Dan’s Big Awesome Acoustic Songbook: Songs of the 21st century
November 2024 refresh
| G | G | C | D | G |
It’s a l | ong way to heaven it’s a long way back | | | | |
G | G | C | D | G |
Take it from a sinner it’s a cold, hard fact | | | | |
G | G | C | D | G |
I kissed the bottle and it tasted like more | | | | |
| G | G | C | D | G |
It a | in’t what you got, it’s what you’re lookin’ for | | | | |
| D | C |
Up and | down the old ball | rolls |
| D | C |
And I’m gonna | miss it when I | go |
| D |
But it ain’t gonna m | iss me |
| G | C | G |
I been | over the moon and | down on my | luck |
C | G | D | G |
I’ve seen a | little but it | ain’t en | ough |
| G | C | G |
Been | down to the bottom and | all the way | up |
C | G | D | Em |
I’ve seen a | little but it | ain’t en | ough |
C | G | D | G |
I’ve seen a | little but it | ain’t en | ough |
| G | G | C | D | G |
It | ain’t what ya done, it’s what you’re gonna do | | | | |
| G | G | C | D | G |
It a | in’t where you been it’s where you’re going to | | | | |
| G | G | C | D | G |
I’m s | orry Saint Peter I don’t mean to complain | | | | |
| G | G | C | D | G |
But can you g | ive it just a minute ‘fore you call my name | | | | |
| D | C |
Nothing | hurts like a stone unt | urned |
| D | C |
And I got | candles left to | burn |
| D |
And lessons | left to learn |
| G | C | G |
I been | over the moon and | down on my | luck |
C | G | D | G |
I’ve seen a | little but it | ain’t en | ough |
| G | C | G |
Been | down to the bottom and | all the way | up |
C | G | D | Em |
I’ve seen a | little but it | ain’t en | ough |
C | G | D | G |
I’ve seen a | little but it | ain’t en | ough |
| Em | D | C |
We got a | long, long | way to | go |
| Em | D | C |
Other side of the | world is only | halfway | home |
| Em | D | C |
There might be | nothing | down that | road |
| D |
But you | never know, no you never know |
G | G | C | G |
C | G | D | G |
G | G | C | G |
C | G | D | G |
| | | |
| D | G |
Up and | down the old ball | rolls |
| D | C |
And I’m gonna | miss it when I | go |
| D |
But it ain’t gonn | a miss me |
| G | C | G |
I been | over the moon and | down on my | luck |
C | G | D | G |
I’ve seen a | little but it | ain’t en | ough |
| G | C | G |
Been | down to the bottom and | all the way | up |
C | G | D |
I’ve seen a | little but it | ohhhh |
| G | C | G |
I been | over the moon and | down on my | luck |
C | G | D | G |
I’ve seen a | little but it | ain’t en | ough |
| G | C | G |
Been | down to the bottom and | all the way | up |
C | G | D | Em |
I’ve seen a | little but it | ain’t en | ough |
C | G | D | Em |
I’ve seen a | little but it | ain’t en | ough |
C | G | D | G |
I’ve seen a | little but it | ain’t en | ough |
I...
| G |
Don’t feel like g | oing home |
| C | G |
But all my c | ash is g | one |
| C | G | D |
Yeah, I got n | othing to | do to | night |
| Em |
I’m passed out | on the floor |
| C | G | D |
But it don’t ma | tter, cause I’m fee | ling f | ine |
| G | C | G |
I’m thinking l | ife’s too s | hort, it’s | passing by |
| G | C | G |
So if | I’m gonna g | o at | all |
Go big or go
G |
(Go! Go!) Go big or go home |
C |
(Go! Go!) Go big or go-o-o-o home |
G |
(Go! Go!) Go big or go home |
C |
(Go! Go!) Go big or go-o-o-o home |
G | C | G |
| (Go! Go!) Go big or go home | |
| C | G |
And then we l | ost con | trol |
| C | G | D |
You know we’re l | ucky that | we sur | vived |
| Em |
Cause when we j | umped the ship |
| C | G |
Oh, man, that | boat, it f | lipped |
| C | G | D |
But we should | do it all a | gain to | night |
| G | C | G |
I’m thinking l | ife’s too s | hort, it’s | passing by |
| G | C | G |
So if | we’re gonna g | o at | all |
Go big or go
G |
(Go! Go!) Go big or go home |
C |
(Go! Go!) Go big or go-o-o-o home |
G |
(Go! Go!) Go big or go home |
C |
(Go! Go!) Go big or go-o-o-o home |
G | C | G |
| (Go! Go!) Go big or go home | |
G |
Giving my body all the things I need |
G |
Rescue me with a little whiskey |
G |
Staying out, don’t need no sleep |
G |
I’ll sleep when I’m dead, you can bury me |
G |
I’ll sleep when I’m dead, you can bury me |
| C | G |
Cause all my c | ash is g | one |
| C | G | D |
I spent it a | ll trying to f | eel al | ive |
G |
(Go! Go!) Go big or go home |
C |
(Go! Go!) Go big or go-o-o-o home |
G |
(Go! Go!) Go big or go home |
C |
(Go! Go!) Go big or go-o-o-o home |
| G |
It’s getting c | razy, we’re gonna do some things that we won’t forget |
C |
(Go! Go!) Go big or go home |
| G |
I’m going c | razy, I’m gonna live my life, I got no regrets |
C | G |
(Go! Go!) Go big or go hom | e |
G | D | Em |
She paints her | nails and she don’t | know |
| C | G |
He’s got her | best friend on the | phone |
| D | Em |
She’ll wash her | hair, his dirty | clothes |
| C | Em |
Are | all he gives to | her |
| C | D |
And he’s got | posters on the | wall |
| A7 |
Of | all the girls he wished she was |
C | D | G |
And he means | everything to | her |
G | D |
Her boyfriend, | he don’t know |
| G | D |
He’s | too stoned, | Nintendo |
Em | C | G |
I wish that | I could make her | see |
C | G | D | Em |
Flavor of the | weak | | |
G | D | Em |
It’s Friday | night and she’s all a | lone |
| C | G |
He’s a m | illion miles a | way |
G | D | Em |
She’s dressed to | kill, the TV’s | on |
| C | Em |
He’s con | nected to the | sound |
| C | D |
And he’s got | pictures on the | wall |
| A7 |
Of | all the girls he’s loved before |
C | D | G |
And she knows | all his favorite | songs |
G | D |
Her boyfriend, | he don’t know |
| G | D |
He’s | too stoned, | Nintendo |
Em | C | G |
I wish that | I could make her | see |
C | G | D | Em |
Flavor of the | weak | | |
G | D |
Her boyfriend, | he don’t know |
| G | D |
He’s | too stoned, | too stoned |
Em | C |
Too stoned | too stoned |
G | D |
Her boyfriend, | he don’t know |
| G | D |
He’s | too stoned, | Nintendo |
Em | C | G |
I wish that | I could make her | see |
C | G | D | Em |
Flavor of the | weak | | |
| C | G | D | Em |
Yeah she’s the | flavor of the | weak | | |
C | Gmaj7 |
She makes me | weak |
C | E7 |
Sweet pea, | apple of my eye |
Am | D |
Don’t know when and I | don’t know why |
C | Am |
You’re the only | reason I |
Dm7 | G | C |
Keep on | coming | home |
C | E7 |
Sweet pea, what’s all | this about? |
Am | D |
Don’t get your way, all you do | is fuss and pout |
C | Am |
You’re the only | reason I |
Dm7 | G | C |
Keep on | coming | home |
| E7 |
I’m like the | Rock of Gibraltar, I always seem to falter |
| Am |
And the | words just get in the way |
| D |
Oh, I | know I’m gonna crumble |
I’m trying to stay humble
| G |
But I | never think before I say |
C | E7 |
Sweet pea, | keeper of my soul |
Am | D |
I know, sometimes, I’m | out of control |
C | Am | Dm7 | G |
You’re the only | reason I | keep on | coming |
C | Am | Dm7 | G |
You’re the only | reason I | keep on | coming, yeah |
C | Am | Dm7 | G | C |
You’re the only | reason I | keep on | coming | home |
E |
Nah nah, honey I’m good, I could have another but I probably should |
C#m |
Not, I got somebody at home |
| E |
It’s been a | long night here, and a long night there |
| E |
And these | long, long legs are damn near everywhere |
| E |
Hold up now, | you look good, I will not lie |
| E |
But | if you ask where I’m staying tonight, I gotta be like |
E | C#m | E/B |
Oh baby, no baby, | you got me all w | rong baby |
Amaj7 |
My baby’s already got all my love |
| E/G# | E/F# |
So | nah nah, honey I’m good, I could have another but I | probably should not |
C#m |
I’ve got somebody at home, and if I stay I might not leave alone |
E/G# | E/F# |
No, honey I’m good, I could have another but I | probably should not |
C#m | E |
I’ve gotta bid you adieu, to another I will stay | true |
| E |
Now | better men than me have failed |
E |
Drinking from that unholy grail |
| E |
Now check it out, | I’ve got her and she got me |
| E |
And you’ve | got that stuff, but I kindly, gotta be like |
E | C#m | E/B |
Oh baby, no baby, | you got me all w | rong baby |
Amaj7 |
My baby’s already got all my love |
| E/G# | E/F# |
So | nah nah, honey I’m good, I could have another but I | probably should not |
C#m | A |
I’ve got somebody at home, and i | f I stay I might not leave alone |
E/G# | E/F# |
No, honey I’m good, I could have another but I | probably should not |
C#m | E |
I’ve gotta bid you adieu, to another I will stay | true |
B | C#m | A | E |
Oh, I’m | sure you, sure you will m | ake somebody’s night | |
| B | C#m | A |
But o | h, I a | ssure you, assure you it | sure as hell’s not mine |
E | E/F# |
Oh no, honey I’m good, I could have another but I | probably should not |
C#m |
I’ve got somebody at home, and if I stay I might not leave alone |
E/G# | E/F# |
No, honey I’m good, I could have another but I | probably should not |
C#m | E |
I’ve gotta bid you adieu, to another I will stay | true |
| E/G# | E/F# |
So | nah nah, honey I’m good, I could have another but I | probably should not |
C#m |
I’ve got somebody at home, and if I stay I might not leave alone |
E/G# | E/F# |
No, honey I’m good, I could have another but I | probably should not |
C#m | E |
I’ve gotta bid you adieu, to another I will stay | true |
Am | F | C |
Feeling my | way through the | darkness |
Am | F | C |
Guided by | a beating hear | t |
Am | F | C |
I can’t t | ell where the j | ourney will end |
Am | F | C |
But I kno | w where to star | t |
Am | F | C |
They tell me I | ’m too you | ng to understand |
Am | F | C |
They say I’m c | aught up in a d | ream |
Am | F | C |
Well life will p | ass me by if I | don’t open up my eyes |
Am | F | C |
Well that’s | fine by | me |
| Am | F | C | G |
So wake me u | p when it | ’s all | over | |
| Am | F | C | E |
When I’m wis | er | and I’m o | lder | |
| Am | F | C | G |
All this tim | e I was f | inding mys | elf and I | |
Am | F | C |
Didn’t | know I was | lost |
| E | Am | F | C | G |
So | wake me u | p when it | ’s all | over | |
| Am | F | C | E |
When I’m wis | er | and I’m o | lder | |
| Am | F | C | G |
All this tim | e I was f | inding mys | elf and I | |
Am | F | C |
Didn’t | know I was | lost |
Am | F | C |
I tried | carrying the | weight of the world |
Am | F | C |
But I | only have two | hands |
Am | F | C |
Hope I | get the chance to | travel the world |
Am | F | C |
But I don’t h | ave any | plans |
Am | F | C |
I wish that | I could stay for | ever this young |
Am | F | C |
Not afr | aid to close my | eyes |
Am | F | C |
Life’s a | game made for e | veryone |
Am | F | C |
And | love is the | prize |
| Am | F | C | G |
So wake me u | p when it | ’s all | over | |
| Am | F | C | E |
When I’m wis | er | and I’m o | lder | |
| Am | F | C | G |
All this tim | e I was f | inding mys | elf and I | |
Am | F | C |
Didn’t | know I was | lost |
| E | Am | F | C | G |
So | wake me u | p when it | ’s all | over | |
| Am | F | C | E |
When I’m wis | er | and I’m o | lder | |
| Am | F | C | G |
All this tim | e I was f | inding mys | elf and I | |
Am | F | C |
Didn’t | know I was | lost |
Am | F | C |
Didn’t | know I was | lost |
Am | F | C |
Didn’t | know I was | lost |
Em | C | G | D |
| Uh huh, | | life’s like this |
Em | C | G | D |
Uh huh, | uh huh, | that’s the | way it is |
Em | C | G | D |
| | Cause | life’s like this |
Em | C | G | D |
Uh huh, | uh huh, | that’s the | way it is |
G |
Chill out, whatcha yellin’ for? |
Em |
Lay back, it’s all been done before |
C | D |
And if you could only | let it be, you would see |
G |
I like you the way you are |
Em |
When we’re drivin’ in your car |
C | D |
And you’re talkin’ to me | one-on-one, but you become |
C |
Somebody else ‘round everyone else |
| Em |
You’re | watchin’ your back like you can’t relax |
| C |
You’re | tryin’ to be cool |
| D |
You look like a fool to | me, tell me |
Em | C | G |
Why’d you have to go and make | things so compli | cated? |
| D | Em | C | G |
I | see the way you’re | actin’ like you’re somebody | else, gets me frus | trated |
D | Em | C |
Life’s like this, you, | you fall, and you cr | awl, and you break |
| G | D |
And you ta | ke what you get, and you | turn it into |
Am7 | C |
Honesty and promise me, I’m never gonna find you | fake it |
G |
You come over unannounced |
Em |
Dressed up like you’re somethin’ else |
C | D |
Where you are and where it’s | at, you see |
You’re makin’ me
G |
Laugh out when you strike your pose |
Em |
Take off all your preppy clothes |
C | D |
You know, you’re not foolin’ | anyone, when you become |
C |
Somebody else ‘round everyone else |
| Em |
You’re | watchin’ your back like you can’t relax |
| C |
You’re | tryin’ to be cool |
| D |
You look like a fool to | me, tell me |
Em | C | G |
Why’d you have to go and make | things so compli | cated? |
| D | Em | C | G |
I | see the way you’re | actin’ like you’re somebody | else, gets me frus | trated |
D | Em | C |
Life’s like this, you, | you fall, and you cr | awl, and you break |
| G | D |
And you ta | ke what you get, and you | turn it into |
Am7 | C |
Honesty and promise me, I’m never gonna find you | fake it |
G |
Chill out, whatcha yellin’ for? |
Em |
Lay back It’s all been done before |
C | D |
And if you could only | let it be, you will see |
C |
Somebody else ‘round everyone else |
| Em |
You’re | watchin’ your back like you can’t relax |
| C |
You’re | tryin’ to be cool |
| D |
You look like a fool to | me, tell me |
Em | C | G |
Why’d you have to go and make | things so compli | cated? |
| D | Em | C | G |
I | see the way you’re | actin’ like you’re somebody | else, gets me frus | trated |
D | Em | C |
Life’s like this, you, | you fall, and you cr | awl, and you break |
| G | D |
And you ta | ke what you get, and you | turn it into |
Am7 | C |
Honesty and promise me, I’m never gonna find you | fake it |
No no
Em | C | G |
Why’d you have to go and make | things so compli | cated? |
| D | Em | C | G |
I | see the way you’re | actin’ like you’re somebody | else, gets me frus | trated |
D | Em | C |
Life’s like this, you, | you fall, and you cr | awl, and you break |
| G | D |
And you ta | ke what you get, and you | turn it into |
Am7 | C |
Honesty and promise me, I’m never gonna find you | fake it |
Em |
I am flesh and I am bone |
| D | A |
Rise | up, ting ting, like | glitter and gold |
| D | A |
Rise | up, ting ting, like | glitter |
| Em | D | A |
Yeah | yeah | , like g | litter and gold |
| Em | D | A |
Yeah | yeah | , like | glitter |
| Em | D | A |
Do you | walk in the valley of kings? | | |
| Em |
Do you | walk in the shadow of men |
| D | A |
Who | sold their lives to a | dream |
| Em | D | A |
Do you p | onder the manner of things | | |
| Em | D | A |
In the d | ark, the | dark, the dark, | the dark |
Em |
I am flesh and I am bone |
| D | A |
I’ll ri | se, ting ting, like | glitter and gold |
| D | A |
Rise | up, ting ting, like | glitter |
| Em | D | A |
Yeah | yeah | , like g | litter and gold |
| Em | D | A |
Yeah | yeah | , like | glitter |
| Em | D | A |
Do you | walk in the meadow of spring? | | |
| Em |
Do you | talk to the animals |
| D | A |
Do you | hold their lives from a | string |
| Em | D | A |
Do you p | onder the manner of things | | |
| Em | D | A |
In the d | ark, the | dark, the dark, | the dark |
Em |
I am flesh and I am bone |
| D | A |
I’ll ri | se, ting ting, like | glitter and gold |
| D | A |
Rise | up, ting ting, like | glitter |
Em |
I am flesh and I am bone |
| D | A |
Ari | se, ting ting, like | glitter and gold |
Em |
I’ve got fire in my soul |
| D | A |
Rise | up, ting ting, like | glitter |
Em |
‘Cause everybody’s in the backroom’s spinning out |
D | A |
Don’t remember what you’re | asking for |
Em |
And everybody’s in the front room’s tripping out |
D | A |
You left your bottle at the | door |
Em |
‘Cause everybody’s in the backroom’s spinning out |
D | A |
Don’t remember what you’re | asking for |
Em |
And everybody’s in the front room’s tripping out |
D | A |
You left your bottle at the | door |
Em |
I am flesh and I am bone |
| D | A |
I’ll ri | se, ting ting, like | glitter and gold |
| D | A |
Rise | up, ting ting, like | glitter |
| Em | D | A |
Yeah | yeah | , like g | litter and gold |
| Em | D | A |
Yeah | yeah | , like | glitter |
| E |
Well, I | walk into the room |
| A |
Passing out | hundred dollar bills |
| E |
And it kills, | and it thrills, like the horns on my |
| E |
And I | buy the bar a double round of Crown |
| A |
And | everybody’s getting down |
| E | A |
And this town, | ain’t never gonna be the | same |
| E |
‘Cause I | saddle up my horse |
| A |
And I | ride into the city |
| A |
‘Cause the | girls they are so pretty |
E |
Riding up and down Broadway |
| D | E | G | A |
And the girls say | → | save a horse, | ride a | cowboy |
| D | E | G | A |
Everybody says | → | save a horse, | ride a | cowboy |
| E | A |
Well I | don’t give a dang about | nothing |
| E |
I’m singing and bling- | blinging |
While the girls are drinking
| E |
And I | wouldn’t trade ol’ Leroy |
| A |
Or my | Chevrolet for your Escalade |
| A |
I’m the only John Wayne | left in this town |
| E |
And I | saddle up my horse |
| A |
And I | ride into the city |
| A |
‘Cause the | girls they are so pretty |
E |
Riding up and down Broadway |
| D | E | G | A |
And the girls say | → | save a horse, | ride a | cowboy |
| D | E | G | A |
Everybody says | → | save a horse, | ride a | cowboy |
| E |
I’m a | thouroughbred that’s what she said |
| A |
In the | back of my truck bed |
| E |
As I was g | ettin’ buzzed on suds |
| A |
Out on | some back country road |
| E | E(b6) |
We were | flying high, f | ine as wine |
A | A7#9 |
Having ourselves a | big and rich time |
| E | E(b6) | A | A7#9 |
And I | was going, just a | bout as far as she’d | let me go | |
| A |
Of my c | owboy reputation |
| E |
Had me b | egging for salvation |
| E |
So I | took her out giggin’ frogs |
| A |
Introd | uced her to my old bird dog |
| E | A |
And | sang her every Wilie Nelson song I could | think of |
And we made love
| E |
And I | saddle up my horse |
| A |
And I | ride into the city |
| A |
‘Cause the | girls they are so pretty |
E |
Riding up and down Broadway |
| D | E | G | A |
And the girls say | → | save a horse, | ride a | cowboy |
| D | E | G | A |
Everybody says | → | save a horse, | ride a | cowboy |
| D | E | G | A |
What? What? | → | Save a horse, | ride a | cowboy |
| D | E | G | A |
Everybody says | → | save a horse, | ride a | cowboy |
A | E/G# | F#m | F#m7/E |
Kyle | and the | kids | |
Bm7 | E |
Kyle’s a dad and | Charlotte’s married to him |
A | E/G# | F#m | F#m7/E |
And they’ve | got some | kids | |
| Bm7 | C#m7 |
There’s | Penny, she’s going to | high school |
| D | D#dim | E |
She’s got a | brother, her | brother’s name is | Trip |
They’re the perfect family
A# | F/A | Gm | Gm7/F |
Kyle | and the | kids | |
| Cm7 | F | A# |
He | loves his wife and there’s | nothing you can | do |
A# | F/A | Gm | Gm7/F |
Kyle | and the | kids | |
| Cm7 | F | A# |
Oh no, it’s gonna | be alright, | be alright oh | no |
| E | Aadd9 |
I spent twen | ty years trying to get | out of this place |
| F#m | Aadd9 |
I was | lookin’ for something I c | ouldn’t replace |
| E | Aadd9 | B |
I was r | unnin’ away from the onl | y thing I’ve | ever known |
| E | Aadd9 |
And like a | blind dog with | out a bone |
| F#m | Aadd9 |
I was a | gypsy lost in the tw | ilight zone |
| E | Aadd9 | B |
I | hijacked a rainbow and c | rashed into a p | ot of gold |
C#m | Aadd9 | E |
I’ve been there, done t | hat, I ain’t lookin’ b | ack on the seeds I’ve sown |
| G#m | Aadd9 | B |
Saving | dimes, spending t | oo much time on the | telephone |
| E |
Who says you can’t go | home |
E | Aadd9 |
Who says you | can’t go home |
| F#m | Aadd9 |
There’s | only one place that call me | one of their own |
| E | Aadd9 | B |
Just a | hometown boy, b | orn a rolling | stone |
| E |
Who says you can’t go | home |
| Aadd9 |
Who says you | can’t go back |
| F#m | Aadd9 |
Been | all around the world and as a | matter of fact |
| E | Aadd9 | B |
There’s | only one place | left I wanna | go |
| E |
Who says you can’t go | home |
| Aadd9 | F#m |
It’s alright, it’s alright | , it’s alright, it’s alright | |
| E | Aadd9 |
I went as | far as I could, I tried to | find a new face |
| F#m | Aadd9 |
There isn’t | one of these lines that | I would erase |
| E | Aadd9 | B |
I’ve lived a | million miles of m | emories on that | road |
| E | Aadd9 |
Every | step I take I know that I | ’m not alone |
| F#m | Aadd9 |
You take the | home from the boy, but not the | boy from his home |
E | Aadd9 | B |
These are my streets, the | only life I’ve | ever known |
| E |
Who says you can’t go | home |
E | Aadd9 |
Who says you | can’t go home |
| F#m | Aadd9 |
There’s | only one place that call me | one of their own |
| E | Aadd9 | B |
Just a | hometown boy, b | orn a rolling | stone |
| E |
Who says you can’t go | home |
| Aadd9 |
Who says you | can’t go back |
| F#m | Aadd9 |
Been | all around the world and as a | matter of fact |
| E | Aadd9 | B |
There’s | only one place | left I wanna | go |
| E |
Who says you can’t go | home |
| Aadd9 | F#m |
It’s alright, it’s alright | , it’s alright, it’s alright | |
| Aadd9 | E |
It’s alright, | who says you can’t go | home |
| Aadd9 | F#m |
It’s alright, it’s alright | , it’s alright, it’s alright | |
| Aadd9 | E |
It’s alright, | who says you can’t go | home |
C#m | Aadd9 | E |
I’ve been there, done | that, I ain’t looking | back |
It’s been a long long road
| G#m | Aadd9 | B |
Feels | like I’ve never | left, that’s how the | story goes |
| E | Aadd9 |
It doesn’t | matter where you are, doesn’t | matter where you go |
| F#m | Aadd9 |
If it’s a | million miles away or just a | mile up the road |
| E | Aadd9 | B | E |
Take it | in, take it | with you when you | go, who says you can’t go | home |
E | Aadd9 |
Who says you | can’t go home |
| F#m | Aadd9 |
There’s | only one place that call me | one of their own |
| E | Aadd9 | B |
Just a | hometown boy, b | orn a rolling | stone |
| E |
Who says you can’t go | home |
| Aadd9 |
Who says you | can’t go back |
| F#m | Aadd9 |
Been | all around the world and as a | matter of fact |
| E | Aadd9 | B |
There’s | only one place | left I wanna | go |
| E |
Who says you can’t go | home |
Am | Am |
| Yeah YEAH yeah yeah yeah |
Am | Am |
| Yeah YEAH yeah yeah yeah |
Am | E | Am |
I think I | did it a | gain |
| F | E |
I made you bel | ieve we were more than just fr | iends (oh baby) |
Am | E | Am |
It might | seem like a c | rush |
| F | E |
But it doesn’t m | ean that I’m seriou | s |
| F | E |
‘Cause to l | ose all my se | nses |
| F | G |
That is jus | t so typically | me |
Oh baby, baby
Am | E | Am |
Oops I | did it a | gain |
| G | C |
I pl | ayed with your he | art |
Am | E | Am |
Oops you t | hink I’m in l | ove |
| G | C |
That I’m | sent from ab | ove |
| Am | E | Am |
You | see my | problem is | this |
| E | Am |
Wishing that | heroes, they truly ex | ist |
Am | E | Am |
I cry, | watching the | days |
| F | E |
Can’t you see I’m a | fool in so many w | ays |
| F | E |
‘Cause to l | ose all my se | nses |
| F | G |
That is jus | t so typically | me |
Oh baby, baby
Am | E | Am |
Oops I | did it a | gain |
| G | C |
I pl | ayed with your he | art |
Am | E | Am |
Oops you t | hink I’m in l | ove |
| G | C |
That I’m | sent from ab | ove |
Britney, before you go
There's something I want you to have
Oh, it's beautiful, but wait a minute, isn't this...?
