Abba - Mamma Mia

Originally in D, I play in A

A	Aaug	A	Aaug
			x2

A	E/A	A	D
I’ve been	cheated by	you since I don’t know	when

A	E/A	A	D
So I	made up my	mind it must come to an	end

A	Aaug
Look at me now,	will I ever learn?

A	Aaug	D
I don’t know ho	w, but I suddenly	lose control

	E
There’s a fire with	in my soul

D	A/C#	E
Just	one	look and I can hear a bell ring

D	A/C#	E
One	more	look and I forget everything

A

Mamma mia, here I go again

G/D	D	A/C#	A
My	my, how can I re	sist	you?

A

Mamma mia, does it show again?

G/D	D	A/C#	A
My	my, just how much I’ve	missed	you

A	E/G#
Yes, I’ve been	broken-hearted

F#m	C#m/E
Blue since the	day we parted

G/D	D	Bm	E
Why,	why	did I ever	let you go?

A	F#m
Mamma mia,	now I really know

G/D	D	Bm	E
My	my,	I could never	let you go

A	Aaug	A	Aaug

A	E/A	A	D
I’ve been	angry and	sad about things that you	do

A	E/A	A	D
I can’t	count all the	times that I told you we’re	through

A	Aaug
And when you go,	when you slam the door

A	Aaug	D
I think you know,	that you won’t be a	way too long

	E
You know that I’m	not that strong

D	A/C#	E
Just	one	look and I can hear a bell ring

D	A/C#	E
One	more	look and I forget everything

A

Mamma mia, here I go again

G/D	D	A/C#	A
My	my, how can I re	sist	you?

A

Mamma mia, does it show again?

G/D	D	A/C#	A
My	my, just how much I’ve	missed	you

A	E/G#
Yes, I’ve been	broken-hearted

F#m	C#m/E
Blue since the	day we parted

G/D	D	Bm	E
Why,	why	did I ever	let you go?

A

Mamma mia, even if I say

G/D	D	A/C#	A
Bye	bye, leave me now or	nev	er

A

Mamma mia, it’s a game we play

G/D	D	A/C#	A
Bye	bye doesn’t mean for	eve	r

A

Mamma mia, here I go again

G/D	D	A/C#	A
My	my, how can I re	sist	you?

A

Mamma mia, does it show again?

G/D	D	A/C#	A
My	my, just how much I	missed	you

A	E/G#
Yes, I’ve been	broken-hearted

F#m	C#m/E
Blue since the	day we parted

G/D	D	Bm	E
Why,	why	did I ever	let you go?

A	F#m
Mamma mia,	now I really know

G/D	D	Bm	E
My	my,	I could never	let you go

Repeat to fade

A	Aaug

American Hi-Fi - Flavor of the Weak

Originally in Bb, play in G capo 2.

Em

G	D	Em
She paints her	nails and she don’t	know

	C	G
He’s got her	best friend on the	phone

	D	Em
She’ll wash her	hair, his dirty	clothes

	C	Em
Are	all he gives to	her

	C	D
And he’s got	posters on the	wall

	A7
Of	all the girls he wished she was

C	D	G
And he means	everything to	her

G	D
Her boyfriend,	he don’t know

Em	C
Anything	about her

	G	D
He’s	too stoned,	Nintendo

Em	C	G
I wish that	I could make her	see

D	Em
	She’s just the

C	G	D	Em
Flavor of the	weak

G	D	Em
It’s Friday	night and she’s all a	lone

	C	G
He’s a m	illion miles a	way

G	D	Em
She’s dressed to	kill, the TV’s	on

	C	Em
He’s con	nected to the	sound

	C	D
And he’s got	pictures on the	wall

	A7
Of	all the girls he’s loved before

C	D	G
And she knows	all his favorite	songs

G	D
Her boyfriend,	he don’t know

Em	C
Anything	about her

	G	D
He’s	too stoned,	Nintendo

Em	C	G
I wish that	I could make her	see

D	Em
	She’s just the

C	G	D	Em
Flavor of the	weak

Quiet

G	D
Her boyfriend,	he don’t know

Em	C
Anything	about her

	G	D
He’s	too stoned,	too stoned

Em	C
Too stoned	too stoned

G	D
Her boyfriend,	he don’t know

Em	C
Anything	about her

	G	D
He’s	too stoned,	Nintendo

Em	C	G
I wish that	I could make her	see

D	Em
	She’s just the

C	G	D	Em
Flavor of the	weak

C	Gmaj7
She makes me	weak

Andrew Gold - Thank You For Being a Friend

Originally in Bb, I play in A

A

Thank you for being a friend

D/A

Traveled down the road and back again

	E/A	A
Your	heart is true, you’re a pal and a confi	dant

A

I’m not ashamed to say

D/A

I hope it always will stay this way

	E/A	A
My	hat is off, won’t you stand up and take a	bow

F#m	A7/E
And if you threw a	party

	Dmaj7	C#7
In	vited everyone you	knew

	F#m/E	A7
Well,	you would	see

	Bm7	F#m
The biggest	gift would be from	me

	D	D/C#	D/B	D/A	E
And the	card	at	tached	would	say

	A
Thank you for being a	friend

	D/A
Thank you for being a	friend

	E/A
Thank you for being a	friend

	A
Thank you for being a	friend

A	A/G#	A	A/G#	A/F#	A/E
	→

D	D/C#	D	D/C#	D/B	D/A
	→

A

If it’s a car you lack

D/A

I’d surely buy you a Cadillac

	E/A	A
What	ever you need any time of the day or	night

A

I’m not ashamed to say

D/A

I hope it always will stay this way

	E/A	A
My	hat is off, won’t you stand up and take a	bow

F#m	A7/E
And when we both get	older

	Dmaj7	C#7
With	walking canes and hair of	gray

F#m/E	A7
Have no	fear

	Bm7	F#m
Even	though it’s hardly	here

	D	D/C#	D/B	D/A	E
I will	stand	real	close	and	say

	A
Thank you for being a	friend (I wanna thank you)

	D/A
Thank you for being a	friend (I wanna thank you)

	E/A
Thank you for being a	friend (I wanna thank you)

	A
Thank you for being a	friend (I wanna thank you)

	A
Let me tell you ‘bout a	friend (I wanna thank you)

	D/A
Thank you for being a	friend (I wanna thank you)

	E/A
Thank you for being a	friend (I wanna thank you)

	A
Thank you for being a	friend (I wanna thank you)

Vox on “die” are on the root of the chord

A	A/D	A/E	Em6/G	F#m
	And	when we	die and float a	way

	Fmaj7	A/E
Into the	night, the milky	way

	Em6/G	F#m
You’ll hear me	call as we as	cend

	Fmaj7	A/E
I’ll say your	name, then once a	gain

No instruments...

Thank you for being a...

Instruments back in...

A	A/G#	A	A/G#	A/F#	A/E
	→

D	D/C#	D	D/C#	D/B	D/A
	→

This time with baa baa baa baa

A	A/G#	A	A/G#	A/F#	A/E
	→

D	D/C#	D	D/C#	D/B	D/A
	→

	A
Thank you for being a	friend (I wanna thank you)

	D/A
Thank you for being a	friend (I wanna thank you)

	E/A
Thank you for being a	friend (I wanna thank you)

	A
Thank you for being a	friend

	A
People tell me about a	friend (I wanna thank you)

	D/A
Thank you for being a	friend (I wanna thank you)

	E/A
Thank you for being a	friend (I wanna thank you)

	A
Thank you for being a	friend

A

Thank you right now for being a friend

	D/A
I wanna	tell you ‘bout now and I’ll tell you again

	E/A	A
I wanna	thank you, thank you, thank you for being a	friend

A	A/G#	A	A/G#	A/F#	A/E
	→

D	D/C#	D	D/C#	D/B	D/A
	→

A

Annie - Tomorrow

Originally in E, I play in A.

All the big “tomorrows” at the end are on the 6.

Esus4

Vox on 3 4 5 1 on “sun’ll come out”

	A	Amaj7
The	sun’ll come out	tomorrow

Dmaj7	C#m7
Bet your bottom	dollar

	F#m	F#m/E	Dmaj7	E
That to	morrow	, there’ll be	sun

	A	Amaj7
Just	thinkin’ about	tomorrow

Dmaj7	C#m7
Clears away the	cobwebs

	F#m	F#m/E	Dmaj7	E
And the	sorrow	till there’s	none

	Am
When I’m stuck with a	day

	C/G	F	G
That’s	gray and	lonely

	C
I just stick out my	chin

	Cmaj7	E7sus
And	grin, and	say

E

Oh

	A	Amaj7
The	sun’ll come out	tomorrow

Dmaj7	C#m7
So you got to	hang on

	F#m	F#m/E	Dmin	E7sus	E7
Till to	morrow	, come what	may

	A	Amaj7
Tomo	rrow, to	morrow

	A7	D	Dm
I	love ya to	morrow

	A	E7sus
You’re	only a	day

E7	A
A wa	y

Ritard

E7	A	Amaj7
Tomo	rrow, to	morrow

	A7	D	Dm
I	love ya to	morrow

	A	E7sus
You’re	only a	daaaay

E7	A	Dm	A
Aaa waaaa	y

Anthrax - Only

Originally in Bm, I play in Em capo 2, with the main

riff as Em7, Cadd9, G/B, Cadd9, then to power chords

E5	E5/C	E5/B	E5/C
E5	E5/C	E5/B	A5

All the i5’s alternate w/VII5, which I leave out here.

E5

Everything is perfect

G5	C#5	C5
Everything is	sick, that’s	it

E5

You can’t tell me to stop it

G5	C#5	C5
You can’t tell me not to	quit, that’s	it

Em7

Revolve around yourself

It’s you and no one else

C#dim	C5
Hard for me to	stay

Em7

Swinging moods that change

From calmness to deranged

C#dim	C5	A5
Unpredictable,	unpredicta	ble

	E5	E5/C
You would see if	on	ly

	E5/B	A5
You hadn’t	taken things out of my	hands

Actually does i, i/3, i/2, IV, but I prefer the same i, i/6, i/5, IV

	E5	E5/C	E5/B	A5
If	on	ly you never	wanted to under	stand

E5

Classic ways to live here

G5	C#5	C5
Compromise for	me

E5

I’m at both ends of the spectrum

G5	C#5	C5
You’re somewhere in the	between,	I come clean

Em7

Revolve around yourself

It’s you and no one else

C#dim	C5
Hard for me to	stay

Em7

Swinging moods that change

From calmness to deranged

C#dim	C5	A5
Unpredictable,	unpredicta	ble

	E5	E5/C
You would see if	on	ly

	E5/B	A5
You hadn’t	taken things out of my	hands

	E5	E5/C	E5/B	A5
If	on	ly you never	wanted to under	stand

Solo, skip acoustic, basically a zillion i5’s, then a chorus

With regular chorus lyrics

E5	E5/C	E5/B	A5
Crucified,	terrified,	sacrifice,	my whole life

E5	E5/C	E5/B	A5
My whole life,	my whole life,	my whole life,	my whole life

Actually does i VII IV here, I play chorus chords

	E5
I can’t con	tain myself

	E5/C
I can’t con	tain myself

	E5/B	A5
I just can’t	take myself

Barry Mann - Who Put the Bomp (in the Bomp, Bomp, Bomp)

Originally in B, I play in A

Originally changes key, I skip the key change

Vox on the root of the chord on “like”

	E	A	F#m
I’d	like to thank the	guy, who wrote the	song

	D	E
That made my	baby fall in	love with me

One measure just drums

Swept chords in the chorus

A

Who put the bomp

	F#m
In the	bomp bah bomp bah bomp?

D

Who put the ram

	E
In the	rama lama ding dong?

A

Who put the bop

	F#m
In the	bop shoo bop shoo bop?

D

Who put the dip

	E
In the	dip da dip da dip?

A	C#7	D	B/D#
Who was that	man? I’d	like to shake his	hand

	A	F#m	D	E	A	E
He	made my	baby	fall in	love with	me (	Yeah!)

Full strum in the verse

A	F#m	D
When my baby	heard	bomp bah bah bomp

	E
Bah	bomp bah bomp bomp

A	F#m	D	E
Every word went	right into her	heart

	A	F#m
And	when she heard them	singing

D	B/D#
Rama lama lama lama	lama ding dong

A	F#m	D	E	A	E
She	said we’d	never	have to	part	so

A

Who put the bomp

	F#m
In the	bomp bah bomp bah bomp?

D

Who put the ram

	E
In the	rama lama ding dong?

A

Who put the bop

	F#m
In the	bop shoo bop shoo bop?

D

Who put the dip

	E
In the	dip da dip da dip?

A	C#7	D	B/D#
Who was that	man? I’d	like to shake his	hand

	A	F#m	D	E	A	F#
He	made my	baby	fall in	love with	me,	yeah

	A	F#m	D
Each	time that we’re	alone	boogity boogity boogity

	E
Boogity	boogity boogity shoop

A	F#m	D	E
Sets my baby’s	heart all a	glow

	A	F#m	D
And	every time we	dance to	dip da dip da dip

C/D#

Dip da dip da dip

A	F#m	D	E	A	E
She	always	says she	loves me	so	so

A

Who put the bomp

	F#m
In the	bomp bah bomp bah bomp?

D

Who put the ram

	E
In the	rama lama ding dong?

A

Who put the bop

	F#m
In the	bop shoo bop shoo bop?

D

Who put the dip

	E
In the	dip da dip da dip?

A	D7	D	C/E
Who was that	man? I’d	like to shake his	hand

	A	F#m	D	E	A	E
He	made my	baby	fall in	love with	me (	Yeah!)

Spoken

A	F#m	D	E
Darlin’,	bomp bah bah	bomp, bah	bomp bah bomp bomp

A	F#m	D	E
And my honey,	rama lama ding	dong,	forever

	A	F#m	D
And when I	say, dip da dip,	da dip, da dip,	dip dip

	E
You	know I mean it from the

A	F#m	D	E
Bottom of my	boogity, boogity,	boogity, boogity	shoop

Fade on verse chords, with bomps and da-dips

A

F#m

D

E

Ben E. King - Stand by Me

Originally in A, I play in C capo 4.

Highest note is the 1 (darlin’, DARlin’)

Start with single notes or octaves

Cadd9	Am7	Fmaj7	G	Cadd9

Vox in on the 6 on “night”

	Cadd9
When the	night has come

Am7

And the land is dark

	Fmaj7	G	Cadd9
And the mo	on is the on	ly light we’ll see

	Cadd9
No, I	won’t be afraid

	Am7
No, I	won’t be afraid

	Fmaj7	G	Cadd9
Just as lo	ng as you stand	, stand by me

Start to fade the chords in

	Cadd9
So, darling, darling,	stand by me

	Am7
Oh,	stand by me

	Fmaj7	G
Oh,	stand,	stand by me

Cadd9

Stand by me

	Cadd9
If the	sky that we look upon

Am7

Should tumble and fall

	Fmaj7	G	Cadd9
Or the mo	untain should	crumble to the	sea

	Cadd9
I won’t	cry, I won’t cry

	Am7
No, I	won’t shed a tear

	Fmaj7	G	Cadd9
Just as lo	ng as you stand	, stand by me

	Cadd9
So, darling, darling,	stand by me

	Am7
Oh,	stand by me

	Fmaj7	G
Oh,	stand,	stand by me

Cadd9

Stand by me

	Cadd9
Whenever you’re in trouble won’t you	stand by me

	Am7
Oh,	stand by me

	Fmaj7	G
Oh,	stand,	stand by me

Cadd9

Stand by me

Bill Withers - Lean on Me

Originally in C, I play in A capo 2

A	D	A	E	A
			→

A	D
Sometimes in our	lives

	A	A	E
We all have	pain we all have	sorr	ow

A	D
But if we are	wise

	A	E	A
We know that	there’s always tom	orr	ow

Let an extra measure hang here on the IV

	A	D
Lean on	me, when you’re not	strong

	A
And I’ll be your	friend

	A	E
I’ll help you	carry	on

A	D
For it won’t be	long

	A
Till I’m gonna	need

	E	A
Somebody to	lean	on

A	D
Please swallow your	pride

	A	A	E
If I have	things you need to	borr	ow

A	D	A
For no one can	fill those of your	needs

	E	A
That you won’t	let	show

Let an extra measure hang here on the IV

	A	D	A	E	A
You just	call on me	bro	ther, when	you need a hand

	E	A
We all need somebody to	lean	on

	A	D	A	E	A
I just	might have a	prob	lem that	you’d under	stand

	E	A
We all need somebody to	lean	on

Let an extra measure hang here on the IV

	A	D
Lean on	me, when you’re not	strong

	A
And I’ll be your	friend

	E
I’ll help you carry	on

A	D
For it won’t be	long

	A
Till I’m gonna	need

	E	A
Somebody to	lean	on

A	D	A
If there is a	load you have to	bear

	A	E
That you can’t	car	ry

A	D
I’m right up the	road

	A
I’ll share your	load

	E	A
If you just	call	me

E6	A
Call	me (if you need a friend)

E6	A
Call	me (call me)

E6	A
Call	me (if you need a friend)

E6	A
Call	me (if you ever need a friend)

E6	A
Call	me (call me)

E6	A
Call	me

E6	A
Call	me (if you need a friend)

Billy Joel - Somewhere Along the Line

Originally around G#, I play in G capo 1

G	D/F#	F	C/E	C/D	G
					x2

	G	C
Well it’s a	rainy night in	Paris

	Am	D
And I’m	sitting by the	Seine

Vox stay up on the 5

	G	C
It’s a	pleasure to be	soaking

C/B	Am	D
In the E	uropean	rain

	Em	D	C
Now my	belly’s full of f	ancy food and w	ine

	G	C
But in the m	orning there’ll be h	ell to pay

D	G
Somewhere along the lin	e

	G/B	C
Oh, but in the m	orning there’ll be	hell to pay

D	G
Somewhere along the	line

G	D/F#	F	C/E	C/D	G

G	C
Sweet Virginia c	igarette

Am	D
Burning in my ha	nd

	G	C	C/B
Well you	used to be a	friend of	mine

	Am	D
But n	ow I unders	tand

	Em	D	C
You’ve been e	ating up in	side me for some	time, oh

	G	C
And	I know you’re gonn	a get me

D	G
Somewhere along the	line

	G/B	C
Well	I know you’re gonn	a get me

D	G
Somewhere along the	line

G	D/F#	F	C/E

D	D/Eb
Somewhere along the line

	Em	Em/D	C
Well I k	now it’s just a ma	tter of	time

	G/B	C
When the	fun falls through and the	rent comes due

Am	F	D
Somewhere along the	line

	G	C
Well, you	know I love my	woman

	Am	D
And I w	ould not let her d	own

	G	C
And I	did my share of	lovin’

C/B	Am	D
When I u	sed to get	around

	Em	D	C
Now I’m	satisfied and	she is lookin’ fi	ne, oh

	G/B	C
But you	pay for your satis	faction

D	G
Somewhere along the lin	e

	G/B	C
Well you p	ay for your sa	tisfaction

D	G
Somewhere along the li	ne

Solo

G	G/B	C	D
			x2

G	D/F#	F	C/E	C/D	G

	G	C
Hey, it’s	good to be a	young man

	Am	D
And to	live the way you	please

	G	C
Yes, a	young man is the	king

	C/B	Am	D
Of	every	kingdom that he	sees

	Em	D	C
But there’s an	old and feeble	man not far	behind, oh

	G	C
And it	surely will catch	up to him

D	G
Somewhere along the	line

	G	C
Well, you	know it will catch	up to him

D	G
Somewhere along the	line

	G	C
Well, and it	surely will catch	up to him

D	G
Somewhere along the	line

G

D/F#

F

C/E

C/D

G

Billy Joel - Stop in Nevada

	D	D/F#	G	D/F#
He a	lways found it h	ard to t	ake her

Em7	A7sus4	D	G/D
She wouldn’t	listen to ad	vice

D	D9	G	D/F#
And though he	never tried to	make her

Em7	G	G/B
She often thought it would be	nice

A	A/C#	D/F#	D
Oh, and now she’s h	eadin’ out to Calif	ornia

	A
It’s been a	long time comin’ but she’s

	A/C#	D/F#	D
F	eeling like a woman	tonight

	A
And she	left a little letter said

	A/C#	D/F#
She’s g	onna make a stop in Ne	vada

G	D/F#	Em7	A
Good	bye,	good	bye

Bm7	A/C#

D	D/F#	G	D/F#
She tried for y	ears to be a	good wife

Em7	A7sus4	D	G/D
It never	quite got off the	ground

D	D9	G	D/F#
And all those	stories of the	good life

Em7	G	G/B
Convinced her not to hang	around

A	A/C#	D/F#	D
Oh, and now she’s h	eadin’ out to Calif	ornia

	A
And she	doesn’t know what’s comin’ but

	A/C#	D/F#	D
She’s s	ure of what she’s leaving be	hind

	A
And she	left a little letter said

	A/C#	D/F#
She’s g	onna make a stop in Ne	vada

G	D/F#	Em7	A
Good	bye,	good	bye

Bm7	A/C#

Interlude over verse chords

D	D/F#	G	Em7	A7sus4	D	C	A	D

D	D/F#	G	D/F#
And though she f	inds it hard to	leave him

Em7	A7sus4	D	G/D
She knows it	would be worse to	stay

D	D9	G	D/F#
He wouldn’t	understand the	reasons

Em7	G	G/B
That make a woman run aw	ay

A	A/C#	D/F#	D
Oh, and now she’s h	eadin’ out to Calif	ornia

	A
With some	money in her pocket she’s a

	A/C#	D/F#	D
R	ocket on the fourth of Ju	ly

	A
And she	left a little letter said

	A/C#	D/F#	D
She’s g	onna make a stop in Ne	vada

This A is the A that starts the next line...

G	D/F#	Em7	A
Good	bye,	good	bye

A	A/C#	D/F#	D
Oh, and now she’s h	eadin’ out to Calif	ornia

	A
With some	money in her pocket she’s a

	A/C#	D/F#	D
R	ocket on the fourth of Ju	ly

	A
And she	left a little letter said

	A/C#	D/F#
She’s g	onna make a stop in Ne	vada

G	D/F#	Em7	A
Good	bye,	good	bye

Bm7

A/C#

D

G

Em7

A

D

Billy Joel - Summer, Highland Falls

This is based on the Billy Joel version, which is in F.

I play in D

As much walking between chords as you can fit in

D	D/F#	Em7	G
A7	A7	G	G

	D	D/F#
They say that	these are not the	best of times

	Em7	G	D	D/F#	Em7	G
But t	hey’re the only	times I’ve ever	known

	D	D/F#	Em7
And I be	lieve that there’s a	time for medit	ation

	G	A7	E	A
In cat	hedrals of our	own	→

	F#/A#	Bm	Bm/A
N	ow I have	seen that sad sur	render

	G	G	D/F#
In my	lover’s eyes

	E7	A7
And	I can only stand apart and	sympathize

	G	D/F#	Em7
For we are	always what our	situations	hand us

	A7	G	C	G
It’s either	sadness or eup	horia	→

D	D/F#	Em7	G
A7	A7	G	G

	D	D/F#
And so we’ll	argue and we’ll co	mpromise

	Em7	G	D	D/F#	Em7	G
And r	ealize that n	othing’s really	changed

	D	D/F#
For all our m	utual ex	perience

	Em7	G	A7	E	A
Our	separate conc	lusions are the	same	→

	F#/A#	Bm	Bm/A
N	ow we are	forced to recog	nize our

	G	G	D/F#
Inhu	manity

	E7	A7
Our	reason coexists with our in	sanity

	G	D/F#	Em7
And though we c	hoose between re	ality and m	adness

	A7	G	C	G
It’s either	sadness or eup	horia	→

Instrumental if appropriate

D	D/F#	Em7	G
A7	A7	G	G
D	D/F#	Em7	G
A7	A7	E	A	F#/A#
		→

	Bm	Bm/A	G	G	D/F#
How t	houghtlessly we di	ssipate our e	nergies

	E7	A7
Perh	aps we don’t fulfill each other’s	fantasies

	G	D/F#	Em7
And as we	stand upon the	ledges of our liv	es

	A7	G	C	G
With our resp	ective simi	larities	→

	A7	G	C	G
It’s either	sadness or eup	horia	→

A7	G
Sadness or euph	oria

Billy Joel - Travelin’ Prayer

Starts drums, then bass on D

C/D	D
	x2

D

Hey lord, take a look all around

	G	C	D
To	night to find where my	baby’s gonna	be

	G
Hey lord, would ya look out for her to	night

	C	C/B	A
‘Cause she is	far ac	ross the	sea

D	G	C
Hey lord, would ya	look out for her to	night

	F	Bb
And make sure that	she’s gonna be al	right

	A	D
And things are gonna	be alright with	me

D	G	D	A
			x2

D	G
Hey lord, would ya look out for her to	night

	C	D	G	D	A
And make sure that	all her dreams are	sweet

D	G
Said now, would ya guide her along the	roads

	C	C/B	A
And make them	softer	for her	feet

A	D	A	G	A
			→

D	G9	C
Hey lord, would ya	look out for her to	night

	F	Bb
And make sure that	she’s gonna be al	right

	A	D
Until she’s	home and here with	me

D	G	D	A
			x2

D	G
Hey, lord would ya look out for her to	night

	C	D	G	D	A
If she is	sleepin’ under the	sky

D	G
Said now, make sure the ground she’s	sleepin’ on

	C	C/B	A
Is	always	warm and	dry

A	D	A	G	A
			→

D	G	C
Mmmm, don’tcha	give her too much	rain

	F	Bb
Try to	keep her away from	pain

	A	D
Because my	baby hates to c	ry

D	G	D	A
			x2

D	G
Hey lord, would ya look out for her to	night

	C	D	G	D	A
‘Cause it gets	rough along the	way

D	G
Said now, this song seems strange it’s	just because

	C	C/B	A
I	don’t know	how to	pray

A	D	A	G	A
			→

D	G9	C
Mmmm, won’tcha	give her peace of	mind

	F	Bb
And if you	ever find the	time

	A	D
Won’tcha tell her I	miss her every	day

D	G	D	A
			x2

Solo on verse chords if appropriate, i.e., if awesome

In the original it’s a piano solo, then a violin

solo, each a full verse.

Hanging stops until the DGDA at the end of each line

D

Hey lord, take a look all around

	G	C	D	G	D	A
To	night to find where my	baby’s gonna	be

D	G
Hey lord, would ya look out for her to	night

	C	C/B	A
‘Cause she is	far ac	ross the	sea

A	D	A	G	A
			→

D	G9	C
Hey lord, would ya	look out for her to	night

	F	Bb
And make sure that	she’s gonna be al	right

	A	D
Until she’s	home and here with	me

D	G	D	A
	D
With	me

D	G	D	A
			x2

Hanging stop on D

D

Weird boinky noise and banjos

Billy Joel - Vienna

I play the intro as something like:

 |-G+------F7--------G-Cm-D7-G/D-|
 |------------------------------|
E|-7----7--5-5/7\5-3-3-3--2--3---|
B|-8----8--4---------3-4--1--3---|
G|-8-876---5---------4-5--2--4---|
D|-------------------5-------0---|

G+	G9+/F	F#dim7	C/G
Am7b5/D#	D7	G

Em	G
Slow down, you c	razy child

Vox on the 4 3 3 2 on “juveni-ile”

	D	F
You’re s	o ambitious for a	juvenile

	C
But then if	you’re so smart, tell me

G	A7	B9	B7
Why are you still so afraid?		→

Em	G
Where’s the fire, what’s the	hurry about?

	D	F
You’d better	cool it off before you	burn it out

	C
You’ve got	so much to do and

	G	F#m7	B9	B7
Only	so many hours in a	day	→

Vox *down* to the 1 6 5 of the chord on “truth is told”

C	D
But you know that when the	truth is told

	G	D/F#	Em	Em/D
That you can	get what you	want or you can	just get old

Vox on the 4 of the chord on “even”

	C	F#m7
You’re gonna	kick off before you	even

	B7	Em7	A7
Get hal	fway throug	h, ooh o	oh

	D#9	D7	G
When will you realize		Vienna waits for	you?

G

Em	G
Slow down, you’re	doing fine

	D	F
You can’t be	everything you want to be befor	e your time

	C	G	A7
Although it’s	so romantic on the	borderline tonight

	B9	B7
Toni	ght

Em	G
Too bad but it’s the	life you lead

	D	F
You’re so ah	ead of yourself that you for	got what you need

	C
Though you can	see when you’re wrong, you know

	G	F#m7
You can’	t always see when you’re right

	B9	B7
You’re righ	t

C	D
You’ve got your passion, you’ve	got your pride

	G	D/F#	Em	Em/D
But do	n’t you know that	only fools are	satisfied?

C	F#m7
Dream on, but don’t im	agine they’ll

B7	Em7	A7
All come true	, ooh o	oh

	D#9	D7	G
When will you realize		Vienna waits for	you?

Solo on a half-verse

C	D7
Slow down you	crazy child

	G	D/F#	Em	Em/D
And take the	phone off the	hook and disap	pear for a while

C	F#m7
It’s all right, you can afford	to lose a

B7	Em	A7
Day or two	, ooh o	oh

	D#9	D7	G
When will you realize		Vienna waits for	you?

C	D
And you know that when the	truth is told

	G	D/F#	Em	Em/D
That you can	get what you	want or you can	just get old

	C	F#m7
You’re gonna	kick off before you	even

	B7	Em7	A7
Get hal	fway throug	h, ooh o	oh

	D#9	D7	G	E7
Why don’t you realize		Vienna waits for	you?

	Em7/A	D7
When will you	realize,	Vienna waits for...

G+	G9+/F	F#dim7	C/G
You

Am7b5/D#

D7

G

Billy Joel - You May Be Right

A

Friday night I crashed your party

Saturday I said I’m sorry

	E
Sunday came and trashed me out a	gain

	Bm
I was	only having fun

	G
Wasn’t	hurting anyone

	E	A
And we	all enjoyed the weekend for a	change

	A
I was	stranded in the combat zone

I walked through Bedford Sty alone

	E
Even rode my motorcycle in the	rain

	Bm
And you	told me not to drive

	G
But I	made it home alive

	E	A
So you	said that only proves that I’m in	sane

	E	A
You may be	right I may be	crazy

	E	D	F#m	A
But it	just may be a	lunatic you’re	looking for

	E	A
Turn out the	lights don’t try to	save me

	D	E
You may be	wrong for all I	know

	A
But you may be	right

A

Remember how I found you there

Alone in your electric chair

	E
I told you dirty jokes until you	smiled

	Bm
You were	lonely for a man

	G
I said	take me as I am

	E	A
‘Cause you	might enjoy some madness for a	while

	A
Now	think of all the years you tried to

Find someone to satisfy you

	E
I might be as crazy as you	say

	Bm
If I’m	crazy then it’s true

	G
That it’s	all because of you

	E	A
And you	wouldn’t want me any other	way

	E	A
You may be	right I may be	crazy

	E	D	F#m	A
But it	just may be a	lunatic you’re	looking for

	E	A
Turn out the	lights it’s too late to	change me

	D	E
You may be	wrong for all I	know

	A
But you may be	right

Solo if appropriate on verse chords

	E	A
You may be	right I may be	crazy

	E	D	F#m	A
Hey but it	just may be a	lunatic you’re	looking for

	E	A
Turn out the	lights, aww don’t try to	save me

	D	E
You may be	wrong for all I	know

	A
You may be	right

A

You may be wrong but you may be right

Bob Dylan - Don’t Think Twice, It’s Alright

Originally in C capo 4, I play in C capo 5.

