs - Breathless (2000) Transpose up Transpose down

Originally in B, I play in E

A cappella, chords implied, can just let ring

Vox on the 1 of the chord on the first “go on”

AGo on, go oDn, Eleave me E/F#breathE/G#less

In time, but the band isn’t really in yet

ECome on

Band enters

EBYeah, yeahF#mC#mB

Vox on 5 4 3 on “the daylight’s”

EThe daylight’s Bfading slowly

F#mBut time with C#myou is sBtanding sEtill

I’m waiting Bfor you only

F#mThe slightest C#mtouch and IBfeel wAeak

I cBannot lC#mie

From Ayou I Bcannot Ehide EEsus4E

And I’m Alosing the Bwill to C#mtry

Can’t Ahide it, can’t Bfight it

So Ago on, go oDn, come on, Eleave me E/F#breathE/G#less

ATempt me, tease Dme, until I cEan’t denE/F#y E/G#this

ALoving feeliDng, make me loEng for yoE/F#ur kE/G#iss

AGo on, go Don, yeEah, come on

EBF#mC#mBE

EAnd if there’s Bno tomorrow

F#mAnd all we C#mhave is hBere and nEow

I’m happy Bjust to have you now

F#mYou’re all the C#mlove IBneed some howA

It’s lBike a drC#meam

Al thAough I’m noBt a sleeEp EEsus4E

And I Anever Bwant to C#mwake up

Don’t Alose it, don’t Bleave it

So Ago on, go oDn, come on, Eleave me E/F#breathE/G#less

ATempt me, tease Dme, until I cEan’t denE/F#y E/G#this

ALoving feeliDng, make me loEng for yoE/F#ur kE/G#iss

AGo on, go Don, yeEah, come on

E

Solo, with a few “yeah’s”

EBF#mC#mBE

AI’m Blike a C#mknife

From Ayou I cannoBt hide EEsus4E

And I’ve lAost my wBill to tC#mry

Can’t Ahide it, can’t Bfight it

So Ago on, go oDn, come on, Eleave me E/F#breathE/G#less

ATempt me, tease Dme, until I cEan’t denE/F#y E/G#this

ALoving feeliDng, make me loEng for yoE/F#ur kE/G#iss

Out on the first “go on”, back in on the second

GAo on, go oDn, come on, Eleave me E/F#breathE/G#less

GAo on, go oDn, come on, Eleave me E/F#breathE/G#less

GAo on, go oDn, come on, Eleave me E/F#breathE/G#less

Chord implied

AGo on, go on

The Dead South - In Hell I'll Be in Good Company (2014) Transpose up Transpose down

Originally in Gm, I play in Em capo 2

Intro, whistling and bass

EmEmEmEm

EmEmEmEm

EmEmDD

EmEmCC

EmB7B7Em

Banjo and snaps enter

EmEmEmEm

DB7EmEm

Vox on the 5

EmDead love couldn’t go no further

EmProud of and disgusted by her

EmPush shove, a little bruised and battered

DOh lord, I ain’t B7comin’ home with Emyou

EmMy life’s a bit more colder

EmDead wife is what I told her

EmBrass knife sinks into my shoulder

DOh babe, don’t know B7what I’m gonna Emdo

With chromatic walk, then more snaps

EmEmEmEm

EmEmEmEm

Vox on the 5 again

I see my Emred head, messed bed, tear shed, queen bee, my squeeze

The stage it Emsmells, tells, hells bells, mis-spells, knocks me on my Dknees

It’s really a iv on “tree”, but I prefer another VII

It didn’t Emhurt, flirt, blood squirt, stuffed shirt, hang me on a Dtree

After I Emcount down, three rounds, in B7hell I’ll be in good compaEmny

EmEmEmEm

DB7EmEm

EmDead love couldn’t go no further

EmProud of and disgusted by her

EmPush shove, a little bruised and battered

DOh lord, I ain’t B7comin’ home with Emyou

EmMy life’s a bit more colder

EmDead wife is what I told her

EmBrass knife sinks into my shoulder

DOh babe, don’t know B7what I’m gonna Emdo

EmEmEmEm

EmEmEmEm

I see my Emred head, messed bed, tear shed, queen bee, my squeeze

The stage it Emsmells, tells, hells bells, mis-spells, knocks me on my Dknees

It’s really a iv on “tree”, but I prefer another VII

It didn’t Emhurt, flirt, blood squirt, stuffed shirt, hang me on a Dtree

After I Emcount down, three rounds, in B7hell I’ll be in good compaEmny

EmEmEmEmDIn hell I’ll be B7in good compaEmny

EmEmEmEmDIn hell I’ll be B7in good compaEmny

The Pretty Reckless - Death by Rock and Roll (2021) Transpose up Transpose down

Originally in E (or Em-ish), I play in the original key and drop an octave on the second half of the chorus

Reminder of the vibe of the riff in E

|--------------------0----------------------|
|----------0-0-1-1-2------------0-0-1-1-0---|
|--0-0-3-3--------------0-0-3-3-----------3-|
|--------------------0-2-2-0-0--------------|
|----------0-0-1-1-2-----------2-2-1-1---0--|
|--0-0-3-3-----------------------------3----|

E5Jenny died of suicide

With a candle burning in her eye

All but drums out on “on”

But on my tombstone when I go

Just put death by rock and roll

Riff

E5John forgot what he was on

But he broke the needle, dead and gone

But on my tombstone when I go

Just put death by rock and roll

Riff

Vox on the 3 of the chord (major 7 of the key) on “go”

B5I wanna go wC5ith A5a sB5hotgun blast C5A5

I don’t go up at the end of this line, and don’t worry too much about the descending riff as long as it hits the I on the 1

B5I wanna go wC5ith A5a wB5oman on her backB5C5A5G5F#5

This is where I drop an octave

E5I wanna go with balls, I won’t pray

E5I wanna go with this bottle in my veins

I wanna B5go C5A5

B5I wanna go C5A5

B5I wanna go oB5ut A5my wG5ay F#

E5Amy shot and killed a man

With a gun too heavy in her hand

But on my tombstone when I go

Just put death by rock and roll

Riff

E5Janey had steel in her bones

But she burned away blood into stone

But on my tombstone when I go

Just put death by rock and roll

No riff this time

B5I wanna go wC5ith A5a sB5hotgun blast C5A5

B5I wanna go wC5ith A5a wB5oman on her backB5C5A5G5F#5

E5I wanna go with a sickness in my throat

E5I wanna go, killed by rock and roll, I wanna

B5C5A5B5I wanna go C5A5

B5I wanna go C5A5

OB5ut A5my wG5ay F#

Pre-solo, with hard stops

E5G5A5

E5G5A5

E5G5A5

E5G5A5Bb5B5D5

Solo

E5B5D5

E5B5D5

E5B5D5

E5B5D5

E5B5D5

E5B5D5

E5

B5I wanna go wC5ith A5a sB5hotgun blast C5A5

B5I wanna go C5in A5a moB5torcycle crash C5A5

B5Out on my own, C5I A5don’t B5need to be saved C5A5

B5I wanna go C5A5

OB5ut... A5G5my... wE5ay

Riff

Let ring

OE5n my tombstone when I go

JAust put death by rock and rEoll

The Pretty Reckless - Heaven Knows (2014) Transpose up Transpose down

Originally in A, I play in A capo 3

All the I7’s are really bVII5 → I5

A7

Vox on the 1

JimA7my’s in the back with a pocA7ket of high

If you lisA7ten close you can heaA7r him cry

OA7h, lord, heaA7ven knows

WA7e belong way dowA7n below, sing it

OA7h, lord, heaA7ven knows

WA7e belong way dowA7n below

Way dowA7n below, way dowA7n below

A7

JudA7y’s in the front seat picA7king up trash

LivA7ing on the dough, gotta makA7e that cash

WonA7‘t be pretty, wonA7‘t be sweet

SheA7‘s just sittin’ here oA7n her feet

Singin’ oA7h, lord, heaA7ven knows

WA7e belong way dowA7n below, go

OA7h, lord, heaA7ven knows

WA7e belong way dowA7n below

Sing oh,A7lord, telA7l us so

WA7e belong way dowA7n below

OA7h, lord, telA7l us so

WA7e belong way dowA7n below

Way dowA7n below, way dowA7n below

Way dowA7n below, way dowA7n below

D7I’ve had better days, man

I’ve seen better daysA7

D7I’ve had better ways, man

I know better waysA7

OneA7, two, thrA7ee and four

The devA7il’s knocking aA7t your door

CauA7ght in the eye of a deaA7d man’s lie

StaA7rt your life with your heaA7d held high

Now you’re oA7n your knees with your heaA7d hung low

BigA7man tells you wheA7re to go

TelA7l ‘em it’s good, telA7l ‘em okay

Hard stop on “don’t”

A7Don’t do a goddamn thing they say

A7Oh, lord, Gheaven knows

DWe belong way A7down below

A7Oh, Glord, Ctell us A7so

DWe beClong way dowA7n below

Way dowA7n below, way dowA7n below

Way dowA7n below, way dowA7n below

D7I’ve seen better ways, man

I know better waysA7

D7I’ve seen better days, man

I’ve had better daysA7

A7Gina’s in the back with a pA7ocket of high

If you lA7isten close you can hear the crying

A7Oh, lord, Gheaven knows

DWe belong way A7down below

A7Oh, Glord, Ctell us A7so

DWe beClong way A7down below, sing it

A7Oh, lord, Gheaven knows

DWe belong way A7down below

A7Oh, Glord, Ctell us A7so

DWe beClong way A7down below

Way dowA7n below, way dowA7n below

Way dowA7n below, way dowA7n below

The Strokes - Last Nite (2001) Transpose up Transpose down

Barre everything

Intro

C

FGsus4FGsus4

CLast night she said

Oh, baby, I Dm7feel so down

Oh, it Gturns me off

When I fEmeel left out G/D

So CI, I turn ‘round

Oh, baby, don’t cDm7are no more

I know Gthis for sure

I’m walking oEmut that door G/D

Well, I’ve bCeen in town

For just about fifteen, oh minutes now

Oh, baby, I Dm7feel so down

And I Gdon’t know why

I keep wEmalking for miles G/D

See pFeople they don’t understaGsus4nd

No, gFirlfriends, they can’t understaGsus4nd

Your gFrandsons, they won’t understaGsus4nd

On tFop of this, I ain’t ever gonna Gsus4understand

CLast night she said

Oh, baby, don’t Dm7feel so down

Oh, it Gturns me off

When I fEmeel left oG/Dut

So CI, I turned around

Oh, baby, gonna bDm7e alright

It was a Ggreat big lie

As I lEmeft that night, G/Dyeah

Bridge

C

FGsus4FGsus4

Solo

CCFFGG

Oh, Fpeople they don’t understGsus4and

No, Fgirlfriends, they don’t understGsus4and

In sFpaceships, they won’t understGsus4and

And Fme, I ain’t ever gonna understGsus4and

CLast night she said

Oh, baby, I Dm7feel so down

See, it Gturns me off

When I fEmeel left oG/Dut

So CI, I turned around

Oh, little girl, I don’t cDm7are no more

I know Gthis for sure

I’m walking Emout that G/Ddoor, yeah

C

FGsus4FGsus4

C

The White Stripes - Little Ghost (2005) Transpose up Transpose down

Originally in A, I play in A capo 3

Intro

A

Vox on the 1

Little gAhost, little ghost

One I’m Dscared of the Amost

Can you sAcare me up a little bit of Elove?

I’m the Aonly one that sees you

And I Dcan’t do much to Aplease you

And it’s nAot yet time to Emeet the lord aAbove

A

The first mAoment that I met her

I did Dnot expect a Aspecter

When I sAhook her hand I really shook a Eglove

She looked iAnto me so sweetly

And we Dleft the room discrAeetly

No one eAlse could know the Esecret of our Alove

Little gAhost, little ghost

One I’m Dscared of the Amost

Can you sAcare me up a little bit of Elove?

I’m the Aonly one that sees you

And I Dcan’t do much to Aplease you

And it’s nAot yet time to Emeet the lord aAbove

A

Every mAorning I awoke

And I Dsee my little Aghost

Wond’rin’ iAf it’s really her that’s lying Ethere

I lean to Atouch her and I whisper

But not Dbrave enough to Akiss her

When I hAeld her I was Ereally holding Aair

A

LitAtle ghost, little ghA7ost

One I’m Dscared of the Amost

Can you sAcare me up a little bit of Elove?