Yeah, yes it is
F |
But I thought the old lady dropped it |
| G |
Into the o | cean in the end |
Am |
Well baby, I went down and got it for you |
Oh, you shouldn’t have
Am | E | Am | G | C |
Oops | I | did it a | gain to your | heart |
| G | C | E |
Got lo | st in | this game, oh ba | by |
Am | E | Am |
Oops | you | think that I’m |
| F | G |
I’m n | ot that innoc | ent |
Am | E | Am |
Oops I | did it a | gain |
| G | C | G | C |
I pl | ayed with your he | art, got l | ost in the g | ame |
Am | E | Am |
Oops you t | hink I’m in l | ove |
| G | C |
That I’m | sent from ab | ove |
Am | Am |
Baby, can’t you see, | I’m calling |
Am | Am |
A guy like you, | should wear a warning |
C | E7 | Am |
It’s dangerous, | I’m fallin’ | |
Am | Am |
There’s no escape, | I can’t wait |
Am | Am |
I need a hit, | baby, give me it |
C | E7 | Am |
You’re dangerous, | I’m lovin’ it | |
Am | Am |
Too high, can’t come down, | losing my head |
| Am |
Spinning | ’round and ‘round |
C | E7 | Am |
| Do you feel me now | |
| Am | C |
With a | taste of your lips I’m | on a ride |
F7 | E7 |
You’re toxic, | I’m slipping under |
| Am | C |
With a | taste of a poison p | aradise |
| F7 | E7 |
I’m add | icted to you, don’t you | know that you’re toxic |
Am | C | F7 | E7 |
| And I | love what you do, don’t you | know that you’re toxic |
Am | Am |
It’s getting late, | to give you up |
Am | Am |
I took a sip, | from my devil’s cup |
C | E7 | Am |
Slowly, | it’s taking over me | |
Am | Am |
Too high, | can’t come down |
Am | Am |
It’s in the air, and it’s | all around |
C | E7 | Am |
| Can you feel me now | |
| Am | C |
With a | taste of your lips I’m | on a ride |
F7 | E7 |
You’re toxic, | I’m slipping under |
| Am | C |
With a | taste of a poison p | aradise |
Am | C | F7 | E7 |
| And I | love what you do, don’t you | know that you’re toxic |
Am | C | F7 | E7 |
| And I | love what you do, don’t you | know that you’re toxic |
Am | C | F7 | E7 |
| | Don’t you | know that you’re toxic |
| Am | C |
With a | taste of your lips I’m | on a ride |
F7 | E7 |
You’re toxic, | I’m slipping under |
| Am | C |
With a | taste of a poison parad | ise |
| F7 | E7 |
I’m add | icted to you, don’t you | know that you’re toxic |
| Am | C |
With a | taste of your lips I’m | on a ride |
F7 | E7 |
You’re toxic, | I’m slipping under |
| Am | C |
With a | taste of a poison parad | ise |
| F7 | E7 |
I’m add | icted to you, don’t you | know that you’re toxic |
| E |
Well I | thought I heard the captain say |
Tomorrow is our sailing day
E |
Soon as the boat was clear of the bar |
He knocked me down with the end of a spar
E |
If I’d been a rich man’s son |
| B7 |
I’d s | it on the river and watch it run |
| G |
Well, | I wish I was Mr. Gates |
They’d haul my money in in crates
| E |
Well, | forty days and nights at sea |
Captain worked every last dollar out of me
Pay me or go to jail
Pay me or go to jail
| E |
I was walk | ing down the street |
| G |
When out the co | rner of my eye |
| A | G | D |
I saw a pr | etty little thing approaching me | → | |
| E |
She said I’ve n | ever seen a man |
| A | G | D |
And could you us | e a little company | → | |
| E |
And if you p | ay the right price |
| G |
Your ev | ening will be nice |
| A | G | D |
And you can | go and send me on my way | → | |
| E |
I said you’re su | ch a sweet young thing |
| G |
Oh why you | do this to yourself |
| A | G | D |
She lo | oked at me, and t | his is what she sa | id |
| E | G | A | D |
Oh, there a | in’t no rest for the wi | cked → | → | |
| E | G | A | D |
M | oney don’t grow on trees | → | → | |
| E | G | A | D |
I got b | ills to pay, I got mouths | to feed → | → | |
| E | G | A | D |
There ain’t n | othing in this world for free | → | → | |
| E |
Oh no I | can’t slow down |
| G | A | D |
I can’t | hold back → | → | |
| E | G | A | D |
Though you k | now, I wish I could | → | → | |
| E | G | A | D |
Oh, no there a | in’t no rest for the wi | cked → | → | |
| E | G | A | D |
Until we | close our eyes for good | → | → | |
| E |
Not even f | ifteen minutes later |
| G |
I’m still walki | ng down the street |
| A | G | D |
When-I-saw the s | hadow of a man creep out of sight | → | |
| E |
Then he s | wept up from behind |
| G |
And put a g | un up to my head |
| A | G | D |
He made it c | lear he wasn’t looking for a fight | → | |
| E |
He said g | ive me all you’ve got |
| G |
I want your m | oney not your life |
| A | G | D |
But if you t | ry to make a move I won’t think twice | → | |
| E |
I told him y | ou can have my cash |
| G |
But first you k | now I got to ask |
| A | G | D |
What made you w | ant to live this kind of life | → | |
| E | G | A | D |
He said there a | in’t no rest for the wi | cked → | → | |
| E | G | A | D |
M | oney don’t grow on trees | → | → | |
| E | G | A | D |
I got b | ills to pay, I got mouths | to feed → | → | |
| E | G | A | D |
There ain’t n | othing in this world for free | → | → | |
| E |
Oh no I | can’t slow down |
| G | A | D |
I can’t | hold back → | → | |
| E | G | A | D |
Though you k | now, I wish I could | → | → | |
| E | G | A | D |
Oh, no there a | in’t no rest for the wi | cked → | → | |
| E | G | A | D |
Until we | close our eyes for good | → | → | |
| E |
Well now a co | uple hours passed |
| G |
And I was sitti | ng at my house |
| A | G | D |
The day was | winding down and coming to an end | → | |
| E |
And so I turne | d on the TV |
| G |
And flipped it | over to the news |
| A | G | D |
And what I s | aw I almost couldn’t comprehend | → | |
| E |
I saw a | preacher man in cuffs |
| G |
He’d taken | money from the church |
| A | G | D |
He’d stuffed his | bank account with righteous dollar bills | → | |
| E |
But even s | till I can’t say much |
| G |
Because I | know we’re all the same |
| A | G | D |
Oh yes we al | l seek out to satisfy those thrills | → | |
| E | G | A | D |
You know there a | in’t no rest for the wi | cked → | → | |
| E | G | A | D |
M | oney don’t grow on trees | → | → | |
| E | G | A | D |
We got b | ills to pay, we got mouths | to feed → | → | |
| E | G | A | D |
There ain’t n | othing in this world for free | → | → | |
| E |
Oh no we | can’t slow down |
| G | A | D |
We can’t | hold back → | → | |
| E | G | A | D |
Though you k | now, we wish we could | → | → | |
| E | G | A | D |
Oh, no there a | in’t no rest for the wi | cked → | → | |
| E |
Until we | close our eyes for good |
| G |
And then the hiss of the | air brakes |
| C |
On the twenty-two F | illmore |
| G |
I roll over and l | ook at you |
| C |
You’re breathing q | uietly |
| Am |
In the silent d | ust fall |
| C |
I can’t take my e | yes away |
| Am |
Suddenly yours o | pen up |
| C |
And a brand new d | ay begins |
Bm7 | Am7 |
Bm7 | Am7 |
Bm7 | Am7 |
C | D |
| G |
The breeze is blowing like w | inter |
| C |
On the corner by the b | us stop |
| Am |
In my hand-me-down p | ea coat |
| C |
You put your hands in m | ine |
| G |
I try to light up a c | igarette |
| C |
But these matches are w | orthless |
| Am |
Between you and these d | amn things |
| C | D |
I don’t stand a c | hance | |
| G |
So we walk up to M | ission Street |
| C |
All the way up to M | ission Street |
| Am |
And I may have to | kiss you |
| C |
For the rest of my l | ife |
Bm | Am |
All the days when you were w | orking far away |
Bm | Am |
I’m as empty as a g | love |
Bm | Am |
You fill me up when you ret | urn and I can say |
| C | D |
That I f | eel a certain purpose in your l | ove |
| G |
And then the hiss of the | air brakes |
| C |
On the twenty-two F | illmore |
| G |
I roll over and l | ook at you |
| C |
You’re breathing q | uietly |
| Am |
And a | ll I know is all I know |
| C |
As long as | I can breathe |
| Am |
Out o | n a limb that was too thin |
| C |
And I | ’m already fallin’ for you |
Am |
Sometimes it all gets so dull |
Am |
Sometimes drivin’ the long way home |
| Em |
Is a | ll the excitement I can take |
Am |
Sometimes this box I’m trapped inside |
Em |
It’s like cardboard in the rain |
Am |
One good kick would tear it down |
| Em |
It’s j | ust too damn hard to explain |
Am |
Some kinds of pain well they don’t go away |
Em | Am |
Some well they mellow with t | ime |
Em |
Some kinds of agony block out the sun |
| Am | Em |
And they | leave you so numb you go b | lind |
Am |
Then there’s the hurt that starts deep in your guts |
| Em | Am |
And it | crawls like a germ through your v | eins |
Am |
Lets you just walk around year after year |
| Em | Am |
Till | one day you wake up and s | ing |
D | Am | B7 | E |
I’m gonna d | o me, | some screamin’ and s | houtin’ |
D | Am | Em |
I’m gonna | call it a s | ong, hey |
Am |
Some kinds of pain well they don’t go away |
Em | Am |
Some well they mellow with t | ime |
Em |
Some kinds of agony block out the sun |
| Am | Em |
And they | leave you so numb you go b | lind |
Am |
Then there’s the hurt that starts deep in your guts |
| Em | Am |
And it | crawls like a germ through your v | eins |
Am |
Lets you just walk around year after year |
| Em | Am |
Till | one day you wake up and s | ing |
D | Am | B7 | E |
I’m gonna d | o me, | some punchin’ and k | ickin’ |
D | Am | Em | Am |
I’m gonna c | all it a d | ance | |
D | Am | B7 | E |
I’m gonna d | o me, | some screamin’ and s | houtin’ |
D | Am | Em | Am |
I’m gonna | call it... | a s | ong |
A |
You can’t tell a man by his shoes |
E |
You can’t tell a man by his shoes |
A | D | A |
You can tell a man by the c | ompany he c | hoose |
| A | D | A |
But y | ou can’t tell a | man by his s | hoes, lord lord |
| A | E7 | A |
A | man ain’t n | othing but a m | an |
A |
You can’t tell a man by his church |
E |
You can’t tell a man by his church |
A | D | A |
You can tell a many by his c | hoices here on E | arth |
| A | D | A |
But y | ou can’t tell a | man by his c | hurch, lord lord |
| A | E7 | A |
A m | an ain’t n | othing but a m | an, aw come on |
A |
You can’t tell a man by his gun |
E7 |
You can’t tell a man by his gun |
A | D | A |
You can tell a man by the a | ctions of his s | on |
| A | D | A |
But y | ou can’t tell a m | an by his g | un, lord lord |
| A | E7 | A |
A | man ain’t n | othing but a m | an |
A |
You can’t tell a man by his song |
E |
You can’t tell a man by his song |
| A | D | A |
He may s | ing some pretty words but he m | ay not live al | ong |
A | D | A |
You can’t tell a m | an by his s | ong, lord lord |
| A | E | A |
A | man ain’t n | othing but a m | an, alright |
| A | E | A |
A | man ain’t n | othing but a m | an |
D | A |
Woke in a sweat, want to | hold you |
D | G |
Open a vein, | walls closing in |
D | G |
Running on icy hillsides, | sliding on razor glass |
D | G | A |
Struggle to | surface once aga | in |
| D | A |
Chattering t | eeth, shuddering kne | es |
| G |
It’s my disa | ster, it’s my disease |
| D | A |
We all gotta s | leep, but I gotta sl | eep |
| G |
Through my chattering te | eth |
D | A |
I went to the doctor, and she t | old me |
D | G |
Take two of these shiny tiny ta | blets every night |
D | G |
When I did I fell down i | n a well so dark |
| D | G | A |
That I’m n | ever, never g | onna find a lig | ht |
| D | A |
Chattering t | eeth, shuddering kne | es |
| G |
It’s my disa | ster, it’s my disease |
| D | A |
We all gotta s | leep, but I gotta sl | eep |
| G |
Through my chattering te | eth |
D | A | G |
Naked as a n | ewborn baby, b | roken-hearted going crazy |
D | A | G |
Shaking like a j | unkie in a f | ilm by Gus Van Sant |
D | A | G |
I can hear ‘em w | hirrin’ and ringin’, | in my ears and so I’m singin’ |
D | A | G |
Tunelessly and r | avin’ and I r | ant |
D | A |
This is the last time, like I t | old you |
D | G |
I’ll be in for just a y | ear and seven months |
D | G |
In an hour I’ll be r | ight back where we started |
D | G | A |
So I’ll catch you, and I’ll p | ush you all at o | nce |
Chattering teeth, shuddering knees
It's my disaster, it's my disease
We all gotta sleep, but I gotta sleep
Through my chattering teeth
| D | A |
Chattering t | eeth, shuddering kne | es |
| G |
It’s my disa | ster, it’s my disease |
| D | A |
We all gotta s | leep, but I gotta sl | eep |
| G |
Through my chattering te | eth |
D | A | G |
Naked as a n | ewborn baby, b | roken-hearted going crazy |
D | A | G |
Shaking like a j | unkie in a f | ilm by Gus Van Sant |
D | A | G |
I can hear ‘em w | hirrin’ and ringin’, | in my ears and so I’m singin’ |
D | A | G |
Tunelessly and r | avin’ and I r | ant |
E | D | C |
It’s impossible to d | o, improbable to fe | el |
| A | E |
Confuses me no e | nd, the message it s | ends |
| C | A |
Shouldn’t not come t | o, the end of a good t | rend |
Em | D |
I’m okay now you’re n | ot afraid to dream |
A | E |
New things in life so | quickly it seems |
Em | D |
Lie awake and have a | nother cup of tea |
A | E |
From a place with no wa | ter |
E | D |
Time goes by so fast, it’s t | ime |
E | D |
Comfort and beauty could surro | und |
Em | D |
I’m okay now you’re n | ot afraid to dream |
A | E |
New things in life so | quickly it seems |
Em | D |
Lie awake and have a | nother cup of tea |
A | E |
From a place with no wa | ter |
Em | D |
I’m okay now you’re n | ot afraid to dream |
A | E |
New things in life so | quickly it seems |
Em | D |
Lie awake and have a | nother cup of tea |
A | E |
Just make sure that there’s no wa | ter |
E | D |
Where, did your dreams g | o |
| C |
You weren’t afraid to dream and fl | ow |
| A | E |
Now it merely s | eems, impossible in d | reams |
| D |
I need a chord that sounds like h | ow |
| C | A |
How I feel impossibl | y, change improbab | ly, a possibility |
Em | D |
I’m okay now you’re n | ot afraid to dream |
A | E |
New things in life so | quickly it seems |
Em | D |
Lie awake and have a | nother cup of tea |
A | E |
From a place with no wa | ter |
| G | C | G |
In the d | ark, I could s | ee our lives impro | ving |
| C | G |
I could | see a brighter f | uture |
| D |
And some r | oads that weren’t so rough |
| G | C | G |
In the | dark, I beli | eve just what you to | ld me |
| C | G |
I was | trusting like the k | ind of fool |
| D |
Who | thinks love is enough |
C |
Now I’ve seen the truth |
| G | C |
And the | light is almost b | linding |
C |
All the lies you told me |
| D |
Are the | ones that I believe |
C |
Wish you could leave me |
| Em | C |
In my | ignorance and d | arkness |
| D | G |
To the w | ays I was dece | ived |
C | G | C | G | D | D |
C | C | Em | C | C | C | D | D |
G |
|
| G | C | G |
In the d | ark, it was e | asier to l | ove you |
| C | G | D |
Al | l I had to d | o was hold my f | ingers on my eyes |
| G | C | G |
In the d | ark, well it c | ouldn’t last fore | ver |
C | G | D |
After every d | arkest night some s | unlight’s gotta rise |
C |
Now I’ve seen the truth |
| G | C |
And the | light is almost b | linding |
C |
All the lies you told me |
| D |
Are the | ones that I believe |
C |
Wish you could leave me |
| Em | C |
In my | ignorance and d | arkness |
| D | G |
To the w | ays I was dece | ived |
C | G | C | G | D | D |
C | C | Em | C | C | C | D | G |
| | | | | | | |
| A | Bm |
The m | an I learned to c | all my daddy |
| A | Bm |
Leaving | mom and me a | lone |
| A | Bm |
‘Cause | I had ears and a | rms to shoulder |
G | D | A | Bm |
Half the ball of s | orrow that she c | ould not roll a | lone |
G | D |
I grew up and s | he grew old |
G | D |
Sudden as a s | nap of cold |
G | D | A | Bm |
There was nothing | left to hold me u | nder any m | ore |
| G | D |
When s | he last had a l | ook at me |
| G | D | A | Bm |
But t | his invisib | ility is w | hat I’m looking f | or |
| A | Bm |
When A | ngeline and I | got married |
G | D | A | Bm |
She was everyt | hing I thought that | I could ever w | ant |
G | D |
I never thought I’d s | ee a sunrise |
A | Bm |
Without her right t | here beside me |
G | D | A | Bm |
Until I woke on M | ay fourteenth in n | ineteen-nine-n | ine |
G | D |
I looked at her s | leeping form |
G | D |
Cursed the day that | I was born |
G | D | A | Bm |
Cursed my mama and my p | a, and | walked out of the | door |
G | D |
I don’t know what m | ade me go |
G | D |
Something hard as f | rozen snow |
G | D | A | Bm |
In my chest and i | n my soul that | keeps me movin’ o | n |
G | D |
I don’t have the a | nswers |
G | D/F# | E | A | Bm |
Give me r | oom to s | tretch my legs and | wander for a f | ew |
G | D | A | Bm |
I’ll come back by e | vening and I’ll t | ell you what I’ve l | earned |
| G | D/F# | E | A | Bm |
Or s | imply v | anish i | n the fog, n | ever to ret | urn |
| G | D/F# | E | A | Bm |
Or s | imply v | anish i | n the fog, n | ever to ret | urn |
| G | D/F# | E | A | Bm |
Or s | imply v | anish i | n the fog, n | ever to ret | urn |
| G | D/F# | E | A | Bm |
Or s | imply v | anish i | n the fog, n | ever to ret | urn |
| G | Em |
I | think I got your n | umber |
| G | Em |
And I | know that you’ve got m | ine |
| G | Em |
If you | chance a dance with s | omeone else |
| A7 |
Everyt | hing’ll work out fine |
| G | Em |
You got | steely concentra | tion |
| G | Em |
And a | disaffected a | ir |
| G | Em |
The | quarry you are loa | ded for |
| A7 |
Just | doesn’t have a prayer |
| G | D | G | D |
A c | old wind is b | lowin’ outs | ide the bar to | night |
| G | D | G | D |
There’s n | o way of k | nowin’ if the ga | me is in your si | ght |
Em | D | G | Em |
Lookin’ round this r | oom right now, your c | hances look al | right |
| Em | D | C | G |
And I’m t | hinking that you w | on’t be going h | ome alone toni | ght |
| G | Em |
There’s | bourbon in a b | ottle |
| G | Em |
And there’s M | iller in a c | an |
| G | Em | A7 |
Any o | ne of these fine m | en would gladly p | ut one in your hand |
| G | Em |
You can | place them as you w | ant them |
| G | Em |
Stand ‘em u | p into a l | ine |
| G | Em | A7 |
Just | know that there are f | orty minutes l | eft ‘til closing time |
| G | D | G | D |
A c | old wind is b | lowin’ outs | ide the bar to | night |
| G | D | G | D |
There’s n | o way of k | nowin’ if the ga | me is in your si | ght |
Em | D | G | Em |
Lookin’ round this r | oom right now, your c | hances look allllll | right |
| Em | D | C |
And I’m t | hinking that you w | on’t be going h | ome |
| G | Em |
Alone toni | iiiiiiiight | |
| C |
Assuming that they ever d | o |
| G |
Truth be told I | don’t know |
| D |
I still have a st | ubborn few |
| C |
It’s not as though I never t | ried |
| G |
But I still have a w | ays to go |
| D |
Every slip is not a s | lide |
| C |
I was waiting for the b | armaid |
| G | G7 |
At the ending of her s | hift | |
| C |
Though she knew how much I h | ad |
| D |
She still asked me for a l | ift |
| C |
She had a smolder in her e | yes |
| G | G7 |
I couldn’t make myself i | gnore | |
| C |
So I told her all the l | ies |
| D |
I used so many times befo | re |
| C |
Assuming that they ever d | o |
| G |
Truth be told I | don’t know |
| D |
I still have a st | ubborn few |
| C |
It’s not as though I never t | ried |
| G |
But I still have a w | ays to go |
| D |
Every slip is not a s | lide |
| G | C | G |
But old ways die s | low → | → | |
| C |
Lord take some p | ity on me |
| Gmaj7 |
If you’re anywhere to h | ear |
| C |
If the heavens are not e | mpty |
| Gmaj7 |
If you’re someone I should f | ear |
| C |
Reach down and c | hange me |
| Gmaj7 |
I can’t do it on my o | wn |
| D |
I’ve reaped up everything I’ve s | own |
And now I’m weary to the bone
Em | D | Cadd9 |
Take me out beyo | nd the blinking y | ellow traffic light |
Em | D | Cadd9 |
Where the moon gets t | angled in the t | rees |
Em | D | Cadd9 |
Lay your daddy’s a | rmy blanket o | ut across the grass |
Em | D | Cadd9 |
Scoot in close and t | ell me what you n | eed |
Cadd9 | D | D | G | Em | C |
Hold o | n t | ight, d | on’t l | et g | o |
| G | C | Am7 | G |
The s | pinning w | orld will sh | ove you if you d | on’t |
Em | D | Cadd9 |
We both know your m | other doesn’t r | eally care for me |
Em | D | Cadd9 |
You don’t care for h | er so there you g | o |
Em | D | Cadd9 |
All I know is w | hen you’re tucked in t | ight against my legs |
| Em | D | Cadd9 |
There ain’t n | othing else I r | eally need to k | now |
C | D | D | G | Em | C |
Hold o | n t | ight, d | on’t l | et g | o |
| G | C | Am | G | G7 |
The s | pinning w | orld will sh | ove you if you d | on’t | |
C | D | D | G | Em | C |
Hold o | n t | ight, | it’ll b | e alr | ight |
G | C | Am | G |
You don’t e | ver h | ave to be a | lone |
Em | A |
So hungry, | so thirsty |
Fmaj7 | G |
We could just cons | ume each other |
Em | A |
So desperate, | so lonely |
Fmaj7 | G |
All we’ve got is o | ne another |
Em | A |
So helpless, | so homely |
Fmaj7 | G |
Beating down our ow | n defenses |
Em | A |
So take me, | I’ll take you |
Em | D | Cadd9 |
Take me out beyo | nd the blinking y | ellow traffic light |
Em | D | Cadd9 |
Where the moon gets t | angled in the t | rees |
Em | D | Cadd9 |
Lay your daddy’s a | rmy blanket o | ut across the grass |
Em | D | Cadd9 |
Scoot in close and t | ell me what you n | eed |
C | D | D | G | Em | C |
Hold o | n t | ight, d | on’t l | et g | o |
| G | C | Am | G | G7 |
The s | pinning w | orld will sh | ove you if you d | on’t | |
C | D | D | G | Em | C |
Hold o | n t | ight, | it’ll b | e alr | ight |
G | C | Am | G |
You don’t e | ver h | ave to be a | lone |
G | C | Am | G | C | G |
You don’t e | ver h | ave to be al | one | | |
| Am | G |
Ri | ght now he’s | probably slow dancing with a |
| Fsus2 | E7 |
B | leach blond tramp and sh | e’s probably getting frisky |
| Am | G | Fsus2 |
Ri | ght now he’s prob | ably buying her some f | ruity little |
| E7 |
Drink cause she ca | n’t shoot whiskey |
| Am | G | Fsus2 |
Ri | ght now he | ’s probably up behind her with a | pool stick |
| E7 | F |
Showing her h | ow to shoot a combo | |
| F | Am |
I | dug my key int | o the side of his |
F | Am |
Pretty little souped-up four | -wheel drive |
| F | Am | E7 |
Carv | ed my name i | nto his leather s | eats |
| F | Am |
I took a | Louisville slugger t | o both head lights |
F | Am |
Slashed a hole in a | ll four tires |
F | E7 | Am |
Maybe next time he’ll t | hink before he | cheats |
| Am | G |
R | ight now she’s | probably up singing some |
| Fsus2 | E7 |
Whi | te-trashed version of Sha | nia karaoke |
| Am | G |
R | ight now sh | e’s probably saying I’m drunk |
Fsus2 | E7 |
And he’s a-thinking that he’s go | nna get lucky |
| Am | G |
R | ight now he’s pro | bably dabbing on |
| Fsus2 | E7 | F |
Three | dollars worth of that ba | throom polo | |
| E7 |
Oh and he don’t | know, oh |
| F | Am |
That I | dug my key int | o the side of his |
F | Am |
Pretty little souped-up four | -wheel drive |
| F | Am | E7 |
Carv | ed my name in | to his leather s | eats |
| F | Am |
I took a | Louisville slugger t | o both head lights |
F | Am |
Slashed a hole in a | ll four tires |
F | E7 | Am |
Maybe next time he’ll t | hink before he | cheats |
C | G | Fsus2 | G |
I might have sa | ved a little trouble for the n | ext girl | |
| F | E7 |
Cause the n | ext time that he cheats | |
| Am |
Oh you know it won’t be on | me |
Am | G | Fsus2 | E7 |
| Am | G | Fsus2 | E7 |
Oh not on | me | | | |
| F | Am |
‘Cause I | dug my key int | o the side of his |
F | Am |
Pretty little souped-up four | -wheel drive |
| F | Am | E7 |
Carv | ed my name in | to his leather s | eats |
| F | Am |
I took a | Louisville slugger t | o both head lights |
F | Am |
Slashed a hole in a | ll four tires |
F | E7 | D |
Maybe next time he’ll t | hink before he | cheats |
F | E7 | Am |
Maybe next time he’ll t | hink before he | cheats |
D | G | D | Asus4 | A |
D | D7 | G/B | Gm/Bb | D | A | D |
| | | | | | |
| G |
S | o cute with fuzzy hair |
D | A |
Once upon a time I was so | nice |
| D | D7 |
Now I’m | loved and hugged no | more |
| G/B | Gm/Bb |
And I’m | stuck here at this | store |
| D | A | D | G | D |
And | nine ninety- | nine is my new | price | | |
| G |
All | glossy black and brown |
| D | A |
In a | high-rise apartment oh so f | ancy |
| D | D7 |
But I | lost my button | eye |
| G/B | Gm/Bb |
And be | gan to slowly | die |
| D | A | D | G | D |
And | now it’s up to | you to bring me | mercy | | |
| D |
This | little soul of mine |
| D |
And | if you’ve got some thread |
| D | D7 |
I’m | torn, old, and | pale |
| G/B | Gm/Bb |
And | I am for | sale |
D | A | D | G | D |
What I need is | for someone to | pick me | | |
| D |
I was | put out with the trash |
D | A |
Torn dirty and clean out of | luck |
| D | D7 |
But the | garbage men were | kind |
| G/B | Gm/Bb |
And they | sewed up my be | hind |
| D | A | D | G | D |
And | put me on the | grill of their | truck | | |
D |
I lived there for a year |
| D | A |
‘Ti | l one day I fell underneath the | tires |
| D | D7 |
Now the | only single | way |
| G/B | Gm/Bb |
I’ll go | home with you | today |
| D | A |
Is if you’re | desperate for a | doll |
| D | G | D |
That’s sick and | tired | | |
| D |
This | little soul of mine |
| D |
And | if you’ve got some thread |
| D | D7 |
I’m | torn old and | pale |
| G/B | Gm/Bb |
And | I am for | sale |
D | A | D | G | D |
What I need is | for someone to | pick me | | |
| D |
But | that’s just what you did |
| G |
You | saved me little kid |
| D | A |
You | saw that I had stories left to | tell |
| D | D7 |
Now your | mom is getting | used to a |
| G/B | Gm/Bb |
Al | though she is con | fused by a |
D | A | D |
Slightly stinky | old bear | smell |
| D |
This | little soul of mine |
| D |
And | if you’ve got some thread |
| D | D7 |
I’m | torn old and | pale |
| G/B | Gm/Bb |
And | I am for | sale |
D | A |
What I need is | for someone |
D | A |
What I need is | for someone |
D | A | D | G | D |
What I need is | for someone to | pick me | | |
A | A/G |
Every day is so | wonderful |
| F#m | F |
Then sudden | ly, it’s hard to | breathe |
A | A/G |
Now and then I get | insecure |
| F#m | F |
From all the | pain, I’m so a | shamed |
D9 | Bm7 |
I am beautiful no | matter what they say |
A | A/G | F#m |
Words can’t | bring me d | own |
D9 | Bm7 |
I am beautiful in | every single way |
| A | A/G | F#m |
Yes, | words can’t | bring me d | own, oh no |
Bm7 | A |
So don’t you bring me down to | day |
A | A/G |
To all your friends you’re de | lirious |
| F#m | F |
So con | sumed in all you | r doom |
A | A/G |
Trying hard to fill the | emptiness |
| F#m | F |
The pieces | gone, left the puzzle u | ndone, is that the way it is? |
D9 | Bm7 |
‘Cause you are beautiful no | matter what they say |
A | A/G | F#m |
Words can’t | bring you d | own, oh no |
D9 | Bm7 |
‘Cause you are beautiful in | every single way |
| A | A/G | F#m |
Yes, | words can’t | bring you d | own, oh no |
Bm7 |
So don’t you bring me down today |
A | A/G |
No matter what we d | o |
| F#m |
No matter what we | say |
| F |
We’re the song inside the t | une full of beautiful mistakes |
A | A/G |
And everywhere we g | o |
| F#m |
The sun will always sh | ine |
| F |
And tomorrow we might wa | ke up on the other side |
D9 | Bm7 |
‘Cause we are beautiful no | matter what they say |
| A | A/G | F#m |
Yes, | words won’t | bring us d | own, oh no |
D9 | Bm7 |
We are beautiful in | every single way |
| A | A/G | F#m |
Yes, | words can’t | bring us d | own, oh no |
Bm7 | A |
So don’t you bring me down | today |
A | A/G | F#m | F |
| | | Don’t you bring me down |
| A |
Don’t you bring me down today | |
-3-3-3--2-|-0-0--0------2--|-0-0-0-0--|-2
-0-0-0--0-|-1-1--0------0--|-1-1-1-1--|-0
-0-0-0--2-|-0-0--2------2--|-2-2-2-2--|-2
-2-2-2--1-|-2-2--1------1--|-2-2-2-2--|-1
-2-2-2--2-|-3-3--2------2--|-0-0-0-0--|-2
-0-0-0----|----------------|-----3-3--|--
[Em] [B7] [C] [B7sus4] [B7] [Am] [Am/G] [B7]
After all you put me through, you'd think I despise you
But in the end I want to thank you 'cause you made me that much stronger
| Em | G |
I | thought I knew | you thinking |
| Em | G |
I guess | I couldn’t | trust called your bluff |
| D | Em |
Time is | up ‘cause I’ve had e | nough |
| Em | G |
You were | there by my | side always |
| Em | G |
But your | joy ride just | came down in flames |
| D | Em |
‘Cause your | greed sold me out of | shame |
Mmmm...
