Originally in C, I play in G
Highest note that matters is the 6 (“*cashing in* my bad luck”)
Vox on the 1 on “some nights”
G | C | G |
Some nights I stay up ca | shing in my b | ad luck |
C | G | D |
Some nights I | call it a | draw |
G | C | G |
Some nights I wish that my li | ps could build a c | astle |
C | G | D |
Some nights I w | ish they’d just fa | ll off |
C | G | C | G | |
But I s | till wake | up, I still | see your g | host |
C | G | D | |
Oh lord, I’m st | ill not su | re what I s | tand for, oh |
C | G | C | G |
What do I s | tand for, | what do I | stand for? |
Em | D | C |
Most nights, I don’t kn | ow anym | ore |
With “whoa”
C | G | C | G | C | G | D |
→ | → | → |
C | G | C | G | C | G | D |
→ | → | → |
C | G |
This is it, boys | this is war |
C | G |
What are we w | aiting for? |
C | G | D |
Why don’t we b | reak the rules alr | eady? |
C | G | |
I was n | ever one to b | elieve the hype |
C | G |
Save that for the bl | ack and white |
C | G | |
Try t | wice as hard and I’m | half as liked |
D | |
But h | ere they come again to jack my style |
C | G | |
And that’s alri | ght |
C | G | |
I found a ma | rtyr in my | bed tonight |
C | G | |
She | stops my bones | from wondering |
D | C | G | |
Just | who I am, who I am, who I | am |
C | G | C | G | D | |
Oh | who am | I, | mmm | m, mm | mmm |
G | C | G | |
Well | some nights I wish that this a | ll would e | nd |
C | G | D | |
‘Cause I | could use some | friends for a ch | ange |
G | C | G | |
And s | ome nights I’m scared you’ll | forget me | again |
C | G | D | |
Some n | ights, I always w | in, I | always win |
C | G | C | G | |
But I s | till wake u | p, I still | see your g | host |
C | G | D | |
Oh lord, I’m | still sure | sure what I | stand for, oh |
C | G | C | G |
What do I s | tand for, | what do I | stand for? |
Em | D |
Most nights, I don’t kn | ow, oh come on |
C | G |
So this is it? | I sold my soul for this? |
D |
Washed my hands of that for this? I miss my mom and dad for this? |
C | G |
No, when I see stars, when I s | ee stars, that’s all they are |
D | |
When I he | ar songs, they sound like a swan |
C | G | D | |
So come o | n, oh come | on, oh come | on, oh, come on |
C | G | |
Well | that is it, guys, th | at is all |
C | G |
Five minutes in and I’m b | ored again |
C | G | D |
Ten years of this, and I’m not | sure if anyb | ody understands |
C | G | |
This | one is not one for the fol | ks at home |
C | G | |
S | orry to leave, mom, I | had to go |
C | G | D |
Who the fuck wants to | die alone all | dried up in the desert sun? |
C | |
My heart is b | reaking for my sister |
G | |
And the c | on that she called love |
D | |
And then I l | ook into my nephew’s eyes |
Am |
Man, you wouldn’t believe |
C | Am | D |
The most amazing things | that can come f | rom |
C | |
Some terrible l | ies |
C | G | C | G | C | G | D |
→ | → | → |
C | G | C | G | C | G | D |
→ | → | → |
With “whoa”
C | G | C | G | C | G | D |
→ | → | → |
C | G | C | G | C | G | D |
→ | → | → |
C | G | C | G |
The other n | ight, you wouldn’t believe the dr | eam I just had ab | out you and me |
C | G | D |
I called you up, but we’d b | oth agree |
C | G | C | G |
It’s for the | best you didn’t l | isten |
C | G | D |
It’s for the | best we get our d | istance, oh |