C	C	G	G	Am	Am/G
F	F/E	C/G	C/G	G	G
C	C

	C	G	Am
It	ain’t no use to s	it and wonder	why, babe

F	C	G
It don’t matter, anyho	w

	C	G	Am
And it	ain’t no use to s	it and wonder wh	y, babe

D7	G
If you don’t know by no	w

	C	C7
When your roo	ster crows at the b	reak of dawn

F	D7
Look out your window and I’	ll be gone

C	G	Am	F
You’re the rea	son I’m tr	av’lin’ on

C	G	C
Don’t think tw	ice, it’s all righ	t

	C	G	Am
It	ain’t no use in tu	rnin’ on your lig	ht, babe

F	C	G
That light I never knowe	d

	C	G	Am
And it	ain’t no use in t	urnin’ on your l	ight, babe

D7	G
I’m on the dark side of the r	oad

	C	C7
Still I	wish there was somethin’ you would	do or say

	F	D7
To t	ry and make me change my m	ind and stay

C	G	Am	F
We never d	id too much ta	lkin’ an	yway

C	G	C
Don’t think tw	ice, it’s all r	ight

	C	G	Am
It	ain’t no use in ca	llin’ out my na	me, babe

F	C	G
Like you never did befo	re

	C	G	Am
And it a	in’t no use in c	allin’ out my n	ame, babe

D7	G
I can’t hear you anymore

	C	C7
I’m a-th	inkin’ and a-wond’rin’ all	the way down the road

	F	D7
I o	nce loved a woman, a ch	ild I’m told

	C	G	Am	F
I g	ave her my he	art but she wa	nted my s	oul

C	G	C
Don’t think tw	ice, it’s all r	ight

	C	G	Am
And I’m	walking down that	long lonesome	road babe

F	C	G
Where I’m bound, I can’t t	ell

	C	G	Am
But goo	dbye is t	oo good a w	ord, babe

D7	G
So I’ll just say fare thee well

C	C7
I ain’t sayin’ you treated	me unkind

	F	D7
You co	uld have done better but	I don’t mind

C	G	Am	F
You just	kinda wasted	my precious	time

	C	G	C
But do	n’t think tw	ice, it’s al	right

Outro

C	C	G	G	Am	Am/G
F	F/E	C/G	C/G	G	G
C	C

Bob Dylan - If You Gotta Go

Originally in F#, Flying Burrito Brothers in E

Dylan version does I→IV throughout the verse,

I follow the Burrito Brothers arrangement that

doesn’t do this until the chorus.

I also mix the lyrics from different versions here.

Intro

E

	E
Listen to m	e baby

I’ve come to make you see
I want to be with you, girl

Hard stop on “you”

	E
If	you want to be with me

	E	A	E
But if you got to	go

	E	A	E
That’s all	right

	A	E
But if you got to	go, go	now

	B	E
Or e	lse you got to stay all n	ight

	E
It ain’t that I’m que	stionin’ you

To take part in any kind’a quiz
It's just that I ain't got no watch

	E
An’ you keep	askin’ me what time it is

	E	A	E
But if you got to	go

	E	A	E
That’s all	right

	A	E
But if you got to	go, go	now

	B	E
Or e	lse you got to stay all n	ight

E

I am just a poor boy lookin’ to connect

And I certainly don’t want you thinkin’

	E
That	I haven’t got any respect

	E	A	E
But if you got to	go

	E	A	E
That’s all	right

	A	E
But if you got to	go, go	now

	B	E
Or e	lse you got to stay all n	ight

E

It ain’t that I’m wantin’

Anything you never gave before
It's just that I'll be sleepin' soon

	E
It’ll be too da	rk for you to find the door

	E	A	E
But if you got to	go

	E	A	E
That’s all	right

	A	E
But if you got to	go, go	now

	B	E
Or e	lse you got to stay all n	ight

	E	A	E
Said if you got to	go

	E	A	E
That’s all	right

	A	E
But if you got to	go, go	now

	B	E
Or e	lse you got to stay all n	ight

Bob Dylan - Make You Feel My Love

Dylan in Db, Adele in Bb, Garth Brooks in D

I play in D on piano, in C capo 2 on guitar

Starts with a quick V→I, or do an instrumental verse

C	G/B
When the rain is blowing	in your face

Gm/Bb	F/A
And the whole world is	on your case

Fm/Ab	C/G
I could offer you a	warm embrace

D9/F#	F/G	C
To make you	feel my	love

C	G/B
When evening shadows and the	stars appear

Gm/Bb	F/A
And there is no one there to	dry your tears

Fm/Ab	C/G
I could hold you for a	million years

D9/F#	F/G	C
To make you	feel my	love

F	C
I know you haven’t made your	mind up yet

C+	F	C
But I would	never do you	wrong

F	C
I’ve known it from the moment	that we met

	Dm7	G
N	o doubt in my mind where you	belong

C	G/B
I’d go hungry, I’d go	black and blue

Gm/Bb	F/A
I’d go crawling down the	avenue

Fm/Ab	C/G
Oh there’s nothing that I	wouldn’t do

D9/F#	F/G	C
To make you	feel my	love

Solo

C	G/B	Gm/Bb	F/A
Fm/Ab	C/G	D9/F#	F/G	C

F	C
The storms are raging on the	rolling sea

E	F	C
And on the	highway of	regret

F	C
The winds of change are blowing	wild and free

	Dm7	G
Y	ou ain’t seen nothing like me	yet

C	G/B
I could make you happy, make your	dreams come true

Gm/Bb	F/A
There is nothing that I wou	ldn’t do

Fm/Ab	C/G
Go to the ends of the	Earth for you

D9/F#	F/G	C
To make you	feel my	love

D9/F#	F/G	C
To make you	feel my	love

Bobby Darin - Beyond the Sea

F	Dm7	Gm	C7
			x2

	F	Dm7	Gm	C7
Some	where		be	yond the

F	Dm7	Gm	C7
Sea	some	where	waiting for

F	A7	Dm7	C7
Me		my	lover

F	Dm7	Bb	D7	Gm
Stands on	golden	sands

	C7	F	Dm7
And	watches the	ships	that go

G	G7	C	C7
Sail	ing

	F	Dm7	Gm	C7
Some	where		be	yond the

F	Dm7	Gm	C7
Sea	she’s	there	watching for

F	A7	Dm7	C7
Me			If I could

F	Dm7	Bb	D7	Gm
Fly like	birds on	high

	C7	F	Dm7
Then	straight to her	arms	I’d go

The F at the end of this line is just two beats,

then two beats on the E7.

	Gm7	C7	F	E7
S	ail	ing

	A	F#m	Bm	E7
It’s	far		be	yond a

G7 at the end of this line is just a hit on 4

A	F#m	Bm	E7	A	A	G7
Star	it’s	near	beyond the	moon

	C	Am	Dm7	G7
I k	now		be	yond a

C	Am	Dm7	G7	C	Am	C7/G	C7
Doubt	, my	heart	will	lead me	there soon

	F	Dm7	Gm	C7
We’ll	meet		bey	ond the

F	Dm7	Gm	C7
Shore,	we’ll	kiss	just as

	F	A7	Dm7	C7
Be	fore			happy we’ll

F	Dm7	Bb	D7	Gm
Be bey	ond the	sea

	C7	F	Dm7
And	never a	gain,	I’ll go

G7	C7	F
Sail	i	ng

Solo over first verse chords, or just hit a II somewhere (G in F)

	C	Am	Dm7	G7
I k	now		be	yond a

C	Am	Dm7	G7	C	Am	C7/G	C7
Doubt	, my	heart	will	lead me	there soon

	F	Dm7	Gm	C7
We’ll	meet, I	know we’ll	meet, bey	ond the

F	Dm7	Gm	C7
Shore,	we’ll	kiss	just as

	F	A7	Dm7	C7
Be	fore			happy we’ll

F	Dm7	Bb	D7	Gm
Be bey	ond the	sea

	C7	F	Dm7
And	never a	gain,	I’ll go

G7	C7	F
Sail	i	ng

F	Dm7	Gm	C7
			No more sailing

F	Dm7	Gm	C7
			So long sailing

F	Dm7	Gm	C7
			Bye bye sailing

F

Bobby Darin - Dream Lover

Originally around C, I play in A

I play straight-8ths, almost punk

A	F#m	A	F#m

A	F#m
Every night I hope and pray, a	dream lover will come my way

A	F#m
A girl to hold in my arms, and	know the magic of her charms

	A	E7	A	D
Because I	want a	girl to	call my	own

	A	F#m	Bm7	E7	A	E
I want a	dream	lover so	I don’t have to	dream a	lone

A	F#m
Dream lover, where are you,	with a love, oh, so true

A	F#m
And a hand that I can hold, to	feel you near as I grow old

	A	E7	A	D
Because I	want a	girl to	call my	own

	A	F#m	Bm7	E7	A	E
I want a	dream	lover so	I don’t have to	dream a	lone

D	A
Someday, I don’t know how,	I hope she’ll hear my plea

B7	E7
Some way, I don’t know how,	she’ll bring her love to me

A	F#m
Dream lover, until then,	I’ll go to sleep and dream again

A	F#m
That’s the only thing to do,	till all my lover’s dreams come true

	A	E7	A	D
Because I	want a	girl to	call my	own

	A	F#m	Bm7	E7	A	A#
I want a	dream	lover so	I don’t have to	dream a	lone

Key change up a half-step

A#	Gm
Dream lover, until then,	I’ll go to sleep and dream again

A#	Gm
That’s the only thing to do,	till all my lover’s dreams come true

	A#	F7	A#	D#
Because I	want a	girl to	call my	own

	A#	Gm	Cm7	F7	A#
I want a	dream	lover so	I don’t have to	dream a	lone

Gm	A#
Please don’t make me	dream alone

Gm	A#
I beg you don’t make me	dream alone

Gm	A#
No, I don’t wanna	dream alone

Bobby Vee - Take Good Care of My Baby

Originally in F, I play in E capo 1

High risk of being boring, do everything after the intro as a fast swing

Vox on the 5

E	C#m
My tears are	fallin’

	A	B
‘Cause you’ve	taken her a	way

	E	Eaug
And	though it really	hurts me so

Vox up to the 3 of the chord

	A	B
There’s	something that I’ve gotta	say

E	C#m	A	B
Take good	care of my	ba	by

E	C#m	A	B
Please don’t	ever make her	blue

E	E7
Just tell her	that you love her

A	Am
Make sure you’re	thinking of her

E	C#m	A	B
In every	thing you say and	do

E	C#m	A	B
Take good	care of my	ba	by

E	C#m	A	B
Now don’t you	ever make her	cry

E	E7
Just let your	love surround her

A	Am
Paint a rainbow	all around her

E	A	B	E
Don’t let her	see a	cloudy	sky

Vox on the 1 of the chord on “once”

F#m7	B	E	C#m7
Once upon a	time, that	little girl was	mine

F#m7	B	E	C#m7	F#m7	B
If I’d been	true, I	know she’d	never	be with	you, so...

E	C#m	A	B
Take good	care of my	ba	by

E	C#m	A	B
Be just as	kind as you can	be

E	E7
And if you	should discover

A	Am
That you don’t	really love her

E	C#m	A	B	E
Just send my	baby back	home	to	me

Key change up a half-step

E	E	E	E
C	C	C	C

F	Dm	A#	C
Take good	care of my	ba	by

F	Dm	A#	C
Be just as	kind as you can	be

F	F7
And if you	should discover

A#	A#m
That you don’t	really love her

F	Dm	A#	C	F
Just send my	baby back	home	to	me

F	Dm	A#	C
F	Dm	A#	C
Take good	care of my	ba	by

Repeat to fade

BoJack Horseman - Kyle and the Kids

Originally in C, I play in A

A	D/A

A	E/G#	F#m	F#m7/E
Kyle	and the	kids

Bm7	E
Kyle’s a dad and	Charlotte’s married to him

A	E/G#	F#m	F#m7/E
And they’ve	got some	kids

Vox on 7 5 of the chord on “Penny”

	Bm7	C#m7
There’s	Penny, she’s going to	high school

	D	D#dim	E
She’s got a	brother, her	brother’s name is	Trip

They’re the perfect family

Key change

A#	F/A	Gm	Gm7/F
Kyle	and the	kids

	Cm7	F	A#
He	loves his wife and there’s	nothing you can	do

A#	F/A	Gm	Gm7/F
Kyle	and the	kids

	Cm7	F	A#
Oh no, it’s gonna	be alright,	be alright oh	no

Bonnie Tyler - Holding Out For a Hero

Originally in Am, I play in Am capo 5, or possibly in Em

Highest note is the 5 (in the bridge)

I play just once through the intro, play the first

verse slow and rubato, and hit it hard on the first chorus.

Am	Am7/G	Fmaj7	Eaug	E
				x2, second time with “do do do”

Vox on the 5

Am	G
Where have all the good men gone and	where are all the gods?

F	Eaug	E
Where’s the street-wise Hercules to	fight the rising	odds?

Am	Em
Isn’t there a white knight u	pon a fiery steed?

Dm	Eaug	E
Late at night I toss and turn and I dr	eam of what I n	eed

	Am	Em
I need a	hero, I’m holding out for a	hero till the end of the night

	F
He’s	gotta be strong and he’s gotta be fast

	C	G
And he’s	gotta be fresh from the f	ight

	Am	Em
I need a	hero, I’m holding out for a	hero till the morning light

	F
He’s	gotta be sure, and it’s gotta be soon

	C	G
And he’s	gotta be larger than	life

	Am
Larger than	life

Am

Do do do do

Am7/G

Do do do do

Fmaj7

Do do do do

Eaug	E
Aaah	aaah

Am	G
Somewhere after midnight in my	wildest fantasy

F	Eaug	E
Somewhere just beyond my reach there’s	someone reaching back for	me

Am	Em
Racing on the thunder and ri	sing with the heat

The “yeah” is an extra measure in this line

Dm	Eaug	E
It’s gonna take a superman to	sweep me off my	feet, yeah!

	Am	Em
I need a	hero, I’m holding out for a	hero till the end of the night

	F
He’s	gotta be strong and he’s gotta be fast

	C	G
And he’s	gotta be fresh from the f	ight

	Am	Em
I need a	hero, I’m holding out for a	hero till the morning light

	F
And he’s	gotta be sure, and it’s gotta be soon

Empty measure after this line

	C	G
And he’s	gotta be larger than	life

	Am
I need a	hero

	Em
I’m holding out for a	hero till the end of the night

Bridge

Am	Am	Am	Am
F/A	Dm/A	Bm7b5/A	Am

Am

Up where the mountains meet the heavens above

F

Out where the lightning splits the sea

Dm	E	Am
I could swear there is	someone somewhere	watching me

Am

Through the wind and the chill and the rain

F

And the storm and the flood

Dm	E	Am
I can feel his approach	like the fire in my	blood

Ebdim7

Like the fire in my blood, like the fire in my blood

	Eaug	E
Like the fire in my blood, like the fire in my	blood,	aah

	Am	Em
I need a	hero, I’m holding out for a	hero till the end of the night

	F
He’s	gotta be strong and he’s gotta be fast

	C	G
And he’s	gotta be fresh from the f	ight

	Am	Em
I need a	hero, I’m holding out for a	hero till the morning light

	F
He’s	gotta be sure, and it’s gotta be soon

	C	G
And he’s	gotta be larger than	life

	Am	Em
I need a	hero, I’m holding out for a	hero till the end of the night

F	C	G
Am

Britney Spears - ...Baby One More Time

Originally in Cm, I play in Am capo 1.

Highest note is the m6.

Am	E	C	D	E

Am	E	C
Oh baby baby, how	was I supposed to	know

	D	E
That	something wasn’t	right here

Am	E	C
Oh baby baby, I	shouldn’t have let you	go

	D	E
And	now you’re out of	sight, dear

Am	E
Show me how you want it	to be

	C	D	E
Tell me	baby ‘cause I need to	know oh,	just because

Am	E
My loneliness is	killing me (and I)

C	D	E
I must confess I	still believe	(still believe)

Am	E
When I’m not with you I	lose my mind

	C	D	E
Give me a	sign,	hit me baby	one more time

Am	E	C
Oh baby baby, the	reason I breathe is	you

D	E
Boy you’ve got me	blinded

Am	E	C
Oh pretty baby, there’s	nothin’ that I	wouldn’t do

	D	E
That’s	not the way I	planned it

Am	E
Show me how you want it	to be

	C	D	E
Tell me	baby ‘cause I need to	know oh,	just because

Am	E
My loneliness is	killing me (and I)

C	D	E
I must confess I	still believe	(still believe)

Am	E
When I’m not with you I	lose my mind

	C	D	E
Give me a	sign,	hit me baby	one more time

Am	E	C	D	E

F	G
Oh baby baby, how	was I supposed to know

F	G
Oh pretty baby,	please

	Am	E
I must con	fess that my loneli	ness

	C
Is killing me	now

	D	E	F
Don’t you	know I	still bel	ieve

	G
That you will be	here

	F	D	E
Just	give me a sign, and	hit me baby	one more time

Am	E
My loneliness is	killing me (and I)

C	D	E
I must confess I	still believe	(still believe)

Am	E
When I’m not with you I	lose my mind

	C	D	E
Give me a	sign,	hit me baby	one more time

Bruce Springsteen - Because the Night

Originally in Am, I play in Em capo 3

Em	C	D	Em
			x 2

Em	C	D	Em
Take me	now, baby,	here as I	am

Em	C	D	Em
Pull me	close try and	understand

Em	C	D	Em
Worked all	day out in	the hot	sun

Em	C	D	Em
Break my	back till the	evening	comes

C	D	G	D
Come on	now, try and	under	stand

	Em	C	D
I	worked all	day pushing for the	man

G	C	D
Take my	hand as the sun des	cends

	F	Em	B
They	can’t hurt us now,	can’t hurt us now,	can’t hurt us now

Em	C	C	D	Em
Because	the night be	longs	to	lovers

Em	C	C	D	Em
Because	the night bel	ongs	to u	s

Em	C	C	D	Em
Because	the night be	longs	to	lovers

Em	C	C	D	Em
Because	the night bel	ongs	to u	s

Em	C	D	Em
What I	got, baby,	I have	earned

Em	C	D	Em
What I’m	not, baby,	I have	learned

Em	C	D	Em
Love is an	angel that	comes at	dusk

Em	C	D	Em
Stay in my	bed till the	evening	comes

C	D	G	D
Come on	now, try and	under	stand

	Em	C	D
The	way I	feel under your com	mand

G	C	D
Take my	hand as the sun des	cends

	F	Em	B
They	can’t hurt us now,	can’t hurt us now,	can’t hurt us now

Em	C	C	D	Em
Because	the night be	longs	to	lovers

Em	C	C	D	Em
Because	the night bel	ongs	to u	s

Em	C	C	D	Em
Because	the night be	longs	to	lovers

Em	C	C	D	Em
Because	the night bel	ongs	to u	s

Solo if appropriate on prechorus-ish chords

Bridge

	G	D	D	G	G	D	D	Em	D	D
In	love	we	sleep,	with do	ubt	the vi	cious circle	turns	and b	urns

G	G	D	D	Em	D	D	G	G	D
With	out	you	oh I cannot	live,	forgi	ve	with	out the	time has come to

“Take” up to the 1 of the chord

C	G	G	C
Take	the	moment	out

	Em	G/D	C	B
They	can’t hurt us now,	can’t hurt us now,	can’t hurt us now

Em	C	C	D	Em
Because	the night be	longs	to	lovers

Em	C	C	D	Em
Because	the night bel	ongs	to u	s

Em	C	C	D	Em
Because	the night be	longs	to	lovers

Em	C	C	D	Em
Because	the night bel	ongs	to u	s

Bruce Springsteen - Born to Run

Originally in E, I play in D

D	D	G	A
			x2

Vox in on the 4 on “day”

	D
In the d	ay we sweat it out in the streets

	G	A
Of a r	unaway American dr	eam

	D
At n	ight we ride through mansions of glory

	G	A
In s	uicide mach	ines

	G	G/F#
Spr	ung from cages out on h	ighway 9

	Em
Chrome wh	eeled, fuel injected

Leave out the vocal “oh”

	G/F#	D	D9
And st	eppin’ out over the lin	e,	oh

	G	G/F#
B	aby this town rips the b	ones from your back

	Em	G/F#
It’s a d	eath trap, it’s a s	uicide rap

	D	Bm
We gotta g	et out while we’re y	oung

	G
‘Cause tr	amps like us

	A	D
B	aby we were born to r	un

D	D	G	A
			x2

	D
Wendy l	et me in I wanna be your friend

	G	A
I wanna g	uard your dreams and v	isions

	D
Just wr	ap your legs ‘round these velvet rims

	G	A
And str	ap your hands ‘cross my	engines

	G	G/F#
Tog	ether we could b	reak this trap

	Em
We’ll	run till we drop

G/F#	D	D9
Baby we’ll never go b	ack,	oh

	G	G/F#
Will you w	alk with me out on the	wire?

	Em	G/F#
‘Cause	baby I’m just a scared and	lonely rider

	D	Bm
But I g	otta know how it	feels

	G
I want to kn	ow if love is wild

	A	D
Babe I w	ant to know if love is r	eal

Skip right to the vi after one line here if there’s

no solo.

D	D	G	A
			x2

Solo if appropriate

D	D	G	A
			x2

D	D	G	A
Bm	Bm	D	Am7

All chords sus4→major, everything other than C

as 6th-string barres.

Vox on the 5 of the chord on “beyond”

	C
Bey	ond the Palace hemi-powered drones

	F
Sc	ream down the boulevard

	G
The girls	comb their hair in rearview mirrors

	A#
And the	boys try to look so hard

	C
The amu	sement park rises bold and stark

	F
Kids are	huddled on the beach in a mist

	G
I wanna	die with you Wendy on the streets tonight

Hit this as a 6th-string barre, you’re about to do

a lot of suspensions.

	A#
In an	everlasting kiss

I skip the breakdown, and do 4 beats each on...

A#sus4	A#
Asus4	A

Then riff for a while on...

Gsus4	G

Then ritard and fade, and count back in...

Vox back in on the 3

	D
The h	ighway’s jammed with broken heroes on a

	G	A
L	ast chance power d	rive

	D
Everyb	ody’s out on the run tonight but there’s

	G	A
N	o place left to	hide

	G	G/F#
Tog	ether Wendy we’ll l	ive with the sadness

	Em	G/F#	D	D9
I’ll l	ove you with all the	madness in my s	oul,	oh

	G	G/F#
S	omeday girl I	don’t know when we’re gonna

Em

Get to that place

	G/F#	D
Where we r	eally want to g	o

	Bm
And we’ll walk in the	sun

	G	A	D	Bm
But till then tr	amps like us b	aby we were born to r	un

	G	A	D	Bm
Ah honey tr	amps like us b	aby we were born to r	un

	G	A	D
Come on Wendy tr	amps like us b	aby we were born to r	un

Until end, with “whoa”

D

G

A

Bruce Springsteen - Glory Days

Straight muted 8ths through most of the verse

Originally in A, vox mostly on the 5, so E capo 2

is an option if 5 minutes of E isn’t on the menu.

A	D
	x 4

A	D
I had a friend was a big	baseball player

A	D
Back in high school

A	D
He could throw that	speedball by you

A	D
Make you look like a	fool boy

E

Saw him the other night at this roadside bar

	D
I was walking	in and he was walking out

	E
We went back	inside sat down, had a few drinks

	D	E
But al	l he kept talking a	bout was

A	D
Glory days they’ll	pass you by

A	D
Glory days in the wink of a	young girl’s eye

A	E
Glory days, glory	days

A	D
	x 2

A	D
There’s a girl that lives up the	block

	A	D
Back in	school she could turn all the boys’ heads

	A	D
Sometimes	on a Friday I’ll stop	by and have a few drinks

A	D
After she put her kids to bed

	E
Her and her	husband Bobby well they split up

	D
I guess	it’s two years gone by now

	E
We just sit	around talking about the old times

	D	E
She says when she feels like	crying she starts laughing	thinking about

A	D
Glory days they’ll	pass you by

A	D
Glory days in the wink of a	young girl’s eye

A	E
Glory days, glory	days

A	D

Hard stop on the last chord

E	E	D	E

A	D
Think I’m going down to the	well tonight

	A	D
And I’m going to	drink till I get my fill

	A	D
And I hop	e when I get old I don’t sit around	thinking about it

A	D
But I probably will

	E
Yeah, just sitti	ng back trying to recapture

	D
A l	ittle of the glory-a

	E
But ti	me slips away and leaves you with nothing mister but

D	E
Boring stories of

A	D
Glory days they’ll	pass you by

A	D
Glory days in the wink of a	young girl’s eye

A	E
Glory days, glory	days

A	D
Yea they’ll	pass you by

A	D
Glory days in the wink of a	young girl’s eye

A	E
Glory days, glory	days

A	D
	Alright

A	D
	Oooh yea

A	D
	Alright

A	D
	Come on now

Bruce Springsteen - Thunder Road

Most of the IV’s can be IV2, most of the V’s can be Vsus4

Originally in F; I play in D

D	G	D	G
D	F#m	G	A

	D	G	D
A	screen door slams,	Mary’s	dress waves

	G
Like a vision she dances across the porch as the	radio plays

	A
Roy Orbison singing for the	lonely

	D	G
Hey that’s	me and I want you	only

	D	A
Don’t turn me home again, I	just can’t face myself a	lone again

	D	G	D
Don’t	run back inside, darlin,	you know just what I’m	here for

So you're scared and you're thinking that

F#m	G
Maybe we ain’t that	young any more

	A
Show a little faith, there’s magic in the	night

	D	G
You ain’t a	beauty but hey you’re all	right

	D	A
Oh and	that’s alright with	me

	D	Bm
You can	hide beneath your covers and	study your pain

	D	G
Make	crosses from your lovers, throw	roses in the rain

D	F#m
Waste your summer	praying in vain for a

G	A
Savior to rise from these	streets

	D	Bm
Well now	I’m no hero that’s	understood

	D	G
All the re	demption I can offer girl is	beneath this dirty hood

D	F#m
With a chance to make it	good somehow hey

G	A
What else can we do	now except

D	G	D
Roll down the window and	let the wind blow	back your hair

Well the night’s busting open these

F#m	G
Two lanes can take us	anywhere

	A
We got one last chance to make it	real

	D	G
To	trade in these wings on some	wheels

	D	A
Climb in back, heaven’s	waiting down on the	tracks

D	Bm
Oh come	take my hand

	D	G
We’re	ridin’ out tonight to	case the promised land

D	F#m	G	A
Oh	oh thunder road,	oh thunder road,	oh thunder road

D	G/B
Lyin’ out there like a	killer in the sun

	D	G
Hey	I know it’s late, we can	make it if we run

D	F#m	G	A	D
Oh	oh thunder road, sit	tight, take	hold, thunder	road

	G	A6	D
Well I	got this guitar and I	learned how to make it	talk

	Bm
And my	car’s out back if you’re

	Gmaj7	A
Ready to take that	long	walk

	G	A
From your	front porch to my front	seat

	F#m	Bm
The door’s	open but the ride it ain’t	free

	G	G/F#	Em7	G/D
And	I know you’re	hungry for words that	I ain’t	spoken

	A
To	night we’ll be free, all the promises will be broken

	D	G	D
There were	ghosts in the eyes of	all the boys you	sent away

Vox do *not* go down on “skeleton”, even though you want to

	D	F#m
They haunt this	dusty beach road in the	skeleton frames of

G

Burned-out Chevrolets

Vox back up to the 1 of the key for this whole line, including “street”

	A
They scream your name at night in the	street

	D	G
Your graduation	gown lies in rags at their	feet

Stay on the 1 of the key on “lonely”

	F#m
And in the	lonely cool before dawn

*Still* on the 1 of the key on “engines”

	G
You hear their	engines roaring on

Vox down to the 3 of the chord on “get to the porch”

	G	A
But when you	get to the porch, they’re	gone

	G	Em
On the	wind, so Mary climb	in

	G	A	D
It’s a	town full of losers, and I’m	pulling out of here to w	in

Outro

D	A	D	G
D	A	G	A

D	A	D	G
D	A
G	G/F#	G/E	G/D
→	→	→

A	A/G	A/F#	A/E
→	→	→

D

Repeat to fade

Bryan Adams - Heaven

Originally in C, I play in G capo 1

Vox spend a lot of time on the 5, highest note is the 6

(in “standing there by you”)

G	Em	G/D	C
			x 2

G	Em7	D
Oh	thinking about our you	nger years

	Am	Em
There was	only you and	me

	F	D
We were y	oung and wild and f	ree

G	Em7	D
Now n	othing can take you a	way from me

	Am	Em
We’ve been	down that road be	fore

	F
But that’s o	ver now

	D
You keep me	coming back for more

C	D	Em
Baby you’re	all that I	want

	G	C
And when you’re	lying here in my	arms

	C	D	Em	D
I’m	finding it	hard to believ	e, we’re in hea	ven

	C	D	Em
And	love is	all that I	need

	G	C
And I	found it there in your	heart

	C	D	Em	D
It i	sn’t too h	ard to	see we’re in hea	ven

G	Em	G/D	C

G	Em7	D
Oh	once in your life you f	ind someone

	Am	Em
Who will	turn your world ar	ound

	F	D
Bring you	up when you’re feelin’ d	own

G	Em7	D
Yeah	nothing can change what you	mean to me

	Am	Em
Ooh, there’s	lots that I could	say

	F
But just h	old me now

	D
‘Cause our l	ove will light the way

	C	D	Em
And	baby you’re	all that I	want

	G	C
When you’re	lying here in my	arms

	C	D	Em	D
I’m	finding it	hard to believ	e, we’re in hea	ven

	C	D	Em
Yeah	love is	all that I	need

	G	C
And I	found it there in your	heart

	C	D	Em	D
It i	sn’t too h	ard to	see we’re in hea	ven

D

Am	G/B	C
I’ve been waiting	for so	long

	D	Em
For something	to a	rrive

	D/F#
For love to come a	long

G	Am	G/B	C
	Now our dreams are	coming tr	ue

	G
Through the good times and the	bad

	Dsus4	D
Yeah, I’ll be	standing there by	you

Solo if appropriate on chorus chords, ending on ‘80s triplets

	C	D	Em
And	baby you’re	all that I	want

	G	C
When you’re	lying here in my	arms

	C	D	Em	D
I’m	finding it	hard to believ	e, we’re in hea	ven

	C	D	Em
And	love is	all that I	need

	G	C
And I	found it there in your	heart

	C	D	Em	D
I	sn’t too h	ard to	see we’re in hea	ven, heaven

C	D	Em	G	C
Woah,	woah,	oh

	C	D	Em	D
You’re	all that I	want, you’re	all that I need

G	Em	G/D	Cadd9

Cake - Let Me Go

Originally in A, I play in A, or in G if I’m doing the high harmony

A	D	A	E
			x 2

A

When she walks she swings her arms

D	E
Instead of her	hips

A

When she talks she moves her mouth

D	E
Instead of her	lips

	A	D
And I’ve	waited for her for so	long

	A	E
I’ve wait	ed for her for s	o long

	A	D
I’ve	wondered if I could han	g on

	A	E
I’ve	wondered if I could ha	ng on

A	B7
Let me go she said,	let me go she said

D	E
Let me go and I	will want you more

A	B7
Let me go she said,	let me goooo

D	E
Let me go and I	will want you

A	B7	D	E
A	D	A	E

A

When she wants she wants the sun

D	E
Instead of the	moon

A

When she sees she sees the stars

D	E
Inside of her	room

	A	D
And I’ve	waited for her for so	long

	A	E
I’ve wait	ed for her for s	o long

	A	D
I’ve	wondered if I could han	g on

	A	E
I’ve	wondered if I could ha	ng on

A	B7
Let me go she said,	let me go she said

D	E
Let me go and I	will want you more

A	B7
Let me go she said,	let me goooo

D	E
Let me go and I	will want you

Breakdown on chorus chords...

A	B7	D	E

A	B7
Let me go she said,	let me go she said

D	E
Let me go she said	let me gooo

A	B7
Let me go she said,	let me goooo

D	E
Let me go,	let me gooo

Syncopated vox

A	B7
Let... me... go...	let... me... go...

D	E
Let... me... go...	let, let, let me goooo

A	B7
Let... me... go...	let... me... go...

D	E
Let... me... go...	let me goooo

A

Carly Simon - Nobody Does It Better

Originally in F, I play in A capo 2

Highest important note is the 4 (“half as good”)

Me First and the Gimme Gimmes (in E) use the obvious

root chords in most cases, except that A/B becomes B, and

C#7b9 becomes C#m

In my key:

F7b9 = 2x2323

Intro

A	Adim7	G#dim7	A	A7
	→

Vox on the b5 of the chord (!!)

D	Dm	A	A7
Nobody doe	s it be	tter

D	Dm	A	A7
Makes me feel sa	d for the	rest

D	Dm6	C#7#5	F#m7
Nobody	does it	half as	good as you

Bm7	D/E	A	Adim7	G#dim7
	Baby you’re the	best	→

A	A/C#	D	Dm
I wasn’t lo	oking,	but somehow you fo	und me

A	A/C#	B9	A#9
I tried to	hide from your l	ove l	ight

A	A/C#
But like heaven ab	ove me

D	Dm
The spy who lo	ved me

	C#7	F#7b9	Bm7	E7sus4	A	A7
Is	keeping	all my	secrets sa	fe ton	ight

	D	Dm	A	A7
And	nobody doe	s it b	etter

D	Dm	A	A7
Though sometimes I w	ish som	eone could

D	Dm6	C#7#5	F#m7
Nobody	does it	quite the	way you do

Bm7	D/E	A
Why’d you	have to be so	good

A	A/C#	D	Dm
The way that you	hold me,	whenever you h	old me

A	A/C#	B9	A#9
There’s some kind of	magic ins	ide	you

A	A/C#
That keeps me from	running

D	Dm
But just keep it c	oming

	C#7	F#7b9	Bm7	E7sus4	A	A7
How	’d you	learn to	do the t	hings you	do?