Am |
After all of the stealing and cheating |
You probably think that I hold resentment for
G | Em | G | Em |
You | no no | | you’re wrong |
Am |
‘Cause if it wasn’t for all that you tried to do |
C | D | B |
I wouldn’t know just | how capable I | am to pull through |
| C | B |
So I | wanna say | thank you |
| Em | D/F# |
‘Cause it | makes me that much | stronger |
G | Am |
Makes me work a little bit | harder |
| C | B7 |
It | makes me that much | wiser |
| Am | G | Em |
So | thanks for | making me | a fighter |
Em | D/F# |
Made me learn a little bit | faster |
G | Am |
Made my skin a little bit | thicker |
| C | B7 |
It | makes me that much | smarter |
| Am | G | Em |
So | thanks for | making me | a fighter |
| Em | G |
Never | saw it com | ing, all of |
| Em | G |
Just so | you could cash | in on a good thing |
| D | Em |
Bef | ore I realized your | game |
| Em | G |
I heard | you’re going ‘ | round playing |
| Em | G |
But don’t | even be | gin feeling |
| Em |
‘Cause you dug your own | grave, uh huh |
Am |
After all of the fights and the lies |
Yes you wanted to harm me but
| G | Em |
That won’t work any | more | |
| G | Em |
Uh, no more, | oh no, | it’s over |
Am |
‘Cause if it wasn’t for all of your torture |
| C | D |
I | wouldn’t know how to | be this way now |
| C | B |
So | I wanna say | thank you |
| Em | D/F# |
‘Cause it | makes me that much | stronger |
G | Am |
Makes me work a little bit | harder |
C | B7 |
Makes me that much | wiser |
| Am | G | Em |
So | thanks for | making me | a fighter |
Em | D/F# |
Made me learn a little bit | faster |
G | Am |
Made my skin a little bit | thicker |
C | B7 |
Makes me that much | smarter |
| Am | G | Em |
So | thanks for | making me | a fighter |
Em | B7 | C |
How could this | man I thought I | knew turn out to |
| B7 | Am | Am/G |
Be | unjust so cruel | could only see | the good in |
| B7 |
You | pretended not to see the truth |
Em | B7 | C |
You tried to | hide your lies dis | guise yourself |
| B7 | Am | Am/G |
Through | living in denial | but in the | end you’ll see |
Em | D/F# |
I am a | fighter and I |
C | B7 |
There is no | turning back |
| Em | D/F# |
‘Cause it | makes me that much | stronger |
G | Am |
Makes me work a little bit | harder |
C | B7 |
Makes me that much | wiser |
| Am | G | Em |
So | thanks for | making me | a fighter |
Em | D/F# |
Made me learn a little bit | faster |
G | Am |
Made my skin a little bit | thicker |
C | B7 |
Makes me that much | smarter |
| Am | G | Em |
So | thanks for | making me | a fighter |
| C | D |
I | guess I’m pleased to | meet you or maybe I’ve |
G | Am7 | G | Am7 |
Seen you | somewhere be | fore | |
| C | D |
And | all that friendly | smalltalk that everyone |
G | Am7 | G | Am7 |
Knows just | leads to the | door | |
| C | D | G |
So | let’s both look at the | carpet, or “such a nice | view” |
Am7 | G | Am7 |
Or “when will it | rain?” | |
C | D | G |
And when the coffee is | gone you’ll get back in your | car |
Am7 | G | Am7 |
I’ll get | back on the | train |
| G | Am7 | G |
‘Cause | I don’t want to | change your | life |
| G | Am7 | G | D | C |
And | you don’t want to | ruin | mine | | |
| G | Am7 | Bm7 | E |
So | let’s do what we | both know is | right | |
| C | D7 | G | Am7 | G | Am7 |
And | save this for a | nother time | | | | |
| C | D7 |
A | nother thanks I’m | doing fine |
G | Am7 | G | Am7 | G | Am7 | G | C | D |
| | | | | | | → | |
| C | D | G |
But | nine or ten exits | later your radio’s | on |
| Am7 | G | Am7 |
And your | windows are | down | |
| C | D |
And you’re | singing along with the | Beatles and smiling |
| G | Am7 | G | Am7 |
Rem | embering a | night on the | town | |
| C | D |
And as I | fall asleep at the | station |
| G | Am7 | G | Am7 |
On a | train that’s | pulling | away | |
| C | D |
I’m | humming along with the | engines |
| G | Am7 | G | Am7 |
A beautiful | end to a | beautiful | day | |
| G | Am7 | G |
‘Cause | I don’t want to | change your | life |
| G | Am7 | G | D | C |
And | you don’t want to | ruin | mine | | |
| G | Am7 | Bm7 | E |
So | let’s do what we | both know is | right | |
| C | D7 | G | Am7 | G | Am7 |
And | save this for a | nother time | | | | |
| C | D7 |
A | nother thanks I’m | doing fine |
G | Am7 | G | Am7 | G | Am7 | G | C | D |
| | | | | | | → | |
C | D | Em7 | D | C | D |
G | Am7 | G | Am7 | G | Am7 | G | Am7 |
| | | | | | | |
| G | Am7 | G |
‘Cause | I don’t want to | change your | life |
| G | Am7 | G | D | C |
And | you don’t want to | ruin | mine | | |
| G | Am7 | Bm7 | E |
So | let’s do what we | both know is | right | |
| C | D7 | G | Am7 | G | Am7 |
And | save this for a | nother time | | | | |
| C | D | G |
Another | empty sheet hung | on a line | |
| C | D | G |
A | nother misde | meanor crime | |
| C | D | G | Am7 | G |
A | nother thanks I’m | doing fine | | | |
A | B/A | C/A | B/A | A | B/A | C/A | B/A |
| | | | | | | |
A | B/A |
Why don’t you tell me | one more time |
| C/A | B/A |
About | everything I have that you ain’t | got |
A | B/A |
Or how ‘bout if you ever | call me again |
| C/A | B/A |
I’ll hang | up on you right on the spo | t |
| A | E |
Bec | ause I cared I wound up here | drinking and crying alone |
| A | AMm9 |
So I | left you there got | new clothes new hair |
| B/A |
Don’t even | pick up the phone when you call |
| A | E |
So now I’m | sailing an ocean of | good times |
| AMm9 |
I got the sun and the waves and the | wind in my face |
| E |
And that’s | already everything you’re not |
A | B/A |
Why don’t you call me | one more time |
| C/A | B/A |
To say how | sorry you are that we ain’t | friends |
A | B/A |
Or how we should get | together some time |
| C/A | B/A |
And see | what we can to make amends | ? |
| A |
Well you would | scream and yell and raise some hell |
| E |
And make me | feel like it was all on me |
| A | AMm9 |
So | I got myself together got a | new car new space |
| B/A | E |
I’d | love to have you over but now | you’ve been replaced |
| A | E |
So now I’m | sailing an ocean of | good times |
| AMm9 |
I got the sun and the waves and the | wind in my face |
| E |
And that’s | already everything you’re not |
A | B/A | C/A | B/A | A | B/A | C/A | B/A |
| | | | | | | |
A | B/A |
Now every time I | see you around |
| C/A | B/A |
You | act like it’s still just you and | me |
A | AMm6 |
Well now i’m sailing this ship | solo honey |
| B/A |
And I can | finally say there’s somewhere else that |
| A | E |
So now I’m | sailing an ocean of | good times |
| AMm9 |
I got the sun and the waves and the | wind in my face |
| E |
And that’s | already everything you’re not |
C | D11 | C1 |
I met | James | Ellis on a |
C1 | D11 | Fmaj7 |
Train in | to Man | hattan |
C | D11 | C1 |
He said he | had to | see just |
Fmaj7 | G6 | G |
One | more Rangers | game |
C | D11 | C1 |
I left | James | Ellis on a |
C1 | D11 | Fmaj7 |
Platform | at Grand | Central |
| C | D11 | C1 |
Never | knowing | why this | trip would be the |
Fmaj7 | G6 | C |
Last | James Ellis | made |
Cmaj7 |
You try to know someone |
Fmaj7 |
You learn his name and look at |
Am | Fmaj7 | G6 |
Pictures of his | family and his | yard |
Cmaj7 |
You share your world with him |
Fmaj7 |
Inside the Lincoln Tunnel |
| C | D11 | C1 |
And you | never | under | stand |
| Fmaj7 | G6 | C |
Why under | standing | is so | hard |
C | D11 | C1 |
Me | lissa | met me on a |
C1 | D11 | Fmaj7 |
Train out | side of | Boston |
C | D11 | C1 |
She | said she | liked me and would |
C1 | D11 | G |
Call me | up some | time |
C | D11 | C1 |
If Mel | issa | ever called the |
C1 | D11 | Fmaj7 |
Number | that I | gave her |
| C | D11 | C1 |
She | wouldn’t | unders | tand why it wasn’t |
Fmaj7 | G6 | C |
My voice | on the | line |
Cmaj7 |
You try to know someone |
Fmaj7 |
You learn her name and look at |
Am | Fmaj7 | G6 |
Pictures of her | family and her | yard |
Cmaj7 |
You share your world with her |
Fmaj7 |
Inside the Lincoln Tunnel |
| C | D11 | C1 |
And you | never | under | stand |
| Fmaj7 | G6 | C |
Why under | standing | is so | hard |
| Am | Fmaj7 |
You’ll go your | own way | |
| Am | Fmaj7 |
You’ll go your | own way | |
| Cmaj7 | Fmaj7 |
And I’ll | turn across the aisle and start | again |
Cmaj7 |
You try to know someone |
Fmaj7 |
You learn his name and look at |
Am | Fmaj7 | G6 |
Pictures of his | family and his | yard |
Cmaj7 |
You share your world with him |
Fmaj7 |
Inside the Lincoln Tunnel |
| C | D11 | C1 |
And you | never | under | stand |
| Fmaj7 | G6 | C |
Why under | standing | is so | hard |
| C | D11 | C1 |
No you | never | under | stand |
| Fmaj7 | G6 | Cmaj7 |
Why under | standing | is so | hard |
B5 | B5 |
B5 | B(b5) | A5 | B5 |
Bm | D | A | B | A | B |
| | | | → | |
Bm | D | A | Bm | A |
Yesterday the | sun shined but you k | new that it wouldn’t | last | |
| Bm | F#m | A | Bm |
If | yesterday was a | bucket of seeds then tod | ay’s just a patch of grass | |
| Bm | D | A | Bm | A |
When | you woke up this | morning you felt the | rain fall on your | head | |
Bm | F#m | A | Bm |
Yesterday you | cruised the sky but to | day you’ll stay in bed | |
| Bm | D |
You are an un | usually blue bl | uebird |
| A | Bm |
I guess | you won’t fly to | day |
| Bm | D |
You are an un | usually blue | bluebird |
| A | Bm |
The wind | just won’t blow your | way |
| B5 | E5 |
But you’re an | unusually blue | bluebird |
F# |
Colors bright and strong |
| B5 | E5 |
You’re an unu | sually blue b | luebird |
| F# | B |
So tod | ay you’ll sing your | song |
B | E | F# |
Yesterday the | sun shined and you | couldn’t find the shade |
| B | E | F# | B |
To | day you’ve got that n | ice cool breeze and you | know you’ve got it | made |
| B | E | F# |
When | you woke up this mo | rning you hopped | down and took a swim |
B | E | F# | B |
Yesterday the f | ield was dry but to | day the rain came | in |
| B | E |
But you’re an un | usually blue b | luebird |
F# |
Colors bright and strong |
| B | E5 |
You’re an unu | sually blue b | luebird |
| F# | B |
So | today you’ll sing your | song |
| B | E |
You’re an un | usually blue bl | uebird |
F# |
Make the best of the day |
| B | E |
You’re an unu | sually blue b | luebird |
| E | B5 |
You never | know what will blow your | way |
Am | C | G | G |
Am | C | E | Am | Am/G |
| | | → | |
| C | Am |
L | ove of mine, someday y | ou will die |
| F |
But I will be clo | se behind |
| C | G |
I’ll follow y | ou into the d | ark |
| C | Am |
No bl | inding light, or tunnels to g | ates of white |
| F |
Just our hands cla | sped so tight |
| C | G |
Waiting f | or the hint of a sp | ark |
| Am | C | F | C | C/B |
If h | eaven and hell dec | ide that they b | oth are sati | sfied | |
| Am | C | G |
Il | luminate the n | o’s on their | vacancy signs |
| Am | C | E | Am | Am/G |
If t | here’s no one bes | ide you when your s | oul emb | arks | |
| F | Fm | C |
Then | I’ll follow y | ou into the dark | |
| C | Am |
In | Catholic school, as vicious as R | oman rule |
| F | C | G |
I got my kn | uckles bruised by a l | ady in bla | ck |
| C | Am | F |
I h | eld my tongue, as she | told me son, fear is the he | art of love |
| Am | C | F | C | C/B |
If h | eaven and hell dec | ide that they b | oth are sati | sfied | |
| Am | C | G |
Il | luminate the n | o’s on their | vacancy signs |
| Am | C | E | Am | Am/G |
If t | here’s no one bes | ide you when your s | oul em | barks | |
| F | Fm | C |
Then | I’ll follow y | ou into the dark | |
C | Am |
You and me have seen every | thing to see |
| F |
From Bangkok to Ca | lgary |
| C | G |
And the so | les of your sho | es |
| C | Am |
Are a | ll worn down, the time for s | leep is now |
| F |
It’s nothing to c | ry about |
| C | G |
‘Cause we’ll h | old each other s | oon |
| Am | F |
In the bl | ackest of r | ooms |
| Am | C | F | C | C/B |
And if h | eaven and hell dec | ide that they b | oth are sati | sfied | |
| Am | C | G |
And il | luminate the n | o’s on their | vacancy signs |
| Am | C | E | Am | Am/G |
If t | here’s no one bes | ide you when your s | oul em | barks | |
| F | Fm | C | Am |
Then I | ’ll follow | you into the d | ark | |
| F | Fm | C |
And | I’ll follow | you into the dark | |
| G | C/G |
The | window is open | so’s that door |
| Gmaj7 | C/G |
I | didn’t know they did that | anymore |
| G | G/B | D | Dsus4 | D | Dsus4 | D |
Who | knew we owned eight | thousand salad | pl | ates | | | |
| G | C/G |
For | years I’ve roamed these | empty halls |
Gmaj7 | C/G |
Why have a ballroom | with no balls? |
Em11 | Em11/D | A9/C# | A7 |
Finally they’re | op’ning up the | gates | |
| F#m7 | Gmaj7 |
There’ll be | actual real live | people |
A | Bm |
It’ll be totally | strange |
| F | D |
But | wow, am I so ready for this | change |
| G/B | C |
‘Cause for the | first time in for | ever |
| D/F# | Gmaj9 |
There’ll be | music, there’ll be | light |
| Em | Bm |
For the | first time in for | ever |
| F | B7 |
I’ll be | dancing through the nig | ht |
| Em | Em7/D |
Don’t | know if I’m elated or gas | sy |
| C | A9 |
But I’m | somewhere in that | zone |
| Gm/A# | Csus2 |
‘Cause for the | first time in for | ever |
I can’t wait to meet everyone, what if I meet *the* one?
| G | C/G |
To | night imagine me | gown and all |
Gmaj7 | C/G |
Fetchingly draped a | gainst the wall |
| G | G/B | D | Dsus4 | D | Dsus4 | D |
The | picture of so | phisticated | grac | e | | | |
| G | C/G |
I | suddenly see him | standing there |
| Gmaj7 | C/G |
A | beautiful stranger, | tall and fair |
| Em11 | Em11/D | A9/C# | A7 |
I | wanna stuff some | choco’late in my | face | |
| F#m7 | Gmaj7 |
But then we | laugh and talk all eve | ning |
| A6 | Bm |
Which is | totally bi | zarre |
F | D |
Nothing like the life I’ve led so | far |
| G/B | C |
For the | first time in for | ever |
| D/F# | Gmaj9 |
There’ll be | magic, there’ll be f | un |
| Em | Bm |
For the | first time in for | ever |
| F | B7 |
I could be | noticed by some | one |
| Em | Em7/D |
And I | know it is totally | crazy to |
C | A9 |
Dream I’d find ro | mance |
| Gm/A# | Csus2 |
But for the | first time in for | ever |
| Dsus4 | G |
At l | east I’ve got a | chance |
E | Bm |
Don’t let them in, | don’t let them see |
A/C# | D | A | Am/C |
→ | Be the good girl you always | have to be | |
| Am | E |
Make | one wrong move and everyone will | know |
| C/E |
But it’s only for to | day (it’s only for today) |
| Cm7b5 |
It’s agony to | wait (it’s agony to wait) |
C#m7b5 | D9 |
Tell the guard to open up the | gate |
| G/B | C |
For the | first time in for | ever, I’m getting |
(Don’t let them in, don’t let them see)
D/F# | Gmaj7 |
What I’m dreaming of | |
(Be the good girl you always have to be)
| Em | Bm |
A | chance to change my lone | ly world |
(Conceal)
| F | B7 |
A | chance to find true love | |
(Conceal, don’t feel, don’t let them know)
| Em | Em/D |
I | know it all ends to | morrow |
| C | A9/C# |
So it | has to be to | day |
| G/B | C |
‘Cause for the | first time in for | ever |
| G/D | A7 | Cm7 |
For the | first time | in for | ever |
Dsus4 | G |
Nothing’s in my | way |
E | Bsus4 |
I’ve been staring at the edge of the wat | er |
| C#m | Asus2 |
‘Long as I can re | member, never really knowing w | hy |
E | Bsus4 |
I wish I could be the perfect d | aughter |
| C#m | Asus2 |
But I come back to the | water, no matter how hard I tr | y |
| C#m |
Every t | urn I take, every trail I track |
| B/D# |
Every p | ath I make, every road leads back |
| E |
To the p | lace I know, where I cannot go |
| E | Bsus4 |
See the l | ine where the sky meets the sea, it | calls me |
| C#m7 | Asus2 |
And no one k | nows, how far it g | oes |
| E | Bsus4 |
If the wi | nd in my sail on the sea stays beh | ind me |
| C#m7 | Am | E |
One day I’ll | know, if I | go there’s just no telling how far I’ll | go |
E | F#m |
I know, everybody on this i | sland seems so happy |
| C#m | Asus2 |
On this isl | and, everything is by de | sign |
E | F#m | C#m |
I know, everybody on this i | sland has a role on this isl | and |
| Asus2 |
So maybe I can roll with m | ine |
| C#m |
I can l | ead with pride, I can make us strong |
| B/D# |
I’ll be s | atisfied if I play along |
| E |
But the v | oice inside sings a different song |
| Am |
What is w | rong with me? |
| E | Bsus4 |
See the l | ight as it shines on the sea, it’s b | linding |
| C#m7 | Asus2 |
But no one kn | ows, how deep it g | oes |
| E | Bsus4 |
And it s | eems like it’s calling out to me, so come f | ind me |
| C#m | Asus2 |
And let me k | now, what’s be | yond that line, will I cross that line? |
| F | Csus4 |
See the l | ine where the sky meets the sea? It ca | lls me |
| Dm7 | Bbsus2 |
And no one k | nows, how far it g | oes |
| F | Csus4 |
If the w | ind in my sail on the sea stays be | hind me |
| Dm | Ab | Fm | Dm7b5 | C |
One day I’ll k | now, how far I’ll | go | | | |
Em | C | D | Amsus4 | Am |
Em | C | D | Asus4 | A |
| | | | |
| Em | Cadd9 |
The | snow glows white on the | mountain tonight |
| D | Am |
Not a | footprint to be se | en |
| Em | Cadd9 | D | A |
A | kingdom of iso | lation, and it | looks like I’m the quee | n |
Em | C | D | Amsus4 | Am |
The wind is | howling like this s | wirling storm i | nside | |
Em | D | A |
Couldn’t keep it in, hea | ven knows I’ve tried | |
D | C |
Don’t let them in, don’t let them see | |
| D |
Be the good girl you always have to be | |
| C |
Conceal, don’t feel, don’t let them | know |
| Em | C |
Can’t | hold it back any m | ore |
| Em | C |
Turn | away and slam the d | oor |
| Em | C |
What they’re | going to sa | y |
| Bm | Bb |
Let the | storm rage | on |
| C |
The | cold never bothered me anyway |
Em | C |
It’s funny how some dist | ance |
| D | Am |
Makes | everything seem sm | all |
| Em | D |
And the | fears that once con | trolled me |
D | C |
It’s time to see what I can do | |
| D |
To test the limits and break thr | ough |
| C |
No right, no wrong, no rules for | me |
Em | C |
I am one with the wind and sky | |
Em | C |
You’ll never see me | cry |
| Bm | Bb |
Let the | storm rage | on |
C |
My power flurries through the air into the ground |
My soul is spiraling in frozen fractals all around
D |
And one thought crystallizes like an icy blast |
D | Am | C |
The past is in t | he past | |
Em | C |
When I’ll rise like the break of | dawn |
| Em | C |
That | perfect girl is gon | e |
G | D | Em | C | Cm |
Here I sta | nd in the | light of d | ay | |
Bm | Bb |
Let the storm rage | on |
C |
The cold never bothered me anyway |
F: OK, can I just say something crazy?
M: I love crazy
| D | Dsus4/F# | D/G | Asus4 |
F: All my l | ife has been a ser | ies of do | ors in my f | ace |
| D | Dsus4/F# | Em7 | Asus4 |
F: And then | suddenly I bump i | nto you | | |
M: I was thinking the same thing!
| D | Dsus4/F# |
M: ‘Cause like | I’ve been searching m | y whole life |
| D/G | Asus4 |
M: To fi | nd my own p | lace |
| D | Dsus4/F# |
F: And maybe | it’s the party | talking |
| Em7 | Asus4 |
F: Or the | chocolate | fondue |
| D |
M: But with you I found | my place |
| E | G7 |
B: And it’s n | othin’ like I’ve ever known | before |
| D | D/F# | E | Gm |
B: Love is an open | doo | r | | |
| D | D/F# | E | Gm |
B: Love is an open | doo | r | | |
| D |
B: Love is an open | door |
| D/F# |
F: With | you, M: with you |
| E |
F: With you | , M: with you |
| Gm | D |
B: | Love is an open | door |
D | Dsus4/F# | D/G | Asus4 |
D | Dsus4/F# | D/G | Asus4 |
| | | |
| E | Esus4/G# |
M: I mean its c | razy (F: what?), we f | inish each others’ |
| Bsus4 |
M: That’s what | I was gonna say! |
| E |
F: I’ve never | met someone |
| Esus4/G# | F#m7 | Bsus4 |
B: Who | thinks so much like | me | |
B: Jinx! Jinx again!
| E | Esus4/G# |
B: Our | mental synchroni | zation can |
| E/A | Bsus4 |
B: | Have but one e | xplanation |
| E | Esus4/G# | F#m7 | Bsus4 |
M: | You (F: and I) M: were | (F: just) B: meant to | be | |
| C#m |
F: Say g | oodbye, M: say goodbye |
| E | E9 |
B: To the | pain of the past | |
| F# | A7 |
B: | We don’t have to feel it any m | ore |
| E | E/G# | F# | Am |
B: Love is an open | doo | r | | |
| E | E/G# | F# | Am |
B: Love is an open | doo | r | | |
| E |
Life can be so m | uch more |
| E/G# |
F: With | you, M: with you |
| F# |
F: With you | , M: with you |
| E | Esus4/G# | E/A | Bsus4 |
B: | Door | | | |
M: Can I say something crazy? Will you marry me?
F: Can I say something even crazier? Yes!
Dadd4 | G/D |
Seven A.M., the usual morning | lineup |
Dadd4 | G/D |
Start on the chores and sweep till the floor’s all | clean |
D# | A# |
Polish and wax, do laundry, and mop and | shine up |
| D | D/C | G/B |
Sweep a | gain, | and by | then |
| A | D7 |
It’s like | seven fif | teen, and so I’ll |
G | C | Am7 | G |
Read a | book or maybe | two or | three |
| Em7 | A7 | Cadd9 | G |
I’ll add a | few new | paintings to my | galle | ry |
| Em7 | A7 |
I’ll play gui | tar and | knit and cook |
| C | B7 | Em7 |
And | ba | sica | lly just wonder |
A9 | D7sus4 | G |
When will my l | ife be | gin |
Dadd4 | G/D |
Then after lunch it’s puzzles and darts and | baking |
Dadd4 | G/D |
Paper mache, a bit of ballet and | chess |
D# | A# |
Pottery and ventriloquy, candle | making, then I’ll |
D | D/C | Gsus/B |
Stretch, | maybe | sketch |
| A | D7 |
Take a | climb, sew a | dress, and I’ll |
| G | C | Am7 | G |
Re- | read the | books if I have | time to | spare |
| Em7 | A7 |
I’ll paint the | walls some | more |
| Cadd9 | G |
I’m sure there’s | room some | where |
| Em7 | A7 |
And then I’ll | brush and | brush |
| C | B7 | Em7 |
And brush and | brush | my | hair |
| A7 | C | B7 | Em7 |
Stuck in the | same place I’ve | al | ways | been |
| Am7 | G/B |
And I’ll keep | won’dring and | won’dring |
| C | Bm7 | E7 |
And | won’dring and | won’ | dring |
A9 | D7sus4 | G |
When will my | life be | gin? |
| G | C/G | G | C/G |
And to | morrow | night | lights will a | ppear |
G | C/G | G | Am7 |
Just like they | do on my | birthday each | year |
Em7 | A7 | D7sus4 | G | G7 |
What is it | like out | there where they | glow? | |
C | G/B | C | Dsus4 |
Now that I’m | older mother | might just let me | go |
3-5-x--3--x--3--x--7--x--7--x--3--5h3-3-3-
3---x--3--x--3--x--3--x--3--x--3--3---3-3-
0---x--0--x--0--x--0--x--0--x--0--0---0-0-
------------------------------------------
------------------------------------------
------------------------------------------
3--5--x--3--x--3--x--x--8-7-5-x--x-
3-----x--3--x--3--x--x--5-5-7-x--x-
0-----x--0--x--0--x--x--0-7-7-x--x-
-----------------------------------
-----------------------------------
-----------------------------------
5-7-x-9/10-x-x-----------------|----5-3
7---x-9/10-x-x-10--9---x-9s-10-|-10-7-3
7---x------x-x-11--10--x-10s11-|-11-5-0
---------------10--9---x-9s-10-|-10-7-0
-------------------------------|-------
-------------------------------|-------
G |
Daddy sits on the front porch swingin’ |
| C | G | D |
Lookin’ out on a | vac | ant | field |
D |
It used to be filled with burly tobacco |
| G |
Now he knows it never | will |
G |
My brother found work in Indiana |
| C | G | D |
My sister’s a nurse at the | old | folks | home |
D |
Momma’s still cookin’ too much for supper |
| G |
And me, I’ve been a long time | gone |
| C | G | D |
Been a | long | time | gone |
| C | G | D |
No I | ain’t hoed a | row since I | don’t know when |
D | G | C | D | G |
Long | time | gone and it | ain’t comin’ back | again |
G |
Delia plays that old church piano |
| C | G | D |
Sittin’ out on her | dad | dy’s | farm |
D |
She always thought that we’d be together |
| G |
Lord, I never meant to do her | harm |
G |
Said she could heard me singin’ in the choir |
| C | G | D |
Me I heard | anot | her | song |
D |
I caught wind and hit the road runnin’ and |
| G |
Lord I’ve been a long time | gone |
| C | G | D |
Been a | long | time | gone |
| C | G | D |
Lord I | ain’t had a | prayer since I | don’t know when |
D | G | C | D | G |
Long | time | gone and it | ain’t comin’ back a | gain |
| F |
Now | me, I went to Nashville, tryin’ to be the big deal |
G |
Playin’ down on Broadway, gettin� there the hard way |
F |
Livin’ from a tip jar, sleepin’ in my car |
G | A | D |
Hockin� my guitar, yeah I’m gonna be a | star | |
| G |
Now | me and Delia singin’ every Sunday |
| C | G | D |
Watchin’ the children and the | gar | den | grow |
| D |
We | listen to the radio to hear what’s cookin’ |
| G |
But the music ain�t got no | soul |
| G |
Now | they sound tired but they don’t sound Haggard |
| C | G | D |
They got money but they | don’t | have | Cash |
| D |
They got | Junior but they don�t have Hank |
I think, I think, I think the rest is a
| C | G | D |
No I | ain’t hit the | roof since I | don’t know when |
D | G | C | D |
Long | time | gone and it | ain’t comin’ back |
| C | G | D |
I said a | long | time | gone |
| C | G | D |
No I | ain�t honked a | horn since I | don�t know when |
D | G | C | D | G |
Long | time | gone and it | ain�t comin� back aga | in |
| G | D |
I said a | long time, long time, long time | gone |
| G |
Oh it�s been a long time | |
G | D |
Long time, long time, long time | gone |
| G |
Oh it’s been a long... time... | gone |
G | D |
Long time, long time, long time | gone, yeah, yeah |
| G |
He was | waiting for a bus in his army greens |
| C |
Sat | down at a booth at a cafe there |
| G |
Gave his | order to a girl with a bow in her hair |
G |
He’s a little shy so she give him a smile |
| G |
And he | said would you mind sitting down for a while |
| C | G |
And | talking to me, I’m feeling a little | low? |
| F | C | G |
She said I’m | off in an hour and | I know where we can | go |
| G |
So | they went down and they sat on the pier |
| G |
He said I | bet you got a boyfriend but I don’t care, I’ve |
C | G |
Got no one to send a letter | to |
| F | C | G |
Would you | mind if I sent | one back here to | you? |
C |
Never gonna hold the hand of another |
G |
Guy, too young for him they told her |
D |
Waiting for the love of a travelin’ soldier |
Em |
Our love will never end |
C |
Waiting for the soldier to come back |
| G |
A | gain, never more to be alone |
| D | G |
When the | letter says a soldier’s coming | home |
| G |
So the | letters came from an army camp |
| G |
In | California then Vietnam |
| C |
And he | told her of his heart, he might be in love |
| G |
And | all the things he was so scared of |
| G |
He | said when it’s getting kinda rough over here |
| G |
I | think of that day sitting down at the pier |
| C | G |
And I | close my eyes and see your pretty | smile |
| F | C | G |
Don’t | worry but I won’t be | able to write for a | while |
C |
Never gonna hold the hand of another |
G |
Guy, too young for him they told her |
D |
Waiting for the love of a travelin’ soldier |
Em |
Our love will never end |
C |
Waiting for the soldier to come back |
| G |
A | gain, never more to be alone |
| D | G |
When the | letter says a soldier’s coming | home |
| G |
One | Friday night at a football game |
| G |
The | lord’s prayer said and the anthem sang |
| C |
And a | man said folks would you bow your head |
| G |
For a | list of local Vietnam dead |
G |
Crying all alone under the stand |
| G |
Was a | piccolo player in the marching band |
| C | G |
And | one name read and nobody really | cared |
| F | C | G |
But a | pretty little girl | with a bow in her | hair |
C |
Never gonna hold the hand of another |
G |
Guy, too young for him they told her |
D |
Waiting for the love of a travelin’ soldier |
Em |
Our love will never end |
C |
Waiting for the soldier to come back |
| G |
A | gain, never more to be alone |
| D | G |
When the | letter says a soldier’s coming | home |
C |
Never gonna hold the hand of another |
G |
Guy, too young for him they told her |
D |
Waiting for the love of a travelin’ soldier |
Em |
Our love will never end |
C |
Waiting for the soldier to come back |
| G |
A | gain, never more to be alone |
| D | G |
When the | letter says a soldier’s coming | home |
D/F# | D | G |
Not the way that | I do love | you |
| Bm |
Well, | holy, moley, me, oh my |
D |
You’re the apple of my eye |
D/F# | D | G |
Girl I’ve never l | oved one like | you |
Bm |
Man oh man you’re my best friend |
| D |
I s | cream it to the nothingness |
D/F# | D | G |
There ain’t | nothing that I | need |
| Bm |
Well, h | ot and heavy, pumpkin pie |
D |
Chocolate candy, Jesus Christ |
D/F# | D | G |
Ain’t nothing | please me more than | you |
| Bm | D |
Ahh | home, let me come | home |
D/F# | D | G |
Home is wher | ever I’m with | you |
| Bm | D |
Ahh | home, let me come ho | -o-ome |
D/F# | D | G |
Home is wher | ever I’m with | you |
Em | D | A | A |
Ba, ba ba ba, ba | ba → | ba | |
Em | D | A | Em |
Ba, ba ba ba, ba | ba → | | |
Bm | A | D | G |
La, la, | la, la, | take me | home |
A |
Mother, I’m coming home |
| Bm |
I’ll f | ollow you into the park |
D |
Through the jungle through the dark |
D/F# | D | G |
Girl I never | loved one like | you |
Bm |
Moats and boats and waterfalls |
D |
Alleyways and payphone calls |
D/F# | D | G |
I’ve been | everywhere with | you (that’s true) |
Bm |
Laugh until we think we’ll die |
D |
Barefoot on a summer night |
D/F# | D | G |
Never could be | sweeter than with | you |
| Bm |
And i | n the streets you run afree |
D |
Like it’s only you and me |
D/F# | D | G |
Jeez, you’re | something to | see |
| Bm | D |
Ahh | home, let me come | home |
D/F# | D | G |
Home is wher | ever I’m with | you |
| Bm | D |
Ahh | home, let me come ho | -o-ome |
D/F# | D | G |
Home is wher | ever I’m with | you |
Em | D | A | A |
Ba, ba ba ba, ba | ba → | | |
Em | D | A | Em |
Ba, ba ba ba, ba | ba → | | |
Bm | A | D | G |
La, la, | la, la, | take me | home |
A |
Mother, I’m coming home |
| D | D |
Him: D | o you remember that day you | fell outta my window? |
| D |
Her: | I sure do, you came jumping out after me |
| D |
Him: | Well, you fell on the concrete, nearly broke your ass, and you were bleeding all over the, and I rushed you off to the hospital, you remember that? |
Her: Yes I do
Him: Well there's something I never told you about that night
Her: What didn't you tell me?
