Originally in G#, I play in G capo 3
The highest note is the b5, i.e. the 3 after the
key change. That’s a *D* in the original (!).
G | D | Em | C | G | D | Em | C | C | D |
→ | → |
Hang the last chord
G | D | Em | C | G | D | Em | C | C | D |
→ | → |
Vox in on the 1
G | D/F# | Em | D |
I get the s | ame old dreams | same time ev | ery night |
C | G/B | Am | D |
Fall to the g | round and I | wake up |
G | D/F# | Em | D |
So I get | out of bed, put | on my shoes and i | n my head |
C | G/B | Am | D |
Thoughts fly b | ack to the br | eak-up |
Vox on the 5 of the chord
Eb | F |
These four walls are | closin’ in |
Eb | D/A | D | |
L | ook at the fix you’ve | put me | in |
G | D | Em | C |
Since you’ve been go | ne, s | ince you’ve been go | ne |
G | D | Em | C | C | D | |
I’m o | ut of my he | ad, can’t t | ake | it | → |
G | D | Em | C |
Could I be wro | ng, but s | ince you’ve been g | one |
G | D | Em | C | C | D |
You cast a sp | ell so | break i | t | → |
G | D | Em | C |
Whoa | oh | whoa | oh |
G | D | Em | C | C | D |
Whoa | oh | → | since you | been gone |
G | D/F# | Em | D |
So in the n | ight I stand | beneath the b | ack street light |
C | G/B | Am | D |
I read the w | ords that you s | ent to me |
G | D/F# | Em | D |
I could take the | afternoon the n | ighttime comes aro | und too soon |
C | G/B | Am | D |
You can’t k | now what you m | ean to m | e |
Eb | F |
Your poison letter, your | telegram |
Eb | D/A | D | |
J | ust goes to show you don’t | give a | damn |
G | D | Em | C |
Since you’ve been go | ne, s | ince you’ve been go | ne |
G | D | Em | C | C | D | |
I’m o | ut of my he | ad, can’t t | ake | it | → |
G | D | Em | C |
Could I be wro | ng, but s | ince you’ve been g | one |
G | D | Em | C | C | D |
You cast a sp | ell so | break i | t | → |
G | D | Em | C |
Whoa | oh | whoa | oh |
G | D | Em | C | C | D |
Whoa | oh | → | since you | been gone |
Half-time
G | Am7 | Bm7 | C | D7 | Ebdim7 |
Em | G/D | C | D/A | ||
Vox on the 3
G | Am7 | Bm7 | |
I | f you | will come | back |
C | D7 | Ebdim7 | |
B | aby you kn | ow you’ll n | ever do |
Em | G/D | C | D/A |
Wrong |
Three hits on...
D |
Key change up a whole step
A | E | F#m | D |
Since you’ve been go | ne, s | ince you’ve been go | ne |
A | E | F#m | D | D | E | |
I’m o | ut of my he | ad, can’t t | ake | it | → |
A | E | F#m | D |
Could I be wro | ng, but s | ince you’ve been g | one |
A | E | F#m | D | D | E |
You cast a sp | ell so | break i | t | → |
A | E | F#m | Dm/F |
Whoa | oh | whoa | oh |
A/E | E | F#m | Dm/F | A/E | E | A |
Whoa | oh | → | ever since | you been | gone |
Original repeat the chorus in the new key for a solo here