D	Dm	A	Asus4
Nobody doe	s it be	tter

D	Dm	A
Makes me feel so sa	d f	or the rest

D	Dm6	C#7#5	F#m7
Nobody	does it	half as	good as you

Bm7	A/C#
Ba	by, baby

Dmaj7	D#7b9	E7	A	A/C#
	Darlin’	you’re the	best

D	F	G	A	A/C#
	Baby	you’re the	best

D	F	G	A	A/C#
	Darlin’	you’re the	best

D	F	G	A
	Baby	you’re the	best

Carrie Underwood - Before He Cheats

Originally in F#m, I play in Am capo 3 or 4.

Am	G	Fsus2	E7
			x 2

Vox on 1 5 on “right now”

	Am	G
Ri	ght now he’s	probably slow dancing with a

	Fsus2	E7
B	leach blond tramp and sh	e’s probably getting frisky

	Am	G	Fsus2
Ri	ght now he’s prob	ably buying her some f	ruity little

	E7
Drink cause she ca	n’t shoot whiskey

	Am	G	Fsus2
Ri	ght now he	’s probably up behind her with a	pool stick

Chord after “combo” originally a II, I play a IV

	E7	F
Showing her h	ow to shoot a combo

	E7
And he don’t	know

	F	Am
I	dug my key int	o the side of his

F	Am
Pretty little souped-up four	-wheel drive

	F	Am	E7
Carv	ed my name i	nto his leather s	eats

	F	Am
I took a	Louisville slugger t	o both head lights

F	Am
Slashed a hole in a	ll four tires

F	E7	Am
Maybe next time he’ll t	hink before he	cheats

Am	G	Fsus2	E7

	Am	G
R	ight now she’s	probably up singing some

	Fsus2	E7
Whi	te-trashed version of Sha	nia karaoke

	Am	G
R	ight now sh	e’s probably saying I’m drunk

Fsus2	E7
And he’s a-thinking that he’s go	nna get lucky

	Am	G
R	ight now he’s pro	bably dabbing on

	Fsus2	E7	F
Three	dollars worth of that ba	throom polo

	E7
Oh and he don’t	know, oh

	F	Am
That I	dug my key int	o the side of his

F	Am
Pretty little souped-up four	-wheel drive

	F	Am	E7
Carv	ed my name in	to his leather s	eats

	F	Am
I took a	Louisville slugger t	o both head lights

F	Am
Slashed a hole in a	ll four tires

F	E7	Am
Maybe next time he’ll t	hink before he	cheats

Bridge

The V at the end of the line doesn’t exist in the original

C	G	Fsus2	G
I might have sa	ved a little trouble for the n	ext girl

...and the V is there so I can do a IV here instead of a II on “next”

	F	E7
Cause the n	ext time that he cheats

	Am
Oh you know it won’t be on	me

Am	G	Fsus2	E7
	Am	G	Fsus2	E7
Oh not on	me

	F	Am
‘Cause I	dug my key int	o the side of his

F	Am
Pretty little souped-up four	-wheel drive

	F	Am	E7
Carv	ed my name in	to his leather s	eats

	F	Am
I took a	Louisville slugger t	o both head lights

F	Am
Slashed a hole in a	ll four tires

F	E7	D
Maybe next time he’ll t	hink before he	cheats

Hang on “think”

F	E7	Am
Maybe next time he’ll t	hink before he	cheats

Am	G	Fsus2	E7
			x 2

Cat Stevens - Wild World

Am	D7	G
La la la	la la la	la

	Cmaj7	F
La la la la	la la	la

Dm	E	E7
La la la la la la	la

Am	D7	G
Now that I’ve	lost everything to	you

	Cmaj7	F
You say you	wanna start something	new

	Dm	E
And it’s	breakin’ my heart you’re	leavin’

Baby, I’m grievin’

Am	D7	G
But if you wanna	leave, take good	care

	Cmaj7	F
Hope you have a	lot of nice things to	wear

	Dm	E	G7
But then a	lot of nice things turn	bad out	there

G7	G6	G

C	G	F
Oh,	baby, baby, it’s a	wild world

G	F	C
It’s hard to get	by just upon a	smile

C	G	F
Oh,	baby, baby, it’s a	wild world

G	F	C	Dm	E
I’ll always re	member you like a	child, girl

Am	D7	G
You know I’ve seen a	lot of what the world can	do

	Cmaj7	F
And it’s	breakin’ my heart in	two

	Dm	E
Because I	never wanna see you a	sad, girl

Don’t be a bad girl

Am	D7	G
But if you wanna	leave, take good	care

	Cmaj7	F
Hope you make a	lot of nice friends out	there

	Dm	E	G7
But just re	member there’s a lot of bad,	and be	ware

C	G	F
Oh,	baby, baby, it’s a	wild world

G	F	C
It’s hard to get	by just upon a	smile

C	G	F
Oh,	baby, baby, it’s a	wild world

G	F	C	Dm	E
I’ll always re	member you like a	child, girl

Am	D7	G
La la la	la la la	la

	Cmaj7	F
La la la la	la la	la

Dm	E
La la la la la la	la

E7

Baby, I love you

Am	D7	G
But if you wanna	leave, take good	care

	Cmaj7	F
Hope you make a	lot of nice friends out	there

	Dm	E	G7
But just re	member there’s a lot of bad,	and be	ware

G7	G6	G
G7	G6	G

C	G	F
Oh,	baby, baby, it’s a	wild world

G	F	C
It’s hard to get	by just upon a	smile

C	G	F
Oh,	baby, baby, it’s a	wild world

G	F	C
I’ll always re	member you like a	child, girl

C	G	F
Oh,	baby, baby, it’s a	wild world

G	F	C
It’s hard to get	by just upon a	smile

C	G	F
Oh,	baby, baby, it’s a	wild world

G	F	C
I’ll always re	member you like a	child, girl

Christina Aguilera - Fighter

Originally in Em, I play Em capo 2 and sing down an octave.

Intro

-3-3-3--2-|-0-0--0------2--|-0-0-0-0--|-2
-0-0-0--0-|-1-1--0------0--|-1-1-1-1--|-0
-0-0-0--2-|-0-0--2------2--|-2-2-2-2--|-2
-2-2-2--1-|-2-2--1------1--|-2-2-2-2--|-1
-2-2-2--2-|-3-3--2------2--|-0-0-0-0--|-2
-0-0-0----|----------------|-----3-3--|--
[Em] [B7] [C] [B7sus4] [B7] [Am] [Am/G] [B7]

Spoken...

After all you put me through, you'd think I despise you
But in the end I want to thank you 'cause you made me that much stronger

	Em	G
I	thought I knew	you thinking

D	Em
That you were	true

	Em	G
I guess	I couldn’t	trust called your bluff

	D	Em
Time is	up ‘cause I’ve had e	nough

	Em	G
You were	there by my	side always

D	Em
Down for the ri	de

	Em	G
But your	joy ride just	came down in flames

	D	Em
‘Cause your	greed sold me out of	shame

Mmmm...

Am

After all of the stealing and cheating

You probably think that I hold resentment for

G	Em	G	Em
You	no no		you’re wrong

Am

‘Cause if it wasn’t for all that you tried to do

C	D	B
I wouldn’t know just	how capable I	am to pull through

	C	B
So I	wanna say	thank you

	Em	D/F#
‘Cause it	makes me that much	stronger

G	Am
Makes me work a little bit	harder

	C	B7
It	makes me that much	wiser

	Am	G	Em
So	thanks for	making me	a fighter

Em	D/F#
Made me learn a little bit	faster

G	Am
Made my skin a little bit	thicker

	C	B7
It	makes me that much	smarter

	Am	G	Em
So	thanks for	making me	a fighter

Repeat verse riff x 2

	Em	G
Never	saw it com	ing, all of

D	Em
Your backsta	bbing

	Em	G
Just so	you could cash	in on a good thing

	D	Em
Bef	ore I realized your	game

	Em	G
I heard	you’re going ‘	round playing

D	Em
The victim	now

	Em	G
But don’t	even be	gin feeling

	D
I’m the one to	blame

	Em
‘Cause you dug your own	grave, uh huh

Am

After all of the fights and the lies

Yes you wanted to harm me but

	G	Em
That won’t work any	more

	G	Em
Uh, no more,	oh no,	it’s over

Am

‘Cause if it wasn’t for all of your torture

	C	D
I	wouldn’t know how to	be this way now

	B
And	never back down

	C	B
So	I wanna say	thank you

	Em	D/F#
‘Cause it	makes me that much	stronger

G	Am
Makes me work a little bit	harder

C	B7
Makes me that much	wiser

	Am	G	Em
So	thanks for	making me	a fighter

Em	D/F#
Made me learn a little bit	faster

G	Am
Made my skin a little bit	thicker

C	B7
Makes me that much	smarter

	Am	G	Em
So	thanks for	making me	a fighter

Repeat intro (the crazy bridge)

Em	B7	C
How could this	man I thought I	knew turn out to

	B7	Am	Am/G
Be	unjust so cruel	could only see	the good in

	B7
You	pretended not to see the truth

Em	B7	C
You tried to	hide your lies dis	guise yourself

	B7	Am	Am/G
Through	living in denial	but in the	end you’ll see

B7

You won’t stop me

Em	D/F#
I am a	fighter and I

G	Am
I ain’t ‘gon stop

C	B7
There is no	turning back

Am	G	Em
I’ve	had e	nough

	Em	D/F#
‘Cause it	makes me that much	stronger

G	Am
Makes me work a little bit	harder

C	B7
Makes me that much	wiser

	Am	G	Em
So	thanks for	making me	a fighter

Em	D/F#
Made me learn a little bit	faster

G	Am
Made my skin a little bit	thicker

C	B7
Makes me that much	smarter

	Am	G	Em
So	thanks for	making me	a fighter

Cyndi Lauper - Time After Time

Originally in C, I play in G

Intro chords for completeness, skip if acoustic

C	D	Bm7	Cadd9	C	D	Em	Em7
C	D	Bm7	Cadd9	C	D

C	G
	x 4

C	G	C	G	C	G	C	G
Lying	in my	bed I	hear the	clock t	ick and	think of	you

C	G	C	G	C	G	C	G
Caught	up in	cir	cles con	fu	sion is	nothing	new

C	D	Bm7	C	C	D	Em	Em7
Flash	back to	warm	nights	almost	left be	hind

C	D	Bm7	C	C	D
Suit	cases of	memo	ries	time	after

C	G	C	G	C	G	C	G
Someti	mes you p	icture	me I’m	walkin	g too	far ahea	d

C	G	C	G	C	G	C	G
You’re	calling	to	me, I	can’t	hear what	you’ve	said

	C	D	Bm7	C	C	D	Em	Em7
Then y	ou s	ay	go	slow	I	fall be	hind

C	D	Em	C
The	second	hand un	winds

	D	Em	Em7
If you’re	lost you can look and y	ou will find	me

C	G
Time after t	ime

	D	Em	Em7
If you fal	l I will catch you I’ll	be waiti	ng

C	G
Time after t	ime

C	G	C	G	C	G	C	G
Af	ter my	picture	fades and	dark	ness has	turned to	gray

C	G	C	G	C	G	C	G
Wat	ching through	win	dows you’re	wonder	ing if	I’m	OK

C	D	Bm7	C	C	D	Em	Em7
Sec	rets	sto	len	from	deep ins	ide

C	D	Em	C
The	drum beats	out of	time

	D	Em	Em7
If you’re	lost you can look and	you will find	me

C	G
Time after t	ime

	D	Em	Em7
If you fal	l I will catch you I’ll	be waiti	ng

C	G
Time after t	ime

C	D	Bm7	C	C	D	Em	Em7
You	said	go	slow,	I	fall be	hind

C	D	Em	C
The	second	hand un	winds

	D	Em	Em7
If you’re	lost you can look and	you will find	me

C	G
Time after t	ime

	D	Em	Em7
If you fal	l I will catch you I’ll	be waiti	ng

C	G
Time after t	ime

C	G
Time after t	ime

C	G
Time after t	ime

C	G
Time after t	ime

David Lee Roth - Just a Gigolo

Originally in G#; I play in G or G#.

I mostly play the Gmaj7 as G when solo acoustic.

G	G	Am	D
			x 2

	G	Gmaj7
I’m	just a gigolo and	everywhere I go

G	Edim/Bb	Am	Am/D
People know the	part I’m	playing

D7	Am	D7	Am
Paid for every	dance	selling each ro	mance

D7	G
Oooh what are they	saying?

	G7	F
There will	come a day when	youth will pass away

	E7	Am
Then	what will they say a	bout me?

	Am	Cm	G	Fdim7/D
When the	end comes I	know they’ll say	just a gigo	lo as

Am7	D7	G
Life goes	on with	out me

	G	Gmaj7
I’m	just a gigolo and	everywhere I go

G	Edim/Bb	Am	Am/D
People know the	part I’m	playing

D7	Am	D7	Am
Paid for every	dance	selling each ro	mance

D7	G
Oooh what are they	saying?

	G7	F
There will	come a day when	youth will pass away, boodooleedoo

	E7	Am
Then	what will they say a	bout me?

	Am	Cm	G	Fdim7/D
When the	end comes I	know They’ll say	just a gigo	lo as

Hard stop on “life”, the other chords are implied

Hard stop on “life”

Am7	D7	G
Life goes	on with	out me

	G	F#	F	E	Am
‘Cause	I	ain’t	got	nobody nobody	cares for me

Am/D	G
Nobody	nobody cares for me

G	F#	F	E
I’m	so	sad	and lonely

Sad and lonely, sad and lonely

A7

Won’t some sweet mama come and take a chance with

D7

Me ‘cause I ain’t so bad

G

Get along with me babe, been singin’ love songs

C

All of the time

E

Even only be, honey only, only be

A7

Bop bozadee bozadee bop zitty bop

If solo acoustic, skip this line and the solo...

G	F#	F	E	Am7	D7	G
I	ain’t	got	nobody nobody	cares for me	nobody	nobody

Solo on chorus chords, not really any lyrics here...

	G	F#	F	E
‘Cause	I	ain’t	got	nobody

	Am	Am/D	G
Nobody	cares for me	nobody

	G	F#	F	E
‘Cause	I	ain’t	got	nobody

	Am	Am/D	G
Nobody	cares for me	nobody

	G	F#	F	E
‘Cause	I	ain’t	got	nobody

	Am	Am/D	G
Nobody	cares for me	nobody

G

Hum-a-la-be-bo-le (hard stop)

G	F#	F	E	Am
I	ain’t	got	nobody nobody	cares for me

Am/D	G
Nobody	nobody cares for me

G	F#	F	E
I’m	so	sad	and lonely

Sad and lonely sad and lonely

A7

Won’t some sweet mama come and take a chance with

D7

Me ‘cause I ain’t so bad

G

Been singin love songs

C

All of the time

E

Even only be, honey only, only be

A7	D

	G	F#	F	E	Am7	D7
‘Cause	I	ain’t	got	nobody nobody

*Right* back into the descending pattern, don’t hold the G

G

F#

F

E

Am7

Hard stop on “me”, end with some chromatic flair

D7	G
Nobody nobody cares for	me

Dean Martin - Sway

Ordering and lyrics follow Michael Buble’s version

Intro

Gm	A7	Gm	A7
→		→

Dm	Dm

Gm	A7	Gm	A7
→		→

Dm	Dm

	Gm	A7
When marimba rhythms	start to	play

Gm	A7	Dm
Dance with	me,	make me sway

Vox down to the 1 of the chord (instead of the 3) on “hugs”

	Gm	A7
Like a lazy ocean	hugs the	shore

Gm	A7	Dm
Hold me	close,	sway me more

	Gm	A7
Like a flower bending	in the	breeze

Gm	A7	Dm
Bend with	me,	sway with ease

	Gm	A7
When we dance you have a	way with	me

Gm	A7	Dm
Stay with	me,	sway with me

Vox to the 1 of the key on “other”, the 2 of the key on “be”

	C
Other dancers may	be on the floor

Vox up to the 5 of the chord on “see”

	F6
Dear but my eyes will	see only you

	A7
Only you have that	magic technique

	Bb	A7
When we sway I go	weak

	Gm	A7
I can hear the sounds of	viol	ins

Gm	A7	Dm
Long be	fore	it begins

	Gm	A7
Make me thrill as only	you know	how

Gm	A7	Dm
Sway me	smooth	sway me now

Instrumental

Gm	A7	Gm	A7
→		→

Dm	Dm

	C
Other dancers may	be on the floor

	F6
Dear but my eyes will	see only you

	A7
Only you have that	magic technique

	Bb	A7
When we sway I go	weak

	Gm	A7
I can hear the sounds of	viol	ins

Gm	A7	Dm
Long be	fore	it begins

	Gm	A7
Make me thrill as only	you know	how

Gm	A7	Dm
Sway me	smooth	sway me now

	Gm	A7
When marimba rhythms	start to	play

Gm	A7	Dm
Dance with	me,	make me sway

	Gm	A7
Like a lazy ocean	hugs the	shore

Gm	A7	Dm
Hold me	close,	sway me more

Michael Buble version goes up a half-step and riffs to fade,

I’ll just end on this verse

	Gm	A7
Like a flower bending	in the	breeze

Gm	A7	Dm
Bend with	me,	sway with ease

	Gm	A7
When we dance you have a	way with	me

Gm	A7	Dm
Stay with	me,	sway with me

Def Leppard - Two Steps Behind

A	D	G	D
			x2

	A	D	G	D
Walk aw	ay	if you w	ant to

	A	D	G	D
It’s ok	ay	if you n	eed to

	A	D	E	D
You can	run, but	you can never	hide

	A	D	E	D
From the	shadow that’s	creepin’ up be	side y	ou

	F#m	D
The	re’s a magic runnin’ through you	r soul

	G	E
But y	ou can’t have it all

	A	D	E
(Whatever you do) I’l	l be two	steps behi	nd you

	D	A	D	E	D
(Where	ever you go) and	I’ll be	there to re	mind you

	A	D	E	G
That it	only takes a	minute of your	precious t	ime

	D
To turn a	round, I’ll be two steps behind

A	D	G	D
			x2

	A	D	G	D
Take the ti	me	to think ab	out it

	A	D	G	D
Just walk the l	ine, you kn	ow you just can’t f	ight it

	A	D	E	D
Take a look aro	und, you’ll s	ee what you can f	ind

	A	D	E	D
Like the fi	re that’s bu	rnin’ up in	side me

	F#m	D
The	re’s a magic runnin’ through you	r soul

	G	E
But y	ou can’t have it all

	A	D	E
(Whatever you do) I’l	l be two	steps behi	nd you

	D	A	D	E	D
(Where	ever you go) and	I’ll be	there to re	mind you

	A	D	E	G
That it	only takes a	minute of your	precious t	ime

	D
To turn a	round, I’ll be two steps behind

Solo on verse

	F#m	D
The	re’s a magic runnin’ through you	r soul

	G	E
But y	ou can’t have it all

	A	D	E
(Whatever you do) I’l	l be two	steps behi	nd you

	D	A	D	E	D
(Where	ever you go) and	I’ll be	there to re	mind you

	A	D	E	G
That it	only takes a	minute of your	precious t	ime

	D
To turn a	round, I’ll be two steps behind

Outro

A	D	G	D
			x2

A

Dion - Runaround Sue

Originally in D, I play in A capo 2

Highest note is the 4.

Quiet, let ring

A

Here’s my story it’s sad but true

F#m

It’s about a girl that I once knew

D

She took my love then ran around

E

With every single guy in town

Pick it up

These are really background “hey” over lead “whoa”

A

Hey, hey, whoa

F#m

Hey, hey, whoa

D

Hey, hey, whoa

Hard stop on the last “whoa” (every time)

E

Hey, hey, whoa

Not a typo, he definitely says “yem”

A

Yem, I should have known it from the very start

F#m

This girl’d leave me with a broken heart

D

Aw listen people what I’m telling you

Hard stop on the 1 (every time)

E

Ah keep away from Runaround Sue, yeah

A

I miss ‘em lips and the smile from her face

F#m

The touch of her hand and this girl’s warm embrace

D

So if you don’t want to cry like I do

E

Ah, keep away from Runaround Sue

A

Hey, hey, whoa

F#m

Hey, hey, whoa

D

Hey, hey, whoa

E

Hey, hey, whoa

D

She likes to travel around

	A
She’ll	love you, then she’ll put you down

	D
Now p	eople let me put you wise

Hard stop on “Sue” (both times)

	E
Ah,	Sue goes out with other guys

	A
Here’s the	moral and the story from the guy who knows

F#m

I’ve been in love and my love still grows

	D
A	sk any fool that she ever knew

	E
They’ll say	keep away from Runaround Sue

A

Hey

F#m

Yea, keep away from this girl

D

I don’t know what she’ll do

E

Keep away from Sue

D

She likes to travel around

	A
She’ll	love you, then she’ll put you down

	D
Now p	eople let me put you wise

	E
Ah	she goes out with other guys

	A
Here’s the	moral and the story from that guy who knows

F#m

I’ve been in love and my love still grows

D

Ask any fool that she ever knew

No hard stop this time

	E
They’ll say	ah, keep away from Runaround Sue

Fade on...

A

Yea

F#m

Stay away from that girl

D

Don’t you know what she’ll do now

E

Whoa...

Dion - The Wanderer

Originally in D, I play in D or C. If in C, I use 8x555x fingering

so I can (a) be less folk-y and (b) work the 6ths in.

Swung, with 6ths if practical

D

	D
Oh well	I’m the type of guy who will never settle down

Where pretty girls are, well you know that I’m around

	G
I	kiss ‘em and I love ‘em ‘cause to me they’re all the same

	D
I	hug ‘em and I squeeze ‘em, they don’t even know my name

	A	G
They call me the	wanderer, yeah the	wanderer

	D	A
I roam a	round around around around

	D
Oh well there’s	Flo on my left arm and there’s Mary on my right

And Janie is the girl well that I’ll be with tonight

	G
And	when she asks me which one I love the best

	D
I	tear open my shirt and I show her Rosie on my chest

	A	G
‘Cause I’m a	wanderer, yeah a	wanderer

	D
I roam a	round around around around

	A
Oh well I	roam from town to town

I go through life without a care
And I'm as happy as a clown

Hang on “two fists”

	B7	E
With my	two fists of iron, but I’m	going nowhere

	D
Oh,	I’m the type of guy that likes to roam around

I’m never in one place, I roam from town to town

	G
And	when I find myself fallin’ for some girl

	D
Yeah, I	hop right into that car of mine, I drive around the world

	A	G
Yeah I’m a	wanderer, yeah the	wanderer

	D	A
I roam a	round around around around

Solo on verse chords

	D
Oh,	I’m the type of guy that likes to roam around

I’m never in one place, I roam from town to town

	G
And	when I find myself fallin’ for some girl

	D
I	hop right into that car of mine, drive around the world

	A	G
Cause I’m a	wanderer, yeah a	wanderer

	D
I roam a	round around around around around

	A	G
Yeah I’m a	wanderer, they call me a	wanderer

	D
I roam a	round around around around around

	A	G
Yeah I’m a	wanderer, they call me a	wanderer

	D	A7	D	D9
I roam a	round around around around around

Dion and the Belmonts - A Teenager in Love

Originally in C#, I play in C capo 1

C	Am	F	G
			x2

C	Am
Each time we	have a quarrel

F	G
It almost	breaks my heart

C	Am	F	G
‘Cause I am	so afraid	that we will	have to part

C	Am	F	G
Each night I	ask the	stars up a	bove

C	Am	F	G
Why must I	be a teen	ager in	love?

C	Am
One day I	feel so happy

F	G
Next day I	feel so sad

C	Am	F	G
I guess I’ll	learn to take	the good	with the bad

	C	Am	F	G
‘Cause	each night I	ask the	stars up a	bove

C	Am	F	G
Why must I	be a teen	ager in	love?

F	G	F	G
I cried a	tear	for nobody but	you

F	G	F	G
I’ll be a	lonely one if	you should say we’re	through

C	Am
Well if you want to	make me cry

F	G
That won’t be so	hard to do

C	Am
If you should	say goodbye

F	G
I’d still go on	loving you

C	Am	F	G
Each night I	ask the	stars up a	bove

C	Am	F	G
Why must I	be a teen	ager in	love?

F	G	F	G
I cried a	tear	for nobody but	you

F	G	F	G
I’ll be a	lonely one if	you should say we’re	through

C	Am
Well if you want to	make me cry

F	G
That won’t be so	hard to do

C	Am
And if you should	say goodbye

F	G
I’d still go on	loving you

C	Am	F	G
Each night I	ask the	stars up	above

C	Am	F	G
Why must I	be a teen	ager in	love?

C	Am	F	G
Why must I	be a teen	ager in	love?

C	Am	F	G
Why must I	be a teen	ager in	love?

Disney - DuckTales Theme

Originally in E, I play in D

Intro, with octaves

D

These bVII/1’s are IV/1’s in the original

D	D7	C/D	D	C/D	D
Life is like a	hurricane	here	in D	uckb	urg

D	D7	C/G	G	C/G	G
Race cars, lasers,	aeroplanes,	it’s	a	duck b	lur

Em	A7	Em7	A7
You might solve a	mystery	or rewrite h	istory

Give a whole measure to the 7#9, i.e. the same duration

as the other chords

D	D7#9
Duck tales, oo-oo

Bb	C
Every day they’re	out there making

D	D7#9
Duck tales, oo-oo

Bb	C	D
Tales of derring-	do, bad and good l	uck tales, oo-oo

D	D7	C/D	D	C/D	D
When it seems they’re	headed for the	fin	al c	urta	in

D	D7	C/G	G	C/G	G
Bold deduction n	ever fails,	that’s f	or	certai	n

Em	A7	Em7	A7
The worst of m	esses	become succ	esses

D	D7#9
Duck tales, oo-oo

Bb	C
Every day they’re	out there making

D	D7#9
Duck tales, oo-oo

Bb	C	D
Tales of derring-	do, bad and good l	uck tales, oo-oo

Em7	D/F#
D-d-d-danger,	watch behind you

Em9/G	D/F#
There’s a stranger	out to find you

Key change

E

What to do, just grab on to some

E	E7#9
Duck tales, oo-oo

C	D
Every day they’re	out there making

E	E7#9
Duck tales, oo-oo

C	D	E	E7#9
Tales of derring-	do, bad and good l	uck tales, oo-oo

	C	D11	E
Not	pony tails or c	otton tails but	Duck tales, oo-oo

Disney - Kiss The Girl

Originally in C, I play in D capo 1

A

There you see her, sitting there across the way

D	A
She don’t got a lot to say but there’s something a	bout her

	E
And you	don’t know why but you’re dying to try

	A
You wanna	kiss the girl

A

Yes, you want her, look at her, you know you do

D	A
Possible she want you too, there is one way to	ask her

	E
It don’t	take a word, not a single word

	A
Go on and	kiss the girl

A	D
Shalalalala	my oh my looks like the

A	E
Boy too shy ain’t gonna	kiss the girl

A	D
Shalalalala	ain’t that sad it’s such a

E	A
Shame, too bad, you’re gonna	miss the girl

A

You know, I feel really bad not knowing your name...

Maybe I can guess. Is it, uh Mildred?
Okay, no. How about Diana? Rachel?
Ariel. Her name's Ariel...
Ariel? Ariel? Oh. That's kind of pretty. Okay, Ariel...

A

Now’s your moment, floating in a blue lagoon

D	A
Boy, you better do it soon, no time will be	better

	E
She don’t	say a word and she won’t say a word

	A
Until you	kiss the girl

A	D
Shalalalala	my oh my looks like the

A	E
Boy too shy ain’t gonna	kiss the girl

A	D
Shalalalala	ain’t that sad it’s such a

E	A
Shame, too bad, you’re gonna	miss the girl

A	D
Shalalalala	don’t be scared, you got the

A	E
Moves prepared go on and	kiss the girl

A	D	E
Shalalalala	don’t stop now don’t try to	hide it how

	A
You wanna	kiss the girl

A	D
Shalalalala	float along, and listen

A	E
To this song, this song say	kiss the girl

A	D	E
Shalalalala	music play, do what the	music say

	A
You gotta	kiss the girl

A

Kiss the girl, you gotta

A

Kiss the girl, go on and

A

Kiss the girl

Disney - Part of Your World

Originally in F, I play in the G below that.

Highest note is the 5

Slow, ringing strums

C	D11
	x2

Vox start on the 5 of the first chord

C	D11
Look at this stuff,	isn’t it neat?

C	D11
Wouldn’t you think my col	lection’s complete?

Vox stay on A

Bm7	Em7
Wouldn’t you think I’m the	girl

	A/C#	A/B
The girl who has	everything?

C	D11
Look at this trove,	treasures untold

C	D11
How many wonders can	one cavern hold?

Bm7	Em7
Lookin’ around here you’d	think

	A/C#	A/B
Sure, she’s got	everything

	Cmaj7	Bm7
I’ve got	gadgets and gizmos a	plenty

	Em7	A
I’ve got	whozits and whatzits ga	lore

	Cmaj7	Bm7
You want	thingamabobs? I got	twenty

	Em7	A
But who	cares? No big	deal

Let this chord hang a while

	D11
I want	more

Enter way up-tempo, straight 8ths

G	Bm7
I wanna be where the	people are

C	D11
I wanna see, wanna	see ‘em dancin’

Em7

Walkin’ around on those

Bm7	C	D11
Whad’ya call ‘em?	Feet

G	Bm7
Flippin’ your fins you don’t	get too far

C	D11
Legs are required for	jumpin’, dancin’

Em7

Strollin’ along down a

Bm7	D11
What’s that word again?	Street

	G	G7
Up where they	walk, up where they	run

	C	Cm
Up where they	stay all day in the	sun

	G	D
Wanderin’	free, wish I could	be

	Cadd9	G
Part of that	world

Vox stay on G

	C	D11
What would I	give, if I could	live

	Bm7	Em7
Out of these	waters?

	C	D11
What would I	pay to spend a	day

	Bm7	Em7
Warm on the	sand?

	C	D11
Betcha on	land they under	stand

	B7	Em7
Bet they don’t	reprimand their	daughters

	A	A7sus4
Bright young	women sick a’	swimmin’

	F	D
Ready to	stand

Key change, vox stay on the root of the new chord.

This key change is not in the original.

	A	C#m7
And	ready to know what the	people know

D	E
Ask my questions and	get some answers

A	C#m7
What’s a fire and	why does it

	D	E
What’s the word...	burn?

	A	A7
When’s it my	turn? Wouldn’t I	love?

	D	Dm
Love to ex	plore that shore a	bove?

	A	E
Out of the	sea, wish I could	be

	F#m	B
Part of that	world

	A	E
Out of the	sea, wish I could be

	D	A	G	A
Part of that	world

Disney - Under the Sea

Originally in Bb, I play in A capo 3.

A	A	E	A
			x2

Vox enter on I

A	E	A
The seaweed is	always	greener

A	E	A
In somebody	else’s	lake

A	E	A
You dream about	going	up there

A	E	A
But that is a	big	mistake

Vox up to I

D	A
Just look at the	world around you

E	A
Right here on the	ocean floor

D	A
Such wonderful	things surround you

E	A
What more is you	lookin’ for?

	D	A	E	A
Under the	sea,	under the	sea

	D	E
Darling it’s	better down where it’s	wetter

	A
Take it from	me

	D	E
Up on the	shore they work all	day

	F#m	B
Out in the	sun they slave a	way

	D	E
While we	devotin’ full time to	floatin’

	A
Under the	sea

A	A	E	A
			x2

A	E	A
Down here all the	fish is	happy

A	E	A
As off through the	waves they	roll

A	E	A
The fish on the	land ain’t	happy

A	E	A
They sad ‘cause they	in the	bowl

D	A
But fish in the	bowl is lucky

E	A
They in for a	worser fate

D	A
One day when the	boss get hungry

E	A
Guess who’s gon’ be	on the plate

	D	A	E	A
Under the	sea,	under the	sea

	D	E
Nobody	beat us fry us and	eat us

	A
In fricas	see

	D	E
We what the	land folks loves to	cook

Note that “off the hook” is a *triple* entendre here!