I’m the Aonly one that sees you

And I Dcan’t do much to Aplease you

And it’s nAot yet time to Emeet the lord aAbove

Though I tAry my best to keep it

There Dreally was no Asecret

Slow down to rubato

Must have lAooked like I was dancing with the waEll

No one eAlse could sA7ee this aDppariAtion

But beDcause of my condAition

Back at tempo

I fell in lAove with a little gEhost and that was alAl

Little gAhost, little ghost

One I’m Dscared of the Amost

Can you sAcare me up a little bit of Elove?

I’m the Aonly one that sees you

And I Dcan’t do much to Aplease you

And it’s nAot yet time to Emeet the lord aAbove

No, it’s nAot yet time to Emeet the lord aboDve AEA

The White Stripes - Seven Nation Army (2003) Transpose up Transpose down

Originally in Em, I play in Em capo 5, swung like pirate music

Intro

EmEm/GCB7x4

I’m gonna Emfight ‘em offEm/GCB7

A seven nation Emarmy couldn’t Em/Ghold me CbackB7

They’re gonna Emrip it off Em/GCB7

Taking their Emtime right beEm/Ghind my backCB7

And I’m Emtalking to myEm/Gself at Cnight

Because I B7can’t forEmget Em/GCB7

EmBack and forth Em/Gthrough my Cmind

Behind a B7cigaEmrette Em/GCB7

Vox on the 1 of the key (6 of the chord) on “message”

And a Gmessage coming from my Aeyes says leave it alone

Loud

EmEm/GCB7x4

GA

Quiet

EmEm/GCB7x4

Don’t wanna Emhear about it Em/GC

B7Every single onEme’s got a storEm/Gy to telCl B7

Everyone kEmnows about itEm/GC

B7From the queen Emof England to Em/Gthe hounds of Chell B7

And if I cEmatch it coming Em/Gback my wCay

I’m gonna sB7erve it to yEmou Em/GCB7

And tEmhat ain’t what you Em/Gwant to hCear

But that’s wB7hat I’ll dEmo Em/GCB7

And a Gfeeling coming from my Abones says find a home

Loud

EmEm/GCB7x8

GA

Quiet

EmEm/GCB7x4

I’m goin’ to EmWichitaEm/GC

B7Far from this oEmpera, forever Em/Gmore CB7

I’m gonna Emwork the strawEm/GC

MB7ake the sweat Emdrip out of evEm/Gery poreCB7

And I’m blEmeeding and I’m blEm/Geeding and I’m bCleeding

Right bB7efore the lEmord Em/GCB7

All the Emwords are gonna Em/Gbleed from meC

And I will B7think no mEmore Em/GCB7

And the Gstains coming from my Ablood tell me go back home

Loud

EmEm/GCB7x4

Em

The White Stripes - We're Going to Be Friends (2002) Transpose up Transpose down

White Stripes in G, Jack Johnson in D, I play in D

D

DFall is here, hear the yell

DBack to school, ring the bell

GBrand new shoes, walking blues

DClimb the fence, books and pens

AI can tell that Gwe are gonna be Dfriends

AI can tell that Gwe are gonna be Dfriends

D

DWalk with me, Suzy Lee

DThrough the park and by the tree

GWe will rest upon the ground

And Dlook at all the bugs we’ve found

ASafely walk to Gschool without a sDound

ASafely walk to Gschool without a sDound

D

DHere we are, no one else

We Dwalked to school all by ourselves

GThere’s dirt on our uniforms

From Dchasing all the ants and worms

AWe clean up and Gnow it’s time to lDearn

AWe clean up and Gnow it’s time to lDearn

D

DNumbers, letters, learn to spell

DNouns and books, and show and tell

At Gplaytime we will throw the ball

DBack to class, through the hall

ATeacher marks our Gheight against the wDall

The Ateacher marks our Gheight against the wDall

D

Bridge, vox on the 1 of the chord (go down if you’re in D, up if you’re in G}

GAnd we don’t notice any tDime pass

GWe don’t notice anytDhing

WEe sit side by side in every class

GTeacher thinks that I sound funny

ABut she likes the way you sing

ToDnight I’ll dream while I’m in bed

When Dsilly thoughts go through my head

AbGout the bugs and alphabet

And Dwhen I wake tomorrow I’ll bet

That Ayou and I will Gwalk together aDgain

AI can tell that Gwe are gonna be Dfriends

Yes AI can tell that Gwe are gonna be D6friends

They Might Be Giants - Malcolm in the Middle Theme (2000) Transpose up Transpose down

I’m calling this “Malcolm in the Middle Theme” instead of “Boss of Me”

because I have no idea what happens beyond the 30-second theme version.

Vox on the 1 of the key on “yes no”

Cmaj7Yes no, Am7maybe D7sus4/G

D/F#I don’t knoEm7w G/B

Chords here don’t exactly follow the original

Can you repG/Ceat the queG/CstiDon?

GYou’re not the boss of me now

AmYou’re not the boss of me now

CYou’re not the boss of me now

And you’re Dnot so big

GYou’re not the boss of me now

AmYou’re not the boss of me now

CYou’re not the boss of me now

And you’re nDot so big

GLife is unfair

Three Doors Down - Here Without You (2003) Transpose up Transpose down

Originally in Db, I play in G capo 2

Highest note that *really* matters is the 3 (in the bridge), but the 5 is a “nice to have” (you’re still *with* me)

Intro

EmCD

Vox on the 3 of the chord on “days”

A hundred Emdays have made me older

Since the Dlast time that I saw your pretty faceEmCD

A thousand Emlies have made me colder

And I Ddon’t think I can look at this the sameEmCD

EmBut all the miles that separDate

EmThey disappear now, when I’m Cdreaming of your Dface

Vox on the 2 on “here without”

GI’m here without you, baby

DBut you’re still on my lonely mEmind

I think about you, baby, Cand I dream abDout you all the timeG

GI’m here without you, baby

DBut you’re still with me in my Emdreams

And toniCght, there’s only Dyou and Emme

EmYDeah EmCD

The Emmiles just keep rollin’

As the Dpeople leave their way to say helloEmCD

I’ve heard this Emlife is overrated

But I Dhope that it gets better as we Emgo, oh Cyeah, Dyeah

GI’m here without you, baby

DBut you’re still on my lonely mEmind

I think about you, baby, Cand I dream abDout you all the timeG

GI’m here without you, baby

DBut you’re still with me in my Emdreams

And toniCght girl, there’s only Dyou and Emme

Bridge, vox on the 5 of the chord

EmEverything I know, Gand anywhere I go

DIt gets hard but it won’t Ctake away my love

EmAnd when the last one falls, Gand when it’s all said and done

DIt gets hard, but it won’t tCake, away, my lCove, whoa

Solo on chorus chords

GDEmCD

GI’m here without you, baby

DBut you’re still on my lonely mEmind

I think about you, baby, Cand I dream abDout you all the timeG

GI’m here without you, baby

DBut you’re still with me in my Emdreams

And toniCght girl, there’s only Dyou and Gme

GDYeah, oh Emyeah oh ohCD

Oh ohEm

Three Doors Down - Kryptonite (2000) Transpose up Transpose down

BmBmGAx2

BmI took a walk around the woGrld to ease my trAoubled mind

BmI left my body laying somewGhere in the sanAds of time

BmI watched the world float to the Gdark side of theAmoon

BmI feel there is nothing I can dGo A

YBmeahGABmGA

BmI watched the world float to the dGark side of the Amoon

BmAfter all I knew it had to bGe something toAdo with you

BmI really don’t mind what hapGpens now and Athen

BmAs long as you’ll be my frGiend at the Aend

BmIf I go crazy then will yGou still call me ASuperman

BmIf I’m alive and well, will Eyou be there hoF#lding my hand

BmI’ll keep you by my side with Gmy superAhuman mBmight

KryBmptoniteEF#

Interlude

BmGA

BmYou called me strong, you called me Gweak

But your sAecrets I will keep

BmYou took for granted all the tGimes I never Alet you down

BmYou stumbled in and bumped your Ghead

If not for mAe then you would be dead

BmI picked you up and put you bGack on solid gAround

BmIf I go crazy then will yGou still call me ASuperman

BmIf I’m alive and well, will Eyou be there hoF#lding my hand

BmI’ll keep you by my side with Gmy superAhuman mBmight

KryBmptoniteEF#

Quiet chorus, on verse chords

BmIf I go crazy then will yGou still call me ASuperman

BmIf I’m alive and well, will Gyou be there hoAlding my hand

BmI’ll keep you by my side with Gmy superAhuman mBmight

Kryptonite yeahGyeahA

BmIf I go crazy then will yGou still call me ASuperman

BmIf I’m alive and well, will Eyou be there hoF#lding my hand

BmI’ll keep you by my side with Gmy superAhuman mBmight

KryBmptoniteEF#

Tim McGraw - That's Why God Made Mexico (2002) Transpose up Transpose down

GAm7Bm7D9/A

CBm7Am7C/E

Vox on 1 3 5 6 on “Margie said Roy”

GMargie said RD/F#oy you ain’t lFadd9istening to C/Eme

GAnd I’ve got a wD/F#hole lot more to sFay C/EF

GRoy just cD/F#rossed the floor and pFadd9icked up his car kC/Eeys

EbAnd she ain’t seen or hDsus4eard from Dhim to tGhis day

Vox on 6 5 3 2 of the key on “that’s why god made”

And tG6hat’s wC/Dhy GG/Bod mAm7ade MCexico Dsus4G

A pG6lace wC/Dhere wG/Be cAm7an lCay low Dsus4Bm7/E

And the CGuervo goG/Bes down nCice and slow Cm

And the wGarm wind blows Bb

Am7That’s why GDsus4od made MGexico

GAnd Betty fixed JD/F#oe dinner every niFadd9ght at half past sC/Eix

GCause that’s when he’d rD/F#oll through that dFadd9oor C/EF

GFor sixteen yD/F#ears and not a thFadd9ank you from his lC/Eips

EbShe don’t fDsus4ix him dinner no mGore

And tG6hat’s wC/Dhy GG/Bod mAm7ade MCexico C/DG

A pG6lace wC/Dhere wG/Be cAm7an lCay low Dsus4Bm7/E

Where the CGuervo goG/Bes down nCice and slow Cm

Not a typo, the first verse is “warm wind blows”, this time it’s “warm winds blow”

And the wGarm winds blow Bb

Am7That’s why GDsus4od made MGexico C/GG

Bridge

EmCause life is sweet in a bAorder town

DYou learn to let your hB7air down

And you dCon’t make tG/Brouble, Am7you learn to dDsus4ance the fandGango B7

EmYou change your name, and you chAange your face

DGet used to beans, and cB7hili paste B7/D#

And you lCearn to lG/Bive and lAm7ove life Dsus4in the sGlow lane

And tG6hat’s wC/Dhy GG/Bod mAm7ade MCexico C/DG

A pG6lace wC/Dhere wG/Be cAm7an lCay low Dsus4Bm7/E

Maybe MGontereG/By or CAcupulco

CmAnywhere the G/Bwarm winds blow, Bbdon’t you know

Am7That’s why GDsus4od made MB7exico, Ewhoa

Am7Dsus4That’s why God, made, Mexico

GAm7Bm7D/A

FC/EG

Train - 50 Ways to Say Goodbye (2012) Transpose up Transpose down

Originally in Ebm, I play in Gm capo 3

Intro

EmAmDGmaj7

Cmaj7AmBsus4B

Vox on 5 1 5 on “my heart is”

EmMy heart is Amparalyzed

DMy head was Gmaj7oversized

I’Cmaj7ll take the Amhigh road like I shoBsus4uld B

EmYou said it’s Ammeant to be

DThat it’s not Gyou, it’s me

Cmaj7You’re leaving nAmow for my own Bsus4good B

That’s Bcool but if my friends ask where you are I’m gonna say

Vox on the maj7 of the chord on “down”

