E | C#m |
Living on a | lighted stage |
| B | A |
Ap | proaches the un | real |
| B | A |
For | those who think and | feel |
| E | C#m |
In | touch with some | reality |
| B | E |
Be | yond the gilded | cage |
E | C#m |
Cast in this un | likely role |
| B | A |
With | insufficient | tact |
E | C#m |
One must put up | barriers |
| B | E |
To | keep oneself in | tact |
C#m | A |
Living in the | limelight |
| B | C#m |
The | universal | dream |
| A | B | C#m |
For | those who wish to | seem | |
| C#m | A |
Must | put aside the | alienation |
B | C#m |
Get on with the | fascination |
| B | C#m |
The | underlying th | eme |
E | C#m |
Living in a | fisheye lens |
| B | A |
Caught | in the camera | eye |
| B | A |
I | have no heart to | lie |
| E | C#m |
I | can’t pretend a | stranger |
| B | E |
Is a | long-awaited | friend |
E | C#m |
All the world’s in | deed a stage |
| B | A |
And | we are merely p | layers |
| B | A |
Per | formers and port | rayers |
E | C#m |
Each another’s | audience |
| B | E |
Out | side the gilded | cage |
C#m | A |
Living in the | limelight |
| B | C#m |
The | universal | dream |
| A | B | C#m |
For | those who wish to | seem | |
| C#m | A |
Must | put aside the | alienation |
B | C#m |
Get on with the | fascination |
| B | C#m |
The | underlying th | eme |
C#m | A |
Living in the | limelight |
| B | C#m |
The | universal | dream |
| A | B | C#m |
For | those who wish to | seem | |
| C#m | A |
Must | put aside the | alienation |
B | C#m |
Get on with the | fascination |
| B | C#m |
The | underlying th | eme |
| B | C#m |
The | underlying th | eme |