	F#m	B
Under the	sea we off the	hook

	D	E
We got no	troubles life is the	bubbles

	A
Under the	sea

	D	A	E	A
Under the	sea,	under the	sea

	D
Since life is	sweet here

	E	A
We got the	beat here natural	ly

	D	E
Even the	sturgeon an’ the	ray

	F#m	B
They get the	urge ‘n’ start to	play

	D
We got the	spirit

	E	A
You got to	hear it under the	sea

	E	A
The	newt play the flute, the	carp play the harp

	E	A
The	plaice play the bass, and	they soundin’ sharp

	D	A
The	bass play the brass, the	chub play the tub

	E	A
The	fluke is the duke of	soul (Yeah)

	E	A
The	ray he can play, the	ling’s on the strings

	E	A
The	trout rockin’ out, the	blackfish she sings

	D	A
The	smelt and the sprat, they	know where it’s at

	E	A
An’	oh that blowfish	blow

Instrumental chorus, skip if no soloist

	D	A	E	A
Under the	sea,	under the	sea

	D	E
When the sar	dine begin the	beguine

	A
It’s music to	me

	D	E
What do they	got? A lot of	sand

	F#m	B
We got a	hot crustacean	band

	D	E
Each little	clam here know how to	jam here

	A
Under the	sea

	D	E
Each little	slug here cuttin’ a	rug here

	A
Under the	sea

	D	E
Each little	snail here know how to	wail here

	F#m	B
That’s why it’s	hotter under the	water

	D	E
Ya we in	luck here down in the	muck here

	A
Under the	sea

A	A	E	A
			x2

Disney - When Will My Life Begin

Originally in E, I play in G, in which case play the

intro chords as just V I (ignore the roots and sus)

Dadd4	G/D
	x 3

Dadd4	G/D
Seven A.M., the usual morning	lineup

Dadd4	G/D
Start on the chores and sweep till the floor’s all	clean

D#	A#
Polish and wax, do laundry, and mop and	shine up

	D	D/C	G/B
Sweep a	gain,	and by	then

	A	D7
It’s like	seven fif	teen, and so I’ll

“Read a book” is 3 5 6 of the key

G	C	Am7	G
Read a	book or maybe	two or	three

“few new paintings” on 3 6(up) 6(down) 2 of the key

	Em7	A7	Cadd9	G
I’ll add a	few new	paintings to my	galle	ry

“tar and knit” on 3 1 6 of the key

	Em7	A7
I’ll play gui	tar and	knit and cook

	C	B7	Em7
And	ba	sica	lly just wonder

A9	D7sus4	G
When will my l	ife be	gin

Dadd4	G/D
	x 2

Dadd4	G/D
Then after lunch it’s puzzles and darts and	baking

Dadd4	G/D
Paper mache, a bit of ballet and	chess

D#	A#
Pottery and ventriloquy, candle	making, then I’ll

D	D/C	Gsus/B
Stretch,	maybe	sketch

	A	D7
Take a	climb, sew a	dress, and I’ll

	G	C	Am7	G
Re-	read the	books if I have	time to	spare

	Em7	A7
I’ll paint the	walls some	more

	Cadd9	G
I’m sure there’s	room some	where

	Em7	A7
And then I’ll	brush and	brush

	C	B7	Em7
And brush and	brush	my	hair

	A7	C	B7	Em7
Stuck in the	same place I’ve	al	ways	been

	Am7	G/B
And I’ll keep	won’dring and	won’dring

	C	Bm7	E7
And	won’dring and	won’	dring

A9	D7sus4	G
When will my	life be	gin?

	G	C/G	G	C/G
And to	morrow	night	lights will a	ppear

G	C/G	G	Am7
Just like they	do on my	birthday each	year

Em7	A7	D7sus4	G	G7
What is it	like out	there where they	glow?

C	G/B	C	Dsus4
Now that I’m	older mother	might just let me	go

Disney - You’ve Got a Friend in Me

Originally in Eb, I play in C capo 3

C	E7/B	Am	Ab7
C/G	Cdim7	G7
	→

C	Gaug	C9	Gaug

C	Gaug	C	C9
You’ve got a	friend in	me

F	F#dim7	C/G	C9
You’ve got a	friend in	me

F	C/E	E7	Am
When the	road looks	rough a	head

	F	C/E	E7	Am
And you’re	miles and	miles from your	nice warm	bed

F	F#dim7	C/G	E/G#	F7	E7	Am
You	just rem	ember	what your	old	pal	said

	D7	G7	C	A7
For yo	u’ve got a	friend in	me

	D7	G7	C
Yeah,	you’ve got a	friend in	me

C	E7/B	Am	Ab7
C/G	Cdim7	G7
	→

C	Gaug	C	C9
You’ve got a	friend in	me

F	F#dim7	C/G	C9
You’ve got a	friend in	me

F	C/E	E7	Am
You got	troubles,	and I got ‘em	too

F	C/E	E7	Am
There isn’t	anything I	wouldn’t	do for you

F	C/E	E7	Am
If we stick to	gether we can	see it	through

	D7	G7	C	A7
‘Cause yo	u’ve got a	friend in	me

	D7	G7	C	C7
Yo	u’ve got a	friend in	me

F	B
Some other folks might be a	little bit smarter than I am

C	Baug	C
Bigger and	stronger	too, maybe

B	C#m7	Ddim7	B7/D#	Em	A7
But none of	them will	ever	love you the	way I	do

	Dm7	G7
It’s	me and	you, boy

C	Gaug	C	C9
And as the	years go	by

	F	F#dim7	C/G	C9
Our	friendship will	never	die

Short rubato on “destiny”

F	F#dim7	C/G	E7/G#	Am
You’re going to	see it’s our	de	sti	ny

D7	G7	C	A7
You’ve got a	friend in me

D7	G7	C	A7
You’ve got a	friend in me

D7	G7	C
You’ve got a	friend in	me

C	E7/B	Am	Ab7
C/G	Cdim7	G7
	→

C

Dixie Chicks - Long Time Gone

3-5-x--3--x--3--x--7--x--7--x--3--5h3-3-3-
3---x--3--x--3--x--3--x--3--x--3--3---3-3-
0---x--0--x--0--x--0--x--0--x--0--0---0-0-
------------------------------------------
------------------------------------------
------------------------------------------
                                                 
3--5--x--3--x--3--x--x--8-7-5-x--x-
3-----x--3--x--3--x--x--5-5-7-x--x-
0-----x--0--x--0--x--x--0-7-7-x--x-
-----------------------------------
-----------------------------------
-----------------------------------

5-7-x-9/10-x-x-----------------|----5-3
7---x-9/10-x-x-10--9---x-9s-10-|-10-7-3
7---x------x-x-11--10--x-10s11-|-11-5-0
---------------10--9---x-9s-10-|-10-7-0
-------------------------------|-------
-------------------------------|-------

Darrell Scott does this in G, Dixie Chicks in D

Chords for tabbed intro

G	C	G	D
D	G

G

Daddy sits on the front porch swingin’

	C	G	D
Lookin’ out on a	vac	ant	field

D

It used to be filled with burly tobacco

	G
Now he knows it never	will

G

My brother found work in Indiana

	C	G	D
My sister’s a nurse at the	old	folks	home

D

Momma’s still cookin’ too much for supper

	G
And me, I’ve been a long time	gone

	C	G	D
Been a	long	time	gone

	C	G	D
No I	ain’t hoed a	row since I	don’t know when

D	G	C	D	G
Long	time	gone and it	ain’t comin’ back	again

G	G	C	G	D
D	G

G

Delia plays that old church piano

	C	G	D
Sittin’ out on her	dad	dy’s	farm

D

She always thought that we’d be together

	G
Lord, I never meant to do her	harm

G

Said she could heard me singin’ in the choir

	C	G	D
Me I heard	anot	her	song

D

I caught wind and hit the road runnin’ and

	G
Lord I’ve been a long time	gone

	C	G	D
Been a	long	time	gone

	C	G	D
Lord I	ain’t had a	prayer since I	don’t know when

D	G	C	D	G
Long	time	gone and it	ain’t comin’ back a	gain

A	D	A	E
E	A
	x 2

Bridge

	F
Now	me, I went to Nashville, tryin’ to be the big deal

G

Playin’ down on Broadway, gettin’ there the hard way

F

Livin’ from a tip jar, sleepin’ in my car

G	A	D
Hockin’ my guitar, yeah I’m gonna be a	star

	G
Now	me and Delia singin’ every Sunday

	C	G	D
Watchin’ the children and the	gar	den	grow

	D
We	listen to the radio to hear what’s cookin’

	G
But the music ain’t got no	soul

	G
Now	they sound tired but they don’t sound Haggard

	C	G	D
They got money but they	don’t	have	Cash

	D
They got	Junior but they don’t have Hank

I think, I think, I think the rest is a

C	G	D
Long	time	gone

	C	G	D
No I	ain’t hit the	roof since I	don’t know when

D	G	C	D
Long	time	gone and it	ain’t comin’ back

	C	G	D
I said a	long	time	gone

	C	G	D
No I	ain’t honked a	horn since I	don’t know when

D	G	C	D	G
Long	time	gone and it	ain’t comin’ back aga	in

	G	D
I said a	long time, long time, long time	gone

	G
Oh it’s been a long time

G	D
Long time, long time, long time	gone

	G
Oh it’s been a long... time...	gone

G	D
Long time, long time, long time	gone, yeah, yeah

G

Repeat intro

Don Henley - Heart of the Matter

Originally in D, I play in A

A	A	Asus2	A	Asus2	Asus4
					x 2

A	A	Asus2	A	Asus2	Asus4/E
					x 2

A	E
I got the call today that I	didn’t wanna hear

	D
But I	knew that it would come

A	E
Old true friend of ours was	talking on the phone

	D
She said you	found someone

	E
And I	thought of all the bad luck

And the struggles we went through

	D
And how	I lost me and you lost you

E

What are these voices outside love’s open door

	D
Make us	throw off our contentment

	E
And	beg for something more?

A	Bm7	A/C#
But I’m learning to	live without you	now

	D
But I	miss you sometimes

	A/E	F#m
And the	more I know, the	less I understand

	D	Esus4	E
All the	things I thought I knew I’m	learning aga	in

A

I’ve been trying to get down

Bm7

To the heart of the matter

	A/C#
But my	will gets weak

D

And my thoughts seem to scatter

	A/E
But I think it’s about	forgiveness

F#m

Forgiveness

D	Esus4	E	A
Even if, even if	you don’t	love me any	more

A	A	Asus2	A	Asus2	Asus4
					x 2

	A
All these	times are so uncertain

	E
There’s a	yearning undefined

	D
And	people filled with rage

	A
We all	need a little tenderness

E	D
How can love survive in	such a graceless age?

	E
Ah the	trust and self-assurance that lead to happiness

	D	D
They’re the	very things we	kill, I guess

	E
Our	pride and competition

Can not fill these empty arms

	D
And the	work I put between us

	Esus4	E
You know it	doesn’t keep me	warm

A	Bm7	A/C#
I’m learning to	live without you	now

	D
But I	miss you baby

	A/E	F#m
And the	more I know, the	less I understand

	D
All the	things I thought I’d figured out

	Esus4	E
I	have to learn	again

A

I’ve been trying to get down

Bm7

To the heart of the matter

	A/C#
But	everything changes

D

And my friends seem to scatter

	A/E
But I think it’s about	forgiveness

F#m

Forgiveness

D	Esus4	E	A
Even if, even if,	you don’t	love me any	more

A

	G	D/F#
There are	people in your life,	who’ve come and gone

	Em	D/F#
They	let you down, you know they	hurt your pride

G	D/F#
You better put it all behind you baby, ‘cause	life goes on

	E
You keep	carrying that anger, it will eat you up inside, baby

A

I’ve been trying to get down

Bm7

To the heart of the matter

	A/C#
But my	will gets weak

D

And my thoughts seem to scatter

	A/E
But I think it’s about	forgiveness

F#m

Forgiveness

D	Esus4
Even if, even if	you don’t love me

A

I’ve been trying to get down

Bm7

To the heart of the matter

	A/C#
Because the	flesh will get weak

D

And the ashes will scatter

	A/E
So I’m thinkin’ about	forgiveness

F#m

Forgiveness

D	Esus4	A
Even if, even if	you don’t love me any	more

A	A	Asus2	A	Asus2	Asus4
					x 2

Elle King - Ex’s and Oh’s

Originally in Em, I play Em capo 4

Highest note is the 5

Intro

Em

	Em
I	had me a boy, turned him into a man

	Em
I	showed him all the things that he didn’t understand

	B	Em
Who	a, then I let him	go

	Em
Now, there’s	one in California who’s been cursin’ my name

	Em
‘Cause	I found me a better lover in the UK

	B	Em
Hey	hey, until I make my geta	way

Instruments out, percussion only

Em

1-2-3 they gonna run back to me

	Em
‘Cause	I’m the best baby that they never gotta keep

Em

1-2-3 they gonna run back to me

	Em
They	always wanna come, but they never wanna leave

G	D
Ex’s and o	h’s

	Em
They h	aunt me

	B	G
Like g	ho-o-sts, they	want me

	D
To make them	all

Vox on 5 of the minor key, which is the 2 and

the 7 of these chords

	Am	C
They won	’t let	go

	Em
Ex’s &	oh’s

Em

	Em
I	had a summer lover down in New Orleans

	Em
Kept him	warm in the winter, left him frozen in the spring

	B	Em
My	my, how the seasons go b	y

Em

I get high and I love to get low

	Em
So the	hearts keep breaking and the heads just roll

	B	Em
You kn	ow, that’s how the story goe	s

Instruments out, percussion only

Em

1-2-3 they gonna run back to me

	Em
‘Cause	I’m the best baby that they never gotta keep

Em

1-2-3 they gonna run back to me

	Em
They	always wanna come, but they never wanna leave

G	D
Ex’s and o	h’s

	Em
They h	aunt me

	B	G
Like g	ho-o-sts, they	want me

	D
To make them	all

	Am	C
They won	’t let	go

	G	D
My	ex’s and o	h’s

	Em
They h	aunt me

	B	G
Like g	ho-o-sts, they	want me

	D
To make them	all

	Am	C
They won	’t let	go

	Em
Ex’s and	oh’s

Em	Em	B	Em

Em

1-2-3 they gonna run back to me

Em

Climbing over mountains and a-sailing over seas

Em

1-2-3 they gonna run back to me

Em

They always wanna come, but they never wanna leave

	G	D
My	ex’s and o	h’s

	Em
They h	aunt me

	B	G
Like g	ho-o-sts, they	want me

	D
To make them	all

	Am	C
They won	’t let	go

G	D
Ex’s and o	h’s

	Em
They h	aunt me

	B	G
Like g	ho-o-sts, they	want me

	D
To make them	all

	Am	C
They won	’t let	go

	Em
Ex’s and	oh’s

Hard stop after four measures

Em

Eve 6 - Inside Out

Asus2	E	B
I would swallow my	pride, I would choke on the	rinds

	Asus2
But the lack thereof would leave me empty in	side

	E	F#
Swallow my	doubt turn it inside	out

Find nothing but faith in nothing

Asus2	E
Want to put my tender	heart in a blender

F#

Watch it spin ‘round into a beautiful oblivion

Asus2	E	F#
Rendez	vous, then I’m	through with you

B	F#
I burn, burn like a	wicker cabinet

A	G
Chalk white and	oh so frail

B	F#	E
I see our	time has gotten	stale

B	F#
The tick tock of the	clock is painful

A	G
All sane and	logical

B	F#	E
I want to	tear it off the	wall

B	F#
I hear words in	clips and phrases

A	G
I think sick like	ginger ale

B	F#	G
My stomach	turns and I ex	hale

Asus2	E	B
I would swallow my	pride, I would choke on the	rinds

	Asus2
But the lack thereof would leave me empty in	side

	E	F#
Swallow my	doubt turn it inside	out

Find nothing but faith in nothing

Asus2	E
Want to put my tender	heart in a blender

F#

Watch it spin ‘round into a beautiful oblivion

Asus2	E	F#
Rendez	vous, then I’m	through with you

B	F#
SoCal is	where my mind states

A	G
But it’s not my	state of mind

B	F#	E
I’m not as	ugly, sad as	you

B	F#	A	G
Or am I	origami?	Fold it up and	just pretend

	B	F#	G
Dem	ented as the	motives in your	head

Asus2	E	B
I would swallow my	pride, I would choke on the	rinds

	Asus2
But the lack thereof would leave me empty in	side

	E	F#
Swallow my	doubt turn it inside	out

Find nothing but faith in nothing

Asus2	E
Want to put my tender	heart in a blender

F#

Watch it spin ‘round into a beautiful oblivion

Asus2	E	F#
Rendez	vous, then I’m	through with you

B	E	A	E

B	E
I a	lone am the one you

A	E
Don’t know you need take	heed, feed your ego

B	E
Make me	blind when your eyes close

A	E
Sink when you get close,	tie me to the bedpost

B	E
I a	lone am the one you

A	E
Don’t know you need, you do	n’t know you need me

B	E
Make me	blind when your eyes close

A	E
Tie me to the bed	post

Outro: Chorus lyrics but new chords

B	E	A
I would swallow my	pride I would choke on the	rinds

	E	B
But the lack there	of would leave me empty in	side

	E	A
Swallow my	doubt, turn it inside	out

	E
Find nothing but	faith in nothing

B	E
Want to put my tender	heart in a blender

A	E
Watch it spin ‘round to a	beautiful oblivion

B	E	A	E
Rendez	vous, then I’m	through, now I’m	through with

B	E	A	E
You

	B	E	A	F#
Through with	you

Asus2	E	F#
Rendez	vous then I’m	through with you

Evita - Don’t Cry For Me Argentina

This follows the Me First and the Gimme Gimmes arrangement.

I pretty much play this as straight 8ths, punk-style, maybe opening up a little in the chorus

Me First in G, I play in D capo 2

In D, play Gadd9 as 30020x

A	Gadd9	D/F#	Gadd9	D

	D	G
It won’t be	easy, you’ll think it	strange

	A
When I try to explain how I	feel

	D
That I still need your love after	all that I’ve done

	Bm
You won’t bel	ieve me

	E7
All you will see is a	girl you once knew

	E7
Al	though she is dressed to the nines

	A
At sixes and sevens with	you

A	Gadd9	D/F#	Gadd9	D

	D	G
I had to let it	happen, I had to	change

	A
Couldn’t stay all my life down at	heel

	D
Looking out of the window, staying	out of the sun

	Bm
So I chose	freedom

	E7
Running around, trying	everything new

	E7
But	nothing impressed me at all

	A
I never expected it	to

A	Gadd9	D/F#	Gadd9

D

Don’t cry for me Argentina

	D
The	truth is I never left you

	A
All through my	wild days

	Gadd9
My mad ex	istence

	D
I kept my	promise

Let ring on “distance”

	Gadd9
Don’t keep your	distance

	D	G
And as for	fortune, and as for	fame

	A
I never invited them	in

	D
Though it seemed to the world they were	all I desired

	Bm
They are ill	usions

	E7
They are not the solutions they	promised to be

	E7
The	answer was here all the time

	A
I love you and hope you love	me

A	Gadd9	D/F#	Gadd9

D

Don’t cry for me Argentina

	D
The	truth is I never left you

	A
All through my	wild days

	Gadd9
My mad ex	istence

	D
I kept my	promise

	Gadd9
Don’t keep your	distance

Vox on the 3 of the chord

Em	A
Have I said too much?

	D	A/C#	Bm
There’s nothing	more I can	think of to	say to you

Vox on the 3 of the chord (again)

	Em	A
But	all you gotta do is look at	me to know

	D	A/C#	G
That	every	word is	true

D

Don’t cry for me Argentina

	D
The	truth is I never left you

	A
All through my	wild days

	Gadd9
My mad ex	istence

	D
I kept my	promise

	Gadd9
Don’t keep your	distance

Extreme - Hole Hearted

Originally in A tuned down to Ab, I play in E

Intro, slow

A	B/A
	x2

A	B/A	C/A

At tempo, approximating the verse here

E	G	E	E	E
	→

E	G	A
	→

A	A	D	E
	→

E	G	E
Life’s ambition occupies	my	time

	E	G	A
Pri	orities confuse	the	mind

In my key, don’t go down on “behind”

E	G	E
Happiness one step	be	hind

	E	G	A
This	inner peace I’ve yet	to	find

A	E/A	D/A	E/A	A
Rivers	flow in	to	the	sea

	E	A/E	A/E	B/E	E
Yet	even the	sea is not so	full	of	me

	A	E/A	D/A	E/A	A
If	I’m not	blind why	can’t	I	see

	E	A/E
That a	circle can’t	fit

	A/E	B/E	E
Where a	square	should	be

	Dadd9
There’s a	hole in my heart

	Gadd9	A	B/A	A	B/A
That can	only be filled by	you

	Dadd9
And this	hole in my heart

	Gadd9	A	B/A
Can’t be	filled with the things I	do

	A#maj7	Cadd9	A	B/A
Hole	hearted

	A#maj7	Cadd9
Hole	hearted

E	G	E	E	E
	→

E	G	A
	→

A	A	D	E
	→

	E	G	E
This	heart of stone is where	I	hide

	E	G	A
These	feet of clay kept warm	in	side

E	G	E
Day by day less sat	is	fied

	G	A
Not fade away before	I	die

A	E/A	D/A	E/A	A
Rivers	flow in	to	the	sea

	E	A/E	A/E	B/E	E
Yet	even the	sea is not so	full	of	me

	A	E/A	D/A	E/A	A
If	I’m not	blind why	can’t	I	see

	E	A/E
That a	circle can’t	fit

	A/E	B/E	E
Where a	square	should	be

	Dadd9
There’s a	hole in my heart

	Gadd9	A	B/A	A	B/A
That can	only be filled by	you

	Dadd9
And this	hole in my heart

Note short phrase after this line

	Gadd9	A	E/A	D/A	A
Can’t be	filled with the things I	do

	Dadd9
There’s a	hole in my heart

	Gadd9	A	B	B/A	A	B/A
That can	only be filled by	you

	Dadd9
Should have	known from the start

	Gadd9	A	B/A
I’d fall	short with the things I	do

	A#maj7	Cadd9	A	B/A
Hole	hearted

	A#maj7	Cadd9	A	B/A
Hole	hearted

	A#maj7	Cadd9	A	B/A
Hole	hearted

	A#maj7	Cadd9	A
Hole	hearted

Fastball - Out of My Head

E	B	C#m	E	E7
A	E	F#	B

E	G#m
Sometimes I feel like I am	drunk behind the wheel

	A	E
The w	heel of possib	ility

	F#	B
How	ever it may	roll

E	G#m
Give it a spin, see if it can	somehow factor in

	A	E
You	know there’s always m	ore than one way

	F#	B	E
To	say exactly	what you mean to s	ay

E	B	C#m
Was I out of my	head, was I out of my	mind?

	E	E7	A
How could I have e	ver b	een so b	lind?

	E
I was waiting for an	indication

F#	B
It was hard to	find

E	B	C#m
Don’t matter what I	say, no matter what I	do

	E	E7	A
I never mean to d	o bad	things to	you

	E
So quiet but I f	inally woke up

F#	B	A	A7
If you’re sad then it’s	time you spoke up	too

Guitar solo on chorus chords... if there’s _anyone_ around to play it

it would push the song over that critical 60-second mark.

E	B	C#m
Was I out of my	head, was I out of my	mind?

	E	E7	A
How could I have e	ver b	een so b	lind?

	E
I was waiting for an	invitation

F#	B
It was hard to	find

E	B	C#m
Don’t matter what I	say, no matter what I	do

	E	E7	A
I never mean to d	o bad	things to	you

	E
So quiet but I f	inally woke up

F#	B	A	A7
If you’re sad... then it’s	time you spoke up...	too

E

Fastball - The Way

Originally in F#m, I play in Em capo 2

Em

	Em	Am
They	made up their minds and they started p	acking

	B7	Em
They le	ft before the sun came up that day

	E7	Am
An	exit to eternal summer	slacking

	Em	B7	Em
But	where were they going with	out ever knowing the	way?

Em	Am
They drank up the wine and they got to	talking

	B7	Em
They	now had more important things to	say

E7	Am
When the car broke down they started w	alking

Em	B7	Em	D
Where were they going witho	ut ever knowing the way?

	G	D
Anyone can see the ro	ad that they walk on is	paved in gold

Em	B7
It’s always summer they’ll	never get cold

	C	G	D
They’ll	never get hungry, they’ll	never get old and gra	y

	G	D
You can see their s	hadows wandering	off somewhere

	Em	B7
They won’	t make it home but they	really don’t care

	C	G	D	B7
They want	ed the highway they’re	happier there tod	ay to	day

	Em	Am
Their	children woke up and they couldn’t fi	nd them

	B7	Em
They lef	t before the sun came up th	at day

	E7	Am
They jus	t drove off and left it all behind’	em

(Leavin’ it all behind)

	Em	B7	Em	D
But	where were they going witho	ut ever knowing the way?

	G	D
Anyone can see the ro	ad that they walk on is	paved in gold

Em	B7
It’s always summer they’ll	never get cold

	C	G	D
They’ll	never get hungry they’ll	never get old and gra	y

	G	D
You can see their s	hadows wandering	off somewhere

	Em	B7
They won’	t make it home but they	really don’t care

	C	G	D
They want	ed the highway they’re	happier there tod	ay

	B7
To	day

Em

Frankie Valli - Can’t Take My Eyes Off You

Originally in E (or F), I play in D

E/D	Em/D	D
		x2

	D
You’re just too	good to be true

	Dmaj7
Can’t take my	eyes off you

	D7
You’d be like	heaven to touch

	G
I wanna	hold you so much

	Gm
At long last	love has arrived

	D
And I thank	God I’m alive

	E/D	Em/D
You’re just too	good to be true

	D
Can’t take my	eyes off you

	D
Pardon the	way that I stare

	Dmaj7
There’s nothing	else to compare

	D7
The sight of	you leaves me weak

	G
There are no	words left to speak

	Gm
But if you	feel like I feel

	D
Please let me	know that it’s real

	E/D	Em/D
You’re just too	good to be true

	D
Can’t take my	eyes off of you

Vox on b5 5 of the chord on the first “daa da”

Em	A7
Daa da daa da	daa da da da da

D

Daa da daa da daa da da da da

Em	A7
Daa da daa da	daa da da da da

D	B7#9
Daa da daa da	daa

	Em	A7
I love you	baby, and if it’s	quite alright

	F#m7	Bm7
I need you	baby, to warm the	lonely nights

	Em	A7	D	B7
I love you	baby,	trust in me when I	say

	Em	A7
Oh pretty	baby, don’t bring me d	own I pray

	F#m7	Bm7
Oh pretty	baby, now that I’ve	found you stay

	Em	C7
And let me	love you, baby let me	love you

	F
You’re just too	good to be true

	Fmaj7
Can’t take my	eyes off you

	F7
You’d be like	heaven to touch

	A#
I wanna	hold you so much

	A#m
At long last	love has arrived

	F
And I thank	God I’m alive

	G/F	Gm/F
You’re just too	good to be true

	F
Can’t take my	eyes off you

Bridge

Em	A7
Daa da daa da	daa da da da da

D	B7#9
Daa da daa da	daa

	Em	A7
I love you	baby, and if it’s	quite alright

	F#m7	Bm7
I need you	baby, to warm the	lonely nights

	Em	A7	D	B7
I love you	baby,	trust in me when I	say

	Em	A7
Oh pretty	baby, don’t bring me	down I pray

	F#m7	Bm7
Oh pretty	baby, now that I’ve	found you stay

	Em	A7	D	B7
Oh pretty	baby,	trust in me when I	say

	Em	A7
I need you	baby, oh when you	come my way

	F#m7	Bm7
Oh pretty	baby, now that I’ve	found you stay

	Em	C7
And let me	love you, baby, let me	love you

Frankie Valli - Working My Way Back

Originally in G, I play in D

Intro

D7

Am7	D
Working my way back to y	ou babe

	G	C	G	D/F#	Em
With a b	urn	in’ l	ove	insi	de

	Am7	D
Yeah, I’m w	orkin’ my way back to y	ou babe

	G	C	G	D/F#	Em
And the h	app	in	ess	that	died

	A7	D
I l	et it get a	way

Been payin’ every day

	D	A/C#
W	hen you were so in	love with me

G	A
I played around like	I was free

D	A/C#
Thought I could have my cake	and eat it too

G	A
But how I cried over l	osing you

Vox up to the maj7 of the chord, falsetto in the original key,

right on the line in D.

	G	Gm
See me c	ryin’ now, but	I ain’t about to go

	D	Ddim
L	ivin’ my life without	you

	D	G	D	G	D	G	D	G
For	eve	ry d	ay	I mad	e you	cry

	D	G	D	G	D	G	D	G
I’m	pay	in’, g	irl, ‘t	il the	day	I die

	Am7	D
I keep	working my way back to y	ou babe

	G	C	G	D/F#	Em
With a b	urn	in’ l	ove	insi	de

	Am7	D
I’m w	orkin’ my way back to y	ou babe

	G	C	G	D/F#	Em
And the h	app	in	ess	that	died

	A7	D
I l	et it get a	way

Been payin’ every day

D	A/C#
I used to love to m	ake you cry

	G	A
It	made me feel like a	man inside

D	A/C#
But if I’d been a man i	n reality

G	A
You’d still be here babe	lovin’ me

	G	Gm
Now the	nights are long and	lonely

	D	Ddim
And I ain’t too	strong, babe I just miss you	so

	D	G	D	G	D	G	D	G
And	you’re	too	proud	and	won’t	give	in

	D	G	D	G	D	G	D	G
But	when I	th	ink abo	ut	all I	could	win

	Am7	D
I keep	working my way back to y	ou babe

	G	C	G	D/F#	Em
With a b	urn	in’ l	ove	insi	de

	Am7	D
I’m w	orkin’ my way back to y	ou babe

	G	C	G	D/F#	Em
And the h	app	in	ess	that	died

	A7	D
I l	et it get a	way

Been payin’ every day

Original changes key before fade, I skip it

	Am7	D
I keep	working my way back to y	ou babe

	G	C	G	D/F#	Em
With a b	urn	in’ l	ove	insi	de

	Am7	D
I’m w	orkin’ my way back to y	ou babe

	G	C	G	D/F#	Em
And the h	app	in	ess	that	died no matter how I cried I’m

Am7	D
Working my way back to y	ou babe

	G	C	G	D/F#	Em
With a b	urn	in’ l	ove	insi	de

Garth Brooks - Rodeo

If I had to call all those E5’s Em or E, I’d call them E,

but they should be as E5 as possible, with an occasional E7#9.

I play the G A over an open A.

G	A
E5	G	A
		x 2

	E5
His	eyes are cold and restless

	A	E5
His	wounds have almost	healed

	A	E5
And	she’d give half of	Texas

	A	E5
Just to	change the way he	feels

Vox up to the 1 on “knows”

	E5
She	knows his love’s in Tulsa

	A
And she	knows he’s gonna go

It starts to become a major chord here

	E5
Well it	ain’t no woman flesh and blood

	B7
It’s that	damned old rodeo

	E
Well it’s	bulls and blood, it’s dust and mud

	A	E
It’s the	roar of a Sunday	crowd

	E
It’s the	white in his knuckles, the gold in the buckle

	B7	D	B
He’ll	win the next go ‘round

	E
It’s	boots and chaps, it’s cowboy hats

	A	E
It’s	spurs and lati	go, it’s the ropes and the reins

	B7	E5
And the joy and the pain and they	call the thing rode	o

E5	G	A
		x 2

	E5
She	does her best to hold him

	A	E5
When	his love comes to	call

	A	E5
But his	need for it cont	rols him

	A	E5
And her	back’s against the	wall

	E5
And it’s	so long girl I’ll see you

	A	A	G
When it’s	time for him to go

	E5
You know the	woman wants her cowboy

	B7
Like he	wants his rodeo

	E
Well it’s	bulls and blood, it’s dust and mud

	A	E
It’s the	roar of a Sunday	crowd

	E
It’s the	white in his knuckles, the gold in the buckle

	B7	D	B
He’ll	win the next go ‘round

	E
It’s	boots and chaps, it’s cowboy hats

	A	E
It’s	spurs and lati	go, it’s the ropes and the reins

	B7	E5
And the joy and the pain and they	call the thing rode	o

E5	G	A
		x 2

	E7
It’ll	drive a cowboy crazy

	A	E7
It’ll	drive a man in	sane

	A	E5
And he’ll	sell off every	thing he owns

A	E5
Just to pay to play the	game

	E5
And a	broken home and some broken bones

	A
Is	all he’ll have to show

	E5
For	all the years that he spent chasin’

	B7
This	dream they call rodeo

	E
Well it’s	bulls and blood, it’s dust and mud

	A	E
It’s the	roar of a Sunday	crowd

	E
It’s the	white in his knuckles, the gold in the buckle

	B7	D	B
He’ll	win the next go ‘round

	E
It’s	boots and chaps, it’s cowboy hats

	A	E
It’s	spurs and lati	go, it’s the ropes and the reins

	B7	E5
And the joy and the pain and they	call the thing rode	o

	E5
It’s the	broncs and the blood

It’s the steers and the mud

	B7	E5
And they	call the thing rode	o

Fade on

E5	G	A
		x 2

Genesis - Jesus He Knows Me

Originally in Ebm, I play in Am

and barre all the Dm’s. Also for some reason

I find myself tempted to strum 16ths... don’t

do that, you won’t be able to sustain the tempo,

stay at 8ths.