She went Cdown in an airplane

GFried getting suntan

DFell in a cement Emmixer full of Dquicksand

CHelp me, help me GI’m no good at goodbF#myes B

She met a sChark underwater

GFell and no one caught her

DI returned everytEmhing I ever Dbought her

CHelp me, help me GI’m all out of Blies

And ways to say you Emdied

EmAmDGmaj7

Cmaj7AmBsus4B

EmMy pride still Amfeels the sting

DYou were my Gmaj7everything

CSomeday I’ll Amfind a love like yBsus4ours B

EmShe’ll think I’m CSuperman

DNot super Gmaj7minivan

CHow could you Amleave on Yom KiBsus4ppur B

That’s Bcool but if my friends ask where you are I’m gonna say

She was cCaught in a mudslide

GEaten by a lion

DGot run over by a Emcrappy purple SDcion

CHelp me, help me GI’m no good at goodbF#myes B

She dried uCp in the desert

GDrowned in a hot tub

DDanced to death at an EmEast side Dnightclub

CHelp me, help me GI’m all out of Blies

And ways to say you Emdied

EmAmDGmaj7

Cmaj7AmBmC

Bridge

Vox on the 4 of the chord on “wanna”

I wDanna live a thousand lives with you

I wCanna be the one you’re dying to

DLove, but you don’t wCant to

That’s Bcool but if my friends ask where you are I’m gonna say

That’s Bcool but if my friends ask where you are I’m gonna say

She went dCown in an airplane

GFried getting suntan

DFell in a cement Emmixer full of Dquicksand

CHelp me, help me GI’m no good at F#mgoodbyes B

She met a sChark underwater

GFell and no one caught her

DI returned everythEming I ever Dbought her

CHelp me, help me GI’m all out of Blies

She was cCaught in a mudslide

GEaten by a lion

DGot run over by a Emcrappy purple DScion

CHelp me, help me GI’m no good at goodbF#myes B

She dried uCp in the desert

GDrowned in a hot tub

DDanced to death at an EmEast side Dnightclub

CHelp me, help me GI’m all out of Blies

And ways to say you Emdied

CGD

CGD

Train - Drops of Jupiter (2001) Transpose up Transpose down

Originally in C, I play in A

AAAsus4EEE6DDsus2Dsus2D

Suspensions continue, not notating all of them

Now tAhat she’s back in the atmosphere

With Edrops of Jupiter in her hair, hey Dhey

She Aacts like summer and walks like rain

RemEinds me that there’s a time to change, hey Dhey

ASince the return of her stay on the moon

She Elistens like spring and she talks like June, hey Dhey, hey hey

But Etell me, did you sail across tF#mhe Bsun?

Did you make it to the MilkC#m7y WDay

To sD6ee the lights all faded

Aadd9And that heaven is overraAted?

ETell me, did you fall for a shootiF#mng Bstar?

One without a permanent Bmscar

And then you missed me, while you were lDooking for yourself out there?

AAAsus4EEE6DDsus2Dsus2D

Now tAhat she’s back from that soul vacation

ETracing her way through the constellation, hey Dhey

She Achecks out Mozart while she does Tae-Bo

RemiEnds me that there’s room to grow, hey Dhey

Now tAhat she’s back in the atmosphere

I’m afEraid that she might think of me as

DPlain old Jane told a story ‘bout a man

Who was too afraid to fly so he never did land

But Etell me, did the wind sweep you off yF#mour Bfeet?

Did you finally get the chance tC#m7o

D6Dance along the light of day

Aadd9And head back to the Milky Way?

And Etell me, did Venus blow yoF#mur Bmind?

Was it everything you wanted to findBm?

And then you missed me, while you were Dlooking for yourself out there

AAAsus4EEE6DDsus2Dsus2D

Now *really* keep those suspensions going

Can you imagine no Aadd9love, pride, deep-fried chicken

Your Ebest friend al-ways sticking Dup for you

Even when I know you’re wrong

Can you imagine no Aadd9first dance, freeze-dried romance

EFive-hour phone conversation

The Gbest soy latte that you ever had, and Dme DD#

But Etell me, did the wind sweep you off yoF#mur Bfeet?

Did you finally get the chance tC#m7o

D6Dance along the light of day

Aadd9And head back toward the Milky Way?

And Etell me, did you sail across tF#m7he Bsun?

Did you make it to the MilC#m7ky D6Way

To see the lights all faded

And Aadd9that heaven is overrated?

And Etell me, did you fall for a shootF#ming Bstar?

One without a permanent Bmscar

And then you missed me while you wC#m7ere Dlooking for yourself

Aadd9Na na na na na na

E6Na na na na na na

DNa na na na na

And did you finally get the chance along the light of day?

Aadd9Na na na na na na

E6Na na na na na na

DNa na na na na

And did you fall for a shooting star?

Fall for a shooting star?

Aadd9Na na na na na na

E6Na na na na na na

And are you Glonely looking for yourself out tDhere?

Twenty One Pilots - House of Gold (2011) Transpose up Transpose down

Originally in C, I play in G

Intro

A

Chords are implied in this chorus, the uke is just playing octaves on the 5

Vox on the 3 of the chord on “asked”

She Aasked me, son, when IDgrow old

Will F#myou buy me a Ehouse of gold?

And Awhen your father Dturns to stone

Will Ayou take Ecare of Ame?

Chords enter

She Aasked me, son, when IDgrow old

Will F#myou buy me a Ehouse of gold?

And Awhen your father Dturns to stone

Will Ayou take Ecare of Ame?

Vox on the 3 of the chord on “I”, the 1 of the chord on “make”

DI will F#7make you

BmQueen of Gmeverything you Dsee

I’ll put you on the Amap

I’ll cure you of Ddisease A

Let’s Asay we up and Dleft this town

And tF#murned our future Eupside-down

We’ll Amake pretend that Dyou and me

Lived Aever aEfter, Ahappily

She Aasked me, son, when IDgrow old

Will F#myou buy me a Ehouse of gold?

And Awhen your father Dturns to stone

Will Ayou take Ecare of Ame?

DI will F#7make you

BmQueen of Gmeverything you Dsee

I’ll put you on the Amap

I’ll cure you of Ddisease, Aohhhh

And Asince we know that Ddreams are dead

And F#mlife turns plans up Eon their head

AI will plan to Dbe a bum

Big scream on the 1 of the chord “become someone”

So AI just Emight beAcome someone

She Aasked me, son, when IDgrow old

Will F#myou buy me a Ehouse of gold?

And Awhen your father Dturns to stone

Will Ayou take Ecare of Ame?

Let ring

DI will F#7make you

BmQueen of Gmeverything you Dsee

I’ll put you on the Amap

I’ll cure you of Ddisease

Uncle Kracker - Follow Me (2000) Transpose up Transpose down

Originally in F, I play in G

Intro (chords implied)

GG/BCD

GG/BCG

Mostly a capella

You doGn’t know how you met me

You dCon’t know why

You cGan’t turn around and sCay gDoodbGye

All you kGnow is when I’m with you, I mCake you free

And swGim through your veins like a fiCsh in the sGea, I’m singin’

GFollow G/Bme everythCing is all rigDht

GI’ll be the G/Bone to tuck you Cin at niDght

And if you Gwant to G/Bleave I can gCuarantDee

You won’t fGind nobody eClse lDike mGe

Instruments enter

GI’m not worried bout the riCng you wear

Cause as lGong as no one knows than noCbody Dcan caGre

GYou’re feelin’ guilty and IC‘m well aware

But yGou don’t look ashamed and baby IC‘m noDt scGared, I’m singin’

GFollow G/Bme everythCing is all rigDht

GI’ll be the G/Bone to tuck you Cin at niDght

And if you Gwant to G/Bleave I can gCuarantDee

You won’t fGind nobody eClse lDike mGe

Solo

GG/BCDx3

GGCDG

AmWon’t give you money

I can’t gDive you the sky

GYou’re better off if you don’t ask why

AmI’m not the reason that you Ago astray, and

DWe’ll be alright if you don’t ask me to stay

GFollow G/Bme everythCing is all rigDht

GI’ll be the G/Bone to tuck you Cin at niDght

And if you Gwant to G/Bleave I can gCuarantDee

You won’t fGind nobody eClse lDike mGe

Let ring

You dGon’t know how you met me

You dCon’t know why

You cGan’t turn around and sCay goDodbGye

All you kGnow is when I’m with you, I mCake you free

And swGim through your veins like a fiCsh inDthe sGea, I’m singin’

GFollow G/Bme everythCing is all rigDht

GI’ll be the G/Bone to tuck you Cin at niDght

And if you Gwant to G/Bleave I can gCuarantDee

You won’t fGind nobody eClse lDike mGe, I’m singin’

GFollow G/Bme everythCing is all rigDht

GI’ll be the G/Bone to tuck you Cin at niDght

And if you Gwant to G/Bleave I can gCuarantDee

You won’t fGind nobody eClse lDike mGe, I’m singin’

Let ring

GFollow G/Bme everythCing is all rigDht

GI’ll be the G/Bone to tuck you Cin at niDght

And if you Gwant to G/Bleave I can gCuarantDee

You won’t fGind nobody eClse lDike mGe

Walk off the Earth - Farther We Go (2021) Transpose up Transpose down

Originally in E, I play in D

Intro

DGBmG

Vox on the 3

DI used to run

GCamp in the backyard and

BmPlay in the sun

GWe couldn’t wait to grow up

DMan we were young

GAll of the crazy things

BmWe thought we’d become

GWe were so young

Vox on 1 2 on “before”

DBefore mom and dad went gray

GBefore my friends moved away

I Bmnever thought I’d feel this way but GI do

DBefore I knew what it meant

To Glove somebody you can’t get

And Bmfight the voices in your head that Gtell you what to do

Vox on 1 7 6 on “when did the”

DWhen did the simple things get Gso complicated?

BmWhen did the future stop Gmaj7feeling so far?

DWhen did our lives decide to Gplay out like they did?

BmBut we’re getting smarter

GThe farther and farther we go

DGBmGThe farther and farther we go

DGBmGThe farther and farther we go

DWe laid in the grass

GTalking and holding hands

BmWe thought it would last

GAll of the things we had

DAnd when I look back

GBack on the past someday

BmMaybe I’ll laugh

GWe were so young

DBefore mom and dad went gray

GBefore my friends moved away

I Bmnever thought I’d feel this way but GI do

DBefore I knew what it meant

To Glove somebody you can’t get

And Bmfight the voices in your head that Gtell you what to do

DWhen did the simple things get Gso complicated?

BmWhen did the future stop Gmaj7feeling so far?

DWhen did our lives decide to Gplay out like they did?

BmBut we’re getting smarter

GThe farther and farther we go

DGBmBut we’re getting smarter, Gthe farther and farther we go

DWhen did the simple things get Gso complicated?

BmBut we’re getting smarter, Gthe farther and farther we go

DGBmG

DGBmGThe farther and farther we go

DGBmBut we’re getting smarter, Gthe farther and farther we go

DWhen did the simple things get Gso complicated?

BmBut we’re getting smarter, Gthe farther and farther we go

Let ring

DWhen did our lives decide to Gplay out like they did?