| D | G |
Him: | While you were sitting in the backseat smoking a cigarette you thought was gonna | be your |
| Bm | D | G |
Him: last, | I was falling deep, deeply i | n love with you, and I never told you til just no | w |
| Bm | D |
Ahh | home, let me come | home |
D/F# | D | G |
Home is wher | ever I’m with | you |
| Bm | D |
Ahh | home, let me come ho | -o-ome |
D/F# | D | G |
Home is when I’m | alone with | you |
Bm | D |
Home, let me come | home |
D/F# | D | G |
Home is wher | ever I’m with | you |
Bm | D |
Home, yes I am ho | -o-ome |
D/F# | D | G |
Home is when I’m | alone with | you |
D/F# | D | G |
I do love my | ma and | pa |
Bm | D |
Moats and boats and water | falls |
D/F# | D | G |
Alleyways and | payphone | calls |
D/F# | D | G |
Home is when | I’m with | you |
D/F# | D | G |
Home is when | I’m alone with | you |
| F#m |
And I’m | trying to care a little less |
When I Google I only get depressed
| C#m7 | B |
I was taught to | dodge those issues, | I was told |
| E |
Don’t | worry, there’s no doubt |
| F#m |
There’s always | something to cry about |
When you’re stuck in an angry crowd
| A | Edim |
They don’t | think what they say before they | open their mouths |
| E |
You gotta | pack up your troubles in your old kit bag |
| F#m |
And | bury them beneath the sea |
I don’t care what the people may say
| E |
What the people may say about | me |
E |
Pack up your troubles get your old grin back |
| F#m |
Don’t | worry about the cavalry |
I don’t care what the whisperers say
| E |
‘Cause they whisper too loud for | me |
| E | F#m |
Hot | topic, maybe I should | drop it |
It’s a touchy subject
| C#m7 | B |
And I like to | tiptoe ‘round the | shit goin’ down |
| E |
You got | penny, but no pound |
| F#m |
So if your | business is running out |
It’s not my business to talk about
| A | Edim |
They don’t | think what to say, before they | open their mouths |
| E |
You gotta | pack up your troubles in your old kit bag |
| F#m |
And | bury them beneath the sea |
I don’t care what the people may say
| E |
What the people may say about | me |
E |
Pack up your troubles get your old grin back |
| F#m |
Don’t | worry about the cavalry |
I don’t care what the whisperers say
| E |
‘Cause they whisper too loud for | me |
E | F#m |
Tweet tweet, tweet tweet, tweet tweet tweet, | tweet, tweet, tweet |
| E |
Tweet tweet tweet tweet, tweet tweet tweet, tweet tweet, tweet, tweet, | tweet tweet tweet |
E |
Pack up your troubles in your old kit bag |
| F#m |
And | bury them beneath the sea |
I don’t care what the people may say
| E |
What the people may say about | me |
E |
Pack up your troubles get your old grin back |
| F#m |
Don’t | worry about the cavalry |
I don’t care what the whisperers say
| E |
‘Cause they whisper too loud for | me |
| Em |
I | had me a boy, turned him into a man |
| Em |
I | showed him all the things that he didn’t understand |
| B | Em |
Who | a, then I let him | go |
| Em |
Now, there’s | one in California who’s been cursin’ my name |
| Em |
‘Cause | I found me a better lover in the UK |
| B | Em |
Hey | hey, until I make my geta | way |
Em |
1-2-3 they gonna run back to me |
| Em |
‘Cause | I’m the best baby that they never gotta keep |
Em |
1-2-3 they gonna run back to me |
| Em |
They | always wanna come, but they never wanna leave |
| B | G |
Like g | ho-o-sts, they | want me |
| Em |
I | had a summer lover down in New Orleans |
| Em |
Kept him | warm in the winter, left him frozen in the spring |
| B | Em |
My | my, how the seasons go b | y |
Em |
I get high and I love to get low |
| Em |
So the | hearts keep breaking and the heads just roll |
| B | Em |
You kn | ow, that’s how the story goe | s |
Em |
1-2-3 they gonna run back to me |
| Em |
‘Cause | I’m the best baby that they never gotta keep |
Em |
1-2-3 they gonna run back to me |
| Em |
They | always wanna come, but they never wanna leave |
| B | G |
Like g | ho-o-sts, they | want me |
| B | G |
Like g | ho-o-sts, they | want me |
Em |
1-2-3 they gonna run back to me |
Em |
Climbing over mountains and a-sailing over seas |
Em |
1-2-3 they gonna run back to me |
Em |
They always wanna come, but they never wanna leave |
| B | G |
Like g | ho-o-sts, they | want me |
| B | G |
Like g | ho-o-sts, they | want me |
Am | Am11 | Fmaj7/A | Fmaj7/A |
Am | Am11 | Fmaj7 | Fmaj7 |
Dm | C6 | Bm7 | Bm7 |
E |
|
Am | F |
One shot | one opportunity |
Am | F |
To seize everything you ever wanted, | one moment |
Am | F |
Would you capture it, | or just let it slip, yo |
| Am |
His pa | lms are sweaty, knees weak, arms are heavy |
| F |
There’s vomit | on his sweater already, mom’s spaghetti |
| Am |
He’s nervous, | but on the surface he looks calm and ready |
| F |
To drop bo | mbs, but he keeps on forgetting |
| Am |
What he wr | ote down, the whole crowd goes so loud |
| F |
He ope | ns his mouth, but the words won’t come out |
| Am |
He’s cho | king, how, everybody’s joking now |
| F |
The clock’s r | un out, time’s up, over, blao |
| Am |
Snap ba | ck to reality, oh, there goes gravity |
F |
Oh, there goes Rabbit, he choked, he’s so mad but he |
| Am |
Wo | n’t, give up that easy, no, he won’t have it he |
| F | G |
Kn | ows, his whole back’s to these ro | pes, it don’t matter he’s |
Am |
Dope, he knows that but he’s broke, he’s so stagnant he |
| F |
Kn | ows, when he goes back to this mobile home, that’s when it’s |
Am |
Back to the lab again, yo, this whole rhapsody |
| F | G |
Bet | ter go capture this moment and ho | pe it don’t pass him |
| Am |
You better l | ose yourself in the music |
| F | G |
The moment, you own i | t, you better never let it go | |
| Am |
You only get | one shot, do not miss your chance to blow |
| F | G |
This opport | unity comes once in a lifet | ime |
| Am |
You better lo | se yourself in the music |
| F | G |
The moment, you own | it, you better never let it go | |
| Am |
You only get o | ne shot, do not miss your chance to blow |
| F | G |
This opport | unity comes once in a lifet | ime |
| Am |
His so | ul’s escaping, through this hole that is gaping |
F |
This world is mine for the taking, make me king |
Am |
As we move toward a new world order |
| F |
A no | rmal life is boring, but superstardom’s |
Am |
Close to post mortem, it only grows harder |
F |
Homie grows hotter, he blows it’s all over |
| Am |
These | hoes is all on him, coast to coast shows |
| F |
He’s | known as the globetrotter lonely roads, god only |
| Am |
K | nows he’s grown farther from home, he’s no father |
| F |
He | goes home and barely knows his own daughter |
| Am |
But | hold your nose ‘cause here goes the cold water |
| F | G |
These | hoes don’t want him no | more, he’s cold product |
| Am |
They | moved on to the next schmoe who flows, he |
| F |
Nose-d | ove and sold nada, so the soap opera is |
Am |
Told it unfolds, I suppose it’s old partner, but the |
F | G |
Beat goes on, da da d | um, da dum |
| Am |
You better l | ose yourself in the music |
| F | G |
The moment, you own i | t, you better never let it go | |
| Am |
You only get | one shot, do not miss your chance to blow |
| F | G |
This opport | unity comes once in a lifet | ime |
| Am |
You better lo | se yourself in the music |
| F | G |
The moment, you own | it, you better never let it go | |
| Am |
You only get o | ne shot, do not miss your chance to blow |
| F | G |
This opport | unity comes once in a lifet | ime |
Am |
No more games, I’m-a change what you call rage |
| F |
Tear this | motherfucking roof off like two dogs caged |
| Am |
I was | playing in the beginning, the mood all changed |
| Dm | F |
I’ve been c | hewed up and spit out and | booed off stage |
| Am |
But I | kept rhyming and stepped, writing the next cypher |
F |
Best believe somebody’s paying the pied piper |
Am |
All the pain inside amplified by the |
Dm | F |
Fact that I can’t get | by with my nine to |
Am |
Five, and I can’t provide the right type of |
F |
Life for my family ‘cause man, these goddamn food |
Am |
Stamps don’t buy diapers, and it’s no movie, there’s |
F | G |
No Mekhi Phifer, | this is my life |
| Am |
And these | times are so hard and it’s getting even harder |
| F |
Trying to | feed and water my seed, plus teeter-totter |
| Am |
Caught up betw | een being a father and a prima donna |
| F | G |
Baby | mama drama’s screaming on and | too much for me to wanna |
Am |
Stay in one spot, another day of monotony’s |
| F |
Gotten | me to the point I’m like a snail |
| Am |
I’ve got to formul | ate a plot or end up in jail or shot |
| F | G |
Succe | ss is my only motherfucking | option, failure’s not |
Am |
Mom, I love you, but this trailer’s got to go |
| F |
I cann | ot grow old in Salem’s lot, so here I |
Am |
Go it’s my shot feet fail me not |
| F | G/D |
This m | ay be the only opportunity | that I got |
| Am |
You better l | ose yourself in the music |
| F | G |
The moment, you own i | t, you better never let it go | |
| Am |
You only get | one shot, do not miss your chance to blow |
| F | G |
This opport | unity comes once in a lifet | ime |
| Am |
You better lo | se yourself in the music |
| F | G |
The moment, you own | it, you better never let it go | |
| Am |
You only get o | ne shot, do not miss your chance to blow |
| F | G |
This opport | unity comes once in a lifet | ime |
| A | E |
I’ve had a | life that’s | full |
| A | E |
Every | one’s been good to | me |
| A | E |
So f | ire up that | fiddle, boy |
| F#m | B |
And | give me one last | drink |
| A | E |
When the | sun comes | up |
| A | E |
I will | leave without a | fight |
| A | B | E |
The | world is | mine to | night |
E | A | E |
Old John on his | deathbed | cried |
| A | E | A | B |
I | think I will | wait ‘til to | morrow to | die |
| E | A | E |
The | sun is shining, | birds do | sing |
A | E | B |
This, sir, is | no day to | go |
| A | E |
I’ve had a | life that’s | full |
| A | E |
Every | one’s been good to | me |
| A | E |
So f | ire up that | fiddle, boy |
| F#m | B |
And | give me one last | drink |
| A | E |
When the | sun comes | up |
| A | E |
I will | leave without a | fight |
| A | B | E |
The | world is | mine to | night |
E | A | E |
Took young Molly b | y the h | and |
A | E | A | B |
Spun her ‘r | ound and b | ack ag | ain |
E | A | E |
Clicked his heels, b | owed his h | ead |
A | E | B |
Never a t | ear in his e | ye |
| B7 |
They c | arried on ‘til five |
| A | E |
I’ve had a | life that’s | full |
| A | E |
Every | one’s been good to | me |
| A | E |
So f | ire up that | fiddle, boy |
| F#m | B |
And | give me one last | drink |
| A | E |
When the | sun comes | up |
| A | E |
I will | leave without a | fight |
| A | B | E |
The | world is | mine to | night |
| B | A | E |
So r | aise a glass to the | dear de | parted |
B | A | E |
Raise a glass to the | dear de | parted |
| B | A | B | E |
Won’t you | raise a glass to the | dear de | parted | ones |
| E | A | E |
The | room was full of a | ll his f | riends |
A | E | A | B |
Never a fune | ral, t | his was the e | nd |
| E | A | E |
They d | rank to all who l | ent their h | and |
A | E | B |
Everyone d | rank to J | ohn |
B7 |
Raised the glass and said |
| A | E |
I’ve had a | life that’s | full |
| A | E |
Every | one’s been good to | me |
| A | E |
So f | ire up that | fiddle, boy |
| F#m | B |
And | give me one last | drink |
| A | E |
When the | sun comes | up |
| A | E |
I will | leave without a | trace |
| A | B | E |
But the | world is | mine to | night |
| A | E |
I’ve had a | life that’s | full |
| A | E |
Every | one’s been good to | me |
| A | E |
So f | ire up that | fiddle, boy |
| F#m | B |
And | give me one last | drink |
| A | E |
When the | sun comes | up |
| A | E |
I will | leave without a | trace |
| A | B | E |
But the | world was | mine to | day |
D | G | Em7 | A7sus4 |
D/F# | Bm | Em7 | A7sus4 |
| | | |
D | G |
I’m fifte | en for a moment |
Em7 | A7sus4 |
Caught in bet | ween ten and twenty |
| D/F# | Bm |
And I’m | just dreaming | |
| Em7 | Asus4 |
Counting the w | ays to where you | are |
D | G |
I’m twenty-t | wo for a moment |
Em7 | A7sus4 |
And she feels | better than ever |
| D/F# | Bm |
And we’re | on fire | |
| Em7 | A |
Making our | way back from Ma | rs |
D | A | Gadd9 |
Fifteen th | ere’s still | time for you |
D | A | Gadd9 |
Time to b | uy and | time to lose |
D | A | Gadd9 | Bm7 | A | Gadd9 |
Fifteen | there’s n | ever a | wish | better than | this |
| D/F# |
When you only got a hundred years to | live |
D | G |
I’m thirty-th | ree for a moment |
Em7 | A7sus4 |
I’m still the | man but you see I’m of age |
D/F# | Bm |
A kid on the | way, babe |
| Em7 | Asus4 |
A f | amily on my | mind |
D | G |
I’m forty-fi | ve for a moment |
Em7 | A7sus4 |
The sea is | high |
| D/F# | Bm |
And I’m heading into | a crisis | |
| Em7 | Asus4 |
Chasing the y | ears of my | life |
D | A | Gadd9 |
Fifteen th | ere’s still t | ime for you |
D | A | Gadd9 | Bm7 |
Time to b | uy and t | ime to l | ose yourself |
| A | Gadd9 |
Withi | n a morning star | |
D | A | Gadd9 |
Fifteen I | ’m al | right with you |
D | A | Gadd9 | Bm7 | A | Gadd9 |
Fifteen | there’s n | ever a | wish | better than | this |
| D/F# |
When you only got a hundred years to | live |
D/F# | Asus4 |
Halftime goes b | y |
| Cmaj7 |
Another blink of an | eye |
| Gadd9 |
Sixty-seven is | gone |
| Asus4 |
The sun is getting | high |
D | Gadd9 |
I’m ninety | -nine for a moment |
Em7 | A7sus4 |
I’m dyin’ for | just another moment |
| D/F# | Bm |
And | I’m just dreaming | |
| Em7 | Asus4 |
Counting the w | ays to where you | are |
D | A | Gadd9 |
Fifteen th | ere’s still | time for you |
D | A | Gadd9 |
Twenty-t | wo I | feel her too |
D | A | Gadd9 |
Thirty-th | ree you’re o | n your way |
D | A | Gadd9 |
Every d | ay’s a n | ew day |
D | A |
Fifteen th | ere’s still time for you |
Bm7 | Gadd9 |
Time to b | uy and time to choose |
| D | Bm7 | Bm | A | Gadd9 |
Hey fi | fteen | there’s never a w | ish | better than | this |
| D |
When you only got a hundred years to li | ve |
F#m7 | D6 |
I’m not that na | ive |
| F#m7 | D6 |
The | better part of | me |
| A | E |
I’m more than a bird | , I’m more than a plan | e |
| F#m7 | D |
I’m more than some | pretty face bes | ide a train |
| A | E | D | A |
It’s not e | asy to b | e m | e | |
| A | E |
I | wish that I could c | ry |
F#m7 | D6 |
Fall upon my | knees |
| F#m7 | D6 |
‘Bout a h | ome I’ll never see | |
| A | E |
It may sound ab | surd but don’t be na | ive |
| F#m7 | D |
Even | heroes have the | right to bleed |
| A | E |
I may be dist | urbed but won’t you concede | |
| F#m7 | D |
Even h | eroes have the | right to dream |
| A | E | D | A | E/G# |
And it’s not | easy to | be | me | | |
F#m | E/G# | A | Bm | F#m |
Up, up | and awa | y, aw | ay from m | e |
| A | B |
You can | all sleep sound to | night |
| D | D | A/D | D |
I’m not cra | zy | → | → | |
F#m7 | D6 |
I’m not that na | ive |
A | E |
Men weren’t meant to | ride |
| F#m7 | D6 |
With | clouds between their | knees |
| A | E |
I’m only a | man in a silly red | sheet |
| F#m7 | D |
Digging for | kryptonite on this o | ne-way street |
| A | E |
Only a | man in a funny red | sheet |
| F#m7 | D |
Looking for | special things insi | de of me |
| A | E/G# | F#m7 | D |
Inside of m | e, | inside of | me | |
| A | E/G# | F#m7 | D |
Yeah, inside of | me, | inside of | me | |
| A | E |
I’m only a | man in a funny red s | heet |
| F#m7 | D |
I’m only a m | an looking for a dr | eam |
| A | E |
I’m only a m | an in a funny red | sheet |
| F#m7 | D | A/D | D |
And it’s not eas | y, | ooh | hoo | hoo |
| F#m | E |
It’s not e | asy to b | e |
D | G | A | G |
Stacy’s m | om has g | ot it goin’ | on |
x4
D | G | A | G | D | G |
Stacy c | an I come | over | after sch | ool? | |
D | G | A | G | D | G |
We can h | ang ar | ound by the | p-p-p-pool | | |
D | G | A | G | D | G |
Did your m | om get b | ack from the b | usiness tr | ip? | |
D | G | A | G | D | G |
Is she th | ere or | is she trying to g | ive me the sl | ip? | |
| F#m | G |
You know I’m n | ot the little boy that I | used to be |
| F#m | G |
I’m | all grown up now b | aby can’t you see? |
G | D | A | Bm |
Stacy’s m | om has g | ot it goin’ | on |
| G | D | A | Bm |
She’s | all I w | ant and I’ve w | aited for so l | ong |
G | D | A#dim | Bm |
Stacy can’t you s | ee you’re just n | ot the girl for m | e |
| G | A |
I kn | ow it might be wrong but | I’m in love with Stacy’s mom |
D | G | A | G |
Stacy’s m | om has g | ot it goin’ | on |
x2
D | G | A | G | D | G |
Stacy d | o you rem | ember when I m | owed your l | awn | |
D | G | A | G | D | G |
Your mom came | out | with just a t | owel | on | |
D | G | A | G | D | G |
I could t | ell she l | ikes me from the w | ay she st | ared | |
D | G | A | G | D | G |
And the | way she | said, you missed a | spot over th | ere | |
| F#m | G |
And I kn | ow that you think it’s just a f | antasy |
| F#m | G |
But s | ince your dad walked out your mom could | use a guy like me |
G | D | A | Bm |
Stacy’s m | om has g | ot it goin’ | on |
| G | D | A | Bm |
She’s | all I w | ant and I’ve w | aited for so l | ong |
G | D | A#dim | Bm |
Stacy can’t you s | ee you’re just n | ot the girl for m | e |
| G | A |
I kn | ow it might be wrong but | I’m in love with Stacy’s... |
A# | F | A | A |
A# | F | C | Dm |
A# | A# | A | A |
| | | |
A# | F | C | Dm |
Stacy’s m | om has g | ot it goin’ | on (she’s got it goin’ on) |
| A# | F | C | Dm |
She’s | all I w | ant and I’ve w | aited for so l | ong (waiting and waiting) |
A# | F | A | Dm |
Stacy can’t you s | ee you’re just n | ot the girl for m | e |
A# | C |
I know it might be wrong I | ’m in love with |
A# | F | C | Dm |
Stacy’s m | om oh- | oh oh- | oh (I’m in love with) |
A# | F | C | Dm |
Stacy’s m | om oh- | oh oh- | oh (wait a minute) |
A# | F | A | Dm |
Stacy can’t you s | ee you’re just n | ot the girl for m | e |
| A# | C | F |
I kn | ow it might be wrong but | I’m in love with Stacy’s | mom |
G | C | G |
Some nights I stay up ca | shing in my b | ad luck |
C | G | D |
Some nights I | call it a | draw |
G | C | G |
Some nights I wish that my li | ps could build a c | astle |
C | G | D |
Some nights I w | ish they’d just fa | ll off |
| C | G | C | G |
But I s | till wake | up, I still | see your g | host |
| C | G | D |
Oh lord, I’m st | ill not su | re what I s | tand for, oh |
C | G | C | G |
What do I s | tand for, | what do I | stand for? |
Em | D | C |
Most nights, I don’t kn | ow anym | ore |
C | G |
This is it, boys | this is war |
C | G |
What are we w | aiting for? |
C | G | D |
Why don’t we b | reak the rules alr | eady? |
| C | G |
I was n | ever one to b | elieve the hype |
C | G |
Save that for the bl | ack and white |
| C | G |
Try t | wice as hard and I’m | half as liked |
| D |
But h | ere they come again to jack my style |
| C | G |
I found a ma | rtyr in my | bed tonight |
| C | G |
She | stops my bones | from wondering |
| D | C | G |
Just | who I am, who I am, who I | am | |
| C | G | C | G | D |
Oh | who am | I, | mmm | m, mm | mmm |
| G | C | G |
Well | some nights I wish that this a | ll would e | nd |
| C | G | D |
‘Cause I | could use some | friends for a ch | ange |
| G | C | G |
And s | ome nights I’m scared you’ll | forget me | again |
| C | G | D |
Some n | ights, I always w | in, I | always win |
| C | G | C | G |
But I s | till wake u | p, I still | see your g | host |
| C | G | D |
Oh lord, I’m | still sure | sure what I | stand for, oh |
C | G | C | G |
What do I s | tand for, | what do I | stand for? |
Em | D |
Most nights, I don’t kn | ow, oh come on |
C | G |
So this is it? | I sold my soul for this? |
D |
Washed my hands of that for this? I miss my mom and dad for this? |
C | G |
No, when I see stars, when I s | ee stars, that’s all they are |
| D |
When I he | ar songs, they sound like a swan |
| C | G | D |
So come o | n, oh come | on, oh come | on, oh, come on |
| C | G |
Well | that is it, guys, th | at is all |
C | G |
Five minutes in and I’m b | ored again |
C | G | D |
Ten years of this, and I’m not | sure if anyb | ody understands |
| C | G |
This | one is not one for the fol | ks at home |
| C | G |
S | orry to leave, mom, I | had to go |
C | G | D |
Who the fuck wants to | die alone all | dried up in the desert sun? |
| C |
My heart is b | reaking for my sister |
| G |
And the c | on that she called love |
| D |
And then I l | ook into my nephew’s eyes |
Am |
Man, you wouldn’t believe |
C | Am | D |
The most amazing things | that can come f | rom |
C | G | C | G |
The other n | ight, you wouldn’t believe the dr | eam I just had ab | out you and me |
C | G | D |
I called you up, but we’d b | oth agree | |
C | G | C | G |
It’s for the | best you didn’t l | isten | |
C | G | D |
It’s for the | best we get our d | istance, oh |
Am |
I remember when, I remember, I remember when I lost my mind |
Cmaj7 | F |
But there was something so pleasant about that pl | ace |
Even your emotions had an echo
Am |
And when you’re out there, without care |
| Cmaj7 |
Yeah, I was out of touch | |
| F |
But it wasn’t because I didn’t know eno | ugh |
| Esus4 | E |
I just knew too much | | |
| Am |
Does that make me | crazy? |
| Cmaj7 |
Does that make me | crazy? |
| F |
Does that make me | crazy? |
A | F |
And I hope that you are having the time of your l | ife |
| Cmaj7 | Esus4 | E |
But think tw | ice, that’s my only advic | e, | mmm |
Am | Cmaj7 |
Come on now, who do you, who do you, who do you, who do you think you a | re |
| F |
Ha ha ha, bless your so | ul |
| Esus4 | E |
You really think you’re in cont | rol | |
| Am |
Well, I think you’ | re crazy |
| Cmaj7 |
I think you’re cra | zy |
A | F |
My heroes had the heart to lose their lives out on a | limb |
| Cmaj7 | Esus4 | E |
And all I re | member is thinking, I wanna be like t | hem, | mmmm |
Am | Cmaj7 |
Ever since I was little, ever since I was little it looked like fu | n |
| F |
And it’s no coincidence I’ve co | me |
| Esus4 | E |
And I can die when I’m d | one | |
Am | G |
Now and t | hen I think of |
Am | G | Am | G | Am | G |
When we | were toge | ther | | | |
Am | G |
Like when you | said you felt so |
Am | G | Am | G | Am | G |
Happy yo | u could di | e | | | |
Am | G | Am | G |
Told mys | elf that you were | right for | me |
Am | G | Am | G |
But felt so | lonely in your | company | |
Am | G |
But that was | love and it’s an |
Am | G | Am | G | Am | G |
Ache I st | ill remem | ber | | | |
Am | G |
You can get ad | dicted to a |
Am | G | Am | G | Am | G |
Certain | kind of s | adness | | | |
Am | G | Am |
Like resign | ation to the | end |
G | Am | G | Am | G |
Always the | end | | | |
Am | G | Am | G |
So when we | found that we could | not make | sense |
Am | G | Am | G |
Well you | said that we would | still be fr | iends |
Am | G |
But I’ll ad | mit that I was |
Am | G | Am | G | Am | G |
Glad that | it was o | ver | | | |
Am | G | F | G |
But you | didn’t have to | cut me | off |
Am | G | F |
Make out | like it never | happened |
| G | Am |
And that | we were not | hing |
| G | F | G |
And | I don’t even | need your | love |
| Am | G |
But you | treat me like a | stranger |
| F | G |
And that | feels so | rough |
Am | G | F | G |
No you d | idn’t have to st | oop so | low |
Am | G | F |
Have your fr | iends collect your | records |
| G | Am |
And then | change your n | umber |
| G | F | G |
I g | uess that I don’t | need that | though |
Am | G | F | G |
Now you’re just someb | ody that I | used to | know |
Am | G | F | G |
Am | G | F | G |
Now you’re just someb | ody that I | used to | know |
Am | G | F | G |
Am | G | F | G |
Now you’re just someb | ody that I | used to | know |
Am | G |
Now and | then I think of |
Am | G | Am | G | Am | G |
All the times you scr | ewed me o | ver | | | |
Am | G |
But had me bel | ieving it was |
Am | G | Am | G | Am | G |
Always something | that I’d d | one | | | |
G |
And I don’t wanna live that way |
G |
Reading into every word you say |
G |
You said that you could let it go |
G |
And I wouldn’t catch you hung up on somebody that you used to know |
Am | G | F | G |
But you | didn’t have to | cut me | off |
Am | G | F |
Make out | like it never | happened |
| G | Am |
And that | we were no | thing |
| G | F | G |
And | I don’t even | need your | love |
| Am | G |
But you | treat me like a | stranger |
| F | G |
And that | feels so | rough |
Am | G | F | G |
No you d | idn’t have to st | oop so | low |
Am | G | F |
Have your fr | iends collect your | records |
| G | Am |
And then | change your n | umber |
| G | F | G |
I g | uess that I don’t | need that | though |
Am | G | F | G |
Now you’re just someb | ody that I | used to | know |
G5 | C5 | F5 | C5 | G5 | F5 |
G5 | C5 | F5 | C5 | G5 |
G5 | C5 | F5 | C5 | G5 | F5 |
G5 | C5 | F5 | C5 | G5 |
| | | | |
| G5 | C5 | F5 | C5 | G5 | F5 |
Don’t wanna be an American idiot | | | | | | |
| G5 | C5 | F5 | C5 | G5 |
Don’t want a nation under the new mania | | | | | |
| G5 | C5 | F5 | C5 | G5 | F5 |
And can you hear the sound of hysteria? | | | | | | |
| G5 | C5 | F5 | C5 | G5 |
The subliminal mind-fuck America | | | | | |
C5 |
Welcome to a new kind of tension |
G5 |
All across the alien nation |
D5 | G5 |
Where everything isn’t meant to be o | kay |
C5 |
Television dreams of tomorrow |
G5 |
We’re not the ones who’re meant to follow |
D5 |
For that’s enough to argue |
G5 | C5 | F5 | C5 | G5 | F5 |
G5 | C5 | F5 | C5 | G5 |
| | | | |
| G5 | C5 | F5 | C5 | G5 | F5 |
Well, maybe I’m the faggot, America | | | | | | |
| G5 | C5 | F5 | C5 | G5 |
I’m not a part of a redneck agenda | | | | | |
| G5 | C5 | F5 | C5 | G5 | F5 |
Now everybody do the propaganda | | | | | | |
| G5 | C5 | F5 | C5 | G5 |
And sing along to the age of paranoia | | | | | |
C5 |
Welcome to a new kind of tension |
G5 |
All across the alien nation |
D5 | G5 |
Where everything isn’t meant to be o | kay |
C5 |
Television dreams of tomorrow |
G5 |
We’re not the ones who’re meant to follow |
D5 |
For that’s enough to argue |
G5 | C5 | F5 | C5 | G5 | F5 |
G5 | C5 | F5 | C5 | G5 |
G5 | C5 | F5 | C5 | G5 | F5 |
G5 | C5 | F5 | C5 | G5 |
| | | | |
G5 | C5 | F5 | C5 | G5 | F5 |
G5 | C5 | F5 | C5 | G5 |
| | | | |
G5 | C5 | F5 | C5 | G5 | F5 |
Don’t wanna | be an | Ameri | can i | di | ot |
G5 | C5 | F5 | C5 | G5 |