Esus2
Am	G	Em	Am
Am	G	Em/B	Am

Am	G	Em	Am
Do you see the face on the	TV screen	coming at you	every Sunday

Am	G	Em	Am
See the face on the	billboard,	well that man is	me

Am	G	Em	Am
On the cover of the	magazine,	there’s no question	why I’m smiling

Am	G	Em	Am
You buy a piece of	paradise,	you buy a piece of	me

G	A
I’ll get you	everything you wanted

G	A
I’ll get you	everything you need

G	A	G	A
Don’t need to be	lieve in hereafter,	just believe in	me

Dm	G	C	F
Jesus he	knows me, and he	knows I’m	right

Dm	G	C	F
I’ve been talking to	Jesus	all my	life

Dm	G	C	F
Oh yes, he	knows me, and he	knows I’m	right

Dm	G	A
And he’s been	telling me every	thing is alright

Am	G	Em	Am
I believe in the	family	with my ever-loving	wife beside me

Am	G	Em	Am
But she don’t know about my	girlfriend or the	man I met last	night

Am	G	Em	Am
Do you bel	ieve in God,	‘cause that is	what I’m selling

Am	G	Em	Am
And if you wanna go to	heaven, well	I’ll see you	right

G	A
You won’t ever have to	leave your house

G	A
Or get	out of your chair

G	A	G	A
You don’t even have to	touch that dial,	‘cause I’m every	where

Dm	G	C	F
And Jesus he	knows me, and he	knows I’m	right

Dm	G	C	F
I’ve been talking to	Jesus	all my	life

Dm	G	C	F
Oh yes, he	knows me, and he	knows I’m	right

Dm	G	A
Well he’s been	telling me every	thing’s gonna be alright

Riff for a while on the root

Am

Reggae beat

C#m	E	G#m	C#m
Won’t find me	practicing	what I’m	preaching

C#m	E	G#m	C#m
Won’t find me	making no	sacri	fice

C#m	E	G#m	C#m
But I can	get you a	pocketful of	miracles

C#m	E	G#m	C#m
If you promise to be	good,	try to be	nice

D	C#m
God will take good care of	you

	Bm7	A	E
Just	do as I say, don’t do as I	do

Am	G	Em	Am
I’m counting my	blessings,	I’ve found true	happiness

Am	G	Em	Am
‘Cause I’m getting	richer,	day by	day

Am	G	Em	Am
You can find me in the	phone book,	just’a call my	toll free number

Am	G	Em	Am
You can do it any	way you want, just	do it right a	way

G	A
No there’ll be no	doubt in your mind

G	A
You’ll believe every	thing I’m saying

G	A
If you wanna get	closer to him

G	A
Get on your knees and	start paying

Dm	G	C	F
‘Cause Jesus he	knows me, and he	knows I’m	right

Dm	G	C	F
I’ve been talking to	Jesus	all my	life

Dm	G	C	F
Oh yes, he	knows me, and he	knows I’m	right

Dm	G	A
Well he’s been	telling me every	thing’s gonna be alright

Dm	G	C	F
‘Cause Jesus he	knows me, and he	knows I’m	right (Jesus he knows me, knows)

Dm	G	C	F
Ooh yes he	knows me, and he	knows I’m	right (Jesus he knows me, knows)

Dm	G	C	F
I’ve been talking to	Jesus	all my	life

Dm	G	A
And he’s been	telling me every	thing’s gonna be alright

George Michael - Faith

Originally somewhere between B and C, I play in A

Intro, skip the whole organ bit

Guitar only, just one measure in original, but wait for vox

A

Bass and drums enter when vox come in, drums still pretty sparse

	A
Well I guess it would be	nice if I could touch your body

	D	A
I know not	everybody has got a body like	you

	A
But I’ve got to think	twice before I give my heart away

	D	A
Girl I know	all the games you play ‘cause I play them	too

Drums ramping in

	D	A
Oh but I	need some time off from	that emotion

D	A
Time to pick my heart up off the	floor

	D	A	F#m
And when that	love comes down with	out de	votion

Hard stop on ‘door’

	Bm	E
Well it	takes a strong man baby but I’m	showing you the door

	A
‘Cause I gotta have	faith

I gotta have faith
I gotta have faith, a-faith, a-faith

Hard stop on last “faith”

I gotta have faith, a-faith, a-faith

A

Baby I know you’re asking me to stay

	D
Say please, please,	please, don’t go away

	A
You say I’m giving you the	blues

	A
May	be girl you mean every word you say

	D
Can’t help but	think of yesterday

	A
And another one who	tied me down to loverboy rules

	D	A
Be	fore this river be	comes an ocean

	D	A
Be	fore you throw my heart back on the	floor

	D	A	F#m
Oh baby I’ll	reconsider my	foolish	notion

Hard stop on ‘more’

	Bm	E
Well I	need someone to hold me but I’ll	wait for something more

	A
‘Cause I gotta have	faith

I gotta have faith
I gotta have faith, a-faith, a-faith

Hard stop on last “faith”

I gotta have faith, a-faith, a-faith

Solo

A	A	D	A
A	A	D	A

	D	A
Be	fore this river be	comes an ocean

	D	A
Be	fore you throw my heart back on the	floor

	D	A	F#m
Oh baby I’ll	reconsider my	foolish	notion

Hard stop then LONG PAUSE on ‘more’

	Bm	E
Well I	need someone to hold me but I’ll	wait for something more

Wait for vox before entering... no matter how long...

	A
‘Cause I gotta have	faith

I gotta have faith
I gotta have faith, a-faith, a-faith

Hard stop on last “faith”

I gotta have faith, a-faith, a-faith

Green Day - Basket Case

Originally in Eb, I play in C capo 2

Power chords only

	C	G	Am	Em
D	o you have the t	ime to li	sten to me w	hine

	F	C	G
Ab	out nothing and eve	rything all at o	nce

C	G	Am	Em
I am one of th	ose mel	odramatic fo	ols

	F	C	G
Neu	rotic to the b	one no doubt about it

	F	G	C
Som	etimes I g	ive myself the cr	eeps

	F	G	C
Som	etimes my	mind plays tricks on	me

	F	G
It a	ll keeps adding	up

Full chords enter

	C	A#	Am
I th	ink I’m cr	acking	up

	F	G
Am	I just paran	oid?

A ya ya ya

I play the vi as IVmaj7/6

C	G	Am	G
			x2

Mix in a few hard stops at the end of lines to let your

arm rest.

	C	G	Am	Em
I w	ent to a s	hrink to an	alyze my d	reams

	F	C	G
She s	ays it’s lack of s	ex that’s bringing me	down

	C	G	Am	Em
I w	ent to a w	hore who s	aid my life’s a b	ore

	F	C	G
And q	uit my whining ca	use it’s bringing her	down

	F	G	C
Som	etimes I g	ive myself the cr	eeps

	F	G	C
Som	etimes my	mind plays tricks on	me

	F	G
It a	ll keeps adding	up

	C	A#	Am
I th	ink I’m cr	acking	up

	F	G
Am	I just paran	oid?

A ya ya ya

C	G	Am	G
			x4

Bridge

	F	G
Gra	sping to contr	ol

	C	G
So you better hold	on

Am	Em	F	C	G
C	G	Am	Em	F	C	G

	F	G	C
Som	etimes I g	ive myself the cr	eeps

	F	G	C
Som	etimes my	mind plays tricks on	me

	F	G
It a	ll keeps adding	up

	C	A#	Am
I th	ink I’m cr	acking	up

	F	G
Am	I just paran	oid?

A ya ya ya

C	G	F	C	G
C	G	F	C	G
F	C	G

Guns and Roses - Mr. Brownstone

Originally in E tuned down to Eb, I play in E

Start with muted chords

Roll into the I’s with Im’s

E	E	G	A	A	A	G	E
							x 2

E	G	A
I get up around seven

A	G	E
Get outta bed around nine

	E	G	A
And	I don’t worry about nothin’	no

	A	G	E
Cause	worryin’s a waste of my		time

Repeat intro riff x 2

	E	G	A
The show usually s	tarts around seven

A	G	E
We go on stage around nine

E	G	A
Get on the bus about eleven

	A
Sippin’ a	drink and feelin’ fine

G	C
We’ve been dancin’ with	Mr. Brownstone

D	E
He’s been knockin’, he won’t leave me	alone

E

No, no, no, he won’t leave me alone

B7

I used to do a little but a little wouldn’t do it

	A7
So the	little got more and more

	B7
I	just keep tryin’ to get a little better

	A7
Said a	little better than before

	B7
I	used to do a little but a little wouldn’t do it

	A7
So the	little got more and more

	B7
I	just keep tryin’ to get a little better

	A7
Said a	little better than before

G	C
We’ve been dancin’ with	Mr. Brownstone

D	E
He’s been knockin’, he won’t leave me	alone

E

No, no, no, he won’t leave me alone

Skip solo, just repeat intro

E	G	A
Now I get up around whenever

	A	G	E
I	used to get up on time

	E	G	A
But	that old man he’s a real moth	er	fucker

	A
Gonna	kick him on down the line

B7

I used to do a little but a little wouldn’t do it

	A7
So the	little got more and more

	B7
I	just keep tryin’ to get a little better

	A7
Said a	little better than before

	B7
I	used to do a little but a little wouldn’t do it

	A7
So the	little got more and more

	B7
I	just keep tryin’ to get a little better

	A7
Said a	little better than before

G	C
We’ve been dancin’ with	Mr. Brownstone

D	E
He’s been knockin’, he won’t leave me	alone

Let the “alone” hang fot a bit

E

No, no, no, he won’t leave me alone

E	E	G	A	A	A	G	E
	E	E	G	A	A	A	G	E
He won’t leave me a	lone

Don’t go up to the high octave here

E	E
Stuck it in the middle and I	shot it in the middle

	E	G	A
And it,	it drove outta my mind

A	A
I should’ve known better, said I	wish I never met her said I

	E	E9
I leave it all	behind, yowsa

Guns and Roses - Patience

Originally in G tuned down to Gb,

I play in G and only knock it down an

octave on the big “I need you” at the end.

Intro, same as verse+chorus, though I skip the verse part of the intro

C	G	A	D
C	G	A	D

I start here (with whistling or humming)

C	G	C	Em	C	G	D

C

Shed a tear ‘cause I’m missing you

G

I’m still alright to smile

A	D
Girl, I think about you every	day now

C

Was a time when I wasn’t sure

	G
But you	set my mind at ease

A	D
There is no doubt you’re in my	heart now

C	G
Said woman	take it slow

	C	Em
It’ll	work itself out	fine

C	G	D
All we need is	just a little	patience

C	G
Said sugar	make it slow

	C	Em
And we’ll	come together	fine

C	G	D
All we need is	just a little	patience

D

Patience

D

Ooh, oh, yeah

C

Sit here on the stairs

	G
‘Cause I’d	rather be alone

	A	D
If	I can’t have you right now, I’ll	wait dear

C

Sometimes, I get so tense

	G
You know I	can’t speed up the time

	A	D
But	you know, love, there’s one more thing to con	sider

C	G
Said woman	take it slow

C	Em
Things will be just	fine

C	G	D
You and I’ll just	use a little	patience

C	G
Said sugar	take the time

	C	Em
‘Cause the	lights are shining	bright

C	G	D
You and I’ve got	what it takes to	make it

We won’t fake it, oh never break it
'Cause I can't take it

Ritard on D, then...

D	D/#F	G	G

	D	G
Need a little	patience, mm	yeah

	D	G
Ooh	yeah, ooh	yeah

	D	G
Need a little	patience, yeah

	D	G
Just a little	patience, yeah

	D	G
Some more	patience, yeah

D

I’ve been walking these streets at night

G

Just trying to get it right (Need some patience, yeah)

D

It’s hard to see with so many around

	G
You	know I don’t like being stuck in a crowd (Could use some patience, yeah)

	D
And the	streets don’t change but maybe the name

G

I ain’t got time for the game

	D
‘Cause I	need you (Patience, yeah)

	G
Yeah, yeah well I	need you

	F
Oh, I	need you (Take some patience)

	G
Whoa, I	need you (Just a little patience is all we need)

	D	G	D	G
Ooh, this	time...

Hall and Oates - She’s Gone

I play all the Bsus4’s as A/B @ fret 2, except the “what will be”

Bsus4	B
	x2

Bsus4	B
Everybody’s high on conso	lation

Bsus4	B
Everybody’s trying to tell me what is	right for me

Bsus4	B
My daddy tried to bore me with a	sermon

On “plain to see”, I go *down* on 6 5 4 of the key

	G#m	C#m	Bsus4	B
But it’s	plain to	see that they can’t	comfort	me

Bsus4	B
Sorry Charlie for the impos	ition

Bsus4	B
I think I’ve got it got it, got the strength to	carry on

Bsus4	B
I need a drink and a quick de	cision

	G#m	C#m	Bsus4	B
Now it’s	up to	me, ooh	what will	be

	A	G#m	F#m
She’s	gone oh	I, oh	I’d

	B
Better	learn how to face it

	A	G#m	F#m
She’s	gone oh	I, oh	I’d

	B
Pay the	devil to replace her

	A	G#m
She’s	gone oh	I what went wrong

Bsus4	B
	x2

Bsus4	B
Get up in the morning look in the	mirror

Bsus4	B
I’m worn as her tooth brush hanging	in the stand

Bsus4	B
My face ain’t looking any	younger

	G#m	C#m	Bsus4	B
Now	I can	see love’s taken her	toll on	me

	A	G#m	F#m
She’s	gone oh	I, oh	I’d

	B
Better	learn how to face it

	A	G#m	F#m
She’s	gone oh	I, oh	I’d

	B
Pay the	devil to replace her

	A	G#m
She’s	gone oh	I what went wrong

Bsus4	B
	x2

Bsus4	B
Think I’ll spend eternity in the	city

Bsus4	B
Let the carbon and monoxide choke my	thoughts away

Bsus4	B
And pretty bodies help dissolve the	memories

G#m	C#m	Bsus4	B
But they can never	be what she	was to	me

	A	G#m	F#m
She’s	gone oh	I, oh	I’d

	B
Better	learn how to face it

	A	G#m	F#m
She’s	gone oh	I, oh	I’d

	B
Pay the	devil to replace her

	A	G#m	F#m7
She’s	gone oh	I what went	wrong

I stop here, the original goes to C,C#,D, and repeats the chorus in C

Harry Chapin - Cat’s in the Cradle

Originally in A capo 8 (F), I play in A capo 6

Intro, a chord approximation of the riff

Asus2	Asus4	Dsus2/A	G/A	A

	A	C
My	child arrived just the	other day

	D	A
He	came to the world in the	usual way

	A	C
But there were	planes to catch and	bills to pay

D	A
He learned to walk while I	was away

	G	G/F#	Em7	Em/D
And he was	talkin’ ‘fore I	knew it, and	as he grew

	C	G/B	A
He’d say	I’m gonna	be like	you, Dad

	C	G/B	A
You	know I’m gonna	be like	you

Don’t go up an octave yet

	A	G
And the	cat’s in the cradle and the	silver spoon

C	D
Little boy blue and the	man in the moon

A

When you comin’ home Dad?

	G	C	G/B	A
I	don’t know when but	we’ll get to	gether then

	C	G/B	A
You	know we’ll have a	good time	then

Asus2	Asus4	Dsus2/A	G/A	A

	A	C
My	son turned ten just the	other day

	D	A
He said,	thanks for the ball, Dad, come	on, let’s play

	A
Can you	teach me to throw?

	C	D
I said,	not today, I got a	lot to do

	A
He said,	that’s okay

	G	G/F#	Em7	Em/D
And he,	he walked a	way, but his	smile never	dimmed

	C	G/B	A
It said,	I’m gonna	be like	him, yeah

	C	G/B	A
You	know I’m gonna	be like	him

OK, now go up an octave, you know you want to

	A	G
And the	cat’s in the cradle and the	silver spoon

C	D
Little boy blue and the	man in the moon

A

When you comin’ home Dad?

	G	C	G/B	A
I	don’t know when but	we’ll get to	gether then

	C	G/B	A
You	know we’ll have a	good time	then

Asus2	Asus4	Dsus2/A	G/A	A

	A	C
Well, he	came from college just the	other day

	D	A
So	much like a man I just	had to say

	A	C
Son, I’m	proud of you, can you	sit for a while?

	D	A
He	shook his head and he	said with a smile

	G	G/F#	Em7	Em/D
What I’d	really like,	Dad, is to	borrow the ca	r keys

C	G/B	A
See you	later, can I	have them please?

	A	G
And the	cat’s in the cradle and the	silver spoon

C	D
Little boy blue and the	man in the moon

A

When you comin’ home son?

	G	C	G/B	A
I	don’t know when but	we’ll get to	gether then	, Dad

	C	G/B	A
You	know we’ll have a	good time	then

F	G	Em	A
	→

F	G	Em	A
	→

Slow, let ring

	A	C
I’ve	long since retired, my	son’s moved away

Two extra beats after this line

D	A
I called him up just the	other day

	A	C
I said, I’d	like to see you if	you don’t mind

	D	A
He said I’d	love to, Dad, if I could	find the time

	G	G/F#	Em7	Em/D
You see my	new job’s a	hassle and the	kids have the f	lu

	C	G/B	A
But it’s	sure nice	talkin’ to	you, Dad

	C	G/B	A
It’s been	sure nice	talkin’ to	you

	G	G/F#	Em7	Em/D
And as I	hung up the	phone it	occured to m	e

	C	G/B	A
He’d	grown up	just like	me

	C	G/B	A
My	boy was	just like	me

Back to tempo

	A	G
And the	cat’s in the cradle and the	silver spoon

C	D
Little boy blue and the	man in the moon

A

When you comin’ home son?

	G	C	G/B	A
I	don’t know when but	we’ll get to	gether then	, Dad

	C	G/B	A
We’re	gonna have a	good time	then

Asus2

Asus4

Dsus2/A

G/A

A

Herman’s Hermits - Mrs. Brown You’ve Got a Lovely Daughter

Muted, uke-like feel in the verse, open up in the chorus

C	Em	Dm7	G7
			x2

C	Em	Dm7	G7	C	Em	Dm7	G7
Mrs.	Brown you’ve	got a	lovely	daughter

C	Em	Dm7	G7	C	Em	Dm7	G7
Girls as	sharp as	her are	somethin’	rare

Am	C	Am	C
But it’s	sad,	she doesn’t	love me now

Am	C	G7
She’s made it	clear enough it ain’t no good to	pine

C	Em	Dm7	G7	C	Em	Dm7	G7
She wants	to re	turn those	things I	bought her

C	Em	Dm7	G7	C	Em	Dm7	G7
Tell her	she can	keep them	just the	same

Am	C	Am	C
Things have	changed,	she doesn’t	love me now

Am	C	G7	Bb
She’s made it	clear enough it ain’t no good to	pine

Vox on the root (Eb), up a half step from “pine”

Eb	Gm	Ab	Bb
Walkin’ a	bout,	even in a	crowd, well

Gb	Bbm	Bb	G
You’ll pick her	out,	makes a bloke feel	so proud

C	Em	Dm7	G7	C	Em	Dm7	G7
If she	finds that	I’ve been	’round to	see you

C	Em	Dm7	G7	C	Em	Dm7	G7
Tell her	that I’m	well and	feelin’	fine

Am	C	Am	C
Don’t let	on,	don’t say she’s	broke my heart

Am	C	G7	Bb
I’d go down	on my knees but it’s no good to	pine

Eb	Gm	Ab	Bb
Walkin’ a	bout,	even in a	crowd, well

Gb	Bbm	Bb	G
You’ll pick her	out,	makes a bloke feel	so proud

C	Em	Dm7	G7	C	Em	Dm7	G7
If she	finds that	I’ve been	’round to	see you

C	Em	Dm7	G7	C	Em	Dm7	G7
Tell her	that I’m	well and	feelin’	fine

Am	C	Am	C
Don’t let	on,	don’t say she’s	broke my heart

Am	C	G7
I’d go down	on my knees but it’s no good to	pine

C	Em	Dm7	G7	C	Em	Dm7	G7
Mrs.	Brown you’ve	got a	lovely	daughter

C	Em	Dm7	G7	C	Em	Dm7	G7
Mrs.	Brown you’ve	got a	lovely	daughter

C6

Huey Lewis - If This is It

Originally in G, I play in D

D	D	F#m7	F#m7
Am7	B7
Em7	D/F#	G	A
→	→	→

D	Bm7	D	Bm7
I’ve been p	honing ni	ght and mo	rning

D	Bm7	C	Bm7	A
I heard you	say, tell him	I’m n	ot h	ome

D	Bm7	D	Bm7
Now you’re	confessing,	but I’m still	guessing

D	Bm7	C	Bm7	A
I’ve been your	fool for s	o s	o l	ong

Em	D/F#	G	A	A	B7
Girl don’t	lie,	just to	save my	feeli	ngs

Em	D/F#	G	A	B7
Girl don’t	cry, and	tell me n	othing’s	wrong

Em	D/F#	G	A	A	B7
Girl don’t	try to	make up	phony	rea	sons

Em	D/F#	G	A
I’d rather	leave than n	ever bel	ieve

	D
If this is	it

	F#m7
Please	let me know

	Am7	B7	Em	D/F#	G	A
If	this ain’t l	ove you’d better let	me	go

	D
If this is	it

	F#m7
I want to	know

	Am7	B7	Em	D/F#	G	A
If	this ain’t	love, baby, j	ust	say	s	o

Repeat intro

D	D	F#m7	F#m7
Am7	B7
Em7	D/F#	G	A
→	→	→

D	Bm7
You’ve been	thinking

D	Bm7
And I’ve been	drinking

D	Bm7	C	Bm7	A
We both	know that it’s j	ust n	ot r	ight

D	Bm7
Now you’re pret	ending

D	Bm7
That it’s not	ending

D	Bm7	C	Bm7	A
You’ll say	anything to av	oid	a	fight

Em	D/F#	G	A	A	B7
Girl don’t	lie,	just to	save my	feeli	ngs

Em	D/F#	G	A	B7
Girl don’t	cry, and	tell me n	othing’s	wrong

Em	D/F#	G	A	A	B7
I’ll be al	right	one way	or a	no	ther

Em	D/F#	G	A
So let me	go, or	make we want to	stay

	D	F#m7
If this is	it, please	let me know

	Am7	B7	Em	D/F#	G	A
If	this ain’t l	ove you’d better let	me	know

	D
If this is	it

	F#m7
I want to	know

	Am7	B	Em	D/F#	G	A
If	this ain’t	love, baby,	just	say	so

Fade on repeating chorus with ad libs

Huey Lewis - The Power of Love

Originally in Cm, I play in Am. The “feel the power-ER”

at the end still goes up to an A, so best to do something

else there.

D	A	A/C#	D	E
→				x3

Am7	D	Am7	D	G	D
				→

	Am7	D
The	power of love is a	curious thing

Am7	D
Make a one man weep, make an	other man sing

Am7	D
Change a hawk to a	little white dove

Am7	D	G	D	Am7
More than a feeling	that’s the	power	of	love

Am7	D	G	D
		→

Am7	D
Tougher than diamonds,	bricks like cream

Am7	D
Stronger and harder than a	bad girl’s dream

Am7	D
Make a bad one good make a	wrong one right

Am7	D
Power of love that keep you	home at night

The IV at the end of each line is just a quick passing chord

A	A/C#	D	E	D
You don’t need	money,	don’t take	fame	→

A	A/C#	D	E	D
Don’t need no	credit card to	ride this	train	→

	A	A/C#	D	E
It’s	strong and it’s	sudden and it’s	cruel some	times

	G	D	E
But it	might just	save your	life

E	Am7
That’s the power of	love

Am7	D	Am7	D	G	D
	That’s the power of	love		→

Am7	D
First time you feel it, it	might make you sad

Am7	D
Next time you feel it it	might make you mad

	Am7	D
But	you’ll be glad baby	when you’ve found

Am7	D
That’s the power makes the	world go’round

A	A/C#	D	E	D
You don’t need	money,	don’t take	fame	→

A	A/C#	D	E	D
Don’t need no	credit card to	ride this	train	→

	A	A/C#	D	E
It’s	strong and it’s	sudden and it’s	cruel some	times

	G	D	E
But it	might just	save your	life

C	E7	Am7
They say that	all in love is	fair

	D9
Yeah, but	you don’t care

F	C/E
But you’ll know	what to do

Fmaj7	C/E
When it gets	hold of you

F	E
And with a little	help from above

E	Am7
You feel the power of l	ove

D	Am7
You feel the power of l	ove

D

Can you feel it?

Am7	D	Am7	D
Hmmm

Solo if appropriate on verse chords

A	A/C#	D	E	D
Don’t take	money,	don’t take	fame

A	A/C#	D	E	D
Don’t need no	credit card to	ride this	train

A	A/C#	D	E	D
Tougher than	diamonds and	stronger than	steel

A	A/C#	D	E	D
You won’t	feel nothin’	till you fee	l

A	A/C#	D	E	D
You feel the po	wer,	just feel the po	wer of love

A	A/C#	D	E	D
That’s the po	wer,	that’s the po	wer of love

A	A/C#	D	E	D
		You feel the	power of love

A	A/C#	D	E	D
		You feel the	power of love

A	A/C#	D	E	A	A/C#	D	E
		Feel the	power of lo	ooo	ooo	ve

G

D

E

INXS - Never Tear Us Apart

Originally in Am, I play in Em capo 3

Highest note is the 1, on “why-y-y-y-y-y”

Em	C	Am	C

	Em	C
Don’t	ask me, what you	know is true

If you’re playing down from the original key, go up

an octave on “precious heart”

	Am	C
Don’t have to	tell you, I	love your precious heart

G	C
I

	G	C
I was	standing

	G	C
You were	there

	G	C
Two worlds	collided

	D
And they could	never tear us apart

Riff written here in Em

E|-0--3--5--0~~~--0--3--5--0~~~----|

x2

	Em	C
We could	live for a	thousand years

	Am	C
But if I	hurt you, I’d make	wine from your tears

	Em	C
I	told you that we	could fly

	Am	C
Cause we	all have wings but	some of us don’t know why

G	C
I

	G	C
I was	standing

	G	C
You were	there

	G	C
Two worlds	collided

	D
And they could	never, ever, tear us apart

Play riff x 2

G	C
I (Ooh don’t a	sk me)

	G	C
I was	standing (You know it’s t	rue)

	G	C
You were	there (Worlds coll	ided)

	G	C
Two worlds co	llided (Shining t	hrough)

	D
And they could	never tear us apart

Play riff x 2

Em7

Izzy Stradlin - Shuffle It All

Originally in A, I play in E capo 3, vox mostly on the 6

Intro, first bass only, then band

A	E	A	E	A	E	B	A	E
								x 2

E	A	E	A
Boredom satur	ation, it’s a	never ending	clue

E	B	A	E
Isn’t just to	fill the time when	there’s nothing else to	do

E	A	E	A
She drove on out of	New York,	she had enough ins	ane

E	B	A	E
And drivin’ just to	Texas two days	she ended up	in L.A.

A	E	A	E
Shuffle it a	ll,	shuffle it a	ll, yeah

A	E	B	A
Shuffle it a	ll,	pack up your	life again

A	E	A	E	A	E	B	A	E

E	A	E	A
A pile of records	spread out,	the covers still look	good

E	B	A	E
Picture here a	Peter Tosh’s	startin’ down and a	smokin’ wood

E	A	E	A
My dog dreaming he’s	running I know,	I see him twitchin’ a	paw

E	B	A	E
My woman playing	Dr. Mario,	oh, on the TV	all night long

A	E	A	E
Just another	cigarette	staring at the	moon, yeah

A	E	B	A
Then I’m headin’	off to bed,	sleepin’	without you, yeah

Melody reverses rhythm here

A	E	A	E	A	E
	Shuffle it	all	, shuffle it	all,	yeah

B	A
Pack up your	bags again

E

Bridge

C#m	E	A	E
It’s a long and	winding road,	sure enjoy the	view, yeah

C#m	E	B	B7
If you want to	see it you’re so	welcome to come a	long

C#m	E	A	E
Lookin’ forward	to today,	I’m gonna see it	again

C#m	E	B
When the day is	over, try to	write you ‘bout the road

Quiet

A	E	A	E	A	E	A	E

A	E	A	E
Feel the motors	winding on,	there ain’t no	news

A	E	B	A
If you see those	old friends out there,	tell them that I	send my love

A	E	A	E
Wake up, time to	leave again,	try to find my	shoes

A	E	B	A
Put the luggage	in the van,	roll up your	bag for two

A	E	A	E
Shuffle it	all,	shuffle it	all, yeah

A	E	B	A
Shuffle it	all,	pack up your	things again

A	E
Shuffle it	all (Keep movin’ along)

A	E
Shuffle it	all (Keep movin’ along)

A	E
Shuffle it	all (Keep movin’ along)

B	A
Pack up your	life again

A

E

A

E

A

E

B

A

E6

Jackie DeShannon - Put a Little Love In Your Heart

Originally in D, I play in G

G

Think of your fellow man, lend him a helping hand

C	G
Put a little love in your	heart

G

You see it’s getting late, oh please don’t hesitate

C	G
Put a little love in your	heart

	G	Am	D
And the	world will be a b	etter	place

	G	Am	D
And the	world will be a b	etter	place

	D
For	you and me, you just wait and see

G

Another day goes by, still the children cry

C	G
Put a little love in your	heart

G

If you want the world to know, we won’t let hatred grow

C	G
Put a little love in your	heart

	G	Am	D
And the	world will be a b	etter	place

	G	Am	D
Ah the	world will be a b	etter	place

	D
For	you and me, you just wait and see

	D#
Wait and	see...

G#

Take a good look around, and if you’re looking down

C#	G#
Put a little love in your	heart

G#

I hope when you decide kindness will be your guide

C#	G#
Put a little love in your	heart

	G#	A#m	D#
And the	world will be a b	etter	place

	G#	A#m	D#
And the	world will be a b	etter	place

	D#
For	you and me, you just wait and see, people now

C#	G#
Put a little love in your	heart

C#	G#
Put a little love in your	heart

Repeat to fade

Jackson Browne - Running on Empty

Originally in A, I play in G

Downstrokes and straight 8ths in the verse, leave room to open up in the chorus

Intro

C/G	G
	x 2

Em	Em

C/G	G	C/G	G
Looking out at the	road rushing under my wheels

C/G	G	C/G	G
Looking back at the	years gone by like so	many summer fields

C/G	G	C/G	G
In sixty-five I was	seventeen and	running up 101

C/G	G/B	D
I don’t know where I’m	running now, I’m just	running on

	C/G	G
Running	on, running on	empty

	C/G	G
Running	on, running	blind

	C/G	G
Running	on, running into the	sun

	Em
But I’m running be	hind

C/G	G	C/G	G
Gotta do what you	can just to keep your love	alive

C/G	G	C/G	G
Trying not to conf	use it with what you	do to sur	vive

C/G	G	C/G	G
In sixty-nine I was t	wenty-one and I	called the road my	own

C/G	G/B	D
I don’t know when that	road turned onto the	road I’m on

	C/G	G
Running	on, running on	empty

	C/G	G
Running	on, running	blind

	C/G	G
Running	on, running into the	sun

	Em
But I’m running be	hind

Solo if appropriate on verse chords, else just a couple IV→I’s

C/G	G
	x 4

C/G	G/B	D

Em	C/G	D	G
Everyone I	know,	everywhere I	go

Em	D	C
People need some	reason to	believe

	G
I don’t know about	anyone but me

Em	C	D	G
If it takes all	night,	that’ll be all	right

C	D	C/G	G/B	Am7	G	Am7	G/B
If I can get you to	smile before I	leave

C/G	G	C/G	G
Looking out at the	road rushing under my	wheels

C/G	G	C/G	G
I don’t know how to	tell you all just how	crazy this life	feels

C/G	G	C/G	G
I look around for the	friends that I used to	turn to to pull me	through

C/G	G/B	D
Looking into their	eyes I see them	running too

	C/G	G
Running	on, running on	empty

	C/G	G
Running	on, running	blind

	C/G	G
Running	on, running into the	sun

	Em
But I’m running be	hind

C/G	G
Honey you really	tempt me

	C/G	G
You know the	way you look so	kind

C/G	D	C/G	G/B	Am7	G	Am7	G/B
I’d love to stick ar	ound but I’m running be	hind

C/G	D	C/G	G/B	Am7	G	Am7	G/B
You know I don’t even	know what I’m hoping to	find

C/G	D	C/G	G/B	Am7	G
Running into the	sun but I’m running be	hind

Jason Mraz - I’m Yours

Originally in B, I play in G#

G#	D#	Fm	C#

	G#
Well	you done done me and you bet that I felt it

	D#
I t	ried to be chill but you’re so hot that I melted

	Fm
I	fell right through the cracks

	C#
And now I’m	tryin to get back

	G#
Before the c	ool done run out, I’ll be givin’ it my bestest

	D#
And	nothin’s gonna stop me but divine intervention

	Fm
I re	ckon it’s again my turn

	C#
To w	in some or learn some

	G#	D#
But	I won’t hesi	tate

	Fm
No more, no	more

	C#
It can not w	ait, I’m yours

G#	D#	Fm	C#

G#	D#
Well open up your mind and see like	me

	Fm
Open up your plans and then you’re	free

	C#
Look into your heart and you’ll find	love love love love

G#	D#
Listen to the music of the moment people dance and s	ing

	Fm
We’re just one big fami	ly

	C#	A#
It’s our god forsaken right to be	loved loved loved loved	loved

	G#	D#
But	I won’t hesi	tate

	Fm
No more, no	more

	C#
It can not w	ait, I’m sure

	G#	D#
There’s no n	eed to complic	ate

	Fm
Our time is s	hort

	C#
This is our f	ate I’m yours

Chords change in double-time here, vocals ad-lib

G#	D#/G	Fm	D#	C#	C#	A#7/D	A#7/D
G#	D#/G	Fm	D#	C#	C#	A#7/D	A#7/D

	G#
I’ve been spending	way too long checking my tongue in the mirror

	D#
And	bending over backwards just to try to see clearer

	Fm
But my	breath fogged up the glass

	C#
And so I	drew a new face and I laughed

	G#
I	guess what I’m saying is there ain’t no better reason

	D#
To	rid yourself of vanity and just go with the seasons

	Fm
It’s	what we aim to do

	C#
Our	name is our virtue

Let chords ring

	G#	D#
But	I won’t hesi	tate

	Fm
No more, no	more

	C#
It can not w	ait, I’m yours

Original repeats the verse with ad-lib here, I prefer

to finish the chorus and end on B.