BmWe’re getting smarter

GThe farther and farther we gDo

Walk off the Earth - Happy Stuff (2022) Transpose up Transpose down

Originally in G, I play in D

Vox on the 3 of the chord on “my”

DMy twenty-F#first birthday G

Came with a price to pay, move Dout

And figure it F#all out right aGway

DGone are the F#carefree days G

The memories fade away, and nDow

Reality F#checks me everyGday

Vox up to the high 1 on “hundred”

I can think of a Dhundred F#million

GThings I’d rather do than be anxious

I’m Dbroke as F#hell and

It’s Ggettin’ overwhelmin’

I just want Dhappy thoughts, happy friends

F#Happy songs, happy Glove

Just wanna Ddance around, clothes are off

ForF#get about all the Gnot-so-happy stuff, that’s what I want

DDAll day, F#F#all night

GI’ll deal with all the stress in another life

DHappy thoughts, happy friends

F#Happy songs, happy Glove, that’s what I want

DBeen makin’ some F#big mistakes G

Ran outta time to waste, and nDow

Nobody F#left to bail me Gout

DBills stackin’ F#up againG

Headaches from my sleeplessness

But Dmama thinks I’m capable as F#hell

That’s a lotta Gcredit for myself

‘Cause I just want Dhappy thoughts, happy friends

F#Happy songs, happy Glove

Just wanna Ddance around, clothes are off

ForF#get about all the Gnot-so-happy stuff, that’s what I want

DDAll day, F#F#all night

GI’ll deal with all the stress in another life

DHappy thoughts, happy friends

F#Happy songs, happy Glove

Let ring

I can think of a Dhundred F#million

GThings I’d rather do than be anxious

I know Dsomeday it’ll F#all catch up to Gme

Still ringing

I just want Dhappy thoughts, happy friends

F#Happy songs, happy Glove

Just wanna Ddance around, clothes are off

ForF#get about all the Gnot-so-happy stuff, that’s what I want

Band enters

DDAll day, F#F#all night

GI’ll deal with all the stress in another life

DHappy thoughts, happy friends

F#Happy songs, happy Glove, that’s what I want

DDAll day, F#F#all night

GThat’s what I wanna dream about

DDAll day, F#F#all night

GJust think about the happy stuff

Walk off the Earth - How It Is (2021) Transpose up Transpose down

Rubato, piano only

CE7AmDCadd9

CEAmAmBa ba da ba

CEAmAmBa ba da ba

CBeauty queens and Elibertines and Ambeggars on their benches

They Cgo to sleep and Edream like you and AmI

CBillionaires behiEnd their walls and Amsoldiers in their trenches

We’re Call just looking Efor a reason Amwhy

To get out of Cbed in the Emorning (ah, ahAm)

To fight off the Curge to just Ego call it Amquits

‘Cause sometimes Creality’s Eboring (ah, ahAm)

And it’s a Cshame, but it’s Ejust how it Amis

CEverybEody’s gotta Amlive (yes, they do)

CAnd everybEody’s gonna Amdie

CEverybEody try to have a, Ama good time

CI think you Eknow the reason why Am

So Cpour a drink, or Ehave a smoke, ‘cause Amwe all got our vices

Just Cdoing what we Eneed to to get Amby

CWear a dress, your ESunday best, whatAmever you feel nice in

‘Cause Cgod knows we all Eneed a reason Amwhy

To get out of Cbed in the Emorning (ah, ahAm)

To fight off the Curge to just Ego call it Amquits

‘Cause sometimes Creality’s Eboring (ah, ahAm)

And it’s a Cshame, but it’s Ejust how it Amis

CEverybEody’s gotta Amlive (yes, they do)

CAnd everybEody’s gonna Amdie

CEverybEody try to have a, Ama good time

CI think you Eknow the reason why Am

CTaxi cars and Eprison bars, and Amhistory repeating

We Cbuild our little Eboxes, you and AmI

So Ccross your heart or Eread your cards, whatAmever you believe in

‘Cause Cgod knows we all Eneed a reason Amwhy

To get out of Cbed in the Emorning Am

To fight off the Curge to just Ego call it Amquits

‘Cause sometimes Creality’s Eboring Am

And it’s a Cshame, but it’s Ejust how it Amis

CEverybEody’s gotta Amlive (yes, they do)

CAnd everybEody’s gonna Amdie

CEverybEody try to have a, Ama good time

CI think you Eknow the reason why Am

To get out of Cbed in the Emorning (everybody’s gottaAmlive)

To fight off the Curge to just Ego call it Amquits (everybody’s gotta live)

‘Cause sometimes Creality is Eboring (everybody’s gotta Amlive)

Last chord is implied

And it’s a Cshame, but it’s Ejust how it iAms

Walk off the Earth - I'll Be There (2019) Transpose up Transpose down

Originally in Gm, I play in Am capo 5

Intro

AmFCGx2

Vox on the 4 of the chord on “when the tears

AmWhen the tears are Frolling down

CLike a river Gto the ocean

AmAnd there’s no one Felse around

CYou won’t question Gmy devotion

AmEveryFbody

CNeeds someGbody

AmAnd you Fgot me

CYou know that I know that Gyou know that

I’ll be Amthere for the highs and Flows

Give you Cmine if your heart gets Gbroke

By your Amside when you’re all aFlone

I will beCthereG

When you’re Amdown, d-down on your Fluck

No ride Chome and you got too Gdrunk

2 A.AmM. I’mma pick you Fup

I will Cbe thGere

AmI’ll be there, I’ll be Fthere, I’ll be there for Cyou G

AmI’ll be there, I’ll be Fthere, I’ll be there for Cyou G

When you’re Amdown, d-down on your Fluck

No ride Chome and you got too Gdrunk, whoa

AmI’ll be there, I’ll be Fthere, I’ll be there for Cyou, Gyeah

AmWhen your heart could Fuse a break

CAnd it’s too broken Gto reopen

AmI’ll be patient, FI will wait

CUntil you’re ready Gto be open

AmEveryFbody

CNeeds someGbody

AmAnd you Fgot me

CYou know that I know that Gyou know that

I’ll be Amthere for the highs and Flows

Give you Cmine if your heart gets Gbroke

By your Amside when you’re all aFlone

I will beCthereG

When you’re Amdown, d-down on your Fluck

No ride Chome and you got too Gdrunk

2 A.AmM. I’mma pick you Fup

I will Cbe thGere, eh

AmI’ll be there, I’ll be Fthere, I’ll be there for Cyou G

AmI’ll be there, I’ll be Fthere, I’ll be there for Cyou G

When you’re Amdown, d-down on your Fluck

No ride Chome and you got too Gdrunk, whoa

AmI’ll be there, I’ll be Fthere, I’ll be there for Cyou G

Let ring

I’ll be Amthere for the highs and Flows

Give you Cmine when your heart gets Gbroke

By your Amside when you’re all aFlone

I will beCthereG

When you’re Amdown, d-down on your Fluck

Gave your Call but it’s not eGnough

Take my Amhand I’mma pick you Fup

I will Cbe thGere, eh

AmI’ll be there, I’ll be Fthere, I’ll be there for Cyou G

AmI’ll be there, I’ll be Fthere, I’ll be there for Cyou G

When you’re Amdown, d-down on your Fluck

No ride Chome and you got too Gdrunk, whoa

AmI’ll be there, I’ll be Fthere, I’ll be there for Cyou G

Let ring

I’ll be Amthere for the highs and Flows

Give you Cmine when your heart gets Gbroke

By your Amside when you’re all aFlone

I will beCthereG

When you’re Amdown, d-down on your Fluck

Gave your Call but it’s not eGnough

Take my Amhand I’mma pick you Fup

I will Cbe thGere (I will be there)

AmI’ll be there, I’ll be Fthere, I’ll be there for Cyou G

AmI’ll be there, I’ll be Fthere, I’ll be there for Cyou G

When you’re Amdown, d-down on your Fluck

No ride Chome and you got too Gdrunk, whoa

AmI’ll be there, I’ll be Fthere, I’ll be there for Cyou G

I’ll be there for youC

Walk off the Earth - Long Way Home (2023) Transpose up Transpose down

Originally in Eb, I play in A

DAEF#m

DAEE

Vox on 3 2 1 6 1 3 of the key on “let’s take the long way home”

Let’s take the Dlong way Ahome, Elove is burning F#mslowly

EDown this Dcountry Aroad toEnight

Vox on the 3 of the chord on “make”

DMake a left by the Acorner store

Go Esomewhere we’ve never F#mbeen before

DWe, we got Aplenty of Etime

DThere’s a place by the Alemon trees

We can C#msit all night making F#mmemories

DWith the Astars in our Eeyes

Vox on the 3 of the chord on “it’s getting late”

BmIt’s getting late but I’m F#m/C#still wide awake

I just Dcan’t hit the brakes with Eyou

Let’s take thе Dlong way Ahome, Elove is burning F#mslowly → E

Down this Dcountry Aroad, Eevеry moment’s holy

Baby, DI’ve been waiting Aall my life to C#mwaste my time on F#myou

ETake the Dlong way Ahome toEnight

Solo

DAEF#m

DAEE

DAC#mF#m

DAEE

DGolden hour’s Aafterglow

EFleetwood Mac’s on the F#mradio

DSinging Asweet little Elies

DSeats pulled back and the Amoon is low

C#mTime moves fast but we F#mtake it slow

DNow the Aworld’s outta Esight

BmIt’s getting late but I’m F#m/C#still wide awake

I just Dcan’t hit the brakes with Eyou

Let’s take thе Dlong way Ahome, Elove is burning F#mslowly → E

Down this Dcountry Aroad, Eevеry moment’s holy

Baby, DI’ve been waiting Aall my life to C#mwaste my time on F#myou

ETake the Dlong way Ahome toEnight

DLong way AhomeEF#m

DAEE

I’m gonna take the long way Dhome AC#mI’m gonna F#mtake the long way

DAToEnight

Let ring

Let’s take the Dlong way Ahome, Elove is burning F#mslowly

Down this Dcountry Aroad toEnight

Walk off the Earth - Love You Right (2021) Transpose up Transpose down

Originally in C, I play in G, and still use some falsetto in the chorus

Vox on the 1 on “love”

I’m in lGove with you, I swDear it’s true

Even wEmhen I make you cCry

But you’re mGaking me a bDetter mD#diman

I’m gonna lEmearn to loCve you riGght

Vox on 2 2 2 3 on “swung and I missed”

I sGwung and I missed

TDoo many times, too many lies, but doEmn’t wanna quit C

And aGll these regrets

BreDaking my heart, falling apart, makEming a mess C

Vox up to the 5

Remember we were eiGghteen

It was so amDazing

Then DI made a mistEmake and

You never forgBave me

But you look like an Cangel

Sitting ‘cross the tGable

Looking at mDsus4eD

And all I know is I’m in lGove with you, I swDear it’s true

Even whEmen I make you cCry

But we hGurt the ones we loDve the mD#dimost

I wish I kEmnew the reasCons wGhy

I’m so fGar beyond my sDecond chance

I’ve been lEmost for most my liCfe

But you’re maGking me a bDetter D#dimman

I’m gonna leEmarn to loCve you rGight

So wheGre do we go?

Cause’ aDll of my friends say it should end, but wEmhat do they know? C

WithGout you it’s cold

And iDt’s getting old, I feel so alone, just wEmanna come home C

Remember we were eiGghteen

It was so amaDzing

When you tried to saEmve me

Now you freakin’ Bhate me

But you look like an aCngel

Sitting ‘cross the tGable

Looking at meDsus4D

And all I know is I’m in loGve with you, I swDear it’s true

Even wEmhen I make you cCry

But we hGurt the ones we lDove the moD#dimst

I wish I kEmnew the reCasons wGhy (wish I knew the reasons why)

I’m so fGar beyond my seDcond chance

I’ve been lEmost for most my lCife

But you’re mGaking me a beDtter mD#diman

I’m gonna lEmearn to loCve you riGght

GGonna love you right, rDight

EmGonna love you right, rCright

GGonna love you right, Dlove you right

EmI’m gonna lCearn to love you

Let ring

I’m in loGve with you, I swDear it’s true

Even whEmen I make you cCry

And you’re mGaking me a bDetter mD#diman

I’m gonna leEmarn to lCove you riGght

Walk off the Earth - Whatever (2023) Transpose up Transpose down

Originally in B, I play in G, highest note that matters is the 6 (“you wanna *do*”)

GBum ba Cdum

Bum ba Emdum

Bum ba Ddum, ye-yeah

Vox on the 2

GOne day I don’t Cwanna wake up

WonderEmin’, wondering where’d Dall the time go?

GOne day I don’t wCanna be stuck

With a Empage full of plans that I mDade no time for

GIt’s been a Cminute

Yeah, we Emtalk about life but DI wanna live it

GI wanna lCive it, with Emyou, Dmmm

GWhatever whatever Cyou wanna do

GDown for whatever as Dlong as it’s D#dim7you

EmNothing but time we got nCothing to lose

GDown for whatever as lDong as it’s you

GWhen you’re with Cme nowhere GI’d rather Dbe, yeah yD#dim7eah

EmWhatever whatever Cyou wanna do

GDown for whatever as Dlong as I’m here with Gyou

GBum ba Cdum

Bum ba Emdum

Bum ba Ddum, ye-yeah

GSomeday, on a Crunway

With a couple Emone-ways somewhere Dthey can’t find us

GI know that we been Cstressed out but we’re set now

EmAnd I wanna put it alDl behind us

Hard stop on the I, back in after “minute”

GIt’s been a Cminute

Yeah, we Emtalk about life but DI wanna live it

GSo give me a Cminute, with Emyou, with yDou

GWhatever whatever Cyou wanna do

GDown for whatever as Dlong as it’s D#dim7you

EmNothing but time we got nCothing to lose

GDown for whatever as lDong as it’s you

GWhen you’re with Cme nowhere GI’d rather Dbe, yeah yD#dim7eah

EmWhatever whatever Cyou wanna do

GDown for whatever as Dlong as I’m here with Gyou

GBum ba Cdum

Bum ba Emdum

Bum ba Ddum, ye-yeah

GBum ba Cdum

Bum ba Emdum

Bum ba Ddum, ye-yeah

Outro

GIt’s been a Cminute

Yeah, we Emtalk about life but DI wanna live it

GSo give me a Cminute, with Emyou, with yDou

Don’t wGanna wake up Cwondering the Emtime went, yDeah

GWhatever whatever Cyou wanna do

EmDown for whatever as Dlong as I’m here with Gyou

Walk the Moon - Shut Up and Dance (2014) Transpose up Transpose down

Originally in C#, I play in G capo 2. Highest note that matters is the 5.