One n | ation contro | lled b | y the | media |
G5 | C5 | F5 | C5 | G5 | F |
Inform | ation a | ge o | f hys | teri | a |
G5 |
It’s calling out to idiot America |
C5 |
Welcome to a new kind of tension |
G5 |
All across the alien nation |
D5 | G5 |
Where everything isn’t meant to be o | kay |
C5 |
Television dreams of tomorrow |
G5 |
We’re not the ones who’re meant to follow |
D5 |
For that’s enough to argue |
G5 | C5 | F5 | C5 | G5 | F5 |
G5 | C5 | F5 | C5 | G5 |
G5 | C5 | F5 | C5 | G5 | F5 |
G5 | C5 | F5 | C5 | G5 |
Em | G |
I walk a | lonely road |
| D | A | Em |
The | only one that | I have ever | known |
| G |
Don’t know | where it goes |
D | A | Em | G | D | A |
But it’s home to m | e and I walk a | lone | | | |
Em | G |
I walk this | empty street |
D | A | Em |
On the boule | vard of broken | dreams |
| D | A | Em | G |
And | I’m the only one | and I walk a | lone | |
D | A | Em | G |
I walk al | one, I walk al | one | |
D | A |
I walk alo | ne, and I walk a |
C | G | D | Em |
My sh | adow’s the | only one that wa | lks beside me |
C | G | D | Em |
My sha | llow hea | rt’s the only th | ing that’s beating |
C | G | D | Em |
Somet | imes I wi | sh someone out th | ere will find me |
C | G | B7 |
Till th | en I w | alk alone |
Em | G |
I’m walking d | own the line |
D | A | Em |
That divides me so | mewhere in my m | ind |
D | A | Em | G | D | A |
Of the edge and wh | ere I walk al | one | | | |
Em | G |
Read be | tween the lines |
D | A | Em |
What’s fucked up and | everything’s al | right |
| D | A | Em | G |
To k | now I’m still al | ive and I walk al | one | |
D | A | Em | G |
I walk al | one, I walk al | one | |
D | A |
I walk alo | ne, and I walk a |
C | G | D | Em |
My sh | adow’s the | only one that wa | lks beside me |
C | G | D | Em |
My sha | llow hea | rt’s the only th | ing that’s beating |
C | G | D | Em |
Somet | imes I wi | sh someone out th | ere will find me |
C | G | B7 |
Till th | en I w | alk alone |
Em | G |
I walk this | empty street |
D | A | Em |
On the boule | vard of broken | dreams |
| D | A |
And | I’m the only one | and I walk a |
C | G | D | Em |
My sh | adow’s the | only one that wa | lks beside me |
C | G | D | Em |
My sha | llow hea | rt’s the only th | ing that’s beating |
C | G | D | Em |
Somet | imes I wi | sh someone out th | ere will find me |
C | G | B7 |
Till th | en I w | alk alone |
Em | C | G | D |
Hear the | sound of the | falling ra | in |
Em | C | G | B | Em |
Coming do | wn like an a | rmag | eddon fl | ame (Hey!) |
| C | G | D | B |
The sh | ame, the | ones who di | ed witho | ut a name |
Em | C | G | D |
Hear the d | ogs howling o | ut of ke | y |
Em | C | G | B | Em |
To a hy | mn called “F | aith and M | ise | ry” (Hey!) |
| C | G | D | B |
And ble | ed, the c | ompany l | ost the w | ar today |
Em | C | G | D |
I beg to dr | eam and differ fr | om the hollow li | es |
Em | C | G | B |
This is the d | awning of the r | est of our l | ives |
Em | C | G | D |
Hear the | drum pounding | out of | time |
Em | C | G | B | Em |
Another p | rotest | or has cro | ssed a l | ine (Hey!) |
| C | G | D | B |
To fin | d, the mo | ney’s | on the o | ther side |
Em | C | G | D |
Can I g | et an | other Am | en? (Amen!) |
Em | C | G | B | Em |
There’s a f | lag wrapped a | round a s | core of m | en (Hey!) |
| C | G | D | B |
A g | ag, a p | lastic b | ag on a m | onument |
Em | C | G | D |
I beg to dr | eam and differ fr | om the hollow li | es |
Em | C | G | B |
This is the d | awning of the r | est of our l | ives |
Em | G | C | A | D | B |
Zieg H | eil to the p | resid | ent | gasm | an |
Em | G | D | B | Em |
Bombs a | way is your p | uni | shm | ent |
Em | G | C | A | D | B |
Pulver | ize the | Eiff | el | towe | rs |
Em | G | D | B | Em |
Who crit | icize your | gov | ern | ment |
Em | G | C | A | D | B |
Bang b | ang goes the | brok | en gl | ass a | nd |
Em | G | D | B | Em |
Kill all the fa | gs that d | on’t | agr | ee |
Em | G | C | A | D | B |
Trials by | fire, | sett | ing | fir | e |
Em | G | D | B | Em |
Is not a | way that’s m | eant f | or | me |
B | Em |
Just ‘cause, just ‘cause, because we’re outlaws ye | ah! |
Em | C | G | D |
I beg to dr | eam and differ fr | om the hollow li | es |
Em | C | G | B |
This is the d | awning of the r | est of our l | ives |
Em | C | G | D |
I beg to dr | eam and differ fr | om the hollow li | es |
Em | C | G | B |
This is the d | awning of the r | est of our l | ives |
B | Em |
This is our lives on holi | day |
G | G/F# |
Summer has | come and passed |
| Em7 | G/D |
The i | nnocent can | never last |
C | Cm | G |
Wake me up | when September end | s |
G | G/F# |
Like my father’s c | ome to pass |
Em7 | G/D |
Seven years has g | one so fast |
C | Cm | G |
Wake me up | when September end | s |
Em | Bm |
Here comes the | rain again |
C | G | D/F# |
Falling from the | stars | |
Em | Bm |
Drenched in my | pain again |
G | G/F# |
As my memor | y rests |
| Em7 | G/D |
But n | ever forgets w | hat I lost |
C | Cm | G |
Wake me up | when September end | s |
G | G/F# |
Summer has | come and passed |
| Em7 | G/D |
The i | nnocent can | never last |
C | Cm | G |
Wake me up | when September end | s |
G | G/F# |
Ring out the b | ells again |
Em7 | G/D |
Like we did when | Spring began |
C | Cm | G |
Wake me up | when September end | s |
Em | Bm |
Here comes the | rain again |
C | G | D/F# |
Falling from the | stars | |
Em | Bm |
Drenched in my | pain again |
G | G/F# |
As my memor | y rests |
| Em7 | G/D |
But n | ever forgets w | hat I lost |
C | Cm | G |
Wake me up | when September end | s |
G | G/F# |
Summer has | come and passed |
| Em7 | G/D |
The i | nnocent can | never last |
C | Cm | G |
Wake me up | when September end | s |
G | G/F# |
Like my father’s c | ome to pass |
Em7 | G/D |
Seven years has g | one so fast |
C | Cm | G |
Wake me up | when September end | s |
C | Cm | G |
Wake me up | when September end | s |
| A |
Well I ain’t n | ever been the Barbie doll type |
No I can’t swig that sweet champagne
I'd rather drink beer all night
| D |
In a t | avern, or in a honky-tonk |
Or on a four-wheel drive tailgate
A |
I’ve got posters on my wall of Skynyrd, Kid, and Strait |
| E7 |
Some pe | ople look down on me, but I don’t give a rip |
| D |
I’ll s | tand bare-footed in my own front yard |
With a baby on my hip
| A |
‘Cause I’m a | redneck woman |
I ain’t no high-class broad
I'm just a product of my raising
I say hey y'all and yee-haw
| D |
And I ke | ep my Christmas lights on |
On my front porch all year long
| A |
And | I know all the words to |
Every Charlie Daniels song
| E7 |
So h | ere’s to all my sisters |
Out there keeping it country
| D |
L | et me get a big hell yeah |
| D | D |
From the | redneck girls like | me |
A |
Victoria’s Secret, well their stuff’s real nice |
Oh but I can buy the same damn thing
On a Walmart shelf half-price
| D |
And still look | sexy, just as sexy, as those models on TV |
| A |
No, I | don’t need no designer tag |
To make my man want me
E7 |
You might think I’m trashy, a little too hard-core |
| D |
But | in my neck of the woods, I’m just the girl next door |
| A |
Hey I’m a | redneck woman |
I ain’t no high-class broad
I'm just a product of my raising
I say hey y'all and yee-haw
| D |
And I ke | ep my Christmas lights on |
On my front porch all year long
| A |
And | I know all the words to |
Every Tanya Tucker song
| E7 |
So h | ere’s to all my sisters |
Out there keeping it country
| D |
L | et me get a big hell yeah |
| D | D |
From the | redneck girls like | me |
I ain’t no high-class broad
I'm just a product of my raising
I say hey y'all and yee-haw
| D |
And I ke | ep my Christmas lights on |
On my front porch all year long
| A |
And | I know all the words to |
Every Old Bocephus song
| E7 |
So h | ere’s to all my sisters |
Out there keeping it country
| D |
L | et me get a big hell yeah |
| D | C | A |
From the | redneck girls | like | me |
| A |
H | ell yeah, hell yeah, I said hell yeah |
C | F |
We could just go h | ome right now |
| Am | G |
Or | maybe we could st | ick around |
| C | F | Am | G |
For | just one more | drink, oh y | eah | |
C | F |
Get another bo | ttle out |
| Am | G |
Let’s | shoot the shit, s | it back down |
| C | F | Am | G |
For | just one more | drink, oh y | eah | |
| Am | F |
All the ti | mes that we fucked | up |
| Am | F |
‘Cause the | last few days have | kicked my ass |
| C | G |
So | let’s give em | hell |
| C | F |
We’ve | stuck it out this f | ar together |
Am | G |
Put our dreams t | hrough the shredder |
| C | F | Am | G |
Let’s | toast ‘cause t | hings got | better | |
| C | F |
‘Cause | everything could c | hange like that |
| Am | G |
And | all these years go b | y so fast |
| C | F | Am | G |
But | nothing | lasts, fore | ver | |
| Am | F |
All the | times that we messed | up |
| Am | F |
‘Cause the | last few nights have | kicked my ass |
| Am | F |
T | ell em go fuck thems | elves |
| D |
Here’s to a | ll that we’ve kissed |
| F |
And to a | ll that we’ve missed |
| C | G |
To the | biggest mistakes that we j | ust wouldn’t trade |
Without us breakin’ down
| G |
To whatev | er’s coming our way |
| Am | F |
All the | times that we fucked | up |
| Am | F |
‘Cause the | last few days have ki | cked my ass |
| C | G |
So | let’s give em | hell |
| Am | F |
All the | times that we messed u | p |
| Am | F |
‘Cause the l | ast few nights have k | icked my ass |
Am | F |
Tell ‘em go fuck them | selves |
Am | C | G | D |
I’ve been a m | ess since you st | ayed | |
Am | C | G | D |
I’ve been a w | reck since you c | hanged | |
Am | C |
Don’t let me | get in your way |
G | D |
I miss the | lies and the pain |
F | E | G |
The fights that keep us awa | ke-ake-ake, | I’m tellin’ you |
Am | C |
I miss the bad things, | the way you hate me |
G | D | F |
I miss the screaming, the | way that you | blame me |
Am | C |
Miss the phone calls | when it’s your fault |
G | D | F |
I miss the late nights, d | on’t miss y | ou at all |
Am | C | G |
I like the k | ick in the f | ace |
| D |
And the | things you do to me |
F | E |
I love the way that it hu | rts |
| G |
I don’t miss | you I miss the misery |
Am | C | G | D |
I’ve tried but I | just can’t t | ake it | |
Am | C | G | D |
I’d rather | fight than just | fake it, | ‘cause I like it rough |
Am | C |
You know that | I’ve had enough |
G | D |
I dare ya t | o call my bluff |
F | E | G |
Can’t take too much of a g | ood thi- | ing I’m tellin’ you |
Am | C |
I miss the bad things, | the way you hate me |
G | D | F |
I miss the screaming, the | way that you | blame me |
Am | C |
Miss the phone calls | when it’s your fault |
G | D | F |
I miss the late nights, d | on’t miss y | ou at all |
Am | C | G |
I like the k | ick in the f | ace |
| D |
And the | things you do to me |
F | E |
I love the way that it hu | rts |
| G |
I don’t miss | you, I miss the misery |
F | G | A |
Just know that I’ll make y | ou hu | rt |
(I miss the lies and the pain what you did to me)
F | G | A |
When you tell me you’ll make | it wo | rk |
(I’d rather fight all night than watch the TV)
F | G | A |
I hate that feelin’ | insi | de |
| G/B | C | D | F |
You | tell me | how hard | you’ll | try |
| E |
But when we’re at our wo | rst |
Am | C |
I miss the bad things | the way you hate me |
G | D | F |
I miss the screaming, the | way that you | blame me |
Am | C |
I miss the rough sex, | leaves me a mess |
G | D | F |
I miss the feeling, the | pains in | my chest |
Am | C |
Miss the phone calls | when it’s your fault |
G | D | F |
I miss the late nights, d | on’t miss y | ou at all |
Am | C | G |
I like the k | ick in the f | ace |
| D |
And the | things you do to me |
F | E |
I love the way that it hu | rts |
| G |
I don’t miss | you, I miss the misery |
Am | G | D/F# | F | G |
I don’t miss y | ou, I miss the mis | ery | → | |
Am | G | D/F# | F | G |
| | I don’t miss y | ou, I miss the m | isery |
C | Am |
I’m not a perfect | person |
| C |
There’s many things I wish I didn’t | do |
| Am |
But I continue | learning |
| F |
I never meant to do those things to | you |
| G |
And so I have to say before I | go |
| C |
That I just want you to kn | ow |
| Am |
I’ve found a reason for | me |
| F |
To change who I used to | be |
| G |
A reason to start over n | ew |
C | Am |
I’m sorry that I hur | t you |
| C |
It’s something I must live with every | day |
| Am |
And all the pain I put you | through |
| F |
I wish that I could take it all aw | ay |
| G |
And be the one who catches all your t | ears |
| C |
That’s why I need you to h | ear |
| Am |
I’ve found a reason for | me |
| F |
To change who I used to | be |
| G |
A reason to start over n | ew |
C | Am |
I’m not a perfect | person |
| F |
I never meant to do those things to | you |
| G |
And so I have to say before I | go |
| C |
That I just want you to k | now |
| Am |
I’ve found a reason for | me |
| F |
To change who I used to | be |
| G |
A reason to start over n | ew |
| Am |
I’ve found a reason to s | how |
| F |
A side of me you didn’t | know |
| G |
A reason for all that I | do |
| F#m |
And the s | aints we see |
| A |
When your d | reams all fail |
| D |
And the b | lood’s run stale |
A |
I want to hide the truth |
F#m |
But with the beast inside |
D |
There’s nowhere we can hide |
A |
No matter what we breed |
E |
We still are made of greed |
F#m |
This is my kingdom come |
D |
This is my kingdom come |
F#m |
It’s where my demons hide |
D |
It’s where my demons hide |
F#m |
It’s where my demons hide |
D |
It’s where my demons hide |
| A |
When the c | urtain’s call |
| F#m |
When the l | ights fade out |
| F#m |
Will come c | alling out |
A |
Don’t wanna let you down |
F#m |
Though this is all for you |
D |
Don’t wanna hide the truth |
A |
No matter what we breed |
E |
We still are made of greed |
F#m |
This is my kingdom come |
D |
This is my kingdom come |
F#m |
It’s where my demons hide |
D |
It’s where my demons hide |
F#m |
It’s where my demons hide |
D |
It’s where my demons hide |
A |
They say it’s what you make |
F#m |
It’s woven in my soul |
A |
Your eyes they shine so bright |
E |
I want to save that light |
F#m |
I can’t escape this now |
F#m |
It’s where my demons hide |
D |
It’s where my demons hide |
F#m |
It’s where my demons hide |
D |
It’s where my demons hide |
Em7add4 | G69 | D69 |
Em7add4 | G69 | D69 |
Em7add4 | G69 | D69 |
Em7add4 |
|
Em | G | D |
I’m waking | up to ash and | dust |
| A | Em |
I wipe my | brow and I sweat my r | ust |
| G | D |
I’m breathing | in the chemica | ls |
Em | G | D |
I’m breaking | in, shaping | up |
| A | Em |
Then checking | out on the prison bu | s |
Em | G | D | A |
This is | it, the apoca | lypse, whoa- | oh |
| Em | G |
I’m waking | up, I feel it | in my bones |
| D | A |
E | nough to make my | systems blow |
Em | G |
Welcome to the new age, | to the new age |
D | A |
Welcome to the new age, | to the new age |
Em | G | D | A |
Whoa, | whoa, I’m | radioactive, | radioactive |
Em | G | D | A |
Whoa, | whoa, I’m | radioactive, | radioactive |
Em | G | D |
I raise my fl | ags, dye my cl | othes |
| A | Em |
It’s a revo | lution, I sup | pose |
| G | D | A |
We’re painted r | ed to fit right i | n, whoa-o | h |
Em | G | D |
I’m breaking | in, shaping | up |
| A | Em |
Then checking | out on the prison b | us |
Em | G | D | A |
This is | it, the apoca | lypse, wha-o | oh |
| Em | G |
I’m waking | up, I feel it | in my bones |
| D | A |
E | nough to make my | systems blow |
Em | G |
Welcome to the new age, | to the new age |
D | A |
Welcome to the new age, | to the new age |
Em | G | D | A |
Whoa, | whoa, I’m | radioactive, | radioactive |
Em | G | D | A |
Whoa, | whoa, I’m | radioactive, | radioactive |
Em | Gmaj7 | D | A |
All systems | go, s | un hasn’t di | ed |
Em | Gmaj7 | D | A |
Deep in my | bones, | straight from ins | ide |
| Em | G |
I’m waking | up, I feel it | in my bones |
| D | A |
E | nough to make my | systems blow |
Em | G |
Welcome to the new age, | to the new age |
D | A |
Welcome to the new age, | to the new age |
Em | G | D | A |
Whoa, | whoa, I’m | radioactive, | radioactive |
Em | G | D | A |
Whoa, | whoa, I’m | radioactive, | radioactive |
| G |
D | on’t you worry there, my honey |
| Gsus4 |
W | e might not have any money |
| Em | C |
B | ut we’ve got our love to pay the | bills |
| G |
M | aybe I think you’re cute and funny |
| Gsus4 |
M | aybe I wanna do what bunnies |
Em | C |
Do with you if you know what I | mean |
| G | B7 | C | G |
Oh, | let’s get rich and | buy our parents | homes in the South of | France |
| G | B |
Let’s get | rich and give everyb | ody nice sweaters |
| C | Dsus4 | D |
And | teach them how to | dance | |
| G | B7 |
Let’s get | rich and build a | house on a mountain |
| C | A7 |
Making | everybody look like | ants |
| G | C | D | G |
From way up | there, you and | I, | you and | I |
| G |
Well, | you might be a bit confused |
| Gsus4 |
And | you might be a little bit bruised |
| Em | C |
But | baby, how we spoon like no one | else |
| G |
So | I will help you read those books |
| Gsus4 |
If | you will soothe my worried looks |
| Em | C |
And | we will put the lonesome on the | shelf |
| G | B7 | C | G |
Oh, | let’s get rich and | buy our parents | homes in the South of | France |
| G | B |
Let’s get | rich and give everyb | ody nice sweaters |
| C | Dsus4 | D |
And | teach them how to | dance | |
| G | B7 |
Let’s get | rich and build a | house on a mountain |
| C | A7 |
Making | everybody look like | ants |
| G | C | D | G |
From way up | there, you and | I, | you and | I |
| G | B7 | C | G |
Oh, | let’s get rich and | buy our parents | homes in the South of | France |
| G | B7 |
Let’s get | rich and give every | body nice sweaters |
| C | Dsus4 | D |
And | teach them how to | dance | |
| G | B7 |
Let’s get | rich and build a | house on a mountain |
| C | A7 |
Making | everybody look like | ants |
| G | C | D | G |
From way up | there, you and | I, | you and | I |
E |
Who’s to say, what’s impossible |
| F#m |
Well | they forgot, this world keeps spinning |
| F#m |
I can feel a change in | everything |
| E |
And as the surface breaks re | flections fade |
| F#m |
But in some ways they re | main the same |
| E |
And as my mind begins to | spread its wings |
| F#m |
There’s no stopping curi | osity |
| E | F#m |
I want to turn the whole thing | upside | down |
A | B | E | F#m |
I’ll find the | things they say just | can’t be | found |
A | B | E | F#m |
I’ll share this | love I find with | every | one |
A | B | E | F#m |
We’ll sing and | dance to mother | nature’s | songs |
A | B | E |
I don’t want this | feeling to go a | way |
E |
Who’s to say, I can’t do everything |
| E |
And as I roll along I be | gin to find |
| F#m |
Things aren’t always just | what they seem |
| E | F#m |
I want to turn the whole thing | upside | down |
A | B | E | F#m |
I’ll find the | things they say just | can’t be | found |
A | B | E | F#m |
I’ll share this | love I find with | every | one |
A | B | E | F#m |
We’ll sing and | dance to mother | nature’s | songs |
A | B | G#m | F#m |
This world keeps | spinning and there’s | no time to | waste |
| G#m | A | B |
Well it | all, keeps | spinning, spinning | round and round and |
A | B | E | F#m |
Who’s to say what’s im | possible and | can’t be | found |
A | B | E |
I don’t want this | feeling to go a | way |
E | F#m |
| Please don’t go away |
E | F#m |
| Please don’t go away |
E | F#m | A | E |
| Is this how it’s suppo | sed to be? | |
| A |
May you have aus | piciousness and causes of success |
| F#m |
May you have the | confidence to always do your best |
| D |
May you take no | effort in your being generous |
| E |
Sharing what you | can nothing more nothing less |
| A |
May you know the | meaning of the word happiness |
| F#m |
May you always | lead from the beating in your chest |
| D |
May you be | treated like an esteemed guest |
| E |
May you get to | rest may you catch your breath |
| F#m | D | A | E |
May the | best of your todays be the | worst of your tomorrows, | woa | h |
| F#m | D | A | E |
May the | road less paved be the | road that you follow, | woa | h |
| A |
Well, | here’s to the hearts that you’re gonna break |
E | Bdim7/F |
Here’s to the lives that you’re gonna change | |
F#m | D |
Here’s to the infinite possible ways to | love you, I want you to have it |
A |
Here’s to the good times we gonna have |
| E | Bdim7/F |
You d | on’t need money you’ve got free pass | |
F#m | D |
Here’s to the fact that I’d be sad with | out you, I want you to have it all |
A | E | Bdim7/F | F#m |
Oh, I want you to | have it all, I wa | nt you to | have it |
| D |
I want you to | have it all |
| A |
May you be as fasci | nating as a slap bracelet |
| F#m |
May you keep the | chaos and the clutter off your desk |
| D |
May you have un | questionable health and less stress |
| E |
Having no po | ssessions, though immeasurable wealth |
| A |
May you get a | gold star on your next test |
| F#m |
May your edu | cated guesses always be correct |
| D |
And may you win | prizes shining like diamonds |
| E |
May you really | own it each moment to the next |
| F#m | D | A | E |
May the | best of your todays be the | worst of your tomorrows, | woa | h |
| F#m | D | A | E |
May the | road less paved be the | road that you follow, | woa | h |
| A |
Well, | here’s to the hearts that you’re gonna break |
E | Bdim7/F |
Here’s to the lives that you’re gonna change | |
F#m | D |
Here’s to the infinite possible ways to | love you, I want you to have it |
A |
Here’s to the good times we gonna have |
| E | Bdim7/F |
You d | on’t need money you’ve got free pass | |
F#m | D |
Here’s to the fact that I’d be sad with | out you, I want you to have it all |
A | E | Bdim7/F | F#m |
Oh, I want you to | have it all, I w | ant you to | have it |
| D |
I want you to | have it all |
F#m | E |
Ah-all, I want you to have it | all |
| F#m |
All you can imagine, | oh, no matter what your path is |
A |
If you believe it, then anything could happen |
D |
Go go go, raise your glasses |
E | Bdim7 | F#m |
Go go go, you can ha | ve it | |
A |
Here’s to the hearts that you’re gonna break |
E |
Here’s to the lives that you’re gonna change |
F#m | D |
Here’s to the infinite possible ways to | love you, I want you to have it |
A |
Here’s to the good times we gonna have |
| E |
You d | on’t need money you’ve got free pass |
F#m | D |
Here’s to the fact that I’d be sad with | out you, I want you to have it all |
A | E | F#m |
Oh, I want you to | have it all, I want you to | have it |
| D |
I want you to | have it, I want you to have it all |
A |
Here’s to the good times we gonna have |
E |
Here’s to you always makin’ me laugh |
F#m | D |
Here’s to the fact that I’d be sad with | out you, I want you to have it all |
| G# |
Well | you done done me and you bet that I felt it |
| D# |
I t | ried to be chill but you’re so hot that I melted |
| Fm |
I | fell right through the cracks |
| C# |
And now I’m | tryin to get back |
| G# |
Before the c | ool done run out, I’ll be givin’ it my bestest |
| D# |
And | nothin’s gonna stop me but divine intervention |
| Fm |
I re | ckon it’s again my turn |
| C# |
To w | in some or learn some |
| G# | D# |
But | I won’t hesi | tate |
| C# |
It can not w | ait, I’m yours |
G# | D# |
Well open up your mind and see like | me |
| Fm |
Open up your plans and then you’re | free |
| C# |
Look into your heart and you’ll find | love love love love |
G# | D# |
Listen to the music of the moment people dance and s | ing |
| Fm |
We’re just one big fami | ly |
| C# | A# |
It’s our god forsaken right to be | loved loved loved loved | loved |
| G# | D# |
But | I won’t hesi | tate |
| C# |
It can not w | ait, I’m sure |
| G# | D# |
There’s no n | eed to complic | ate |
| C# |
This is our f | ate I’m yours |
G# | D#/G | Fm | D# | C# | C# | A#7/D | A#7/D |
G# | D#/G | Fm | D# | C# | C# | A#7/D | A#7/D |
| | | | | | | |
| G# |
I’ve been spending | way too long checking my tongue in the mirror |
| D# |
And | bending over backwards just to try to see clearer |
| Fm |
But my | breath fogged up the glass |
| C# |
And so I | drew a new face and I laughed |
| G# |
I | guess what I’m saying is there ain’t no better reason |
| D# |
To | rid yourself of vanity and just go with the seasons |
| Fm |
It’s | what we aim to do |
| C# |
Our | name is our virtue |
| G# | D# |
But | I won’t hesi | tate |
| C# |
It can not w | ait, I’m yours |
| G# | D# |
There’s no n | eed to complic | ate |
| C# | A# |
This is our f | ate I’m yours | |
| Em | A |
Well, I saw | fireworks from the | freeway |
| D | G | G/F# |
And be | hind closed eyes, I cannot | make them go a | way |
| Em | A |
‘Cause you were | born on the fourth of Ju | ly, freedom ring |
| D | G | G/F# |
Well, | something on the surface, it | stings | |
| Em | A |
I said, | something on the surface, well, it | kinda makes me nervous |
| D |
Who | say that you deserve this? |
| G | G/F# |
And what | kind of god would | serve this? |
| Em | A |
We will | cure this dirty | old disease |
| D |
Well, if | you’ve gots the poison, I’ve gots the remedy |
| Em | A |
The | remedy is the ex | perience |
| D | G | G/F# |
This is a | dangerous li | aison | |
| Em | A |
I says, the | comedy is that it’s | serious |
| D | G | G/F# |
‘Cause it’s a | strange enough new | play on | words |
| Em | A |
I say the | tragedy is how you’re gon | na spend |
| D | G | G/F# |
The | rest of your nights with the | light on | |
| Em | A |
So shine the | light on all of your | friends |
| D |
When it | all amounts to nothing in the end |
G | C | D | D |
I, | | I won’t | worry my |
Em | Bm | C | D |
Life away, | h | ey, o | h, oh |
G | C | D | D |
I, | | I won’t | worry my |
Em | Bm | C | D |
Life away, | h | ey, o | h, oh |
| Em | A |
Well, I heard | two men talking on the | radio |
| D | G | G/F# |
In a | cross fire kind of new re | ality show | |
| Em | A |
Un | covering the ways to plan the | next big attack |
| D |
While they were | counting down the ways to stab the |
G | G/F# |
Brother in the b | e right |
| Em | A |
B | ack after this, the una | voidable kiss |
| D | G | G/F# |
Where the | minty fresh death breath is | sure to outl | ast this |
| Em | A |
Cata | strophe, dan | ce with me |
| D |
