Originally in G#, I play in G capo 3
The highest note is the b5, i.e. the 3 after the
key change. That’s a *D* in the original (!).
| G | D | Em | C | G | D | Em | C | C | D |
| → | → |
Hang the last chord
| G | D | Em | C | G | D | Em | C | C | D |
| → | → |
Vox in on the 1
| G | D/F# | Em | D |
| I get the s | ame old dreams | same time ev | ery night |
| C | G/B | Am | D |
| Fall to the g | round and I | wake up |
| G | D/F# | Em | D |
| So I get | out of bed, put | on my shoes and i | n my head |
| C | G/B | Am | D |
| Thoughts fly b | ack to the br | eak-up |
Vox on the 5 of the chord
| Eb | F |
| These four walls are | closin’ in |
| Eb | D/A | D | |
| L | ook at the fix you’ve | put me | in |
| G | D | Em | C |
| Since you’ve been go | ne, s | ince you’ve been go | ne |
| G | D | Em | C | C | D | |
| I’m o | ut of my he | ad, can’t t | ake | it | → |
| G | D | Em | C |
| Could I be wro | ng, but s | ince you’ve been g | one |
| G | D | Em | C | C | D |
| You cast a sp | ell so | break i | t | → |
| G | D | Em | C |
| Whoa | oh | whoa | oh |
| G | D | Em | C | C | D |
| Whoa | oh | → | since you | been gone |
| G | D/F# | Em | D |
| So in the n | ight I stand | beneath the b | ack street light |
| C | G/B | Am | D |
| I read the w | ords that you s | ent to me |
| G | D/F# | Em | D |
| I could take the | afternoon the n | ighttime comes aro | und too soon |
| C | G/B | Am | D |
| You can’t k | now what you m | ean to m | e |
| Eb | F |
| Your poison letter, your | telegram |
| Eb | D/A | D | |
| J | ust goes to show you don’t | give a | damn |
| G | D | Em | C |
| Since you’ve been go | ne, s | ince you’ve been go | ne |
| G | D | Em | C | C | D | |
| I’m o | ut of my he | ad, can’t t | ake | it | → |
| G | D | Em | C |
| Could I be wro | ng, but s | ince you’ve been g | one |
| G | D | Em | C | C | D |
| You cast a sp | ell so | break i | t | → |
| G | D | Em | C |
| Whoa | oh | whoa | oh |
| G | D | Em | C | C | D |
| Whoa | oh | → | since you | been gone |
Half-time
| G | Am7 | Bm7 | C | D7 | Ebdim7 |
| Em | G/D | C | D/A | ||
Vox on the 3
| G | Am7 | Bm7 | |
| I | f you | will come | back |
| C | D7 | Ebdim7 | |
| B | aby you kn | ow you’ll n | ever do |
| Em | G/D | C | D/A |
| Wrong |
Three hits on...
| D |
Key change up a whole step
| A | E | F#m | D |
| Since you’ve been go | ne, s | ince you’ve been go | ne |
| A | E | F#m | D | D | E | |
| I’m o | ut of my he | ad, can’t t | ake | it | → |
| A | E | F#m | D |
| Could I be wro | ng, but s | ince you’ve been g | one |
| A | E | F#m | D | D | E |
| You cast a sp | ell so | break i | t | → |
| A | E | F#m | Dm/F |
| Whoa | oh | whoa | oh |
| A/E | E | F#m | Dm/F | A/E | E | A |
| Whoa | oh | → | ever since | you been | gone |
Original repeat the chorus in the new key for a solo here