You could plausibly play the whole song as I IV vi V.

Intro, though really the entire intro and first verse is just I and Isus4

GCEmD

Vox on the 1

Oh don’t you dGare look bacCk

Just keep your eEmyes on mDe

I said you’re holGding baCck

She said shut Emup and danDce with me

GThis Cwoman is my deEmstinyD

She said Goh oh Coh

Shut uEmp and danDce with me

CDEmD

This is close to correct, but during the verse I’m going to use I → V → ii

CDGD/F#DD/B

Vox on 5 3 of the chord on “victims”

We were vicCtims Dof the night, Emthe cDhemical

PhCysical, Dkryptonite GD/F#Em

Helpless to the bCass and faDding light, Emoh D

We were boCund to get togDether

Bound to gGet toD/F#gether Em

G/BShe took mC6y arm

GI don’t D/F#know how iDt happenCed

G/BWe took tC6he floor and she Dsaid

Oh don’t you dGare look bacCk

Just keep your eEmyes on mDe

I said you’re holGding baCck

She said shut Emup and danDce with me

GThis Cwoman is my deEmstinyD

She said Goh oh Coh

Shut uEmp and danDce with me

CDEmD

A backless dresCs and some beaDt up sneaks, Emmy dDiscothèque

CJuliet tDeenage dream GD/F#Em

I felt it in my Cchest as she Dlooked at me, EmI Dknew

We were bCound to be togDether

Bound to be tGogethD/F#er Em

G/BShe took mC6y arm

GI don’t D/F#know how iDt happenCed

G/BWe took tC6he floor and she Dsaid

Oh don’t you dGare look bacCk

Just keep your eEmyes on mDe

I said you’re holGding baCck

She said shut Emup and danDce with me

GThis Cwoman is my deEmstinyD

She said Goh oh Coh

Shut uEmp and danDce with me

Solo

COh go on girl

EmGCDx4

DG/Beep in hC6er eyes

IGthink D/F#I see tDhe futurCe

G/BI realC6ize

ThGis is mD/F#y laDst cChance

G/BShe took mC6y arm

GI don’t D/F#know how iDt happenCed

G/BWe took tC6he floor and she Dsaid

Quiet, and really just I and Isus4, just like the intro

GCEmD

Still quiet

Oh don’t you dGare look bacCk

Just keep your eEmyes on mDe

I said you’re holGding baCck

She said shut Emup and danDce with me

GThis Cwoman is my deEmstinyD

She said Goh oh Coh

Hard stop, chords implied

Shut uEmp and danDce

Don’t you dGare look bacCk

Just keep your eEmyes on mDe

I said you’re holGding baCck

She said shut Emup and danDce with me

GThis Cwoman is my deEmstinyD

She said Goh oh Coh

Shut uEmp and danDce with me

GCEmD

GOh oh Coh shut uEmp and danDce with me

GCEmD

GOh oh Coh shut uEmp and danDce with me

EmGCD

We The Kings - Check Yes Juliet (2007) Transpose up Transpose down

Originally in D, I play in G

Highest note that matters is the 5 (“*run* baby run”)

Intro

GGEmC

Vox on 1 2 3 on “Check yes Ju”

GCheck yes Juliet, are you with me

GRain is falling down on the sidewalk

EmI won’t go until you come outCside

GCheck yes Juliet, kill the limbo

GI’ll keep tossing rocks at your window

EmThere’s no turning back for us toCnight

Vox on the 1 this whole line

GLace up your shoes, here’s how we do

Vox on 5 4 3 3 of the key on “run baby run”, harmony a third below

Run baby Emrun, don’t Gever look Cback, they’ll Dtear us

AEmpart if you Ggive them the Cchance D

Don’t sell your Emheart, don’t Gsay we’re Cnot meant to Dbe

Run baby Emrun, forGever we’ll Cbe D

You and mGe

GG

GCheck yes Juliet, I’ll be waiting

GWishing, wanting, yours for the taking

EmJust sneak out and don’t tell a soul goodCbye

GCheck yes Juliet, here’s the countdown

GThree two one, now fall in my arms now

EmThey can change the locks

Don’t let them change your Cmind

GLace up your shoes, here’s how we do

Run baby Emrun, don’t Gever look Cback, they’ll Dtear us

AEmpart if you Ggive them the Cchance D

Don’t sell your Emheart, don’t Gsay we’re Cnot meant to Dbe

Run baby Emrun, forGever we’ll Cbe D

This line ends on the IV this time

You and mCe

Bridge

CWe’re flying through the Amnight

We’re flying through the Gnight, way Dup high

CThe view from Amhere is getting better Gwith you Dby my sGide

GGEmC

Let ring, in the original the vox are an an octave down here, but that doesn’t make sense in G

Run baby Emrun, don’t Gever look Cback, they’ll Dtear us

AEmpart if you Ggive them the Cchance D

Band enters, vox back to the original octave

Don’t sell your Emheart, don’t Gsay we’re Cnot meant to Dbe

Run baby Emrun, forGever we’ll Cbe D

Run baby Emrun, don’t Gever look Cback, they’ll Dtear us

AEmpart if you Ggive them the Cchance D

Don’t sell your Emheart, don’t Gsay we’re Cnot meant to Dbe

Run baby Emrun, forGever we’ll Cbe D

You and mGe

You and mGe

You and mGe

Weezer - Beverly Hills (2005) Transpose up Transpose down

Originally in F, I play in E

Intro

EA/EEA/E

The last chord is just a half-beat

EA/EBBB7#9

Vox mostly spoken, but between the b3 and the 3

EWhere I come fromA/Eisn’t all that greEat

EMy automobileA/Eis a piece of cErap

EMy fashion senseA/Eis a little wBhack

BAnd my friends are just as B7#9screwy as mEe

EI didn’t A/Ego to boarding schooEls

EPreppy giA/Erls never looked at mEe

EWhy should A/Ethey I ain’t noBbody

BGot nothing in my pocket B7#9

EBeverly HillsA, Bthat’s where I Awant to be

E(GimmeAGimme) BLiving in Beverly Hills B7#9

EBeverly AHills, Brolling like a Acelebrity

E(GimmeAGimme) BLiving in Beverly Hills B7#9

ELook at allA/Ethose movie staErs

EThey’re all so A/Ebeautiful and cleEan

EWhen the houA/Esemaids scrub the fBloors

BThey get the spaces B7#9in between

Vox up to the 1 on “wanna”

EI wanna A/Elive a life like thaEt

EI wanna A/Ebe just like a kiEng

ETake my pA/Eicture by the poBol

B‘Cause I’m the next big B7#9thing

EBeverly HillsA, Bthat’s where I Awant to be

E(GimmeAGimme) BLiving in Beverly Hills B7#9

EBeverly AHills, Brolling like a Acelebrity

E(GimmeAGimme) BLiving in Beverly Hills B7#9

Solo on chorus chords

Let ring, spoken

EThe truth iA/EsEI don’t stand a chA/Eance

EIts something that you’re born inA/Eto

And F#/A#I just don’t belongA/E

Band back in

No I Edon’t, I’m just a A/Eno-class, beat-down fooEl

EAnd I will A/Ealways be that waEy

EI might as wA/Eell enjoy my liBfe

BAnd watch the stars B7#9play

EBeverly HillsA, Bthat’s where I Awant to be

E(GimmeAGimme) BLiving in Beverly Hills B7#9

EBeverly AHills, Brolling like a Acelebrity

E(GimmeAGimme) BLiving in Beverly Hills B7#9

Wheatus - Teenage Dirtbag (2000) Transpose up Transpose down

Originally in E, I play in A

Intro

AEsus4ADsus2x2

Vox on the 3 of the chord on “name”, and the 3 of the new chord on “elle”

Her Aname is NoeElle

AI have a dreaDm about her

AShe rings my bEell

I got Agym class in haDlf an hour

AOh, how she rocksE

In AKeds and tube sDocks

Vox on the 7 of the chord on “she”

But F#mshe doesn’t kDnow who I aEm

And F#mshe doesn’t gDive a dEamn about me

In A, skip the passing chord at the end of each line

‘Cause AI’m just a Dteenage diErtbag, F#mbaby → C#m

Yeah AI’m just a Dteenage diErtbag, F#mbaby → C#m

AListen to DIron MaiEden, F#mbaby, C#mwith mAe

ADEF#mC#mDE

AEsus4ADsus2x2

Her Aboyfriend’s a prEick

And hAe brings a gDun to school

And hAe’d simply kEick

My Aass if he knewDthe truth

He lAives on my bElock

And he dArives an IDROC

But F#mhe doesn’t knDow who I amE

And F#mhe doesn’t giDve a dEamn about me

‘Cause AI’m just a Dteenage diErtbag, F#mbaby → C#m

Yeah AI’m just a Dteenage diErtbag, F#mbaby → C#m

AListen to DIron MaiEden, F#mbaby, C#mwith mAe

ADEF#mC#mDE

ADsus2Oh yeeah, ADsus2dirtbag ADsus2

No, F#mshe doesnC#m‘t know Dwhat she’s mEissing

ADsus2Oh yeeah, ADsus2dirtbag ADsus2

No, F#mshe doesnC#m‘t know Dwhat she’s mEissing

AEsus4ADsus2

Man, AI feel like mEold

It’s pArom night and IDam lonely

ALo and beholdE

ShAe’s walking oDver to me

AThis must be fEake

My Alip starts to Dshake

F#mHow does she Dknow who I Eam?

And F#mwhy does she Dgive a damnEabout me?

I’ve got two Atickets to DIron MaEiden, bF#maby → C#m

ACome with me FrDiday, doEn’t say mF#maybe → C#m

AI’m just a tDeenage dEirtbag bF#maby C#mlike Ayou DEF#mC#mDE

ADsus2Oh yeeah, ADsus2dirtbag ADsus2

No, F#mshe doesnC#m‘t know Dwhat she’s mEissing

ADsus2Oh yeeah, ADsus2dirtbag ADsus2

No, F#mshe doesnC#m‘t know Dwhat she’s mEissing

AEsus4ADsus2x2

Dsus2C#mBmA

Wicked - Defying Gravity (2003) Transpose up Transpose down

Originally in C#, Glee in D, I play in D

Play straight 8ths, fairly fast

Every A is Asus4 → A

DGsus2x2

DSomething has Gsus2changed within me

DSomething is Gsus2not the same

DI’m through with Gsus2playing by the

D/F#Rules of someone elCsus2se’s game

Csus2Too late for seDcond-guessing

Csus2Too late to go backDto sleep

Go up a whole-step on “trust”, instead of down

Em7It’s time to trusD/F#t my instincts

D/GClose my eyes and leapAsus4

It’s time to tryBmdefyGing gravAity

I think I’ll tryBmdefyiGng gravAity

Kiss me goodBmbye, I’m defyiGng gravAity

And you won’t bring me Ddown

DGsus2x2

DI’m through aGsus2ccepting limits

D‘Cause someone sGsus2ays they’re so

DSome things I cGsus2annot change

But tD/F#ill I try, I’ll nCsus2ever know

Csus2Too long I’ve beeDn afraid of

Csus2Losing love I gDuess I’ve lost

Em7Well, if that’s lD/F#ove

It comes at D/Gmuch too high aAsus4cost

I’d sooner buyBmdefyGing gravAity

Kiss me goodbyeBm, I’m defyinGg graviAty

I think I’ll tryBmdefyiGng gravAity

And you won’t bring me downCsus2

I’d sooner buyBmdefyGing gravAity

Kiss me goodbyeBm, I’m defyinGg graviAty

I think I’ll tryBmdefyiGng gravAity

And you won’t bring me downCsus2

Bring me Ddown

Zooey Deschanel - Hey Girl (short) (2011) Transpose up Transpose down

Originally in C, I play in C capo 3 (Eb)

CHey girlA, Fwhatcha Gdoin’?