‘Cause if | you’ve gots the poison, I’ve gots the remedy |
| Em | A |
The | remedy is the ex | perience |
| D | G | G/F# |
This is a | dangerous li | aison | |
| Em | A |
I says, the | comedy is that it’s | serious |
| D | G | G/F# |
This is a | strange enough new | play on | words |
| Em | A |
I said the | tragedy is how you’re gon | na spend |
| D | G | G/F# |
The | rest of your nights with the | light on | |
| Em | A |
So shine the | light on all of your | friends |
| D |
When it | all amounts to nothing in the end |
G | C | D | D |
I, | | I won’t | worry my |
Em | Bm | C | D |
Life away, | h | ey, o | h, oh |
G | C | D | D |
I, | | I won’t | worry my |
Em | Bm | C | D |
Life away, | h | ey, o | h, oh |
Em | C | G |
When I fall in love | , I take my | time |
| D |
There’s no need to | hurry when I’m making up my mind |
Em | C |
You can turn off the sun | |
| G | D |
But I’m still gonna | shine, and I’ll tell you | why |
| Gm | C/G |
Because the | remedy is the ex | perience |
| Gm | C/G |
This is a | dangerous li | aison |
| Gm | C/G |
I says the | comedy is that it’s | serious |
| Gm | C/G |
This is a | strange enough new | play on words |
| Gm | C/G |
I said the | tragedy is how you’re gon | na spend |
| Gm | C/G |
The | rest of your nights with the | light on |
| Gm | C/G |
So shine the | light on all of your | friends |
| F |
When it | all amounts to nothing in the end |
G | C | D | D |
I, | | I won’t | worry my |
Em | Bm | C | D |
Life away, | h | ey, o | h, oh |
G | C | D | D |
I, | | I won’t | worry my |
Em | Bm | C | D |
Life away, | h | ey, o | h, oh |
| D |
It’s a o | ne, two, three, take my hand and come with me |
Because you look so fine that I really wanna make you mine
I said you look so fine that I really wanna make you mine
D |
Four, five, six, come on and get your kicks |
Now you don’t need money when you look like that, do ya honey
G | F | C | G | F | C |
Big black boots, | → | | long brown hair | → | |
| G | F | C | G |
Ah | she’s so sweet, | with | her | get back stare |
D | F |
Well, I could see, | you home with me |
G | D |
But you were with another | man, yeah |
D | F |
I, know, we ain’t got, | much to say |
G | D | A | C |
Before I let you get aw | ay, yeah | | |
I said, are you gonna be my girl
D |
Well, it’s a one, two, three, take my hand and come with me |
Because you look so fine that I really wanna make you mine
I said you look so fine and I really wanna make you mine
| D |
Ah | four, five, six, come on and get your kicks |
Now you don’t need money with a face like that, do ya
G | F | C | G | F | C |
Big black boots, | → | | long brown hair | → | |
| G | F | C | G |
Ah | she’s so sweet, | with | her | get back stare |
D | F |
Well, I could see, | you home with me |
G | D |
But you were with another | man, yeah |
D | F |
I, know, we ain’t got, | much to say |
G | D | A | C |
Before I let you get aw | ay, yeah | | |
I said, are you gonna be my girl
D | F |
I could see, | you home with me |
G | D |
But you were with another | man, yeah |
D | F |
I, know, we ain’t got, | much to say |
G | D |
Before I let you get aw | ay, yeah |
D | F |
Ah be my girl, | be my girl |
G | D |
Are you gonna be my | girl |
A | E |
Hey, don’t write yourself off y | et |
| D | A |
It’s only in your head you f | eel left out or looked down | on |
| A | E |
Just try your b | est, try everything you c | an |
| D | A |
And don’t you worry what they t | ell themselves when you’re aw | ay |
| A | E |
It just t | akes some time, little girl you’re in the middle o | f the ride |
| D |
Everything, everything will | be just fine |
| A |
Everything, everything will | be all right, all right |
A | E |
Hey, you know they’re all the s | ame |
| D | A |
You know you’re doing better | on your own, so don’t buy i | n |
| A | E |
Live right n | ow, yeah just be yourse | lf |
| D | A |
It doesn’t matter if it’s go | od enough for someone | else |
| A | E |
It just t | akes some time, little girl you’re in the middle o | f the ride |
| D |
Everything, everything will | be just fine |
| A |
Everything, everything will | be all right, all right |
| A | E |
It just t | akes some time, little girl you’re in the middle o | f the ride |
| D |
Everything, everything will | be just fine |
| A |
Everything, everything will | be all right, all right |
A | E |
Hey, don’t write yourself off y | et |
| D | A |
It’s only in your head you f | eel left out or looked down | on |
| A | E |
Just do your b | est, do everything you c | an |
| D | A |
And don’t you worry what the b | itter hearts are gonna | say |
| A | E |
It just t | akes some time, little girl you’re in the middle o | f the ride |
| D |
Everything, everything will | be just fine |
| A |
Everything, everything will | be all right, all right |
| A | E |
It just t | akes some time, little girl you’re in the middle o | f the ride |
| D |
Everything, everything will | be just fine |
| A |
Everything, everything will | be all right, all right |
Emaj7 | Amaj7 |
Welcome to the real world, she | said to me |
| C#m7 |
Condescendingly, | take a seat, take your life |
Am7 |
Plot it out in black and white |
| Emaj7 | Amaj7 |
Well I | never lived the dreams of the | prom kings |
| C#m7 |
And the drama queens I’d like to think the | best of me |
| F#7 |
Is still hiding | up my sleeve |
| Asus2 |
They | love to tell you |
| Emaj7 |
Stay inside the | lines |
| F#7 | Asus2 | Emaj7 |
But | something’s better | on the other side | |
| Am | D7 | Emaj7 |
I wanna | run through the | halls of my | high school |
| Am | D7 | Emaj7 |
I wanna | scream at the t | op of my | lungs |
| Am | D7 | Emaj7 |
I just found | out there’s no such | thing as the | real world |
| Am | D7 | Emaj7 |
Just a | lie you’ve got to | rise a | bove |
Emaj7 | Amaj7 |
So the good boys and girls take the | so called right track |
| C#m7 |
Faded white hats grabbing | credits and maybe transfers |
| Am7 |
They | read all the books but they can’t find the answers |
Emaj7 | Amaj7 |
And all of our parents they’re getting | older |
| C#m7 |
I wonder if they’ve wished for anything | better |
| F#7 |
While in their memories tiny | tragedies |
| Asus2 |
They | love to tell you |
| Emaj7 |
Stay inside the | lines |
| F#7 | Asus2 | Emaj7 |
But | something’s better | on the other side | |
| Am | D7 | Emaj7 |
I wanna | run through the | halls of my | high school |
| Am | D7 | Emaj7 |
I wanna | scream at the t | op of my | lungs |
| Am | D7 | Emaj7 |
I just found | out there’s no such | thing as the | real world |
| Am | D7 | Emaj7 |
Just a | lie you’ve got to | rise a | bove |
Fmaj7b5 | Aadd9 | Fmaj7b5 |
| Aadd9 | Fmaj7b5 |
I am in | vincible | |
| Aadd9 | Fmaj7b5 |
I am in | vincible | |
| Fmaj7b5 | Emaj7 |
As | long as I’m a | live |
| Am | D7 | Emaj7 |
I wanna | run through the | halls of my | high school |
| Am | D7 | Emaj7 |
I wanna | scream at the t | op of my | lungs |
| Am | D7 | Emaj7 |
I just found | out there’s no such | thing as the | real world |
| Am | D7 | Emaj7 |
Just a | lie you’ve got to | rise a | bove |
| Am | D7 | Emaj7 |
I just can’t | wait till my | ten year re | union |
| Am | D7 | Emaj7 |
I’m gonna | bust down the | double doors | |
| Am | D7 | Emaj7 |
And when I | stand on these | tables be | fore you |
| Am | D7 | Emaj7 |
You will | know what all this | time was | for |
Emaj9 | Amaj9 |
Welcome to the real world, she | said to me |
| C#m11 |
Condescendingly, | take a seat, take your life |
Em11 |
Plot it out in black and white |
| Emaj9 | Amaj9 |
Well I | never lived the dreams of the | prom kings |
| C#m11 |
And the drama queens I’d like to think the | best of me |
| F#7 |
Is still hiding | up my sleeve |
| A2 | Aadd11 | Add9 | Amaj9 |
They | love | to | tell | you |
A2 | Aadd11 | Add9 | Amaj9 | Emaj9 |
Stay | in | side | the lines | |
| F#7 | A2 | Emaj9 |
But | something’s better | on the other side | |
| Amin9 | D7 | Emaj9 |
I wanna | run through the | halls of my | high school |
| Amin9 | D7 | Emaj9 |
I wanna | scream at the t | op of my | lungs |
| Amin9 | D7 | Emaj9 |
I just found | out there’s no such | thing as the | real world |
| Amin9 | D7 | Emaj9 |
Just a | lie you’ve got to | rise a | bove |
Emaj9 | Amaj9 |
So the good boys and girls take the | so called right track |
| C#m11 |
Faded white hats grabbing | credits and maybe transfers |
| Em11 |
They | read all the books but they can’t find the answers |
Emaj9 | Amaj9 |
And all of our parents they’re getting | older |
| C#m11 |
I wonder if they’ve wished for anything | better |
| F#7 |
While in their memories tiny | tragedies |
| A2 | Aadd11 | Add9 | Amaj9 |
They | love | to | tell | you |
A2 | Aadd11 | Add9 | Amaj9 | Emaj9 |
Stay | in | side | the lines | |
| F#7 | A2 | Emaj9 |
But | something’s better | on the other side | |
| Amin9 | D7 | Emaj9 |
I wanna | run through the | halls of my | high school |
| Amin9 | D7 | Emaj9 |
I wanna | scream at the t | op of my | lungs |
| Amin9 | D7 | Emaj9 |
I just found | out there’s no such | thing as the | real world |
| Amin9 | D7 | Emaj9 |
Just a | lie you’ve got to | rise a | bove |
Fmaj7b5 | Aadd9alt | Fmaj7b5 |
| Aadd9alt | Fmaj7b5 |
I am in | vincible | |
| Aadd9alt | Fmaj7b5 |
I am in | vincible | |
| Fmaj7b5/G | Emaj9 |
As | long as I’m a | live |
| Amin9 | D7 | Emaj9 |
I wanna | run through the | halls of my | high school |
| Amin9 | D7 | Emaj9 |
I wanna | scream at the t | op of my | lungs |
| Amin9 | D7 | Emaj9 |
I just found | out there’s no such | thing as the | real world |
| Amin9 | D7 | Emaj9 |
Just a | lie you’ve got to | rise a | bove |
| Amin9 | D7 | Emaj9 |
I just can’t | wait till my | ten year re | union |
| Amin9 | D7 | Emaj9 |
I’m gonna | bust down the | double doors | |
| Amin9 | D7 | Emaj9 |
And when I | stand on these | tables be | fore you |
| Amin9 | D7 | Emaj9 |
You will | know what all this | time was | for |
C | Am | F | C |
Me and all my fr | iends, we’re a | ll misundersto | od |
| G | Am | F | C |
They s | ay we stand for n | othing and, there’s no wa | y we ever cou | ld |
| C | Am | F | C |
Now we see | everything that’s g | oing wrong with the w | orld and those who l | ead it |
| G | Am | F | C |
We just f | eel like we don’t h | ave the means to r | ise above and b | eat it |
| C | Am | F | C |
So we keep wai | ting, (wa | iting) waiting on the wo | rld to change | |
| G | Am | F | C |
We keep on wai | ting, (wa | iting) waiting on the wo | rld to change | |
| C | Dm7 | Am | Dm7 |
It’s ha | rd to beat the sy | stem, when you’re stan | ding at a dis | tance |
| G | Am | F | C |
So we keep wai | ting, (wai | ting) waiting on the wo | rld to change | |
| C | Am | F | C |
Now i | f we had the p | ower to bring our ne | ighbors home from w | ar |
| G | Am | F | C |
They would have n | ever missed a C | hristmas, no more r | ibbons on their do | or |
| C | Am | F | C |
And when you tr | ust your televi | sion, what you g | et is what you got | |
| G | Am | F | C |
Cause when they o | wn the inform | ation, oh they can b | end it all they want | |
| C | Am | F | C |
That’s why we’re w | aiting (w | aiting) waiting on the w | orld to change | |
| G | Am | F | C |
We keep on wai | ting, (wa | iting) waiting on the wo | rld to change | |
| C | Dm7 | Am | Dm7 |
It’s no | t that we don’t c | are, we just k | now that the fight ai | n’t fair |
| G | Am | F | C |
So we keep on | waiting (w | aiting) waiting on the | world to change | |
Cm7 | Cm7 | Cm7 | Cm7 |
Cm7 | Cm7 | Cm7 | C7#9 |
| | | |
C | Am | F | C |
G | Am | F | C |
C | Am | F | C |
G | Am | F | C |
| | | |
| C | Am | F | C |
And we’re stil | l waiting (wa | iting) waiting on the w | orld to change | |
| G | Am | F | C |
We keep on wai | ting (wai | ting) waiting on the wor | ld to change | |
| C | Dm | Am | Dm7 |
One | day our genera | tion is gonna r | ule the popula | tion |
| G | Am | F | C |
So we keep on | waiting (w | aiting) waiting on the | world to change | |
| G | Am | F | C |
No we keep on | waiting (w | aiting) waiting on the | world to change | |
| G | Am | F | C |
We keep on wai | ting, (wai | ting) we’re waiting on the wor | ld to change | |
| F | C |
Waiting on the wor | ld to change | |
| F | C |
Waiting on the wor | ld to change | |
| F | C |
Waiting on the wor | ld to change | |
Am7 | F | G | Am7 | F |
Angel | | put sad wings | around me now | |
| G | Am7 |
Pro | tect me from this | world of sin |
| F | G | Am7 | F | G |
So that | we can | rise a | gain | | |
| Am7 | F | G | Am7 | F |
Oh | angel | | we can find our | way somehow | |
| G | Am7 | F | G | Am7 | F | G |
Es | caping from the | world we’re in to a | place where | we be | gan | | |
| F | Am |
And I | know we’ll | find a better place and |
F | Am |
Peace of | mind just tell me that it’s |
F | Dm | E |
All you | want for you and | me |
E |
Angel won’t you set me free |
Am7 | F | G | Am7 | F |
Angel | re | member how we’d | chase the sun | |
| G | Am7 |
Then | reaching for the | stars at night |
| F | G | Am7 | F | G |
As our | lives had | just be | gun | | |
| F | Am | F | Am |
When I | close my | eyes I hear your velvet | wings and | cry |
| F | Dm | E |
I’m waiting here with | open | arms, oh can’t you | see |
E |
Angel shine your light on me |
Dm | E |
Angel we’ll | meet once more I’ll pray |
Am | F |
When all my | sins are washed away |
Ddim7 | E |
Hold me insi | de your wings and |
E | Am | F |
Angel take me far a | way | |
G | Am |
Put sad wings a | round me now |
F | G | Am | F |
Angel take me | far a | way | |
G | Am |
Put sad wings a | round me now |
| F | G | Am | F |
So that | we can | rise | again | |
G | Am |
Put sad wings a | round me now |
F | G | Am | F |
Angel take me | far a | way | |
G | Am |
Put sad wings a | round me now |
| F | G | F | G | Am |
So that | we can | rise a | gain | | |
E | E/D# |
I walked across | an empty land |
| Bsus4 | B |
Like the | back of my h | and |
E | B/D# |
I felt the Earth | beneath my feet |
| Bsus4 | B |
And it m | ade me compl | ete |
A |
I’m getting old and I need |
A6 | B |
Something to rel | y on |
G#m |
You’re gonna let me in |
A |
I’m getting tired and I need |
E | B/D# |
I came across | a fallen tree |
F#m |
I felt the branches are |
| Bsus4 | B |
They | looking at m | e |
| Bsus4 | B |
That I’ve been d | reaming | of? |
A |
I’m getting old and I need |
A6 | B |
Something to rel | y on |
G#m |
You’re gonna let me in |
A |
I’m getting tired and I need |
F#m7 | Eadd9/G# |
And if you have a m | inute |
F#m7 | Eadd9/G# |
Talk about it s | omewhere |
F#m7 | Eadd9/G# | Edd9/B |
This could be the | end of everyth | ing |
| B6 | Eadd9 |
S | omewhere only w | e know? |
A6 | B6 |
S | omewhere only we know |
A |
I’m getting old and I need |
A6 | B |
Something to rel | y on |
G#m |
You’re gonna let me in |
A |
I’m getting tired and I need |
F#m7 | Eadd9/G# |
And if you have a m | inute |
F#m7 | Eadd9/G# |
Talk about it s | omewhere |
F#m7 | Eadd9/G# | Edd9/B |
This could be the | end of everyth | ing |
F#m7 | Edd9/G# | Eadd9/B |
Ahh | → | |
F#m7 | Edd9/G# | Eadd9/B |
Ahh | → | |
F#m7 | Eadd9/G# | Edd9/B |
This could be the | end of everyth | ing |
| B6 | Eadd9 |
S | omewhere only w | e know |
A6 | B6 | B6 | A#6 |
S | omewhere only we know | → | → |
A6 | B6 | A6 | A | E |
S | omewhere only w | e k | now | |
Bm | G |
Seems like just | yesterday |
D | A |
You were a | part of me |
Bm | G |
I used to stan | d so tall |
| D | A |
I use | d to be so | strong |
Bm | G |
Your arms aro | und me tight |
D | A |
Everything, it | felt so right |
Bm | G | D | A |
Unbre | akable, like | nothin’ could go | wrong |
| G | A |
I’m | barely hangin’ | on |
| Bm | G |
Here I | am, once aga | in |
| Bm | G |
Can’t d | eny it, can’t pre | tend |
| D | A |
Just | thought you were the | one |
| Bm | G |
Broken | up, deep in | side |
| Em | Bm | G |
But yo | u won’t got to see the tears I | cry | |
| D | A |
Be | hind these hazel | eyes |
Bm | G |
I told you ev | erything |
D | A |
Opened up and l | et you in |
Bm | G |
You made me fe | el alright |
Bm | G |
Now all that’s l | eft of me |
D | A |
Is what I | pretend to be |
Bm | G | D | A |
So tog | ether, but so b | roken up insi | de |
| G | A |
I’m | barely hangin’ | on |
| Bm | G |
Here I | am, once aga | in |
| Bm | G |
Can’t d | eny it, can’t pre | tend |
| D | A |
Just | thought you were the | one |
| Bm | G |
Broken | up, deep in | side |
| Em | Bm | G |
But yo | u won’t got to see the tears I | cry | |
| D | A |
Be | hind these hazel | eyes |
Em | D |
Swallow me then spit me | out |
| Em | Bm |
For h | ating you, I blame my | self |
Em | D |
Seeing you it kills me | now |
| Em | G | A |
No, I d | on’t cry on the | outside → | |
| Bm | G |
Here I | am, once aga | in |
| Bm | G |
Can’t d | eny it, can’t pre | tend |
| D | A |
Just | thought you were the | one |
| Bm | G |
Broken | up, deep in | side |
| Em | Bm | G |
But yo | u won’t got to see the tears I | cry | |
| D | A |
Be | hind these hazel | eyes |
| Bm | G |
Here I | am, once aga | in |
| Bm | G |
Can’t d | eny it, can’t pre | tend |
| D | A |
Just | thought you were the | one |
| Bm | G |
Broken | up, deep in | side |
| Em | Bm | G |
But yo | u won’t got to see the tears I | cry | |
| D | A |
Be | hind these hazel | eyes |
Bm | A | D | G |
Da da da un | da da, | da da da un | da da |
Bm | A | G |
Da da da un | da da da da | |
Bm | A | D | G |
Da da da un | da da, | da da da un | da da |
Bm | A | G |
Da da da un | da da da da | |
Bm | A/C# |
Grew up in a | small town |
D | G |
And when the rain would | fall down |
Bm | A/C# | G |
I’d just | stare out my | window |
Bm | A/C# |
Dreaming of what | could be |
D | G |
And if I’d end up | happy |
Bm | A/C# |
Trying hard to | reach out |
D | G |
But when I tried to | speak out |
Bm | A | G |
Felt like | no one could | hear me |
Bm | A/C# |
Wanted to bel | ong here |
D | G |
But something felt so | wrong here |
| Bm | A | E | G | A |
I could | break | aw | ay | → | |
D | A |
I’ll spread my wings and I’ll | learn how to fly |
| Bm | G |
I’ll | do what it takes till | I touch the sky |
| D |
And I’ll, | make a wish, take a chance |
A | Bm | A | G |
Make a change, and | break | aw | ay |
D | A |
Out of the darkness and | into the sun |
| Bm | G |
But | I won’t forget all the | ones that I love |
| D |
I’ll, | take a risk, take a chance |
A | Bm | A | G |
Make a change, and | break | aw | ay |
Bm | A | D | G |
Da da da un | da da, | da da da un | da da |
Bm | A | G |
Da da da un | da da da da | |
Bm | A/C# |
Wanna feel the | warm breeze |
D | G |
Sleep under a | palm tree |
Bm | A | G |
Feel the | rush of the | ocean |
Bm | A/C# |
Get onboard a | fast train |
| Bm | A | E | G | A |
And | break | aw | ay | → | |
D | A |
I’ll spread my wings and I’ll | learn how to fly |
| Bm | G |
I’ll | do what it takes till | I touch the sky |
| D |
And I’ll, | make a wish, take a chance |
A | Bm | A | G |
Make a change, and | break | aw | ay |
D | A |
Out of the darkness and | into the sun |
| Bm | G |
But | I won’t forget all the | ones that I love |
| D |
I’ll, | take a risk, take a chance |
A | Bm | A | G |
Make a change, and | break | aw | ay |
A |
Buildings with a hundred floors |
D | G |
Swinging with re | volving doors |
A | D | G |
Maybe I don’t know where they’ll | take | me, but |
A | D | G |
Gotta keep movin’ on | movin on | |
D | A |
I’ll spread my wings and I’ll | learn how to fly |
Bm | G |
Though it’s not easy to | tell you goodbye, gotta |
D |
Take a risk, take a chance |
A | Bm | A | G |
Make a change, and | break | aw | ay |
D | A |
Out of the darkness and | into the sun |
| Bm | G |
But I | won’t forget the | place I come from |
| D |
I gotta, | take a risk, take a chance |
A | Bm | A | G |
Make a change, and | break | aw | ay |
B7#9 | B7#9 | B7#9 | B7#9 | A | F# |
| | | | → | |
B7#9 |
Miss self-sufficient |
B7#9 | A | F# |
Miss keep your distance, | mmmm | |
B7#9 | A | F# |
Miss don’t let a man interfere, | no | |
| B7#9 | A | F# |
Miss n | ever let a man help her off her throne | → | |
| E9 |
So, by | keeping her heart protected |
| E9 |
She’d n | ever, ever feel rejected |
E9 |
Little miss apprehensive |
| E9 |
Said o | oh, she fell in love |
B5 | D |
What is this feeling t | aking over? |
E | G | A |
Thinking no one could | open the door | |
B5 | D | G | E/G# | A |
Surprise, | it’s time, | to feel | what’s r | eal |
B5 | D |
What happened to miss i | ndependence? |
E | G | A |
No longer need to | be defensiv | e? |
B5 | D | G | E/G# | A |
Goodbye, | old you, | real love, | is true | |
B7#9 | A | F# |
Miss if you wanna use that line, you better not start, no | → | |
B7#9 |
But she miscalculated |
B7#9 |
She didn’t wanna end up jaded |
B7#9 | A | F# |
And this miss decided not to miss out on true love | → | |
| E9 |
So, by changi | ng a misconception |
| E9 |
She w | ent in a new direction |
| E9 |
And found | inside, she felt a connection |
B5 | D |
What is this feeling t | aking over? |
E | G | A |
Thinking no one could | open the door | |
B5 | D | G | E/G# | A |
Surprise, | it’s time, | to feel | what’s r | eal |
B5 | D |
What happened to miss i | ndependence? |
E | G | A |
No longer need to | be defensiv | e? |
B5 | D | G | E/G# | A |
Goodbye, | old you, | real love, | is true | |
Bm |
When miss independent walked away |
G |
No time for love that came her way |
D |
She looked in the mirror and thought today |
F# |
What happened to miss no longer afraid? |
Bm |
It took some time for her to see |
G |
How beautiful love could truly be |
D |
No more talk of why can’t that be me |
F#/A# | F#/C# |
I’m so glad I’ve fi | nally seen |
B5 | D |
What is this feeling t | aking over? |
E | G | A |
Thinking no one could | open the door | |
B5 | D | G | E/G# | A |
Surprise, | it’s time, | to feel | what’s r | eal |
B5 | D |
What happened to miss i | ndependence? |
E | G | A |
No longer need to | be defensiv | e? |
B5 | D | G | E/G# | A |
Goodbye, | old you, | real love, | is true | |
A | Bm |
Here’s the thing we started out fr | iends |
F#m |
It was cool but it was all pretend |
A | Bm | F#m |
Yeah yeah, s | ince you been g | one |
A | Bm |
You dedicated you took the t | ime |
F#m |
Wasn’t long till I called you mine |
A | Bm | F#m |
Yeah yeah, s | ince you been g | one |
| A |
And all you’d ever h | ear me say |
| Bm | F#m |
Is h | ow I pictured m | e with you |
| A |
That’s all you’d ever h | ear me say |
| C#m | D | A |
But since you been g | one | | |
| C#m | D | A |
I can br | eathe for the f | irst t | ime |
| F#m | D | A |
I’m so moving | on, ye | ah ye | ah |
| Bm | F#m | E | Bm |
Thanks to y | ou, now I g | et what I w | ant | |
A | Bm |
How can I put it, you put me | on |
F#m |
I even fell for that stupid love song |
A | Bm | F#m |
Yeah yeah, s | ince you been g | one |
| A |
How come I’d never h | ear you say |
Bm | F#m |
I just wanna | be with you |
| A |
I guess you never f | elt that way |
| C#m | D | A |
But since you been g | one | | |
| C#m | D | A |
I can br | eathe for the f | irst t | ime |
| F#m | D | A |
I’m so moving | on, ye | ah ye | ah |
| Bm | F#m | E | Bm |
Thanks to y | ou, now I g | et, I get what I w | ant | |
Dadd9 | F#m |
You had your ch | ance, you blew it |
Dadd9 | A |
Out of sight, o | ut of mind |
Dadd9 | F#m |
Shut your mouth I j | ust can’t take it |
Dadd9 |
Again and again and again and again |
| C#m | D | A |
Since you been g | one | | |
| C#m | D | A |
I can br | eathe for the f | irst t | ime |
| F#m | D | A |
I’m so moving | on, ye | ah ye | ah |
| Bm | F#m |
Thanks to y | ou, now I g | et, I get what I |
| C#m | D | A |
I can br | eathe for the f | irst t | ime |
| F#m | D | A |
I’m so moving | on, ye | ah ye | ah |
| Bm | F#m |
Thanks to y | ou, now I g | et |
| Bm | F#m |
Yes you | know, that I g | et |
G |
Livin’ my life in a slow hell |
| C |
Different | girl every night at the hotel |
D | C | G |
I ain’t seen the sunshine in | three damn | days |
| G |
Been | fuelin’ up on cocaine and whiskey |
C |
Wish I had a good girl to miss me |
D | C | G |
Lord I wonder if I’ll ever | change my | ways |
| Em | G |
I put your | picture away, sat down and | cried today |
| D | C | G |
I can’t | look at you while I’m | lyin’ next to | her |
| Em | G |
I put your | picture away, sat down and | cried today |
| D | C | G |
I can’t | look at you while I’m | lyin’ next to | her |
| G |
I | called you last night in the hotel |
C |
Everyone knows but they won’t tell |
| D | C | G |
But their | half-hearted smiles tell me somethin’ | just ain’t | right |
| G |
I been | waitin’ on you for a long time |
C |
Fuelin’ up on heartaches and cheap wine |
D | C | G |
I ain’t heard from you in | three damn | nights |
| Em | G |
I put your | picture away, I wonder | where you been |
| D | C | G |
I can’t | look at you while I’m | lyin’ next to | him |
| Em | G |
I put your | picture away, I wonder | where you been |
| D | C | G |
I can’t | look at you while I’m | lyin’ next to | him |
| G |
I | saw you yesterday with an old friend |
| C |
It was the | same old same “how have you been” |
D | C | G |
Since you been gone my world’s been | dark and | gray |
| G |
You re | minded me of brighter days |
| C |
I | hoped you were comin’ home to stay |
| C | G |
I was off to | drink you a | way |
| G |
I | thought about you for a long time |
C |
Can’t seem to get you off my mind |
D | C | G |
I can’t understand why we’re living | life this | way |
| Em | G |
I found your | picture today, I swear I’ll | change my ways |
| D | C | G |
I just | called to say I | want you to come back | home |
| D/F# | Em | G |
I | found your | picture today, I swear I’ll | change my ways |
| D | C | G |
I just | called to say I want | you to come back | home |
| D | C | G |
I just | called to say I love | you, come back | home |
Two, three, four
| Em | B7 | Em |
Woo- | hoo, woo- | hoo | |
| Em | B7 | Em |
Woo- | hoo, woo- | hoo | |
| Em |
Well my | heart knows me better than I know myself |
So I’m gonna let it do all the talking
| Em | B7 | Em |
Woo- | hoo, woo- | hoo | |
| Em |
I | came across a place in the middle of nowhere |
With a big black horse and a cherry tree
| Em | B7 | Em |
Woo- | hoo, woo- | hoo | |
| Em |
I | felt a little fear upon my back |
I said, don’t look back, just keep on walking
| Em | B7 | Em |
Woo- | hoo, woo- | hoo | |
| Em |
When the | big black horse said look this way |
He said, hey there baby, will you marry me?
