Originally in B, I play in E
Highest note is the 1 (“take *it*”)
| E | A | E | B | A |
| E | A | |
| All | alone at the end of the | evening |
| E | A | |
| And the | bright lights have faded to | blue |
| E | G#7 | C#m | |
| I was | thinking ‘bout a | woman who might have | loved me |
The I/3 can also be a V/6, i.e. B/G# in E
| B | B/A | E/G# | |
| But I never | knew |
| B/F# | E | A | |
| You know I’ve | always been a | dreamer (spent my life | runnin’ round) |
| A | E | A | |
| And it’s | so hard to | change (can’t seem to | settle down) |
| A | F#m | A | |
| But the | dreams I’ve seen | lately | keep on turnin’ out |
| A/B | B | A/B | B | |
| And | burnin’ out and | turnin’ out the | sa | me |
| A | E | A | E | |
| So | put me on a | highway and | show me a | sign |
| A | B | E | |
| And | take it to the | limit one more | time |
| E | A | E | B | A |
| E | A | |
| You can | spend all your time making m | oney |
| E | A | |
| Or you can | spend all your love making | time |
| E | G#7 | C#m | |
| If it | all fell to | pieces tom | orrow |
| B | B/A | E/G# | |
| Would you still be | mine? |
| B/F# | E | A | |
| And when you’re | looking for your | freedom (nobody | seems to care) |
| A | E | A | |
| And you | can’t find the | door (can’t find it | anywhere) |
| A | F#m | A | |
| When there’s | nothing to be | lieve in | still you’re coming back |
| A/B | B | A/B | B | |
| You’re | running back, you’re | coming back for | mo | re |
| A | E | A | E | |
| So | put me on a | highway and | show me a | sign |
| A | B | C#m | |
| And | take it to the | limit one more | time |
Repeat to fade
| A | B | A | B |
| Take it to the | limit, | take it to the | limit |
| A | B | E |
| Take it, to the | limit one more | time |