CHey girlA, Fwhere you Ggoin’?

FWho’s that girl?

FmWho’s that girl?

It’s CJess!

Zooey Deschanel - Hey Girl (2011) Transpose up Transpose down

Originally in C, I play in C capo 3 (Eb)

FFm

Vox on 1 3 5 on “don’t let the”

CDon’t let the sunshine Ffall from the Gsky

CJust find the sunshine Din your own Geyes

FYou’re a Fmlollipop, no Csecond prize

DAn apple somewhere in someG7body’s eyes

CHey Agirl,Fwhatcha Gdoin’?

CHey Agirl,Fwhere you Ggoin’?

CShot in the armC7, a twinkly eye

FShe could have fell fell Fmout of the sky

CShe could have C7fell right Dout of the sky

FWho’s that girl? (Who’s that girl?)

FmWho’s that girl? (Who’s that girl?)

CDon’t let the moonshine Fcry up the Gnight

CSet from your shadow, Dand make it Gbright

FYou’re a Fmlollipop, no Csecond prize

DAn apple somewhere in someG7body’s eyes

CHey Agirl,Fwhatcha Gdoin’?

CHey Agirl,Fwhere you Ggoin’?

CYou get down, C7and make a frown

FShe’s gonna turn, turn, Fmturn it around

CShe’s gonna C7turn, turn, Dturn it around

FWho’s that girl? (Who’s that girl?)

FmWho’s that girl? (Who’s that girl?)

Solo

CCCCFFmGG

CCCCDDGG

FFFmFmCCCC

DDDDG7G7G7G7

CHey Agirl,Fwhatcha Gdoin’?

CHey Agirl,Fwhere you Ggoin’?

CYou get down, C7and make a frown

FShe’s gonna turn, turn, Fmturn it around

CShe’s gonna turn, turn, Dturn it around

FWho’s that girl? (Who’s that girl?)

FmWho’s that girl? (Who’s that girl?)

It’s CJess!

Bing Crosby - White Christmas (cover) Transpose up Transpose down

Intro, one beat per chord

A6C#m7B9E7

Vox on the 3 on “I’m”

A6I’m Bm7/Adreaming oCdim7f C#dim7a Bm7white Ebdim7ChristmE7as

Bm7Just like the D6ones I uE7sed to

A6Know, G#/AAwhere the

ATree A7tops A6glisten Ebdim7

And Bm7children Bm7b5listen

To A/Ehear Bm7sleigh bells in the snoB7w E7

A6I’m Ab/AABm7/Adreaming oCdim7f C#dim7a Bm7white Ebdim7ChristmE7as

Bm7With every D6Christmas E7card I Awrite G#/AA

May your Adays A7be A6merry and D6bright G9

And may Aall A6your Bm7ChristmasE7es be

A6White C#m7B7E7

A6I’m Ab/AABm7/Adreaming oCdim7f C#dim7a Bm7white Ebdim7ChristmE7as

Bm7Just like the D6ones I E7used to

KAnow, G#/AAwhere he

ATree A7tops A6glisten Ebdim7

And Bm7children Bm7b5listen

To A/Ehear Bm7sleigh bells in the snoB7w E7

A6I’m Bm7/Adreaming oCdim7f C#dim7a Bm7white Ebdim7ChristmE7as

Bm7With every D6Christmas E7card I Awrite G#/AA

May your Adays A6be A7merry A7-9and D6brightG9

May your Adays A7be A6merry and D6bright G9

And may Aall A6your Bm7ChristmasE7es be A6white

Bob Dylan - Make You Feel My Love (cover) Transpose up Transpose down

Dylan in Db, Adele in Bb, Garth Brooks in D

I play in D on piano, in C capo 2 on guitar

Starts with a quick V→I, or do an instrumental verse

CWhen the rain is blowing G/Bin your face

Gm/BbAnd the whole world is F/Aon your case

Fm/AbI could offer you a C/Gwarm embrace

D9/F#To make you F/Gfeel my Clove

CWhen evening shadows and the G/Bstars appear

Gm/BbAnd there is no one there to F/Adry your tears

Fm/AbI could hold you for a C/Gmillion years

D9/F#To make you F/Gfeel my Clove

FI know you haven’t made your Cmind up yet

C+But I would Fnever do you Cwrong

FI’ve known it from the moment Cthat we met

NDm7o doubt in my mind where you Gbelong

CI’d go hungry, I’d go G/Bblack and blue

Gm/BbI’d go crawling down the F/Aavenue

Fm/AbOh there’s nothing that I C/Gwouldn’t do

D9/F#To make you F/Gfeel my Clove

Solo

CG/BGm/BbF/A

Fm/AbC/GD9/F#F/GC

FThe storms are raging on the Crolling sea

EAnd on the Fhighway of Cregret

FThe winds of change are blowing Cwild and free

YDm7ou ain’t seen nothing like me Gyet

CI could make you happy, make your G/Bdreams come true

Gm/BbThere is nothing that I wouF/Aldn’t do

Fm/AbGo to the ends of the C/GEarth for you

D9/F#To make you F/Gfeel my Clove

D9/F#To make you F/Gfeel my Clove

Bob Seger - Turn The Page (cover) Transpose up Transpose down

I like to play this about 1.5x faster than the original,

starting with the Em at the 7th fret with the open top string,

then going to more like a low E5 in the second part of the verse.

Changing positions keeps this fairly repetitive song from getting

stale. Actually I try to us as many voicings with the open high E

string as I can.

EmDEmEm

On a Emlong and lonesome highway east of Omaha

You can Dlisten to the engine, moanin’ out its one note song

You can Athink about the woman, or the girl you knew the night Embefore

And your Emthoughts will soon be wandering the way they always do

When you’re Driding sixteen hours and there’s nothing much to do

You Adon’t feel much like writing, you just wish the trip was through Em

But here I Dam, on the Emroad again

Here I Dam, up on Emstage

Here I Dgo, playing the Astar again

There I Cgo,Dturn the Empage

EmYou walk into a restaurant, strung out from the road

And you Dfeel the eyes upon you, as you’re shaking off the cold

You Apretend it doesn’t bother you, but you just want to Emexplode

EmSometimes you can hear ‘em talk, other times you can’t

And it’s all the Dsame cliches is that a woman or a man

And you Aalways seem outnumbered, you don’t dare make a Emstand

But here I Dam, on the Emroad again

Here I Dam, up on Emstage

Here I Dgo, playing the Astar again

There I Cgo,Dturn the Empage

Quiet, let chords ring...

EmOut there in the spotlight, you’re a million miles away

DEvery ounce of energy you try to give away

And the Asweat pours out your body like the music that you Emplay

EmLater on that evening, as you lie awake in bed

The Dechoes of the amplifiers ringin’ in your head

And you Asmoke the day’s last cigarette, remembering what she said Em

But here I Dam, on the Emroad again

Here I Dam, up on Emstage

Here I Dgo, playing the Astar again

There I Cgo,Dturn the Empage

Now getting loud again...

But here I Dam, on the Emroad again

Here I Dam, up on Emstage

Here I Dgo, playing the Astar again

There I Cgo,Dthere I Emgo

Bruce Springsteen - Santa Clause is Coming to Town (cover) Transpose up Transpose down

Springsteen in C, I play in A

Intro

AADE

Spoken

It’s all cold down along the beach

The wind’s whipping down the boardwalk, hey band

You guys know what time of year it is?

What time, huh? What? What? Oh, Christmas time!

You guys all, you guys all been good and practicing real hard?

Yeah? Clarence, you been, you been rehearsing real hard now

So Santa’ll bring you a new saxophone, right?

Everybody out there been good, or what?

Oh, that’s not many, not many, you guys are in trouble out here, come on

Quiet

Vox on the 5 on “better”

Yeah you Abetter watch out you Dbetter not Ecry

You Abetter not pout I’m Dtelling you Ewhy

ASanta Clause is Dcoming to Etown

ASanta Clause is Dcoming to Etown

ASanta F#mClause is Dcoming Eto Atown DE

Drums in a little

He’s Amaking a list he’s Dchecking it Etwice

He’s Agonna find out who’s Dnaughty or Enice

ASanta Clause is Dcoming to Etown

ASanta Clause is Dcoming to Etown

ASanta F#mClause is Dcoming Eto Atown A7

In the Springsteen version this is more like vi I IV

He Esees you D#dim7when you’re Asleeping

He Eknows when D#dim7you’re Aawake

He B7knows if you’ve been bad or good

Hard stop on “better”

You Ebetter be good for goodness sake, you better be good for goodness sake

Swung, band in

You Abetter watch out you Dbetter not Ecry

You Abetter not pout I’m Dtelling you Ewhy

ASanta Clause is Dcoming to Etown

ASanta Clause is Dcoming to Etown

ASanta F#mClause is Dcoming Eto Atown

Sax solo

AADEx3

AF#mDEAA7

He Esees you D#dim7when you’re Asleeping

He Eknows when D#dim7you’re Aawake

He B7knows if you’ve been bad or good

You Ebetter be good for goodness sake, you better be good for goodness sake

You Abetter watch A/Gout you D/F#better not Dm/Fcry

You Abetter not A/Gpout I’m D/F#telling you Dm/Fwhy

ASanta Clause is Dcoming to Etown

ASanta Clause is Dcoming to Etown

Band out on “town”, back to straight rhythm

ASanta F#mClause is Dcoming Eto Atown

AAD/AE/A

AAD/AE/A

ASanta Clause is Dcoming to Etown

ASanta Clause is Dcoming to Etown

ASanta Clause is Dcoming to Etown

ASanta Clause is Dcoming to Etown

Cat Stevens - The First Cut is the Deepest (cover) Transpose up Transpose down

Sheryl Crow in D, Cat Stevens in G, Rod Stewart in C, I play in G

Intro

GDGD

I would have Ggiven you Dall of my heCart D

But there’s sGomeone who’s tDorn it apaCrt D

And he’s tGaking just aDll I haCve D

But if you want, I’ll Gtry to love aDgain CbabDy

I’ll Gtry to love aCgain but I knDow

GThe first Dcut is the deeCpest, baDby I know

GThe first Dcut is the deCepest D

But when it Gcomes to being lDucky he’s curCsed D

When it coGmes to lovin’ Cme he’s wDorst D/CD/BD/C

I still Gwant you Dby my sidCe D

Just to Ghelp me dry the Dtears that I’ve criCed D

And I’m Gsure gonna gDive you a tCry D

And if you want, I’ll Gtry to love aDgain, tryC

BDaby I’ll Gtry to love Cagain, but I kDnow

GThe first Dcut is the deeCpest, baDby I know

GThe first Dcut is the deCepest D

But when it Gcomes to being lDucky he’s curCsed D

And when it coGmes to lovin’ Cme he’s wDorst D/C

Solo

GCDDx4

Let ring

I still Gwant you Dby my sidCe D

Just to Ghelp me dry the Dtears that I’ve criCed D

But I’m Gsure gonna gDive you a tCry D

‘Cause if you want, I’ll Gtry to love aDgain C

BDaby I’ll Gtry to love Cagain, but I kDnow D/CD/BD/C

GThe first Dcut is the deeCpest, baDby I know

GThe first Dcut is the deCepest D

But when it Gcomes to being lDucky he’s curCsed D

And when it coGmes to lovin’ Cme he’s wDorst D/Coh

GThe first Dcut is the deeCpest, baDby I know

GThe first Dcut is the deCepest, Dtry to love aGgain

Cream - Crossroads (cover) Transpose up Transpose down

Cream in A, John Mayer in A, Robert Johnson in Bb, I play in E capo 3, or maybe A