| Em | B7 | Em |
Woo- | hoo, woo- | hoo | |
| Em | D | D6 | Cmaj7 |
But I said | no, | no | no, | no, no, no |
| Em | D | C | Em |
I said, | no, | no, | you’re not the one for | me |
Em | D | D6 | Cmaj7 |
No, | no | no, | no, no, no |
| Em | D | C7 |
I said, | no, | no, | you’re not the one for me |
| Em |
And my | heart hit a problem, in the early hours |
So I stopped it dead for a beat or two
| Em | B7 | Em |
Woo- | hoo, woo- | hoo | |
| Em |
But I | cut some cord, and I shouldn’t have done it |
And it won’t forgive me after all these years
| Em | B7 | Em |
Woo- | hoo, woo- | hoo | |
| Em |
So I | sent it to a place in the middle of nowhere |
With a big black horse and a cherry tree
| Em | B7 | Em |
Woo- | hoo, woo- | hoo | |
| Em |
Now it | won’t come back, ‘cause it’s oh so happy |
And now I’ve got a hole for the world to see
| Em | B7 | Em |
Woo- | hoo, woo- | hoo | |
| Em | D | D6 | Cmaj7 |
And it said | no, | no | no, | no, no, no |
| Em | D | C | Em |
I said, | no, | no, | you’re not the one for m | e |
Em | D | D6 | Cmaj7 |
No, | no | no, | no, no, no |
| Em | D | C7 |
I said, | no, | no, | you’re not the one for me |
Em |
Woo, woo hoo (not the one for me) |
| Em |
Said | no, nah, no, no no |
No, no, you’re not the one for me
Em |
No, nah, no, no, no, no |
No, no, you’re not the one for me
Em | D | D6 | Cmaj7 |
Big black | horse | and a cherry | tree |
Em | D | C | Em |
I can’t quite | get there ‘cause my | heart’s forsaken | me yeah yeah yeah |
Em | D | Cmaj7 | Em |
Big black | horse | and a cherry | tree |
Em | D | C7 |
I can’t quite | get there ‘cause my | heart’s forsaken me |
| F/C | F | G/D | F |
Oh oh oh oh o | h oh o | h oh oh, | oh oh o | h |
Am/E | G | C/E |
Caught in a bad r | oma | nce |
| F/C | F | G/D | F |
Oh oh oh oh o | h oh o | h oh oh, | oh oh o | h |
E/G# | Am |
Caught in a bad roma | nce |
Am |
Rah rah ah ah ah, roma ro ma ma |
Am |
Ga ga ooh la la, want your bad romance |
Am |
Rah rah ah ah ah, roma ro ma ma |
Am |
Ga ga ooh la la, want your bad romance |
Am | Am/C | F |
I want your ugly, I want | your disease | |
Am | Am/C | G |
I want your everything, as long | as it’s free | |
| Am | Am/C | F |
I want your lo | ve, love | love love | |
| Am | Am/C | G |
I want your lov | e, hey | | |
Am | Am/C | F |
I want your drama, the touch | of your hand | |
Am | Am/C | G |
I want your leather studded kiss | in the sand | |
| Am | Am/C | F |
I want your lo | ve, love | love love | |
| Am | Am/C | G |
I want your lov | e, hey | | |
Am |
You know that I want you, and you know that I need you |
I want it bad, like your bad romance
F | G |
I want your love and I w | ant your revenge |
| Am | C |
You and me | could write a bad romanc | e |
F | G |
I want your love and all your l | overs’ revenge |
| E | Am |
You and | me could write a bad romance | |
| F/C | F | G/D | F |
Oh oh oh oh o | h oh o | h oh oh, | oh oh o | h |
Am/E | G | C/E |
Caught in a bad r | oma | nce |
| F/C | F | G/D | F |
Oh oh oh oh o | h oh o | h oh oh, | oh oh o | h |
E/G# | Am |
Caught in a bad roma | nce |
Am |
Rah rah ah ah ah, roma ro ma ma |
Am |
Ga ga ooh la la, want your bad romance |
Am | Am/C | F |
I want your horror, I wan | t your design | |
Am | Am/C | G |
‘Cause you’re a criminal as long | as your m | ine |
| Am | Am/C | F |
I want your lo | ve, love | love love | |
| Am | Am/C | G |
I want your lov | e, hey | | |
Am | Am/C | F |
I want your psycho, your vertigo scht | ick | |
Am | Am/C | G |
Want you in my rear window, b | aby you’re sick | |
| Am | Am/C | F |
I want your lo | ve, love | love love | |
| Am | Am/C | G |
I want your lov | e | | |
You know that I want you, and you know that I need you
I want it bad, like your bad romance
F | G |
I want your love and I w | ant your revenge |
| Am | C |
You and me | could write a bad romanc | e |
F | G |
I want your love and all your l | overs’ revenge |
| E | Am |
You and | me could write a bad romance | |
| F/C | F | G/D | F |
Oh oh oh oh o | h oh o | h oh oh, | oh oh o | h |
Am/E | G | C/E |
Caught in a bad r | oma | nce |
| F/C | F | G/D | F |
Oh oh oh oh o | h oh o | h oh oh, | oh oh o | h |
E/G# | Am |
Caught in a bad roma | nce |
Am |
Rah rah ah ah ah, roma ro ma ma |
Am |
Ga ga ooh la la, want your bad romance |
Am |
Walk, walk, fashion baby |
Work it move that bit ca-razy
Am |
Walk, walk, fashion baby |
Work it move that bit ca-razy
Am |
Walk, walk, passion baby |
Work it I’m a free bit baby
F | G | Am |
I want your | love and I want your reve | nge |
| C | F |
I want your lov | e I don’t wanna be | friends |
F | G | E |
J’veux ton am | our, et je veux ta revanc | he |
| Am | F |
J’veux ton a | mour, I don’t wanna be friend | s |
F | G | Am | C |
| I don’t wanna be | friends | |
| F | G |
I don’t wanna be f | riends, | want your bad romance |
E | Am |
Caught in bad rom | ance, want your bad romance |
F | G |
I want your love and I w | ant your revenge |
| Am | C |
You and me | could write a bad romanc | e |
F | G |
I want your love and all your l | overs’ revenge |
| E | Am |
You and | me could write a bad romance | |
| F/C | F | G/D | F |
Oh oh oh oh o | h oh o | h oh oh, | oh oh o | h, want your bad romance |
Am/E | G | C/E |
Caught in a bad r | oma | nce |
| F/C | F | G/D | F |
Oh oh oh oh o | h oh o | h oh oh, | oh oh o | h, want your bad romance |
E/G# | Am |
Caught in a bad roma | nce |
Am |
Rah rah ah ah ah, roma ro ma ma |
Am |
Ga ga ooh la la, want your bad romance |
D | Dmaj7 | G6 | A |
D | Dmaj7 | G6 | A |
| | | |
| D | G |
O | ut the door just in time, | head down the 405 |
| D | G |
G | ot to meet the new boss by 8am | |
| D | G |
T | he phone rings in the car | , the wife is working hard |
| D | G |
S | he’s running late tonight aga | in |
| Em | A |
Well, I | know what I’ve been | told |
| Em | A |
You’ve got to | work to feed | the soul |
| Bm | Bm/A | Bm/Ab | E7 |
But | I can’t do this | all on | my | own |
| G | A |
No | I know, I | ’m no superman |
D | Dmaj7 | G6 | A |
| | | I’m no superman |
D | G |
You’ve got your love online, | you think you’re doing fine |
D | G |
But you’re just plugged into the wa | ll |
D | G |
And that deck of tarot cards, | won’t get you very far |
D | G |
There ain’t no hand to break your fa | ll |
| Em | A |
Well, I | know what I’ve been | told |
| Em | A |
You gotta | know just when to | fold |
| Bm | Bm/A | Bm/Ab | E7 |
But | I can’t do this | all on | my | own |
| G | A |
No | I know, I | ’m no superman |
D | Dmaj7 | G6 | A |
| | | I’m no superman |
Em | Em | A | A |
Em | Em | Bm | Bm/A | Bm/Ab | E |
G | G | A | A |
| | | |
| D | G |
Y | ou’ve crossed the finish line, | won the race but lost your mind |
| D | G |
W | as it worth it after al | l? |
| D | G |
I | need you here with me, | ‘cause love is all we need |
| D | G |
J | ust take a hold of the | hand that breaks the fall |
| Em | A |
Well, I | know what I’ve been | told |
| Em | A |
Gotta break | free to break the | mold |
| Bm | Bm/A | Bm/Ab | E7 |
But | I can’t do this | all on | my | own |
| Bm | Bm/A | Bm/Ab | E7 |
No | I can’t do this | all on | my | own |
G | A |
I knoooooow, that I | ’m no superman |
D | Dmaj7 | G6 | A |
| | | I’m no superman |
D | Dmaj7 | G6 | A |
| | | I’m no superman |
| D | Dmaj7 | G6 | A |
Som | eday | we’ll be to | gether | |
| D | Dmaj7 | G6 | A |
Som | eday | we’ll be toget | her | |
Cadd9 |
Desperate for changing, starving for truth |
| C |
Closer to where I started, I’m chasing after y | ou |
| Am | G | C |
And I’m falling even | more in love w | ith y | ou |
| Am | G | C |
Letting go of | all I’ve held | on | to |
| Am | G | C |
I’m standing here un | til you make | me m | ove |
| Am | G | Cadd9 |
I’m hanging by a | moment here | with y | ou |
Cadd9 |
Forgetting all I’m lacking, completely incomplete |
| C |
I’ll take your invitation, you take all of m | e |
| Am | G | C |
And I’m falling even | more in love w | ith y | ou |
| Am | G | C |
Letting go of | all I’ve held | on to | |
| Am | G | C |
I’m standing here un | til you make | me m | ove |
| Am | G | C |
I’m hanging by a | moment here | with y | ou |
| Am | G | C |
I’m living for the | only thing | I know | |
| Am | G | C |
I’m running and not | quite sure where | to go | |
| Am | G | C |
I don’t know what | I’m diving | int | o |
| Am | G | C |
Just hanging by a | moment here w | ith y | ou |
| F | C |
There’s nothing else to | lose, nothing else to f | ind |
| F | Am |
There’s nothing in the | world that could change my m | ind |
| F | G | Dm |
There is nothing el | se | | |
| F | G | Dm |
There is nothing el | se | | |
| F | G | Dm | Cadd9 |
There is nothing el | se | | | |
Cadd9 |
Desperate for changing, starving for truth |
| C |
Closer to where I started, I’m chasing after y | ou |
| Am | G | C |
I’m falling even | more in love w | ith y | ou |
| Am | G | C |
Letting go of | all I’ve held | on to | |
| Am | G | C |
I’m standing here un | til you make | me m | ove |
| Am | G | C |
I’m hanging by a | moment here | with y | ou |
| Am | G | C |
I’m living for the | only thing | I kno | w |
| Am | G | C |
I’m running and not | quite sure where | to go | |
| Am | G | C |
I don’t know what | I’m diving | int | o |
| Am | G | C |
Just hanging by a | moment here w | ith y | ou |
| Am | G | C |
Just hanging by a | moment | | |
| Am | C | F |
Hanging by a | moment | | |
| Am | G | C |
Hanging by a | moment | | |
| Am | G | C |
Hanging by a | moment here w | ith yo | u |
G | Cadd9 | Dsus4/F# | G/B |
Em7 | Dsus4 | Cadd9 | Cadd9 |
| | | |
Dsus4/F# | G/B |
And in what | month |
| Em7 | Dsus4 | Cadd9 |
This | clock never | seemed so | alive |
| Dsus4/F# | G/B |
And | I can’t back | down |
| Em7 | Dsus4 | Cadd9 |
I’ve been | losing | so much | time |
| G | A7sus4 |
Cause it’s | you and | me |
| Cadd9 |
And | all of the people |
Em7 | Dsus4 |
Nothing to | lose |
| G | A7sus4 |
And it’s | you and | me |
| Cadd9 |
And | all of the people |
| Em7 | G |
And | I don’t know | why |
| Em7 | Dsus4 | Cadd9 |
I | can’t keep my | eyes off of | you |
G | Cadd9 |
What are the | things |
| Dsus4/F# | G/B |
That | I wanna | say |
Em7 | Dsus4 | Cadd9 |
Just aren’t | coming out | right |
| G | Cadd9 |
I’m | tripping on | words |
| Dsus4/F# | G/B |
You’ve | got my head | spinning |
| Em7 | Dsus4 | Cadd9 |
I | don’t know where | to go from | here |
| G | A7sus4 |
Cause it’s | you and | me |
| Cadd9 |
And | all of the people |
Em7 | Dsus4 |
Nothing to | lose |
| G | A7sus4 |
And it’s | you and | me |
| Cadd9 |
And | all of the people |
| Em7 | G |
And | I don’t know | why |
| Em7 | Dsus4 | Cadd9 |
I | can’t keep my | eyes off of | you |
Bm | C |
Something | about you now |
G | D/F# | Em7 |
I can’t | quite figure | out |
Am | D |
Everything she does is | beautiful |
Bm | Cm |
Everything she does is | right |
| G | A7sus4 |
Cause it’s | you and | me |
| Cadd9 |
And | all of the people |
Em7 | Dsus4 |
Nothing to | lose |
| G | A7sus4 |
And it’s | you and | me |
| Cadd9 |
And | all of the people |
| Em7 | G |
And | I don’t know | why |
| Em7 | Dsus4 |
I | can’t keep my | eyes off of |
| Cadd9 |
And | all of the people |
| Em7 | Dsus4 |
And | nothing to | lose |
| G | A7sus4 |
And it’s | you and | me |
| Cadd9 |
And | all of the people |
| Em7 | G |
And | I don’t know | why |
| Em7 | Dsus4 | Cadd9 |
I | can’t keep my | eyes off of | you |
G | Cadd9 | Dsus4/F# | G/B |
Em7 | Dsus4 | Cadd9 | Cadd9 |
| | | |
Dsus4/F# | G/B |
And in what | month |
| Em7 | Dsus4 | Cadd9 |
This | clock never | seemed so | alive |
| Am |
It starts with | one thing I don’t know why |
| G |
It | doesn’t even matter how hard you try |
F |
Keep that in mind I designed this rhyme |
| Am |
All I kno | w, time is a valuable thing |
G |
Watch it fly by as the pendulum swings |
F |
Watch it count down to the end of the day |
| G |
The clock t | icks life away |
| Am |
It’s so unr | eal, didn’t look out below |
G |
Watch the time go right out the window |
F |
Trying to hold on, but ya didn’t even know |
| G |
Or | wasted it all just to |
| Am |
Watch you | go, I kept everything inside |
| G |
And even t | hough I tried, it all fell apart |
F |
What it meant to me will eventually be |
| G |
A memor | y of a time when |
| Am | C |
I tried so | hard and got so | far |
| G | F |
But in the | end it doesn’t even | matter |
| Am | C |
I had to | fall to lose it | all |
| G | F |
But in the | end it doesn’t even | matter |
Am |
One thing, I don’t know why |
| G |
It | doesn’t even matter how hard you try |
F |
Keep that in mind I designed this rhyme |
| Am |
I tried so | hard, in spite of the way you were mocking me |
G |
Acting like I was part of your property |
F |
Remembering all the times you fought with me |
G | Am |
I’m surprised it got so ( | far) |
Am |
Things aren’t the way they were before |
G |
You wouldn’t even recognize me anymore |
F |
Not that you knew me back then but |
| G |
It a | ll comes back to me |
| Am |
In the | end you kept everything inside |
| G |
And even | though I tried, it all fell apart |
F |
What it meant to me will eventually be |
| G |
A memor | y of a time when |
| Am | C |
I tried so | hard and got so | far |
| G | F |
But in the | end it doesn’t even | matter |
| Am | C |
I had to | fall to lose it | all |
| G | F |
But in the | end it doesn’t even | matter |
| Am | G |
I’ve put my | trust in | you |
| F | G |
Pushed as | far as I can g | o |
| G | F | G |
There’s only | one thing you should | know | |
| Am | C |
I’ve put my | trust in | you |
| G | F |
Pushed as | far as I can | go |
| C | G | F |
There’s only | one thing you should | know | |
| Am | C |
I tried so | hard and got so | far |
| G | F |
But in the | end it doesn’t even | matter |
| Am | C |
I had to | fall to lose it | all |
| G | F |
But in the | end it doesn’t even | matter |
| A |
I’ve never seen a d | iamond in the flesh |
| A |
I cut my te | eth on wedding rings in the movies |
| A |
And I’m not pro | ud of my address |
| A | A |
In the torn up t | own, no postcode e | nvy |
But every song is like
| A |
G | old teeth, grey goose, trippin’ in the bathroom |
A |
Blood stains, ballgowns, trashin’ the hotel room |
G | D |
We don’t care, we’re driving C | adillacs in our dreams |
| A |
But everybody’s like | Cristal, Maybach, diamonds on your timepiece |
A |
Jet planes, islands, tigers on a gold leash |
G | D |
We don’t care, we aren’t cau | ght up in your love affair |
| A |
And we’ll never be r | oyals, it don’t run in our blood |
| G |
That kind of l | ux just ain’t for us |
| D |
We crave a d | ifferent kind of buzz |
| A |
Let me be your r | uler, you can call me queen bee |
| G |
And baby I’ll r | ule (I’ll rule, I’ll rule, I’ll rule) |
D | A |
Let me live that fantasy | |
| A |
My friends and | I we’ve cracked the code |
| A |
We count our d | ollars on the train to the party |
| A |
And every | one who knows us knows |
| A |
That we’re fine with th | is |
| A |
We didn’t come from m | oney |
But every song is like
| A |
G | old teeth, grey goose, trippin’ in the bathroom |
A |
Blood stains, ballgowns, trashin’ the hotel room |
G | D |
We don’t care, we’re driving C | adillacs in our dreams |
| A |
But everybody’s like | Cristal, Maybach, diamonds on your timepiece |
A |
Jet planes, islands, tigers on a gold leash |
G | D |
We don’t care, we aren’t cau | ght up in your love affair |
| A |
And we’ll never be r | oyals, it don’t run in our blood |
| G |
That kind of l | ux just ain’t for us |
| D |
We crave a d | ifferent kind of buzz |
| A |
Let me be your r | uler, you can call me queen bee |
| G |
And baby I’ll r | ule (I’ll rule, I’ll rule, I’ll rule) |
D | A |
Let me live that fantasy | |
A | G |
Oh oh oh, oh oh oh, oh | oh |
We’re bigger than we ever dreamed
D |
And I’m in love with being queen |
A | G |
Oh oh oh, oh oh oh, oh | oh |
Life is great without a care
| D |
We aren’t caug | ht up in your love affair |
| A |
And we’ll never be r | oyals, it don’t run in our blood |
| G |
That kind of l | ux just ain’t for us |
| D |
We crave a d | ifferent kind of buzz |
| A |
Let me be your r | uler, you can call me queen bee |
| G |
And baby I’ll r | ule (I’ll rule, I’ll rule, I’ll rule) |
D | A |
Let me live that fantasy | |
| D |
I’ve | cussed on a Sunday |
| G | D |
I’ve | cheated, and I’ve l | ied |
| D |
I’ve | fallen down from grace |
| D |
But I | find holy redemption |
| G | D |
When I | put this car in | drive |
| D | A | G | D |
Roll the | windows down and, | turn up the | dial | |
| D |
Feels like the | holy ghost running through ya |
| A |
When I | play the highway FM |
G | Bm |
Singing every single | verse |
G | D | A | D |
Yeah I | guess that’s | my | church |
| D |
When | Hank brings the sermon |
G | D |
And Cash leads the | choir |
| D |
It | gets my cold cold heart burning |
A |
Hotter than a ring of fire |
| D |
When this | wonderful world gets heavy |
| G | Bm |
And I | need to find my e | scape |
| D | A |
I just k | eep the wheels rolling, | radio scrolling |
| G | D |
‘T | il my sins wash a | way |
| D |
Feels like the | holy ghost running through ya |
| A |
When I | play the highway FM |
G | Bm |
Singing every single | verse |
G | D | A | D |
Yeah I | guess that’s | my | church |
| D |
Feels like the | holy ghost running through ya |
| A |
When I | play the highway FM |
G | Bm |
Singing every single | verse |
G | D | A | D |
Yeah I | guess that’s | my | church |
| D |
Hey can I get a | hallelujah |
| D |
Feels like the | holy ghost running through ya |
| A |
When I | play the highway FM |
G | Bm |
Singing every single | verse |
G | D | A | Bm |
Yeah I | guess that’s | my | church |
G | D | A | Bm |
Yeah I | guess that’s | my | church |
G | D | A | D |
Yeah I | guess that’s | my | church |
Cadd9 | D | G | Em |
All | day | staring at the | ceiling |
| Cadd9 | D | Em |
Making | friends with | shadows on my | wall |
Cadd9 | D | G | Em |
All | night, | hearing voices | telling me |
| Cadd9 |
That | I should get some sleep |
| D |
Because to | morrow might be good for something |
Bm | Cadd9 | G | D |
Hold | on, I’m | feeling like I’m | headed for a |
Bm | Cadd9 | G | D |
Break | down, and | I don’t know | why |
G | Cadd9 |
I’m not crazy I’m just a little un | well |
I know right now you can’t tell
Em | D |
But stay awhile and maybe then you’ll | see |
A different side of me
G | Cadd9 |
I’m not crazy I’m just a little im | paired |
I know right now you don’t care
Em | D |
But soon enough you’re gonna think of | me |
And how I used to be
Cadd9 | D | G | Em |
| Me, | talking to my | self in public |
Cadd9 | D | Em |
And dodging | glances on the | train |
Cadd9 | D | G | Em |
And I | know, I | know they’ve all been | talking ‘bout me |
Cadd9 |
I can hear them whisper |
| D | Bm |
And it | makes me think there must be something | wrong |
Bm | Cadd9 | G | D |
With | me, | out of all the | hours thinking |
Bm | Cadd9 | G | D |
Some | how, | I’ve lost my | mind |
G | Cadd9 |
I’m not crazy I’m just a little un | well |
I know right now you can’t tell
Em | D |
But stay awhile and maybe then you’ll | see |
A different side of me
G | Cadd9 |
I’m not crazy I’m just a little im | paired |
I know right now you don’t care
Em | D |
But soon enough you’re gonna think of | me |
| Cadd9 |
And how I used to b | e |
Cadd9 | Em | Cadd9 |
| I’ve been talking in my | sleep |
Em | Cadd9 |
Pretty soon they’ll come to | get me |
Em | D |
Yeah they’re takin’ me a | way |
G | Cadd9 |
I’m not crazy I’m just a little un | well |
I know right now you can’t tell
Em | D |
But stay awhile and maybe then you’ll | see |
A different side of me
G | Cadd9 |
I’m not crazy I’m just a little im | paired |
I know right now you don’t care
Em | D |
But soon enough you’re gonna think of | me |
And how I used to be
G | Cadd9 |
Pretty girls come from the | ugliest places |
| G | D |
You | come from the worst of them | all |
| G | Cadd9 |
H | eartbreakers like you are h | ard to erase |
| Em7 | D | G |
You | lift me up j | ust so I | fall |
| G | Cadd9 |
I f | ollowed you all the way | down to the coast |
| G | D |
And we | kissed under traveling sk | ies |
| G | Cadd9 |
I w | ish I had seen what was | coming for me |
| Em7 | D | G |
But you | wear such a | lovely | disguise |
Cadd9 | G |
Hey you got a | restless heart |
| Em | D |
Beating | ou ou ou out on your | sleeve |
| Cadd9 | G |
And | I won’t let this | fire start |
| Em | D | Cadd9 |
You | say love is | all that you | need |
| Em | D | G |
Well you’re | not gonna | get it from | me |
| Em | D | G |
No you’re | not gonna g | et it from | me |
| G | Cadd9 |
You s | ay that you wanted a | lover |
| G | D |
Someone to | cover your head when it | rains |
| G | Cadd9 |
But e | ven a hopeless | romantic like me |
| Em7 | D | G |
Yeah I | know that it’s a | ll just a g | ame |
| G | Cadd9 |
Ever | yone’s looking for | love |
| G | D |
Looking for | something to hold on | to |
G | Cadd9 |
Oh I’ve been looking for | twenty-five years |
| Em7 | D | G |
And I | know I won’t | find it in | you |
Cadd9 | G |
Hey you got a | restless heart |
| Em | D |
Beating | ou ou ou out on your | sleeve |
| Cadd9 | G |
And | I won’t let this | fire start |
| Em | D | Cadd9 |
You | say love is | all that you | need |
| Em | D | G |
Well you’re | not gonna | get it from | me |
| Em | D | F |
No you’re | not gonna g | et it from | me |
| C | G | G/B |
I | won’t let you break my | heart | |
| F | C | D |
I | won’t let you break, I | won’t let you break my | heart |
G | Cadd9 |
Pretty girls come from the | ugliest places |
| G | D |
You | come from the worst of them a | ll |
G | Cadd9 |
Heartbreakers like you are | hard to erase |
| Em7 | D | G |
You | lift me up j | ust so I f | all |
Cadd9 | G |
Hey you got a | restless heart |
| Em | D |
Beating | ou ou ou out on your | sleeve |
| Cadd9 | G |
And | I won’t let this | fire start |
| Em | D | Cadd9 |
You | say love is | all that you | need |
| Em | D | G |
Well you’re | not gonna | get it from | me |
| Em | D | Cadd9 |
No you’re | not gonna g | et it from | me |
Cadd9 | G |
Hey you got a | restless heart |
| Em | D |
Beating | ou ou ou out on your | sleeve |
| Cadd9 | G |
And | I won’t let this | fire start |
| Em | D | Cadd9 |
You | say love is | all that you | need |
| Em | D | G |
Well you’re | not gonna | get it from | me |
| Em | D | G |
No you’re | not gonna g | et it from | me |
| Em | D | G |
No you’re | not gonna g | et it from | me |
G |
Dear future husband, here’s a few |
Em |
Things you need to know if you wanna |
C | D | G |
Be my one and | only all my | life |
G |
Take me on a date, I deserve it babe |
Em |
And don’t forget the flowers every anniversary |
C |
‘Cause if you treat me right |
D |
I’ll be the perfect wife |
G |
Buying groceries, buy-buying what you need |
G |
You got that nine to five, but baby so do I |
Em |
So don’t be thinking I’ll be home and baking apple pies |
C |
I never learned to cook |
G |
Sing along with me, sing-sing along with me, hey |
G | Em |
You gotta know how to treat me like a | lady |
| C |
Even when I’m acting | crazy |
D | G |
Tell me everything’s alri | ght |
G |
Dear future husband, here’s a few |
Em |
Things you need to know if you want to |
C | D | G |
Be my one and | only all my | life |
G |
Dear future husband, if you wanna |
Em |
Get that special lovin’, tell me I’m |
C | D | G |
Beautiful, | each and every | night |
G |
After every fight, just apologize |
Em |
And maybe then I’ll let you try and rock my body right |
D |
You know I’m never wrong |
G |
Why disagree, why, why disagree? |
G | Em |
You gotta know how to treat me like a | lady |
| C |
Even when I’m acting | crazy |
D | G |
Tell me everything’s alri | ght |
G |
Dear future husband, here’s a few |
Em |
Things you need to know if you want to |
C | D | G |
Be my one and | only all my | life |
G |
Dear future husband, make time for |
Em |
Me, don’t leave me lonely and know we’ll |
C | D | G |
Never see your | family more than | mine |
G |
I’ll be sleeping on the left side of the bed |
Em |
Open doors for me and you may get some kisses |
C |
Don’t have a dirty mind |
G |
Buy me a ring, buy-buy me a ring, babe |
G | Em |
You gotta know how to treat me like a | lady |
| C |
Even when I’m acting | crazy |
D | G |
Tell me everything’s | alright |
G |
Dear future husband, here’s a few |
Em |
Things you need to know if you want to |
C | D | G |
Be my one and on | ly all my li | fe |
G |
Dear future husband, if you wanna |
| Em |
Ge | t that special loving, tell me I’m |
C | D | G |
Beautiful | each and every | night |
| C | D | G |
Oh oh | Future husband, | better love me | right |
| Em |
I miss that | happy friend that I had |
A |
You’ve been acting so sad |
| D | Bm |
Won’t you come | back? Yeah ye | ah |
| Em |
You never | take the time with your girls no more |
A |
Always with your new boy |
| B7 |
But | you don’t know yet |
| Em |
Oh his | kiss is soft and sweet |
