Originally in E, I play in A
Intro riff is mostly... but probably skip this acoustic
| A | |
| A | D |
| x4 |
Let ring
| A | Esus4 | C#m | D | D | E |
| → |
| A | Esus4 | C#m | D | F#m | E |
| → |
Vox on the 3
| A | Esus4 | C#m | D | D | E | |
| Beg | in the day with a fr | iendly voice, a com | panion unobtr | usive | → |
| A | Esus4 | C#m | D | D | E | |
| Pl | ays that song that’s | so elusive, and the | magic music makes your m | orning mood | → |
| A | Esus4 | C#m | D | F#m | E |
| → |
| A | Esus4 | C#m | D | D | E | |
| O | ff on your way, hit the | open road, there is | magic at your f | ingers | → |
| A | Esus4 | C#m | D | D | E | |
| F | or the Spirit e | ver lingers, unde | manding contact in your h | appy s | olit | ude |
| A | Esus4 | C#m | D | D | E |
| → |
| A |
| A | G/B | |
| Inv | isible airwaves cr | ackle with life |
| A/C# | G/B | A | |
| B | right antenna b | ristle with the energy |
| A | G/B | |
| Em | otional feedback on | timeless wavelength |
| A/C# | G/B | A |
| Bearing a gift beyond | price, almost fr | ee |
| A | Esus4 | C#m | D | D | E | |
| A | ll this machinery m | aking modern music, can s | till be open-he | arted | → |
| A | Esus4 | C#m | D | D | E | |
| N | ot so coldly charted, it’s r | eally just a question, of your | honesty, yeah, your h | onesty | → |
| A | Esus4 | C#m | D | D | E | |
| O | ne likes to be | lieve in the freedom of m | usic | → |
| A | Esus4 | C#m | D | D | E | |
| But gl | ittering prizes and | endless compromises, s | hatter the illusion of int | egrity | → |
| A | E | C#m | D | D | E |
| → |
| A |
| A | G/B | |
| Inv | isible airwaves cr | ackle with life |
| A/C# | G/B | A | |
| B | right antenna b | ristle with the energy |
| A | G/B | |
| Em | otional feedback on | timeless wavelength |
| A/C# | G/B | A |
| Bearing a gift beyond | price, almost fr | ee |
| A | G/B | A/C# | G/B |
| A | G/B | A/C# | G/B |
| A | Esus4 | C#m | D | D | E |
| → |
| A | Esus4 | C#m | D | D | E |
| → |
| A |
Intro riff
| A | A | D |
| x2 |
Reggae beat
| A | A | D | E |
Vox down to the low 1 in the original key, in A just stay around the same 1 you’ve been around
| A | D | E | A | D | E | |
| For the | words of the prophets were | written on the | studio wall, | concert ha | ll |
| A | A | D |
| x2 |
| A | A | D | E | |||||
| A | D | E | A | D | A | D | A | |
| And e | choes with the s | ound, | of s | alesme | n, of s | alesmen, | of s | alesmen |
Solo
| A | D |
| x8 |
| A |