Intro

E7E7A7E7B7A7E7B7

I went dE7own to the crossroads, A7fell down on my kneeE7s

A7Down to the crossroads, fell down on my kneesE7

B7Ask the lord up above for mercy, A7take me if you please E7

E7I went down to the crossroads, A7tried to flag a rideE7

A7Down to the crossroads, tried to flag a rideE7

B7Nobody seemed to know me, A7everybody passed byE7

E7Well I’m going down to Rosedale, A7take my rider by my sideE7

A7Going down to Rosedale, take my rider by my sideE7

B7You can still buy a house baby, A7on the riverside E7

Solo

E7E7A7E7B7A7E7B7x2

E7Going down to Rosedale, A7take my rider by my sideE7

A7Going down to Rosedale, take my rider by my sideE7

B7You can still buy a house baby, A7on the riverside E7

E7E7A7E7B7A7E7B7x2

E7You can run, you can run, A7tell my friends I’ll be aroundE7

A7Run, you can run, tell my friends I’ll be aroundE7

B7Well I’m standing at the crossroads, belieA7ve I’m sinking E7down

Dave Dudley - Six Days on the road (cover) Transpose up Transpose down

Lyrics here follow the Mudcrutch version

Mudcrutch in A, Dave Dudley in G, George Thorogood in G, I play in A

Intro

ADAEA

Vox on the 3

Well I Apulled out of Pittsburgh Erolling down that Eastern seaAboard

I got my diesel wound up, she’s running like she never did beEfore

There’s a Dspeed zone ahead aElright

But I Adon’t see a cop in Dsight

Six Adays on the road and I’m gonna Esee my baby toAnight

I got Aten forward gears and a Esweet Georgia overAdrive

I’m takin’ little white pills, my eyes are open Ewide

Well I jDust passed a Jimmy and a EWhite

I been Apassing everything in Dsight

Six Adays on the road and I’m gonna Esee my baby toAnight

Well it Aseems like a month since I Ekissed my baby goodAbye

Could have a lotta women, I’m not like some other Eguys

I could Dfind one to hold me Etight

But I could Anever believe it’s Dright

Six Adays on the road and I’m Egonna see my baby toAnight

Here we go

Solo on verse chords

AEAA

AAEE

DEAD

AEAA

Well the AI.C.C. is Echeckin’ on down the Aline

I’m a little overweight and my log book’s way beEhind

But Dnothing bothers me tonEight

I could Adodge them scales alDright

Six Adays on the road and I’m Egonna see my baby toAnight

Solo on verse chords

AEAA

AAEE

DEAD

AEAA

Well my Arig’s a little old but Ethat don’t mean she’s Aslow

There’s a flame from her stack and that smoke blowin’ black as Ecoal

Well my Dhome town is coming in Esight

And if you Athink I’m happy you’re Dright

Six Adays on the road and I’m Egonna see my baby toAnight

Six Adays on the road and I’m Egonna see my baby toAnight

Six Adays on the road and I’m Egonna see my baby toAnight

A

Dean Martin - Sway (cover) Transpose up Transpose down

Ordering and lyrics follow Michael Buble’s version

Intro

GmA7GmA7

DmDm

GmA7GmA7

DmDm

When marimba rhythms Gmstart to A7play

GmDance with A7me, Dmmake me sway

Vox down to the 1 of the chord (instead of the 3) on “hugs”

Like a lazy ocean Gmhugs the A7shore

GmHold me A7close, Dmsway me more

Like a flower bending Gmin the A7breeze

GmBend with A7me, Dmsway with ease

When we dance you have a Gmway with A7me

GmStay with A7me, Dmsway with me

Vox to the 1 of the key on “other”, the 2 of the key on “be”

Other dancers may Cbe on the floor

Vox up to the 5 of the chord on “see”

Dear but my eyes will F6see only you

Only you have that A7magic technique

When we sway I go Bbweak A7

I can hear the sounds of GmviolA7ins

GmLong beA7fore Dmit begins

Make me thrill as only Gmyou know A7how

GmSway me A7smooth Dmsway me now

Instrumental

GmA7GmA7

DmDm

Other dancers may Cbe on the floor

Dear but my eyes will F6see only you

Only you have that A7magic technique

When we sway I go Bbweak A7

I can hear the sounds of GmviolA7ins

GmLong beA7fore Dmit begins

Make me thrill as only Gmyou know A7how

GmSway me A7smooth Dmsway me now

When marimba rhythms Gmstart to A7play

GmDance with A7me, Dmmake me sway

Like a lazy ocean Gmhugs the A7shore

GmHold me A7close, Dmsway me more

Michael Buble version goes up a half-step and riffs to fade,

I’ll just end on this verse

Like a flower bending Gmin the A7breeze

GmBend with A7me, Dmsway with ease

When we dance you have a Gmway with A7me

GmStay with A7me, Dmsway with me

Dobie Gray - Drift Away (cover) Transpose up Transpose down

Originally in B, I play in A or G, highest note is the 6

(on “POURing rain”), lots of 5 in the chorus

Intro

AE/AD/AE/AA

Esus4A

DDay after day I’m more confuAsed

DYet I look for the Elight through the pouring rAain

DYou know that’s a game that I hate to lAose

BmI’m feelin’ the strain, Dain’t it a shame

Oh, gAive me the beat, boys, and free my soul

I Ewanna get lost in your rock and roll and dDrift away

Oh, gAive me the beat, boys, and free my soul

I Ewanna get lost in your rock and roll and dDrift away

AE/AD/AE/AA

Esus4A

DBeginning to think that I’m wastin’ tAime

DI don’t understandEthe things I doA

DThe world outside looks so unkiAnd

BmNow I’m countin’ on you to Dcarry me through

Oh, gAive me the beat, boys, and free my soul

I Ewanna get lost in your rock and roll and dDrift away

Yeah, gAive me the beat, boys, and free my soul

I Ewanna get lost in your rock and roll and dDrift away

AE/AD/AE/AA

Esus4A

BmAnd when my mind is free

DYou know a melody can mAove me

BmAnd when I’m feelin’ blue

DThe guitar’s comin’ through to sEoothe me

DThanks for the joy that you’ve given Ame

DI want you to Eknow I believe in your sAong

DRhythm and rhyme and harmAony

BmYou help me along, mDakin’ me strong

Instruments drop out

Oh, gAive me the beat, boys, and free my soul

I Ewanna get lost in your rock and roll and dDrift away

GAive me the beat, boys, and free my soul

I E/G#wanna get lost in your rock and roll and dD/F#rift away, ooh

Instruments back in

GAive me the beat, boys, and free my soul (free my soul)

I Ewanna get lost in your rock and roll and dDrift away (ooh, hey)

GAive me the beat, boys, and free my soul (free my soul)

I Ewanna get lost in your rock and roll and dDrift away

Now won’t you Atake me, Etake me D

Fade on chorus chords

Don Henley - The Boys of Summer (cover) Transpose up Transpose down

Originally in Ebm, I play in Am or Am capo 1

Highest note is the 3 in the major key (“I can see you”)

AmFGF

Vox in on the 7, up to the 1 on “road”

AmNobody on the road, nobody on the beach

FI feel it in the air, the summer’s out of reach

GEmpty lake, empty streets, the sun goes down alone

FI’m driving by your house, though I know you’re not home

CBut I can see you, Gyour brown skin shining in the sun

You got your hair combed back and your Fsunglasses on, baby

CI can tell you my Glove for you will still be strong

After the boys of Fsummer have gone

AmFGF

AmI never will forget those nights, I wonder if it was a dream

FRemember how you made me crazy, remember how I made you scream

GNow I don’t understand what happened to our love

FBut babe I’m gonna get you back

I’m gonna show you what I’m made of

CI can see you,Gyour brown skin shining in the sun

I see you walking real slow and you’re Fsmiling at everyone

CI can tell you my Glove for you will still be strong

After the boys of Fsummer have gone

Interlude, I skip this

FFF

FGF

FGDm

FGF

AmFGF

AmOut on the road today I saw a deadhead sticker on a Cadillac

FA little voice inside my head said

Don’t look back, you could never look back

GI thought I knew what love was, what did I know?

FThose days are gone forever I should just let them go, but

CI can see you,Gyour brown skin shining in the sun

You got the top pulled down and your Fradio on, baby

CI can tell you my Glove for you will still be strong

After the boys of Fsummer have gone

CI can see you,Gyour brown skin shining in the sun

You got your hair slicked back and those Fwayfarers on, baby

CI can tell you my Glove for you will still be strong

After the boys of Fsummer have gone

Fade on chorus chords

Elton John - Can You Feel the Love Tonight (cover) Transpose up Transpose down

Elton John in Bb, Simple Plan in C, I play in G, and punky-fast like the Simple Plan arrangement

This follows the Simple Plan arrangement

Vox on the 5 on “can”

GCan you fDeel the lEmove tonCight?

GIt is whCere wA/C#e Dare

CIt’s enoughGto make kEmings G/Dand vCagabonds

BeliCeve the vDery bGest

Band enters

GD/F#C/EG/DCG/BDD

ThCere’s a calm surrGender

TCo the rush of dGay

WhCen the heat of a rGolling wind

CFan be turned awDay

CAn enchanted mGoment

CAnd it sees me thrGough

CIt’s enough for this rGestless warrior

JFust to be with yDou D

And cGan you fDeel the lEmove tonCight?

GIt is whCere wA/C#e Dare

CIt’s enoughGto make kEmings G/Dand vCagabonds

BeliCeve the vDery bGest

ThCere’s a time for Geveryone

CIf they only lGearn

ThCat the twisting kalGeidoscope

MFoves us all in tDurn

ThCere’s a rhyme and rGeason

TCo the wild outdGoors

WhCen the heart of this stGar-crossed voyager

BFeats in time with yDours

And cGan you fDeel the lEmove tonCight?

GIt is whCere wA/C#e Dare

CIt’s enoughGfor this wEmide-G/Deyed wCanderer

ThAmat wG/Be gCot thA/C#is fDar

And cGan you feelDthe lEmove tonCight?

GHow it’s lCaid tA/C#o rDest?

CIt’s enoughGto make kEmings G/Dand vCagabonds

BelieCve the vDery bGest

Let ring

CIt’s enoughG/Bto make kEmings G/Dand vCagabonds

BelAmieve thGe C/Dve C/Gry Gbest

Joni Mitchell - Big Yellow Taxi (cover) Transpose up Transpose down

Joni Mitchell in E, Counting Crows in G#

This arrangement is somewhere in between, I play in G

Highest note is the 1 if you do the high “farmer farmer”

Can play D/F# as D11

CD/F#GGx2

Vox in on the 3 of the chord on “paved”

They Cpaved paradise and D/F#put up a parking lotG

With a Cadd9pink hotel, a D/F#boutique, and a swingin’ hot spotG

GDon’t it always G9seem to go

That you don’Cadd9t know G/Bwhat you Am7got till it’s gone

They Cpaved paradise and pDut up a parking lotG

GCadd9Cadd9G

They Cadd9took all the trees, and D/F#put ‘em in a tree museumG

And they Cadd9charged the people a D/F#dollar and a half to see themG

No, no, no

GDon’t it always G9seem to go

That you don’Cadd9t know G/Bwhat you Am7got till it’s gone

They Cpaved paradise and pDut up a parking lotG

Hey farCadd9mer, farmer, put away your DDTG

I don’t care about Cadd9spots on my apples

D11Leave me the birds and the beesGplease

GDon’t it always G9seem to go

That you don’Cadd9t know G/Bwhat you Am7got till it’s gone

They Cpaved paradise and pDut up a parking lotG

Hey now they Cpaved paradise and pDut up a parking lotG

CD/F#GGx2

Let ring

Listen, Cadd9late last night, I D/F#heard a screen doorGslam

And a biCadd9g yellow taxi toD/F#ok my girl awayG

Now Gdon’t it always G9seem to go

That you don’Cadd9t know G/Bwhat you Am7got till it’s gone

They Cadd9paved paradise and pDut up a parking lotG

Hey now now Gdon’t it always G9seem to go

That you don’Cadd9t know G/Bwhat you Am7got till it’s gone

They Cpaved paradise and pDut up a parking lotG

Why now they Cpaved paradise and pDut up a parking lotG

Hey hey hey Cpaved paradise and pDut up a parking lotG

I end here, but I’m writing out the rest of the Counting

Crows arrangement.

GCD/F#G

Cadd9I don’t wanna give it, why you wanna give it?