| A |
He | swept you off your feet |
| Em |
And sure he’s | worth a lot of gold |
| A |
But you’re | better than you know |
B7/F# | Em |
→ | That boy’s no good for you |
Em | A |
→ | You’re way too good for him |
D | B7 |
That boy’s no good for you, | for you |
Em | A |
Whoa, woh-oh-oh- | oh, woh-oh-oh |
D | Bm |
No he no good, he no good for | you |
| Em | A |
Woh-oh-oh- | oh, woh-oh-oh- | oh, woh-oh-oh |
D | B7 |
No he no good, he no good for | you |
| Em |
He drives those | fancy cars that you like |
| A |
But he | doesn’t call you at night |
| D |
And tells you he | loves you |
| Bm |
And he’s thinking | of you |
| Em |
No you can’t | take him home for the holidays |
| D |
Cause he’s such a | tool, girl |
B7 |
Everyone will say, I bet |
| Em |
His | kiss is soft and sweet |
| A |
He | swept you off your feet |
| Em |
And sure he’s | worth a lot of gold |
| A |
But you’re | better than you know |
B7/F# | Em |
→ | That boy’s no good for you |
Em | A |
→ | You’re way too good for him |
D | B7 |
That boy’s no good for you, | for you |
Em | A |
Whoa, woh-oh-oh- | oh, woh-oh-oh |
D | Bm |
No he no good, he no good for | you |
| Em | A |
Woh-oh-oh- | oh, woh-oh-oh- | oh, woh-oh-oh |
D | B7 |
No he no good, he no good for | you |
| Em |
Won’t you | take it from a friend |
| A7 |
That boy is | not a gentleman |
| D |
And you’ll | find out soon enough |
| Bm |
What you’re | feeling it ain’t love |
| Em |
Cause he | called me yesterday |
| Edim7 |
And he | asked me on a date |
| D |
Tried to | play you like a fool |
| B7 |
And that’s | why I’m calling you |
| Em |
His | kiss is soft and sweet |
| A |
And he | swept you off your feet |
| D |
But he’s no | good for you |
| Em |
And sure he’s | worth a lot of gold |
| A |
But you’re | better than you know |
| Em |
Oh his | kiss is soft and sweet |
| A |
And he | swept you off your feet |
| D |
But he’s no | good for you |
| Em |
And sure he’s | worth a lot of gold |
| A |
But you’re | better than you know |
B7/F# | Em |
→ | That boy’s no good for you |
Em | A |
→ | You’re way too good for him |
D | B7 |
That boy’s no good for you, | for you |
B7/F# | Em |
→ | That boy’s no good for you |
Em | A |
→ | You’re way too good for him |
D | B7 |
That boy’s no good for you, | for you |
Am7 | Gsus4 | Fadd9 | C6 |
I wan | ted | to be | like you |
Am7 | Gsus4 | Fadd9 | C6 |
I wan | ted | every | thing |
Am7 | Gsus4 | Fadd9 | C6 |
So | I tried, | to be | like you |
Am7 | Gsus4 | Fadd9 | C6 |
And | I got | swept aw | ay |
Am7 | G | Fadd9 | C |
I didn’t | know that | it was so c | old and |
Am7 | G | Fadd9 | C |
You needed | someone to | show you the w | ay |
Am7 | G | Fadd9 | C |
So I took your h | and and | we figured o | ut that |
Am7 | G | Fadd9 | C |
When the | tide comes I’ll t | ake you awa | y |
Am7 | Fadd9 | C | G |
If you | want to, | I can sa | ve you |
Am7 | Fadd9 | C | G |
I can | take you away | from he | re |
Am7 | Fadd9 | C | G |
So lonely i | nside, | so busy o | ut there |
Am7 | Fadd9 | C | G |
And all you w | anted was someb | ody who car | es |
Am7 | G | Fadd9 | C |
I’m sinking sl | owly, | so hurry h | old me |
Am7 | G | Fadd9 | C |
Your hand is a | ll I have to | keep me hanging | on |
Am7 | G | Fadd9 | C |
Please can you | tell me | so I can | finally see |
Am7 | G | Fadd9 | C |
Where you | go when you’re | gone | |
Am7 | Fadd9 | C | G |
If you | want to, | I can sa | ve you |
Am7 | Fadd9 | C | G |
I can | take you away | from he | re |
Am7 | Fadd9 | C | G |
So lonely i | nside, | so busy o | ut there |
Am7 | Fadd9 | C | G |
And all you w | anted was someb | ody who car | es |
F | G |
All you wa | nted was somebody who |
| F | G |
Ca | res, if you n | eed me you know I’ll be |
G/B | G/B | G/B | G/B |
Whoa, | | | yeah |
Am7 | Fadd9 | C | G |
If you | want to, | I can sa | ve you |
Am7 | Fadd9 | C | G |
I can | take you away | from he | re |
Am7 | Fadd9 | C | G |
So lonely i | nside, | so busy o | ut there |
Am7 | Fadd9 | C | G |
And all you w | anted was someb | ody who car | es |
Am7 | Fadd9 | C | G |
If you | want to, | I can sa | ve you |
Am7 | Fadd9 | C | G |
I can | take you away | from he | re |
Am7 | Fadd9 | C | G |
So lonely i | nside, | so busy o | ut there |
Am7 | Fadd9 | C | G |
And all you w | anted was someb | ody who car | es |
Am7 | G |
Please can you | tell me |
Fadd9 | C |
So I can | finally see |
Am7 | G | Fadd9 |
Where you g | o when you’re go | ne |
| G | Bm7 |
I h | opped off the plane at L | .A.X. |
| Em | D |
With a | dream and my cardigan | |
G | Bm7 |
Welcome to the land of | fame excess |
| Bm7 |
Here I | am for the first time |
Em | D |
Look to my right and I see the Holly | wood sign |
G | Bm7 |
This is all so | crazy |
Em | D |
Everybody seems so famous | |
| Bm7 |
And I’m | feelin’ kinda home sick |
Em | D |
Too much pressure and I’m nervous | |
| G | Bm7 |
That’s when the | taxi man turned on the | radio |
| Em |
And a | Jay-Z song was on |
| Em |
And a | Jay-Z song was on |
| Em |
And a | Jay-Z song was on |
| Bm7 |
They’re | playing my song |
| Em | D |
And the | butterflies fly away | |
| G | Bm7 |
I’m | noddin’ my head like | yeah |
Em | D |
Movin’ my hips like yeah | |
| Bm7 |
They’re | playing my song |
| Em | D |
And I | know I’m gonna be okay | |
G | Bm7 | Em | D |
Ye | ah, it’s a p | arty in the USA | |
G | Bm7 | Em | D |
Ye | ah, it’s a p | arty in the USA | |
G | Bm7 |
Get to the club in my t | axi cab |
| Em | D |
Everyb | ody’s lookin at me now | |
| G | Bm7 |
Like | who’s that chick, that’s r | ockin’ kicks? |
| Em | D |
She g | otta be from out of town | |
G | Bm7 |
So hard with my g | irls not around me |
Em | D |
It’s definitely not a Nashville party | |
G | Bm7 |
‘Cause all I see are still | etos |
Em | D |
I guess I never got the memo | |
| Bm7 |
And I’m | feelin’ kinda home sick |
Em | D |
Too much pressure and I’m nervous | |
| G | Bm7 |
That’s when the D | .J. dropped my fav | orite tune |
| Em |
And a Br | itney song was on |
| Em |
And a B | ritney song was on |
| Em |
And a Bri | tney song was on |
| Bm7 |
They’re | playing my song |
| Em | D |
And the | butterflies fly away | |
| G | Bm7 |
I’m | noddin’ my head like | yeah |
Em | D |
Movin’ my hips like yeah | |
| Bm7 |
They’re | playing my song |
| Em | D |
And I | know I’m gonna be okay | |
G | Bm7 | Em | D |
Ye | ah, it’s a p | arty in the USA | |
G | Bm7 | Em | D |
Ye | ah, it’s a p | arty in the USA | |
Bm7 | Em |
Feel like hoppin’ on a f | light |
Bm7 | Em |
Back to my hometown ton | ight |
Bm7 | Em |
Something stops me every t | ime |
| C | D |
The | DJ plays my song and I feel alright | |
| Bm7 |
They’re | playing my song |
| Em | D |
And the | butterflies fly away | |
| G | Bm7 |
I’m | noddin’ my head like | yeah |
Em | D |
Movin’ my hips like yeah | |
| Bm7 |
They’re | playing my song |
| Em | D |
And I | know I’m gonna be okay | |
G | Bm7 | Em | D |
Ye | ah, it’s a p | arty in the USA | |
G | Bm7 | Em | D |
Ye | ah, it’s a p | arty in the USA | |
| Em | G |
We | clawed, we chained our | hearts in vain |
| D | Am |
We | jumped, never asking | why |
| Em | G |
We | kissed, I fell un | der your spell |
| D | Am |
A | love no one could | deny |
C | Em |
Don’t you ever say | I just walked away |
G | C |
I will always want y | ou |
C | Em |
I can’t live a lie | running for my life |
G | C |
I will always want y | ou |
| G | D |
I came in like a | wrecking ball | |
| Em | C |
I never hit so | hard in love | |
| G | D |
All I wanted was to | break your walls | |
| Em | C |
All you ever did was | wreck | me |
| Em | C |
Yeah you, | you wreck | me |
| Em | G |
I | put you high up | in the sky |
| D | Am |
And | now, you’re not coming | down |
| Em | G |
It | slowly turned, you | let me burn |
| D | Am |
And | now, we’re ashes on the | ground |
C | Em |
Don’t you ever say | I just walked away |
G | C |
I will always | want you |
C | Em |
I can’t live a lie | running for my life |
G | C |
I will always | want you |
| G | D |
I came in like a | wrecking ball | |
| Em | C |
I never hit so | hard in love | |
| G | D |
All I wanted was to | break your walls | |
| Em | C |
All you ever did was | wreck | me |
| G | D |
I came in like a | wrecking ball | |
| Em | C |
Yeah, I just closed my | eyes and swung | |
| G | D |
Left me crashing in a | blazing fall | |
| Em | C |
All you ever did was | wreck | me |
| Em | C |
Yeah you, | you wreck | me |
| Em |
I never meant to start a w | ar |
| G |
I just wanted you to let me in | |
| Bm |
And instead of using force | |
| C |
I guess I should’ve let you win | |
| Em |
I never meant to start a war | |
| G |
I just wanted you to let me in | |
| Bsus4 | B |
I guess I should’ve let you win | → | |
C | Em |
Don’t you ever say | I just walked away |
G | C |
I will always | want you |
| G | D |
I came in like a | wrecking ball | |
| Em | C |
I never hit so | hard in love | |
| G | D |
All I wanted was to | break your walls | |
| Em | C |
All you ever did was | wreck | me |
| G | D |
I came in like a | wrecking ball | |
| Em | C |
Yeah, I just closed my | eyes and swung | |
| G | D |
Left me crashing in a | blazing fall | |
| Em | C |
All you ever did was | wreck | me |
| Em | C |
Yeah you, | you wreck | me |
| Em | C |
Yeah you, | you wreck | me |
E-----------------|-------------------|
B-----------------|-------------------|
G--0-----00--3^-0-|-----0--0-3p0--0-0-|
D-----0h3--0------|---3--3-------3-3--|
A-----------------|-------------------|
E-3--3------------|-3-----------------|
E---------------------|----------------|
B-----------3-3---0-0-|----------------|
G-----0--0--3-3---0-0-|--3^-0--0--0----|
D--0h2--2-------------|-0-----3--3-----|
A---------------------|-------------1^-|
E-3-------------3-----|----------------|
| D | D/C |
County road | 233, | under my feet |
Gadd9 |
Nothin’ on this white rock but |
| D | D/C |
I’ve got | two miles till | he makes bail |
Gadd9 |
And if I’m right we’re headed |
D |
I’m goin’ home, gonna load up my shotgun |
C |
Wait by the door and light a cigarette |
G |
If he wants a fight well now he’s got one |
| D |
And | he ain’t seen me crazy yet |
| D |
He | slap my face and he shook me like a rag doll |
C |
Don’t that sound like a real man |
G |
I’m going to show him what a little girl’s made of |
| D | D/C |
It’s | half past ten, another | six pack in |
Gadd9 | D |
And I can feel the rumble like the | cold black wind |
| D | D/C |
He | pulls in the drive, the | gravel flies |
Gadd9 | D |
He dont know what’s waiting here this | time |
D |
I’m goin’ home, gonna load up my shotgun |
C |
Wait by the door and light a cigarette |
G |
If he wants a fight well now he’s got one |
| D |
And | he ain’t seen me crazy yet |
| D |
He | slap my face and he shook me like a rag doll |
C |
Don’t that sound like a real man |
G |
I’m going to show him what a little girl’s made of |
| C |
His | fist is big but my gun’s bigger |
G7 |
He’ll find out when I pull the trigger |
D |
I’m goin’ home, gonna load up my shotgun |
C |
Wait by the door and light a cigarette |
G |
If he wants a fight well now he’s got one |
| D |
And | he ain’t seen me crazy yet |
| D |
He | slap my face and he shook me like a rag doll |
C |
Don’t that sound like a real man |
G |
I’m going to show him what a little girl’s made of |
| D | F# | Bm |
Well, you can | take your | snow and | shove it |
| Em | D/F# | A |
This is our | Christmas | and we | love it |
| D | F# | G |
It’s a | hundred deg | rees, this elf is | Vietnamese |
| D | A |
That’s the | way that California | does it |
| D | F# | Bm |
Even our | Santa | has a | suntan |
| Em | D/F# | A |
He’s | also an | unemployed | stuntman |
| G |
Yeah, I’m | just really baked |
| D | A |
If | he can be Santa Claus, | anyone can |
G | A |
California | Christmas time |
| F#m | B |
It’s | just a Golden | State of mind |
Em | A | Am | D |
Chet’s nuts roasting | in the bright sun | light | |
Put on some pants, Chet
| G | A |
And | what would Christmas | be without |
| F#m | B |
Historically | low mountain snow causing | staggering drought |
| G | A | F#m |
But | hey, this eggnog | fro-yo’s super | tight |
| Em |
‘Cause | this is California |
| A | D |
And | we do Christmas | right |
| G/D | Gm/D |
California Christmas | ti | me |
| D | F# | Bm |
Don we | now our | surf ap | parel |
| Em | D/F# | A |
And we have our | own kind of | Christmas | Carol |
| D | F# |
It’s this | chick named | Carol |
| A |
Carol’s | fifty, but no judgment |
She’s still finding herself
We're all finding ourselves
| E | G# | C#m |
Okay, there | is no | easy | answer |
| F#m | E/G# | B |
For our | high rates | of skin | cancer |
| E | G# |
It | took my dad’s | life |
B |
Hang ten, Rudolph and Prancer |
A | B |
California | Christmas time |
| G#m | C# |
We | gather ‘round and sing | songs by Sublime |
| F#m | B | Bm | E |
And | all our local | reggae bands are | white | |
| A | B |
The | kids get lots of toys on | Christmas morn |
| G#m | C# |
‘Cause | daddy makes big bucks di | recting porn |
| A |
They | may have gonorrhea |
| B | G#m |
But at | least it’s not frost | bite |
| F#m |
‘Cause | this is California |
| B | E |
And | we do Christmas | right |
| A/E |
California Christmas | time |
| Am/E | E |
Cali | fornia Christmas | time |
| A/E |
California Christmas | time |
| Am/E | E |
Cali | fornia Christmas | time |
| E/A |
California Christmas | time |
| Am/E | E |
Cali | fornia Christmas | time |
| A |
California Christmas | time |
Calif...
I was...
G | D |
Working hard at a | New York job |
| G | D |
Making | dough but it made me | blue |
G | D |
One day I was | crying a lot |
| D | G | G# |
And | so I decided to | move | to |
Asus2 |
West Covina, California |
Brand new pals and new career
| F |
It | happens to be where Josh lives |
| D |
But that’s not why I’m | here |
| C |
She’s the | crazy ex-girlfriend |
What? No, I'm not
| G |
She’s the | crazy ex-girlfriend |
That's a sexist term
| C |
She’s the | crazy ex-girlfriend |
Can you guys just stop singing for a second?
D6 | Eaug |
She’s so broken in | side |
The situation's a lot more nuanced than that
OK, we get it
G | Am | G |
Crazy ex- | girl | friend |
| G |
Well I was | shopping for a new car which one’s me? |
| D |
A | cool convertible or an SUV? |
G |
Too bad I didn’t know my credit was whack |
| D |
‘Cause now I’m | driving off the lot in a used sub-compact |
G |
F-R-E-E that spells free |
D |
Credit report dot com baby |
D |
Thought about going but was too lazy |
| G |
Now ins | tead of looking fine and rolling phat |
| D |
My legs are | sticking to the vinyl and my posse’s getting laughed at |
G |
F-R-E-E that spells free |
D | G |
Credit report dot | com baby |
| G | G/B | C |
They | say a man should always dress for the | job he | wants |
| D | G |
So | why am I dressed up like a pirate in this restau | rant? |
| G | G/B | C |
It’s | all because some hacker stole my i | denti | ty |
| D | G |
Now I’m | in here every evening serving chowder and iced | tea |
Shoulda gone to
G | G/B | C |
Free credit report | dot | com |
| D | G |
I | coulda seen this coming at me like an atom | bomb |
| G | G/B | C |
They | monitor your credit and send you e- | mail a | lerts |
| D | G |
So that | you don’t end up selling fish to tourists in t- | shirts |
F | Bb | C |
| I’m just gonna, I’m gonna | take this time and speak from the heart |
F | Bb | C |
I just wanna lay down how I feel, | this is for you | |
F | Bb | C |
Sayin’ goodbye to Britta was the | hardest thing to | do |
| F | Bb | C |
But when s | omeone’s a bitch and a liar, there ain’t | nothing left to | woo |
F |
I’m gettin’ rid of Britta (she’s gotta go) |
Bb | C |
I’m gettin’ rid of the | B (she’s a no good B) |
F |
I’m gettn’ rid of Britta |
Bb | C |
I’m gettn’ rid of the | B (she’s a GDB) |
F | Bb | C |
Take it Pierce, what, what, w | hat, | hell yes |
F | Bb | C |
I didn’t know when I saw her blond hair that she could e | ver be that way | |
| F | Bb | C |
So t | iny and small, she seemed to have it all but she | made me say bitch, | hey, that ain’t cool |
F |
I’m gettin’ rid of Britta |
Bb | C |
I’m gettin’ rid of the | B (she’s a no good B) |
F |
I’m gettn’ rid of Britta (she’s gotta go) |
Bb | C |
I’m gettn’ rid of the | B (she’s a GDB) |
F | Bb | C |
Come on, | one more time for me Pierce | |
F |
It isn’t like I would ever hit her |
Bb | C |
But I would sell it to the | highest bidder |
F |
She bummed me out, she bruised my soul |
| Bb | C | F |
She l | ied to my heart, she | left me less than | whole |
F |
I’m gettin’ rid of Britta |
Bb | C |
I’m gettin’ rid of the | B (she’s a no good B) |
F |
I’m gettn’ rid of Britta (it’s not healthy man) |
Bb | C |
I’m gettn’ rid of the | B (she’s a GDB) |
F | F | Bb | C |
F | Bb | C |
Britta’s a B, | not a | C |
F | Bb | C |
Britta’s a B, | I’m just speaking the truth here | |
Can I help you *enjoy* that Snickers?
G | G/F# | Em | Em7 |
Happy peanuts so | ar over | chocolate-covered mou | ntaintops and |
G | G/F# | C |
Waterfalls of | cara | mel |
| G | G/F# | Em | D | G |
Prancing | nougat in the | meadow sings a | song of satis | faction to the | world |
Dsus2 |
This chick’s rockin’ your bro’ on the dance floor... |
Dsus2 | G |
But she’s towing an | anchor |
Dsus2 | G |
A junior inv | estment banker |
Bm | A | F#11 |
Who’s talkin’ ‘bout her | self and not much | more, oh |
G | D | A |
So buy her a beer, | it’s the reason you’re | here, mighty wingman |
Bm | D | A |
You’re takin’ one | for the | team |
| Bm | A | G |
So your | buddy can | live the | dream |
| E |
She’s a | berry bitty girl |
| F#m |
With berry | big possibilities |
| B |
Is the | secret to her recipes |
| A |
She’ll | be your best bud |
E | F#m |
Strawberry, | Strawberry |
E | F#m |
No task is | too tall |
| D | E |
For | Strawberry Short | cake |
She's a berry bitty girl
With big possibilities
She may be small but
Am |
Weep for yourself, my man |
| C |
You’ll never be what is in your | heart |
| C |
You’re not as brave as you were at the | start |
G |
Rate yourself and rake yourself |
F | F/E | F/D | C |
Take all the | courage | you have | left |
| G |
And | waste it on fixing all the |
F | F/E | F/D | C |
Problems that you | made in | your own | head |
| Am | Fmaj9 | C |
But it was | not your | fault but m | ine |
| Am | Fmaj9 | C |
And it was | your heart | on the l | ine |
| Am | Fmaj9 | C |
I really | fucked it | up this t | ime |
Didn't I, my
Am |
Tremble for yourself, my man |
| C |
You know that you have seen this all b | efore |
Am |
Tremble little lion man |
| C |
You’ll never settle any of your | scores |
| G |
Your | grace is wasted in your face |
| F | F/E | F/D | C |
Your | boldness stands a | lone am | ong the | wreck |
| G |
Now | learn from your mother or else |
F | F/E | F/D | C |
Spend your days | biting | your own n | eck |
| Am | Fmaj9 | C |
But it was | not your | fault but m | ine |
| Am | Fmaj9 | C |
And it was | your heart | on the l | ine |
| Am | Fmaj9 | C |
I really | fucked it | up this t | ime |
| Am | Fmaj9 | C |
But it was | not your | fault but m | ine |
| Am | Fmaj9 | C |
And it was | your heart | on the l | ine |
| Am | Fmaj9 | C |
I really | fucked it | up this t | ime |
C | C | F/C | F/C |
C/D | C/E | F/C | F/C |
| | | |
Gadd11 | C | Fmaj9 | Fmaj9 |
Ah, | ah ah | ah, | ah ah |
Gadd11 | C | Fmaj9 | Fmaj9 |
Ah, | ah ah | ah | ah ah |
Gadd11 | C | Fmaj9 | Fmaj9 |
Ah, | ah ah | ah, | ah ah |
Gadd11 | C | Fmaj9 | Fmaj9 |
Ah, | ah ah | ah | ah ah |
Gadd11 | C | Fmaj9 | Fmaj9 |
Ah, | ah ah | ah | ah ah |
Gadd11 | C | Fmaj9 | Fmaj9 |
Ah, | ah ah | ah | |
| Am | Fmaj9 | C |
But it was | not your f | ault but m | ine |
| Am | Fmaj9 | C |
And it was | your heart | on the l | ine |
| Am | Fmaj9 | C |
I really | fucked it | up this t | ime |
| Am | Fmaj9 | C |
But it was | not your | fault but m | ine |
| Am | Fmaj9 | C |
And it was | your heart | on the l | ine |
| Am | Fmaj9 | C |
I really | fucked it | up this t | ime |
| E |
I’m through with | standing in line to clubs I’ll never get in |
| A |
It’s like the | bottom of the ninth and I’m never gonna win |
| D | E |
This | life hasn’t turned out quite the way I want it to | be (tell me what you want) |
| E |
I want a | brand new house on an episode of Cribs |
| A |
And a | bathroom I can play baseball in |
| D | E |
And a | king size tub big enough for ten plus | me (what you need?) |
| E |
I’ll need a, a | credit card that’s got no limit |
| A |
And a | big black jet with a bedroom in it |
| D | E |
Gonna | join the mile high club at thirty seven thousand f | eet |
| E |
I want a | new tour bus full of old guitars |
| A |
My own | star on Hollywood Boulevard |
| D | E |
Some | where between Cher and James Dean is fine for | me (so how you gonna do it?) |
| G |
I’m gonna | trade this life for fortune and fame |
| A |
I’d even | cut my hair and change my name |
| E |
‘Cause we | all just wanna be big rockstars |
| G |
And live in | hilltop houses driving fifteen cars |
| A |
The | girls come easy and the drugs come cheap |
| C | D |
We’ll | all stay skinny ‘cause we | just won’t eat |
| E |
And we’ll, | hang out in the coolest bars |
| G |
In the | V.I.P. with the movie stars |
| A |
Every | good gold digger’s gonna wind up there |
| C | D |
Every | Playboy bunny with her | bleach blond hair, and well |
G | A | E |
Hey, hey, | I wanna be a rock | star |
G | A | E |
Hey, hey, | I wanna be a rock | star |
| E |
I wanna be gr | eat like Elvis without the tassels |
| A |
Hire e | ight body guards that love to beat up assholes |
| D |
Sign a co | uple autographs |
| E |
So I can eat my meals for fr | ee |
| E |
I’m gonna dr | ess my ass with the latest fashion |
| A |
Get a fr | ont door key to the Playboy mansion |
| D |
Gonna d | ate a centerfold that loves |
| E |
To blow my money for m | e (so how you donna do it?) |
| G |
I’m gonna | trade this life for fortune and fame |
| A |
I’d even | cut my hair and change my name |
| E |
‘Cause we | all just wanna be big rockstars |
| G |
And live in | hilltop houses driving fifteen cars |
| A |
The | girls come easy and the drugs come cheap |
| C | D |
We’ll | all stay skinny ‘cause we | just won’t eat |
| E |
And we’ll, | hang out in the coolest bars |
| G |
In the | V.I.P. with the movie stars |
| A |
Every | good gold digger’s gonna wind up there |
| C | D |
Every | Playboy bunny with her | bleach blond hair, and well |
| E |
And we’ll | hide out in the private rooms |
| G |
With the la | test dictionary of today’s who’s who |
| A |
They’ll g | et you anything with that evil smile |
| C | D |
Everyb | ody’s got a drug dealer on | speed dial well |
G | A | E |
Hey, hey, | I wanna be a rock | star |
| C |
I’m gonna | sing those songs that offend the censors |
| G |
Gonna | pop my pills from a pez dispenser |
| C |
Get | washed-up singers writing all my songs |
| A | D |
Lip | sync ‘em every night so I don’t | get ‘em wrong |
| E |
‘Cause we | all just wanna be big rockstars |
| G |
And live in | hilltop houses driving fifteen cars |
| A |
The | girls come easy and the drugs come cheap |
| C | D |
We’ll | all stay skinny ‘cause we | just won’t eat |
| E |
And we’ll, | hang out in the coolest bars |
| G |
In the | V.I.P. with the movie stars |
| A |
Every | good gold digger’s gonna wind up there |
| C | D |
Every | Playboy bunny with her | bleach blond hair |
| E |
And we’ll | hide out in the private rooms |
| G |
With the la | test dictionary of today’s who’s who |
| A |
They’ll g | et you anything with that evil smile |
| C | D |
Everyb | ody’s got a drug dealer on | speed dial well |
G | A | E |
Hey, hey, | I wanna be a rock | star |
G | A | E |
Hey, hey, | I wanna be a rock | star |
| Gadd9 | D |
This is the | story of a girl | |
| E7sus4 | A |
Who cried a river and | drowned the whole world | |
| F#m | Gadd9 |
And while she | looks so sad in | photographs |
| E7sus4 |
I | absolutely love her |
D | A | Gadd9 | D | A | Gadd9 |
| → | → | | → | → |
F#m | Gadd9 |
How many days in a year | |
| D | A |
She | woke up with hope but she | only found tears |
| F#m | Gadd9 |
And | I can be so in | sincere |
D | A |
Making the promises | never for real |
| F#m | Gadd9 |
As | long as she stands there waiting | |
D | A |
Wearin’ the holes in the | soles of her shoes |
F#m | Gadd9 |
How many days disappear | |
| D | A |
When you | look in the mirror, so | how do you choose |
| Bm7 | Asus4/C# |
Your | clothes never wear as | well the next day |
| D | E7sus4 |
And your | hair never falls in | quite the same way |
| Bm7 | Asus4/C# | E7sus4 |
And | you never seem to | run out of things to | say |
| Gadd9 | D |
This is the | story of a girl | |
| E7sus4 | A |
Who cried a river and | drowned the whole world | |
| F#m | Gadd9 |
And while she | looks so sad in | photographs |
| E7sus4 |
I | absolutely love her |
D | A | Gadd9 | D | A | Gadd9 |
| → | → | | &rarr |