	G#	D#
There’s no n	eed to complic	ate

	Fm
Our time is s	hort

	C#	A#
This is our f	ate I’m yours

Jefferson Airplane - Somebody to Love

Originally in F#m, I play in Am capo 3

	Am	D	G	Am
When the t	ruth is found		to b	eeee lies

	Am	D	G	Am
And	all the joy	withi	n yooo	ou dies

	C	G	Am
Don’t you	want som	ebody to l	ove?

D	C	G	Am
Don’t you	need som	ebody to l	ove?

D	C	G	Am
Wouldn’t you	love some	body to l	ove?

D	G	D	Am
You better	find some	body to	love

Am	D	Am	G	Am	Am

	Am	D	G
When the	garden’s flowers		they

	Am	D	G
Aaaa	re dead,		yes and

	Am	D	G	Am
Y	our mind your mi	nd	is so	full of red

	C	G	Am
Don’t you	want som	ebody to l	ove?

D	C	G	Am
Don’t you	need som	ebody to l	ove?

D	C	G	Am
Wouldn’t you	love some	body to l	ove?

D	G	D	Am
You better	find some	body to	love

Am	D	G	Am
Your eyes, I	say your	eyes may look like	his

	Am	D
Yeah but	in your head baby

	G	Am
I’m a	fraid you don’t know	where it is

	C	G	Am
Don’t you	want som	ebody to l	ove?

D	C	G	Am
Don’t you	need som	ebody to l	ove?

D	C	G	Am
Wouldn’t you	love some	body to l	ove?

D	G	D	Am
You better	find some	body to	love

Am	D	Am	G	Am	Am

Am	D	G	Am	D	G
Tears are running		all ‘r	ound and ‘round your breast

	Am	D	G	Am
And	your friends, baby,	they	treat you l	ike a guest

	C	G	Am
Don’t you	want som	ebody to l	ove?

D	C	G	Am
Don’t you	need som	ebody to l	ove?

D	C	G	Am
Wouldn’t you	love some	body to l	ove?

D	G	D	Am
You better	find some	body to	love

Outro is vaguely...

Am

D

Jim Croce - Bad Bad Leroy Brown

Originally in G, I play in G capo 2

Intro, with 6ths

G	D7

Vox on the 3 on “south”

	G
Well, the south	side of Chicago

	A7
Is the ba	ddest part of town

	B7
And if you	go down there

	C	D7	C	G	D7
You better	just beware of a	man name of	Leroy	Brown

	G
Now,	Leroy more than trouble

	A7
You see he	stand about six foot four

	B7	C
All the d	owntown ladies call him treetop l	over

	D7	C	G	D7
All the	men just	call him	sir

	G
And he’s	bad, bad, Leroy Brown

	A7
The	baddest man in the whole damn town

B7	C
Badder than old King Kon	g

	D7	C	G	D7
And	meaner than a	junkyard	dog

	G
Now,	Leroy, he a gambler

	A7
And he	like his fancy clothes

	B7	C
And he	like to wave his	diamond rings

	D7	C	G	D7
In front of	every	body’s	nose

	G
He got a	custom Continental

	A7
He got an	El Dorado too

	B7	C
He got a	thirty-two gun in his	pocket for fun

	D7	C	G	D7
He got a	razor	in his	shoe

	G
And he’s	bad, bad, Leroy Brown

	A7
The	baddest man in the whole damn town

B7	C
Badder than old King Kon	g

	D7	C	G	D7
And	meaner than a	junkyard	dog

	G
Well,	Friday ‘bout a week ago

A7

Leroy shootin’ dice

	B7	C
And at the	edge of the bar sat a	girl name of Doris

	D7	C	G	D7
And	oh, that	girl look	nice

	G
Well, he	cast his eyes upon her

	A7
And the	trouble soon began

	B7	C
And	Leroy Brown, he learned a	lesson ‘bout messin’

	D7	C	G	D7
With the	wife of a	jealous	man

I usually skip this chorus... we get it, he’s bad.

	G
And he’s	bad, bad, Leroy Brown

	A7
The	baddest man in the whole damn town

B7	C
Badder than old King Kon	g

	D7	C	G	D7
And	meaner than a	junkyard	dog

Quiet, let ring

	G
Well, the	two men took to fightin’

	A7
And when they	pulled them from the floor

B7	C
Leroy looked like a	jigsaw puzzle

	D7	C	G	D7
With a	couple of	pieces	gone

	G
And he’s	bad, bad, Leroy Brown

	A7
The	baddest man in the whole damn town

B7	C
Badder than old King Kon	g

	D7	C	G	D7
And	meaner than a	junkyard	dog

	G
Yeah he’s	bad, bad, Leroy Brown

	A7
The	baddest man in the whole damn town

B7	C
Badder than old King Kon	g

	D7	C	G
And	meaner than a	junkyard	dog

	B7	C
Yes, you were	badder than old King	Kong

	D7	C	G
And	meaner than a	junkyard	dog

Johnny Mathis - Without Us

I play the intro roughly as follows, leaving the

second line on the m(7, not 9) to make the transition

easier. Also not hitting the high string on that

last chord will make the transition sound smoother.

E|-1-1-1--3-/5-3-|
B|-1-1-1--3-/5-3-|
G|-2-3-2--3----3-|
D|-3-3-3--3----3-|
A|-3-3-3--x----x-|
E|-1-1-1--1----1-|

F	Fsus4	F	Gm7/F	Gm9/F	Gm7/F
					x2

	F	Am/E	Dm7
I	bet we been t	ogether for a	million years

	Am7	A7	G9sus4	G9
And I	bet we’ll be to	gether for a	million more

	Bbm6/Db	F/C
Oh, it’s	like I started breathing on the	night we kissed

	A7sus4	A	C/D	D7
And I	can’t remember	what I ever	did before

	Gmaj7	Bm7
What would we	do baby, without	us?

Stay on the same note (the 5 of the current key) for this “do”

that you were on for the first “do”, then go down to the 1 on “baBY”

	Cmaj9	A7
What would we	do baby, without	us?

	Am7	Cm9	Bm7	E9
And there	ain’t no nothin’	we can’t love each	other through

	A7sus4	A7	Cmaj7	Bm7	Am7
What would we	do baby	, without	us?

C/D	G/D
Sha la la

That’s the end of the Family Ties version...

Gm6/C is easier as a C7 on guitar

A/C#	Gm6/C

	F	Am/E	Dm7
If it’s	absolutely	perfect, the last	puzzle piece

	Am7	A7	G9sus4	G9
And it	all just comes t	ogether like we	had it pl	anned

	Bbm6/Db	F/C
Ooh, it’s	like we share a secret we could	never tell

	A7sus4	A	C/D	D7
‘Cause	no one else but	you and me could	understand

	Gmaj7	Bm7
What would we	do baby, without	us?

	Cmaj9	A7
What would we	do baby, without	us?

	Am7	Cm9	Bm7	E9
And there	ain’t no nothin’	we can’t love each	other through

	A7sus4	A7	Cmaj7	Bm7	Am7
What would we	do baby	, without	us?

C/D	G/D
Sha la la

I end here, it’s about to get funky and weird and not-Family-Ties-y.

A/C#	A/C#	Cmaj7	Bm7	Am7	B7

Em7	A7
You’ve got my number	and I know you know it

C/D	G	F#7	B7
And I’m stickin’ with you till the	end

Em7	A7
Ooh, I’m in trouble	if I ever lost you

C/D	Am7	G/B	Cmaj7	B7
I’d spend my whole life	looking for	you a	gain

Em7	A7
You’ve got my number,	you’ve got my number

C/D	Cmaj7	Bm7	Am7
You’ve got my number

C/D	Gmaj7	Bm7
What would we	do baby, without	us?

	Cmaj9	A7
What would we	do baby, without	us?

	Am7	Cm9	Bm7	E9
And there	ain’t no nothin’	we can’t love each	other through

	A7sus4	A7	Cmaj7	Bm7	Am7
What would we	do baby	, without	us?

Original fades here on “you’ve got my number” as above

C/D	Gadd9
Sha la la

Joni Mitchell - Big Yellow Taxi

Joni Mitchell in E, Counting Crows in G#

This arrangement is somewhere in between, I play in G

Highest note is the 1 if you do the high “farmer farmer”

Can play D/F# as D11

C	D/F#	G	G
			x2

Vox in on the 3 of the chord on “paved”

	C	D/F#	G
They	paved paradise and	put up a parking lot

	Cadd9	D/F#	G
With a	pink hotel, a	boutique, and a swingin’ hot spot

G	G9
Don’t it always	seem to go

	Cadd9	G/B	Am7
That you don’	t know	what you	got till it’s gone

	C	D	G
They	paved paradise and p	ut up a parking lot

G	Cadd9	Cadd9	G

	Cadd9	D/F#	G
They	took all the trees, and	put ‘em in a tree museum

	Cadd9	D/F#	G
And they	charged the people a	dollar and a half to see them

No, no, no

G	G9
Don’t it always	seem to go

	Cadd9	G/B	Am7
That you don’	t know	what you	got till it’s gone

	C	D	G
They	paved paradise and p	ut up a parking lot

	Cadd9	G
Hey far	mer, farmer, put away your DDT

	Cadd9
I don’t care about	spots on my apples

D11	G
Leave me the birds and the bees	please

G	G9
Don’t it always	seem to go

	Cadd9	G/B	Am7
That you don’	t know	what you	got till it’s gone

	C	D	G
They	paved paradise and p	ut up a parking lot

	C	D	G
Hey now they	paved paradise and p	ut up a parking lot

C	D/F#	G	G
			x2

Let ring

	Cadd9	D/F#	G
Listen,	late last night, I	heard a screen door	slam

	Cadd9	D/F#	G
And a bi	g yellow taxi to	ok my girl away

	G	G9
Now	don’t it always	seem to go

	Cadd9	G/B	Am7
That you don’	t know	what you	got till it’s gone

	Cadd9	D	G
They	paved paradise and p	ut up a parking lot

	G	G9
Hey now now	don’t it always	seem to go

	Cadd9	G/B	Am7
That you don’	t know	what you	got till it’s gone

	C	D	G
They	paved paradise and p	ut up a parking lot

	C	D	G
Why now they	paved paradise and p	ut up a parking lot

	C	D	G
Hey hey hey	paved paradise and p	ut up a parking lot

I end here, but I’m writing out the rest of the Counting

Crows arrangement.

G	C	D/F#	G

Cadd9

I don’t wanna give it, why you wanna give it?

	G
Why you wanna	giving it all away? Hey, hey, hey

Cadd9

Now you wanna give it, oh she wanna give it

	G
‘Cause she	giving it all away no no

Cadd9

I don’t wanna give it, why you wanna give it?

	G
Why you wanna	giving it all away?

Cadd9

Giving it all

D/F#	G
Giving it all a	way

Am7	Cadd9	G
	Why you	want me?

Am7	Cadd9	G
	Why do you	want me?

	C	D	G
They	paved paradise and	put up a parking lot

Repeat to fade

Journey - Separate Ways

Originally in Em, I play in Em capo 3

Em
Em	D/E	C/E	C/E

All chords arguably over the 1

Vox on 5 1 2 on “here we stand”

Em	D	C
Here we st	and,	worlds apart

	D	Em	D	C
Hearts b	roken in t	wo, tw	o, tw	o

Em	D
Sleepless nig	hts

C	D
Losing ground, I’m reachi	ng for

Em	D	C
You, y	ou, y	ou

Am7	Bm7	Cmaj9	D
Feelin’	that it’s	gone

D	Am7
Can change	your mind

Am7	Bm7	Cmaj9	D
If we	can’t go	on

	D	Am7	Bm7	Cmaj9
To	survive	the tide l	ove di	vides

Can play the i/7 as a 7sus2, and the i/6

as a 6add9 (Dsus2 and Cadd9 in Em)

Em

Someday love will find you

Em/D

Break those chains that bind you

Em/C

One night will remind you

Am7

How we touched

	D	D#dim7
And	went our	separate ways

Em

If he ever hurts you

Em/D

True love won’t desert you

Em/C

You know I still love you

Am7

Though we touched

	D	D#dim7
An	d went our	separate ways

Em	D/E	C/E	C/E

Em	D
Troubled tim	es

C	D
Caught between conf	usion and

	Em	D	C
P	ain, p	ain, p	ain

Em	D
Distant ey	es

C	D
Promises we m	ade were in

	Em	D	C
V	ain, in v	ain, in v	ain

Am7	Bm7	Cmaj9	D
If you	must	go

D	Am7
I wish	you love

	Am7	Bm7	Cmaj9	D
You’ll	never	walk al	one

	D	Am7	Bm7	Cmaj9
Take c	are	my love, m	iss your l	ove

Em

Someday love will find you

Em/D

Break those chains that bind you

Em/C

One night will remind you

Am7

How we touched

	D	D#dim7
And	went our	separate ways

Em

If he ever hurts you

Em/D

True love won’t desert you

Em/C

You know I still love you

Am7

Though we touched

	D	D#dim7
An	d went our	separate ways

Solo over chorus chords (more or less)

Break down to intro

Em	D/E	C/E	B7
			Ooooohhh

Em

Someday love will find you

Em/D

Break those chains that bind you

Em/C

One night will remind you

No vox on this line

Am7	D	D#dim7

Em

If he ever hurts you

Em/D

True love won’t desert you

Em/C

You know I still love you

With triplets

Am7

D

D#dim7

Last two im’s on each line are staccato hits

Em	Em	Em
Noooooo

Em	Em	Em
Noooooo

Kermit the Frog - The Rainbow Connection

A	Dmaj7	A	Dmaj7

Vox start on the 3 (C# in A)

A	F#m	Bm	E
Why are there so m	any	songs about rai	nbows?

	A	F#m	Bm	E
And wh	at’s on the o	ther si	de?

A	F#m	Bm	E
Rainbows are vi	sions, but o	nly il	lusions

A	F#m	Bm	E
Rainbows have no	thing to h	ide

Dmaj7

So we’ve been told and some choose to believe it

	C#m7
But	I know they’re wrong wait and see

Bm	E	Amaj7	F#
Someday we’ll f	ind it the rai	nbow conn	ection

	Bm	E	A
The l	overs, the dre	amers, and m	e

A	Dmaj7	A	Dmaj7

A	F#m	Bm	E
Who said that	every wish would	be heard and	answered

	A	F#m	Bm	E
When	wished on the mor	ning	star

A	F#m	Bm	E
Somebody	thought of that and	someone beli	eved it

	A	F#m	Bm	E
And	look what it’s	done so	far

Dmaj7

What’s so amazing that keeps us stargazing?

C#m7

And what do we think we might see?

Bm	E	Amaj7	F#
Someday we’ll f	ind it the rai	nbow conn	ection

	Bm	E	A
The l	overs, the dre	amers, and m	e

Bridge

	E/G#	F#m	A
All	of us un	der its spell

	Dmaj7	A/C#	Bm7	E
We know	that it’s prob	ably mag	ic

Kermit changes key up a half-step here...

A	F#m	Bm	E
Have you been hal	f-asleep? And h	ave you heard v	oices?

	A	F#m	Bm	E
Well I’	ve heard them cal	ling my n	ame

A	F#m	Bm	E
Are these the s	weet sounds that ca	lled the young sa	ilors?

A	F#m	Bm	E
The voice might be o	ne and the s	ame

Dmaj7

I’ve heard it too many times to ignore it

	C#m7
It’s	something that I’m s’posed to be

Bm	E	Amaj7	F#
Someday we’ll f	ind it, the ra	inbow conn	ection

	Bm	E	A
The lo	vers, the dr	eamers, and	me

E/G#	F#m	A
La da dee	la da da	da

	Dmaj7	E	A
La la	la la	la la	la

Kiss - Beth

When Kiss plays this on acoustic guitar, the

main line is I I ii V, and the verse starts

I ii iii. I play in A capo 1, all fingerpicking,

with the descending riff on the 5th string, and the

original changes.

A	A	D/A	E/A
			x2

A	D/A
Beth I hear you	callin’

	E/A	F#m	E
But I	can’t come home right	now

D	E/D
Me and the boys are	playin’

	F#m	C#7sus4	C#7/F
And we	just can’t find the	sound

F#m	E
Just a few more	hours

	D	C#m
And I’ll	be right home to	you

	B7	D	E
I	think I hear them	callin’

Instruments hang on “Beth”

	F#m	F#m	E
Oh	Beth what can I do?

D	D/E	A
Beth what	can I	do?

A	D/A
You say you feel so	empty

	E/A	F#m	E
That our	house just ain’t a	home

	D	E/D
And	I’m always somewhere	else

	F#m	C#7sus4	C#7/F
And	you’re always there al	one

F#m	E
Just a few more	hours

	D	C#m
And I’ll	be right home to	you

	B7	D	E
I	think I hear them	callin’

	F#m	F#m	E
Oh	Beth what can I do?

D	D/E	A
Beth what	can I	do?

Solo over one verse and one chorus,

skip if solo guitar.

Slow, hanging chords

A	D/A
Beth I know you’re	lonely

	E/A	F#m	E
And I	hope you’ll be	alright

	D	E7
‘Cause	me and the boys will be	playin’

	A	D/A	E/A
All	night

	A	D/A	E
Ah,	aaah

A

Labelle - Lady Marmalade

Originally in Gm, I play in Am capo 2

Am7	D11
	x2

Vox on the 5

Am7	D11
Hey sista, go sista, s	oul sista, go sista

Am7	D11
Hey sista, go sista, s	oul sista

	Am7	D11
He	met Marmalade down in o	ld New Orleans

Am7	D11
Struttin’ her stuff on the	street

	Dm7	Em7
She said	hello, hey Joe, you wanna	give it a go?

Vox on the 3 of the chord

Am7	D11
Gitchi, gitchi, ya-ya, d	a-da

	Am7	D11
G	itchi, gitchi, ya-ya he	re

Am7	D11
Mocha chocolata, y	a-ya

Hang on “creole”, vox on 7 6 7 1 of the chord on “creole lady”

Em7	Am7
Creole lady Marma	lade

Vox only up to the 3, even though you’ll feel like you

want to go up to the 5.

Am7	D11
Voulez-vous coucher avec m	oi, ce soir?

	Am7	D11
V	oulez-vous coucher ave	c moi?

	Am7	D11
He	stayed in her boudoir while	she freshened up

Am7	D11
That boy drank all that magn	olia wine, on her

Dm7	Em7
Black satin sheets, is w	here he started to freak

Am7	D11
Gitchi, gitchi, ya-ya, d	a-da

	Am7	D11
G	itchi, gitchi, ya-ya he	re

Am7	D11
Mocha chocolata, y	a-ya

Em7	Am7
Creole lady Marma	lade

Am7	D11
Voulez-vous coucher avec m	oi, ce soir?

	Am7	D11
V	oulez-vous coucher ave	c moi?

Am7	D11
	x2

E

Hey, hey, hey...

Am7	D11
Seeing her skin feeling	silky smoothe

	Am7	D11
C	olor of cafe au la	it

	Dm7	Em7
Made the	savage beast inside	roar until it cried

E

More, more, more

Am7	D11
Now he’s at home doing	nine to five

Am7	D11
Living his brave life of l	ies

	Dm7	Em7
But when he	turns off to sleep, old	memories keep

E

More, more, more

Am7	D11
Gitchi, gitchi, ya-ya, d	a-da

	Am7	D11
G	itchi, gitchi, ya-ya he	re

Am7	D11
Mocha chocolata, y	a-ya

Em7	Am7
Creole lady Marma	lade

Am7	D11
Voulez-vous coucher avec m	oi, ce soir?

	Am7	D11
V	oulez vous coucher ave	c moi?

Am7	D11
Voulez-vous coucher avec m	oi, ce soir?

Em7	Am7
Creole lady Marma	lade

Laura Branigan - Gloria

Originally in A, I play in A capo 3, or if I’m feeling like

a vocal reach, in D (D is better for the guitar). Highest

note is the 4, but it’s a long 4 (“caaaaallling”), and there’s

an awful lot of 3.

In A, play the intro A/E as:

-x-
-2-
-2-
-2-
-4-
-0-

A/E	E	A/E	E	A/E	E	A/E	E
D/A	A	D/A	A	D/A	A	D/A	A

Vox on 3→2 of the first chord on “Gloria”

A/E	E	D/A	A
Glori	a, you’re always on the	run	now

	A/E	E	D/A	A
Running after some	bo	dy, you gotta get him	some	how

	A/E	E
I think you’ve got to	slow	down

	D/A	A
Before you start to	blow	it

	A/E	E
I think you’re headed for a	break	down

	D/A	A
So be careful not to	show	it

Vox stay where they were on “you really don’t”,

then up to 3 2 1 of the chord on me-hem-ber

	F#m	B7
You really don’t re	member

	E	Amaj7
Was it something that he	said?

	D	E	A
Are the voices in your	head	calling Glori	a?

Vox start this line where “Gloria” was

A/E	E	D/A	A
Glori	a, don’t you think you’re	fall	ing?

Both these phrases go up...

	A/E	E	D/A	A
If everybody	wants	you, why isn’t anybody c		alling?

	E
You don’t have to	answer

G	D	E	A
Leave them hanging on the	line, oh-oh-	oh, calling Glor	ia

Vox start this line where “Gloria” was

A/E	E	D/A	A
Glori	a (Gloria), I think they got your	num	ber (Gloria)

	A/E	E
I think they got the	ali	as (Gloria)

Go up on to the 4 on “under”

	D/A	A
That you’ve been living	und	er (Gloria)

Vox stay up where “under” was

	F#m	B7
But you really don’t re	member

	E	Amaj7
Was it something that they	said?

	D	E	A
Are the voices in your	head	calling Glori	a?

D/A	A	D/A	A
A/E	E	A/E	E	A/E	E	A/E	E
D/A	A	D/A	A	D/A	A	D/A	A

Vox back to where the first verse was, on 3→2

of the first chord on “Gloria”

	A/E	E	D/A	A
A-ha-ha, a-ha-ha,	Gloria	, how’s it gonna	go	down?

	A/E	E
Will you meet him on the	main	line

	D/A	A
Or will you catch him on the	re	bound?

	A/E	E
Will you marry for the	mon	ey

	D/A	A
Take a lover in the	after	noon?

	A/E	E
Feel your innocence	slipping a	way

	D/A	A
Don’t believe it’s coming	back	soon

	F#m	B7
And you really don’t re	member

	E	Amaj7
Is it something that he	said?

	D	E	A
Are the voices in your	head	calling Glori	a?

Vox start this line where “Gloria” was

A/E	E	D/A	A
Glori	a, don’t you think you’re	fall	ing?

Both these phrases go up...

	A/E	E	D/A	A
If everybody	wants	you, why isn’t anybo	dy c	alling?

	E
You don’t have to	answer

G	D	E	A
Leave them hanging on the	line, oh-oh-	oh, calling Glor	ia

Vox start this line where “Gloria” was

A/E	E	D/A	A
Glori	a (Gloria), I think they got your	num	ber (Gloria)

	A/E	E
I think they got the	ali	as (Gloria)

	D/A	A
That you’ve been living	und	er (Gloria)

	F#m	B7
But you really don’t re	member

	E	Amaj7
Was it something that they	said?

	D	E	A
Are the voices in your	head	calling Glori	a?

Fade on stuff like this...

D/A	A	D/A	A
A/E	E	A/E	E	A/E	E	A/E	E
D/A	A	D/A	A	D/A	A	D/A	A

Lazlo Bane - Superman (Scrubs Theme)

Originally in F#, I play in D capo 4.

D	Dmaj7	G6	A
D	Dmaj7	G6	A

	D	G
O	ut the door just in time,	head down the 405

	D	G
G	ot to meet the new boss by 8am

	D	G
T	he phone rings in the car	, the wife is working hard

	D	G
S	he’s running late tonight aga	in

	Em	A
Well, I	know what I’ve been	told

	Em	A
You’ve got to	work to feed	the soul

	Bm	Bm/A	Bm/Ab	E7
But	I can’t do this	all on	my	own

	G	A
No	I know, I	’m no superman

D	Dmaj7	G6	A
			I’m no superman

D	Dmaj7	G6	A

D	G
You’ve got your love online,	you think you’re doing fine

D	G
But you’re just plugged into the wa	ll

D	G
And that deck of tarot cards,	won’t get you very far

D	G
There ain’t no hand to break your fa	ll

	Em	A
Well, I	know what I’ve been	told

	Em	A
You gotta	know just when to	fold

	Bm	Bm/A	Bm/Ab	E7
But	I can’t do this	all on	my	own

	G	A
No	I know, I	’m no superman

D	Dmaj7	G6	A
			I’m no superman

D	Dmaj7	G6	A

Solo

Em	Em	A	A
Em	Em	Bm	Bm/A	Bm/Ab	E
G	G	A	A

Let chords ring for the first line of this verse

	D	G
Y	ou’ve crossed the finish line,	won the race but lost your mind

	D	G
W	as it worth it after al	l?

	D	G
I	need you here with me,	‘cause love is all we need

	D	G
J	ust take a hold of the	hand that breaks the fall

	Em	A
Well, I	know what I’ve been	told

	Em	A
Gotta break	free to break the	mold

	Bm	Bm/A	Bm/Ab	E7
But	I can’t do this	all on	my	own

	Bm	Bm/A	Bm/Ab	E7
No	I can’t do this	all on	my	own

Hold "know" and "I’m no" for a full measure", hard stop before "superman"

G	A
I knoooooow, that I	’m no superman

D	Dmaj7	G6	A
			I’m no superman

D	Dmaj7	G6	A
			I’m no superman

Vox on 3 1 on “someday”

	D	Dmaj7	G6	A
Som	eday	we’ll be to	gether

	D	Dmaj7	G6	A
Som	eday

	D	Dmaj7	G6	A
Som	eday	we’ll be toget	her

	D	Dmaj7	G6
Som	eday

	A
I	’m no superman

Lesley Gore - It’s My Party

Originally in A, I play in A capo 2

A	E	D	A	E
	→	→

A	Aaug
It’s my party and I’ll	cry if I want to

D	Dm
Cry if I want to,	cry if I want to

A	F#m	Bm	E	A
You	would cry	too if it	happened to	you

A	E	D	A	E
	→	→

Way down to the 5 of the chord on “gone”

A	C
Nobody knows where my	Johnny has gone

	A	D
But	Judy left the same	time

F	A
Why was he	holding her hand

Vox on the 1 of the chord on “he’s”, 6 on “posed”

	B7	E
When	he’s supposed to be	mine

A	Aaug
It’s my party and I’ll	cry if I want to

D	Dm
Cry if I want to,	cry if I want to

A	F#m	Bm	E	A
You	would cry	too if it	happened to	you

A	E	D	A	E
	→	→

A	C
Play all my records keep	dancing all night

	A	D
But	leave me alone for a w	hile

F	A
Till Johnny’s	dancing with me

	B7	E
I’ve	got no reason to	smile

A	Aaug
It’s my party and I’ll	cry if I want to

D	Dm
Cry if I want to,	cry if I want to

A	F#m	Bm	E	A
You	would cry	too if it	happened to	you

A	E	D	A	E
	→	→

Solo on chorus chords if appropriate

A	C
Judy and Johnny just	walked through the door

A	D
Like a queen with her	king

F	A
Oh what a	birthday surprise

B7	E
Judy’s wearing his	ring

A	Aaug
It’s my party and I’ll	cry if I want to

Hanging stop on the second “cry”

D	Dm
Cry if I want to,	cry if I want to

A	F#m	Bm	E
You	would cry	too if it	happened to

A	F#m	Bm	E
You	would cry	too if it	happened to

A	F#m	Bm	E	A
You	would cry	too if it	happened to	you

A	E	D	A
	→	→

Lionel Richie - Hello

Originally in Am, I play in Em capo 2

In Em, on guitar, play the Gmaj7’s as G’s

Also in Em, on guitar:

 Em Em/D Cmaj7  Baug  B
-0--0----0------------2-
-0--0----0--------------
-0--0----0------0-------
-2--2----2--------------
-2--5----3------2-----2-
-0----------------------

Almost every im is really a im9 on piano

Em	Em/D	Cmaj7	Em/D	Cmaj7
			→	x2

	Em	Em/D	Cmaj7
I’ve b	een alone with	you inside my	mind

	Em	Em/D
And in my	dreams I’ve kiss	ed your lips

	Cmaj7
A	thousand times

	Em	Em/D	Cmaj7
Somet	imes I see you	pass outside my	door

	Em	Em/D	Cmaj7	E7
H	ello	is it	me you’re looking f	or?

	Am7	D
I can	see it in your e	yes

	Gmaj7	Cmaj7
I can s	ee it in your sm	ile

	Fmaj7	Baug	B
You are	all I ever wa	nted

	Em	D/F#	G	D/F#
And my	arms are	open	wide

	Am7	D
Cause you	know just know what to s	ay

	Gmaj7	Cmaj7
And you	know just what to	do

	Fmaj7	Baug	B
And I	want to tell you	so	much

	Em
I love	you

Em	Em/D	Cmaj7	Em/D	Cmaj7
			→	x2

	Em	Em/D	Cmaj7
I	long to see the	sunlight in your	hair

	Em	Em/D
And	tell you time and	time again

Cmaj7

How much I care

	Em	Em/D	Cmaj7
Some	times I feel my	heart will over	flow

	Em	Em/D	Cmaj7	E7
Hel	lo,	I’ve just	got to let you	know

	Am7	D
‘Cause I	wonder where you	are

	Gmaj7	Cmaj7
And I	wonder what you	do

	Fmaj7	Baug	B
Are you	somewhere feeling	lone	ly?

	Em	D/F#	G	D/F#
Or is there	someone	loving	you	?

	Am7	D
Tell me	how to win your	heart

	Gmaj7	Cmaj7
For I	haven’t got a	clue

	Fmaj7	Baug	B
But	let me start by	saying

	Em
I love	you

Solo on...

Em	Em/D	Cmaj7	Em/D

	Em	Em/D	Cmaj7	E7
H	ello	is it	me you’re looking f	or?

	Am7	D
‘Cause I	wonder where you	are

	Gmaj7	Cmaj7
And I	wonder what you	do

	Fmaj7	Baug	B
Are you	somewhere feeling	lone	ly?

Em	D/F#	G	D/F#
Is someone	loving	you	?

