Originally in B, I play in E
Highest note is the 1 (“take *it*”)
E | A | E | B | A |
E | A | |
All | alone at the end of the | evening |
E | A | |
And the | bright lights have faded to | blue |
E | G#7 | C#m | |
I was | thinking ‘bout a | woman who might have | loved me |
The I/3 can also be a V/6, i.e. B/G# in E
B | B/A | E/G# | |
But I never | knew |
B/F# | E | A | |
You know I’ve | always been a | dreamer (spent my life | runnin’ round) |
A | E | A | |
And it’s | so hard to | change (can’t seem to | settle down) |
A | F#m | A | |
But the | dreams I’ve seen | lately | keep on turnin’ out |
A/B | B | A/B | B | |
And | burnin’ out and | turnin’ out the | sa | me |
A | E | A | E | |
So | put me on a | highway and | show me a | sign |
A | B | E | |
And | take it to the | limit one more | time |
E | A | E | B | A |
E | A | |
You can | spend all your time making m | oney |
E | A | |
Or you can | spend all your love making | time |
E | G#7 | C#m | |
If it | all fell to | pieces tom | orrow |
B | B/A | E/G# | |
Would you still be | mine? |
B/F# | E | A | |
And when you’re | looking for your | freedom (nobody | seems to care) |
A | E | A | |
And you | can’t find the | door (can’t find it | anywhere) |
A | F#m | A | |
When there’s | nothing to be | lieve in | still you’re coming back |
A/B | B | A/B | B | |
You’re | running back, you’re | coming back for | mo | re |
A | E | A | E | |
So | put me on a | highway and | show me a | sign |
A | B | C#m | |
And | take it to the | limit one more | time |
Repeat to fade
A | B | A | B |
Take it to the | limit, | take it to the | limit |
A | B | E |
Take it, to the | limit one more | time |