F | C | C | Bb | Bb | C | C | F |
| → | | | | → | | x 2 |
F | C |
A man walks d | own the street |
| Bb | C |
He says | why am I s | oft in the middle now |
F | C |
Why am I s | oft in the middle when |
Bb | C |
The rest of my l | ife is so hard |
F | C |
I need a ph | oto-opportunity |
Bb | C |
I want a s | hot at redemption |
F | C |
Don’t want to end up a c | artoon |
| Bb | C |
In a | cartoon gr | aveyard |
| F | C |
B | onedigger, b | onedigger |
Bb | C |
Dogs in the mo | onlight |
F | C | Bb | C |
Far aw | ay from my w | ell-lit d | oor |
| F | C |
Mister b | eerbelly, b | eerbelly |
| Bb | C |
G | et these mutts aw | ay from me |
| F | C | Bb | C |
You know | I don’t find this | stuff am | using anym | ore |
F | C |
If you’ll be my b | odyguard |
Bb | C | F | C | Bb | C | F |
I can be your l | ong lost pa | l | | | | |
| Bb | C |
And B | etty when you c | all me |
| F | C | Bb | C | F |
You can c | all me Al | | | | |
F | C |
A man walks d | own the street |
| Bb | C |
He says | why am I s | hort of attention |
| F | C |
Got a | short little s | pan of attention |
Bb | C |
Whoa my n | ights are so long |
F | C |
Where’s my wif | e and family |
F | C |
Who’ll be my r | ole model |
Bb | C |
Now that my r | ole model is |
| Bb | C |
He duck | ed back down the a | lley |
| F | C | Bb | C |
With some | roly-p | oly little | bat-faced girl | |
| F | C | Bb | C |
All al | ong, al | ong, there were i | ncidents and ac | cidents |
| F | C | Bb | C |
There were | hints and alle | gations | | |
F | C |
If you’ll be my b | odyguard |
Bb | C | F | C | Bb | C | F |
I can be your l | ong lost pa | l | | | | |
| Bb | C |
And B | etty when you c | all me |
| F | C | Bb | C | F |
You can c | all me Al | | | | |
F | C | C | Bb | Bb | C | C | F |
| → | | | | → | | x 2 |
F | C |
A man walks d | own the street |
| Bb | C |
It’s a s | treet in a | strange world |
F | C |
Maybe it’s the | third world |
Bb | C |
Maybe it’s his firs | t time around |
F | C |
He doesn’t spe | ak the language |
Bb | C |
He holds no curren | cy |
Bb | C |
Cattle in the m | arketplace |
F | C | Bb | C |
Scatterlings and o | rphanages | | |
| F | C |
He looks a | round, and ar | ound |
| Bb | C |
He sees a | ngels in the a | rchitecture |
| Bb | C |
He says | Amen and H | allelujah |
F | C |
If you’ll be my b | odyguard |
Bb | C | F | C | Bb | C | F |
I can be your l | ong lost pa | l | | | | |
| Bb | C |
And B | etty when you c | all me |
| F | C | Bb | C | F |
You can c | all me Al | | | | |
F | C | C | Bb | Bb | C | C | F |
| → | | | | → | | x 2 |