	Am7	D
Tell me	how to win your	heart

	Gmaj7	Cmaj7
For I	haven’t got a	clue

	Fmaj7	Baug	B
But	let me start by	saying

	Em
I love	you

Not a typo, ends on the parallel major

Em

Em/D

Cmaj7

Em/D

E

Lita Ford - Kiss Me Deadly

Originally in C, I play in D

Slow, ringing

	D
I	went to a party last Saturday night

	G
I	didn’t get laid I got in a fight

	D	G
Uh-	huh, it ain’t no	big thing

D

Late for my job and the traffic was bad

	G
Had to	borrow 10 bucks from my old man

	D	G
Uh-	huh, it ain’t no	big thing

Band enters

	D
I	went to a party last Saturday night

	G
I	told you that story would be alright

	D	G
Uh-	huh, it ain’t no	big thing

Vox on the 5

	D	D/F#
But I know what I	like

G	A
I	know I like dancing with you

D	D/F#	G	A
			And I know what you like

D	D/F#	G	A
		I	know you like dancing with me

D	D/F#	G	A
	Yeah	yeah

D	G	A
Kiss me once

D	G	A
Kiss me twice

D	D/F#	G	A
Come on pretty	baby kiss me	deadly

D

Had a few beers getting high

G

Sitting watching the time go by

	D	G
Uh-	huh, it ain’t no	big thing

D

Nothing to eat and no T.V.

G

Looking in the mirror don’t get it for me

	D	G
Uh-	huh, it ain’t no	big thing

	D	D/F#
But I know what I	like

G	A
I	know I like dancing with you

D	D/F#	G	A
			And I know what you like

D	D/F#	G	A
		I	know you like dancing with me

D	D/F#	G	A
	Oh	yeah

D	G	A
Kiss me once

D	G	A
Kiss me twice

D	D/F#	G	A
Come on pretty	baby kiss me	deadly

D	G	A
Kiss me once

D	G	A
Kiss me twice

D	D/F#	G	A
Come on pretty	baby kiss me	deadly

D	G
D	G
	You know I like dancing with you

D	G
Dancing with	you, come on

D	G	A
Kiss me once

D	G	A
Kiss me twice

D	D/F#	G	A
Come on pretty	baby kiss me	deadly

D	G	A
Kiss me once

D	G	A
Kiss me twice

D	D/F#
Come on pretty	baby kiss me

G	Em
Come on pretty	baby kiss me

G	A
Come on pretty	baby kiss me

D	D/F#	G	A
Deadly

D

Madonna - Express Yourself

Originally in G, I play in A capo 2.

A	G	G	A

A	G
You don’t need	diamond rings

	A
Or eighteen karat	gold

A	G
Fancy cars that	go very fast

	A
You know they never last, no,	no

A	G
What you need is a	big strong hand

	A
To lift you to your higher	ground

A	G
Make you feel like a	queen on a throne

	A
Make him love you till you can’t come	down

A	G
Don’t go for	second best baby

G	A
Put your love to the	test

	G	C	G
You	know, you	know, you’ve	got to

A	G
Make him exp	ress how he feels

	A
And maybe then you’ll know your love is	real

A	G
Long stem roses are the	way to your heart

	A
But he needs to start with your	head

	G
Satin sheets are	very romantic

	A
What happens when youre not in	bed

	G
You deserve the	best in life

	A
So if the time isn’t right then move	on

	G
Second best is	never enough

	A
You’ll do much better baby on your	own

A	G
Don’t go for	second best baby

G	A
Put your love to the	test

	G	C	G
You	know, you	know, you’ve	got to

A	G
Make him exp	ress how he feels

	A
And maybe then you’ll know your love is	real

A	G	A
And when youre	gone he might	regret it

	C	A
Think a	bout the love he once	had

	G	A
Try to carry	on, but he just won’t	get it

	G
He’ll be	back on his knees to express himself

A	G
Don’t go for	second best baby

G	A
Put your love to the	test

	G	C	G
You	know, you	know, you’ve	got to

A	G
Make him exp	ress how he feels

	A
And maybe then you’ll know your love is	real

	G	A
And maybe	then you’ll know your love is	real

	G	A
And maybe	then you’ll know your love is	real

Malvina Reynolds - Little Boxes (Weeds Theme)

Originally in F, I play in C capo 1

Highest note is the 3

Intro, rubato

C	Am	F	Em	Dm	C
		→	→	→

At tempo

C

Vox on 5 6 3 1 on “little boxes”

	C	F	C
Little bo	xes on the hillside, little bo	xes made of tic	ky-tacky

Vox stay on the 5 on “boxes”

	C	G7	C	G7
Little	boxes on the	hillside, little	boxes all the	same

	C	F	C
There’s a	pink one, and a green one, and a	blue one, and a y	ellow one

	C	G7	C	G7	C
And they’re	all made out of	ticky-tacky, and they	all look	just the s	ame

C

	C	F	C
And the	people in the houses, all	went to the unive	rsity

	C	G7	C	G7
Where	they were put in	boxes, and they	came out all the	same

	C	F	C
And there’s	doctors, and lawyers, and	business exe	cutives

	C	G7	C	G7	C
And they’re	all made out of	ticky-tacky, and they	all look	just the	same

C

	C	F	C
And they	all play on the golf course, and	drink their marti	nis dry

	C	G7	C	G7
And they	all have pretty	children, and the	children go to	school

	C	F	C
And the	children go to summer camp, and	then to the unive	rsity

	C	G7	C	G7	C
Where	they are put in	boxes, and they	come out	all the s	ame

C

	C	F	C
And the	boys go into business, and	marry and raise a f	amily

	C	G7	C	G7
In	boxes made of	ticky-tacky, and they	all look just the	same

	C	F	C
There’s a	pink one, and a green one, and a	blue one, and a y	ellow one

Slow and hold...

	C	G7	C	G7	C
And they’re	all made out of	ticky-tacky, and they	all look	just the	same

Back at tempo

C	Am	F	Em	Dm	C
		→	→	→

Mama Cass - Dream a Little Dream

Originally in C, I play in A

Chorus may be an octave down, depending how I feel... chorus is

mostly on the 6

A	D#dim7	F6	E
A	D#dim7	F6	E

A	D#dim7	F6	E
Stars shi	ning bright ab	ove you

A	A/G#	A7/G	F#7
Night bre	ezes	seem to w	hisper, I love you

Vox: easiest to stay on the A here

D	Dm
Birds singing in the s	ycamore tree

	A	F	E
Dr	eam a little d	ream of me

A	D#dim7	F6	E
Say nigh	tie-night and	kiss me

A	A/G#	A7/G	F#7
Just hold	me	tight and	tell me you’ll miss me

D	Dm
While I’m alone and	blue as can be

Vox note: Male voice can go down to A, easiest to descend on me(c)-e(b)-stars(a)

	A	F7	E7	A	C#
Dr	eam a little dr	eam	of	me

F#	D#m	G#m7	C#7
Stars f	ading but	I linger	on, dear

F#	D#m	G#m7	C#7
Still cr	aving your k	iss

If down an octave, “dawn” would go down to E, easier

to sing the same melody as the first line.

F#	D#m	G#m7	C#7
I’m lo	nging to l	inger till	dawn, dear

F#	D#m	F7	E7
Just	saying	thi	s

A	D#dim7	F6	E
Sweet dre	ams till sunbeams	find you

A	A/G#	A7/G	F#7
Sweet dre	ams that	leave your	worries behind you

D	Dm
But in your dreams what	ever they be

If soloing, end this line on C/G instead of E

	A	F7	E7	A	C#
Dr	eam a little dr	eam	of	me

Solo on verse chords

F#	D#m	G#m7	C#7
Stars f	ading but	I linger	on, dear

F#	D#m	G#m7	C#7
Still cr	aving your k	iss

F#	D#m	G#m7	C#7
I’m lo	nging to l	inger till	dawn, dear

F#	D#m	F7	E7
Just	saying	thi	s

A	D#dim7	F6	E
Sweet dre	ams till sunbeams	find you

A	A/G#	A7/G	F#7
Sweet dre	ams that	leave your	worries behind you

D	Dm
But in your dreams what	ever they be

Hang on “me”

	A	F7	E	Dm
Dr	eam a little dr	eam	of	me

	A	F7	E	A
Just dr	eam a little dr	eam	of	me

Men At Work - Land Down Under

Originally in Bm, I play in Am

Am	G	Am	F	G
				x 2

Am	G	Am	F	G
Traveling in a f	ried out Kombie

Am	G	Am	F	G
On a hippy t	rail head full of	Zombie

Am	G	Am	F	G
I met a strange la	dy,	she made me	nervous

Am	G	Am	F	G
She took me i	n and gave me	breakfast,	and	she said

C	G	Am	F	G
Do you come from a	land down under

C	G	Am	F	G
Where women glow	and men plund	er

C	G	Am	F	G
Can you hear can you he	ar the thunder

	C	G	Am	F	G
You	better run, you bet	ter take	cover

Am	G	Am	F	G
				x 2

Am	G	Am	F	G
Buying bread from a	man in Brussels

	Am	G	Am	F	G
He was	six foot	four and full of mus	cles

Am	G	Am	F	G
I said do you	speak my language?

Am	G	Am	F	G
He just smiled and	gave me a Vegemite	sandwich,	and	he said

C	G	Am	F	G
I come from a	land down under

C	G	Am	F	G
Where beer does flow	and men chund	er

C	G	Am	F	G
Can you hear can you he	ar the thunder

	C	G	Am	F	G
You	better run, you bet	ter take	cover

Am	G	Am	F	G
				x 2

Let ring

Am	G	Am	F	G
Lying in a	den in Bombay

Am	G	Am	F	G
With a slackjaw	and not	much to say

Am	G	Am	F	G
I said to the	man, are you trying to	tempt me?

Am	G	Am	F	G
Because I	come from the land of	plenty,	and	he said

C	G	Am	F	G
Do you come from a	land down under

C	G	Am	F	G
Where women glow	and men plund	er

C	G	Am	F	G
Can you hear can you he	ar the thunder

	C	G	Am	F	G
You	better run, you bet	ter take	cover

C	G	Am	F	G
Do you come from a	land down under

C	G	Am	F	G
Where women glow	and men plund	er

C	G	Am	F	G
Can you hear can you he	ar the thunder

Hard stop on “better”

	Am
You	better run, you better take cover

Michael Jackson - Beat It

Originally in Ebm, I play in Em capo 3.

The fourth D in a phrase can be B7.

Em	D	C	D

Em	D
They told him don’t you ever	come around here

	C	D
Don’t	wanna see your face you better	disappear

	Em	D
The	fire’s in their eyes and their	words are really clear

	C	D
So	beat it, just	beat it

Em	D
You better run, you better	do what you can

	C	D
Don’t	wanna see no blood, don’t be a	macho man

	Em	D
You	wanna be tough, better	do what you can

	Em	D
So	beat it, but you	wanna be bad

	Em	D
Just	beat it,	beat it

C	B7
No one wants to be	defeated

Em	D
Showin’ how funky	strong is your right

C	D
It doesn’t matter	who’s wrong or right

	Em	D
Just	beat it,	beat it

Em	D
They’re out to get you better	leave while you can

	C	D
Don’t	wanna be a boy, you wanna	be a man

Em	D
You wanna stay alive, better	do what you can

	C	D
So	beat it, just	beat it

Em	D
You have to show ‘em that you’re	really not scared

	C	D
You’re	playin’ with your life, this ain’t no	truth or dare

	Em
They’ll	kick you then they’ll beat you

	D
Then	they’ll tell you it’s fair

	Em	D
So	beat it, but you	wanna be bad

	Em	D
Just	beat it,	beat it

C	B7
No one wants to be	defeated

Em	D
Showin’ how funky	strong is your right

C	D
It doesn’t matter	who’s wrong or right

	Em	D
Just	beat it,	beat it

Em	D
Beat it,	beat it

Em	D
Beat it,	beat it

Michael Jackson - Thriller

Originally in C#m, I play in Am

Be sure to work out the melody ahead of time for the chorus and bridge

Am7	D7

The original does i → IV for the first half of each verse,

I’m following an arrangement that’s IV → i the whole verse.

	D7	Am7
It’s close to	midnight and something evil’s lurking in the	dark

	D7	Am7
Under the	moonlight you see a sight that almost stops your heart

	D7	Am7
You try to	scream but terror takes the sound before you	make it

	D7	Am7
You start to	freeze as horror looks you right between the	eyes

	C
You’re para	lyzed

Original vox on 1 7 on “thriller”, I just do 5 5

	Am	Am	G/B	C
‘Cause this is	thriller,	thril	ler	night

	D7	Dm7
And	no one’s gonna save you from the	beast about to strike

	Am	Am	G/B	C
You know it’s	thriller,	thril	ler	night

	D7	F7	D7	Am7
You’re	fighting for your life inside a	killer,	thriller, to	night

Am7

	D7	Am7
You hear the	door slam and realize there’s nowhere left to run

	D7	Am7
You feel the	cold hand and wonder if you’ll ever see the sun

	D7	Am7
You close your	eyes and hope that this is just imagi	nation

	D7	Am7
But all the	while you hear the creature creepin’ up be	hind

	C
You’re out of	time

	Am	Am	G/B	C
‘Cause this is	thriller,	thril	ler	night

	D7	Dm7
There	ain’t no second chance to kill the	thing with forty eyes girl

Am	Am	G/B	C
Thriller,	thril	ler	night

	D7	F7	D7	Am7
You’re	fighting for your life inside a	killer,	thriller,	tonight

Am7

Vox up to the 5 of the first chord

Can also do 3 2 1 on the first chord on “night creatures”

D7	Fmaj7	G
Night creatures call and the dead start to walk in their	masquerade

Am7	Am7/G	F#m7b5
There’s no escapin’ the	jaws of the alien this	time

Fmaj7	E7sus4	E7
This is the end of your	life

Am7

	D7	Am7
They’re out to	get you there’s demons closing in on every side

	D7	Am7
They will pos	sess you unless you change the number on your	dial

	D7	Am7
Now is the	time for you and I to cuddle close to	gether

	D7	Am7
All through the	night I’ll save you from the terror on the	screen

	C
I’ll make you	see

	Am	Am	G/B	C
That this is	thriller,	thril	ler	night

	D7	Dm7
‘Cause	I can thrill you more than any	ghost would ever dare try

Am	Am	G/B	C
Thriller,	thril	ler	night

	D7	F7	D7	Am7
So	let me hold you tight and share a	killer,	thriller,	ow!

Am7

I’m gonna thrill you tonight

End on “thrill you tonight”, or keep going if appropriate...

Am7	F	G	D
			Darkness falls across the land the midnight hour is close at hand

Creatures crawl in search of blood to terrorize y’all’s neighborhood
And whosoever shall be found without the soul for getting down
Must stand and face the hounds of hell and rot inside a corpse's shell

The foulest stench is in the air the funk of forty thousand years
And grizzy ghouls from every tomb are closing in to seal your doom
And though you fight to stay alive your body starts to shiver
For no mere mortal can resist the evil of the thriller

Misc - Charles in Charge Theme

Originally in Bb, I play in G

Intro (quick changes)

D	Em	D/F#
→	→

G	Em
The new boy in the	neighborhood

C6	D
Lives downstairs and it’s	understood

G	Em	C6
He’s there just to	take good care of	me

	D
Like he’s	one of the family

G	C
Charles in	charge

	G	D
Of our	days and our	nights

G	C
Charles in	charge

	G	D
Of our	wrongs and our	rights

	C	G
And I see,	I	want

Am	D	E/B
Charles in	charge of	me

In the previous chorus, vox were on 5 1 on “chares in charge”,

this time they’re on 1 6. So you’re jumping up from the 5 of

the new key (on “me”) to the 1 (on “Charles”)

E	A
Charles in	charge

	E	B
Of our	days and our	nights

E	A
Charles in	charge

	E	B
Of our	wrongs and our	rights

Vox down to the 1 on “see”, then down to the 6

of the key (3 of th chord) on “I”

	E	A	E	A	E
And I	see,	I	want,	I	want

F#m	B7	E
Charles... in	charge... of	me

Misc - Cheers Theme

Originally in Bb, I play in G.

Highest note before the key change is the 6,

and I skip the key change.

G	D/G	G	D/G

G	D
Making your way in the	world today takes

G	D
Everything you’ve	got

G	D
Taking a break from	all your worries

G	D
Sure would help a	lot

Bm7b5/F	E7	Am	Dsus4
Wouldn’t you l	ike to get a	way

G	D
All those nights when you’ve	got no lights

	G	D
The	check is in the	mail

G	D
And your little	angel hung the

G	D
Cat up by its	tail

Bm7b5/F	E7	Am
And your third fia	nce didn’t s	how

Dsus4

Sometimes you wanna go

G	F	C	D	Em7	D/F#
Where ev’ry	body knows your	name	→	→

G	F	C	D	Em7	D/F#
And they’re	always glad you	came	→	→

Em7	C
You wanna be where	you can see

	Bm	C
Our	troubles are all the	same

Em7	C	D	G
You wanna be where	ev’rybody	knows your	name

G	D/G	G	D/G

G	D
Roll out of bed, Mr.	Coffee’s dead

	G	D
The	morning’s looking	bright

G	D
And your shrink ran o	ff to Europe

	G	D
And	didn’t even	write

Bm7b5/F	E7	Am
And your husband w	ants to be a g	irl

Dsus4

Be glad there’s one place in the world

G	F	C	D	Em7	D/F#
Where ev’ry	body knows your	name	→	→

G	F	C	D	Em7	D/F#
And they’re	always glad you	came	→	→

Em7	C
You wanna go where	people know

Bm	C
People are all the	same

Em7	C	D	G	D/G
You wanna go where	ev’rybody	knows your	name

This is a good place to end

Solo

G	F	C	D	Em7	D/F#
			→	→

G	F	C	D	Em7	D/F#
			→	→

D#	Fm7	D#/G
→	→

Fade on

G#	F#	C#	D#	Fm7	D#/G
Where ev’ry	body knows your	name	→	→

G#	F#	C#	D#	Fm7	D#/G
And they’re	always glad you	came	→	→

G#	F#	C#	D#	Fm7	D#/G
Where ev’ry	body knows your	name	→	→

G#	F#	C#	D#	Fm7	D#/G
And they’re	always glad you	came	→	→

G#	F#	C#	D#	Fm7	D#/G
Where ev’ry	body knows your	name	→	→

G#	F#	C#	D#	Fm7	D#/G
And they’re	always glad you	came	→	→

Misc - Greatest American Hero Theme

Originally in D, I play in A, vox up to the 5

There are lots of good reasons to quit after the second

chorus, skipping the bridge and the key change.

Arrangement of the intro chords in A

E|-------4-5-0-2-0-|
B|-9-10--5-5-2-3-0-|
G|-9-9---4-6-2-2-1-|
D|-9-11--0-0-2-0-2-|
A|-0-0-------0-0-2-|
E|-----------0-0-0-|

E/A	A	E/A	A
E/D	A/D	E/D	A/D
A/E	D/E	E	E

Vox on the 3, which will feel really low in A

A	D	E	A
Look at what’s	happened to	me-	e

A	D/A	E/A	A
I can’t be	lieve it my	self

B/C#	C#m7	F#m7	E	D
Suddenly	I’m up on	top of	the	world

	Bm7	D/E	E	D/E	E
It	shoulda been somebody else

	A	A/C#	D	D/F#
Be	lieve it or	not I’m walki	ng on ai	r

	A	A/C#	D	D/E
I never t	hought I could f	eel so free

A	A/C#	D	D#m7b5
Flying a	way on a w	ing and a	prayer

Bm7	C#m7	Cm6	Bm7
Who	could it	be-	ee?

	D/E	E	E/A
Be	lieve it or not it’s	just	me

Repeat intro

E/A	A	E/A	A
E/D	A/D	E/D	A/D
A/E	D/E	E

A	D	E	A
Just like the l	ight of a	new	day

	A	D/A	E/A	A
It	hit me from	out of the	blue

B/C#	Cm7	F#m7	E	D
Breaking me	out of the s	pell I	was	in

	Bm7	D/E	E	D/E	E
Making	all of my wishes come true

	A	A/C#	D	D/F#
Be	lieve it or	not I’m walki	ng on ai	r

	A	A/C#	D	D/E
I never t	hought I could f	eel so free

A	A/C#	D	D#m7b5
Flying a	way on a w	ing and a	prayer

Bm7	C#m7	Cm6	Bm7
Who	could it	be-	ee?

End on the intro riff here if you’re not going to do the bridge

	D/E	E	F
Be	lieve it or not it’s	just	me

Bridge

	Cmaj7
This is too good to be	true

	A#maj7	D/E	E	D/E	E
Look at	me, falling for you

Each “believe it or not” lasts as long as it does in the

other chorus, so the chord changes are slower

	A	A/C#	D	D/F#
Be	lieve it or	not, be	lieve it or	not

	A	A/C#	D	D/F#
Be	lieve it or	not, be	lieve it or	not

D/E	E	D/E	E	F#

Key change to E

	B	B/D#	E	E/G#
Be	lieve it or	not I’m walki	ng on ai	r

	B	B/D#	E	F#
I never t	hought I could f	eel so free	-ee

B	B/D#	E	Fm7b5
Flying a	way on a w	ing and a p	rayer

C#m7	D#m7	Dm7	E/A
Who c	ould it be	ee?

E/F#	F#	B
Believe it or not it’s	just m	e

Repeat to fade

Misc - Growing Pains Theme

Originally in Bb, I play in G

D	G	Cadd9
Show me that	smile a	gain

D	G	Cadd9	D
Don’t waste a	nother	minute on your cryi	n’

D/F#	G	Cadd9
We’re nowhere	near the	end

G/B	C	E
The	best is ready to be	gin, oooh

	A
As	long as we got each other

F#m

We got the world spinnin’ right in our hands

	Dmaj7
Baby	you and me, we gotta be

	E
The	luckiest dreamers who never quit dreamin’

	A
As	long as we keep on givin’

F#m

We can take anything that comes our way

	Dmaj7
Baby,	rain or shine, all the time

Esus4	E	Esus4	E
We got each	other	sharing the	laughter and

G/D	D	C/G	G	G/D	D	A
Love

Misc - Happy Days Theme

Originally in F, I play in D

Vox start on 1-2-3-5-6-7-6

D	Bm
Sunday, Monday,	happy days

Em	A
Tuesday, Wednesday,	happy days

F#	Bm
Thursday, Friday,	happy days

	G	A	G	A
The	weekend co	mes, my cy	cle hu	ms

A	A7
Ready to race to	you

D	Bm	G	A
These days are	all	happy and	free

D	Bm	G	A
These days are	ours,	share them with	me

D

Goodbye gray sky, hello blue

	G
There’s	nothing can hold me when I hold you

E

Feels so right it can’t be wrong

A7

Rockin’ and rollin’ all week long

This is an instrumental in the theme, I do a second chorus

D	Bm	G	A
These days are	all	happy and	free

D	Bm	G	A
These days are	ours,	share them with	me

D	Bm
Sunday, Monday,	happy days

Em	A
Tuesday, Wednesday,	happy days

F#	Bm
Thursday, Friday,	happy days

G	A	G	A
Satur	day,	what a d	ay

A	A7
Groovin’ all week with	you

D	Bm	G	A
These days are	all	share them with	me

D	Bm	G	A
These days are	ours,	happy and	free

D	Bm	G
These happy d	ays are yours and	mine

	A	G	D
These happy	days are yours and	my happy	days

Misc - Happy Peanuts Soar (Snickers Commercial)

Can I help you *enjoy* that Snickers?

G	G/F#	Em	Em7
Happy peanuts so	ar over	chocolate-covered mou	ntaintops and

G	G/F#	C
Waterfalls of	cara	mel

	G	G/F#	Em	D	G
Prancing	nougat in the	meadow sings a	song of satis	faction to the	world

The last G is not played but is implied by the awesome vocal harmony.

Misc - Laverne and Shirley Theme

Originally in F, I play an octave down in G

Skip this unless you’re feeling goofy

One, two, three, four, five, six, seven, eight
Schlemiel! Schlimazel! Hasenpfeffer Incorporated

I strum a slow V7 here, vox on the 3 of the chord

D7

We’re gonna do it!

G	B
Give us any	chance we’ll take it

Em	C
Read us any	rule we’ll break it

G/D	Em	D/F#
We’re gonna	make our dreams come	true

D7

Doin’ it our way

G	B
Nothin’s gonna	turn us back now

Em	C
Straight ahead and	on the track now

G/D	Em	D/F#
We’re gonna	make our dreams come	true

B7

Doin’ it our way

Em7	A
There is nothing	we won’t try

Dmaj7

Never heard the word impossible

Cmaj7	Fmaj7	G
This time there’s	no stopping	us

D7

We’re gonna do it

G	B
On your mark get	set and go now

Em	C
Got a dream and	we just know now

G/D	Em	D/F#
We’re gonna	make that dream come	true

	G	Em7
And we’ll do it	our way, yes	our way

C	D
Make all our dreams come	true

	G	Em7
And we’ll do it	our way, yes	our way

C	Dsus4
Make all our dreams come	true

	C	G
For me and	you

Misc - Perfect Strangers Theme

Originally in C, I play in A

This song is wildly orchestrated (it was the 80’s; elementary school

plays were wildly orchestrated), so this is a guitar arrangement more

than a transcription. Chords that are only weakly implied are in

parentheses.

A	A	D/A	D/A

Vox on 5 1 on “sometimes”

A

Sometimes the world looks perfect

D

Nothing to rearrange

A	A/C#
Sometimes you just	get a feeling like you

D	D/E
Need some kind of change

D	C#m7
No matter what the	odds are this time

F#m	Aadd9
Nothing’s gonna	stand in my way

	D
This	flame in my heart like a long lost friend gives

E	D	E
Every dark street a light at the end

A	A/C#	D	E
Standing	tall on the	wings of my	dreams

A	A/C#	D	E
Rise and	fall on the	wings of my	dreams

C#7

Rain and thunder

F#m	F#m/E
Wind and	haze I’m

D#m7b5

Bound for better days

	A	F#m7
It’s	my life and	my dream

D	Bm7
Nothing’s gonna stop me	now

	A	F#m7
It’s	my life and	my dream

D	A/C#	Bm7
Nothing’s gonna	stop me	now

A

D/A

A

Misc - Saved by the Bell Theme

I start with a ringing I9 to find the key

A9

Vox on the b7 of the chord

	D7
When I	wake up in the morning and the alarm gives out a warning

	A
I don’t	think I’ll ever make it on time

	D7
By the	time I grab my books and I give myself a look

	F	E7
I’m at the	corner just in time to see the	bus fly by

On “saved by the be-e-ell”, vox are 4 2 1 1 b7 5 of the key

Getting that b7 in there is important, you’ll want to hit the 6

G	D	E	A
It’s	al	right ‘cause I’m saved by the	bell

	D7
If the	teacher pops a test I know I’m in a mess

	A
And my	dog ate all my homework last night

	D7
Riding	low in my chair, she won’t know that I’m there

	F	E7
If I can	hand it in tomorrow it’ll	be all right

G	D	E	A
It’s	al	right ‘cause I’m saved by the	bell

Solo on verse chords

G	D	E
It’s	al	right ‘cause I’m saved by the

G	D	E
It’s	al	right ‘cause I’m saved by the

G	D	E	A
It’s	al	right ‘cause I’m saved by the	bell

Misc - Winter Wonderland

Intro, pause after the 2nd time

----x-
-10-1-
-9--3-
-10-3-
-8--x-
----3-

Fmaj7	Fmaj7	Gm11	C7
			x 2

	Fmaj7
Sleigh bells	ring are you listening?

	Gm11	C7	Gm11	C7
In the	lane	snow is	glistening

	C7	Bbmaj7	Ebdim7	D7
A	beautiful	sight we’re	happy to	night

Gm11	C7	Fmaj7
Walking in a	winter wonder	land

	Fmaj7
Gone a	way is the bluebird

	Gm11	C7	Gm11	C7
Here to	stay	is a	new bird

	C7	Bbmaj7	Ebdim7	D7
He	sings a love	song as	we go a	long

Gm11	C7	Fmaj7
Walking in a	winter wonder	land

In A, easiest to play the Amaj7 at the open position

Amaj7	Bm11	C#m11	Bm11
In the meadow	we can build a	snowman

Amaj7	Bm11	C#m11	Bm11
We’ll pretend that	he is Parson	Brown

Cmaj7	Dm7	Em7	A7
He’ll say are you	married we’ll say	no man

	Dm7	G7	C7
But	you can do the	job when you’re in	town

	Fmaj7
Later	on we’ll conspire

	Gm11	C7	Gm11	C7
As we	dream	by the	fire

	C7	Bbmaj7	Ebdim7	D7
To	face una	fraid the	plans that we’ve	made

Gm11	C7	Fmaj7
Walking in a	winter wonder	land

Amaj7	Bm11	C#m11	Bm11
In the meadow	we can build a	snowman

Amaj7	Bm11	C#m11	Bm11
We’ll pretend that	he is Parson	Brown

Cmaj7	Dm7	Em7	A7
He’ll say are you	married we’ll say	no man

	Dm7	G7	C7
But	you can do the	job when you’re in	town

	Fmaj7
When it	snows ain’t it thrilling

	Gm11	C7	Gm11	C7
Though your	nose	gets a	chilling

	C7	Bbmaj7	Ebdim7	D7
We’ll	frolic and	play the	Eskimo	way

Gm11	C7	Fmaj7
Walking in a	winter wonder	land

Gm11	C7	Fmaj7
Walking... in a	winter... wonder	land

Mr. Big - Just Take My Heart

Originally in C, I play in G

G	F	C	C
			x2

G	F	C	C	F
It’s late at ni	ght and neither	one of us is	slee	ping

Stay on the 5 of the chord on “my life”, rather than jumping to the high 3

Em	D	C	D	G
I can’t im	agine living	my life af	ter you’r	e gone

G	F	C	C	F
Wondering	why so many ques	tions have no	ans	wers

Em	D	C	D	F
I keep on	searching for the	reason w	hy we went	wrong

F	Em
Where is our	yesterday

Am	Em	D
You and I could use	it right	now

	D#	F
But	if this is	goodbye

G	C	D
Just take my	heart when you	go

G	C	Em	D
I don’t have the	need for it	any	more

Em	Am7	F	Em	D
I’ll always	love you, but you’re	too hard to	hold

C	D	G
Just take my	heart when you	go

Interlude

G	F	C	C
			x2

G	F	C	C	F
Here we	are about to	take the final	step	now

Em	D	C	D	G
I just can’t	fool myself, I	know there’s no	turning	back

G	F	C	C	F
Face to	face it’s been	endless conver	sa	tion

Em	D	C	F
But when the	love is gone you’re	left with nothing but	talk

F	Em
I’d give my	everything

	Am	Em	D
If	only I could turn	you ar	ound

	D#	F
But	if this is	goodbye

G	C	D
Just take my	heart when you	go

G	C	Em	D
I don’t have the	need for it	any	more

Em	Am7	F	Em	D
I’ll always	love you, but you’re	too hard to	hold

C	D	F
Just take my	heart when you	go

Solo, just the first 2x2 is fine acoustic

F	G	F	G
D#	F	D#	F
G

A	D	E
Just take my	heart when you	go

A	D	F#m	E
I don’t have the	need for it	any	more

F#m	Bm7	G	F#m
I’ll always	love you but you’re	too hard to	hold

D	E	F	G	A
Just take my	heart, baby	just take my	heart when you	go

Outro

A

G

D

Neil Diamond - Sweet Caroline

Originally in B, I play in A capo 2

Play the intro with the open 6th string (capo 2)

plus this walk on the 5th string, written relative

to the capo. More or less the chord is E.

A|-2-4-5--2-4-5-4-2-5-4-2-
E|-0-0-0--0-0-0-0-0-0-0-0-

A|-5-7-9--5-7-9-7-5-9-7-5-
E|-0-0-0--0-0-0-0-0-0-0-0-

D------------------------11--9-
A|-9-11-12--9-11-12--11--x---x-
E|-0-0--0---0-0--0-------0---0-

A	D
Where it began I can’t	begin to know it

A	E
But then I know it’s going strong

A	D
Was in the spring, and s	pring became a summer

A	E
Who’d have believe you’d come along?

A	A6
Hands	touching hands

E	D	E	D	E
Reaching out	touching me touching you		→

A	D	E
Sweet Carol	ine, good times never seemed so	good

A	D	E
I’ve been inclined t	o believe they never would

D	C#m	Bm
But	now I	’m

A	D
Look at the night	and it don’t seem so lonely

A	E
We fill it up with only	two

A	D
And when I hurt	hurtin’ runs off my shoulder

A	E
How can I hurt when holding	you?