Why you wanna Ggiving it all away? Hey, hey, hey

Cadd9Now you wanna give it, oh she wanna give it

‘Cause she Ggiving it all away no no

Cadd9I don’t wanna give it, why you wanna give it?

Why you wanna Ggiving it all away?

Cadd9Giving it all

D/F#Giving it all aGway

Am7Cadd9Why you Gwant me?

Am7Cadd9Why do you Gwant me?

They Cpaved paradise and Dput up a parking lotG

Repeat to fade

Labelle - Lady Marmalade (cover) Transpose up Transpose down

Originally in Gm, I play in Am capo 2

Am7D11x2

Vox on the 5

Am7Hey sista, go sista, sD11oul sista, go sista

Am7Hey sista, go sista, sD11oul sista

He Am7met Marmalade down in oD11ld New Orleans

Am7Struttin’ her stuff on the D11street

She said Dm7hello, hey Joe, you wanna Em7give it a go?

Vox on the 3 of the chord

Am7Gitchi, gitchi, ya-ya, dD11a-da

GAm7itchi, gitchi, ya-ya heD11re

Am7Mocha chocolata, yD11a-ya

Hang on “creole”, vox on 7 6 7 1 of the chord on “creole lady”

Em7Creole lady MarmaAm7lade

Vox only up to the 3, even though you’ll feel like you

want to go up to the 5.

Am7Voulez-vous coucher avec mD11oi, ce soir?

VAm7oulez-vous coucher aveD11c moi?

He Am7stayed in her boudoir while D11she freshened up

Am7That boy drank all that magnD11olia wine, on her

Dm7Black satin sheets, is wEm7here he started to freak

Am7Gitchi, gitchi, ya-ya, dD11a-da

GAm7itchi, gitchi, ya-ya heD11re

Am7Mocha chocolata, yD11a-ya

Em7Creole lady MarmaAm7lade

Am7Voulez-vous coucher avec mD11oi, ce soir?

VAm7oulez-vous coucher aveD11c moi?

Am7D11x2

EHey, hey, hey...

Am7Seeing her skin feeling D11silky smoothe

CAm7olor of cafe au laD11it

Made the Dm7savage beast inside Em7roar until it cried

EMore, more, more

Am7Now he’s at home doing D11nine to five

Am7Living his brave life of lD11ies

But when he Dm7turns off to sleep, old Em7memories keep

EMore, more, more

Am7Gitchi, gitchi, ya-ya, dD11a-da

GAm7itchi, gitchi, ya-ya heD11re

Am7Mocha chocolata, yD11a-ya

Em7Creole lady MarmaAm7lade

Am7Voulez-vous coucher avec mD11oi, ce soir?

VAm7oulez vous coucher aveD11c moi?

Am7Voulez-vous coucher avec mD11oi, ce soir?

Em7Creole lady MarmaAm7lade

Nina Simone - Feeling Good (cover) Transpose up Transpose down

Nina Simone in Gm, Michael Bublé in Ebm, I play in Em and drop all the gymnastic at the end

I follow the Michael Bublé arrangement, except that I don’t do the key change

Let ring, rubato

EmBirds flying Em7/Dhigh Cmaj7you know how I feEm/Bel B7

EmSun in the skEm7/Dy Cmaj7you know how I fEm/Beel B7

EmReeds driftin’ on bEm7/Dy C#m7b5you know how I Cmaj7feel

Chords ring after each line

It’s a new dawn Cmaj7

It’s a new day Am11

It’s a new life F#m7b5

B7For me

And I’m feeling good

At tempo

EmEm7/DCmaj7I’m B7

EmFeeling good Em7/DCmaj7B7

EmFish in the Em7/Dsea Cmaj7you know how I feelB7

EmRiver running Em7/Dfree Cmaj7you know how I feelB7

EmBlossom oEm7/Dn the tree C#m7b5you know how I feCmaj7el

It’s a nEm/Bew dawn

It’s a nAm7ew day

It’s a nAm7/Gew life F#m7b5

Hard stop on the V#5

For me AmB7#5

Not what you think happens here... James Bond chords, not the descending pattern from the first verse

And I’m fEmeeling good Em(#5)Em6Em(#5)

EmDragonfly oEm7/Dut in the sun

Cmaj7You know what I meB7an, don’t you know

EmButterflies aEm7/Dll havin’ fun

Cmaj7You know what I mB7ean

EmSleep in Em7/Dpeace when day is done C#m7b5

That’s what I meCmaj7an

Faster chord changes here

And this oEmld world Em/D

Is a nAm7/Cew world Am7/E

And a bAm7/Gold world F#m7b5

For Emme Em7/DCmaj7B7

The Michael Bublé version changes key up a whole step here

EmStars Em7/Dwhen you shine, Cmaj7you know how I feB7el

EmScent of the Em7/Dpine, Cmaj7you know how I feB7el

EmOh freedom is Em7/Dmine and I knC#m7b5ow how I feCmaj7el

It’s a nEmew dawn

It’s a nEm7/Dew day

It’s a nC#m7b5ew life Cmaj7

It’s a nEmew dawn

It’s a nEm7/Dew day

It’s a nC#m7b5ew life Cmaj7

It’s a nEmew dawn

It’s a nEm7/Dew day

It’s a nC#m7b5ew life Cmaj7

For mCmaj7e B7#5

And I’m feeling

EmGood Em7/DCmaj7B7

Em

Tears for Fears - Mad World (cover) Transpose up Transpose down

Tears for Fears in F#m, Gary Jules in Fm, I play in Em

EmA

EmA

EmAll around me are faGmiliar faces

DWorn out places, Aworn out faces

EmBright and early for their Gdaily races

DGoing nowhere, Agoing nowhere

EmTheir tears are filling Gup their glasses

DNo expression, Ano expression

EmHide my head, I want to Gdrown my sorrow

DNo tomorrow, Ano tomorrow

EmAnd I find it kinda Afunny, I find it kinda Emsad

The dreams in which I’m Adying are the best I’ve ever Emhad

I find it hard to Atell you, ‘cause I find it hard to Emtake

When people run in Acircles, it’s a very, very

EmMad wAorld

EmMad wAorld

EmMad wAorld

EmMad wAorld

EmChildren waiting for the Gday they feel good

DHappy birthday, Ahappy birthday

EmAnd I feel the way that Gevery child should

DSit and listen, Asit and listen

EmWent to school, and I was Gvery nervous

DNo one knew me, Ano one knew me

EmHello, teacher, tell me Gwhat’s my lesson

DLook right through me, Alook right through me

EmAnd I find it kinda Afunny, I find it kinda Emsad

The dreams in which I’m Adying are the best I’ve ever Emhad

I find it hard to Atell you, ‘cause I find it hard to Emtake

When people run in Acircles, it’s a very, very

EmMad wAorld

EmMad wAorld

EmMad wAorld

EmMad wAorld

A

Solo, more or less

EmGDA

EmGDA

EmAnd I find it kinda Afunny, I find it kinda Emsad

The dreams in which I’m Adying are the best I’ve ever Emhad

I find it hard to Atell you, ‘cause I find it hard to Emtake

When people run in Acircles, it’s a very, very

EmMad wAorld

EmMad wAorld

EmEnlarging your wAorld

EmMad wAorld

The Bobby Fuller Four - I Fought the Law (cover) Transpose up Transpose down

Originally in G, I play in E

Intro

E

EEAB

EEBE

Ah Ebreaking rocks in the Ahot Esun

EI fought the law and the Alaw Ewon

EI fought the law and the Blaw Ewon

EEAB

EEBE

I nEeeded money cause I Ahad Enone

EI fought the law and the Alaw Ewon

EI fought the law and the Blaw Ewon

EEAB

EEBE

I lAeft my baby and I feel so bad

I Eguess my race is run

Well Ashe’s the best girl I’ve ever had

EI fought the law and the Alaw Ewon

EI fought the law and the Blaw Ewon

EEAB

EEBE

Solo

AAAA

EEEE

AAAA

EEAB

EEBE

Hard stop before “six gun”, chords are implied

Ah Erobbing people with a Asix Egun

EI fought the law and the Alaw Ewon

EI fought the law and the Blaw Ewon

EEAB

EEBE

Yes, he says “um good fun”

I mEiss my baby and um Agood Efun

EI fought the law and the Alaw Ewon

EI fought the law and the Blaw Ewon

EEAB

EEBE

I lAeft my baby and I feel so bad

I Eguess my race is run

Well Ashe’s the best girl I’ve ever had

EI fought the law and the Alaw Ewon

EI fought the law and the Blaw Ewon

EEAB

EEBE

The Carter Family - When I'm Gone (Cups) (cover) Transpose up Transpose down

Anna Kendrick version in C, I play in E capo 1, pretty fast

EI’ve got my ticket for the long way round

ATwo bottles of whiskey for the Eway

And I C#msure would Blike some Asweet company

And I’m Amaj7/C#leavin’ Btomorrow whadya Esay

When I’m C#mgone, when I’m Agone

C#mYou’re gonna miss me when I’m Bgone

You’re gonna C#mmiss me by my Bhair

You’re gonna Amiss me everywhere

Amaj7/C#You’re gonna Bmiss me when I’m Egone

When I’m C#mgone, when I’m Agone

C#mYou’re gonna miss me when I’m Bgone

You’re gonna C#mmiss me by my Bwalk

You’re gonna Amiss me by my talk

Amaj7/C#You’re gonna Bmiss me when I’m Egone

EI’ve got my ticket for the long way ‘round

The Aone with the prettiest of Eviews

It’s got C#mmountains, it’s got Brivers, it’s got Asights to give you shivers

But it Amaj7sure would be Bprettier with Eyou

Chorus lyrics reversed

When I’m C#mgone, when I’m Agone

C#mYou’re gonna miss me when I’m Bgone

You’re gonna C#mmiss me by my Bwalk

You’re gonna Amiss me by my talk

Amaj7/C#You’re gonna Bmiss me when I’m Egone

When I’m C#mgone, when I’m Agone

C#mYou’re gonna miss me when I’m Bgone

You’re gonna C#mmiss me by my Bhair

You’re gonna Amiss me everywhere

Amaj7/C#You’re sure gonna Bmiss me when I’m Egone

When I’m C#mgone, when I’m Agone

C#mYou’re gonna miss me when I’m Bgone

You’re gonna C#mmiss me by my Bwalk

One-off iv here, ritard to hanging stop

You’re gonna Amiss me by my Amtalk

Amaj7/C#You’re gonna Bmiss me when I’m Egone

The Monkees - I'm a Believer (cover) Transpose up Transpose down

Start with a little semblance of the organ riff, e.g.:

D------3-3--5p3--3-
A--3h5----------5--

GI thought love was Donly true in Gfairy tales

GMeant for someone Delse but not for Gme

CLove was out to Gget me

CThat’s the way it Gseemed

Hard stop on the V7

CDisappointment Ghaunted all my Ddreams D7

Then I saw her faceGC/GGnow I’m a believer C/GG

Not a tGrace C/GGof doubt in my mind C/GG

Hang a half-beat after “love”

I’m in lGove CI’m a beGliever I couldn’t Fleave her if I Dtried D7

GI thought love was Dmore or less a Ggivin’ thing

GSeems the more I Dgave the less I Ggot

CWhat’s the use in Gtryin’?

CAll you get is Gpain

CWhen I needed Gsunshine I got Drain D7

Aw then I saw her faceGC/GGnow I’m a believer C/GG

Not a tGrace C/GGof doubt in my mind C/GG

I’m in lGove CI’m a beGliever I couldn’t Fleave her if I Dtried D7

Instrumental

GFD

GDGD

GFD

GDGG

CLove was out to Gget me

CThat’s the way it Gseemed

CDisappointment Ghaunted all my Ddreams D7

Aw then I saw her faceGC/GGnow I’m a believer C/GG

Not a tGrace C/GGof doubt in my mind C/GG

I’m in lGove CI’m a beGliever I couldn’t Fleave her if I Dtried D7

Outro, drop an octave

Yes I saw her fGace C/GGnow I’m a beGliever C/GG

Not a tGrace C/GGof doubt in my mind C/GG

This ending comes from the Smashmouth arrangement

Said I’m a Gbeliever yeah Fyeah yeah Gyeah yeah Fyeah Gyeah

FG

Hang on the last “yeah”

Yes FI’m a Gbeliever yeah Fyeah yeah Gyeah yeah Fyeah Gyeah