A	A6
Warm	touching warm

E	D	E	D	E
Reaching out	touching me touching	you	→

A	D	E
Sweet Caro	line, good times never seemed so	good

A	D	E
I’ve been inclined t	o believe they never would

D	C#m	Bm
Oh	no	no

Repeat intro riff

A	D	E
Sweet Caro	line, good times never seemed so	good

A	D	E
Sweet Caro	line, I believe they never	could

D	C#m	Bm
Oh	no	no

A6

Neil Sedaka - Breaking Up Is Hard to Do

Originally in B, I play in D capo 3

Do do do

D	Bm	G	A
Down dooby	doo down	down,	comma comma

D	Bm	G	A
Down dooby	doo down	down,	comma comma

D	Bm	G
Down dooby	doo down	down

A	D	G	D
Breaking up is	hard	to	do

	D	Bm	G	A
Don’t take your	lov	e a	way from	me

D	Bm	G	A
Don’t you	leave my heart in	mise	ry

D	D/C#	Bm
If you	go then	I’ll be blue

Vox on the 1 of the chord on “breaking”

	E	A
‘Cause	breaking up is hard to	do

	D	Bm	G	A
Re-mem-ber	whe	n you	held me	tight

D	Bm	G	A
And you	kissed me	all through the	night

D	D/C#	Bm
Think of	all that	we’ve been through

	E	A	D
And	breaking up is	hard to	do

Vox stay on the 1 for “they say”, and on “break”,

it goes to the b3

	Dm	G7	Dm	G7
They say that breaking	up	is	hard to	do

C	Cmaj7	C6	Cmaj7
Now I	know I	know that it’s	true

Cm	F7	Cm	F7
Don’t	say that	this is the	end

	A#
In	stead of breaking up I wish that

A7

We were making up again

	D	Bm
I beg of	you

G	A
Don’t say good	bye

D	Bm	G	A
Can’t we	give our love a	nother	try?

D	D/C#	Bm
Come on	baby, let’s	start anew

	E	A	D
‘Cause	breaking up is	hard to	do

Girls sing the first and third lines this time

	Dm	G7	Dm	G7
They say that breaking	up	is	hard to	do

C	Cmaj7	C6	Cmaj7
Now I	know I	know that it’s	true

Cm	F7	Cm	F7
Don’t	say that	this is the	end

	A#
In	stead of breaking up I wish that

A7

We were making up again

	D	Bm
I beg of	you

G	A
Don’t say good	bye

D	Bm	G	A
Can’t we	give our love a	nother	try?

D	D/C#	Bm
Come on	baby, let’s	start anew

	E	A	D
‘Cause	breaking up is	hard to	do

Fade

D	Bm	G	A
Down dooby	doo down	down,	comma comma

D	Bm	G	A
Down dooby	doo down	down,	comma comma

D	Bm	G
Down dooby	doo down	down

Nena - 99 Red Balloons

Originally in E, I play in A

Intro, let ring

Vox start on the 2

A	Bm
You and I in a	little toy shop

	D	E
Buy a	bag of balloons with the	money we got

A	Bm
Set them free at the	break of dawn

	D	E
Till	one by one, they were	gone

A	Bm
Back at base,	bugs in the software

D	E
Flash the message,	something’s out there

A	Bm
Floating in the	summer sky

D	E
Ninety-nine	red balloons go by

Chording out the riff here...

A	A/F#	A	A/F#
A	A/F#	A	A/F#	A
				(x2)

A	A/F#	A	A/F#	Bm	A
A	A/F#	A	A/F#	E
				(x2)

A	Bm
Ninety-nine	red balloons

D	E
Floating in the	summer sky

A	Bm
Panic bells, it’s	red alert

	D	E
There’s	something here from	somewhere else

	A	Bm
The	war machine	springs to life

D	E
Opens up one	eager eye

A	Bm
Focusing it	on the sky

	D	E	A
Where	ninety-nine	red balloons go	by

A	Bm	D	E
			x 2

	A	Bm
At	ninety-nine dec	ision street

D	E
Ninety-nine mini	sters meet

	A	Bm
To	worry, worry,	super scurry

D	E
Call the troops out	in a hurry

A	Bm
This is what we’ve	waited for

D	E
This is it, boys,	this is war

	A	Bm
The	president is	on the line

	D	E	A
As	ninety-nine	red balloons go b	y

Repeat riff

A	Bm
Ninety-nine knights	of the air

	D	E
Ride	super high-tech	jet fighters

A	Bm
Everyone’s a	super hero

D	E
Everyone’s a	Captain Kirk

	A	Bm
With	orders to i	dentify

	D	E
To	clarify and c	lassify

A	Bm
Scramble in the	summer sky

	D	E	A
As	ninety-nine	red balloons go	by

A	Bm	D	E
A	Bm	D	E	A
	As	ninety-nine	red balloons go	by

Hard stop on the last chord

A	Bm	D	E
			x 2

Let ring

A	Bm
Ninety-nine dreams	I have had

	D	E
In	every one a	red balloon

A	Bm
It’s all over and I’m	standing pretty

D	E
In this dust that	was a city

	A	Bm
If	I could find a	souvenir

D	E
Just to prove the	world was here

A	Bm
And here is a	red balloon

	D	E
I	think of you and	let it go

Night Ranger - Sister Christian

Originally in C, I play in G or G capo 1

Highest note is the b7, on “*What’s* your price for life?”

G	G	C	D
			x2

C	C	Bm	Am7	Am7/D	G
				→

Vox start on the third

G	C	D
Sister Christian, oh the	time has	come

G	C	D
And you know that you’re the	only	one to

When the vox land on “say”, they’re already in a

good place for “okay”

C	Bm	Am7	Am7/D
Say o	kay

G	C	D
Where you goin’, what you	looking	for

G	C	D
You know those boys don’t want to	play no	more with

C	Bm	Am7	Am7/D
You, it’s t	rue

G	C/G	G	C/G

Harmony root on everything except “what’s your”,

go to 4, “mister”, go to b7

	G
You’re	motoring

C	G
What’s your price for f	light?

	C	F	G
In	finding	mister	right

	C	F	F	C/E	C/D
You’ll	be alright ton	ight

G	C	D
Babe, you know you’re growing	up so	fast

	G	C	D
And	mama’s worrying that	you won’t	last to

C	Bm	Am7	Am7/D
Say, let’s	play

G	C	D
Sister Christian, there’s so	much in	life

G	C	D
Don’t you give it up be	fore your	time is

C	Bm	Am7	Am7/D
Due, it’s t	rue

G	C/G	G	C/G
It’s tru	e

	G
You’re	motoring

C	G
What’s your price for f	light?

	C	F	G
In	finding	mister	right

	C	F	F	C/E	C/D
You’ll	be alright ton	ight

Solo

C	D/C
	x4

G/B	Em/A#	F/A	D	D

	G
You’re	motoring

C	G
Got him in your	sight

	C	F	G
You’re	driving	through the	night

	C	F	F	C/E	C/D
You’ll	be alright ton	ight

G	C/G	G	C/G

G	C	D
Sister Christian, oh the	time has	come

G	C	D
And you know that you’re the	only	one to

C	Bm	Am7	Am7/D
Say o	kay

G	C
But you’re motor	ing

G	C
Yeah

	G	C	D	G
Motor	ing

Oingo Boingo - Dead Man’s Party

Originally in Ebm, I play in Em, capo 4, so Abm

A lot of loose timing between lines, just bopping around on Em and D

Em

Em	D	Em
I’m all dressed up with	nowhere to	go

Em	D	Em
Walkin’ with a dead man	over my	shoulder

I skip the repeats of each verse...

Em	D	Em

Em	D	Em
Waiting for an invi	tation to ar	rive

Em	D	Em
Goin’ to a party where	no one’s still a	live

Em	D

Em	Asus2
I was struck by lighting

Em	Asus2
Walkin’ down the street

Em	G	D	Em
I was hit by	something last night	in my	sleep

Em	Asus2
It’s a dead man’s party

Em	Asus2
Who could ask for more

Em	G	D	Em
Everybody’s	comin’, leave your	body at the	door

	A	B	D	Em
Leave your	body and soul	at	the	door

C	D	Em
Don’t run away it’s	only	me

C	D	Em
Don’t be afraid of	what you	can’t see

C	D	Em
Don’t run away it’s	only	me

C	D	Em	D	Em
Don’t be afraid of	what you	can’t		see

Em	Em	D	Em
			x 4

Solo is basically over Em

Em

Em	D	Em
Got my best suit	and my	tie

Em	D	Em
Shiny silver dollar on	either	eye

	Em	D	Em
I	hear the chauffeur comin’	to my	door

Em	D	Em
Says there’s room for maybe	just one	more

Em	Asus2
I was struck by lighting

Em	Asus2
Walkin’ down the street

Em	G	D	Em
I was hit by	something last night	in my	sleep

Em	Asus2
It’s a dead man’s party

Em	Asus2
Who could ask for more

Em	G	D	Em
Everybody’s	comin’, leave your	body at the	door

	A	B	D	Em
Leave your	body and soul	at	the	door

C	D	Em
Don’t run away it’s	only	me

C	D	Em
Don’t be afraid of	what you	can’t see

C	D	Em
Don’t run away it’s	only	me

C	D	Em	D	Em
Don’t be afraid of	what you	can’t		see

	D	Em
It’s	only	me

	D	Em
It’s	only	me

	D	Em
It’s	only	me

Orleans - Still the One

Originally in E, I play in A

Intro, swung with 6ths

A

We’ve been together since way back when

Sometimes I never want to see you again

	D	E
But I	want you to know, after	all these years

D	E
You’re still the one I want	whisperin’ in my ear

Drop the 6ths and switch to full strum for the chorus

	A	D
You’re	still the one I want to	talk to in bed

F#m	B
Still the one that	turns my head

D	E	A
We’re still having fun	and you’re still the	one

	A
I	looked at your face every day

But I never saw it till I went away

	D	E
When	winter came, I just	wanted to go

Hold a half-beat before “longed”, make it one syllable

instead of “lo-onged”

D	E
Deep in the desert I	longed for the snow

	A	D
You’re	still the one that	makes me laugh

F#m	B
Still the one that’s my	better half

D	E	A
We’re still having fun	and you’re still the o	ne

	A	D
You’re	still the one that	makes me strong

F#m	B
Still the one I want to	take along

D	E	A
We’re still having fun	and you’re still the o	ne, yes you are

Solo if appropriate on a verse and a chorus

Hold off an extra beat before the “our”

A	B11/A
Changing, our	love is going gold

Play this line soft

G	F#m	E
Even though we grow	old, it grows	new

Original comes back in full here, I stay on a slow strum

	A	D
You’re	still the one that I	love to touch

F#m	B
Still the one and I	can’t get enough

D	E	A
We’re still having fun	and you’re still the o	ne

All but drums drop out

	A	D
You’re	still the one who can	scratch my itch

F#m	B
Still the one and	I wouldn’t switch

D	E	A
We’re still having fun	and you’re still the o	ne

Hits on “you are”, band re-enters

D	E	A	D
You	are	still the one that	makes me shout

F#m	B
Still the one that I	dream about

D	E	A
We’re still having fun	and you’re still the o	ne

	A	D
You are	still the one

	F#m	B
You’re	still the one

D	E	A	D/A
We’re still having fun	and you’re still the o	ne

On the bridge rhythm, triplets

A	A	B11/A	B11/A	G	F#m	D	A
					→

Paramore - Still Into You

Originally in F, I play in C capo 5 (down an octave)

C

Can’t count the years one hand

That we’ve been together

	Am
I need the other one to	hold you

Make you feel, make you feel better

C

It’s not a walk in the park

To love each other

	Am
But when our fingers inter	lock

Can’t deny, can’t deny you’re worth it

Quiet

	F
Cause after all this	time

	G	C
I’m	still into	you

Loud, but not higher than the verse... it feels like you want

to go up, but you don’t.

	F	G
I should be over all the	butterflies

	C
I’m into	you, I’m into you

	F	G
And baby even on our	worst nights

	C
I’m into	you, I’m into you

	F	G
Let ‘em wonder how we	got this far

	Am	C
Cause I don’t really need to	wonder at a	ll

	F
Yeah after all this	time

Hard stop on “still”

	G	C
I’m	still into	you

C

Recount the night that I first

Met your mother

	Am
And on the drive back to my	house

I told you that, I told you that I loved ya

C

You felt the weight of the world

Fall off your shoulder

	Am
And to your favorite	song

We sang along to the start of forever

	F
And after all this	time

	G	C
I’m	still into	you

	F	G
I should be over all the	butterflies

	C
But I’m into	you, I’m into you

	F	G
And baby even on our	worst nights

	C
I’m into	you, I’m into you

	F	G
Let ‘em wonder how we	got this far

	Am	C
Cause I don’t really need to	wonder at a	ll

	F
Yeah after all this	time

No hard stop this time

	G	C
I’m	still into	you

C	C	Am	G
C	C	Am	G

C

Some things just

C

Some things just make sense

	Am	G
And	one of those is	you and I

C

Some things just

C

Some things just make sense

	Am	G
And	even after	all this time

Quiet until the chorus

F	G
	C
I’m into	you

	F
Baby not a	day goes by that

	G	C
I’m	not into y	ou

	F	G
I should be over all the	butterflies

	C
But I’m into	you, I’m into you

	F	G
And baby even on our	worst nights

	C
I’m into	you, I’m into you

	F	G
Let ‘em wonder how we	got this far

	Am	C
Cause I don’t really need to	wonder at a	ll

	F
Yeah after all this	time

	G	F
I’m	still into	you

	G	F
I’m	still into y	ou

Last I is implied

	G	C
I’m	still into	you

Pat Benatar - Heartbreaker

Originally in Fm, I play in Em capo 4

Basically straight-8th downstrokes until the chorus

Em	G

Vox on the 3

Em	D
Your love is like a ti	dal wave

	C	A	C	D
Spinni	ng over my hea	d

	Em	D
D	rownin’ me in your pro	mises

C	A	C	D
Better left unsaid

Em	D	C
You’re the	right kind of	sinner

	Am	B
To	release my inner	fantasy

Em	D	C
The i	nvincible	winner and you

Am	B
Know that you were	born to be

	Em	G	A
You’re a	heartbreaker,	dream maker,	love taker

B	C	B
Don’t you m	ess around with	me

	Em	G	A
You’re a	heartbreaker,	dream maker,	love taker

B	C	B
Don’t you m	ess around,	no, no, no

Em	G
	x2

Em	D
Your love has set my s	oul on fire

C	A	C	D
Burnin’ out of co	ntrol

Em	D
You taught me the wa	ys of desire

C	A	C	D
Now it’s takin’ its	toll

Em	D	C
You’re the	right kind of	sinner

	Am	B
To	release my inner	fantasy

Em	D	C
The i	nvincible	winner and you

Am	B
Know that you were	born to be

	Em	G	A
You’re a	heartbreaker,	dream maker,	love taker

B	C	B
Don’t you m	ess around with	me

	Em	G	A
You’re a	heartbreaker,	dream maker,	love taker

B	C	B
Don’t you m	ess around,	no, no, no

Em	G
	x2

Prog breakdown, chords approximate

Em	B7	G	D/F#	Em	G	D/F#
		→	→	→	→	→

Em	B7	Em	D	C	B7
		→	→	→

B7

Hits on the first beat of each measure (“you’re”, “sin”)

Em	D	C
You’re the	right kind of	sinner

	A	B
To	release my inner	fantasy

Em	D	C
The i	nvincible	winner and you

A	B
Know that you were	born to be

Instruments out

You're a heartbreaker, dream maker, love taker
Don't you mess around with me

Instruments back, but straight-8th rhythm, not chorus rhythm

	Em	G	A
You’re a	heartbreaker,	dream maker,	love taker

B	C	B
Don’t you m	ess around with	me

	Em	G	A
You’re a	heartbreaker,	dream maker,	love taker

B	C	B
Don’t you m	ess around with	me

	Em	G	A
You’re a	heartbreaker,	dream maker,	love taker

Ritard here if there’s not going to be a solo

B	C	B
Heartb	reaker

Solo on chorus chords if appropriate, else end on...

Em

Paul Simon - 50 Ways to Leave Your Lover

Em

Em	Bm/D	Am	Am/G	Ebdim7	B7
The problem is	all inside your	head, she	said to	me

Em	Ebdim7	Gbdim7	B7+	B7
The answer is	easy if you	take it logically

Em	Bm/D	Am	Am/G	Ebdim7
I’d like to	help you in your	struggle	to be	free

	B7	Em	Am	Em
There	must be	fifty	ways to leave your	lover

Em	Bm/D	Am	Am/G	Ebdim7	B7
She said it’s	really not my	habit	to	intrude

	Em	Ebdim7	Gbdim7	B7+	B7
Furthe	rmore, I hope my	meaning won’t be	lost or miscon	strued

	Em	Bm/D	Am	Am/G	Ebdim7
But I’ll re	peat myself,	at the	risk of	being	rude

	B7	Em	Am	Em
There	must be	fifty	ways to leave your	lover

Em	Am	Em
Fifty	ways to leave your	lover

	G
You just slip out the	back, Jack

	Bb
Make a new	plan, Stan

	C
You don’t need to be	coy, Roy

	G
Just get yourself	free

	G
Hop on the	bus, Gus

	Bb
You don’t need to	discuss much

	C
Just drop off the	key, Lee

	G
And get yourself	free

Em	Bm/D	Am	Am/G	Ebdim7	B7
She said it	grieves me so to	see you	in such	pain

	Em	Ebdim7	Gbdim7	B7+	B7
I wish	there was something	I could do to	make you smile again

	Em	Bm/D	Am	Am/G	Ebdim7
I said I ap	preciate that	and	would you	please ex	plain

	B7	Em
A	bout the	fifty ways

Em	Bm/D	Am	Am/G	Ebdim7	B7
She said why	don’t we both just	sleep on	it to	night

	Em	Ebdim7	Gbdim7	B7+	B7
And I be	lieve in the	morning you’ll	begin to see the light

	Em	Bm/D	Am	Am/G	Ebdim7
And then she	kissed me and I	realized she	probab	ly was	right

	B7	Em	Am	Em
There	must be	fifty	ways to leave your	lover

Em	Am	Em
Fifty	ways to leave your	lover

	G
You just slip out the	back, Jack

	Bb
Make a new	plan, Stan

	C
You don’t need to be	coy, Roy

	G
Just get yourself	free

	G
Hop on the	bus, Gus

	Bb
You don’t need to	discuss much

	C
Just drop off the	key, Lee

	G
And get yourself	free

	G
You just slip out the	back, Jack

	Bb
Make a new	plan, Stan

	C
You don’t need to be	coy, Roy

	G
Just get yourself	free

	G
Hop on the	bus, Gus

	Bb
You don’t need to	discuss much

	C
Just drop off the	key, Lee

	G
And get yourself	free

Peter Cetera - Glory of Love

Originally in C, I play in E capo 2. This arrangement avoids the

key change, more for guitar than for vocal reasons.

E	E	A/C#	D
			x2

E	B
Tonight it’s very clear	as we’re both lying here

E	A	E/B	B
There’s so m	any things I w	ant to s	ay

E	A/C#
I will always lo	ve you

D	G	C	D/C	C	D/C
I would never l	eave you alon	e

E	B
Sometimes I just forget s	ay things I might regret

E	A/C#	E/B	B
It breaks my he	art to see you c	ryin	g

E	A/C#
I don’t want to l	ose you

D	G	C	D/C	C	D	Dsus2
I could never m	ake it alo	ne			→

E	A	E/G#	Bsus4	B
I am a m	an who would f	ight for your h	onor

E	A/C#	F#m7	B
I’ll be the	hero you’re	dreaming of

C#m7	F#m7	E/G#	G#/C
We’ll live for	ever knowing	together

	C#m	F#m7	B	E
That we	did it	all for the g	lory of l	ove

E	E	A/C#	D

E	B
You keep me standing tall,	you help me through it all

E/G#	A	E/B	B
I’m always stro	ng when you’re b	eside	me

E	A/C#
I have always nee	ded you

D	G	C	D/C	C	D	Dsus2
I could never m	ake it alo	ne			→

E	A	E/G#	Bsus4	B
I am a m	an who would f	ight for your h	onor

E	A/C#	F#m7	B
I’ll be the	hero you been	dreaming of

C#m7	F#m7	E/G#	G#/C
We’ll live for	ever knowing	together

	C#m	F#m7	B	E
That we	did it	all for the g	lory of l	ove

Am	C
Just like a knight in	shining armor

D	D/F#	G
From a	long time a	go

Am	C
Just in time I will	save the day

Em7	G	Am	D
Take you	to my c	astle far aw	ay

D	G	C	D
Bsus4	Bsus4

E	A	E/G#	Bsus4	B
I am a m	an who would f	ight for your h	onor

E	A/C#	F#m7	B
I’ll be the	hero you been	dreaming of

	C#m7	F#m7	E/G#	G#/C
We’re	gonna live for	ever k	nowing tog	ether

	C#m	F#m7	Bsus4	B	E
That we	did it	all for the g	lory	of	love

E	A	E/G#	B
E	A	F#m7	B
C#m7	F#m7	E/G#	G#/C
We’ll live for	ever	knowing tog	ether

	C#m	F#m7	Bsus4	C#m
That we	did it	all for the g	lory of l	ove

Fade on...

C#m	A	B	C#m
We d	id it a	ll for	love

Peter, Paul, and Mary - El Salvador

Originally in E, I prefer it in E on guitar, but D vocally.

A	B	G#m	C#m	A	B	E

Little Latin flourish on the 3rd and 4th strings, roughly iii ii

	E
There’s a	sunny little country south of Mexico

	F#7
Where the	winds are gentle and the waters flow

	A	Am	E
But	breezes aren’t the only	things that blow in El	Salvador

	E
If you	took the little lady for a moonlight drive

F#7

Odds are still good you’d come back alive

	A	Am	E	E7
But	everyone is innocent unt	il they arrive in El	Salvador

	A	B
If the	rebels take a bus on the	grand highway

	G#m	C#m
The	government destroys a village	miles away

	A
The	man on the radio says

Go down to the 1 instead of up to the 3 on “border”

B	E	E7
Now we’ll play South of the	Border

A	B
And in the morning the	natives say

G#m	C#m
We’re happy you have lived a	nother day

A

Last night a thousand more

B	E
Passed away in El Salva	dor

C#m	B
Oooh	Oooh

	E
There’s a t	elevision crew here from ABC

F#7

Filming Rio Lempe and the refugees

A	Am	E
Calling murdered children the t	ragedy of El S	alvador

	E
Be	fore the government camera twenty feet away

F#7

Another man is asking for continued aid

A	Am	E	E7
Food and medicine and h	and grenades for El	Salvador

	A	B
There’s a	thump, a rumble, and the	buildings sway

G#m	C#m
A soldier fires the	acid spray

	A
The	public address system

	B	E	E7
S	tarts to play South of the	Border

A	B
You run for cover and	hide your eyes

G#m	C#m
You hear the screams from	paradise

A	B
They’ve fallen further than you	realize

	C#m
In El Salva	dor

A	F#7	B
La,	la,	ooh

Pause and ease into the next verse rubato

	E
Just like	Poland is protected by her Russian “friends”

	F#7
The	junta is assisted by Americans

	A	Am	E
And if	sixty million dollars seems	too much to spend in El	Salvador

	E
They say	for half a billion they could do it right

F#7

Bomb all day, burn all night

	A	Am	E	E7
Unt	il there’s not a living t	hing upright in El Sa	lvador

	A	B
They’ll con	tinue training troops in the	USA

G#m	C#m
And watch the nuns that	got away

A	B
And teach the military	bands

	E	E7
To play South of the	Border

A	B
And kill the people to	set them free

G#m	C#m
Who put this price on their	liberty?

A	B	A
Don’t you think it’s	time to leave El Salva	dor?

G#m

A

B

C#m

Petula Clark - Downtown

A	A	D/A	E/A
			x2

In A, play this E/A in open position

A	E/A
When you’re a	lone

	D/A	E/A
And life is	making you	lonely

In A, play the C#m with open B and E

	A	C#m7	D	E
You can	always	go	downt	own

A	E/A
When you’ve got	worries

	D/A	E/A
All the	noise and the	hurry

	A	C#m7	D	E
Seems to	help, I	know,	down	town

	A	F#m
Just	listen to the music of the	traffic in the city

A	F#m
Linger on the sidewalk where the	neon signs are pretty

C#m7

How can you lose?

Chords follow vocal rhythm

D	D	E/D	D	E/D	D	E/D	D
	The	lights	are	much	brigh	ter	there

E/D	D	F#m	B
You	can for	get all your	troubles, forget all your cares and go

A	Amaj7	Bm7/E
Down	town,	things’ll be great when you’re

A	Amaj7	Bm7/E
Down	town,	no finer place for sure

Hang on “everything”

A	Amaj7	Bm7/E
Down	town,	everything’s waiting for you

A	G/A	A	G/A
A	G/A	A	G/A
Down	town

A	E/A
Don’t hang a	round

	D/A	E/A
And let your	problems sur	round you

	A	C#m7	D	E
There are	movie	shows	down	town

A	E/A
Maybe you	know

	D/A	E/A
Some little	places to	go to

	A	C#m7	D	E
Where they	never	close	down	town

	A	F#m
Just	listen to the rhythm of a	gentle bossanova

A	F#m
You’ll be dancing with ‘em too	before the night is over

C#m7

Happy again

D	D	E/D	D	E/D	D	E/D	D
	The	lights	are	much	brigh	ter	there

E/D	D	F#m	B
You	can for	get all your	troubles, forget all your cares and go

A	Amaj7	Bm7/E
Down	town,	where all the lights are bright

A	Amaj7	Bm7/E
Down	town,	waiting for you tonight

A	Amaj7	Bm7/E
Down	town,	you’re gonna be alright now

A	G/A	A	G/A
A	G/A	A	G/A
Down	town

Possible solo on verse chords, in the youtube arrangement I’m following

this sounds great without a lead guitar.

	A	F#m
And	you may find somebody kind to	help and understand you

A	F#m
Someone who is just like you and	needs a gentle hand to

C#m7

Guide them along

D	D	E/D	D	E/D	D	E/D	D
	So	may	be	I’ll	see	you	there

E/D	D	F#m	B
We	can for	get all our	troubles, forget all your cares and go

A	Amaj7	Bm7/E
Down	town,	things’ll be great when you’re

A	Amaj7	Bm7/E
Down	town,	don’t wait a minute more

A	Amaj7	Bm7/E
Down	town,	everything’s waiting for you

A	G/A	A	G/A
A	G/A	A	G/A
Down	town

Poison - Every Rose Has Its Thorn

Originally in G tuned down to Gb, I keep it in G

Intro, acoustic only

G	Cadd9	G	Cadd9

G	Cadd9
We both lie silently still in the	dead of the night

	G	Cadd9
Although we	both lie close together we feel	miles apart inside

	G	Cadd9
Was it	something I said or	something I did

	G	Cadd9
Did my	words not come out	right

	D	Cadd9
Though I	tried not to hurt you though I	tried

I guess that’s why they say

Keys and cymbals gently enter...

G	Cadd9
Every rose has its	thorn

	G	Cadd9
Just like	every night has its	dawn

	G	D	Cadd9	G
Just like	every	cowboy sings his	sad, sad	song

Band enters on “thorn”

G	Cadd9
Every rose has its	thorn

Yeah it does

G	Cadd9	G	Cadd9

	G	Cadd9
I	listen to our favorite song playing on the	radio

	G	Cadd9
Hear the	DJ say love’s a game of easy come and	easy go

Ooooh’s begin

	G	Cadd9
But I	wonder does	he know

	G	Cadd9
Has he	ever felt like	this

	D
And I	know that you’d be here right now

	Cadd9
If I	could have let you know somehow I guess

G	Cadd9
Every rose has its	thorn

	G	Cadd9
Just like	every night has its	dawn

	G	D	Cadd9	G
Just like	every	cowboy sings his	sad, sad	song

G	Cadd9
Every rose has its	thorn

Bridge

Em	D
Though its been a	while now I can

	Cadd9	G	D/F#
Sti	ll feel so much p	ain

Em	D
Like a knife that c	uts you the wound heals

Cadd9	G
But the scar, that scar rem	ains

Solo

G	Cadd9	G	Cadd9
Em	D	C	G	Em	D	C

Guitar only

G	Cadd9	G	Cadd9

G	Cadd9
I know I could have saved a love that night If I’d	known what to say

G	Cadd9
Instead of makin’ love we both	made our separate ways

	G	Cadd9
And now I	hear you found somebo	dy new

	G	Cadd9
And	that I never meant that mu	ch to you

	D
To he	ar that tears me up inside

	Cadd9
And to	see you cuts me like a knife

I guess

G	Cadd9
Every rose has its	thorn

	G	Cadd9
Just like	every night has its	dawn

	G	D	Cadd9	G
Just like	every	cowboy sings his	sad, sad	song

Hanging end on “thorn”

G	Cadd9
Every rose has its	thorn

G

Prince - When Doves Cry

Sometime’s it’s fun to replace the E→E7 transition

at the end of each phrase with a single E7#9

Intro, played slowly

Fmaj7	G	Fmaj7	G

Am	G
Dig if you will the	picture

	Edim7	Am
Of you and I en	gaged in a	kiss

	G
The sweat from your body it	covers me

	E	E7
Can you my darling,	can you	picture this?

Am	G
Dream if you can a	courtyard

	Edim7	Am
An ocean of	violets in	bloom

	G
Animals strike	curious poses

They feel the heat

	E	E7
The	heat between	me and you

Am	G
How can you just leave me	standing?

	Edim7	Am
Alone in a	world that’s so	cold? (so cold)

	G
Maybe I’m just too	demanding

	E	E7
Maybe I’m just like my	father	too bold

Am	G
Maybe you’re just like my	mother

	Edim7	Am
She’s never	satis	fied (she’s never satisfied)

	G
Why do we scream at each	other

	E	E7	Am
This is what it sounds like	when	doves cry

Am	G
Touch if you will my	stomach

	Edim7	Am
Feel how it	trembles in	side

	G
You’ve got the butter	flies all tied up

Don’t make me chase you

E	E7
Even	doves have pride

Am	G
How can you just leave me	standing?

	Edim7	Am
Alone in a	world that’s so	cold? (so cold)

	G
Maybe I’m just too	demanding

	E	E7
Maybe I’m just like my	father	too bold

Am	G
Maybe you’re just like my	mother

	Edim7	Am
She’s never	satis	fied (she’s never satisfied)

	G
Why do we scream at each	other

	E	E7	Am
This is what it sounds like	when	doves cry

Do the first half of this chorus quiet and rubato...

Am	G
How can you just leave me	standing?

	Edim7	Am
Alone in a	world that’s so	cold? (so cold)

	G
Maybe I’m just too	demanding

	E	E7
Maybe I’m just like my	father	too bold

Am	G
Maybe you’re just like my	mother

	Edim7	Am
She’s never	satis	fied (she’s never satisfied)

	G
Why do we scream at each	other

	E	E7	Am
This is what it sounds like	when	doves cry

Pure Prairie League - Amie

Intro, with bluegrass-solo over just the one chord

A

A	A	G	D
			x2

A	G	D	A	G	D
I can see why	you think	you be	long to me

	A	G	D
I	never tried to	make you	think or

A	D
Let you see one thing for your	self

	C	D
But now you’re	off with someone else and I’m	alone

	C	E
You see I	thought that I might keep you for my	own

A	G	D
Amie	what you wanna	do?

A	G	D
I think	I could stay with	you

	Bm	E
For a	while maybe longer if I	do

A	A	G	D
			x2

A	G	D	A	G	D
Don’t you think the	time is	right for	us to find

A	G	D
All the things we	thought weren’t	proper

A

Could be right in time

	D	C	D
And can you	see which way	we should turn together or	alone

	C	E
I can	never see what’s right or what is	wrong

E

Will it take to long to see?

A	G	D
Amie	what you wanna	do?

A	G	D
I think	I could stay with	you

	Bm	E
For a	while maybe longer if I	do

A	A	G	D
			x2

Solo if appropriate on verse and chorus, else skip the next chorus

A	G	D
Amie	what you wanna	do?

A	G	D
I think	I could stay with	you

	Bm	E
For a	while maybe longer if I	do

A	A	G	D
			x2

A	G	D	A	G	D
Now it’s come to	what you	want you’ve	had your way

	A	G	D
And	all the things you	thought be	fore just

A

Faded into gray

	D	C	D
And can you	see that I	don’t know if it’s you or if it’s	me

	C	E
If it’s	one of us I’m sure we both will	see

E

Won’t you look at me and tell me?

A	G	D
Amie	what you wanna	do?

A	G	D
I think	I could stay with	you

	Bm	E
For a	while maybe longer if I	do

A	G	D
Amie	what you wanna	do?

A	G	D
I think	I could stay with	you

	Bm	E
For a	while maybe&nbs

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